Once again, as I did last year, I’m concentrating, I’m concentrating on the top new shows of the past year (but will include some comments on returning shows below). This is for a few reasons:
- Not having the time to devote professional time to television as professional television critics do, there are many shows I have not watched purely due to lack of time. Limiting to a single year reduces the impact of this.
- Limiting to new shows eliminates the problem in many “best of” lists of including the same shows every year.
- Talking about new shows could be of greater value. It is more likely that readers know about the top shows which have been on for the last several years, but might not be aware of some of the shows which started more recently.
- If readers are inspired to catch up on a show from a list such as this, it is far more practical to catch up after one season than several. I know this from personal experience. This is why I cannot say much about the series finale of Justified, which has received great reviews, as I’m years behind. It was much easier to catch up on Manhattan and The 100 after missing the first season, allowing me to say more about them below.
Besides being limited to shows I have watched, this is also biased towards genre shows. Therefore, what might be the year’s biggest hit among new shows, Empire, is excluded from consideration on both counts. Rankings are also quite arbitrary, and some shows could easily be a few spots higher or lower if I were to redo this fifteen minutes later. Still, this gives a general idea of which I consider among the best as compared to those ranked lower. It is a sign of the increased number of good shows coming out, partially due to the increased influence of steaming video along with cable, that I have expanded from a top fifteen list last year to a top 20 list this year.
Top 20 New Shows Of 2015
20. Last Man on Earth (ABC)
This would have ranked far higher if it could have maintained the quality of its original premiere, but adding new characters just led to it devolving into a number of more standard sitcom tropes. Still, while many gave up on the show, I continued to have interest in the first season finale and into the second season.
19. Childhood’s End (Syfy)
Adapting a novel from Arthur C. Clarke seemed like a sure winner, but there were problems I didn’t expect from doing this until I viewed the miniseries. It seemed far more dated in 2015 compared to when I read the novel in the 1960’s now that we have seen so many shows with alien visitation to earth. This story worked out much better as a novel as they could not capture important aspects of the story, including the magnitude of the ending, on television as compared to in prose. The show also failed to make the new world created in the miniseries seem believable, compared to the far better adaptations in a couple of other shows listed below. We heard about all the changes on earth, but rarely saw them, and what we did seem, such as mankind giving up science, didn’t seem believable.
18. Togetherness (HBO)
An excellent sitcom showing how cable and streaming have replaced the “must watch TV” from NBC and the other broadcast networks.
17.The Expanse (Syfy)
Syfy returns to space, with a mystery and quite a bit of world building in the series based upon the novels by James S. A. Corey. I have only seen the first two episodes so far, so my opinion of the show could change once I see more. It was just recently renewed for a second season.
16. Fresh Off The Boat (ABC)
Both Blackish last year and Fresh Off The Boat this year offer new variations on Modern Family. Constance Wu makes the show.
15. Casual (Hulu)
Yet another twist on a family sitcom, done far better by Hulu than the networks.
14. 12 Monkeys (Syfy)
A time travel show which took aspects from the movie, but improved upon them for a weekly series. The series did an excellent job of building on its mythology, providing surprises, and moving in a new direction in the season finale.
13. Jonathan Strange and Mr. Norell (BBC One/BBC America)
An excellent adaptation of Susanna Clarke’s novel, making a world in which magic exists seem real.
12. Supergirl (CBS)
Another show from the produces of Arrow and The Flash, with his being much closer to The Flash in style. The show had an excellent pilot, but for a while seemed like a weaker version of The Flash. It started getting more interesting toward the end of the fall season as the show had an opportunity to develop. Spoilers ahead: Major events before the hiatus included the revelation that Hank Henshaw is the Martian Manhunter. Calista Flockhart is excellent as Cat Grant, but considering her profession can she be trusted now that she figured out Supergirl’s secret identity? So far Supergirl doesn’t know about Hank, but it is inevitable that she learns who he is. A shape shifter could be useful to show both Supergirl and Kara in the same place to fool Cat.
11. Sense 8 (Netflix)
A very ambitious show, which took time to develop its story, but well worth the wait. Enjoy the scenery from around the world while trying to figure it out in the early episodes.
10. Agent Carter (ABC)
This shows how much better a network show can be when limited to a single eight-episode story. Maybe that is why it is the only network show which cracked the top ten. Of course a network still could not compete with streaming when entering the Marvel universe.
9. The Unbreakable Kimmy Schmidt (Netflix)
This shows how the networks have surrendered quality sitcoms to streaming and cable. The show was originally produced by Tina Fey for NBC, but they passed on it and it was picked up by Netflix. It will be interesting to see if the show is even better when the second season is produced, knowing it will appear on Netflix rather than NBC.
8. Daredevil (Netflix)
The first of a series of shows from the Marvel universe. Dardevil was darker, grittier, and more violent than any of the superhero shows before this. The series also took advantage of the streaming medium, often telling a continuous story, but sometimes including a more conventional single episode on a specific topic (which was still part of the greater story for the season).
7. Master of None (Netflix)
Aziz Ansari shows how good a comedy could be on what I bet is a low budget if there is excellent writing. Besides comparisons to his character on Parks and Recreation, the show is often compared to Louie. I also see a lot of early Seinfeld in it.
6. Catastrophe (Channel 4/Amazon)
The British show, also made available in the United States from Amazon Prime, was the best new sitcom of the year. It was this year’s, You’re The Worst, with Sharon Horgan playing what felt like could be an older version of Aya Cash’s chacter, and the nationalities of Jimmy and Gretchen’s nationalities reversed.
5. Man In The High Castle (Amazon)
While changes were made for the new version, Man In The High Castle was an excellent adaptation of the Philip K. Dick novel, providing a realistic look at what could have happened if Germany and Japan had won World War II and occupied the United States. Changes were made in some characters, and there were plot differences to turn this into an ongoing series. Hitler remaining alive in the 1960’s provides for a difference in the politics. Instead of a book with an alternate history in which the Allies won, using film reels worked better on television. While the main storyline was tied up, the finale raised new questions, making me very happy that it was renewed. Spoilers ahead: As happened earlier in the book, the finale did show a character crossing over into an alternate universe looking like ours, partially explaining the meaning of those news reels. I still have a lot of questions about them, and if the book gave any further hints, I read it too long ago to remember. The finale did wrap up the major storyline and led to an unexpected character living in a “high castle” who was interested in the news reels. Is he really the title character, and how is he connected to the films?
4. Humans (Channel 4/AMC)
Yet another British import on this list which was also shown in the United States presented a look at how robots (Synths) could change our society, along with a thriller storyline involving a small group of Synths which were more than they seemed. I’m not sure if the second season could be as strong as the first now that all the secrets have been revealed, but they definitely left matters open to continue the story.
3. Mr. Robot (USA)
A cyber-thriller which is totally different from what anyone would expect from a show on USA. The show gave a lot of hints about one element which was not confirmed until later in the season, but still came up with surprises along the way. The season finale also left room for a lot more.
2. Better Call Saul (AMC)
Better Call Saul greatly exceeded expectations, standing on its own in addition to being a prequel series to one of the greatest television series of all time, Breaking Bad.
1. Jessica Jones (Netflix)
Netflix exceeded what was accomplished on Daredevil with Jessica Jones, staring Kristin Ritter in the title role. The series, even more than Daredevil, was like a single long movie, with only brief breaks in the narrative to fill in viewers on the back stories of the major characters. This works as a stand alone story, but also has references to The Avengers, a character from Daredevil, and sets up future shows, especially Luke Cage.
Spoilers ahead. The show did so many things well. While many super hero stories suffer from trying to create yet a bigger danger to the entire world to fight, Jessica Jones was a personal story between Jessica and the villain, with David Tennant doing a fantastic job playing Kilgrave. Without their powers, this is essentially the story of an abused woman who once again confronts the man who abused her. Add on the super powers, and it becomes a story of a man who can have whatever he wants and does not understand why Jessica does not love him when he is nice to her.
Most of the supporting cast was also excellent, including Mike Colter as Luke Cage and Rachel Taylor as Trish Walker. One neighbor initially seemed to be a stereotypical drug addict, but turned into a significant figure. The brother and sister also living in the same building were the weakest characters, but the sister was useful to allow Kilgrave to escape. The length of the story did require a series of near-captures, captures, and escapes. Plus it was necessary to change the situation so that the ending could take place, when earlier Jessica had reason to not only capture Kilgrave alive, but provide proof of his powers.
Grace and Frankie (Netflix) Any show staring Lily Tomlin, Jane Fonda, Martin Sheen, and Sam Waterston has to be good, even if some of other new sitcoms were more consistent.
Blindspot (NBC) A fascinating premise made the early shows feel like something unique from network drama, but far too often it is just a gimmick to introduce the case of the week. Whether the show becomes a great will depend on whether the underlying mystery of the show remains compelling. Also on NBC, Blacklist almost felt like a new show with Lizzie now on the run, reminiscent of how Person of Interest evolved into more of a genre show last year on CBS.
Limitless (CBS) A lighter genre show which shows potential to be entertaining, but I doubt will rise to greatness.
Wet Hot American Summer: First Day of Camp (Netflix) A prequel to the movie.
The Late Show with Stephen Colbert (CBS) and The Nightly Show with Larry Wilmore (Comedy Central) were two excellent additions to light night television, a genre which I arbitrarily left out of the rankings. They help make up for the loss of David Letterman and Jon Stewart. I haven’t actually watched much of Larry Wilmore but he has been hilarious when I’ve seen clips. I’m looking forward to seeing him host the White House Correspondents’ dinner.
The Republican Debates have become an amusing reality show, featuring reality television star Donald Trump. His previous reality show had a similar format in gradually eliminating candidates vying for a job.
Besides the above changes on late night television, this year marked the end of many excellent shows including Mad Men, Parks and Recreation, Hannibal, Parenthood, Continuum, and Justified. Downton Abbey concluded in the UK with the Christmas special, but the final season is just now beginning in the United States. (No spoilers, but the series ended well).
Last year I left out some shows only because I had not had a chance to see them yet. These included The 100 (CW) and Manhattan (WGN). These turned out to both be extremely high quality shows. and both would have made the top five if I had seen them when compiling last year’s list.
Among shows I’ve heard excellent things about, and very well might deserve to be ranked among the top shows but I have not had a chance to see so far are Narcos (Netflix), Wolf Hall (BBC Two/PBS), and The Jinx (HBO). While not as critically acclaimed, I have received a plug for another genre show, Wayward Pines (Fox).