Pictures, such as the one above, and an official synopsis have been released for the Christmas episode of Doctor Who, The Time of the Doctor:
Orbiting a quiet backwater planet, the massed forces of the universe’s deadliest species gather, drawn to a mysterious message that echoes out to the stars. And amongst them – the Doctor. Rescuing Clara from a family Christmas dinner, the Time Lord and his best friend must learn what this enigmatic signal means for his own fate and that of the universe.
Despite the revelation of John Hurt as the War Doctor, Steven Moffat is sticking with the current numbering:
“He’s just The Doctor, Matt Smith’s Doctor is the 11th Doctor, however there is no such character as the 11th Doctor – he’s just the Doctor – that’s what he calls himself. The numbering doesn’t matter, except for those lists that you and I have been making for many years. So I’ve given you the option of not counting John Hurt numerically – he’s the War Doctor.”
If the numbering was only being done by fans it wouldn’t matter, but the numbering has appeared during the shows. On the one hand there has been talk of “the fall of the eleventh”, while on the other hand there was reference to “all thirteen” Doctors during The Day of the Doctor. The number of Doctors, if not how they are referred to, is important if there is a regeneration limit, and in this context we cannot leave out a regeneration. Moffat is separating the reference of number to Doctors from actual regenerations–sort of like the Big 10 having twelve teams and expanding to fourteen.
I previously had thought that the regeneration from Matt Smith’s Doctor to Peter Capaldi’s would be the twelfth and final regeneration, speculating that the limit might be exceeded by having the next Doctor find Gallifrey and be rewarded with a new set of regenerations. Steven Moffat has made matters even more complicated in an interview with Radio Times:
As Whovians will know, ever since the 1976 episode The Deadly Assassin it has been taken as fact that a Doctor can only regenerate twelve times in a cycle, allowing thirteen incarnations.
Officially until now, Matt Smith has been the 11th Doctor, meaning fans have started to wonder what will happen in 5-10 years time when we reach 13 after Peter Capaldi.
But Moffat has moved the goalposts, or perhaps more aptly stuck his own sonic screwdriver into the history of the show and given it a big twist.
On Saturday he told me Matt is actually the 13th and final doctor. John Hurt is officially now a doctor and David Tennant used up an extra regeneration during his stay.
In essence, the end of Matt at Christmas should mean the end of Doctor Who.
Where this leaves Peter Capaldi is unclear. But what Moffat would say is: “The 12 regenerations limit is a central part of Doctor Who mythology – science fiction is all about rules, you can’t just casually break them.
Everything changes if we consider the events of Journey’s End as showing David Tennant’s Doctor using up a regeneration (and ignoring the regeneration energy given to the Doctor by River Song in Let’s Kill Hitler). While we know that Moffat lies, or at least loves to cause misdirection with regards to speculations on future events on the show, this does force an update to previous predictions. The issue becomes more urgent to prevent Matt Smith from playing the last Doctor, which we know will not occur. Now it appears possible that Matt Smith’s Doctor might find Gallifrey and receive extra regenerations in The Time of the Doctor. Reportedly the episode will also tie up several of the loose ends Moffat has left since taking over regarding predictions of the fall of the eleventh, The Silence, The crack in time, and the Weeping Angels. There are also rumors that the Doctor will lose a limb before being regenerated.
During the above interview, Steven Moffat discussed further minisodes following the success of The Night Of The Doctor (posted here).
“I think this will usher in not so much a Paul McGann mini-series but usher in more minisodes, and I think we should take them more seriously than we used to. Night was the first one we’ve actually said, ‘Let’s make a high production value belter and let’s give them a surprise!’”
He teased: “You can count on us doing something like that again, but we won’t tell you when! I’ve actually told the BBC, ‘if we do it again we’re doing it in Cardiff and we’re not even telling you what we’re doing and we’ll give you it on the day…’
With Doctor Who Confidential no longer on the air, the BBC has released a series of brief videos giving an Inside Look on the 50th anniversary and the making of The Day of The Doctor, such as the video above. More of these videos have been posted at Geeks of Doom.
We have a long wait after the Christmas episode. Doctor Who begins filming in January but the next season will not be aired until fall. There have been reports that the full season will air in the fall instead of being split but I’m not sure how official this is.
Sherlock resumes on January 19 in the United States but many of us will be downloading copies earlier now that it has been announced that season 3 will begin on January 1. The BBC spread news of the date for the first episode, The Empty Hearse, by having the above hearse drive around London. The Sign of Three airs on January 5 and the finale, His Last Vow is on January 12. For those in other countries, Sherlockology has a lengthy list of broadcast dates. It also appears that there will be sort of a triangle.Martin Freeman’s real-life wife Amanda Abbington will also star as John Watson’s love interest Mary Morstan.
The Weinsteins are looking into several television projects, including some genre shows. This includes a television version of Sin City and an adaptation of the movie version of Steven King’s The Mist. Hopefully this works out better than Under the Dome (and there is no reason to believe that different people will make the same mistakes with a different story).
Orphan Black‘s second season will begin on April 19 in the United States on BBC America and in Canada on Space. I have not heard of a date being set in the UK but last year the show aired well after it aired in the United States. The season 2 trailer is above, which unfortunately contains no new footage even though the series has been filming for a while.
I watched the first three episodes of Almost Human over the holiday weekend. It does have promise. The premise appears to be that male cops are teamed with androids while hot female cops (as played by Minka Kelly) wear loose, low-cut shirts (which looks better on the show than in the picture above).
Barry Allen (The Flash) will appear on the next episode of Arrow. Initially the appearances on Arrow were to be a back-door pilot for a new show, but now CW has decided to film a conventional pilot for The Flash. There has been a lot of speculation as to whether the DC universe being created around Arrow will tie into the Justice League movie which will be developed out of the upcoming Superman vs. Batman movie. Arrow showrunner Greg Berlanti says the two universes will not be connected as Agents of SHIELD is connected to the Marvel cinematic universe.
Oliver will also be getting a mask like the one worn by the Green Arrow in the comics. I’m not sure that it is needed. If Laurel hasn’t figured out that Oliver is the vigilante yet, wearing the hood has been unrealistically sufficient. (It was a more realistic change from the old comics to have Lois Lane quickly figure out who Clark Kent was in Man of Steel.)
Nothing has spoiled True Blood more than bad writing, too many characters who nobody cares about, and weak plot lines. Compared to these problems, the season seven spoilers posted here are rather trivial.
And, finally, the Doctor is sort of like a superhero, so there’s no reason why he shouldn’t go out for coffee with Superman and Batman (unless he’s afraid of their tough questions).
The Day of the Doctor accomplished Steven Moffat’s goal of presenting an homage to the past but primarily looking towards the future. Just as real life isn’t neatly divided into sixty minute episodes (or serials in the case of older Doctor Who), the 50th anniversary episode combined two different stories. Both had the common theme of the Doctor finding a way to defeat an invasion and prevent destruction to either London or Gallifrey. The episode won a Guinness World Record award for the largest ever simulcast of a TV drama, being shown in ninety-four countries.
There were many tributes to the past beyond those I mention here. We saw the original opening, starting in black in white just as the series began. Clara was teaching at Coal School which Susan attended in the first episode. After several mentions of Queen Elizabeth I over the years, we saw the Doctor marry her, believing she was actually a Zygon shape shifter in disguise. (No word on what River Song thought of this). A UNIT agent (or her Zygon copy) wore Tom Baker’s scarf. David Tennant repeated his classic line, “I don’t want to go” and John Hurt said “reverse the polarity” in a tribute to Jon Pertwee. The episode included all thirteen Doctors, including John Hurt and Peter Capaldi, even if some were primarily from old clips and CGI. The episode ended with an ambiguous appearance from Tom Baker as the Curator, who might be the form which the Doctor takes after he retires. Billie Piper returned, but as Bad Wolf Rose in order to allow for her presence without altering Rose’s story.
The Doctors stopped a Zygon invasion of earth by literally bringing about the concept of a veil of ignorance, as the shape-shifting Zygons and members of UNIT did not remember which they were, giving motivation to both sides to negotiate a fair deal. From there the three Doctors tackled an even bigger problem, saving Gallifrey from the Dalek attack during the Time Wars by some way other than destroying them all. This was ultimately accomplished due to Matt Smith and David Tennant’s version of the Doctor having had more time to work on the problem, and the joint effort of thirteen Doctors.
We have now seen all of the regenerations. The webisode (posted here) The Night of the Doctor, showed the regeneration of Paul McGann to John Hurt. The regeneration of John Hurt was present near the end of The Day of The Doctor but unfortunately Christopher Eccleston declined to appear to complete the scene. Considering how little effort it would have taken to film the regeneration scene, his refusal to participate in the anniversary episode just makes him look more petty, regardless of what problems he had with the previous crew.
Although Steven Moffat had said that the numbering of the Doctors would not change, it is hard to see justification for not including John Hurt. Moffat recently said:
“I’ve been really, really quite careful about the numbering of the Doctors. He’s very specific, the John Hurt Doctor, that he doesn’t take the name of the Doctor. He doesn’t call himself that. He’s the same Time Lord, the same being as the Doctors either side of him, but he’s the one who says, ‘I’m not the Doctor.’ So the Eleventh Doctor is still the Eleventh Doctor, the Tenth Doctor is still the Tenth…
He adds: “Technically, if you really counted it, the David Tennant Doctor is two Doctors, on account of the Meta-Crisis Doctor [in Journey's End]… It’s not a matter of counting the regenerations, but of counting the faces of the Time Lord that calls himself the Doctor. There’s an anomaly Doctor slotted in somewhere, that’s all. In the script to The Day of the Doctor, Matt’s Doctor was called the Eleventh, and David’s was called the Tenth, so the numbering stays exactly the same – and we call Peter Capaldi the Twelfth Doctor.”
Of course we know that Moffat lies, and perhaps he said this to avoid giving away the ending to The Day Of The Doctor. Now that we have seen the full story of John Hurt’s Doctor, it is harder to justify not counting him. Despite being called the Warrior, we have now seen rather standard regenerations both into him and into the subsequent Doctor. Taking a different name hardly makes sense as a way around the regeneration limit. Even if his story ended with being responsible for a heinous act, this should not change the numbering. Now that this act was reversed, there is even less reason to exclude him. There was reference to “all thirteen” on Gallifrey. The Daleks recognized him as the Doctor. If we want to go meta and try to limit the official Doctors to those who had their own shows, this would contradict the convention of including Paul McGann who, before this month, appeared in only a single movie. Surely John Hurt’s appearance in the 50th anniversary episode, along with a brief scene in the previous episode, is as significant as an essentially stand-alone move. The BBC even reposted the 50th anniversary promo picture with John Hurt included (above).
The episode has significant ramifications for the future. The Doctor now has a new goal, to find Gallifrey. I wonder if this will be a season-long McGuffin like was done previously with The Key To Time serials in the Tom Baker era. This could provide a new emphasis from the show now that Amy Pond is gone and the mystery of Clara has been resolved, getting away from the stand-alone episodes of last season. A limit of twelve regenerations, meaning thirteen versions of the Doctor, was previously established, and we have now seen reference to “all thirteen” Doctors. The search for Gallifrey opens up one of several possible solutions as it is a safe prediction that Doctor Who will not end with Peter Capaldi’s Doctor. Perhaps saving Gallilfrey will lead to the Doctor being given another set of regenerations solving this issue. There has been precedent for the Time Lords having this power.
Before we see how this rewriting of the mythology affects Peter Capaldi’s Doctor, there remains the Christmas Episode in which Silence will Fall and we return to Trenzalore (trailer above).
For those disappointed in not seeing cameos from more actors who have played the Doctor, we do have the video below which was written and directed by Peter Davison. “The Five(ish) Doctors Reboot” stars Peter Davison, Colin Baker, Sylvester McCoy and Paul McGann attempting to make it into the 50th anniversary episode. In a way they have accomplished this. I think that this video, along with The Day of the Doctor, and An Adventure in Space in Time should be counted as parts of a set honoring the 50th anniversary.
As I was working on my impressions of the episode, Blogator Who posted the official comments from Steven Moffat. Some portions of the interview follow:
I asked Steven for his thoughts on Peter Davison’s special The Five(ish) Doctors Reboot.
“I loved it. I love it, I’m in it! I’m the villain as far as I can see! [Laughs] Absolutely adorable. It was actually my idea to do that, I had bumped into Peter at a party and he said, ‘I’m going to do this little fan video about us all trying to get into the 50th. Do you mind and would you be in it?’ And I said I’ll give you a budget and a camera crew and some time and why don’t you make it for real? Make it for us? It solved a problem for me. I wanted all The Doctor’s properly involved, if they were willing, as best they could.
It maximises what you can do with Sylvester [McCoy] and Colin [Baker] and Peter because they’re not the same people were, all those years ago. You get to see Colin Baker playing Colin Baker which is much more fun that seeing him trying to do a performance that no longer suits him, frankly. And the same with Peter and the absolutely charming Sylvester McCoy, who is an absolute hero. It was brilliant, I love The Five(ish) Doctors Reboot, it was gorgeous.
Regarding Billie Piper in The Day of the Doctor Steven stated:
“I thought the story of Rose, which was beautiful, was done. I didn’t want to add to it, I didn’t feel qualified to add to it. That was always Russell’s [T Davies] story. The way Russell ended it in The End of Time was perfect. I didn’t want to stick another bit in. It would be wrong.
But we did want Billie Piper, one of the absolute heroes of Doctor Who, back in the show without interfering in the story of Rose Tyler. I think I might of spoiled something if I had done that. Billie represents the rival of Doctor Who, more than anyone else. It’s all about Billie, it’s her show for two years. It’s really startling watching The Runaway Bride and you’re going, ‘Where is she? Where is she? Where is the star of the show?’
On the 2013 Christmas Special, Moffat commented, “It’s a proper finale to Matt Smith, it’s the story we’ve been telling since he put the bow tie on. A lot of stuff we’ve left hanging, we tie up there. And it’s Trenzalore!” At a panel at the Official Doctor Who Celebration, including Matt Smith, Jenna Coleman and Steven, they revealed that the world “bubbly” will appear in the finale for The Eleventh Doctor.
The Night of the Doctor, a prequel video for The Day of the Doctor was released during the past week, showing a regeneration from Paul McMann’s Doctor to John Hurt’s. There is a difference in the nature of Hurt’s Doctor which we will undoubtedly learn more about in the 50th anniversary episode. Despite what we learn in this video, Steven Moffat says that the numbering of the Doctors will remain the same.
A clip from The Day of the Doctor played at Children in Need above showing when Matt Smith and David Tennant met is above.
The Hub was one of the better episodes of Agents of SHIELD so far, but still remained weak. Last week Simmons was in danger but fans were disappointed to see her survive. Fitz came out looking much better in this week’s episode which was centered around placing him in danger. On the other hand, Simmons came out looking like an even weaker character than before, if that was possible. Once again we were teased with the possibility of being rid of her. One would think that Simmons would be history after shooting a superior officer, but nothing really happened. They advanced the mystery of the season about Coulson returning after being killed when Coulson found that the file about his time in “Magical Tahiti” is being kept from him. Speculation ranges from there really being magic involved to Coulson being a robot. More credence was given to the robot theory when Sky said during the episode that “He’s acting like a robot version of himself right now.” Considering the weak level of writing in this series, that might be intended to foreshadow the end result.
While this episode involved Russia and Georgia, Arrow (the far better of the two superhero series) also had its characters travel to Russia. Summer Glau’s character was a little less robotic as she wound up going to bed with Oliver in a scene which was primarily designed to frustrate the fans who have been rooting for Felicity and Oliver to get together since last season. (Yes, while this is a fun genre show, it is also a CW show.)
We have to wait until January 2, but a lot of photos from Community have been posted on line. In the picture above, Jonathan Banks of Breaking Bad appears as Professor Nichols. We don’t know the circumstances or his position (student or faculty), but Jeff is definitely back at Greendale Community College.
CBS is going ahead with a sequel to How I Met Your Mother entitled How I Met Your Father which will presumably be the same format from a woman’s point of view. I am glad that Carter Bays and Craig Thomas will be doing another sitcom but question whether network television can manage to be a little more original as opposed to doing the same thing over again. It was amusing when the original pilot, in which viewers expected to see how Ted met his wife, instead said it was how he met “Aunt Robin.” The actual answer as to how Ted met his wife took nine years and once seems to be enough to for that idea. At least the format is quite loose and does leave open the possibility of having unique aspects in the new show. There have been a lot of shows about a group of friends in New York since Friends left the air, and How I Met Your Mother was the best of them which I have seen.
What Culture! has five reasons that Big Bang Theory is good for nerds. This includes the many prominent guest stars, such as Stan Lee in the photo above.
Garry Trudeau’s political comedy Alpha House has been released on Amazon video. Review at The New York Times.
They can’t kill The Killing. Itwill receive a fourth season, this time on Netflix.
Almost Human premiers on Fox tonight. Trailer above.
The BBC has released two trailers for The Day of the Doctor, with the longer version above. The 50th anniversary episode of Doctor Who will be simulcast internationally, starting at 2:50 EST in the United States on BBC America. (From my point of view, this is an awful time, interfering with both noon and 3:30 football games.) There is discussion of the trailers and images here and here. The official synopsis has also been released: “In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him.”
The BBC America Trailer is above.
Steven Moffat has some major teases as to the meaning of the episode:
Moffat’s previous comments that the episode “will change the narrative in a big way” encouraged speculation that writers havefound a solution to the fact that the Doctor can only regenerate twelve times. He has now further added to this by saying, “This should be the next step on the journey, guaranteeing the 100th anniversary”.
He said: “The story focuses on the most important thing that ever happened to the Doctor. We very rarely do that in Doctor Who as it’s usually about the people the Doctor meets or the companion that travels with him. This time it’s different.”
Jenna Coleman has been doing some modeling. The Guardian has more pictures.
Joanna Page (Stacey of the British sitcom Gavin and Stacey) will play Queen Elizabeth. She discussed kissing David Tennant.
BBC America has released their schedule of shows for the 50th anniversary (via TV Addict). Beyond Day of the Doctor, highlights include An Adventure in Space and Time about the initial development of Doctor Who. The cast includes Jessica Raine of Call the Midwife as producer Verity Lambert.
MONDAY, NOVEMBER 18 Doctor Who: The Doctors Revisited Marathon – 9:00am – 9:00pm ET
The First through Tenth Doctor
Doctor Who: Tales from the TARDIS – 9:00 –10:00pm ET
An all-new special, Doctor Who: Tales from the TARDIS, features the series’ actors and producers sharing their experiences and memories of the world’s longest-running sci-fi show. The special features exclusive interviews with principal cast members from the show’s 50-year history, including actors who have played the Doctor: Matt Smith, David Tennant, Tom Baker, and Peter Davison, actors who have played companions: Jenna Coleman, Karen Gillan, Freema Agyeman, and William Russell, as well as the current lead writer and executive producer Steven Moffat. The discussion includes how the actors got cast, how the roles changed their lives, how a ‘regeneration’ is recorded, and how filming the show in the 60′s compares to today.
The Science of Doctor Who with Brian Cox – 10:00–11:00pm ET
A former rock star and Britain’s popular TV physicist, Professor Brian Cox explores the universe of the world’s favorite Time Lord when he takes the audience on a journey into the wonderful universe of Doctor Who, with the help of celebrity guests. In this exclusively recorded special from the lecture theatre of the Royal Institution of Great Britain, Brian reveals the science behind the spectacle and explains the physics that allows Doctor Who to travel through space and time. Fun, but filled with real science, it’s a special night for Who fans and anyone with a thirst for understanding.
TUESDAY, NOVEMBER 19 Doctor Who – The Ninth Doctor Marathon – 10:00am –11:00pm ET
WEDNESDAY, NOVEMBER 20 Doctor Who – The Tenth Doctor Marathon – 2:00am –11:00pm ET
THURSDAY, NOVEMBER 21 Doctor Who – The Eleventh Doctor Marathon Part I – 9:00am – 11:00pm ET
The Eleventh Doctor – Matt Smith
FRIDAY, NOVEMBER 22 Doctor Who – The Eleventh Doctor Marathon Part 2 – 9:00am – 8:00pm ET
Doctor Who Explained – 8:00pm – 9:00pm ET
An all-new special, Doctor Who Explained, explores the mysterious and two-hearted alien who is the Doctor. Through exclusive interviews with principal cast members from the show’s 50-year history, including actors who have played the Doctor: Matt Smith, David Tennant, Peter Davison, and Tom Baker as well as actors who have played companions: Jenna Coleman, Karen Gillan, and Freema Agyeman, viewers get an insight to what happens behind-the-scenes of the award-winning sci-fi show.
An Adventure in Space and Time – 9:00pm ET
What do you get when you mix C.S. Lewis with H.G. Wells, and sprinkle in a bit of Father Christmas? An alien Time Lord exploring space and time in a Police Box spaceship called the “TARDIS” (Time And Relative Dimension in Space). Written by Mark Gatiss, the BBC AMERICA co-production, the film stars David Bradley (the First Doctor, William Hartnell), Brian Cox (BBC Head of Drama, Sydney Newman), Jessica Raine (Producer, Verity Lambert) and Sacha Dhawan (Director, Waris Hussein). An unlikely trio of misfits set out to create a genre series that all ages would love. William ‘Bill’ Hartnell, displeased with his career, was presented with a chance to break out of the hard-man roles he’d become known for. And with the instincts of first time producer, Verity Lambert and first time director, Waris Hussein, the Doctor was born. As the success of the show grew, William went from unhappy curmudgeon to beloved television star who relished his career resurgence and found a new lease on life. But all good things come to an end. How will Bill face leaving behind the part that has made him a hero to millions of children? And can the show survive without him? Journey back fifty years through space and time to witness the exciting beginning and untimely end of the First Doctor in this touching drama.
SATURDAY, NOVEMBER 23 Doctor Who – The Eleventh Doctor Marathon Part 3 – 1:00am – 2:00pm ET
The Eleventh Doctor – Matt Smith
Doctor Who: The Day of the Doctor – Global Simulcast – 2:50pm ET
The centerpiece of BBC AMERICA’s celebrations is the global simulcast of Doctor Who’s 50th Anniversary special, Doctor Who: The Day of the Doctor, written by Steven Moffat. The Doctors (Matt Smith and David Tennant) embark on their greatest adventure across space and time. In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him. Starring Matt Smith, David Tennant, Jenna Coleman, with Billie Piper and John Hurt. Last seen as the Doctor on January 1, 2010, this will be the first time David Tennant has reprised his role as the Tenth Doctor. During his reign as the Time Lord, Tennant appeared in three seasons as well as several specials. He was first revealed as the Doctor in the 2005 season finale, The Parting of the Ways. Meanwhile Billie Piper, who played companion Rose Tyler for two seasons following the reboot in 2005, will appear in the show for the first time since featuring in David Tennant’s last episode, The End of Time in 2010. The special is directed by Nick Hurran, executive produced by Steven Moffat, Faith Penhale and produced by Marcus Wilson.
Doctor Who: The Day of the Doctor encore primetime broadcast – 7:00pm ET.
BBC AMERICA will premiere exclusive Inside Look interviews with Matt Smith and David Tennant during the broadcast. The special will be followed by the premiere of new fantasy-adventure series Atlantis at 9:00pm ET.
The Graham Norton Show with guests Matt Smith and David Tennant – 10:00pm ET
Doctor Who stars Matt Smith and David Tennant make their first appearance together on BBC AMERICA’s hit talk show The Graham Norton Show. Emma Thompson, singer Robbie Williams and comedian Jimmy Carr will also be guests.
SUNDAY, NOVEMBER 24 Doctor Who – Matt Smith Countdown – 9:00am – 8:00pm ET
BBC AMERICA counts down the top 11 episodes from the Eleventh Doctor, Matt Smith, as voted on by fans.
Doctor Who: The Doctors Revisited –The Eleventh Doctor – 8:00pm –10:30pm ET
BBC AMERICA celebrates the Eleventh Doctor, Matt Smith, in a new special of Doctor Who: The Doctors Revisited. Matt Smith first stepped into the TARDIS in 2010 and, after starring in the 50th Anniversary Special on November 23, will regenerate in the Christmas special. The Doctors Revisited begins with Matt Smith, Jenna Coleman (companion Clara Oswald), Karen Gillan (companion Amy Pond), Arthur Darvill (companion Rory Williams), lead writer and executive producer Steven Moffat, among others, examining the human side of this Doctor and taking a look at how his extraordinarily long life has affected him. The special is followed by the Eleventh Doctor two-part story, The Impossible Astronaut and Day of the Moon, in which a strange summons reunites the Doctor, Amy (Karen Gillan), Rory (Arthur Darvill) and River (Alex Kingston) in the middle of the Utah desert and unveils a terrible secret the Doctor’s friends must never reveal to him. These were the first Doctor Who episodes to be filmed in the U.S
I’ve frequently said that Arrow is far better than SHIELD, regardless of any comparisons of the DC versus Marvel lines. After an especially strong episode this week, League of Assassins, I’ve seen reviews (including at The Hollywood Reporter) calling Arrow the best live action superhero television series ever. Considering the competition, and poor translation of superheroes to television, this is a fairly low bar. The question then is whether it is compared to Heroes season one, which was excellent, versus the entire run of Heroes.
There is criticism of the current story lines on Arrow which everyone seems to agree with. It is not plausible that Laurel would be involved in the prosecution considering the conflict of interest. We know we have to accept unrealistic sequences when a man with an bow and arrow can regularly win out against guns. We also must ignore how people do not see though secret identities of people they know well. While this is necessary for the show to exist, they should avoid unrealistic scenarios unnecessary for superhero shows such as Laurel being involved with the prosecution in this situation.
There is more Marvel coming to television (besides a second rumored show on ABC about Agent Carter). They are planning for a set of thirteen episode series on Netflix of Daredevil, Jessica Jones, Iron Fist, and Luke Cage. Just as the movies led to a joint movie in The Avengers, these Netflix individual series will be followed by a joint mini-series entitled The Defenders. Considering that they have not done all that great a job with Agents of SHIELD, I wonder if it is a good idea to go ahead with four more series. Maybe, not being limited by the constraints of a prime time network television series these could be better for genre fans.
SHIELD really teased viewers last week. How many others were hoping that Simmons was not rescued when she jumped off the plan, and Fitz would follow her?
Spoiler TV has a lot of information on the upcoming television show, Almost Human in an interview with J.J. Abrams and J.H. Wyman:
The series is set in the year 2048 and stars Karl Urban as John Kennex, a cop who is forced to partner with an android (named Dorian) played by Michael Ealy after an increase in crime leads to all human law officers being accompanied by robots. J.J says that “The idea when Joel pitched it was that Dorian, who is a synthetic, was in some ways more human than his partner.” Wyman told reporters that Ealy heightened what was already on the page with “an incredible sense of thoughtfulness and compassion. He’s playing a character who is by design, literally, as brave and as knowledgeable and as strategic as you’d want your partner to be if you were riding along as a cop, but he’s also as sympathetic as you’d want. What Michael brings is that kind of depth and humanity.” His dubious partner, in turn, is “forced to kind of deal with the idea that his well-being now relies on this technology which he sort of holds in contempt.”
So what sets this latest series apart from the increasingly present action and sci-fi shows on networks today, let alone from the duo’s previous work in the genre? First of all, Wyman began, he wasn’t interested in presenting another dystopian vision of Earth’s future. “I hope that we’re not really in that territory and that we’re successful in that.” Often in the genre, the writer says, the outlook seems to be “‘Look what you humans have done!’ whereas what we’re talking about, I think, is a little more hopeful. There’s a sense of going forward. We’re resilient, we’re going to succeed.”
Abrams mentioned that unlike many of his past efforts this series has much less of an emphasis on mythology and will instead focus on a procedural case-of-the-week type format that will allow us to explore the characters as well as the unique complexities of navigating in an increasingly technology-reliant world. He also promised “a level of humor that is distinct from what we’ve done before” which backs up his partners talk of the series leaning towards a more ‘popcorn’ movie vibe than their previous collaboration. That’s not to say the show is all-action-all-the-time, as Wyman went on to explain his hopes to create a conversation about what these human-computers are at their core and how we should interact with them. “They’re thinking beings, so what are their rights? And where are those lines drawn? A lot of those things are sort of examined in our later stories: What is a robot? What is an android? What is a being?” Wyman, to be sure, did his homework. “J.J had set us up with some very brilliant people from MIT and one was a woman who studied robot ethics, which is pretty amazing, that they’re actually… real.”
The case also includes Minka Kelly of Friday Night Lights.
I haven’t had a chance to read J.J. Abrams’ new book, S., yet, but it looks intriguing. Besides a conversation in margin notes going along with the narrative of the book, there are many postcards, maps, and letters at various points in the book. Librarians are not very happy about this.
Alan Alda will be going up against James Spader’s character on The Blacklist later this season. I’m hoping for a reunion with William Shatner.
Adam Driver of Girls is being considered for the role of Dick Grayson/Nightwing in the upcoming Batman vs. Superman movie. It is scheduled for release July 17, 2015.
When news came out about plans for Better Call Saul it was being called a prequel to Breaking Bad. There remains interest in what will happen to Saul after going to Nebraska, and now Bob Odenkirk says the show might be both a prequel and sequel. There has been speculation that the show might be more of a comedy but Odenkirk says, “It’s going to be 70% drama and 30% comedy.” He also played down the speculation that characters from Breaking Bad will pay a major role in Better Call Saul. If it is a sequel, they should at least work in Gus and Mike. It is also feasible that Saul would cross path with a certain DEA agent, and a high school science teacher could briefly appear as long as any contact with Saul is minimal.
With the success of The Girl With The Dragon Tattoo and other books by Stieg Larsson in the United States, HBO is planning an hour-long series based upon the works of another Scandinavian author, Jo Nesbø. They are planning an adaptation of his 2008 novel, The Headhunters.
Dan Stevens of Downton Abbey will play Lancelot in Night at the Museum 3. It is hard to believe that the season finale already aired tonight on ITV. I haven’t watched today’s season finale yet, but as of last week there were several loose ends. I wonder how many were tied up tonight, and how many will be extended to the Christmas episode. Thanks to British television, Christmas has become a big television day with episodes of Downton Abbey, Doctor Who, and Call the Midwife. Update: News came in shortly after this was posted that Downton Abbey has been renewed for a fifth season.
With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:
We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.
Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.
I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:
Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.
As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.
Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:
The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka, even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.
And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…
The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.
While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.
What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)
Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:
In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.
Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.
There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.
The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.
The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”
Matt Smith and David Tennant worked very well together during filming of The Day of the Doctor according to Steven Moffat:
Matt Smith and David Tennant got on so well while filming the Doctor Who 50th Anniversary Special that they hatched a plan to continue working together on the show, says Steven Moffat.
“They got on like a couple of old women. They just say in the corner and gossiped the entire time,” revealed the Doctor Who showrunner.
“By the end of it, Matt told me that he’d worked out this plan that they’d both continue in Doctor Who: do five individual episodes each and three together – would that be ok? It was a nice plan. I think if I’d said yes they’d have gone for it.”
However, Moffat admitted that neither star had started out completely confident about bringing their two Doctors together.
“David and Matt, I think… were both quite apprehensive of the other,” Moffat told the audience at a Radio Times event earlier this month. “David’s continued to watch Doctor Who like the sad old fan he is and so as far as he’s concerned Matt’s the Doctor. And of course for Matt, you don’t believe yourself you’re the Doctor, you just think David’s the Doctor. So they were both slightly nervous and slightly apprehensive.”
Steven Moffat also told Radio Times that John Hurt would steal scenes with his eyes:
“It was great fun,” said Moffat. “You’d have David and Matt, they’d be leaping around the set and doing every form of physical comedy with each other – and, you know, slightly competing about who could be slightly more insane than the other – and then John Hurt would come along and do this [tiny movement] with his eyes and you go ‘That’s it – he’s got the scene now hasn’t he?’”
Steven Moffat says bringing back the Zygons has been an ambition since he took over Doctor Who – and that the classic monsters are so well designed he hardly had to change a thing for their return in the 50th Anniversary Special.
“Every year since I took over I’ve been trying to get the Zygons in,” says Steven Moffat, “and then I thought ‘Well, it’s the 50th…’
“The Zygons are beautifully designed monsters, they are so wonderful… We barely changed the design at all because it was so good.”
The classic Who foes have appeared just once before, in 1975 adventure Terror of the Zygons, yet remain a firm fan favourite.
Cult Box interviewed Doctor Who composer Murray Gold. H:ere is just one question on the show’s theme, which has changed with the lead actor:
Have you started thinking about what the 12th Doctor’s theme will sound like? Are you going to miss using the 11th Doctor’s wonderful theme?!
“I’m not 100% certain they will let me drop that theme entirely… but yes, I have started to think about it. I really need to see Peter in the role to get it all firing up.”
Peter Salus looked at the history of computers in Doctor Who.
Sherlock season 3 will premiere in the United States on PBS on January 19 at 10 p.m. This means it will air back to back with Downtown Abbey, which starts on January 5 in the United States. Downton Abbey is already well into the season on ITV (with a rather major event for Anna at one point during the season so far). The BBC has not announced when Sherlock will return in the U.K.
Atlantis (the replacement for Merlin) will premiere in the United States on November 23, after The Day of the Doctor.
Agents of SHIELD and Arrow are extending further into the Marvel and DC universes respectively. SHIELD has come up against Centipede, plus expect more connections to Captain America: The Winter Soldier. On Arrow, Oliver was saved by the Black Canary, who turns out to have been working in the past for Ra’s al Ghul, ultimately tying into Batman. We will see more of this Black Canary next week, and will have to wait and see how things play out regarding the discrepancy with her identity in the comics. Situations and characters do tend to evolve gradually on Arrow.
Arrow, while well-done and quite entertaining for its genre, does trace back to the teen/young adult form of genre common on CW. In this vein, CBS is considering a reboot of Charmed.
I think that Once Upon A Time would have worked better if they stuck to the first season’s story as opposed to trying to stretch it out into a conventional multi-year television series. American television often is of a lower quality than British television due to the usual format requirements in the US. Once Upon A Time In Wonderland shows promise partially because it is planned as a single season story. Last week Alice learned more about the White Rabbit but the story is not limited to Wonderland. Any Disney fan has to just love to see Robin Hood and his Merry Men rob Maleficent’s castle, as occurred on last week’s episode. Then there was the revelation that Will’s girlfriend Anastasia becomes the Red Queen.
I was happy to see that last week’s episode of The Blacklist delved more into Elizabeth and her husband, with implications that more is to come next week. I do hope the series concentrates more on this mythology as opposed to being a villain of the week series. According to E!, episode eight is also major:
Episode eight is a big one. Don’t miss it. Oh, you want more than that? Fine. Not only does someone on the team get severely injured in the episode, but Red comes face to face with one of his mortal enemies. Someone Red is scared of? This we can’t wait to see!
Showtime has renewed Homeland and Masters of Sex. The big revelation on Homeland last week didn’t come as very much of a surprise. In many ways it is more plausible that Saul and Carrie are working together consider the past working relationship between the two and the fact that Saul knows that Brody’s confession tape had to be a set-up. On the other hand, Carrie sure played her role at all times she was seen on television. I would have to go back to past episodes to verify this, but I believe this includes times in which there was nobody else watching her beyond the television audience. Alex Gansa discussed the revelation with TV Guide:
In your mind, when did Carrie and Saul hatch this master plan?
Alex Gansa: I think they decided the very next day after the bomb went off. Carrie and Saul were culpable in what happened, and they were looking for some way to make good, to make it right, to get the guy who was ultimately responsible. They began to hatch the plan right then to figure out how to lure the bad guy of the season, Javadi, out of his anonymity in Iran.
So, Dar Adal (F. Murray Abraham) and Quinn (Rupert Friend) don’t know about this?
Gansa: For the first four episodes they were totally outside the circle. This was a ruse and a plot that was hatched just between Carrie and Saul.
There were a lot of machinations to this plot. Saul continued to pursue Javadi on his own, for example. Was that just to throw the audience off or was it a backup plan?
Gansa: One of the things that our intelligence officer consultants [told us] is that the most effective intelligence operations are 95 percent true. Carrie and Saul were largely to blame for what happened and [they knew] the CIA would be looking for a scapegoat to take the blame. How would they turn that into a silver lining? This was a huge gamble, and Carrie was asked to sacrifice a lot in that gamble. It’s not a sure thing, so Saul was really playing all sides of the equation here. And you will see that he’s got a Phase 2 of the operation in mind, which he is not sharing with Carrie. Saul is very much the puppeteer here. He’s the maestro.
Why would Carrie react the way she did to Saul “outing” her during his senate testimony if she knew this was all a scam?
Gansa: Saul is the one who leaked the idea that she was having a sexual relationship with Brody to the committee. Carrie was aware that he was doing that. However, it doesn’t diminish the reality of it when it’s actually presented in front of you. When we were shooting it, we were talking to Claire about, “This moment is going to have to play two ways. It’s going to have to play one way if the audience is watching it for the first time not understanding that this is a ruse.” But when you go back and look at it again, you’ll understand that she’s not surprised by what she’s hearing. She’s amazed at how it affects her to understand that she is to blame for what happened. That’s where the emotion catches up with her in an unexpected way.
I will say that Brody becomes a principal player in the architecture of the last sweep of episodes. His predicament down in Caracas and his separation from Carrie and Saul is really paramount as we move into the next two movements of the season.
Did you have any reservations about having an episode (“Tower of David”) that was almost exclusively from Brody’s point of view?
It was really a function of how much story was to be told there. Just anecdotally, some people felt we were with him too much and others felt we were with him too little. It felt right to us to establish his predicament and to parallel his plight with Carrie’s. These are two people in some very desperate circumstances. The show has paralleled their stories before and some of the most successful episodes that we have done have drawn comparisons between their predicaments.
I just saw this commercial from May. It has to be the best car commercial ever. Spock v. Spock. May the best Spock win.
I don’t find it to be a good sign when there is a need to change writers for Star Wars VII.
The National Geographic Channel is airing a fictionalized account of the consequences of a catastrophic ten day cyberattack:
As the power grid goes down across the country, the streets quickly descend into chaos while consumers ransack stores for bottled water and canned goods.
Those without sufficient cash handy are quickly in dire straits, since no electricity means no credit cards or ATMs, either.
Meanwhile, the heroes of the day are “doomsday preppers” who have had the foresight to stockpile a couple years’ worth of bottled water, batteries, and military-style meals-ready-to-eat in secret underground bunkers.
This is the scenario explored in “American Blackout,” the National Geographic Channel’s fictionalized account of a 10-day-long power outage precipitated by a cyberattack.
What Culture has ten alcoholic drinks from Mad Men which you must try.
Screen Rant reports that X-Men: Days of Future Past’ Trailer Preview Includes a Time-Traveling Wolverine
Is time travel even possible? See the above video from TED-ED. No X-Men but it includes plenty of scenes with a TARDIS. It only deals with time travel into the future. No hope we will be visited by Kiera Cameron of Continuum.
Some people think that TED Talks fail to deal with real problems. The above DED Talk might be more practical after a zombie apocalypse.
The trailer for the 50th anniversary episode of Doctor Who, The Day of the Doctor, has been released with video above. Discussion and breakdown of the frames from the trailer here and here.
There’s been more news out about Matt Smith and David Tennant working together, including confirmation that Matt Smith’s is bigger than David Tennant’s:
“Mine’s bigger” confirms Smith. “I won… on that one”. “His is much bigger!” laughs Tennant. Everyone’s since 1963 is bigger than mine! Well, maybe I just don’t have as much to compensate so much; maybe I’m very happy with my sonic’s length. And it does everything it needs to.”
Celebration of the anniversary includes additional events including a TV movie on BBC 2 about the development of the series, An Adventure In Space And Time. Five pictures have been released here, including one with Jessica Raine (of Call the Midwife) as producer Verity Lambert:
Steven Moffat has been teasing the regeneration in recent interviews. From a statement in Doctor Who Magazine, it appears that Matt Smith’s regeneration into Peter Capaldi will occur in the TARDIS:
“Pretty soon [Peter] will arrive and he’ll be whisked off to begin the trip of a lifetime, probably wondering what it will be like, where it will take him, and how long it will last. And about then, Matt Smith will be standing in his TARDIS for the very last time, with his eyes on the studio door – because about to step through is a Scottish actor, dressed as him.”
Moffat discussed the twelve-regeneration limit in an interview with Radio Times:
The fact that the Doctor could be close to using up his apparent limit of 12 regenerations is one that hasn’t passed Doctor Who fans by. What will happen when his time is finally up we don’t know but there’s an assumption that whoever’s in charge of the show will find a way.
After all, there is a precedent here. The Doctor’s Time Lord adversary the Master used up his entire allocation but was handed a new regenerative cycle after taking possession of a non-Time Lord body and later having it restructured (it’s a long story).
However, Steven Moffat today confirmed of the Doctor, “He can only regenerate 12 times”, while simultaneously suggesting there has been a miscalculation of how many regenerations he has actually been through.
“I think you should go back to your DVDs and count correctly this time,” said Moffat, “there’s something you’ve all missed.”
What can it all mean? If we were attempting to explain how the Doctor might already have had more than his fair share of regenerations, we could do it. John Hurt’s newly introduced dark Doctor would presumably add one, making Peter Capaldi the 13th and final incarnation. If we then followed the argument that David Tennant’s tenth Doctor used up a whole dose of regenerative energy when he re-grew his lost hand almost immediately after having transformed from the ninth Doctor, that would give us an illegal 14 versions of the Doctor. Whether the new hand counts as a full regeneration is very much up for debate, of course, but either way these are both arguments for adding not subtracting regenerations.
On the other hand (pardon the pun), we didn’t witness Paul McGann regenerating into either John Hurt’s ninth(?) Doctor or Christopher Eccleston’s ninth/tenth Doctor. If somehow neither of those counted as regenerations we would have one fewer than we’d previously thought – Matt Smith would be the tenth Doctor and Peter Capaldi would be the 11th. But how could the Doctor have changed bodies without regenerating?
Needless to say, there has been a lot of speculation regarding this on various blogs.
It seems that in recent years there have been more genre shows and movies which attract female following–not that these shows are for women only. I had almost skipped Once Upon A Time in Wonderland until I read good reviews of the first episode, and thought the second episode was even better. In this version, Alice is an older action figure, not a small girl, and she is in love with a different version of the Genie from Aladin. Besides the new impressions of classic Disney characters, the magic in Wonderland reminds me of the fun in the early Harry Potter movies. The original version of Once Upon A Time, is spending the season in Neverland. The creators of the shows, who previously worked on Lost, discussed the two shows, and explained why the made Peter Pan evil in this interview.
Arrow, which is also fun even if sometimes feeling too much like a soap opera, ended with quite a cliff hanger. Earlier in the episode, Oliver Queen acknowledged the same issue I brought up last week and made Felicity his executive assistant (over her objections) to explain why he spends his days as well as nights with her. (“And I love spending the night with you.”) Laurel tried to explain why she suddenly hates the vigilante so much but it is hard to accept her arguments as to why he is to blame for Tommy’s death. This leads to the cliff hanger and brings up two more of my ongoing complaints about the series (or two reasons why it is best to just enjoy the show and not to think much about it). We have seen repeated examples of predictable crimes with little done to prevent them. With medical supplies being stolen, you would think that guarding the trucks carrying them would be a top priority for police. That didn’t happen as it turns out that Laurel had all the well-armed police officers on stand-by for the next time the vigilante encountered her. In the past, Oliver has escaped such traps with far too little difficulty. With all the guns aimed at him, I hope they come up with a more creative and plausible way for him to escape.
Steve Buscemi of Boardwalk Empire hopes people remember the shutdown in the next election:
“I think the shutdown is ridiculous. I think the Republicans in Congress are holding the country hostage. I think it’s criminal. I don’t see why they’re allowed to do it.” Buscemi on politics livens up. “The Tea Party faction of the Republican party are holding the Republican party hostage. They’ve hijacked it. I don’t understand their philosophy. I think that in their own hearts and minds there’s a reason why they feel they’re doing good. But I certainly don’t agree with it. And I hope the shutdown effects change. I hope people remember this in the next cycle of elections.”
The assassination of the Vice President on Homeland was not only plausible, but a scenario which Dick Cheney’s doctor had taken precautions against several years previously.
BBC America has greenlit Intruders, an eight-episode original series based on Michael Marshall Smith’s 2007 novel The Intruders. Glen Morgan (The X-Files, Those Who Kill) is the writer and executive producer on the series that’s about a secret society devoted to chasing immortality by seeking refuge in the bodies of others. BBC Worldwide Prods is producing, with production to begin in early spring 2014. Jane Tranter and Julie Gardner are exec producing, and BBC Worldwide is handling global distribution. The Intruders joins BBC America’s breakout original drama Orphan Black.
Community is returning to Thursday nights on January 2. Unfortunately, in terms of ratings, it goes up against The Big Bang Theory again. That’s why we have DVR’s.
This week’s episode of The Big Bang Theory included a break-out event for Sheldon Cooper. He was relieved to learn that the old adage about not defecating where you eat does not mean he shouldn’t use the men’s room at the Cheesecake Factory: “Not as relieved as I’m about to be. It’s a brave new world, little lady.” Amy saw a bright spot in Sheldon’s incessant knocking: “I don’t mind. I’m hoping to put his love of repetition to use someday.” Meanwhile Raj got it right while watching Howard digging himself into quite a hole when talking to Bernadette: “His only options here are to fake a heart attack or have a real one.” She didn’t fall for it, especially when he chose the wrong arm.
I have often randomly pulled up old episodes of The Big Bang Theory to rewatch. It might be easier to choose which episode the next fifteen times I do this if I follow this guide to the top fifteen episodes. I may or may not wind up agreeing as to whether they are the fifteen best, but I’m sure they will all be excellent.
Also on last Thursday’s sit-coms, Tatiana Maslany of Orphan Black added comedy to the many roles she plays on Parks and Recreation. She will return next week.
Vince Gilligan ended Breaking Bad just as most would have predicted if not for feeling that this was too obvious and trying to throw in a twist. In the end, Walt killed the Nazis, rescued Jesse and then died. Jesse escaped, Lydia was killed, and plans were made to get money to Walt’s family. Realistically Walt’s death was the most probable end-point for the series since the first episode. Initially it might have been from the cancer. Events since then changed how it most likely to occur. It became inevitable that he would face a violent death, but also achieve some measure of victory.
The only surprises in the finale were the details in how everything would be accomplished, such as threatening Elliott and Gretchen with assassination by “the two best hitmen west of the Mississippi” who were really Skinny Pete and Badger armed only with laser pointers. There was no need for a surprise ending, and certainly not a gimmick such as a dream or fading to black. Breaking Bad feels more like a continuous story in a novel, leading to the most likely conclusion. The finale has received universal praise, showing that no gimmicks were needed. Hopefully writers of future series will learn from this.
The success of the finale of Breaking Bad led to inevitable comparisons to other finales. To be fair to other show runners who fell short, the structure of Breaking Bad lent itself to coming to such a definite and obvious conclusion. While I was not satisfied with the ending to The Sopranos, an ambiguous ending was more in line with that show than Breaking Bad. After the full run of the series, it was realistic that Tony Soprano had made enough enemies that one would just walk up to him and shoot him in a diner. It would similarly be realistic to interpret this otherwise and see Tony Soprano continuing as he had for years, as with Sam Malone on Cheers. Breaking Bad had a clear storyline leading to an inevitable conclusion.
Damon Lindelof was blasted on Twitter during the Breaking Bad finale for not providing such a satisfactory conclusion to Lost. While I think they could have done better with Lost, a key difference here is that Lost had developed such a complex mythology that there was no realistic way to end the series. Lindelof defended his ending in The Hollywood Reporter, which was more a plea for everyone to stop talking about it.
The remaining questions are trivial compared to the questions raised by Lost. There was no question to the motivations of the main character. Walt revealed to Skyler that he was doing this all for himself. Did Walt initially plan to kill Jesse, and then change his mind when he saw how he was enslaved? That change in motivation is suggested in several interviews where Vince Gilligan compared the ending to The Searchers:
On the story inspiration for Walt, who was hellbent on killing Jesse, saving his ex-partner out of sudden instinct
“A lot of astute viewers who know their film history are going to say, ‘It’s the ending to The Searchers.’ And indeed it is. The wonderful western The Searchers has John Wayne looking for Natalie Wood for the entire three-hour length of the movie. She’s been kidnapped by Indians and raised as one of their own, and throughout the whole movie, John Wayne says, ‘I need to put her out of her misery. As soon as I find her, I’m going to kill her.’ The whole movie Jeffrey Hunter is saying, ‘No, we’re not — she’s my blood kin, we’re saving her,’ and he says, ‘We’re killing her.’ And you’re like, ‘Oh my god, John Wayne is a monster and he’s going to do it. You know for the whole movie that this is the major drama between these two characters looking for Natalie Wood. And then at the end of the movie, on impulse, you think he’s riding toward her to shoot her, and instead he sweeps her up off her feet and he carries her away and he says, ‘Let’s go home.’ It just gets me every time — the ending of that movie just chokes you up, it’s wonderful. In the writers room, we said, ‘Hey, what about the Searchers ending?’ So, it’s always a matter of stealing from the best. [Laughs]“
Did Walt have any plan for after he killed the neo-Nazis if he survived? It did not appear that he did. If not for the last-second decision to save Jesse, I wonder if he had planned to jump to the floor, or remain standing and die with everyone else in the room.
We know Jesse is free but from there it is all speculation:
“We always felt like the viewers desired Jesse to get away. And it’s up to the individual viewer to decide what happens next for Jesse. Some people might think, ‘Well, he probably got two miles down the road before the cops nailed him.’ But I prefer to believe that he got away, and he’s got a long road to recovery ahead, in a sense of being held prisoner in a dungeon for the last six months and being beaten to within an inch of his life and watching Andrea be shot. All these terrible things he’s witnessed are going to scar him as well, but the romantic in me wants to believe that he gets away with it and moves to Alaska and has a peaceful life communing with nature.”
Unfortunately it wasn’t realistic to have Jesse wind up raising Brock, providing him with a true happy ending.
What was going through Jesse’s mind when he didn’t shoot Walt? Was this the outcome of Jesse previously saying he would never do what Walt told him to do again, a desire to be done with killing, or did a remnant of his old respect for Walt prevent him from pulling the trigger? Would he have shot Walt if he didn’t see that Walt already had a gunshot wound?
Will Walt’s scheme work and will Gretchen and Elliott really get the money to Walt, Jr.? There’s no way to know. On this show many elaborate schemes have worked well. It was quite fortunate for Walt that Lydia kept to her old schedule and was the one to take the pack of poisoned Stevia. Everything also had to go right for his plan to kill the neo-Nazis to succeed. While throughout the series many elaborate plans were successful, not everything went right for Walt. Most notably, Walt ruined his plans by leaving the Walt Whitman book out in his bathroom, and easily fell for Jesse’s plan to lead the DEA to the money. We also do not know if his plan for Skyler to negotiate with the coordinates of Hank and Gomez’s bodies will save her, with his previous phone call not appearing to have helped her very much.
In comparing the recent finales of Breaking Bad and Dexter, it seems like the Breaking Bad finale was planned from the start while Dexter‘s finale decided late in the series. The opposite turns out to be true. Vince Gilligan had no idea about some major aspects of the ending, and has revealed other endings under consideration.
It was the opposite for Dexter. While Clyde Phillips, the original show runner, had a different idea, current show runner Scott Buck and longtime executive producer Sara Colleton told Entertainment Weekly that this ending had been planned for years:
Before the season started, you said the core idea behind this finale has been in the works for years. What was the original concept? BUCK: The kernel idea were the last few scenes. They were what I pitched a few years ago. The main idea was Dexter is forced to kill Debra. And there are many ways that could happen. But those final scenes were pretty much unchanged. SARA COLLETON: From the very beginning the paradox was here’s a guy who doesn’t feel he’s a human being, who has to fake it. But in faking it, he’s a better brother, boyfriend, colleague that most real people. People think of him as a monster, but he yearns to be human. We’ve seen him go forward on this journey every year. Now we found out what the final price was. What sums up the entire journey was the scene on balcony of his apartment before going on the boat to put Deb down — that’s horrible to say aloud. The voiceover: “For so long all I wanted was to feel like other people … now that I do just want it to stop.” It’s the horrible awareness of what it was to be a human being and how overwhelming that is for him. His punishment is banishment. He sends himself into exile. Killing himself is too easy. When he turns and looks into the camera at the end he’s stripped everything away.
Were there any other versions of the ending that you rejected? BUCK: The only real variation was what he would be doing. I knew he would be in a self-imposed prison that would be as far from Miami as possible. We’d find him working in some solitary environment where even if other people were around he would make no contact and not talk to anyone. We would follow him home and he would have no human contact.
In a way that’s his new code — avoiding human contact. BUCK: Yes. For us, that’s the tragedy. The one thing we felt Dexter wanted more than anything was human connections. Even in the first season we see him trying to get with Rudy. Now that he’s finally made that journey and he’s almost poised to have a real human life, he has to give all that up to save Harrison and Hannah. COLLETON: He went into an absolute shutdown. He no longer has even his voiceover.
The above poster was released for the second season of Hannibal. Bryan Fuller explains: “After a horrifying descent into madness in season 1, this image ironically represents the perspective of a scrappier, clearer-minded Will Graham in season 2. The scales have fallen from his eyes and he finally sees Hannibal Lecter for the monster he is.”
The Blacklist remains the best new network show so far, and has become the first to receive a full 22-episode pick-up.
Sleepy Hollow will remain with a thirteen episode run this year, and has been renewed for a second 13-episode season.
The Americans was one of the best new shows last year. Creator/executive Joe Weisberg and executive producer Joel Fields discussed the show at PaleyFest.
Nathan Fillion will guest star on Community, making Firefly references inevitable.
Rob Kazinsky says True Blood “kind of ran out of ideas and now they’ve got an idea again and they’re trying to finish stronger than ever… which they’re going to do next season!”
David Tennant will reprise his role as star of Broadchurch for a US adaptation from Fox. It was an excellent show, but I’m not sure why we need a second version. I imagine that many US viewers neither have a way to pick up British shows and don’t watch BBC America, leaving an untapped audience for Fox.
David Tennant will also be staring in Day of the Doctor, the 50th Anniversary episode of Doctor Who. Current plans include simulcasting the show in 75 countries. Steven Moffat has also discussed the upcoming regeneration from Matt Smith to Peter Capaldi:
If you haven’t seen it, there is a particularly fine interview Steven Moffat has given to Nerd3 in which he discusses, well, a lot of things you don’t often hear Steven Moffat discuss.
One section is devoted to regeneration, and the fact that it would not be a break with Whovian tradition for the Twelfth Doctor to look a lot like someone the Doctor has already met. In fact Peter Capaldi has been in Doctor Who (as Lucius Caecilius Iucundus in “The Fires of Pompeii”) and Torchwood: Children of Earth, and Steven has already had a chat with Russell T Davies over how this will all work.
He said: “We are aware that Peter Capaldi’s played a part in Doctor Who before and we’re not going to ignore the fact. I’ll let you in on this. I remember Russell told me he had a big old plan as to why there were two Peter Capaldis in the Who universe, one in Pompeii and one in Torchwood. When I cast Peter, [Russell] got in touch to say how pleased he was, I said ‘Okay, what was your theory and does it still work?’ and he said ‘Yes it does, here it is’. So I don’t know if we’ll get to it… we’ll play that one out over time. It’s actually quite neat.”
If they try to be too clever I suspect they might run into problems analogous to explaining why the Klingons look different in different versions of Star Trek. There’s a simple explanation–the same actor played three different roles. Sure, you could come up with an explanation which includes the Doctor taking the form of people he encountered in the past when regenerating. Then how do we explain Karen Gillan’s appearance, as she also appeared in The Fires of Pompeii as a different character before playing Amy Pond?
J.J. Abrams has apologized for all the lens flairs in Star Trek Into Darkness.
And finally, this video on the finale and a farewell video from the cast of Breaking Bad:
The BBC has released the above poster for the 50th anniversary episode of Doctor Who, to be named The Day of The Doctor. It will be the second from last episode staring Matt Smith, also staring David Tennant and John Hurt.
Steven Moffat discussed filming the final episode with Matt Smith at the TV Choice Awards, where Doctor Who won for Best Drama Series. David Tennant won the Best Actor award for his role on Broadchurch. Miranda Hart of Call the Midwife won for Best Actress. (Jessica Raine,who plays Jennie Lee on Call the Midwife, played Emma Grayling in the Doctor Who episode Hide and has a role in the upcoming movie on the development of the series, An Adventure In Space And Time.)
Peter Davison will be appearing in the 50th Anniversary episode of Doctor Who. While he has confirmed the appearance, he states he is unable to give any specifics. My suspicion is that he has a cameo role in the special but does not reprise his role as the Doctor unless the story can give a plausible explanation for showing a former version of the Doctor who has also aged. Pictures appeared on line of Tom Baker in his scarf starting rumors that he would also appear but it turns out it was to film a skit for another show.
In follow-up of the controversy I mentioned last week, TrekMovie.com has posted another opinion arguing that Star Trek is Not Broken. Those who are not happy with how J.J. Abrams is handling Star Trek might be happy to hear that he will not be directing the next Star Trek movie now that he will be busy with Star Wars. I fear that this won’t change many of the problems cited by fans but at least it might mean less lens flare.
There has been even more controversy over the choice of Ben Afflect to play Batman in the Man of Steel sequel. The CEO of Warner Brothers defended the choice, describing this Batman as “kind of tired and weary and seasoned and been doing it for a while.”
Besides the upcoming Star Wars trilogy, Disney is going to take advantage of buying the rights by putting out additional movies. Variety reports that they will be origin movies. There will be a lot of Star Wars as “one ‘Star Wars’ trilogy film or ‘origin story film’ would also appear on the release schedule each year, starting with the seventh installment in the ‘Star Wars’ saga that J.J. Abrams will direct and Disney releases in 2015.”
Warner Brothers is returning to a recent major source of income for the studio. J.K. Rowling is going to write a new movie series taking place in the Harry Potter universe. After recently reading The Cuckoo’s Calling, I think she does have a better future in writing such movies then detective novels, although the two aren’t mutually exclusive. It’s not that I didn’t like the book, but I read several far more entertaining novels over the summer, and there are plenty of similar mystery series already out there.
Grant Gustin of Glee will play The Flash on Arrow, and potentially on a spinoff show.
Cult Box has a spoiler-free review of Agents of S.H.I.E.L.D. Gawker reports that some of the scripts were not very good and Joss Whedon had to rewrite them. The web site for the series is now on line.
ABC is working on an alternate reality series which sounds interesting. The show, entitled The Thirteen, takes place in an alternative present day in which the colonies did not win independence from England and are still fighting the English for independence.
Utopia writer Dennis Kelly has discussed conspiracy theories, over population, and the second season of the series:
There’s going to be a second series of Utopia isn’t there?
There is. It’s currently being written. It’s being filmed in two months [speaking on the 22nd of August]. I’ve got two months before the first block. You film it in two blocks so episodes one, two and three, and then four, five and six. Marc Munden who directed one, two and three, and really set up the look for Utopia – and that’s what people talk about a lot when they talk about Utopia – he’s a brilliant director, more like a filmmaker than a TV director really, and he’s fantastic to work with. He’s come back and he’s going to do the first block again. He has a much more involved role in the whole series, which is great.
Can you give us any ideas about what series two might contain?
We’ve got a very odd first episode, which people are either going to really like or really say ‘what the fuck did you do that for?’ and I’ve got no idea what the reaction’s going to be. Some of the characters are coming back, you’ll definitely see Arby again, and Jessica. There’s a lot of people dead unfortunately and a lot of people will die [laughs].
Do you have a finite end for Utopia in mind?
I think I do, I think so, yeah. Not necessarily a good one. [Laughs].
Luc Besson is interested in doing another movie in the world of The Fifth Element.
Joking Bad, Jimmy Fallon’s parody of Breaking Bad, can be viewed above. The series ends this month. A spinoff is being considered based upon Saul Goodman before he became Walt’s lawyer. The Hollywood Reporterlists Saul’s top moments.
For the last few days I felt a little like a time traveler with information about the future which should not be spread. I binged on both seasons of Continuum over one week, watching the season finale on a download from the original Showcase broadcast last Tuesday. Of course all the Canadian viewers must have felt like this for a few weeks. This is a Canadian show on a network required to include some Canadian shows, so I immediately put aside any skepticism as to Vancouver being the key North American city in 2077. Now that SyFy has also broadcast the finale in the United States, I feel I can to on to discuss the show with some major spoilers.
Until I began watching, I had fears that Continuum might be a police procedural with the gimmick of a future cop and terrorists from the future. It was clear early that the show is much more complex, moving into new territory in the second season, and setting up the show to move in yet more new directions in the upcoming third season. Rachel Nichols plays future City Protective Services (CPS) Protector Kiera Cameron who was sent back in time from 2077 to our present along with a group of terrorists (Liber8) who escaped their death sentence with time travel The world of 2077 is, on the surface, the dream of several libertarian fantasies as governments have collapsed and corporations have taken over. It doesn’t turn out the way in which libertarians fantasize as the corporations have no respect for our concepts of individual liberty or restrictions on the power of the state.
Seeing the future which Liber8 is trying to prevent makes it very hard to decide who to root for in the series, and a factor which keeps the show so interesting. In the season two finale, Liber8 leader Travis claims that he, and not Kiera, is the good guy in this story. Many viewers would probably agree if not for the excessive violence utilized by Travis and others in Liber8. There have also been differences of opinion, and even a civil war, within Liber8, with some taking a less violent approach. Kiera is the protagonist of the story and does what she believes is right based upon her knowledge, but at least so far lacks the knowledge provided to the viewers about the system she defends.
Another major player is Alec Sadler, who as a young man assists Kiera and as an old man in 2077 (played by William B. Davies, the cigarette-smoking man of X-Files), runs the most powerful tech company in the world). Young Sadler connects with Kiera early because her CMR (an implant which, among other things, provides communication for Protectors) works on a frequency which Alec was experimenting on in the lab in his garage. Alec’s step-brother Julian is originally portrayed as being a messed up kid fated to become a mass murderer but by later in the second season it appears he becomes one of the most heroic characters of the series, with far more to the stories of mass murder by his future self than Kiera understands.
While doing repairs, Alec found messages from his future self placed in Kiera’s super-powered body suit which revealed that Liber8 and Kiera were intentionally sent back in time by his future self. This means that old Alec has developed reservations about the system which he was involved in creating as he sent Liber8 back in time to change the future, with Kiera possibly sent along to keep their violence in check. Even after two seasons, all the details of Alec’s plans are not yet clear. The members of Liber8 appear to be successful in creating the roots of a rebellion against Corporate control but cause and effect create a number of questions in this series. The anti-terror task force in the police department becomes CPS with corporate sponsorship in response to the threat from Liber8, being just one situation seen where we question whether the time travelers are actually creating the future of 2077. In an analogous situation, it is Kiera who wound up radicalizing Julian with her threat to kill him.
The ability to change the future on this show is quite unclear and I will return to this question later. In one episode Kiera captures a mass murderer who in her time was known for never having been caught. We do not know which events, if any, would actually change things in her future. A character believed to be another character’s grandmother is even killed, with the character not showing any change.
Not everyone sets out to change the future. Matthew Kelog was a reluctant member of the group all along, dragged into illegal activity by his sister. After arriving in his past he left the terrorists and made a fortune with his knowledge of the future. One nit pick is that he made this fortune far too quickly. Knowledge of which businesses succeeded and other events will certainly help build a successful portfolio but this would take time. It is unrealistic that he would know enough winners of major sporting events from that far back in the past to amass a huge fortune from gambling so quickly either. It would be more plausible if he knew his destination and had time to do research before being sent back.
If time travel is possible, it only makes sense that there might be other time travelers around. Two characters, including one named Jason who happens to share DNA with Alec, were sent back in time from the original breakout but wound up in an earlier time. Jason is kind of nuts. Is this the result of being in the past so long? I suspect it was more the result of being thrown into a mental institution when he went back in time and claimed to be from the future. It is hard to judge this based upon other characters as one other showed signs of mental imbalance but others did not.
Complicating matters further are the Freelancers who are from a different time.
The second season finale answered some question but also set up potential major changes in the show. We learned that one recurring character whose goals were unclear, Escher, is a former Freelancer and Alec’s father while Jason shares his DNA as he is Alec’s son. There already had been the question as to what degree future technology developed by Alec was based upon knowledge he learned of the future as opposed to being his own inventions. Now that we learn that time travel is the family business, we don’t even know if Alec would even be in this time line without time travel.
If the revelation from Escher that he was Alec’s father reminded viewers of Darth Vader telling the same to Luke, the scene with both Kiera and Travis suited up was reminiscent of a fight scene from The Matrix.
With the police being turned into a corporate-controlled unit which violates civil liberties (also presenting a change in the portrayal of Inspector Dillon of the Vancouver Police), Kiera’s partner Carlos left the police and wound up with Julian, who had been an enemy in prior episodes. It is possible that Carlos is going undercover, but I suspect that he really was fleeing from the newly founded City Protective Services, who are now planning to arrest Kiera as a terrorist.
At different times in the finale Alec appeared to be using and double crossing both Escher and Kiera, going for his own trip through time in the finale. Most likely he is going back to save his girlfriend Emily, who was killed during the second season. Emily’s motives were also unclear earlier in the season as it was clear to everyone but Alec that her goal was to get into his lab, and she also turned out to be working for Escher. Will Alec succeed in saving Emily, and if so will this create a cosmic reset making the other events of the last couple of episodes not occur, or will it create a new time line with a living Emily parallel to the one where she was killed? Is Emily Jason’s mother? It is also possible that Alec might wind up at a different time, such as when the characters were first sent back in time, or maybe just a few minutes before the Freelancers attacked.
The show often shifts back between the present and 2077, and key information is often not revealed until subsequent episodes (if at all so far). The second season began with a scene of Kiera being captured and put in a glass cage along with members of Liber8, including one who was brought back from the dead or from a different point in time. Kiera then awoke from a dream (when some of her memories were wiped)in 2077 and it wasn’t clear if this was part of her dream in 2077 or an event from some other point in time. In the second season finale, Kiera is captured by the Freelancers, who claim a goal of defending the time line from time travelers and are as violent as Liber8.While t is hard to trust the motives of the Freelancers, are we actually seeing something like the Temporal Cold War from Star Trek: Enterprise? The season ends with a repeat of the scene with her being placed in the glass cage.
Presumably this imprisonment occurs immediately after what appeared to be her capture, but this is far from certain. If she had been dreaming this in 2077 before she was sent back in time, it could be a suppressed memory from earlier, especially if she has wound up in a temporal loop due to changes in the time line which are not yet clear. It is also possible that she actually escaped at the end of the episode and the imprisonment scene occurs at some other point in time. Alec’s trip through time might wipe out everything we are seeing, or create a new time line in which this does not occur. If the third season does start with her in the glass cage, then what? The cages look more like short term holding cells than a permanent prison. Do the Freelancers plan to move them elsewhere or perhaps take them back to their own time? Does Alec and/or Escher save them, or do still more time travelers get involved?
One of the Freelancers did make a reference to different time lines in the finale, and this might be where the show is headed. It remains unanswered as to whether those sent back in time can change the future for old Alec or, as some incidents suggest, at most can create a different time line where things turn out different. Physics Today did look at the science of time travel in Continuum, but as 1) time travel is not real and 2) this is fiction and the show is going to follow whatever rules are made by its creators. We got some hints as from Simon Berry in this interview with some questions posted below:
The core of the show’s storytelling has always seemed to be the struggle between corporate dominance and the anarchy of Liber8. How do the Freelancers fit into that theme?
You will find out in the first episode of Season 3.
When did you guys decide that the show needed another group of time travelers in the mix?
The notion of Freelancers was introduced early in the writing room of season 1. We were going to bring it in then, but decided to hold back until Season 2.
In one episode, someone shoots Kellog’s grandmother and he’s unharmed. In another episode, Kiera solves a serial killer case that was never solved in her original timeline — and she still remembers seeing it as an unsolved case, back in 2077. Also, in one episode Old Alec tells Young Alec that he’s not Young Alec’s future self, but just a version of Alec that shares some experiences. So is it basically confirmed that you can change the past, but you’ll just create a brand new alternate timeline? Is that definite now?
The final episode of season 2 certainly points to that, but ‘definite’ is a dangerous word. Don’t get too hung up on the defining “multiverse versus closed loop” debate just yet.
We like to think of time in the context of our story: two points, 65 years apart. The belief that one can make small changes to the timeline now and that will upset 100% of the events in 65 years, is too simplistic. We’ve used the Tsunami metaphor in the show and I think it’s an appropriate one in this case. Small changes to that wave are certainly going to have an impact on the damage it does, but that doesn’t mean the wave doesn’t do what it’s supposed to do.
I think because the stories are Kiera-centric, we are tempted to believe that the changes to the timeline will affect her life more than others, but there’s no reason to think this way. Unless Kiera or Liber8 makes changes that are directly related to her family and Greg’s family, then there is still a good chance that she will be born and Greg will be born and they will meet.
The idea of multiple timelines in itself opens the door to connected timelines that could split like tree branches but then wrap around each other like vines, eventually merging again. That’s one of the amazing things about time travel; because it’s not a pure science, there is room for interpretation and the introduction of larger forces at work, be they natural or un-natural.
Even if Kiera is on an alternate timeline, she could theoretically return to a version of 2077 where her life played out 99% as it did. Now it’s true she would run into a version of herself that never went back in time and that would be complicated… But it would be deliciously complicated.
If so, then what does Old Alec have to gain by sending Kiera and the Liber8 gang back in time? Won’t he just create a different timeline that he can’t ever visit? From his viewpoint, how can Old Alec even know what changes happen as a result of that time travel?
Perhaps Old Alec understands more about what’s at stake than we’ve revealed to date. The final episode of season 2 will introduce the first threads of this larger storyline.
One of the big shifts in season two was the Vancouver Police Department coming under the control of Piron, or at least a big part of it. Do the police basically just become another gang in the city’s gang war at some point, and lose their legitimacy as cops? Have the police already crossed too many lines to be able to claim they’re upholding the law?
Well the Piron deal is really only with Dillon’s Liber8 task force so it was never meant to be a complete take-over (yet!) – What we are setting up is the very small moves that might lead towards an eventual corporate controlled police department a-la Robo-cop OCP scenario.
It seems as though the driving force behind the corporate takeover of the police was the arrival of Liber8. Are the Liber8 terrorists basically causing the corporate-controlled future they were trying to prevent, only ahead of schedule?
There’s a timely irony in that, and it’s not an accident.
And finally, it’s seemed as though Kiera isn’t sure what her goal is any more. At times she wants to preserve the timeline she comes from, but at other times, she’s willing to make some pretty big changes. (For example, being willing to shoot Julian, which would cause a pretty big change.) Are we going to see her regaining more of a clear sense of purpose in season three? Is her evolution as a character taking her someplace? And will we be learning more about Alec’s “purpose” for her?
It’s interesting that many comments pop up from time to time about Kiera not doing the ‘right’ thing or the ‘smart’ thing regarding time travel. This suggests she has the knowledge the audience has.
One of the unique aspects of Kiera Cameron in the Time Travel tradition is that she is one of the few characters in the genre who are not travelling by choice. Most Time Travel is driven by a character who understands the stakes and science of Time Travel, therefore their actions are determined based on their self aware role within the time continuum. They are willing adventurers who know the rules and usually have a goal and understanding of how to achieve it in context of their situation.
That is not the story of Continuum.
Kiera is an average person in 2077. She’s not a scientist or engineer. She’s not a theoretical physicist or even a fan of Science Fiction (unlike many of our fans who I believe would know what to do, and what not to do, if they found themselves in her shoes). Kiera is an unwilling victim of another person’s designs… She is us.
Kiera is fumbling her way through this experience using her humanity and experience as a guide, not a set of time travel rules or knowledge of paradoxes and wormholes. On occasion Alec will remind her of the possibilities and pitfalls, but without proof of anything, who’s to say what’s right or wrong. As Kiera evolves, so will her decisions.
For Kiera, this entire adventure is also a learning experience, and the lessons will form a critical path towards her becoming the person she needs to become in this mythology, and illuminate the “purpose” Alec had in mind for her.
This weekend I binged on the entire season of Broadchurch. The story is about the murder of an eleven year old boy and the effects on the town. It stars David Tennant and its excellent cast includes a second actor who has starred on Doctor Who, Arthur Darvill. The third character in this scene, Olivia Coleman, also appeared in an episode of Doctor Who, The Eleventh Hour. As only four of eight episodes have shown so far in the United States on BBC America, I will avoid any meaningful spoilers. Those who want to know absolutely nothing (such as whether Danny’s killer is found) might want to skip the following.
Then I heard that the show had been renewed for a second season before completing the first, I was concerned that maybe they would leave things hanging, as occurs to some degree on another recent British crime drama, The Fall (staring Gillian Anderson). Broadchurch does have a very satisfying ending, showing not only the identity of the killer but answering many questions about other characters raised during the series. The killer might be guessed after a lot of information is provided in the seventh episode, but a big clue is held until the start of the eighth. With the killer apprehended, Broadchurch doesn’t appear to leave much room for a second season like the first, considering it would not be as realistic to have a second murder in the same place. Some of those involved in the show have said that the second season might be completely different:
Speaking at the Edinburgh Television Festival the network’s director of TV Peter Fincham said that viewers would not be subject to ‘a formulaic repeat of series one’ when the show returns in 2014.
He also did not confirm which members of the cast from the first series might – or might not – appear.
The comments mirror those of series creator Chris Chibnall, who confirmed earlier this year he was working on Broadchurch round two – but also stayed silent on whether Tennant and Colman would be back.
‘I would take nothing for granted, I would just wait and see!’ he commented.
Will Mellor, who played psychic phone engineer Steve Connolly, has also hinted that the next series could be a prequel – and may not even feature a whodunnit.
‘I can’t see it being about another murder because it will be a bit too coincidental. All I know is it’s going to be a surprise because the writer always catches you out,’ he said.
‘Maybe it’ll be a prequel, it might go back to the old case that David Tennant’s character [DI Alec Hardy] didn’t finish. Whatever it’ll be, it’ll be fantastic.’
Redshirts by John Scalzi won the 2013 Hugo Award for Best Novel. The novel is an homage to Star Trek, along with a look at what doesn’t completely work in television science fiction, and, continuing with the lead story today, even has some time travel.
The Avengers won for Best Dramatic Presentation, Long Form.
Blackwater, an episode of Game of Thrones won for Best Dramatic Presentation, Short Form. Three episodes of Doctor Who were also nominated in the category: The Angels Take Manhattan, Asylum of the Daleks, and The Snowmen. I wondered whether dividing the vote with three episodes might have prevented Doctor Who from winning again this year but looking at the total numbers Blackwater had more votes than all three episodes of Doctor Who combined. The final nominee in this category was an episode of Fringe, Letters of Transit.
In the entertainment industry in 2077, Benedict Cumberbatch will be famous for being a part of every major movie franchise. Now there are reports that he will have a role in Star Wars VII. It looks like he should have some free time. Filming has completed on the third season of Sherlock.
James Spader has been cast to play Ultron in Avengers: Age of Ultron.
Yet another story on Star Trek science maybe becoming fact. This time, a report on experiments at NASA which might make warp drive a reality. Maybe. Fareed Zacharia also had a segment on Sunday’s show on technologies which are similar to the replicator.
Update: News came in later tonight that Frederik Pohl died over this past weekend.
The sixth season of True Blood, while not without faults, was the best season in several years. The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again. Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.
There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.
If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:
Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner: It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.
If vampires and humans are now working together, where does the tension come from?
Buckner: I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.
Can you talk about the threat of the mutated Hep-V?
Buckner: That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.
Have vampires essentially overrun the world at this point?
Buckner: It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.
Presumably that means Season 7 picks up right where we left off?
Buckner: That’s a fair presumption.
Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner: In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!
Pretty sure he broke the internet after going full-frontal.
Buckner: It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”
People thought it might be a body double.
Buckner: Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.
Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner: Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.
The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:
TVLINE | How do you explain the fact that some of those infected — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.
TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.
I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.
In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.
This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling
WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show? MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].
WS: Was it ever intimidating, being responsible for such an iconic television franchise? MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.
WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre? MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.
WS: Why did you want to put Sherlock Holmes in a modern-day setting? MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.
Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.
Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.
Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.
There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.
Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:
“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”
I will be looking forward to watching this in another 50 years.
Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil. Twitter responses to the choice here and here.
The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.
The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.
Who will be the monarch on Under the Dome? From SpoilerTV:
So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”
The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.
Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.
New trailer for Agents of SHIELD above.
Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.
All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:
“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they're] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night”team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.
“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”
The big genre news of the week was also front page news on many newspapers. After months of rumors that this would be his last season, Matt Smith has announced that he will not be returning to Doctor Who after the upcoming 50th Anniversary episode and Christmas episode:
“Doctor Who has been the most brilliant experience for me as an actor and a bloke, and that largely is down to the cast, crew and fans of the show.
“I’m incredibly grateful to all the cast and crew who work tirelessly every day to realise all the elements of the show and deliver Doctor Who to the audience. Many of them have become good friends and I’m incredibly proud of what we have achieved over the last four years.
“Having Steven Moffat as show runner write such varied, funny, mind bending and brilliant scripts has been one of the greatest and most rewarding challenges of my career. It’s been a privilege and a treat to work with Steven – he’s a good friend and will continue to shape a brilliant world for the Doctor.
The fans of Doctor Who around the world are unlike any other; they dress up, shout louder, know more about the history of the show (and speculate more about the future of the show) in a way that I’ve never seen before.
“Your dedication is truly remarkable. Thank you so very much for supporting my incarnation of the Time Lord, number 11, who I might add is not done yet – I’m back for the 50th anniversary and the Christmas special.
“It’s been an honour to play this part, to follow the legacy of brilliant actors, and helm the Tardis for a spell with ‘the ginger, the nose and the impossible one’. But when ya gotta go, ya gotta go and Trenzalore calls. Thank you guys. Matt.”
This makes me wonder if we will really see how the fall of the Doctor plays out on Trenzalore and to what degree his final two episodes are a continuation of the story started in The Name of the Doctor. As Moffat has said that John Hurt will return in the eighth season, this episode might have long lasting ramifications.
Steven Moffat had this to say about Smith: “Great actors always know when it’s time for the curtain call, so this Christmas prepare for your hearts to break as we say goodbye to number 11. Thank you Matt – bow ties were never cooler.” Smith won several awards for his role:
Smith has been nominated for nine different awards over his time on “Doctor Who,” winning three of them — two SFX awards in 2011 and 2012, and a National Television Award in 2012. Smith was the first actor in “Doctor Who” to be nominated for a BAFTA, which he earned in 2011.
There has been immediate speculation as to the next actor to play the Doctor. Bookmakers are already setting odds. Per Steven Moffat: “A life is going to change, and Doctor Who will be born all over again. After 50 years, that’s still so exciting.”
The 11 Doctors
1. William Hartnell (1963-1966)
2. Patrick Troughton (1966-1969)
3. Jon Pertwee (1970-1974)
4. Tom Baker (1974-1981)
5. Peter Davison (1982-1984)
6. Colin Baker (1984-1986)
7. Sylvester McCoy (1987-1996)
8. Paul McGann (1996)
9. Christopher Eccleston (2005)
10. David Tennant (2005-2010)
11. Matt Smith (2010 – 2013)
While the most likely choice will be from one of many British actors, who may or may not be on lists of possibilities on various blogs, three less likely choices are the most interesting to consider:
Benedict Cumberbatch Cumberbatch appeared like a potential lead on Doctor Who from his first appearance on Sherlock, also written by Steven Moffat. There is no doubt that he would be an excellent choice, but this is highly unlikely. I recall old interviews in which Cumberbatch said he was not interested in taking on a time-consuming commitment of this nature. The chances are far less now that he is a much bigger star.
David Tennant Tennant is returning to the 50th anniversary episode and perhaps had so much fun in his old role that, while also unlikely, perhaps he would reconsider returning to the show. There are possible ways to make this happen, from a reverse generation following the fall of the Doctor on Trenzalore to something stemming from his reappearance in the 50th anniversary. One problem with continuing from his reappearance is that, as Billie Piper will also be present, this is apparently the Doctor from earlier in his time line. With the eleventh and Clara messing around in the Doctor’s time line anything might happen, including a revitalization of the tenth or perhaps even the next possibility:
It has been common to speculate on having a female Doctor whenever there is a regeneration. Doing so now might create problems with the dynamics of the show as Coleman will be returning and they might not want to do a show with two female leads. One way around this would be to have Clara, perhaps as a consequence of having been intertwined in the Doctor’s time line, become the form taken when the Doctor next regenerates, perhaps merging with a Clara who is dying for the same reason the Doctor is at time of regeneration. The new Doctor could then add a male companion. Ironically I think that more female fans would be upset by this than male fans. One strength of Doctor Who as a science fiction show is that its viewers aren’t limited to nerdy males and the smaller number of female science fiction fans. Chicks Dig Time Lords (according to a Hugo-award winning book). There is a large contingent of female viewers who watch and display a crush on the Doctor in many places on line. They might not like seeing a change to a female Doctor.
Smith will have more time to spend on his film career, perhaps joining another recent costar who is having some success. Karen Gillan has been cast as the lead female villain in Guardians of the Galaxy.
Karen Gillan, who starred as Doctor Who’s companion for several seasons on the hit BBC show, is joining the cast of Marvel Studios’ Guardians of the Galaxy.
The movie is barreling towards a late-June shoot in the U.K. with James Gunn behind the camera.
The movie is in casting mode, with Glenn Close joining the roll call earlier this week. Chris Pratt, Zoe Saldana and Dave Bautista lead the cast of Marvel’s space adventure movie, which has Lee Pace and Michael Rooker as villains.
Details for Gillan’s role were not revealed, although it is known she will play the film’s lead female villain.
The Scottish actress played companion Amy Pond in Doctor Who‘s fifth through the recently ended seventh series. The character was hugely popular and appeared in Doctor Who books, apps and video games. Gillan has several indies in the can, including Oculus, a horror flick with Katee Sackhoff.
NBC has renewed Hannibal. The press release follows:
UNIVERSAL CITY, Calif. — May 30, 2013 — NBC has given a 13-episode second-season renewal to its critically applauded drama “Hannibal.” The new season will air no earlier than midseason.
“Hannibal” is based on the characters from the novel “Red Dragon” by Thomas Harris and was developed for television by Bryan Fuller, who also serves as writer and executive producer.
The announcement was made by NBC Entertainment President Jennifer Salke.
“We’re so proud of Bryan’s vision for a show that is richly textured, psychologically complex, and very compelling,” Salke said. “There are many great stories still to be told.”
Critics have strongly embraced the series. Alan Sepinwall of Hitfix.com said “Hannibal” “is the last of this season’s serial killer shows. It’s also, by a very wide margin, the best.” Jeff Jensen of Entertainment Weekly called “Hannibal” “finely acted, visually scrumptious and deliciously subversive” while Matt Roush of TV Guide said the show is “feverishly twisted, fascinatingly macabre and visually remarkable.”
The series stars Hugh Dancy as expert criminal profiler Will Dancy, who has a unique ability to peer into the mind of serial killers. Mads Mikkelsen stars as Dr. Hannibal Lecter, a psychiatrist who is helping with the cases and, unbeknownst to Will, is also a serial killer himself.
Laurence Fishburne stars as Jack Crawford, the head of the FBI’s Behavioral Science Unit. Caroline Dhavernas and Hettienne Park also co-star.
Through its eight original telecasts to date, “Hannibal” is averaging a 2.0 rating, 6 share in adults 18-49 and 4.7 million viewers overall in “most current” results from Nielsen Media Research. ”Hannibal” is the youngest drama on ABC, CBS and NBC, with a median age for its audience of 45.7. It’s also an upscale drama, indexing at a 111 among adults 18-49 living in homes with $100K+ incomes (with 100 indicating an average concentration of those homes).
Additionally, “Hannibal” is heavily time-shifted, with its 18-49 rating growing by 75% going from next-day “live plus same day” ratings to “live plus seven day” results.
In addition to Fuller, Martha De Laurentiis, Jesse Alexander, Chris Brancato, Sara Colleton, Katie O’Connell, Elisa Roth, Sidonie Dumas and Christophe Riandee also serve as executive producers.
The series is produced by Gaumont International Television, Dino De Laurentiis Company and Living Dead Guy Productions, and co-commissioned internationally by Sony Pictures Television Networks.
I have my doubts that the show will survive on network television for Bryan Fuller’s full seven year plan, but hopefully it will either last long enough to tell enough of the story and receive a proper ending or move onto cable in the future. I will avoid any significant spoilers in the hopes that others are starting to watch the show from the beginning, but to comment briefly on this week’s episode, it is clearer than ever that Hannibal is playing games with Will. This should come as no surprise as Hannibal must realize that Will is capable of figuring out Hannibal’s secret and exposing him. If not for the needs of an ongoing story, it is questionable why Hannibal hasn’t just killed him already or ensured that Will was removed from the FBI (which I believe he is still planning to attempt this season). As a relatively minor spoiler, we also found that when Hannibal was sniffing Will in a previous episode, it wasn’t to try to decide what type of sauce to serve him with.
In yet a second move to enhance quality television, NBC has also brought back both Dan Harmon and writer Chris McKenna to Community after the failed experiment of turning it over to others last season. Harmon has given some credit for his return to series star Joel McCale. I wonder how Harmon will handle last season’s finale with Jeff graduating. While last year’s show runners might have had a plan, having him out of the study room with the others does seem like a mistake. Perhaps something will come up forcing Jeff to take one more class, possibly even a decision that he no longer wants to be a sleazy lawyer and he returns to school to later move on to a new field. There are other ways he could still interact with the others, from social visits to being hired to teach a pre-law class at Greendale. These could work, but his interactions are the best with the rest of the cast when he is “studying” with them in the library.
Revolution will be airing its season finale tomorrow and remarkably it has been renewed. The one good thing I can say about Revolution is that it does have an ongoing storyline which does receive a conclusion. The first half of the season dealt with the rescue of the son. The second half dealt with going to the tower, and they have now reached it. However reaching a conclusion and reaching a satisfactory conclusion are two different things. It is really not worth the space to itemize all the unrealistic things about the storyline. Among the questionable discoveries, there are people living in the tower who have dedicated their lives to prevent anyone from getting to the twelfth level, where the electricity can be restored (with a contrived risk of burning up the planet). They have never been outside, which makes little sense since they could easily retreat inside as needed, and it is questionable that their food supply would have lasted this long even if this is where Dick Cheney supposedly hid out. They also feel more secure guarding the twelfth level than making it impossible to reach it or destroying the controls. While all electricity on earth is stopped (not counting that needed for operation of nervous systems in living things), somehow satellites remain functioning in orbit well beyond their normal life spans.
It appears from the previews that power will be restored, but we don’t know if this is temporary or whether it will extend into next season. At least it is likely that the storyline will move onto a new quest for next year avoiding a complete repeat of what we have already seen. It does seem safe to predict that we will be dealing with the same characters but new destination. Hopefully the quality is improved.
Renewing Hannibal, having Dan Harmon return, and renewing Revolution might partially be due to a shortage of hits to fill the prime time spots at NBC, complicated by The Office and 30 Rock concluding. Regardless, the first two at least are great moves for providing quality prime time shows.
It is risky to try to predict where Mathew Weiner is going with Mad Men. There is a compelling theory making its rounds on line that Megan Draper’s storyline is a parallel to that of another aspiring actress, Sharon Tate. We have already seen signs of violence this season including an attempted robbery in Don Draper’s apartment and the Peggy accidentally stabbing Abe. A review of the evidence for this theory can be found here and here.
RIP Selina Kyle (Catwoman). Fortunately death is not necessarily a permanent condition in the comics, and cats do have nine lives. I prefer to think of her eating in an outdoor bistro with Bruce Wayne as in the end of Dark Knight Rises.
The Crimson Horror is perhaps the sweetest episode of Doctor Who ever, and starts out without the Doctor. The episode provides a vehicle for two sets of characters: 1) Jenny, Vastra & Strax and 2) characters played by Diana Rigg and her real-life daughter Rachael Stirling. This is the first time that the mother-daughter combination have ever worked together. Bringing back Jenny, Vastra, and Strax also helps with the continuity of the season. Jenny even had a scene which reminded me of Diana Rigg’s old character Emma Peal from The Avengers, combining the two sets. Victorian England episodes tend to have the most realistic look of episodes taking place in different places or times. Undoubtedly appropriate sets and costumes are easiest to obtain.
The Doctor, and even later Clara, don’t become involved until later, but their absence in the early portions of the episode is handled well. There was a far better payoff to find that the Doctor was the monster when we did not see what happened to him until later. We were brought up to date by a sepia-toned sequence which gives the information viewers need without taking time to provide excess detail. Going through the earlier aspects of the Doctor’s involvement in a condensed manner was also helpful because Mark Gatiss had so much going on this episode that he already had to wrap it up too quickly. This would have worked better as a Sherlock-length story.
Being Doctor Who, there are invariably some things which seem unbelievable even if we believe in the Time Lords and the rest of the mythology surrounding the Doctor. It is hard to believe that a rocket of this type could have been built back in that era. The kid, Thomas, who sounded like my phone’s GPS raising further questions. I suspect this one might be cleared up in the season finale when we return to the Doctor’s friends. (As I also went to see Iron Man 3 Saturday night after watching Doctor Who, it was a big night for kids getting into the action.)
The reference to past Doctors was more subtle this week. When the Doctor wound up in Yorkshire instead of London he mentioned his past difficulties in making it to the right place, including problems getting an Australian to Heathrow, referring to the fifth Doctor and Tegan. I suspect that I missed the meaning of some of the references to Yorkshire versus London which would mean more to those living in the U.K.
When Clara returned home, the kids she cares for had found old pictures of her, demonstrating her travels in time. It is highly unlikely for either these pictures to exist and for the kids to realize they are of Clara (as opposed to someone who might look like her) but this was probably done for two reasons. First Clara was surprised by seeing a picture of her from London where this Clara has not been. Secondly this was probably done to lead into next week’s episode, Nightmare in Silver, which includes the kids. I wouldn’t be all that upset if the kids wind up being assimilated by the Cybermen (who have been looking increasingly like the Borg). Nightmare in Silver will reportedly also include stock footage of William Hartnell and Jon Pertwee.
Quote of the episode: “I’m the Doctor, you’re nuts, and I’m going to stop you.”
The Behind the Scenes video is above
Jenny, Vastra & Strax will be returning in the season finale, The Name Of The Doctor. The episode will also include River Song, post-library. Here’s the official synopsis:
“Every journey taken by a time-traveller tears a wound in the fabric of reality, and the Doctor has time-travelled more than anyone. But the trail runs cold in Trenzalore, the one place in all of time and space that he should never go. The most dangerous place in the universe…
This quote from the episode was also released:
“The path I carved through time and space, from Gallifrey to Trenzalore. My own personal time tunnel, leading back to every moment I ever lived. Every step, every tear, every kiss. Even the days I haven’t lived yet. Which is why I shouldn’t be here. The paradoxes… very bad…”
Trenzalore has been linked with the fall of the eleventh and thought to mean the time when the eleventh Doctor regenerates. If we are to see the fall of the eleventh it must mean something different. Moffat says someone will die in the episode. As they are only seen occasionally, they could easily kill off one of the three Victorian detectives. As this is a p0st-library River, she can also die. Considering that the Doctor and River meet in a mixed up order, this wouldn’t prevent the Doctor from running into River in the future, at an earlier point in her time line.
David Tennant will be the only former Doctor on the 50th Anniversary episode but there will be an homage to the very first episode of the series, An Unearthly Child.
The Guardian has an interview with Steven Moffat here.
One of the more implausible scenes in The Angels Take Manhattan was having the Statue of Liberty, as a Weeping Angel, travel across Manhattan. Among the many problems raised by this scene is the question of how the Statue of Liberty could make it very far since Angels freeze if anyone is watching. Most fans probably just let this pass as a good scene regardless of whether plausible. Steven Moffat has now provided an explanation (but I’m not sure this is any more plausible):
“The Angels can do so many things. They can bend time, climb inside your mind, hide in pictures, steal your voice, mess with your perception, leak stone from your eye… New York in 1938 was a nest of Angels and the people barely more than farm animals. The abattoir of the lonely assassins!
“In those terrible days, in that conquered city, you saw and understood only what the Angels allowed, so Liberty could move and hunt as it wished, in the blink of an eye, unseen by the lowly creatures upon which it preyed. Also, it tiptoed.”
I’ll go with “it tiptoed.”
It has been ages since I finished watching Merlin by downloading episodes, but they have just resumed broadcasting the final episodes in the United States. While much of the final season was weaker than earlier seasons, the final few episodes did provide an excellent finale for the series. There has been talk of a movie version of Merlin. Colin Morgan is moving on to other projects and isn’t interested in playing Merlin again.
As Iron Man 3 breaks box office records, there is lots of attention on the future of the Marvel movie universe. There are conflicting reports as to whether there will be an Iron Man 4. I don’t think I am spoiling anything by saying that Iron Man 3 could easily serve as a conclusion of a trilogy, or the lead in for the probable future movies. Robert Downey, Jr. has even left open the possibility of appearing in Agents of S.H.I.E.L.D. and will most likely return to The Avengers 2. The next Avengers movie reportedly will add Quicksilver and Scarlet Witch. These reports must be taken cautiously as there is the possibility of characters winding up on the cutting room floor at this stage.
Above is the trailer for True Blood Season 6 which returns on June 16. Humans are fighting back, which provides for a change from previous seasons. I hope that this, plus a new show runner, solves some of the problems plaguing recent seasons.
Gillian Anderson of The X-Files is appearing in a five part thriller for the BBC 2 entitled The Fall. A review can be found here.
I’ve been undecided as to whether to consider Person of Interest true science fiction or a mystery series with a science fiction element. The two-part season finale, which we are in the middle of, moves the series much further towards science fiction as the machine takes on a more active role beyond spitting out the numbers. Plus there’s the return of Amy Acker.
The Americans ended the season well. I’m glad they avoided a true cliff hanger. As we can assume Elizabeth will recover from her injuries, the finale leads us back pretty close to how the series began. Besides the danger of being exposed by their FBI agent neighbor, their daughter Paige is becoming suspicious. After having viewers root for having Claudia reassigned, I bet most changed their mind during the finale. Margo Martindale has been cast in a comedy pilot so the episode leaves open the options of her leaving or Philip and Elizabeth plausibly requesting that the decision be reversed. Show runners Joel Fields and Joe Weisberg discussed the finale with Salon.
With Netflix bringing back Arrested Development, there has been hope that they might bring back some genre shows such as Firefly which didn’t survive more conventional television runs. Netflix chief content officer, Ted Sarandos, gave this reason for not remaking Firefly:
“Let me give you one broad statement about these recovery shows. In almost every case the cult around the show gets more intense and smaller as time goes by. Arrested Development was the rarest of birds in that the audience of the show grew larger than the original broadcast audience because people came to discover it years after it was canceled. The Firefly fan is still the Firefly fan from when it was on TV and there’s fewer of them and they’re more passionate every year. Whereas with Arrested Development we’re going to be serving a multiple of the original audience. Any of the other shows we could bring back would be a fraction of the original audience.”A
Arrested Development probably would have more viewers than Firefly, but I don’t buy his explanation. I think that many others interested in this are more like me. I didn’t watch Firefly when it was on, but did buy the CD’s due to all the buzz after it was off the air. I’m not super-passionate about the show, but I did enjoy it and if Firefly came back I would watch. I bet many other people have become fans after the initial run ended, providing for a larger audience in a remake than was present when on the air. Besides, Joss Whedon is now one of the hottest (perhaps the hottest) names in entertainment right now. I don’t think anything with his name attached should be ignored.
Other possibilities I’d suggest would be The Sarah Connor Chronicles, which ended at a point which begs for a conclusion, and Jericho which has some similarities to Revolution but did it much better.
Hide looked like a ghost story, but this week’s episode of Doctor Who was actually a love story involving two couples (or maybe a third). The young assistant Emma was the real reason for Doctor showing up where he did, to see if the clairvoyant Emma could detect anything unusual about Clara, “the only mystery worth solving.” While nothing unusual was revealed about Clara, Emma did warn Clara about the Doctor’s icy heart. I suspect this will play a part in whatever is revealed in the season finale.
The episode picked up on the theme of the TARDIS not yet accepting Clara, but by the end they worked out their differences and went on to save the Doctor. Last week in Cold War it was necessary to contrive a way to get rid of the TARDIS to avoid a simple solution to being trapped in the submarine. This week did something which few too many episodes do–use time travel as part of a story. This did wind up leaving one time traveler just hanging around, possibly a loose end to come up in a future episode. It also showed Clara the full meaning of time travel and the Doctor:
Clara: “To you I haven’t been born yet, and to you I’ve been dead a hundred billion years. Is my body out there somewhere, in the ground?”
The Doctor: “Yes, I suppose it is.”
Clara: “But here we are, talking, so I am a ghost. To you, I’m a ghost. We’re all ghosts to you. We must be nothing.”
The behind the scenes video is above.
This was actually the first episode filmed with the modern Clara Oswald, written by Neil Cross, who subsequently wrote The Rings of Akhaten. Cross did better with his first attempt in Hide. Like previous episodes since Doctor Who returned, there is an homage to a previous Doctor. This time it is John Pertwee’s Doctor, from a scientist with assistant (or is it companion?) using 1970′s oscilloscopes to the need for a blue crystal from Metebelis III. Will next week’s Journey To The Center Of The TARDIS include references to Tom Baker? I suddenly feel like some Jelly Bellies.
Hide played with Doctor What while Steven Moffat has made the question Doctor Who? a recurring theme. The official synopsis for The Name of the Doctor, the final episode of the season is “Someone is kidnapping the Doctor’s friends, leading him towards the one place in all of time and space that he should never go.” Moffat says we really will learn something we haven’t known about the Doctor, telling Radio Times: “There’s going to be a revelation. I’m not teasing. I’m not wrong-footing you – you’re about to learn something about the Doctor that you never knew before. And I think you’re in for a shock.”
River Song, who proved her relationship to the Doctor by being the only person to know his name in Forest of the Dead, will be returning in this episode. The Wedding of River Song included this warning:
“The Fields of Trenzalore, the fall of the eleventh and the question. The first question, the question that must never be answered hidden in plain sight, the question you’ve been running from all your life. Doctor who? Doctor who? DOCTOR WHO?”
The fall of the eleventh has been interpreted as meaning the time of his regeneration, but it might mean something different if the Doctor’s name really s revealed, or this might not be the secret which is revealed. Even if his name is revealed, there would have to be more to the secret for it to be meaningful. Finding that his name is the Gallifreyan equivalent of John Smith would not mean very much. Perhaps the Grammar Daleks have been correct and his real name is Doctor Whom.
There is yet another possible clue to a secret in this rumor about the 50th Anniversary episode:
…there are several sites claiming that two very reliable sources have independently revealed that John Hurt will be playing the real 9th Doctor :O Basically Eccleston, Tennant and Smith’s Doctor have either forgotten or have repressed Hurt’s incarnation for some unknown reason, and it is very possible that the secret due to be revealed in the season finale next month is that Smith is the 12th Doctor rather than what his real name is.
I suspect that if this is the case John Hurt’s character might not really be the Doctor, similar to the misdirection in The Next Doctor. The order of the Doctors has become ingrained too much to disturb this chronology. If Matt Smith’s Doctor really is the twelfth, it might give Moffat an opportunity to answer the question of the number of regenerations. Originally Time Lords had thirteen but obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes. Plus, unless the number is extended, where will the Valeyard fit into this–or has the Doctor managed to avoid that fate?
Clark Gregg has a lot of information on S.H.I.E.L.D in the video above. Transcript below via Bleeding Cool:
If you watched The Avengers it was hard to miss the moment where that Asgardian bastard stabbed me quite thoroughly. And I died in The Avengers and it was a sad day because I loved Agent Coulson, and I loved going to the cons and hanging out with the Coulson fans. I was a little heartbroken. The Marvel guys said “You’re dead. You’re dead. But it’s the comics so it’s a different form of dead. Who knows, maybe we’ll see you again some day.”
I thought “You know what, I had a hell of a time playing this guy, I loved the death scene, I loved what Joss did so much,” to want any more of it felt greedy. So when I got a call a couple of months ago to say ‘We want you to come to New York Comic-Con. We’re going to announce that perhaps Coulson lives” I was very curious but also wasn’t sure that I was necessarily down with it.
I didn’t want to do anything to undermine the integrity of The Avengers and Joss didn’t either. So I had a conversation with joss and he explained to me that this [show] takes place after The Avengers, after ‘The Battle of New York’. I’m from New York, I’ve lived in a world after somebody has attacked New York, I know that there’s fall out.
The Avengers version of that world is a world that has superheroes and doorways to other dimensions and chaos. And the way Joss described to me the mystery that takes place in Marvel’s Agents of SHIELD, and the complexity and the unanswered questions about Phil Coulson standing there trying to deal with this, I found it so fascinating and so true to the world of the comics and mythology in general as I understand them that I was immediately in.
I don’t know you could not change going through what he went through in The Avengers. If he hadn’t gone through some kind of change it wouldn’t be any good. That said, I don’t know if he understands how much he’s changed.
It would be surprising to me if this was a world where there wasn’t some reckoning…the fact that there was some level of deception must have been perpetrated on The Avengers. It must have been.
Defiance has been billed as the next big thing from Syfy but I was not very impressed. The computer-generated special effects looked fake and I just don’t see the point in computer generated graphics which fail to give a sense of reality to scenes which could not otherwise be filmed. The town of Defiance, which is St. Louis around thirty years after a war which has altered earth, provides a scene which could just as easily be an alien planet or a spaceship which contains civilians. Julie Benz is the mayor (or if this was a spaceship, she fulfills the traditional science fiction role of the Captain). In this case, the future looks like the old west, but is far less fun than Firefly. The backdrop will allow for a wide variety of stories, with stories which felt very familiar filling the two-hour premier. Now that we have the setting down, perhaps the series can move onto more original stories.
Continuum is returning to a second season. Star Rachel Nichols was interviewed here. An excerpt:
What can we expect from the new season?
The second season is very interesting. Obviously the first season was very centered on getting home. I wanted to go home. I would be friends with the baddies, I would partner up with Liber8, whatever it took to get home. It’s obviously still important to me in the new season. However, the theme of Season 2 is responsibility. Kagame had a speech at the end of the last season about how, if you drop a pebble on one side of the world, it will become a tsunami on the other. For Keira that’s very, very important, because she wants to get home to her husband and her son. Very early on in season 2, she starts asking questions: what am I going to be returning home to? Am I costing my husband and son their lives? Will they never be born? Will I never be born because of what I’m doing now? It’s a lot to wrap your head around!
This week’s Community brought up the dark timeline. There was also a lot of nonsense such as the group believing they failed, with the grade changing to a C to an F and back again, and a knot which was not a knot. It is clear that new producers David Guarascio and Moses Port do want to keep this show as offbeat and original as it was under Dan Harmon. They just don’t have the ability to pull it off.
Dexter will be returning for its final season. A sneak peak at part of the first episode is above. The final trajectory for the series is in motion, but a spinoff isn’t ruled out.
Emilie de Ravin of Lost teased tonight’s episode of Once Upon A Time by describing her character (after losing her memory) as “young, scantily-clad chick, Lacey.” Okay, she sold me on watching, even if it is on network television.
Zooey Deschanel was identified on the closed captioning as the suspect being chased in Boston on Friday by one television station. Needless to say, it was a Fox channel. This is no more ridiculous (and false) than most of the type going by while watching Fox, such as identifying Barack Obama as a socialist from Kenya.
From 2068, above is a documentary on The Internet: A Warning from History. The Internet was one of the greatest disasters to befall mankind…
Doctor Who brought us to the Cold War and the return, after forty years of the Ice Warriors. The episode provided a good, suspenseful submarine/Aliens drama until the problems got wrapped up too easily. At least this time the Doctor didn’t solve everything with the Sonic Screwdriver alone. He also gave a speech like many that James T. Kirk used to convince aliens to play nice on Star Trek. The cold war backdrop and idea of mutually assured destruction did provide a good backdrop for the discussions with Grand Marshall Skaldac over whether he would destroy the earth. (Spoiler: Earth was spared.) Professor Grisenko provided a second surrogate Doctor.
Mark Gatiss showed us what is inside of the Ice Warrior’s suit and solved the perpetual problem which is present in many episodes of why the Doctor doesn’t use the TARDIS during a crisis to overcome a problem. There was some mumbo jumbo about the TARDIS’s Hostile Action Displacement System (not seen since the Patrick Troughton) has been reactivated to take the TARDIS elsewhere to remain safe. This raises two other problems. How does the TARDIS’s translation matrix continue to work after the TARDIS is gone and how does the Doctor get to the South Pole, where the TARDIS rematerialized? Will there be reference to their adventures getting to the South Pole next week? (I’m still wondering how Amy and Rory got back to earth after the Doctor left them behind at the end of A Good Man Goes to War.)
There were no clear clues to the Clara mystery but one exchange might be significant. When faced with the threat of World War III being set off Clara pointed out, “The world didn’t end in 1983, or I wouldn’t be here?” The Doctor responded, “History’s in flux, it can be unwritten.” Does that apply to the fate of the girl who died twice?
Jenna-Louise Coleman had some hints on the Clara mystery in an interview with TV Guide:
In a way, Clara is connected with the 50th anniversary. We saw in the Christmas episode that her birthday is Nov. 23, the same date that Doctor Who first aired.
Coleman: In the Christmas episode, I didn’t know why that was the case. But again, we will find out by the end of this series. But it’s really exciting — [the season finale] is phenomenal. My spine was tingling when I read it. Again, I’m teasing your so badly here, but there’s the beginning opening sequence, which [is] kind of building up into the 50th. It’s just huge.
She also discussed her relationship with the TARDIS:
You get to pilot that TARDIS in one episode. What does driving it entail?
Coleman: There’s a certain part of the TARDIS you go to, that liftoff thing. But you know, the TARDIS and Clara have a relationship. Actually I don’t think we’ve talked about this in interviews before. It’s something that’s running through the series. Instead of it being like, “Does so-and-so like Clara?” The TARDIS and Clara have a bit of a face-off. So, the Doctor is obviously bringing back somebody new. I think we’ve done a whole additional content scene of me talking to the TARDIS, and the TARDIS is making fun of Clara. They kind of have an argument. They’ve got a relationship individual to the Doctor where they have a dialogue.
Jemma Redgrave will be returning to Doctor Who for the show’s fiftieth anniversary special. She previously appeared in 2012’s The Power of Three playing Kate Stewart, daughter of the legendary Brigadier Lethbridge-Stewart.
Jemma is part of a brilliant cast that is already known to include Matt Smith and Jenna-Louise Coleman who are joined by the returning David Tennant and Billie Piper plus screen legend John Hurt and Joanna Page. Filming is underway on the special which will be a 3D spectacular shown later this year.
There’s a new poster for Star Trek Into Darkness and a new trailer will be out on Tuesday. There are still rumors that, while named John Harrison, Benedict Cumberbatch’s character will turn out to be Khan. Cumberbatch won’t respond to the rumors saying, “Umm, I play a character called John Harrison. I can’t say more.” Some fans who believe this will be a re-imagining of the Khan story are upset since the change in the timeline in the first J.J. Abram’s Star Trek movie wouldn’t account for a different version of the Khan story. Of course the same might be argued about many other changes from the Roddenberry universe.
On last week’s Revolution, after lots of hype, Juliet finally told Google Guy what was going on. Something about how they all died on the island and are in purgatory, with no explanation of the flash forward. Actually there was something about viruses which only eat electricity and reproduce, sort of like Tribbles. I’m not very hopeful about the show, seeing it take a trajectory closer to that of FlashForward than Lost. I do wonder what type of genre show Elizabeth Mitchell will be in next and what type of doctor or scientist she will play.
Man of Steel is featured on the cover of Entertainment Weekly, along with mention of other genre (and non-genre) movies:
This week’s cover story reveals how the new film (out June 14) attempts to humanize the superhuman by finding new flaws and vulnerabilities. The most common one, however, was off the table: “I’ll be honest with you, there’s no Kryptonite in the movie,” says director Zack Snyder (300, Watchmen) Those glowing green space rocks – Superman’s only crippling weakness – have turned up so often as a plot point in movies, the only fresh option was not to use it. Anyway, if you want to make an audience relate to a character, a galactic allergy isn’t the way to do it.
Henry Cavill (Immortals), the latest star to wear the red cape, instead plays a Superman who isn’t fully comfortable with that god-like title. This film reveals that even on Krypton, young Kal-El was a special child, whose birth was cause for alarm on his home planet. (More on that in the magazine) And once on Earth, his adoptive parents, Ma and Pa Kent (Kevin Costner and Diane Lane), urge him not to use his immense strength – even in dire emergencies — warning that not every human would be as accepting of him as they are. So Clark Kent grows up feeling isolated, longing for a connection to others, and constantly hiding who he is. As a result, Man of Steel presents the frustrated Superman, the angry Superman, the lost Superman. “Although he is not susceptible to the frailties of mankind, he is definitely susceptible to the emotional frailties,” Cavill says.
That’s just the set-up. Once the Kryptonian villain General Zod (Boardwalk Empire’s Michael Shannon) arrives to threaten the Earth, eventually the passionate Superman steps forward, too. It helps that he has a reason to care about the home he’s defending, and we can all thank Amy Adams’ Lois Lane for that. “I think she’s very transient. She’s ready to pick up and go at a moment’s notice,” Adams says of the hard-bitten journalist. “I think that definitely could be part of what she sees in Superman — not really laying down roots, not developing trust.”
Iron Man 3 will include a trailer for Thor: The Dark World. Screenrant has some information on Thor2 along with Captain America 2.
I gave up on watching Elementary earlier this season but might return to it after reading that Natalie Dormer of The Tudors and Game of Thrones will be playing Irene Adler in a three episode arc which begins May 9. It will be interesting to see how she compares to Lara Pulver’s (often nude) portrayal of her in Sherlock. Dormer has shown in The Tudors that she would have no qualms in topping Adler’s scenes if allowed on broadcast television. Henry Cavill, who is staring in Superman, also had a major role on The Tudors.
It was previously announced that the first episode of season 3 of Sherlock will be entitled The Empty Hearse. It has now been announced that the second episode will be entitled The Sign of Three.
Syfy has seven new series being considered, some of which are hard science fiction. These are in addition to Ron Moore’s upcoming series about a disease outbreak entitled Helix.
The space opera centers on Orion, an adventurous female relic hunter who tracks down valuable artifacts while trying to piece together her past. Set amid an intergalactic war pitting humans against a terrifying alien race, Orion must decide whether to use her abilities to save herself or commit to the cause and unearth long hidden artifacts that could free all of humanity from a horrible fate. Ron Milbauer and Terri Hughes Burton (Alphas) will write and executive produce, with George Krstic and Ryuhei Kitamura on board as co-executive producers. F.J. Desanto will serve as a supervising producer on the UCP project.
The first detective ever in space is tasked with investigating a murder on a starship — headed to colonize another planet – and instead becomes embroiled in a vast conspiracy involving a mysterious terrible crime dating back to the original launch of the ship 50 years ago. Phil Levens (Smallville) will write, with Blum (Paranormal Activity) on board to produce the Lionsgate entry.
After a clan of bandits are nearly destroyed and left for dead by Coalition forces, they take refuge in the nearest safe haven, a derelict Coalition starship floating in space. Once onboard, they masquerade as Coalition officers while continuing their criminal ways – until they stumble upon a shocking realization about the true nature of the Coalition. Todd Stashwick and Dennis Calero will write, with Hurd (The Walking Dead) and John Shiban (Hell on Wheels) attached to executive produce the UCP project.
When an alien armada is sighted in the region of Pluto, the Earth government turns to a young billionaire industrialist — who has the only ship ready for interstellar travel — to greet the aliens and avoid a catastrophe. Powered by secret alien technology discovered on Earth in the 1960s, the ship engages in a firefight that sends them spinning through a wormhole into an uncharted region of space. Lost in the universe, the team struggles to survive as they encounter new planets and alien species, searching for a way back home. Javier Grillo-Marxuach (Lost) will write the Berman/Braun produced entry from Universal Television.
When his father is slain by assassins connected to the government of the large nearby city of Pont Royal, farm boy Caymer journeys there to continue his father’s legacy as a member of the local police force — and to solve the mystery of his father¹s death. He discovers that his simple country view on life is at odds with the big city, filled with orcs and other magical creatures. Robert Hewitt Wolfe (Alphas) will write and executive produce the UCP effort alongside producer Aaron Kaplan.
A massive meteorite is headed toward Earth, forcing 30,000 hand-picked humans to live underground in a government-funded shelter in order to start a new society. What begins as a Utopia quickly succumbs to the old human faults and jealousies as certain members of society create alliances to gain favor and power. Meanwhile, things on the surface are not what they seem. Humans slowly realize that this event may have been fated and the survivors meant for a greater purpose in rebooting life on Earth. Bruce Joel Rubin (Deep Impact) will write and executive produce the UCP project with writer/co-executive producer/writer Ari Rubin.
Dominion (working title, formerly known as Legion)
The effort, based on the feature film Legion produced by Bold Films, is set 20 years after evil angels have descended from heaven to lay waste to the human souls they felt God had favored over them. A reluctant “savior” must arise to protect Vega, the last remaining stronghold of humanity. The savior has more to fear than just angels, as the elites of this new society conspire to gain power for themselves. Vaun Wilmott (Sons ofAnarchy) will write and co-executive the Sony Pictures TV project, with ScottStewart (Defiance) attached to direct and executive produce. David Lancaster will EP as well.
The reboot of Blake’s 7 has also been received a thirteen episode order. I’m surprised that it has taken this long to bring this classic back. A reboot does make more sense than continuing the original but I would have loved to see how they might have managed to continue after the events of the original show’s finale.
Yvonne Strahovski will be reprising her role as Hannah McKay on the final season of Dexter. We can expect lots of flowers and murder.
HBO has announced that Aaron Sorkin’s show The Newsroom will return on July 14.
Last month I mentioned contributing to the Kickstart campaign to finance a Veronica Mars movie. They wound up raising 5.7 million. The bulk of this came from people other than myself.