SciFi Weekend: Star Trek Discovery; The Orville; Doctor Who Reveals Jodie Whittaker’s Costume; Disney Plans And Genre; Mr. Robot; Felecia Day On The Magicians; Supergirl; Legends Of Tomorrow

Si Vis Pacem, Para Bellum was an episode of Star Trek: Discovery which hopefully satisfied those who complain that Discovery doesn’t feel like Star Trek to them. The bulk of the episode centered around an away mission which could have been on either TNG or the original show. Probably the most similar episode was the original series episode This Side of Paradise.

There are further references to Star Trek history with Ash Tyler using Vulcan pick up lines on Michael Burnham, with a variation of “The needs of the many outweigh the needs of the few.” Tyler was so smooth that I was questioning if he was really a Klingon spy per the fan theory I have discussed in previous posts. Seeing the away team receive physical exams in sick bay with their internal organs showing on the screen also casts doubt about the theory. Presumably he was also examined when he first came aboard the Discovery after being a Klingon prisoner. Lorca would have been in a better position to refuse such a scan.

Saru wound up being in a position analogous to Burnham in the pilot in being the mutineer, even if under alien influence. We also learned that Saru is both fast and strong, unless the communicators are extremely flimsily built. If Saru is a member of the prey species, just imagine what the predictor species must have been like.

Stamets came out of the spore drive calling Tilly “Captain.” Was this momentary confusion on his part or was Stamets seeing into the future? We already know that Tilly aspires to be the Captain. Alternatively, was he seeing the Mirror universe where somehow a Mirror version of Tilly already is the captain aboard a version of the Discovery where advancement is based upon assassination?

The Klingon side story was also getting more interesting last week. L’Rell tried to free Admiral Cornwell and defect with the specific goal of getting to Discovery. Was this an attempt to join up with Ash Tyler if he really is Voq? She was certainly not telling the full truth when she referred to him as being gone. If Tyler is Voq then they would be revealing this on air at some point. A meeting between L’Rell and Tyler might reveal something. On the other hand, if Tyler is not Voq, he would not be all that happy to see L’Rell if he was truly her abused prisoner. Similarly, if the counter-theory that Voq replaced Lorca is true, there could also be some clue regarding that if L’Rell comes aboard. (It is curious that the Tribble has not been seen on Lorca’s desk anymore.)

Cornwell appears to be dead, which would make it impossible for her to take the command of the Discovery away from Lorca as she threatened. Of course it is not uncommon in genre for apparently dead characters to return. There is an interview with Jayne Brook, who played Admiral Cornwell here.

Tonight we have the midseason finale with some teases about the episode at Radio Times. Star Trek: Discovery is returning on January 7.  The official synopsis says, “In Chapter 2, while in unfamiliar territory, the U.S.S. Discovery crew is forced to get creative in their next efforts to survive opposing and unprecedented forces and return home.” I wonder whether this is intended for the opening of Chapter 2 or if the entire second half of the season will be a Voyager/Lost In Space scenario. Alternatively, instead of being elsewhere in space, could they be in the Mirror universe, which we do know will play a part in the series?

The bickering between Ed Mercer and Kelly Grayson over Kelly’s infidelity was a highly over-used attempt at humor in early episodes of The Orville. There was finally some degree of pay-off in Cupid’s Dagger. Darulio, the alien Kelly slept with, was aboard the Orville, and we now know that her infidelity could have been because of pheromones she could not resist. Will this knowledge change the relationship between Ed and Kelly in the future?

The Orville has had mixed success in combining humor with science fiction. Their most successful attempts have been when the humor wasn’t forced and they were not just throwing in jokes at times when it made no sense in the story. Their best successes have included a couple of episodes with Isaac trying to understand humans. The humor worked again on Cupid’s Dagger after Darulio’s pheromones caused Ed to fall in love with him, with Ed’s actions being both humorous and fitting into the plot of the story. There was a parallel story with Dr. Finn and Yaphit (who has also been a frequent source for comedy on the series). The fairly explicit sex scene between the two was unforgettable.

While it was karaoke, the episode did show an improvement in musical taste from Barry Manilow last week. Unfortunately we did not get to hear Bortis sing.

The BBC has released a picture showing how Jodie Whittaker will look as the 13th Doctor, along with some minor modifications to the exterior of the TARDIS. Elements of the outfit have been compared to previous Doctors as wall as to Mork on Mork and Mindy. While the stripes most likely come from Tom Baker’s scarf, they are also similar to a shirt worn by Wesley Crusher. I wonder if the change in color of the TARDIS is real or just a matter of the lighting in this picture.

Incoming companion Bradley Walsh has discussed how he obtained the role without having to audition with the Sunday Express.

Netflix has released the official trailer for season two of The Crown, staring Claire Foy and Matt Smith. Season 2 premieres December 8th, 2017.

There has been a tremendous amount of news about Disney recently which impacts genre. They probably intend to make money off of Star Wars forever, now announcing yet another trilogy. From the Star Wars web site:

For director Rian Johnson, Star Wars: The Last Jedi was just the beginning of his journey in a galaxy far, far away.

Lucasfilm is excited to announce that Johnson will create a brand-new Star Wars trilogy, the first of which he is also set to write and direct, with longtime collaborator Ram Bergman onboard to produce. 

As writer-director of The Last Jedi, Johnson conceived and realized a powerful film of which Lucasfilm and Disney are immensely proud. In shepherding this new trilogy, which is separate from the episodic Skywalker saga, Johnson will introduce new characters from a corner of the galaxy that Star Wars lore has never before explored.

Disney is also moving ahead with their plans to start their own streaming service. They certainly have a far more impressive library than CBS, which is citing its library, along with new shows such as Star Trek:Discovery, in promoting CBS All Access. However one ramification is that new Marvel shows like the ones on Netflex such as Jessica Jones and Daredevil are more likely to appear on Disney’s own streaming service. If this is the case, I hope that Disney doesn’t decide to tone them down to fit in better with other shows on the service.

Disney has also been in talks to buy Fox. While the creation of such a huge studio has massive repercussions, one being discussed by genre fans is that this means that the X-Men and Fantastic Four franchises will be under the same ownership as Disney’s other Marvel characters. This opens the way for cross-over movies between the Avengers and the X-Men, but also might mean that these franchises will receive less attention.

Mr. Robot has been mixed in its second and third season, but last week’s episode was one of the better ones. The episode include significant progress for the plot. More on the episode at Vulture.

Felecia Day has been cast in a key role on The Magicians season three.

We will be seeing the Legion of Superheroes later this season on Supergirl. Laurie Metcalf will also have a guest appearance later this season, playing Winn’s mother.

Damien Darhk has returned to life on Legends of Tomorrow. Screen Rant explained his rather convoluted time line.

SciFi Weekend: The Defenders; David Tennant Returning To Jessica Jones; Krysten Ritter on Season 2 of Jessica Jones; Karen Gillan; Sense8; Dick Gregory And Jerry Lewis Die

The Defenders was the big event of the week. Considering what a major event it was, along with only being eight episodes and being released in the summer without much competition, I am going to assume that most who are interested have already viewed it and will vary from my usual practice of holding off on spoilers about Netflix shows until after they have been out for a while. Before getting into spoilers in the rest of the review, I will say that the series was mixed in terms of plotting and pace, but certainly worthwhile to see all four stars of the Netflix Marvel series together. Just hearing Krysten Ritter’s wise cracks made up for slow moments. I would advise those who held off on watching Iron Fist due to its weak reviews to watch this first. The villains in The Defenders are from the Hand, with this story being largely a continuation of Iron Fist. While it therefore has some of the weaknesses of Iron Fist, it is improved by the character interactions of the other characters.

The Defenders starts with Danny Rand and rapidly makes the final scene at K’un-Lun almost irrelevant, at least for now, as he quickly returned to New York. Even worse, they quickly dispensed with the ending of Luke Cage as he was quickly released from prison. The show had all four leads in New York City, and there were enough connections between the four shows to make it plausible for their paths to begin to cross. Still, it wasn’t until the fourth episode that all four were together as a team.

The series did benefit from cutting down from thirteen to eight episodes, but there were still problems with the plot. Dealing with the Hand did not feel entirely like a rehash of Iron Fist by bringing in Sigourney Weaver along with the other heroes. There was also good use of the supporting characters from the other series, most significantly with a resurrected Electra. It was surprising to see Sigourney Weaver’s character only lasting through the first six episode, similar to the change in villain midway through Luke Cage.

The final fifteen minutes took place after the main event with the apparent death of Matt Murdock becoming the focus. This did not work very well as, even if it wasn’t already know that at third Daredevil series was planned (including news earlier in the week of plans to start shooting in October),they would not be likely to kill off the most well known member of the team. Plus fans of the genre know that if  you don’t see a body, the character is undoubtedly alive–and in this series even being seen as dead is no guarantee that this state will persist. Finally, Matt Murdock was seen in the final seconds, likely setting up matters for the next series.

The belief that Matt Murdock was dead also placed Iron Fist in a situation where he was asked to protect the city, and he did appear like Daredevil in his final scene. We don’t know for sure if the Hand is really destroyed, but this does provide for an alternative type of story line for his second season in a more traditional super hero role.

Being Marvel, there was even a scene after the credits (which I had to search for as my setup of Netflix on a Roku tried to skip past the credits). The scene involved Frank Castle, the Punisher. More on that scene at Screen Rant.

Entertainment Weekly interviewed Defenders showrunner Marco Ramirez:

Let’s start not at the beginning, where Jessica likes to begin her interrogations, but at the ending. Is this the definitive end to the Hand? What can you tell me about the status of everybody in the organization who didn’t get decapitated? That includes Gao, Murakami, and Elektra.
Well, in the Marvel world — and as Jeph Loeb, the Marvel TV head, would say — in the comic-book world, you can always find a way. The story finds a way, so who knows? But we definitely felt like we wanted this to be the end of this specific show, so while I don’t know if it’s the end of the Hand forever — who knows what will happen in the future — it just felt like it’s the end of this story in the lore. Particularly for Iron Fist, we wanted to close that chapter [of the Hand’s story]. I don’t know what the future holds. That’s a Jeph Loeb question [laughs] but for me and for the writers’ room, it felt right to end the story here.

That dragon skeleton — that wasn’t Shou-Lao the Undying’s, is it? It’s just a pile of bones implying that there had been dragons all over the world and one wound up buried under New York?
Yeah, it’s the second one. The idea of that was that there had always been this kind of mystery that the Hand can bring people back from the dead, but we never knew exactly how, and it made sense to connect the life-force idea of the chi in the Iron Fist to the idea of the life force [the Hand members] use for various purposes, so we’re just saying it’s dragon bone that they use, that that’s the substance. That felt like the cleanest way to tie everything in.

And it’s been set up since Daredevil season 1; Gao operates in the background of New York with drugs made from that ground into powder. It felt like we could make back alley drug deals in New York and dragon mythology all part of the same story, so that was my way of trying to tie them all in.

But then, do we know where the city of K’un-Lun went? A part of me thought that was Shou-Lao only because K’un-Lun disappeared, and New York did have a conveniently huge hole in the middle of it.
That’s a question for the Iron Fist showrunner, not me. Honestly, I don’t know where they’re going with that…

I’m running with it. Moving on to Matt’s near-death, why did he find it so important to stay behind to fight Elektra, knowing that he would probably not make it out alive?
To me, Matt and Elektra always felt like Edward Norton’s character and Tyler Durden in Fight Club except with a more overt sexual dynamic. [Laughs] And so, in the end, it felt more like the end of Fight Club…  Emotionally, Matt knows and has to embrace the fact that she’s his burden to deal with, and though he’s fought for three episodes alongside Luke, Jessica, and Danny, Elektra is his problem, his cross to bear. That’s very Matt Murdock to say “Don’t worry about it, I’ll do this. I’m going to die for this.”

How exactly did he make it out alive in the end? Can you tell me?
I can’t. I can’t say anything.

You’re back to keeping secrets!
I know, I know.

Well, can you confirm for me that the Maggie mentioned at the end of the series is Matt’s mom?
[Laughs] I can’t confirm anything! I can say that visually that shot at the end of Daredevil’s story was definitely an homage, as were a couple of other scenes, to the comics. That’s one of my favorite Daredevil images, so regardless of who any of the characters are, I went to the production meeting saying this is the image we’re going for, we’re going to feel like this, and that came from that image that I purposely borrowed from the comics.

Let’s go back to The Defenders. Before the Midland Circle showdown, Elektra brutally murdered Sigourney Weaver’s Alexandra, literally stabbing her in the back with her preferred sai. Why did you kill off who we thought was the Big Bad of the entire series at the end of episode 6?
Well, part of it was just about giving the audience a little something unexpected. Audiences I think sometimes expect that a major storyline or major character is going to end in the ultimate or penultimate episode so they go, “Oh all right, something’s going to happen here at the end of the story,” so it just felt like a jolt, and it was exciting to write. The second part was really in a way we introduced Sigourney’s character a little bit to highlight Elektra’s story. I like to think that we wrote a really fun cool character for Sigourney but really it was also a way for us to say this is the journey that Elektra is going on…

Back when the series was still filming, Jeph Loeb had said this series could end with these characters telling each other they never want to see each other again. So to you, at the end of this season, what would you call the Defenders? Are they teammates? Friends? Acquaintances?
I think of them mostly as like people who were on the same bus when it got in an accident, and then they all filled out paperwork together, and they all went to the hospital together, and now they’re going home. And it’s kind of like, “This was a great adventure to have with you, I’d be okay with seeing you again, I’d also be okay with never seeing you again.” It’s more like a bond that happens in a crisis. People are intimate now, but it’s not like you’ll be inviting them over for dinner every Tuesday. [Laughs] We designed it so they could go back to their individual worlds, but it’s not like they’re apart permanently in any way.

This week’s Doctor Who news overlaps with characters involved in The Defenders. David Tennant was the best of a handful of strong villains in the Netflix shows, and I had wondered if a second season of Jessica Jones will be as strong without him. There was surprise news this week that David Tennant will be returning to the second season, with no word as to the specifics. It is possible it could be as flashbacks or as something in Jessica’s head. I also wonder if perhaps he only made Jessica (and the audience) think he was killed, or if surviving a broken neck is another one of his abilities.

David Tennant is also going to star with Michael Sheen (Masters of Sex) in an adaption of the Neil Gaiman/Terry Pratchett novel Good Omens on Amazon.

As I noted last week, David Tennant has been speaking out in favor of Jodie Whittaker being cast as the thirteenth Doctor. The Sunday Express also looked at that, along with the news on how her father was kept in the dark about the role.

Krysten Ritter discussed the second season of Jessica Jones with Bustle:

Ritter emphasizes that the key topic of the second season will be exploring “more of why Jessica is the way she’s is” (which could also lend itself to some therapy sessions). She argued we shouldn’t assume that the superhero’s personality is just about Kilgrave: “Even in the source material, so much stuff has happened to her. You feel for her … Every time, you’re just like, ‘Ugh, she’s been through so much.’ Yet she still fights. Which is what we love about her.”

And if you’ve been wondering what could have led to the character’s pessimism and cynicism, it sounds like this is going to be the season we’ll get plenty of answers. Which is a lottery win of a plot development, right? But the actor also warns audiences that while she has been hoping to recreate Season 1, that this is a radically different beast, summarizing the evolution in where each installment took place. “The first season was in her head and the second season is in her heart,” offers Ritter.

Karen Gillan already has a character in the Marvel Universe in the Guardians of the Galaxy movies, and she has a definite role which she desires in the DC universe–The Joker. From ComicBook.com:

karen Gillan is best known across the pop culture landscape for her roles as Doctor Who‘s Amy Pond and Guardians of the Galaxy‘s Nebula. But if she had a chance to lend her talents to another corner of geek culture – the live-action DC Comics universe – there’s one character she would like to play.

During a panel at Florida SuperCon, Gillan was asked what character she would be willing to play in another fandom. And to the surprise of comic fans, she had a noteworthy DC Comics antagonist – The Joker – in mind.

“Oh, can I say something DC?” Gillain asked. “Okay, I’m going to say something DC, and I’m going to play the Joker. Maybe a female Joker.”

A fan then informed Gillan that there is comic precedent for a female Joker, with Martha Wayne taking on the mantle in DC’s 2011 event Flashpoint.

“This is my calling!” Gillan said with a gasp. “Somebody make a call for me and let them know I’m available.”

…At the end of the day, Gillan might not end up playing the DCEU’s version of Flashpoint Joker, largely because she’s busy filming Marvel’s Avengers: Infinity WarAvengers 4, and Guardians of the Galaxy Vol. 3. But you have to admit that it’s pretty easy to picture her playing the fan-favorite role in some capacity.

In other cross-genre casting news, Susie Abromeit, who played Jeri Hogarth’s girlfriend Pam in Jessica Jones, has been cast to play Ray Palmer’s mother on Legends of Tomorrow. The episode goes back to Ray’s childhood in the 1980’s

Last week I noted that Lana Wachowski is writing a third season of Sense8 in the hopes that it will be picked up somewhere. The porn site xHamster has made an offer to continue the series in a letter posted here. I have my doubts as to whether having fans go to a porn site will be an acceptable option, but maybe that would mean that the annual orgy scenes would be more explicit.

Two comedians who were otherwise quite different now have one thing in common–having died this weekend. Dick Gregory died yesterday. The Washington Post reports:

The comedian Dick Gregory rose to national prominence in the early 1960s as a black satirist whose audacious style of humor was biting, subversive and topical, mostly centered on current events, politics and above all, racial tensions. His trademark was the searing punchline.

“A Southern liberal?” he once said. “That’s a guy that’ll lynch you from a low tree.” Another: “When I get drunk, I think I’m Polish. One night I got so drunk I moved out of my own neighborhood.” On segregation: “I know the South very well. I spent 20 years there one night.”

Mr. Gregory, 84, died Aug. 19 in Washington. His son, Christian Gregory, announced the death on Mr. Gregory’s official social media accounts. The cause was not reported.

Jerry Lewis died this morning. Variety reports:

Jerry Lewis, the brash slapstick comic who became a pop culture sensation in his partnership with Dean Martin and then transformed himself into an auteur filmmaker of such comedic classics as “The Nutty Professor” and “The Bellboy,” has died in Las Vegas. He was 91.

Lewis died at his home in Las Vegas at about 9:15 a.m. Sunday morning, his agent confirmed.

For most of his career, Lewis was a complicated and sometimes polarizing figure. An undeniable comedic genius, he pursued a singular vision and commanded a rare amount of creative control over his work with Paramount Pictures and other studios. He legacy also includes more than $2.5 billion raised for the Muscular Dystrophy Association through the annual Labor Day telethon that he made an end-of-summer ritual for decades until he was relieved of the hosting job in 2011.

But Lewis’ brand of humor did not always wear well as times and attitudes changed. Over the last 10 years of his life, his reputation soured slightly as he was forced to apologize for making a gay slur on camera during the 2007 telethon, continued to make racist and misogynistic jokes, and didn’t hesitate to share his right-wing political views.

SciFi Weekend: Orphan Black Series Finale; Doctor Who; Hugo Awards; How I Met Your Father; Wayward Pines; Sense8; Hannibal; GLOW; Kristen Wiig Returning To The Last Man On Earth; The Defenders

The series finale of Orphan Black aired last night and had two different halves. Initially they concluded the story from the previous week to save Helena as she was having twins. The overall mythology of the series took a big step towards concluding with the death of Westmoreland.

However, while many series would have ended here, the heart of Orphan Black has always been seeing the sisters and other characters together. They were separated a large part of this season with much of the action taking place on the island, but we got a final party with them all at Helena’s baby shower. We also learned that Helena was writing a book about her sestras, starting with the event of the show’s pilot when Sarah first saw Beth.

Besides the partying, another portion of the mythology was dealt with. Rachel continued her redemption by giving Felix a list of all 274 Leda clones, allowing the episode to conclude with Cosima and Delphine traveling to give them the treatment.

This might not be the end as there was talk about following up the series with a movie.

Deadline interviewed  John Fawcett:

DEADLINE: I have to ask right at the top, is this the series finale that Graeme and yourself envisioned for Orphan Black from the beginning? 

FAWCETT: I think it is in a lot of ways. In some respects, I think that we imagined that the finale really was going to boil down to Sarah and Helena, and that we were going to have to deal with P.T. Westmoreland. We knew that, critically, we were going to have a really kind of dirty, awful, nasty birth, and that that was going to be part of kind of this two-part finale.

DEADLINE: Well, that does sound like “To Right The Wrongs of Many” in a nutshell…

FAWCETT: Yes, but I think we also understood that killing P.T. Westmoreland was important, but not the most important thing for us. It is something you had to do, but that, tonally, for the final episode, we wanted it to be a much more emotional episode. We wanted to structure it in a way that we were finished with plot fairly early on in the episode so that we could make this time jump, as we did. We were really interested in moving forward into the future three months to see where everyone is.

DEADLINE: Part of that jump, nearly at the very end, with the backyard party at Alison’s with the core sestras together around a still shattered Sarah, was Helena reading from her book called Orphan Black of her life and the other clones. Why did you choose that bookending, pardon the pun?

FAWCETT: That was something we devised at the beginning of Season 5, though we had talked about it before. We liked the idea that Helena has been jotting down her memoirs and really, like, exactly that, it comes down to the sisters. It comes down to the twin sisters, between Sarah and Helena.

It’s very important that we’ve ended this in a way that we believed it was nice to have some really strong belief that Helena, after everything that she’s come through, is now going to be a very capable mother. So that somehow, by having her read her journals and her memoirs and bringing us back to the beginning of the series, it just seemed like the right place to end her. You know, we laughed a lot about the idea that Helena would wind up somewhere getting a book deal and maybe going on a book tour at some point. Of course, that’s just what we’ve joked about.

DEADLINE: But the series finale is not really the end of Orphan Black is it? With Cosima and Delphine now traveling the world to find the other 274 Ledas, there is a lot of ripe story or a lot more stories to tell, isn’t there?

FAWCETT: It certainly is. I think that to Graham and I, the imagery and the ideas that come from the concept of Delphine and Cosima out in the world journeying to find these 274 Ledas is certainly ripe, there’s no question. We’ve talked since the beginning of wanting to do some kind of feature or some kind of two-hour continuation of the series.

At this point, I think we’re happy that it’s come to a conclusion that we feel satisfied with, and it closes this chapter. Graham and I are both going to let it sit for a little bit, but I know that these characters are so strong with us and so engrained with us, that there’s certainly a chance that we’ll pick that up and continue…

More at TV Line here and here. Another interview with the producers at Entertainment Weekly included how they considered killing off Rachel. Interview with Tatiana Maslany here.

David Tennant appeared on The Late Show With Stephen Colbert prior to the series finale of Broadchurch airing in the United States. He talked about how Broadchurch is ending after only three seasons, which would not be what would happen with a successful show in the United States:

“It’s a peculiarly British thing. I think we see something that works, and we run from it — you heard about Brexit?” Tennant asked. “That’s what we do. If it works, and it’s solid, and it makes money, and it’s good for everyone in it, abandon it immediately.”

Tennant also talked about the fans who are unhappy with the choice of Jodie Whittaker to play the next Doctor:

David Tennant, the 10th regeneration of Doctor Who‘s title character, was one of Stephen Colbert’s guests on Wednesday’s Late Show, and Colbert asked about his new, slightly controversial successor, Doctor No. 13. “How do you feel, or do you have any feelings about Jodie Whittaker breaking the glass TARDIS ceiling and becoming the first female Doctor?” he asked, and Tennant did. “I’m delighted,” he said, noting that Whittaker has starred with him on the BBC detective show Broadchurch for three seasons. “She’s a mate of mine,” as well as the right actor at the right time.

Colbert noted that not every Doctor Who fan has been so pleased. “Are you surprised that there’s been any backlash at all?” he asked. “Do you know, whenever the Doctor changes there’s a backlash, because that’s a character that people love so people get very affectionate about the Doctor they knew,” Tennant said. When he took over the role of the iconic time lord from Christopher Eccleston, “they were like, ‘Who’s the weaselly looking guy? Who’s this? I liked the last guy! This is not going to work for me! This show is dead to me! I resign from the internet! [send].'” And it won’t last, he added. “Sure, Jodie is from a different gender than anyone who has gone before, but that will be irrelevant almost immediately once she takes the part.”

In recent interviews, Jodie Whittaker has discussed being chosen for the role. She was also interviewed by BBC News in this video:

Peter Capaldi has discussed filming his regeneration scene and leaving Doctor Who.

The Hugo Award winners have been announced. The Obelisk Gate by N. K. Jemisin  won the award for Best Novel. Arrival won for Best Dramatic Presentation (Long Form). The final episode of the first season of The Expanse, Leviathan Wakes, won the award for Best Dramatic Presentation (Short Form). This was also the name of the first novel in the Expanse series. The full list of nominees and winners can be found here.

After two attempts at a spin off of How I Met Your Mother, 20th Century Fox has now commissioned a spec script from  Alison Bennett, a writer from You’re The Worst, for another attempt entitled  How I Met Your Father. (A previous spin off was to be called How I Met Your Dad). If you know the original show, the premise of the new show should be obvious from the title. The last attempt was to be by This Is Us co-executive producers Isaac Aptaker and Elizabeth Berger, but they had to drop the idea with the success of This Is Us. Perhaps combining the original comedy style of HIMYM with some aspects of You’re The Worst could be the way to go.

A third season for Wayward Pines remains a possibility, but no plans yet.

Lana Wachowski is hopeful that Sense8 will receive an entire third season, beyond the single episode Netflix agreed to in order to wrap up the story.

Bryan Fuller says that talks about a fourth season of Hannibal, presumably at a different network, couldn’t start until two years after the final episode of season three aired. Such conversations have now begun, and hopefully the show will be back in some form.

Netflix has renewed Alison Brie’s series GLOW for a second season.

Kristen Wiig will be back in at least three episodes of The Last Man On Earth.

The big event coming up is the release of The Defenders–final trailer above. In preparation for its release, I gave in and watched Iron Fist last week. As I went into it with low expectations from its poor reviews, I was somewhat pleasantly surprised. It certainly did have its flaws, such as people changing sides too often to be believable, but was quite watchable. It was one of those shows which I spent a lot of time web surfing and otherwise multitasking while watching, which I would have never done with Jessica Jones. If nothing else, a sequence which equates pharmaceutical reps with drug pushers made it all worthwhile.

SciFi Weekend: Doctor Who and The Two Masters; Legends of Tomorrow Breaks Time; Surprises On The Magicians; A Wedding On Orphan Black?; Hugo Award Finalists; Netflix Marvel Shows; Renewals and Returning Shows


Thanks to time travel, there have been many episodes of Doctor Who which featured two or more Doctors from different regeneratons. In the upcoming season, not only will there be the return of Missy, but John Sims will be returning as The Master. The BBC reports:

John Simm will return as the Master to battle the Doctor (Peter Capaldi), new companion Bill Potts (Pearl Mackie) and Nardole (Matt Lucas) in the forthcoming series of Doctor Who.

John Simm says: “I can confirm that it’s true, thanks to the power of time travel I’m back. It’s always a pleasure to work with this great team of people and I can’t wait for you all to see what the Master gets up to in the next series. “

Steven Moffat, writer and executive producer, says: “Nothing stays secret for long on Doctor Who but you’ll have to wait a little bit longer to see exactly what the Master is up to and how he makes his return to face the Doctor. It’s been a huge pleasure to have fan favourites John Simm and Michelle Gomez face to face in the same role! It’s not often you get to see a solo personality clash.”

John Simm was last seen as the Master on New Year’s Day 2010. Viewers will have to wait to see exactly when and how the Master will return to the new series, which starts on Saturday 15 April at 7:20pm on BBC One.

As previously announced, Doctor Who series 10 will also star Michelle Gomez as Missy – a later regeneration of the Master. Other returning foes include the Daleks, the Ice Warriors and – returning for the first time in over 50 years – the Mondasian Cybermen. An exciting line up of new faces and adversaries will debut across the series, including adorable-but-deadly Emojibots and David Suchet as the Landlord.

Steven Moffat has also been teasing a huge spoiler, to be revealed in a trailer to one of the episodes:

“This is just a public warning,” said a playful Moffat. “Some people hate spoilers and some people love spoilers – and everybody hates me whatever way they think about it. So this is my last attempt in this role to avoid hatred.

“At the end of the episode there will be yet another awesome trailer for Doctor Who… at the very end of the trailer there is, frankly, an enormous spoiler, a spoiler that may actually melt your brains. But I promise you, you’d be better off not knowing because awesome though it will be here, it will be even more awesome in a few weeks’ time. So we’re gonna give you the option, in our frankly camp and ridiculous way…

“There will come up a warning and then there will be a countdown to the spoiler, and then there will be a warning to ‘blink now’. If at that point you close your eyes and wait until you hear the cliffhanger noise, you will have a better experience in a few weeks’ time.”

Den of Geek has a spoiler-free review of the season premier.

Series ten will finally reveal the location of the TARDIS toilet. (“It’s down there. First right, second left, past the macaroon dispenser.”) It remains unseen.

Doctor Who TV has links to series ten interviews with Steven Moffat and the cast. In an interview elsewhere,  Peter Davison discussed how the regeneration scenes were hard for both himself and David Tennant.

There have already been shows such as Broadchurch and Victoria which include at least two actors who had previously appeared in the Doctor Who universe. Another example is coming. Look at the cast in this show discussed at Deadline:

Netflix has come on board BBC Two’s contemporary thriller Collateral as co-producer and will release globally outside the UK. As Deadline revealed last month, Carey Mulligan is starring in the David Hare created drama that explores the spiraling repercussions surrounding the fatal shooting of a pizza delivery man. New cast includes John Simm (Life on Mars), Nicola Walker (Spooks) and Billie Piper (Doctor Who, Penny Dreadful).

Rose and The Master, plus staring Carey Mulligan, who played Sally Sparrow in Blink.

Legends of Tomorrow was considerably improved in the second season. After an apparently happy ending, the Legends wound up in a Los Angeles with a changed skyline with futuristic buildings and buildings from Victorian England, and dinosaurs. I wonder if they are intentionally using things which the Legends have encountered previously.  Screener discussed the aftermath of breaking time with showrunner Phil Klemmer:

It’s no secret that the Legends revisiting an event they’d already changed is bad news — and now in the Season 2 finale, that’s exactly what’s happening. What can you tell us about the episode?

I guess I’ll say this: We have to follow through on our promise. I think people would hate us if the Legends were able to perform this feat without any consequence… If this were a typical “Legends” episode, and ended with, “Alright, we didn’t get a lot of style points but we succeeded.” This really has to be different than a random episode throughout the season.

As a show, it’s always been designed to reinvent itself at the end of every season, whether that’s with the mythology or the characters or the stakes. The blocks that we build with are not designed to last from one season to the next. We’ve loved Season 2 and could continue writing this forever, but I don’t think that would be true to the spirit of the show, which is supposed to be wildly unpredictable and zany.

We had to have a seismic shift for our story, and one that will leave people scratching their heads for the next five months or whatever. I think the show is at its best when you watch an episode and honestly don’t know how the hell you got there. We never could have predicted that we would do an episode about George Lucas, or “Land of the Lost” dinosaurs. You can get a little too comfortable and we got good at doing the Season 2 thing. That’s precisely the moment where you have to blow the canon up again, you know? Crash this beautiful ship of ours and see where you land.

It’s scary — but it’s a challenge that I know, when we all sit down in the writers’ room for the first day of work, everybody’s going to be on the edge of their seat and eager to start talking, because nobody knows where we’re headed. And that’s exciting and terrifying.

While ‘Legends’ is telling a unique story, it still exists in a shared universe — your actions can be felt on other shows. Is that a line you have to walk — debating how much to blow up so it doesn’t impact ‘Arrow’ or ‘The Flash’?

It is funny. Kevin Smith said at Paleyfest how Barry has suffered endlessly for making one mistake, and we’ve sort of made a habit out of it. Usually when we’re in the Waverider and we’re traveling through time, we’re thinking the crossover is really the only time we have to make our worlds harmonious.

But you’re right, we have maybe made a really difficult challenge for ourselves. You’ll see in the last 45 seconds a different kind of mistake than we’ve ever made before — and the challenge of Season 3 is going to be coming up with a new mission-of-the-week… Because it’s not as easy as going back in time and keeping George Lucas in film school. That’s going to seem like a very two-dimensional surgical strike, compared to the historical messes that we have to clean up as a result of what we do in this finale. It’s exponentially more complicated.

Despite the changes on Legends of Tomorrow, Marc Guggenheim says we will not see dinosaurs in Central City on The Flash next season.

Last week’s episode of The Magicians had a dragon, a visit to the underworld (with bowling), and a lot of surprises. Eliot was surprised to find he was not going to get laid because a bunch of Fillorians and Lorians were turned into rats on Eliot and King Idri’s wedding day. Margo surprised Eliot when the truth serum forced her to confess, but then, surprisingly did something risky to try to fix everything. Eliot was also surprised to return to Brakebills. Senator John Gaines was surprised to learn why some people did what he wanted, and further surprised when he gave another Senator a heart attack. Julia was surprised to learn that Elysium is run by Miss Persephone. The biggest surprise was the sacrifice Julia made for Quenton, presumably now opening the door to bringing Alice back.

The Dragon got the best lines of the episode:  “You have 24 hours to return to the portal.” “Or…” “I sit patiently, waiting for you to come back. No, I eat you, I’m a fucking dragon, what do you expect?”

Deadline had a panel with cast and crew, and had some teasers for the final two episodes of the season:

With just two episodes to go, the team promised to go out with a bang (“They’re insane,” said Maeve. “Quite insane”). Added McNamara: “There’s been something for the entire season, and there’s a perpetrator behind these things that are going on, and you don’t know who it is… It’s kind of a giant whodunit.” Ralph confirmed that the April 19 finale will pull the rug out from under its characters, saying, “Just as these people think that they have real control over their lives and have made real decisions and have forward momentum and feel like they’re taking responsibility for things for the first time, we draw back the curtain and reveal that they’ve had no control – they’ve been pawns.” Gamble smiled. “Don’t you love a cliffhanger?”

Orphan Black returns for its fifth and final season on June 10. Several pictures and clips have been released, including this one which suggests that Cosima and Dephine are getting married:

 

The 2017 Hugo Award finalists are out. The awards will be presented on August 11, 2017. Here are the nominees for the two categories which include television shows and movies:

Best Dramatic Presentation, Long Form

  • Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)
  • Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)
  • Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)
  • Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)
  • Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)
  • Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

Best Dramatic Presentation, Short Form

  • Black Mirror: “San Junipero”, written by Charlie Brooker, directed by Owen Harris (House of Tomorrow)
  • Doctor Who: “The Return of Doctor Mysterio”, written by Steven Moffat, directed by Ed Bazalgette (BBC Cymru Wales)
  • The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)
  • Game of Thrones: “Battle of the Bastards”, written by David Benioff and D. B. Weiss, directed by Miguel Sapochnik (HBO)
  • Game of Thrones: “The Door”, written by David Benioff and D. B. Weiss, directed by Jack Bender (HBO)
  • Splendor & Misery [album], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Screenrant has looked at how the television version of Legion differed from the comics.

On a somewhat similar topic, Vulture compared how the ending of Big Little Lies compared to the book.

Netflix has revealed that The Defenders will be released on August 18, 2017.

Daredevil will start filming season three later this year, to be released in 2018.

Iron Fist has received a number of poor reviews, but I doubt I will go entirely without seeing it before watching The Defenders. Nerdophiles has a possible solution–listing the must see episodes and recommendations for those to skip. They even have a synopsis of the episodes they recommend skipping. It won’t save all that much time, only recommending skipping three episodes (the second, third, and twelfth). The first also also gets a poor review, but I assume the author recommends watching as it is the first episode and presumably does set up the show. In other words, it appears that the series doesn’t really become all that watchable until the fourth episode.

In this era of peak TV, there are many shows I have not had a chance to see which others say are worthwhile. I’ve heard a few people say great things about Wynonna Earp. Screen Rant gives fifteen reasons to watch. The first season recently became available on Netflix, and the second season begins on Syfy on Friday June 9. Syfy has announced that Dark Matter will also return on June 9 with two episodes. Killjoys will return on  June 30. I finally manged to binge watch Dark Matter in December, when other shows were on hiatus, and really enjoyed it. I didn’t get into Killjoys, but I only watched one episode and will give it another chance if there is another slow period.

Hulu has released the first three episodes of an anthology series entitled Dimension 404, which appears to be influenced by The Twilight Zone and Black Mirror. I09 says these episodes are bingeworthy.

Netflix has renewed A Series of Unfortunate Events for both a second and third season. USA has renewed Colony for a third season.

SciFi Weekend: Top Twenty New Shows Of 2016; Mary Tyler Moore and John Hurt Die; Genre Novels In The Age Of Trump; Riverdale Premieres

With over four hundred scripted shows (expected to surpass 500 in 2017) it is probably impossible for any one person to fairly rank the best of any season. Even many professional television critics, who don’t have another day job interfering, have said  how difficult it is to watch all the shows to do their end of year rankings. To make it more manageable, and to get around problems of listing the same top shows every year, I have limited this to the best new shows every season. Last year’s list is here and the top new shows of 2014 were listed here.

It got even harder this year with so many new streaming shows, some not dropping until December. In order to include more shows, I waited until the end of January to post the list. As usual, there are shows which I have heard very good things about which I have not watched at all. I put in a couple of shows towards the end of the list which I only watched parts of the season, and might rank them higher if I were to watch more. Also, as usual, it is very difficult to compare shows from different genre’s, or shows watched months apart. If you disagree with some of the rankings, it is very likely I also might agree and rank them differently if I were to do this on a different day. The real point of lists such as this is to point out shows which were worth watching.

Top 20 New Shows Of 2016

20. DC’s Legends of Tomorrow (CW Network)

If based upon the premiere of the show in early 2016, this show would not have made the list, however it was much better when it returned for a second season in the fall. If you gave up on it last year, as I almost did, it is worth another look.

19. Class (BBC)

A Doctor Who spinoff aimed at an older audience than TheMary Jane Adventures. Torchwood (in its early years) remains the only spinoff I consider must see, but fans should find this enjoyable. It aired in the UK last fall, and will be shown in the U.S. this spring after Doctor Who. While I understand the decision in the U.S., I personally found it to be of more value as a fall show to fill the gap when, besides the Christmas episode, there was no true Doctor Who.

18. Fleabag (Amazon Prime)

I wasn’t as in love with this show as the critics, but if you have Amazon Prime, it is well worth checking it out and deciding for  yourself. The entire season is only about three hours, making it essentially a long movie. There is a definite payoff to some of the events of the season in the finale.

17. Atlanta (FX)

Another show which many would probably rank higher. I started watching when it premiered, but then it got forgotten in September because of a combination of being busy with personal matters and the premiers of all the fall shows. It very could rank higher after I see more.

16. Dirk Gentry’s Holistic Detective Agency (BBC America)

A fun and very quirky genre show which, by the end, definitely qualifies as science fiction.

15. Billions (Showtime)

An entertaining cable series. It’s most important benefit was to give Damian Lewis somewhere else to go to make sure they didn’t get desperate and try to bring him back to life on Homeland.

14. Speechless (ABC)

A few years ago it looked like network sitcoms were on the verge of death, beyond The Big Bang Theory and Modern Family. ABC has managed to continue to make worthwhile sitcoms with the Modern Family formula, including Black-ish, Fresh Off The Boat, and now Speechless.

13. Goliath (Amazon Prime)

Billy Bob Thorton makes what could have been a run of the mill lawyer show well worth watching

12. The Crown (Netflix)

A young queen ascends to the thrown in a high budget presentation. She receives advice from the prime minister and is married to a foreigner played by Matt Smith, who adds a bit of whimsy to the show.

11. Victoria (ITV and PBS)

A young queen ascends to the thrown in a not-so-high budget presentation. She receives advice from the prime minister and is married to a foreigner. This also has strong connections to the Doctor Who world including Victoria being played by Jenna Coleman, with supporting cast including Eve Myles from Torchwood. It doesn’t have the budget of The Crown, but in deciding upon the ranking I deferred to my wife’s opinion. This aired in the UK last fall and recently started airing in the United States on PBS.

10. Luke Cage (Netflix)

The latest introduction of a Marvel character on Netflix. It could not meet the extremely high bar set last year by Jessica Jones, but was better than the second season of Daredevil.

9. The Magicians (Syfy)

Much more than an adult Harry Potter, but that would make a starting point to explain what this series is about. Yes, it did technically have an advanced showing of the pilot in 2015, but I’ll still consider this to essentially be a 2016 series. I watched the uncut episodes later in the year, and the editing for television on the premier episode of the second season last week was noticeable.

8. The Good Place (NBC)

A sitcom which has a continuing story, a genre element, discusses philosophy, plus has Kristen Bell and Ted Danson. Extra points for having one of the best plot twists on television in recent years.

7. This Is Us (NBC)

I thought that quality drama was dead on NBC with the ending of Parenthood, but this fills the gap. It had a fairly good twist of its own in the pilot but, unlike in The Good Place, I saw this one coming. The bigger surprise was that Mandy Moore could do such a good job acting. Sure it is full of old television cliches and spends most episodes tugging at the heart strings, but it does a good job of it.

6. 11.22.63 (Hulu)

Received mixed views but I thoroughly enjoyed this adaptation of the Stephen King time travel novel. (No comparison between this and the messed up adaptation of  Under the Dome). More on the show here.

5. Travelers (Showcase and Netflix)

Another low budget Canadian science fiction series filmed in Vancouver. This one is well-written and highly recommended, plus now easily available in the US on Netflix. The premise is that travelers from the future send their consciousness back to our present to prevent an apocalyptic future, taking over the bodies of people at the time of their recorded death. (I was  hoping that something like this would happen on January 20.) Besides having to attend to their mission, the travelers have to cope with the lives they took over–and sometimes their information was a bit off.

4. The Night Of (HBO)

A great self-contained story which shows both problems in the criminal justice system and xenophobia.

3. The Night Manager (BBC and AMC)

An excellent adaptation of the John le Carré novel. It was such a success that BBC and AMC are planning a second adaptation.

2. Stranger Things (Netflix)

The surprise hit from last summer. The series, with explanations of the finale, was discussed here.

1. West World (HBO)

The most discussed new show of the season, with mainstream critics also falling for this science fiction series. I looked at the show at various times, with a discussion of the season finale here.

There are also shows which might make the list which I did not see. I didn’t see any point in rehashing the O.J. Simpson story, but note that The People v. O.J. Simpson: American Crime Story  (FX) has received considerable critical acclaim. Many other shows, including genre dramas such as The OA (Netflix) and comedies such as One Mississippi (Amazon Prime) are also recommended by many people.

In past years I have found shows which I did not see when new, but saw them in subsequent years and thought they deserved to be in my rankings. This year I caught up on season one and two of Dark Matter (Syfy) and loved the show. I then tried Killjoys (Syfy) and didn’t get into it. I only watched the first episode, which might not be enough to judge it. I also thought that perhaps I was expecting Dark Matter and it might be better to watch some other shows before trying it again so I could judge it on its own merit.

It is notable that, once again, cable (both basic and premium), British imports, and especially streaming, dominate the list, with very little from the major American networks.

2016 ended with the loss of one beloved actress, Carrie Fisher, and began with the loss of another, Mary Tyler Moore. Later in the week, John Hurt died. While he is more famous for other roles, among science fiction fans he might be best remembered as the War Doctor for the Doctor Who 50th anniversary.

The past two weekends also were dominated by protests against Donald Trump. Earlier this week I looked at one good thing to come from Trump’s election–people are talking about books. This includes the classic 1984, as well as two other novels in which populist authoritarians became president. Even Doctor Who has been cited in discussion of the alternative facts coming from the Trump administration.

This week included the return of several genre shows, as well as the premiere of The CW’s reimagination of Archie comics, Riverdale. After watching Riverdale, I have three questions:

1) Who killed Jason Blossom?
2) What real teen talks about Truman Capote and about Mad Men by season?
3) And the old classic question, Betty or Veronica?

SciFi Weekend: The Flash; Supergirl; Arrow; Legends of Tomorrow; Gotham; Dark Mirror; Westworld; Outlander; Falling Water; Doctor Who; SNL On The Second Presidential Debate

supergirl-season-2-trailer-superman

All four shows in the Berlantiverse have premiered on the CW Network for this season. (Spoilers ahead for those who are not up to date). The Flash returned with the long-anticipated Flashpoint story, and couldn’t keep up with the hype. Unfortunately it was all predictable that after saving his mother, some reason would come up which would force Barry to restore the time line. This combined both disasters for some of his friends with him developing the problem of losing his original memories. It was mostly resolved in the first episode, but the restored timeline did have some changes, such as Iris not speaking to her father. Almost everything was fixed by the end of the second episode. There is one change which does extend to Arrow–Diggle now has a son rather than a daughter (with the son seen in an episode of Legends of Tomorrow last season).

While The Flash got off to a mixed opening, Supergirl started the season strong with the introduction of Superman–now putting these two series out in front of the Berlantiverse shows. It was the perfect view of Superman for this series–the version from the latest movies certainly would not have fit in.

I bet nobody was surprised that Kara decided to become a reporter. The move of Winn from CatCo to the DEO is exactly the type of change which might be farfetched in the real world, but which fits into television reality. They hinted at changes for Cat Grant, which is probably a cover for Calista Flockart not going to appear as often due to the move of the show to Vancouver. It does make sense that Kara will not see her as much with the change from her personal assistant to reporter. She will have a new boss, with some information from Entertainment Weekly:

Kara’s working relationship with her new boss, Snapper Carr, is very different from the one she had with Cat Grant. “Cat — both with Kara and I think with others — is actually devoted to mentoring people,” EP Andrew Kreisberg says. “She challenges them hard, but she does that with the idea that she’s forging them and they’re going to come out the other side as stronger, better people. Snapper Carr doesn’t give a crap. He believes in the written word, in facts and ‘Are you good at your job or are you not? If you’re not good at your job, I don’t have time for you.’”

A clip from next week’s episode in which Kara meets Snapper Carr is above.

While The Flash was about Barry and Iris getting together regardless of the time line, Kreisberg has decided that Kara and Jimmy Olsen should just be friends. I just hope they stick with this decision. We have seen far too many Ross and Rachel situations on television.

Arrow has been on a downward trajectory since its superb second season, and it is too early to say whether it can move out of third place among the Berlantiverse shows. The first two episodes of the season have concentrated on building a new team, and have been rather unremarkable. Maybe once this is established the show will improve. At least the flash backs in Russia look more interesting than the flash backs from last season.

Legends of Tomorrow has been largely rebooted, but I’d still rank it as the weakest of the four seasons based upon the single episode available so far.  It appears that the team has a new leader in place of Arthur Darvill’s character Rip Hunter, but I’m not certain that he is really gone for good. On the one hand the mission first season was more personal for Rip Hunter and it might make sense to reduce the emphasis on him. On the other hand, it is Arthur Darvill who has the direct connection to the Time Masters they are replacing (along with a certain Time Lord). So far we have only had a glimpse of the Justice Society of America, but we should be seeing a lot of them next week.

Geek and Sundry has a guide to the Justice Society

Before the Justice League… Who’s the Justice Society?

So, the Justice Society of America, or JSA, was DC comics’ first all-star super group, debuting in the 1940s. Its initial roster consisted of names who should sound very familiar to followers of recent movies and shows. There was the Atom, Green Lantern, Hawkman, and the Flash, among others. Only these weren’t the same characters which viewers are familiar with today. A key aspect of DC lore is the notion of masked personas being passed down through generations, so when the company dusted off the super group concept in the 60’s with the Justice League of America, it didn’t take long for the creators to retcon the two teams as being part of a lineage.

Judging by the trailer, it seems this JSA might be the only official super group in the “Arrowverse,” and its line-up will be cherry picked from various incarnations of the team. It’ll also apparently live up to its name more by operating as a clandestine secret society. Who are the members, though?

Hourman

The first wearer of this cowl, Rex Tyler, takes his name from the Miralco Pill which grants superhuman physical prowess for an hour once ingested. As soon as time’s up, though, Hourman’s reverts back to being a normal human being. The chronal chaos seen in the trailer suggests, however, that this guy will be an amalgamation of all three heroes in the tradition, having the time-travel capability of the second Hourman, along with the black costume of the third.

Stargirl

She’s a more light-hearted heroine with ties to two superhero dynasties. Stargirl wields the powerful “cosmic staff,” which absorbs and re-directs energy, allowing her to fly, fire bolts, create forcefields, and also levitate objects.

Dr. Mid-Nite

Imagine a character somewhere between Daredevil and Riddick. All three Doctors have been actual medical doctors who turned to crime-fighting after accidents granted them night vision at the cost of near-blindness in normal light conditions. Hence, the goggles. For all doctors, the preferred tool is the noxious “black out” smoke bomb, and the preferred assistant is a deadly, trained owl.

Obsidian

The mutant son of the first Green Lantern (not Hal Jordan!), he’s born with powers that ironically invert the mighty light of his father. Obsidian can turn into a living shadow and gain all the associated qualities, like flight and intangibility. He can even sometimes build objects out of darkness, much like GL’s constructs.

Vixen

A bit like the Beastmaster, this heroine can tap into a primordial force called “the Red” which allows her to possess the abilities of any animal. This power comes from the mystical Tantu Totem, which is passed down through generations. And in fact, this Vixen is not the same one who’s previously been seen on Arrow. She’s her grandmother.

Commander Steel

A bit like Captain America, this star-spangled hero is a military man who’s granted super strength and invulnerability after a top secret experiment. (In this case, it’s meant to restore his damaged body.) Steel fights in World War II, and he makes life-long enemies with Nazi super-villains who come back to bedevil the grandsons who eventually take up his mantle.

There was even a reference to Gotham on Supergirl last week, even if not the Gotham of the Fox television show. This DC-based show also got off to a good start this season. Their election for mayor was settled far more quickly than our presidential election. Oswald Cobblepot might be as disgusting a figure in many ways as Donald Trump, and as crooked as Hillary Clinton, but if he was in a three-way race for president, I would be tempted to vote for him over our current awful choices.

Black Mirror

Just after I finished one show dropped on Netflix (Luke Cage), they are releasing another genre series on Friday. After two seasons of Dark Mirror on Channel 4 in the U.K., Netflix will be releasing a third season. TV Guide looks at the previous episodes to watch before the third season begins. The first two seasons are also available on Netflix. The New York Times spoke with the show’s creator, Charlie Brooker, and his collaborator Annabel Jones.

While I will hold off on discussing Luke Cage until a later date, of the Netflix Marvel series, I’d rank it just a bit behind Daredevil season 1, and above Daredevil season 2. Jessica Jones remains the best of the series. While there are some overlaps, and Luke Cage did have a role in Jessica Jones, each series can be watched independently without having seen the others.

Nerdist looks at how Doctor Strange fits into the Marvel Cinematic Universe.

westworld

I was disappointed when I found that HBO was not streaming the third episode of Westworld early like they did with the first two, and I will have to wait until later tonight to watch. While I have not seen all of the new series which have premiered this season, so far it is the one I am most interested in. Assignment X has an interview with Jonathan Nolan. Here is a portion, which also compares it to Nolan’s previous series, Person of  Interest:

AX: You spent five years dealing with A.I. on PERSON OF INTEREST …

NOLAN: I think I found my subject.

AX: Did you come to any conclusions about artificial intelligence while doing PERSON OF INTEREST that have been useful in WESTWORLD?

NOLAN: It’s funny, because it’s really looking at the subject from a different perspective. PERSON OF INTEREST was relentlessly non-anthropomorphic A.I. was really the godhead, it was A.I. as a pure intelligence, not tethered to the mortal coil, an A.I. that was developed in secret. With WESTWORLD, you have really the opposite. You have A.I. that, if you consider the consciousness aspect of it, it’s almost an accident that these creatures – they’ve been programmed merely to be as lifelike as necessary for their job, and their job is to satisfy, as Lisa said, our most noble or most base desires. So they’re not supposed to be smarter than us. That’s the last thing [their makers] want.

AX: What are the WESTWORLD park’s customers like?

NOLAN: Well, the guest experience is the third point of view of the show, but it’s very much unlike the original film. We really wanted to start with the hosts, start with their limited understanding of what this world is. But there is that great point of entry. You want to know, how does this place work? As Lisa said earlier, the show is really an examination of human nature, from two different directions. From the perspective of synthetic humans, or synthetic beings, who have been coded to resemble human nature as closely as possible, and who are beginning the question, in the first season, just how worthy a model that is to follow. Every perspective of human beings, and this is the delicious part of the premise, who have been invited or made their way into a space in which they’ve been told that they have free rein. They can take their id on vacation. They can indulge in any whim, no matter how noble or dark that they want, and apparently without consequence. And so that’s a fascinating premise as well. You know, who are we when the lights are off? Who are we when we don’t think anyone’s keeping score? And then in between these worlds [of the synthetic hosts and the human guests], you have the programmers, writers, technicians, the Promethean characters who are responsible for mediating those two worlds.

AX: It seems like Ed Harris’ Man in Black gunslinger/marauder character is a guest who is indulging real darkness in himself …

NOLAN: Ed’s character features as the “ne plus ultra” guest. This is an expert-level player, someone who has been coming to the park, as he says in the second episode, for thirty years. He knows everything about [the park].

When Crichton wrote the original film, the state of the videogame business was Pong. In the forty years since then, that entire industry has grown up and evolved into this monster that’s bigger than the film business, bigger than the TV business. So our narrative had to account for that more sophisticated understanding that we have of gaming. We call them “guests,” but there is also a gaming aspect to what they do in the park. It is not just a leisurely resort. They’re here to engage in the narratives, and the narratives are increasingly sophisticated.

AX: We see that the guests can shoot the android hosts, and the hosts can’t shoot each other, but theoretically, the guests can’t shoot each other and the hosts can’t shoot the guests. Are the guns built so that they can detect human physiology as opposed to android physiology, or how does that work?

NOLAN: It’s not the guns. It’s the bullets. We thought a lot about this. In the original film, the guns won’t operate guest on guest. But we felt like the guests would want to have a more visceral experience here. So when they’re shot and it has an impact, they’re called “simunitions.” The U.S. military trains with rounds like the ones we’re talking about. There’s a bit of an impact, a bit of a sting. So it’s not entirely consequence-free for the guests.

There has been a steady stream of news, such as this casting news, to keep alive interest in Outlander until it returns, probably in April. The season two gag real was also released–audio not safe for work.

I haven’t had a chance to watch Falling Water yet, but have a few links for those who are interested. The New York Times has a review. Buddy TV has videos of interviews with cast and crew, followed by summaries of key points, here and here.

jenna-coleman-doctor-who

Den of Geek looks at the possibility of Jenna Coleman returning to Doctor Who.

While there are no firm plans yet, Steven Moffat has stated that Benedict Cumberbatch is interested in continuing with Sherlock after the fourth season. He is obviously quite busy on other projects, including Doctor Strange. Moffat also states that Peter Capaldi will be remaining on Doctor Who after he leaves as show runner.

Donald Trump is not happy with how Saturday Night Live has portrayed him. Video of their parody of the second presidential debate above, with Alec Baldwin portraying Donald Trump. Trump says that the media is rigging the election that Baldwin’s portrayal stinks. He also tweeted that it is “Time to retire the boring and unfunny show.”

SciFi Weekend: Agents of SHIELD; Star Trek Discovery Delayed; Luke Cage; Westworld; Syfy Pilots; Barrowman v. Moffat on Torchwood

MARVEL'S AGENTS OF S.H.I.E.L.D. "The Ghost" Season 4, Episode 1 Air Date: September 20, 2016 Pictured: CHLOE BENNET as Daisy EXCLUSIVE through 9/16

Chloe Bennet sets the stage for Daisy in the upcoming season of Agents of SHIELD, which returns this week:

In light of the Sokovia Accords, S.H.I.E.L.D. has gone legit.

When Marvel’s Agents of S.H.I.E.L.D. returns, there’s a new director (Jason O’Mara), who tasks Agent Coulson (Clark Gregg) & Co. with tracking down enhanced individuals — and that spells trouble for Daisy (Chloe Bennet), who has gone rogue after Lincoln’s death.

“Everyone she’s gotten close to has died,” Bennet tells EW. “Her way of protecting the people that she cares about — which is Coulson and the rest of the team — is to distance herself. She’s doing anything she can to help people and try to makeup for what she feels is her fault.”

But her self-imposed exile doesn’t necessarily make her a hero. “We know from the past that your power comes with a price,” EP Jed Whedon says. “It damaged her when she first used it and you have to learn to control it. Part of her nothing-to-lose attitude has allowed her to unleash her power on a level that’s much more aggressive, but also much more dangerous.”

“She’s in a place where she’s pushing herself beyond her limitations,” EP Maurissa Tancharoen adds. “Whether or not that’s being self-destructive or just trying to be her own version of her best self, we’ll explore that question.”

Spoiler TV also reports that season 4 will include a loose cross over with the upcoming Doctor Strange movie:

“Our ties are at times very direct and at times are more thematic,” EP Jed Whedon tells EW. “The tie this year will feel more of a reflection of the movie, less an interweaving plot. As that movie hits the world, it comes at the right time in our show, and you will see some of those same ideas being explored.”

“The same questions that our team is exploring leading up to the premiere of Doctor Strange, perhaps some of those concepts will be reflected in the movie and then carried through,” EP Maurissa Tancharoen says. Adds Whedon: “Hopefully some of the questions that we’re asking will be answered by it and then pose some new themes and ideas for us to explore.”

Star Trek Discovery

Originally January was going to be significant for both the inauguration of the next president and for the start of Star Trek: Discovery. CBS has delayed the premiere from January until May, 2017. StarTrek.com reports:

Star Trek: Discovery will now launch in May, 2017, it was announced this afternoon by CBS All Access. The new premiere date is driven by the creative team’s belief that this will give the show the appropriate time for delivery of the highest-quality, premium edition of the first new Star Trek television series in more than a decade.

“Bringing Star Trek back to television carries a responsibility and mission: to connect fans and newcomers alike to the series that has fed our imaginations since childhood,” executive producers Alex Kurtzman and Bryan Fuller said in a joint statement. “We aim to dream big and deliver, and that means making sure the demands of physical and post-production for a show that takes place entirely in space, and the need to meet an air date, don’t result in compromised quality. Before heading into production, we evaluated these realities with our partners at CBS and they agreed: Star Trek deserves the very best, and these extra few months will help us achieve a vision we can all be proud of.”

Personally I’d prefer that we get Discovery in January, and postpone the inauguration of Donald Trump or Hillary Clinton (indefinitely).

Luke Cage is the next installment of the Marvel Cinematic Universe on Netflix, teaser above. Showrunner showrunner Cheo Hodari Coker discussed the series in an interview with SciFiNow (via MCUExchange):

In an interview with science fiction website SciFiNow, Coker calls Luke Cage a show that is about “a man who moves to a new section of town, which has deteriorated over time.” He goes on to say, “Instead of a saloon, we have a club named Harlem’s Paradise. And inside this ‘saloon’ there is another strong man who is controlling vice and – to some extent – has an amount of control in law enforcement [this would be Mahershala Ali’s crime lord Cornell ‘Cottonmouth’ Stokes], so he gets away with everything.”

When asked about how Luke Cage compares to the other MCU Netflix properties, Coker had this to say:

Luke Cage has a different feel to Jessica Jones and Daredevil,” explains the self-confessed comic-book fan. “Let’s talk about the elephant in the room right now; it’s a black show. However, at the same time, it’s a different genre to the other shows to some extent, because Daredevil is a crime drama with superhero elements, and Jessica Jones is a psychological thriller, even though it has some classic ‘Sam Spade’ noir moments.”

The promos for HBO’s adaptation of Westworld continue to make me far more interested in the series than I was when it was first announced. SciFi Now has a spoiler-free review of the first four episodes.

Sci-Fi Storm reports on three pilots at the Syfy channel. Here’s the one I find most interesting:

The Machine, based on the 2013 UK cult film, explores humanity through artificial intelligence when a sentient AI is created, but the military wants to use it for war. Caradog James, who directed the film, is an executive producer with Red & Black Films and John Giwa-Amu, the film’s producer.

It appears that John Barrowman has been claiming that Steven Moffat has been blocking the return of Torchwood–something which Barrowman has been tying hard to make happen. Doctor Who News reports that Moffat denies this:

You may be aware that John Barrowman has been saying, publicly, that I’ve been blocking a new series of Torchwood. To be very clear – I haven’t blocked it; I wouldn’t block it; I wouldn’t even be ABLE to block it. I didn’t even know a revival had been mooted till I read about it on the Internet. As John perfectly well knows, it’s not my show and I could no more prevent it happening that he could cancel Sherlock. I am bewildered, and a little cross, even to be included in this conversation. For the record, I really liked the show (especially the third series) and would be very happy to see more – monsters and mayhem, why not? But the fact is, it has nothing to do with me. Please pass this on to the anxious and the angry – I’ve had enough hate mail now.

SciFi Weekend: Star Trek Discovery; Digital Erections; Supergirl; The Flash; What Thor Was Doing During Captain America: Civil War; Outlander; Doctor Who; You’re The Worst

Star Trek The Cage

When word came out that Star Trek Discovery (officially abbreviated DSC, not STD) would take place about ten years before the original show, and it would feature a female lead who is not the Captain, many fans realized that this would put it around the era of The Cage (the original pilot which was re-cut into flashbacks on The Menagerie). Some also speculated that the female lead could be Number One from that episode if she transferred to a new ship. Bryan Fuller has told Ain’t It Cool News that the female lead will be know as Number One. It was not stated whether this will be the same character, or perhaps another character is being referred to in this manner (as Riker was on The Next Generation).

As for the other project upcoming from Bryan Fuller, I09 discussed plans for digital erections in American Gods.

Supergirl Martian Manhunter

Collider interviewed producer Andrew Kreisberg regarding plans for Supergirl’s second season:

With all of the great things that come with getting to continue the show on The CW, one of the things you lost was the ability to have Calista Flockhart on as a regular cast member. How often can we expect to see her?

KREISBERG: Well, she’s in the first two episodes and we’re talking to her about doing more. It’s funny because, from our perspective, we thought she wouldn’t do any. And it’s not because she doesn’t love the show. She’s such a huge fan of the show, but moving to Vancouver, we assumed that we would part as friends. But she’s so into the show and feels such an allegiance and a responsibility to it that she’s agreed to come back, so we’re very happy. We’re not focusing on what we don’t have. We’re focusing on what we do have, and it’s allowed us to have Ian Gomez, who’s playing Snapper Carr, come in, in a more supervisory capacity, which is fun. Kara has spent two years of her life learning to deal with Cat Grant’s idiosyncracies, foibles, short temper and mixed signals, and just when she finally got that down, she’s now introduced to a new boss who’s very different, has his own thing, and isn’t quite as impressed by her spunk as Cat always was, even if Cat wouldn’t admit it. It’s a journey, like any of us go on. We’ve all had different bosses, over the course of our careers. Just when you finally feel like you’ve nailed your job, you get promoted and you’re suddenly like, “I don’t know what I’m doing anymore!” That’s what’s going to happen to Kara this season…

What can you say about the addition of Christopher Wood and how his character will fit in with things?

KREISBERG: We don’t want to say too much because we’re doing our own version of Mon-El. Obviously, he’s a character from the comic books and he’s much beloved, and we’re putting our own spin on it. What’s interesting about Mon-El joining the show, from Kara’s perspective, is that Kara has spent her whole life as someone who’s been mentored, first by her mother, and then by the Danvers and Superman and Cat. She’s always been somebody who’s been taken care of, in a way. Now, with Mon-El, he’s fresh off the boat. As far as he’s concerned, living on another planet happened yesterday, and suddenly, he’s on Earth and everything he knew was lost, just the way it was for Kara, but she’s had 12 years to process it and he’s struggling with it. So, Kara is now the one in the mentor position. Ironically, she even says in an episode, “I was sent to Earth not to be a hero. I wasn’t sent here to be Supergirl. I was sent here to protect Clark and take care of Clark. Now, in an odd way, with Mon-El here, I’m getting to fulfill that original mission that I had.” So, it’s a big change and a big growing experience for Kara, this season.

How daunting was it to figure out how you wanted to portray Superman, what you wanted the dynamic between Clark and Kara to be, and finding the right actor to take all of that on?

KREISBERG: I think our take on him is probably something a little bit more traditional. There’s certainly a little bit of the “Aw shucks” about him, but he’s been Superman for awhile, so there’s a savviness about him as Superman and as Clark. If he’s been Superman for 12 years, that also means that he’s been Clark Kent for 12 years. He knows how to interview somebody. He knows how to get a story out of someone. As always, with any of these things, we’re never doing a direct adaptation of a specific comic book. We cherry pick the best parts and things that we love. So, there’s a little bit of the Christopher Reeve Superman in there, a healthy dose of the Superman animated series, which we’re huge fans of, a little bit of Lois & Clark, a little George Reeves, and a little Super Friends. And as far as finding the right guy, as soon as we said we were going to do Superman, Greg [Berlanti] mentioned Tyler [Hoechlin]. We’ve been fans of his for years, and when we sat down with him, he is Superman. Not just with the looks, but he’s such a good guy, such a nice guy, and he’s so open and forthright and brimming with life. You just feel better when you’re around him, which I think is part of the secret of Superman. He is that ideal, but not in an unattainable way. Superman should make you feel like you can do anything, even though he’s the one that can do anything. And Tyler just had all that in spades. So, it was less a question of us reaching out. It was more a question of hoping he would say yes. After Tyler, I’m not sure what we would have done…

What’s in store for J’onn J’onzz?

KREISBERG: Part of the reason we’re bringing on Miss Martian is to give J’onn his own story this year and his own emotional ride, meeting her and having this tie to his home world that he thought he would never have again. As he has to keep reminding people, he’s been here for 300 years and isolated for most of it. Last year, with his relationship with Alex and his relationship with Kara, he started to come out of his shell a little bit and wasn’t quite so afraid to show who he really was. So, in getting to interact with M’gann, he’s going to have a whole new person with which to share his martian experience. We think it’s going to be a great story.

The Flash will be lighter in tone next season, despite dealing with two villains along with Flashpoint.

avengers-suit-secret-identity

On the weekends I often wear somewhat subtle genre t-shirts such as Stark Expo, Wayne Enterprises, or Nelson and Murdock, Avocados At Law. I have a lot of ties with hidden, and in some cases not so hidden Mickeys (and one with both Mickey and Goofy). Now it is possible to go all out with superhero themed suits. Fun Suits has put out a line of discrete Marvel and DC based suits. The Mary Sue provides a description. The downsides are that they are polyester, and won’t be available until November.

In other Marvel news, Marvel has revealed what Thor was busy doing during the events of Captain America: Civil War in the above video, which was shown at San Diego Comic Con.

Outlander

Variety  reports on Ron Moore’s comments about season 3 of Outlander:

“Outlander” showrunner Ronald D. Moore told an audience at the Edinburgh Intl. Television Festival on Thursday that in Season 3 the show would start in Scotland but would then be making a sea voyage in the 18th century.

“There’s an extended journey across the Atlantic and then the story eventually goes to Jamaica, the Caribbean and ending up in the New World,” he said. “Season 3 will be as different to Season 2 as Season 2 was to Season 1.”

These dramatic shifts threw up challenges for Moore, who said: “It’s exciting creatively; it’s very hard in terms of the production… You are doing a whole new series with every season. So that’s very difficult. Scouting new locations, building new sets, bringing in new cast members, new costumes, different eras. It increases the expense, it increases the time necessary to prep everything, to shoot everything… So it makes it more difficult and it also takes more mental energy having to crack new problems.”

…Moore underscored the differences between the novel and the show. “You are not capturing Diana’s voice in the show, so much as you are capturing her world and her story. Diana’s voice is there for you on the page. When you read the book, or any book, the author is speaking to you directly,” he said. “The TV show has a vision, feeling and vibe that is an entity unto itself. All these component pieces then combine into our voice.”

Osgoods

Ingrid Oliver says she knows the difference between the human and Zygon version of Osgood:

Discussing last year’s last year’s ‘The Zygon Invasion’ and ‘The Zygon Inversion’ episodes, Oliver told Doctor Who: The Fan Show: “In the script it simply said Osgood 1 and Osgood 2. Steven [Moffat] never said explicitly ‘This is Zygon Osgood and this is not Zygon Osgood – or Hybrid Osgood’, so I sort of made a choice, but I don’t know if it’s right!”

Asked if there were any tells to signify which Osgood is which, she revealed: “Yes, in my head there are some very small tells. But, having said that, it’s sort of open to interpretation – because I guess that’s the point of the episode. In my head, inevitably there are a couple of little things that I did.”

Oliver joked: “I don’t know if people have noticed it – probably not… the Zygon one strokes her chin a lot!”

You’re the Worst returns on Wednesday. Season three trailer above. I hear the first episode is rather Not Safe For Work, and the season also includes an episode entitled The Last Sunday Funday. TV Line has more on the season.

I am waiting to see what happens next on tonight’s episode of The Last Ship. Last week’s episode felt like a look at Donald Trump’s America with that wall going up.

SciFi Weekend: 12 Monkeys; San Diego Comic Com Top News; Batman v. Superman; Torchwood

12 monkeys season two finale

The second season of 12 Monkeys concluded last week. The series demonstrated a problem with many series which start out with a good story which can be told in a season or two, but the economics of American television demand that they try to find a way to extend the series longer. The initial story line of going back in time to stop the plague would have made a great story if it could have been concluded over one or two years, but it could not be dragged out indefinitely. Continuum had a similar structure with characters who went back in time to change their future, but managed to keep it fresh every season while sticking to the same overall structure.  12 Monkeys instead changed the focus of the series.

While there were good moments, I just could not find the story this season to be as compelling as the first season. The finale did wrap up some of the events of the season, while leaving other matters open. After seeing such division between the main characters over two different strategies, both failed leaiving most of the characters either dead or stranded in the past going into the finale. It took another means of traveling through time to repair the damage, followed by the revelation of the identity of The Witness. It was also fun to see Madeline Stowe, who was in the movie version, have a significant role in the finale.

12 MONKEYS -- "Memory of Tomorrow" Episode 213 -- Pictured: (l-r) Madeleine Stowe as Dr. Kathryn Railly, Aaron Stanford as James Cole -- (Photo by: Steve Wilkie/Syfy)

Show runner Terry  Matalas discussed the finale with Blastr. Here is the start of the interview, which begins with a major spoiler if you anyone intends to watch this in the future:

Let’s start with the elephant in the room: We now know the identity of The Witness, and it’s the child of Cole and Cassie. What can you tell us about the big reveal? 

Matalas: I knew from the outset that this is where our characters were heading – that the reveal of The Witness shouldn’t be just a surprising narrative revelation, but a hugely emotional one. We easily could have put a familiar face behind that mask and the moment might’ve been shocking – maybe even satisfying – but it ultimately would’ve felt like plot. Mind-blowing is fantastic, but it also needed to be heart-breaking; it needed to really challenge Cassie and Cole and pose these massive, emotional questions for Season 3.

How long have you been setting up this Witness reveal, and what hints might we have missed along the way? Was this the plan all along from the start of Season 1?

Matalas: Yes.  In many ways, the biggest hint from the start is that Cassie and Cole are continually left alive. The Army of the 12 Monkeys – Pallid Man, Olivia, The Messengers –they’ve made no secret that these two characters are important in the grander cycle. Time and again, they’ve opted not to kill them – even when the opportunity was painfully clear.

Speaking a bit more thematically, if you look closely at Season One, it’s very much about fatherhood. Season Two is equally about motherhood. Season Three, it stands to reason, will focus on the children.

You obviously can’t give us the play-by-play for Season 3, but what can you tell us about how this reveal will inform the next chapter of the series for Cole and Cassie?

Matalas: If you knew that your child was destined to become the Destroyer of Worlds – that the gentle, loving child in your arms would one day murder billions – what would you really do? Or not do? The “Kill Hitler” scenario becomes much more complicated when you’re Hitler’s mom or dad. So a major part of Season Three for Cassie and Cole is that central question, the weight and responsibility of it all.

But Season 3 will also be a “Sympathy for the Devil” tale. What if you met The Witness, heard his story and actually understood why he’s done what he’s done? Maybe even agreed with it?

12Monkeys_gallery_212Recap_16

More questions are answered in the full interview, and in an interview with Entertainment Weekly. Plus Entertainment Weekly also  interviewed Amanda Schull:

ENTERTAINMENT WEEKLY: How did you feel when you found out that Cassie was not only pregnant, but their child was the Witness?
AMANDA SCHULL: [Executive producer Terry Matalas] told me fairly early on. I hadn’t had all of the moments with the Witness — understanding the gravity of how upset and just how violated she feels by the Witness — so it didn’t have the gravitas when he told me initially. Then, as we progressed throughout the season, every single interaction with the Witness, realizing how much she despises and how much it makes her despise herself for what she’s done and everything about it, that’s what is upsetting. It’s much more impactful knowing later on after having been able to reenact those scenarios from the page.

Then [with] the pregnancy [reveal], I don’t have a child, I’ve never been pregnant and I really loved being able to have the moment. We don’t say it, it’s all done through looks. I really liked the challenge. I really like having that interaction with Aaron. I work really comfortably with Aaron. I really enjoy everything that we get to do together. We shot those moments the final week of season 2, and it was just us in this tiny little set and we kind of had a skeleton crew. It was really special and I think they chose an even less emotional take of mine, because we did his coverage first and I just kept crying every time he opened the card. I’ve never told anybody that I’m pregnant, so I’ve never had that opportunity to tell somebody that. And his reaction, just everything that they’ve gone through up until that point really moved me.

What do you think that internal struggle will be like for Cassie between wanting to protect her child and considering other possibilities?
My initial reaction to that when we were talking about it was very un-[politically correct]. It was basically, “Get it out of me at any cost.” But then in thinking about that, it becomes a question of nature versus nurture: Is there a possibility that she could change it? She could rewrite history if she were able to undo this. If she’s never going to see Cole again, is she going to hang on to the very last bits of his DNA that she has and try to salvage the upbringing of this child in a way that isn’t destructive to all human kind? It is really a fascinating battle and I think will largely have to do with the certain circumstances in which she is being kept in the future with the Army.

We know that Cole is headed toward the future to try and save Cassie. With the concept of nature versus nurture in mind, do you think her choices about the Witness might put her at odds with Cole?
I think it will be really interesting and I think that it could perhaps put them at odds, but the fact is they seem to end up coming around to the same page. Of anyone’s partnership on this show, they seem to have the understanding of one another for whatever reason. They were sort of meant for each other. I think they would have an understanding. They might be at odds at first, but I have no idea how Terry and his evil genius brain wants to play that out.

There was a tremendous amount of news out of San Diego Comic Con over the past weekend. The above trailer both gives a better idea of how Flashpoint will be handled on The Flash and confirms earlier reports that Wally West will be seen as Kid Flash.

In other DC news, despite her character getting killed on Arrow, Katie Cassidy has become the latest to be made a regular across the entire line of DC shows on the CW Network.

Also on CW, there was news on the upcoming season of The 100:

“The Earth strikes back in season four—it is an unbeatable foe,” creator Jason Rothenberg teased regarding next season. “It quickly becomes about not how to stop it, because stopping it is not possible, but about: How do we survive? There aren’t enough lifeboats, so who gets to choose who lives?”

With total nuclear destruction on the way, getting her people to safety is something Clarke (Eliza Taylor) will have to deal with. In the exclusive clip shown off during the panel, we hear Clarke’s ominous narration: “Our enemy isn’t something that can be fought. It can’t be reasoned with. It can’t be killed. When all is lost, can hope survive? can we survive? After everything we’ve done, do we deserve to?”

After losing major characters like Lexa, Lincoln, and Pike last season, facing the impending apocalypse will be difficult for everyone. Octavia, for instance, will be traveling down a much darker road, channeling her inner assassin. She explained, “Octavia will take a really dark turn. She’s going to do what she does best, which is killing people. She really found her home within herself in becoming a warrior, and that’s thanks to Lincoln and Indra.”

More was seen of the future of DC’s cinematic universe with the above trailers for Wonder Woman and Justice League.

Batman v. Superman: Dawn of Justice came out on Blu-ray and DVD last week, also making this a good time for the above video of Easter Eggs in the movie.

An Honest Trailer was also released for Comic Con.

In other news, it has been confirmed that Daredevil will be back for a third season. While it was a complete story, a lot of personal matters for the characters were left hanging at the end of the second season.

Star Trek Beyond came out Friday and there was news at Comic Con on the upcoming television series. While the movie still had some of the flaws seen since revived by J.J. Abrams, it did feel the most like true Star Trek. I discuss both the movie and what we know about the television show together, and will hold off until next week to give more people a chance to see the movie.

Benedict Cumberbatch of Sherlock is involved in yet another franchise. A trailer for Doctor Strange is above.

In other potential big news in the Doctor Who universe, John Barrowman said he is working hard to bring Torchwood back, and he has a big telephone call related to this scheduled for Monday. Hopefully we will have some real news afterwards.

SciFi Weekend: The Marvel Television & Movie Universe; The Night Manager; Mads Mikkelsen On The Possible Return of Hannibal; Wet Hot American Summer; Hugo Nominees; Top Jokes From White House Correspondence Dinner

Agents-of-SHIELD-Cover-04272016

Not long after Supergirl used a classic comic book cover to promote the Supergirl/Flash cross over, Agents of SHIELD is also using a classic comic cover to promote an upcoming episode.

Agents of S.H.I.E.L.D. is sliding into its last few episodes for the season three finale, and they’re going for the hype by promising someone is going to die in promo art. The illustration is an homage to the cover of Amazing Spider-Man #121; that’s the one hinting at the death of you-know-who. Uh-oh. The art by Greg Land will actually be available as a variant cover in comic book shops, too. It will be a rare catch for Civil War II #0.

The official synopsis for the penultimate episode of the season ties into Captain America: Civil war, as the first season tied into Captain America: The Winter Soldier.

With only two episodes left before S.H.I.E.L.D. loses one of their own, Daisy’s prophecy ticks closer towards a major loss, as the aftermath of the events of “Marvel’s Captain America: Civil War” force S.H.I.E.L.D. to register the Inhumans, on “Marvel’s Agents of S.H.I.E.L.D.,” TUESDAY, MAY 10 (9:00-10:00 p.m. EDT), on the ABC Television Network.

Joe and Anthony Russo have also discussed how Captain America will lead into the Infinity War storyline.

Besides appearing in the Captain America and Avengers movies. Robert Downey, Jr. will be appearing in Spider-Man Homecoming. He is now teasing the possibility of a fourth Iron Man movie.

Marvel is now developing a series for Netflix about The Punisher, presumably in response to the response to his charter in Daredevil season 2.

John le Carré discussed how his con-man father inspired Richard Roper (Hugh Laurie) in The Night Manager in the video above.

Mads Mikkelsen gave an interview to the Sunday Express which sounds encouraging for the return of Hannibal:

Fans of the television adaptation of Thomas Harris’ novels about psychopathic psychiatrist Hannibal Lecter were left outraged last year when broadcaster NBC unceremoniously axed the show after just three seasons.

Nonetheless, in an exclusive interview with Express.co.uk, Mikkelsen has revealed that the story is far from over – and that there is hope for a reboot yet. When asked whether the series still has the potential to be picked up by another network, the actor revealed that the ball is firmly in show creator Bryan Fuller’s court.

“It all depends on Bryan. He is the key, the base, the heart,” Mikkelsen said. “We will wait and see what happens next in his career. But we all know that we can easily pick this up in two or three years, there are breaks in the stories. We could pick it up, say, four years later. If Bryan is up for it, we will all go for it.”

But will Fuller be up for it?

“He loved it. It was his baby. Let’s wait and see,” the 50-year-old actor teased, a knowing glint in his eye.

whas

After a successful prequel, Netflix is returning to Wet Hot American Summer once again with  Wet Hot American Summer: Ten Years Later. This time the cast will look more like the ages they are playing, but it was amusing during First Day of Camp to see the adult actors playing themselves as teenagers in the original. That’s except for Paul Rudd, who seemed to have barely aged, possibly due to a painting in the attic.

The Hugo Award nominees are out. Here are the nominees for television shows and movies:

BEST DRAMATIC PRESENTATION (LONG FORM)
  • Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
  • Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
  • Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
  • The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
  • Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
BEST DRAMATIC PRESENTATION (SHORT FORM)
  • Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
  • Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf (Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  • Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions; Netflix)
  • My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  • Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)


Barack Obama had his final appearance at the White House Correspondents’ Dinner (full video above).  He said that “if this material works well, I’m going to use it at Goldman Sachs next year,” mocking Clinton’s paid speeches. He also made fun of her attempts to appeal to young voters:  “Look, I’ve said how much I admire Hillary’s toughness, her smarts, her policy chops, her experience. You’ve got admit it though, Hillary trying appeal to young voters is a little bit like your relative who just signed up for Facebook. Dear America, did you get my poke? Is it appearing on your wall? I’m not sure I’m using this right. Love, Aunt Hillary.’”

Obama also mocked Donald Trump: “There’s one area where Donald’s experience could be invaluable, and that’s closing Guantanamo. Because Trump knows a thing or two about running waterfront properties into the ground.” Plus he praised his foreign policy experience: “They say Donald lacks the foreign policy experience to be president, but in fairness, he has spent years meeting with leaders from around the world — Miss Sweden, Miss Argentina, Miss Azerbaijan.”

Some of Obama’s top jokes can be read here and here.

Bored with the current set of presidential candidates? Take a look at Andrew Basiago, who claims to have traveled back in time and to have teleported to Mars in the 1980’s  with a young Barack Obama. It is surprising that Obama has never mentioned this.

Update: Larry Wilmore At The White House Correspondents’ Dinner