Continuum, Orphan Black, and Fargo are all heading towards their season finales and all had major events this week. Continuum had a real game changer with 3 Minutes To Midnight. While the most significant revelations happened at the end, a lot also happened earlier in the episode. The storyline about Halo raises further questions about both the abuse of technology and as to whether Kiera chose the right Alec. We saw the other Alec still alive in one of those Freelancer glass cages. They make for interesting scenes, but they don’t look all that practical for long term incarceration. How do the prisoners even go to the bathroom? Jason went out in search of the time travel device from the Alex from the original time line, but how did he know where to look? Julian, now the Vice President of Social Responsibility at PIRON, finally learns about all the time travel going on. I loved how Kellog thought Brad was a car jacker when it turned out that Brad was turning to Kellog for help–as it turned out that a future Kellog had sent Brad back in time. Kiera ultimately caught up with Brad when he went to a hiding place at an old home and saw his younger self, apparently with no negative repercussions. He did confess to Kiera how he shot the other Kiera, and was fortunate that at this point she didn’t really seem to mind.
The climax was set up with, as Travis described it, “It’s like Wylie Coyote finally catches the roadrunner.” There are further comparisons to the Terminator series. It is not clear as to why Liber8 was going after capturing Kiera at this point, or if they even knew about Brad. Once captured, Brad’s story did become the main matter of interest. Liber8 learned that they were successful in preventing the development of the Corporate Congress, but the result was worse in the time line which Brad came from. They also found that they were all pawns. Garza was working for Sadler, Kellog had his own agenda, and Chen was working for the Freelancers.
Simon Berry gave a clue as to what this might all mean in this interview with the Canadian TV Guide. The second paragraph is essential in considering how time travel plays into the story:
TV Guide Canada: Last week you told us this Sunday’s episode was going to have people talking and you were absolutely right. When did you guys decide you were going in this direction and have no one able to control the future?
Simon Barry: When we were breaking Season 3, the idea that this new timeline–were it to be exposed beyond just Kiera and Alec to Liber8 would kind of create an existential crisis–was something we loved the idea of as a concept. We realized as Kiera was coming around and waking up about her reality that at the same time she was able to sort of come to terms with the truth about where she came from, we could also allow Liber8 to learn the truth about their circumstances so that everyone would at the same time go through this mental reality check. Here’s what the rules really are, here’s what is actually going on.
In terms of time travel, when you believe that you’re the last time traveler, you have this assumption that you’re in control of the situation. When you discover that someone else has actually time-traveled after you, you realize you’re a pawn in someone else’s game. It can be a profound and very disturbing realization that your efforts have been trumped essentially. The time travel trump card is whoever has traveled most recently. [Laughs.] For Liber8, it was important for them to have a catharsis and for reasons that will be revealed in Episodes 12 and 13, this moment of realization fundamentally shifts Liber8′s perspective.
So where do we go from here? Does Kiera and/or Liber8 try to fix this time line? Can that even be done? If it is the last time traveler who is in control of the situation, it is not clear if Kiera or Brad is the last. Will next season move on to yet another time line where Kiera or someone else is in control of the situation? This week’s episode opened up so many possibilities.
On Things Which Have Never Yet Been Done, Orphan Black advanced the story lines for most of the clones (although no sight of Tony, who was introduced last week). It appears that Alison watched Dexter but not Breaking Bad when she discussed the disposal of Dr. Leekie’s body. She rejected Donnie’s idea of dumping him under water (“Do we have a boat?! Have you ever seen Dexter? Random scuba divers are finding everything!”). She didn’t consider destroying the body with acid. She decided upon burying him in their garage, but this does mean that the evidence will always be around and there should also be a difference in the concrete the shape of a burial plot. Just when it looked like Donnie was of little value, he suddenly grew up and took on both Vic and Angie.
Helena remains a psychopathic killer, but this season has been a psychopathic killer for the good guys/clones. I almost feel sorry for Henrick, and we don’t know the fate of most of the people at the Prolethian compound. Helena certainly would not have left the kids to die, and reportedly there was a scene which was cut for time in which she did help them escape. We also don’t know for sure whether Helena, Gracie, or both really are pregnant, and if they will keep the babies if they are.
Back at Dyad, Rachel continues to manipulate Delphine (the new Leekie) and Cosima. Poor Delphine tried to help Sarah but turned out to have been manipulated by Rachel (who has an awesome media room). There was yet another scene in which one clone impersonated another–this time Rachel playing Sarah to kidnap poor Kira following the bone marrow donation. In a way the penultimate episode placed us where we incorrectly assumed we were at the end of season one with Kira captured by Dyad.
John Fawcett answered some questions for Entertainment Weekly heading into the season finale:
ENTERTAINMENT WEEKLY: This episode was very heavy on insemination and people in stirrups. What’s up with that?
JOHN FAWCETT: It wasn’t something that we were purposely trying to do, but there is a nice mirroring thing of Helena at the beginning and then kind of matching that and having Gracie have the same procedure happen. It just gets to this creepy ongoing saga of the Proletheans and their grand plans for Helena.
EW: Speaking of people in stirrups, I suppose it’s time to offer a eulogy for the dearly departed Henrik. Why decide to take him out and in such a painful fashion?
FAWCETT: He kinda got what we deserved, don’t you think? Listen, it’s a fun and a sick way to dispatch one of your villains. And I think Helena has had a little revenge on her brain for a while.
EW: The Proletheans have been such a big part of this story for the first two seasons. With Helena torching that place and taking out their leader, are they now not going to be a big part of the show? Are we sort of done with them, or will they continue to be a part of this saga?
FAWCETT: We have not seen the last of the Proletheans. What this represents is a kind of a win for our team. But it’s definitely not a “we’re done with them.” It’s not the end of the empire. Darth Vader’s still spinning off into space.
EW: Is this kidnapping a case of Rachel trying to recreate her lost childhood and have the family unit she felt she never did?
FAWCETT: Rachel’s a little creepy, there’s no question. That could be an aspect of it. It seems to me from all the conversations that Kira is very important to Dyad, from a biological point of view. But also, this has become personal between Rachel and Sarah, and we begin the season with a war between Sarah and Rachel and this war is basically coming to a head with Rachel taking Kira. So you can imagine that this is not going to go well at this point. Especially considering that this ongoing war is really the framework and A story of season 2.
EW: Okay, now’s your chance to tease the finale. We still have a lot of balls in the air. What can we expect next week?
FAWCETT: Sarah is obviously going to have to deal with Rachel. We know who took Kira. It’s not like we’re trying to figure out who took her. We know who took her. So this is going to come to a bit of a showdown between Sarah and Rachel and that’s going to be the exciting thing to watch next week.
EW: There are some people we have not seen in a while. We haven’t seen much of Paul, who is off somewhere. Might he pop back up again?
FAWCETT: We’ve done a lot to bring all the storylines all together for the season finale, so there’s a chance you might see him.
Fargo’s penultimate episode, A Fox, A Rabbit, and a Cabbage, sets up what is billed as a bloody finale. Lester both remain foolish and ethically descends into a full Heisenberg. Flashbacks brought us up to date on why Malvo was pretending to be a dentist in order to track down the brother of a dentist in witness protection. His plan was disrupted when Lester appeared, insisting he knew him. Malvo gave him the same choice he gave him in the first episode: “Yes or no?” Lester showed he learned nothing in answering “Yes,” leading Malvo to kill everyone else in the elevator. “That’s on you.” Lester made another foolish mistake in making a dangerous enemy out of Malvo by hitting Malvo but leaving him alive. This led Malvo to warn him, “See you later, Lester. See you soon.”
Until this point it appeared that Lester could get away with everything he did a year earlier. Of course, unknown to him, there was again danger from Molly solving the case now that the two FBI agents were taking her seriously. Plus there were new suspicions with Lester having been in Los Vegas at the time of the murders in the elevator.
Lester returned home, hoping to leave the country with his wife Linda. After hearing Linda tell Lester how she always loved him and felt like Cinderella, it was obvious that she was doomed. Suspecting that Malvo was waiting for him at his office, where their passports were stored, Lester had Linda wear his parka with hood up. I doubt that Malvo really confused Linda for Lester when he shot her. If there was any doubt that Lester deserves to either be captured by Molly or killed by Malvo, this resolved it.
In comparing the television adaptation with the movie, I initially saw Lester as more being the victim of circumstances and, despite killing his wife in a fit of rage, not being evil in the sense that William H. Macy’s Jerry Lundegaard was. While things got totally out of hand for both Lester and Jerry, the difference was that Jerry had planned a crime from the start. Lester, like Walter White, became more evil as the series went on, previously framing his brother for his wife’s murder, and now setting up poor Linda.
Lester’s fate might have been determined by the poor decision he made in this episode. Poor decisions often wind up influencing the direction of television shows. For example, tonight we will probably learn the fate of Tyrion on tonight’s season finale of Game of Thrones. He has been sentenced to death after Oberyn was killed by the Mountain in the trial by combat two weeks ago (but I wonder if he gets off on a technicality if both are dead). It was clear that Oberyn would be killed when he made the terrible decision not to kill the Mountain when he had him down, instead demanding a confession. While Oberyn was a fool in that episode, it was good to see Sansa mature, and finally act in control of her fate (somewhat similar to how Donnie acted on Orphan Black).
The above trailer has been released for Sin City: A Dame to Kill For.
Current rumors regarding upcoming DC superhero movies:
May 2016 – Batman v Superman
July 2016 – Shazam
Xmas 2016 – Sandman
May 2017 – Justice League
July 2017 – Wonder Woman
Xmas 2017 – Flash and Green Lantern team-up
May 2018 – Man Of Steel 2
HBO decided that an adaptation of Neil Gaiman’s book American Gods was too much to take on:
I think we’re all huge fans of the book, and I think the script just didn’t — we couldn’t craft the script as good as we needed it to be. I think we knew going in that it would be a challenge; every good book is a challenge to adapt it and find the level you need for it. The bar is high now for great dramas. And to find that bar — we tried. So it was a huge disappointment […] We tried three different writers, we put a lot of effort into it. Some things just don’t happen. We have to trust at the end of the day, if you don’t have a star with a great script, you’re just not going to go through with it.