SciFi Weekend: The Flash/ Supergirl Duet; Felicty Smoak, Superhero; The Magicians; Star Trek Discovery Cast; Justice League Trailer; Doctor Who At Comic Relief; American Gods; Riverdale

The DC based shows on CW are beyond their prime, suffering from attempting to have four season-long series simultaneously. I found it to be a welcome break to get away from the usual narrative on The Flash and have the musical cross-over with Supergirl last week. The episode was well received. Synopsis and review at Geeks of Doom. Another review at I09.

The story was briefly introduced at the end of Supergirl, and continued on The Flash, with Barry Allen (Grant Gustin) in a dream-like state, first seeing Supergirl (Melissa Benoist) singing Moon River (video above).

Other musical numbers included The Flash and Supergirl singing, of course, Super Friend in the above video, with amusing references to each series. Characters from both Supergirl and The Flash were included playing different roles, along with other CW characters such as John Barrowman and Victor Garber, both now appearing on Legends of Tomorrow.

Cast and crew discussed the episode in the video above.

Elsewhere in the Belantiverse, Felicty Smoak (Emily Bett Rickards) will be seen in a super hero costume, but it will be on Legends of Tomorrow as opposed to Arrow.

Marc Guggenheim has said that we will not learn the identity of Prometheus, one of the big bads on Arrow, until season six, but it will be someone we already know. He also teased how the season finale will be different from previous seasons in not destroying Star City once again:

As the season heads toward the ultimate showdown between Oliver and Chase, we’re going to be seeing a very different season finale this year. “We’re not going to destroy the city,” EP Marc Guggenheim teases. “We’re not even going to threaten the city. In fact, I can also tell you the finale doesn’t even take place in the city. Finally, the citizens of Star City can breathe easily in May.” Wherever the finale takes place, Guggenheim adds, “You can expect a good number of returning characters, characters you haven’t seen in a while, back in the episode.”

The Magicians also had a major musical number in last week’s episode (video above). Margot once looked like just a sidekick for Eliot, but in recent episodes she has turned into quite a strong character. She is often the most sensible one, who can figure out what to do in a crisis. She had a unique way to prepare Eliot for battle, as described by IndieWire:

“The Magicians” went into battle on Wednesday night and pulled out the ultimate weapon: a Broadway musical song.

In the episode, Fillory’s High King Eliot (Hale Appleman) is about to enter into mortal combat with the King of Lauria, who has never been defeated. Eliot’s right-hand magician and partner in every crime imaginable Margo (Summer Bishil) gives him a pep talk and reminisces about how well he did in a production of “Les Miserables.” Inspired by that success, she used magic to force him and others to perform the number “One Day More” from the musical in order to get him pumped up for his duel.

For the benefit of anyone who might have read Lev Grossman’s novels but haven’t seen the television series, Margo’s character was  named Janet in the books.

Screener interviewed the show runners about this scene, and other aspects of the show. Screener also has an interview with Christopher Gorham about his newly introduced character, John Gains.

Star Trek: Discovery is now in production, with release expected late summer or early fall. Above is the first picture of the cast, via Empire On Line:

From left to right are Jason Isaacs (Discovery’s captain, Lorca), Michelle Yeoh (Captain Georgiou, whose ship is the Shenzhou), Chris Obi (the Klingon T’Kuvma, who is determined to bring together the various Klingon houses), Sonequa Martin-Green (Rainsford, also known as Number One, a lieutenant commander who serves as Discovery’s first officer and the show’s main character); Kenric Green (not actually on the show, but definitely serving as Sonequa’s husband), Doug Jones (an alien science officer aboard Discovery), James Frain (the Vulcan father of Mr. Spock, Sarek), and Shazad Latif(Kol, a commanding officer of the Klingons).

Other cast members of the show not featured in this image are Terry Serpico as Starfleet Admiral Anderson, Maulik Pancholy as the Shenzhou’s chief medical officer, Nambue; Sam Vartholomeos as junior officer Connor, assigned to the Shenzhou; Mary Chieffo as L’Rell, a Klingon battle deck commander; Mary Wiseman as Starfleet cadet Tilly, who is assigned the Discovery, and Anthony Rapp as science officer Stamets.

The Justice League official trailer has been released (video above).  Learn what Bruce Wayne’s superpower is, and how he feels about playing well with others. Here is the synopsis of the movie:

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

Further discussion here.

The BBC released the above video last week:  “To celebrate Red Nose Day today we present the full 1999 Doctor Who Comic Relief special The Curse of Fatal Death. Starring Rowan Atkinson, Richard E. Grant, Jim Broadbent, Hugh Grant and Joanna Lumley as the Doctor, written by Steven Moffat.” I09 wrote how this has forshadowed the Moffet era:

One of the other truly fascinating things about 1999’s “The Curse of Fatal Death” is how it previews a number of things from the show’s revival years later: the tried and weary Doctor, the Doctor and Master’s complicated one-upmanship, making the romantic love between the Master and Companion explicit, same for that between the Master and the Doctor (although, it’s the Doctor who is female in this, and not the Master), etc. I’m actually most disturbed by the idea of the Dalek-Time Lord hybridization, since it reminds me of the horrible Dalek plot in “Daleks in Manhattan/Evolution of the Daleks.”

The other thing that makes this short more relevant than before is the flurry of regenerations at the end. Both Moffat’s time as showrunner and Peter Capaldi’s time as the Doctor are coming to an end soon, and people really want a Doctor who isn’t a white man. For proof that it would work fine, check out Joanna Lumley at the end of this. She’s great!

Starz has released the above trailer of American Gods. Nerdist interviewed the cast at South By Southwest.

The Big Bang Theory has been renewed for two additional seasons.

Riverdale showrunner Roberto Aguirre-Sacasa spoke with Entertainment Weekly, teasing further genre elements in the show. There was no definite answer regarding fan theories that zombies will be involved.

SciFi Weekend: Stranger Things; Timeless; Rectify; The Good Place; CW Genre Shows; Doctor Strange; Doctor Who; Matt Smith Back In The Past With New Companion on The Crown

A 1980’s news cast (video above) reports on the disappearance of Barb, as seen during the first season of Stranger Things. The newscast also provides further evidence that Eleven is still around. It should come as no surprise that she is returning, despite the first season finale leaving things ambiguous.

NBC has extended Timeless from thirteen to sixteen episodes, to run in two blocks, between November 14 and December 12 and from January 16 to February 20.

Showrunner Ray McKinnon explains why you can’t multitask and keep up with Rectify, and discusses the upcoming fourth and final season

Parks and Recreation predicted the victory by the Chicago Cubs in the World Series. Since the series ended, Michael Schur has moved on to new show, The Good Place. It returns for its four final episodes of the season on January 5. Michael Schur discussed what will be happening with Entertainment Weekly. Think love quadrangle.

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Last week’s episodes of The Flash revealed the secret behind the new version of Harrison Wells, as well as dealing far more with Caitlin’s powers–which should be a major focus for the upcoming episodes. More at The Nerdist.

Besides the major crossover involving all of the Berlantiverse shows, there will be a Glee reunion with Melissa Benoist and Grant Gustin doing a musical crossover between Supergirl and The Flash. Now there is talk that Legends of Tomorrow might get involved to at least include Broadway veteran Victor Garber.

Lexa Doig has been cast as alia al Ghul, daughter of Ra’s al Ghul and half sister to Nyssa al Ghul, on Arrow.

Spoiler TV has some teasers regarding season four of The 100.

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The biggest genre event of the week was the opening of Doctor Strange. It is too early to have any spoilers about the movie here, but here are a number of links for those wanting to read more:

Hitflix wrote about Marvel’s ‘Doctor Strange,’ ‘Inhumans,’ and the connected MCU (no spoilers until the end, with spoiler warning). Also at Hitflix, ‘Doctor Strange’ writer Jon Spaihts talks about blowing the Marvel Cinematic Universe wide open

Time on Doctor Strange and What We’ve Learned From Superhero Movies in 2016. Plus How Doctor Strange Hints at Big Changes for the Marvel Universe and Demystifying Doctor Strange‘s Curious Mid-Credits Scene.

Nerdist asks How Will DOCTOR STRANGE Change the MCU?

Spoilers from AV Club with Doctor Strange’s writer on [REDACTED]’s fate and that final credits sequence

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Moving on from Doctor Strange to another Doctor, I previously posted about plans for an animated version of a lost Doctor Who story, The Power of the Daleks. Inverse calls it essential viewing, and has updated information.

When the BBC purged their archives in 1974 to make room for more film, “The Power of the Daleks,” the Second Doctor’s introduction to the show, was lost in the process. “The Power of the Daleks” is not the only serial or episode lost to time; there are dozens of episodes that have never been seen by modern audiences. But “The Power of the Daleks” is the first one to be made in what is assumed to be a shot-for-shot remake. It’s animated and, of course, in black and white, but Troughton’s Doctor and Anneke Wills’s Polly will probably be no less charming.

Matt Smith is back playing a character in the past on television, with Netflix releasing The Crown last week. Claire Foy (who previously played Anne Boleyn in Wolf Hall) makes an excellent companion for him as Queen Elizabeth. Much of Matt Smith’s character can be seen in his portrayal of Prince Phillip. I was not surprised to see him handle an elephant in Nairobi, expecting him to pull out a sonic screwdriver or explain handling the elephant by saying, “I speak elephant.” When he protested playing second fiddle after Elizabeth became Queen, I half expected him to protest that he is a Time Lord of Gallifrey.

The series starts with Elizabeth and Phillip before Elizabeth became (spoiler?) Queen and was forced to fulfill what was expected of the role. They have great chemistry together and someday I would like to see Foy and Smith together again, possibly in another period piece, in which they can remain young and carefree, without having to fit into their historical roles on this show. The actual history along with a look at the series are discussed at The Guardian.

Matt Smith was able to get some tips on playing royalty from Jenna Coleman, who is staring in ITV’s Victoria. This means that Smith is playing Coleman’s great-great-grandson-in-law. It will take a TARDIS to get them back together.

While Matt Smith and Jenna Coleman are busy playing members  the royal family, Karen Gillan is preparing to direct, as well as write and star in, and independent movie named Tupperware Party, which is being filmed in Scotland.

Also in the Doctor Who universe, I got a chance to watch the first three episodes of Class while flying home last weekend. I was impressed that each episode was better than the previous. I have not seen the fourth yet, but have heard it couldn’t continue that trend, but look forward to further episodes.

SciFi Weekend: Star Trek; The Growing Berlantiverse; SHIELD; Doctor Who; Catwoman; Genre Shows Win Creative Arts Emmys; The Nix

George Takei discussed Star Trek with Stephen Colbert. Video above. Nerdist reports:

Yesterday was the 50th anniversary of the debut of the original Star Trek (well, in America at least: sorry to Canada that we didn’t do this two days earlier), so fittingly the tributes and odes were pouring in from fans around the globe. However, it was George Takei who best summed up what the franchise is really all about, and in doing so explained why it is so beloved and has endured for so long.

The O.G. Sulu was a guest of super nerd and Trekkie Stephen Colbert on The Late Show last night, and Takei shared his memories of the “very special” first time he went to work on the series, where franchise creator Gene Roddenberry described to him and the rest of the cast at their first table read what story the space adventure show was really telling.

“Gene explained to us what Star Trek was all about,” said Takei, “He said that the Starship Enterprise was a metaphor for Starship Earth, and the strength of this starship lay in its diversity coming together.” Roddenbery then explained that the possibilities of “infinity diversity in infinite combinations” (IDIC) would force the crew, representing the many people of the planet, to combine their abilities to solve problems as one.

More detail on the interview at The Mary Sue.

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Majel Barrett has had both on-screen roles and has been on multiple versions of Star Trek as the voice of the ship’s computer. Her voice was recorded phonetically before she died and there is talk of using her voice on Star Trek: Discovery, along with using it Siri-like virtual assistants. I want my Amazon Echo to use her voice!

Bryan Fuller continues to slowly provide hints about other aspects of Star Trek: Discovery. He tweeted than an episode from The Original Series, Balance of Terror, is a “touchstone” for Discovery’s story arc. The episode introduced the Romulans, and TrekMovie.com speculates on what this might mean.

USA Today has an article on Rod Roddenberry.

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Greg Berlanti is working on yet another superhero show, now Black Lightning for Fox.

IndieWire has interviewed Gregg Berlanti about his multiple superhero shows. He has news on several of them, including the cross-over episodes:

As “Supergirl” leaps to The CW, how has the network move – and the relocation to Vancouver – been going?

I just saw the director’s cut of the first episode, and I’m in as much love with the show as ever. It’s been challenging to figure out all the moving parts, moving the show across cities and across networks. But the reality is, I think the show is as strong as ever and it feels really seamless. People will not be able to tell that it’s not L.A. It feels like National City still. There are some new enhancements to the set that we were going to do anyway. Obviously some new characters are coming to the show that we would have brought in anyway to the second season. And so I’m really pleased. CBS in their own wisdom recognized it, there’s no part of the show that’s fighting itself anymore. It has a youthfulness and appeal because of the age of the leading lady, and it gets to embrace that a touch more.

What more can you tell us how often we’ll see Calista Flockhart’s character, Cat Grant?

She’s recurring. We’re trying to get her for at least six episodes this year, and she’s in the first two episodes. We’re just trying to see when she can come back now.

And will we see her interact with Superman?

I don’t want to give it away, but she has a special kind of dynamic with Clark Kent.

How far along is the “Supergirl”/”The Flash” musical crossover?

We just finished writing the fall crossovers. And now we’re trying to figure out how to produce them. That’s probably the most challenging thing we do all year. And now we’re doing it across three shows! But next week we’ll have to start talking about clearing music. I have a few ideas for tone and style in my head but we’re just starting to talk about what that can be. I do want to try and get an original piece of music written. As we make a deal on that we’ll probably make some announcements on the original songs.

Perhaps written by, I don’t know, Lin-Manuel Miranda?

[laughs] I would say, pretty close. I can’t say yet because we don’t have a deal yet, but I did speak to someone we’re really excited about. There are some writers I’m incredibly excited to work with.

Back to the big CW series crossover, how difficult is that to pull off across so many series?

You really are trying to run a single production across three different productions. But they’re run as three separate entities. We have to figure out when we’re borrowing one actor from where. We’re telling one cohesive story; “Supergirl” will participate, but the storyline doesn’t actively begin there. There are some characters who show up in her episode, but the story begins with “The Flash” episode and goes to “Arrow” and “Legends of Tomorrow.” We’re just getting into designing the bad guy for it, and we start now but it doesn’t air until the end of November. We will put a lot of time between now and then figuring out visual effects sequences. Just today I was holding the three scripts back-to-back – that’s 180 pages of material. It’s a three-hour story, almost a miniseries.

And when you place all three scripts together, it unlocks some sort of fortune.

[laughs] It’s very daunting when you hold them all together like that. Each one of these pages is 10 hours of shooting and a visual effects extravaganza. But hopefully it feels like a great kind of crossover comic book sell.

The Spoiler Room at Entertainment Weekly has news on several genre shows, including this about Felicity on Arrow:

Emily Bett Rickards has been training a lot lately. Does it mean Felicity will be involved in more action scenes in Arrow season 5? — Itakha
At first, Felicity will be dealing with the fallout of Havenrock’s destruction. “In the first five episodes, we face head-on the decision that Felicity made,” EP Marc Guggenheim says. “We are most definitely not ignoring it.” Following that, though, Guggenheim cryptically teases what could be Felicity jumping in on the action. “We’re positioning her to do something in the second half of the year that is really, really key, and that isn’t about her relationship with Oliver or even necessarily her father or her mother. It’s really new territory for her, and we’ve very excited about it. Some big things are going to happen with Felicity.”

I was pleasantly surprised to see Emily Bett Richards while watching Brooklyn last weekend. (Sorry, it was not a major role, and the movie, while excellent, is totally non-genre).

Agents of SHIELD has a promo for Ghost Rider. More at Screen Rant.

Hulu has picked up a sci-fi comedy entitled Future Man from Seth Rogen.

Vince Gilligan is producing a limited series for HBO on Jim Jones for HBO entitled Raven. My bet is that he will do a good job of showing Jones’ life, but after Breaking Bad I would prefer to see him invent more flawed characters of his own.

Netflix has renewed Narcos for season 3 and 4.

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It appears that the next season of Doctor Who will start in April based upon reports in Radio Times and a comment from Peter Capaldi. Before that, there will also be the Christmas episode. Plus in November there will be an animated version of a lost story:

It’s one of the Doctor’s most celebrated adventures and yet no complete film recordings of The Power of the Daleks are known to have survived. The master negatives were destroyed in an archive purge in 1974.

BBC Worldwide has announced that a brand new black and white animation based on audio recordings of the programme using the original cast, surviving photographs and film clips will be released 50 years to the minute after its only UK broadcast on BBC One.

The six half hour episodes feature the regeneration, or as it was then called ‘renewal’, of First Doctor William Hartnell into Second Doctor Patrick Troughton, as the Time Lord and his companions Polly (Anneke Wills) and Ben (Michael Craze) do battle with the Daleks on the planet Vulcan.

Anne Hathaway told Variety she would live to play Catwoman again. That might be difficult as the Christopher Nolan Batman stories, where she appeared, have concluded, but that doesn’t entirely rule out her reprising the role in a future movie.

A few genre shows have already won awards last night at the Creative Arts Emmys. Winners included Jessica Jones (Outstanding Original Main Title Theme Music), Mr. Robot (Outstanding Music Composition For A Series), and Man In The High Castle (Outstanding Main Title Design and Outstanding Cinematography For A Single-Camera Series). Hopefully some of these series will  also win some of the more major Emmy awards.

J.J. Abrams is working on a television adaptation of The Nix, staring Meryl Streep.

Headline of the day coming over my news aggregators which sounds more like cheap fiction than news: Sick African dictator ‘eats his enemies’ testicles and brains to boost his sexual prowess’

SciFi Weekend: New Companion Announced For Doctor Who; Supergirl Finale; Krypton; The Girl On The Train; Person of Interest; Mr Robot; The Blacklist; The Night Manager; Catastrophe; Mick Jagger

The next companion has been introduced in the video above to replace Jenna Coleman on Doctor Who. Pearl Mackie will play a character named Bill, who clearly has not encountered the Daleks in the past. The Guardian has a little more information on her:

Capaldi said it was “a genuine delight” to welcome Mackie to Doctor Who. “A fine, fine actress with a wonderful zest and charm, she’s a refreshing addition to the Tardis and will bring a universe of exciting new possibilities to the Doctor’s adventures.”
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Steven Moffat, outgoing lead writer and executive producer, said: “A new face in the Tardis, a new voyage about to begin: welcome aboard, the amazing Pearl Mackie! This is where the story really starts.”

Mackie trained as an actor at Bristol Old Vic Theatre School, graduating in 2010. Since drama school, she has worked across theatre, film, radio and television. Her acting credits include Svengali, a British film released in 2013, and she is currently appearing in the stage production of The Curious Incident of the Dog in the Night-Time at the Gielgud Theatre in London.

Among other actors who had been thought to be in the running for the role were Coronation Street’s Michelle Keegan, Rakhee Thakrar, who impressed many with her performance as Shabnam Masood in EastEnders, and Maisie Williams, who plays Arya Stark in Game of Thrones and guest-starred in the last season of the sci-fi show.

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Supergirl ended the season well. While the two part season finale had its plot holes, they did end many of the plot thread of the season, while leaving one major one for next season (the search for Jeremiah Danvers) and ended the episode with a cliff hanger. Prior to the last second cliff hanger, there was a feel-good moment for the cast. Plus there is the question (as of now undecided by the writers) as to exactly Kara’s new job will be.

Entertainment Weekly interviewed Andrew Kreisberg about the finale. Here are a couple of excerpts:

ENTERTAINMENT WEEKLY: Let’s start off with the reveal that someone else has landed on Earth. What can you tease of who this is? Are they friend or foe?
ANDREW KREISBERG:
Obviously it’s our big cliffhanger of the season, so I’m not fully inclined to let everyone know who shot J.R. It’s an important character, and they’ll play an important role in season 2.

Is this a character we may have seen in the comics before?
Again, I don’t want to give too much away, but it’ll be cool. The fans are going to be excited. It’s going to definitely shake things up for season 2.

Especially with something like Project Cadmus in the ether, the first person I think of is Superboy.
[Crickets.]

Moving on, Kara was willing to risk her life for the world. How does that change her in season 2?
This whole season has been about her embracing being Supergirl. In a way, this was her graduation episode. She hadn’t fully figured out how to integrate being Supergirl into her life. This whole season has been a learning experience for her. At the end of this episode, she’s fully Supergirl. Next season, you’re going to see a Supergirl who is more mature, and a bit more of a cohesive character. She’s taken the identity of Kara and the identity of Supergirl and merged them in a better way. You’re just going to see a more confident, stronger Supergirl than we’ve ever seen before.

Is it safe to say the world is now on her side?
Oh yeah. You don’t save the world without dispelling all doubters…

Even though Fort Rozz is gone, are the prisoners who were once inside it still an ever-present threat?
I think so.

What can you say of the fates of Non and Brainiac?
If you’re a fan of the comic books, you know that Kara’s heat vision took away Non’s — lobotomized Non. How and when we see him again, he’ll probably be very different. I think Indigo is probably the hardest person in the world to kill given that she’s a living computer, so I wouldn’t be surprised if she pops up again.

What would you say was your point of pride for the first season?
I’m so proud of the show. As much expectation there was for the show, there was also a lot of like, “Yeah, prove it!” [Laughs.] I think the show really works. Melissa is a star. Like any first season show, there were missteps and not every episode was as strong as the others, but I can point to a whole bunch of episodes, like “Red Faced,” like “Human for a Day,” like the crossover, like “Falling” as being some of my favorite episodes that I’ve gotten to do over the course of all the series that Greg [Berlanti] and I work on together. I’m just super proud of the show. We’ve proven that there’s an audience for a female superhero. Hopefully there will be many more years to come.

Syfy has ordered a pilot for a Superman prequel Krypton, set on the planet two generations before its destruction. The idea reminds me of Gotham, and even more of Caprica. Hopefully it is more successful than the later.

The trailer is out for The Girl On The Train. The mystery novel, often compared to Gone Girl, should make a good movie, and does have a strong cast.

The cast and crew of Person of Interest haven’t given up on saving the show, which CBS is ending after the upcoming season which will air this spring. From TV Guide:

A potential reboot doesn’t mean, however, that the June 21 series finale will lack closure. “We had to hurry up and end it. They had 13 episodes to turn a very large, slow-moving boat,” Emerson says. “But I think the idea that we had to do it in 13 was actually a plus rather than a minus. I think it allowed the writers’ room to set aside their need to create palatable side stories or a murder-of-the-week or whatever, and really just get focused on wrapping up the loose ends of this thing.”

Adds executive producer Jonathan Nolan: “I would have loved to have kept making this thing for a long, long time, but you don’t want the show to become creatively moribund. We saw the writing on the wall before this season started, but we had the incredible luxury of having 13 episodes to really finish our story. And so, as much as I would have loved to have kept working on the show … I’m very proud of what we’ve made here for the final season, and I’m very glad that we had a chance to finish telling our story, an opportunity that’s denied to so many great network TV shows. So I’m very satisfied with the way we’ve told our story, and I certainly hope our fans are.”

After evolving from a CBS procedural to a true genre show, I certainly can see reason to keep it going if any other networks are interested.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

Mr. Robot will be returning on July 13. Presumably we will be seeing the aftermath of the first season finale, unless Elliot just imagined it all.

Some additional brief thoughts on the past week which will be kept brief due to limited time this week:

Better Call Saul had a great second season, but certainly left a lot hanging in its season finale.

Cape May was an unusual episode of The Blacklist. I’m still not certain if Lizzie is really dead, but it is looking less likely that Reddington faked her death. If she is alive, Reddington does not appear to be aware of it.

The Night Manager’s premier was excellent. As soon as time permits I will probably be downloading the remainder of the season rather than waiting for it to finish its run here.

Speaking of shows from the UK, Amazon recently released the second season of Catastrophe, which is well worth watching. The show is much like You’re The Worst in tone with a somewhat older couple. Like You’re The Worst, Catastrophe got a little more serious in its second season, but it did so without any drop in quality or humor.

In other entertainment news, Mick Jagger is not portrayed very well in a new book:

Rich Cohen delivers the unflattering portrayal of Jagger in “The Sun & the Moon & the Rolling Stones.”

“There’s something monstrous about Mick Jagger,” Cohen writes after exhuming details from the band’s dark past.

“The Stones had been shedding people from the start. Use ’em up, toss ’em aside,” Cohen continues. “It’s a machine that runs on bodies.”

Prince was honored in this week’s Saturday Night Live, hosted by Jimmy Fallon.

SciFi Weekend: Steven Moffat Leaving Doctor Who; Jessica Jones; Legends of Tomorrow; Charlotte Rampling On The Academy Awards

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Steven Moffat is stepping down as show runner of Doctor Who after the upcoming tenth season (since the show’s revival) and Chris Chinball, best known for Broadchurch, will be taking over. Chinball is a long time fan of Doctor Who and also wrote these episodes: 42, The Hungry Earth/Cold Blood, Dinosaurs on a Spaceship and The Power of Three. He was also a producer and writer on Torchwood.

The tenth season of Doctor Who will not air until the spring of 2017, and the only episode to air in 2016 will be the annual Christmas special. I wonder if Moffat will introduce the next companion in the special or wait until the show returns on a regular schedule in 2017.

After Broadchurch, I also cannot help but wonder if, should David Tennant return for an episode of the show, if Chinball will have him talk in an often incomprehensible accent.

Following is the BBC press release:

BBC announces Steven Moffat’s next series of Doctor Who will be his last and confirms Chris Chibnall as new Head Writer and Executive Producer.

After six incredible series at the helm, the multi-award winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.

Steven took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the Eleventh and the Twelfth Doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory (Arthur Darvill) and the terrifying Weeping Angels. Plus, the smash hit 50th Anniversary special in 2013 which saw fans around the world celebrate the world’s longest running sci-fi series with the Doctors, Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature length episode. Steven’s final series will air on BBC One in Spring 2017 and there will be a Christmas Special in 2016.

Steven Moffat says: “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”

Like Steven, Chris Chibnall is also a lifelong Doctor Who fan and a multi-award winning writer and executive producer. He has most recently achieved huge success with the triple BAFTA winning hit ITV series Broadchurch. His other credits include BAFTA nominated The Great Train Robbery, United, Law & Order: UK, Life on Mars and Torchwood. Chris Chibnall’s debut series will launch in 2018.

Chris Chibnall, new Head Writer and Executive Producer : “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

Charlotte Moore, Controller, BBC One says : “I want to thank Steven Moffat for everything he has given Doctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in Spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”

Polly Hill, Controller, BBC Drama Commissioning says : “Like Charlotte I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”

AKA Jessica Jones

Variety discussed plans for season two of Jessica Jones with show runner Melissa Rosenberg and star Krysten Ritter:

Rosenberg shared that she doesn’t know when work on the new season will start, or whether she’ll be collaborating with writers from any of the other Marvel-Netflix series (“Daredevil,” “Luke Cage” and “Iron Fist”) leading up to “The Defenders” crossover, but said that she intends to continue utilizing story ideas from Brian Michael Bendis’ series of “Alias” comics, where Jessica Jones debuted.

“I will always use as much as I possibly can from the comic book,” Rosenberg said, noting that they’ll have to allow for deviations given the differences in the mythology between the Marvel comics and ongoing Marvel Cinematic Universe. “The MCU is very different in terms of its mythology. In the books, everyone knows superheroes are walking around, there’s a lot of things building toward Secret Wars. We’re probably not going to be able to do a totally parallel storylines. But I take every little piece I can because it’s so good.”

While Rosenberg admitted that it was both intimidating and exciting to think of having to come up with a villain to follow Kilgrave, she didn’t consider keeping him around past season one, since “the show is about Jessica Jones; the story is about Jessica’s arc,” and thus everything had to be in service to her journey.

When asked about Jessica’s mental state at the end of the season, given her final defeat of Kilgrave, star Krysten Ritter said, “For Jessica, that final moment, that victorious triumphant moment, I found that very conflicting in terms of her headspace. He’s the reason why she got up every day. He’s the reason why she went out in the world… it really gave her a purpose, and the past trauma doesn’t go away with his death.”

Arthur Darvill Legends of Tomorrow

Legends of Tomorrow premiered this week and we found that there was some misdirection in both what the characters were told when recruited and in the trailers for the show. This might be for the better. If they really were already known to become legends, it would imply that they were successful and this was future history. The outcome of their mission would already be known. Of course with time travel a lot of questions can come up. For example, why not go after Vandal Savage when he was reduced to dust at the end of the Arrow/Flash episode and prevent him from being revived?

I suspect that this will turn out to be the sort of show which can be a lot of fun to watch as long as you don’t think too much about the time travel implications. It even has Rory (Arthur Darvill) as sort of a renegade Time Lord. Screen Rant has a list of additional Easter eggs.

KUDOS FILM AND TELEVISION PRESENTS BROADCHURCH SERIES 2 Images are under strict Embargo not to be used before the 18th December. PICTURED : CHARLOTTE RAMPLING as Jocelyn Knight. Copyright ITV/Kudos.

Charlote Rampling, who appeared with David Tennant and Arthur Darvill in Broadchurch, has addressed the controversy over lack of diversity in the Academy Award nominees. Rampling had initially spoken about boycotting the awards, but has backed away from this:

In an interview with Europe 1 Radio earlier this week, Rampling said calls for a boycott of the Academy Awards because all of the nominees were white “was racist to white people.”

Today Rampling told CBS News’ “Sunday Morning”:

“I regret that my comments could have been misinterpreted this week in my interview with Europe 1 Radio. I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration. I am very honored to be included in this year’s wonderful group of nominated actors and actresses.”

Rampling also said:

“Diversity in our industry is an important issue that needs to be addressed. I am highly encouraged by the changes announced today by the Academy to diversify its membership.”

SciFi Weekend: Doctor Who, Heaven Sent; Legends of Tomorrow; Arrow; The Flash; Supergirl; Captain America: Civil War; Jessica Jones; Sleepy Hollow

Doctor Who Heaven Sent

Heaven Sent was an ambitious episode of Doctor Who, following the death of Clara Oswald. The Doctor is in a castle with moving walls and stalked by a monster who represents his greatest fears. Only confessing his deepest, darkest secrets will slow it down, but he ultimately dies and starts over, like Bull Murray in Groundhog Day. Before dying, he would retreat to a version of the TARDIS in his mind, and discuss his plans with a version of Clara, who also was only in his mind. Sometimes answers were provided on chalk boards. His escape might be in the twelfth room, once again giving more meaning to his artificial designation as the twelfth Doctor. He eventually realizes that every one hundred years a bird pecks on a diamond wall which is preventing his escape. He manages to reverse-teleport allowing a version of himself stuck in the hard drive to start over. (This might raise the question as to whether at the end he is really the same Doctor who we started out with, but considering that the entire universe has already been rebooted and recreated, this hardly matters.)  The rooms in the castle all revert to their previous state (automated room service). After billions of years, of doing this, the wall would break down.

You really must see this for it to make any sense, and I would recommend a second viewing.

As the Doctor confesses, we learned that he did not leave Gallifrey because he was bored, but because he was scared. The Timelords knew that the time war was coming. After escaping the castle, the Doctor sees Gallifrey off in the distance. He contradicts what he claimed before and confesses that nothing is half-Dalek. The Daleks would not allow it. He admits, “The Hybrid destined to conquer Gallifrey and stand in its ruins is me.”

The meaning of this remains unclear. Maybe they are returning to the claims in the 1996 movie that the Doctor is half human, but I suspect there will be a different meaning. There are also other questions especially what will happen when he gets to Gallifrey? There are also questions about the recent past, give or take several billion years. Who trapped the Doctor and sent him to Gallifrey? What exactly is the confession dial? How does Ashildr fit in? These question may or may not be answered next week in Hell Bent.

Doctor Who Extra videos for Heaven Sent can be seen here.

A full length trailer for Legends of Tomorrow has been released, giving a far better idea of what the first season will be about. There are some minor spoilers out for the DC superhero shows. There are rumors that Constantine will be in season two of Heroes of Tomorrow, with a different cast from the first season. Other reports say that this might be a single season show, possibly replaced with a different show next year.

Constantine might also have further impact on Arrow this season:

Constantine’s parting gift to Oliver — a magical tattoo? — will come back to play soon. “Basically Constantine says to him that this is insurance against Reiter, and we’re going to deliver on that promise entirely,” EP Wendy Mericle says. “It’s going to help Oliver when he’s in a very dark place and time when he has no other way out. It’s going to be the thing that pulls him out of a very dark spot and literally saves him.” But whether he’ll be able to use it on Damien Darhk is another story. “The mysticism that Reiter is practicing may or may not sync up with what Damien Darhk is doing,” Mericle adds.

Stephen Amel told what he knows about the flash forward to a graveyard scene in Arrow (and it is not very much):

Amell initially joked, “It’s not me.”

He then added, “I don’t. That’s not for me to know. That’s for our producers to know. It’s only for me to know if and when I need to do something if we end up doing another flash forward in the show. I needed to know certain things about the scene without knowing who it actually was when we did the initial flash forward. I just needed to simply know that the person I wanted to kill was a him and that the person that was in the grave was someone I cared a lot about. That’s all I needed to know. I don’t need to know the specifics until if and when we shoot another flash forward scene if there was something else that I had to say.”

We will also be seeing more of Jay Garrick and Harrison Wells on The Flash:

When Jay Garrick returns, he may actually find some common ground with Wells for once, though it won’t be easy. “Jay is summoned to S.T.A.R. Labs in an urgent matter from Wells,” Teddy Sears tells EW. “Jay shows up only to find out that Wells wants Jay to be his guinea pig. He is toying with a substance that has its history in the lore of The Flash, so it’s something from the comics. He wants to try it on Jay to see if it works because he wants to use this on Barry in their fight to bring down Zoom. Jay doesn’t react very well to that. He doesn’t want to be a part of Wells’ schemes. There will be some life threatening moments in there and we have to use a combination of science and ingenuity and Wells’ mysterious substance to get to a safe conclusion.”

There are rumors of a meeting between Supergirl and The Flash. They do have a lot in common in their first seasons. Both were mentored by a head of an organization or lab who were keeping secrets. I suspect both were evil, but we don’t know very much yet about Hank Henshaw.

New scenes from Batman v. Superman will be shown during the Gotham season finale on Monday.

Over on the Marvel side,the above trailer was released for Captain America: Civil War, with the movie to be released May 16. Some fans have been disappointed by the lack of Spider-Man in the trailer despite his planned presence in the movie now that Marvel Studies and Sony have come to an agreement. There is also the possibility that Captain America and Iron Man will appear in the next Spider-Man movie.

I finished Jessica Jones on Monday, and it maintained the quality I noted last week. Unlike Daredevil, which did often have distinct stories within its general arc, the episodes flowed together like one long (and highly enjoyable) movie. Jessica Jones has a lot of Easter eggs related to the rest of the Marvel universe. If they ever decide to move beyond the Marvel universe, I recently noted aspects of Donald Trump which would work well to make him the evil supervillian in one of these future shows set in New York.

The other major streaming series to premier the same day, Man In The High Castle, also looks quite promising but I haven’t gotten too far into this one yet. Both of these  recent shows to start streaming might be good topics to write more about in December after most of the genre shows have gone on hiatus. Incidentally, TV Line has a handy chart of when shows are ending for the holidays, and when they are returning in 2016.

Fargo has been renewed for a third season by FX, but Fox is moving Sleepy Hollow to Friday nights, where genre shows go to die. While better than last season, Sleepy Hollow still has not recaptured the quality of the first season. Some shows are better suited for more limited runs than is common on network television. I don’t think Fargo is as good as the first season (very few shows ever have been as good as the first season of Fargo, but the second season is still very good. It does benefit from having an entirely different story each year.

SciFi Weekend: Continuum Series Finale; Doctor Who; Fargo & Manhattan Return; Defiance Canceled

Continuum Finale 2

Continuum had both a happy and sad ending but, even more remarkably, ended with a surprise which was totally consistent with what we have seen. With all the  questions among fans, and even some characters on the show, as to whether Kiera could return home, nobody I’m aware of predicted the ending. She was successful and returned home to a better world where the Corporate Congress never took control, and old Alec was much more like young Alec than a futuristic version of the evil cigarette smoking man. However, as in this future there was never a reason for her to be sent back in time, the future included another Kiera who was the mother to Sam. Kiera could see that her son would have a better future, but would not personally be a part of it. Plus Sam grew up with different versions of his parents and in a different culture and might not be anything like the Sam she left. She also has no real role in this timeline with another Kiera being there.

In retrospect, the ending was obvious. We already saw that when Alec went back in time to save Emily there were two Alecs. When Kiera crossed into the other timeline, there were two Kieras, even if one had been killed. If Kiera never went back in time in this timeline, of course there would be another Kiera there. This all assumes that the same people would be born. It is actually more likely that if the timeline was radically changed, there would not be the exact same people born in the future. This, like having all the action taking place in Vancouver, are just things we have to accept for the show.

In this future timeline, Alec grew older and remained good. Kagame was alive, and his role primarily served as a means to momentarily make Kiera think that the future was worse than it actually was. There would presumably be versions of other members of Liber8 who never went back in time, possibly with both an old and a young Garza since she remained in the past.

It was no surprise that the Time Marines were lying about their goals, and their plans failed. Kiera had a mixed ending. The ending was not so good for Kellogg. He killed Vasquez with a corkscrew (fitting for Kellogg) but learned while she was dying that she was his daughter, and not the lover of his future self as assumed. He was momentarily safer, if not for the legal penalties he faced, when the current timeline was tethered to the timeline of the Time Marines. Now if anything happened to him, such as having both kidneys removed, his older self would undergo a 12 Monkeys style fate (movie version). Kellogg tried to go back in time to when everyone first came back to get rid of them (presumably including another version of himself) to try to make things turn out as he wanted, including taking control of that kid in the garage (Alec). Instead Alec outsmarted him, sending him to prehistoric times. I’m not sure if Kellogg will get killed, or manage to be treated as a god. Maybe he does have a happy ending.

Continuum Finale

The condensed six-episode season did wrap up the series well, but compromises had to be made. It was necessary to quickly have Kiera want to remain in the present at the end of last season and then want to go home this season. Kiera’s husband was totally ignored for the final season.

Presumably there were plans to do far more with The Traveler, but his story had to be wrapped up very quickly. Once Kellogg went back in time, the future with the Time Marines, along with a future with evil Alec and the Corporate Congress, never took place and The Traveler’s future was again present, allowing him to return home.

The flash-forwards of previous seasons were no longer used and until the finale we only saw old Alec in Zero Hour. I still have so many questions which will never be answered. The episode confirmed that Alec sent Liber8 back to prevent the future he created, and that Kiera was assigned to be at the fake execution because young Alec mentioned her name. However, young Alec never told old Alec that Kiera arrived with no idea what was going on. Knowing the little he did know, I would think that old Alec would have instead briefed Kiera and sent her back with a more concrete mission. If there was more time in future scenes, it might have convincingly be shown that Alec considered this but, in recognizing her views at the time, decided it was better to send her back without such a briefing.

It is also unfortunate that there was little time to get into the politics of the show in this condensed final season, especially with the series ending this year. Given more time, Continuum could have been partially a weekly promotion for the views of Bernie Sanders. Maybe there is a timeline where Bernie Sanders gets elected to prevent the corporate excesses shown on the show.

Simon Berry had said he envisioned the final scene from the beginning. This led to the show making more sense than shows which drifted like Lost and The X-Files. However, the other examples which come to mind of a television writer having the end in mind have not worked out as planned. J. Michael Straczynski got the ending he intended for Babylon 5, and then wound up having an extra year to kill. Amy Sherman-Palladino never got to end Gilmore Girls as she planned as she did not remain for the final season. The ending for How I Met Your Mother might have been clever at the time, but no longer was the best ending by the time the story was told.

Doctor Who The Girl Who Died2

The Girl Who Died was on one level a light episode of Doctor Who with Vikings versus aliens, but it also included a lot of references to the mythology of the show, and presumably leads into however the season ends. The Doctor was caught by Vikings and tried to pretend to be Odin. That did not work as there was already another alien pretending to be Odin. Plus it was the nearest thing we will probably see to Doctor Who meeting Game of Thrones.

The Doctor helped the Viking village defeat The Mire with clever but improbable strategy including electric eels, mind tricks to make the invaders think they were under attack by a giant serpent, and threats to ruin their reputation with a video of the events. Along the way there were references to previous Doctors along with some seen in videos. The Doctor used the phrase attributed to the third Doctor, even if not really used all that often: “I’m reversing the polarity of the neutron flow. I bet that means something, it sounds great.” The seventh Doctor was also recalled with “Time will tell – it always does.”

There was an explanation for the current Doctor looking so much like Marcus Aurelius from The Fires of Pompeii (beyond both being played by Peter Capaldi). Seeing this face was a reminder that he can sometimes change what might be fixed points in time.  In the episode, Donna Noble convinced the Doctor into saving a the volcano which destroyed Pompeii. This tells him: “I’m the Doctor and I save people!” (Will we later get an explanation for Peter Capaldi’s appearance in Torchwood: Children of Earth, or is it just better to pretend that one never existed?)

It is never clear what the rules of time are. Will they necessarily lead to problems, or are they just rules of the Time Lords which can be ignored when they are not around? We received a little guidance: “It’s OK to make ripples, but not tidal waves.”

This all mattered first to get the Doctor to save the village. It was saved but Maise Williams’ character, Ashildre, died during the battle. The Doctor not only made her “functionally immortal,” but also gave her a second dose of the revive-chip for “whoever she wants” so she will not be alone. It is strange that the Doctor did this for her, but never considered it for many other people he saw die, or to make sure he is never alone. I wonder if there will be tragic consequences of this violation of the rules to provide reason for him to never consider it again.

The Doctor did realize that he turned Ashildre into a hybrid. We heard mention of a hybrid earlier in the season in The Witch’s Familiar, but it sounded like a cross between a Time Lord and a Dalek. We will have to wait and see if this is all connected.

Another event of the season was to have the Doctor lose his sonic screwdriver and replace it with the sonic sunglasses. The Vikings broke them, but they also appear in a preview so presumably are returning.

The episode had the second suggestion that Clara might be bisexual when she spoke of fighting the Doctor for Ashildre. In The Magician’s Apprentice she mentioned that Jane Austen is “a brilliant writer and, strictly between ourselves, a phenomenal kisser.”

A couple other memorable lines from the episode:

Doctor: “I’m not actually the police, that’s just what it says on the box.”

Clara: “The universe is full of testosterone. Trust me, it’s unbearable.”

Behind the scenes videos with Maisie Williams can be seen here.

fargo-season-2-header

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching.

Fargo and Manhattan returned for their second seasons. Fargo looks fantastic. I have not seen Manhattan yet but I hear it was also excellent. I would highly recommend watching the first season of each of these shows. Fargo is a different story with slight overlap in characters, and I doubt it will be necessary to have seen the first season to enjoy the second. It would be better to watch the first season of Manhattan before trying to jump in.

Fresh Off The Boat, also in its second season, has been picked up for a full twenty-two episodes.

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching. Please do not  let Manhattan suffer this fate–it is an excellent show despite being seen by so few people as it is only on WGN.

SciFi Weekend: Doctor Who; SHIELD; The Flash; John Snow; Jessica Jones; Getting Hooked on Netflix; Black Mirror; Continuum

Doctor Who s09e02

The Witch’s Familiar, the concluding episode of last week’s episode of Doctor Who, The Magician’s Apprentice, works despite the weakness in its plot due to its dual match-ups. One was the Doctor and a supposedly dying Davro,s and the other pair was Clara and Missy.

Pairing the Doctor and Davros was an idea which Steven Moffat has had since watching Genesis of the Daleks according to an interview at blastar:

“When I was very young, I watched Genesis of the Daleks and began a long plan.”

“I was doing what I do in my spare time which is watch old episodes of Doctor Who – because I really know how to kick back and relax,” he explained. “Davros had already returned within the series…and it occurred to me, and I think this is just true, there isn’t a bad scene between the Doctor and Davros.”

“Whatever you think of the stories – and I think they’re all good – all the time, every time you have the Doctor confronting Davros, in the classic series and in the new series… every time they meet, it’s really quite electric. There’s something about those two characters meeting, so I wanted to have a go at it.”

“What surprised me, looking back at the old stories, was how little screen time they have together. In Genesis of the Daleks they have a couple of scenes, that’s all – brilliant scenes, beautifully written and played, beautifully done. But they’re very short – they’re not long at all. I’d imagined it in my memory as being most of the story, but it wasn’t at all.

“So my notion was to actually stick them in a room together and see what happens after a long while. So that’s, you know, a childhood ambition that hasn’t changed into my 50s.”

Doctor Who s09e02a

The pair spent a considerable part of the episode talking to each other and launching plots against each other. Reminiscent of the question posed by the Doctor last season, Davros even asked the Doctor, “Did I do right Doctor? Tell me, was I right? I need to know before the end. Am I a good man?”

The pairing of Clara and Missy was more amusing. This included Missy’s implied threat to eat Clara if there wasn’t anything else to hunt and Missy’s response when Clara suggested throwing a stone down into the sewers to see how deep they were. “Ah yeah, good idea.” And she pushed Clara in. Plus what is the deal with Missy’s reference to a daughter?

The resolution of the story was weak. Even if we accept that the Doctor can just turn on regeneration energy at will, what was his end-game? He was assisted in escaping by Missy, but at the time the Doctor thought that Missy was dead. His plan might have worked to have the decaying Dalek sewer slime attack the other Daleks, but how was the Doctor planning to escape?

It is also questionable why the Doctor revealed to Davros that Gallifrey still existed. Other questions also came up in the discussion with Davros, such as the idea that the Doctor might have been running from something when he left Gallifrey, and a possible Dalek/Timelord hybrid. Presumably some, if not all, of this will come up in future episodes.

Missy posed an additional threat to Clara when Clara was inside a Dalek. This was actually the third time she was, one way or another, inside a Dalek. We  saw Clara’s mind trapped inside a Dalek in Asylum of the Daleks in Jenna Coleman’s first appearance. Last season there was the journey by a team inside a Dalek in Into the Dalek.

This was an amusing sequence in which Clara tried to communicate but there were many words which the Dalek  translated differently from what she desired, being limited by what it knew. Then she said “mercy” which was not a concept the Dalek should have known. This led to the other somewhat weak aspect of the conclusion as the Doctor went back in time to show mercy to young Davros, therefore introducing the concept of mercy into the Dalek DNA.

The episode also eliminated the sonic screwdriver for now, with the Doctor moving on to wearable technology. There is still the question of the confession dial, which I bet will play a part later this season in typical Moffat style.

The two-part format did allow for many ideas to be inserted into the story, along with a cliff hanger. As plot holes have always been a part of Doctor Who, being present well before Moffat despite the frequent criticism of him for this, it does make sense to have less stories and include more in each one.

ABC has released the first four minutes of Agents of SHIELD, which is returning on Tuesday. Video above with Daisy and other SHIELD agents helping an Inhuman.

TV Guide has some information on Cisco’s new powers on The Flash.

TV Guide also has some set pictures which might provide spoilers on the fate of John Snow on Game of Thrones.

Fox will have a two part trailer for The X-Files on Monday night on Gotham and Minority Report. Minority Report did premiere last week but I’ve held off on watching until I hear more about how the show is. Starting to follow genre shows on Fox doesn’t always turn out very good. The season premier of Gotham left me with hope for improvements in the second season over the first.

Netflix has released the above teaser for Jessica Jones, providing a glimpse of her super powers.

Netflix has released some interesting information on how many episodes viewers had to watch of certain shows before becoming hooked on them. They found the episode at which seventy percent of those viewing would then go on to finish the season. Viewers were hooked with the second episode of Breaking Bad. Some other shows took longer.

Streaming has become a way to provide a future for television shows, in addition to provide access to old episodes of shows. Netflix has ordered twelve new episodes of Black Mirror.

Steven Spielberg has always been a master of fiction. Reportedly Hillary Clinton turned to Spielberg for acting coaches to help her appear more likable. This comes from the book Unlikable by Edward Klein. I’m not sure how much of this book is fact versus fiction.

Tonight we have the rare super blood moon total eclipse. National Geographic describes how to view it.

Continuum Power Hour

The third episode of Continuum, Power Hour, finally started to reveal much more of what is going on (and the reveals are even greater in the fourth episode–but no spoilers for episode four as this has not aired in the United States yet). Kiera and Garza teamed up to find out what the Time Marines are up to. In the process Curtis met a heroic death. After previously warning Alec that his superpower was in computers, not fighting, Curtis himself got drawn into the action.

Julian tried to destroy the Theseus manifesto. Leading a rebellion against the Corporate Congress in which there would be thousands of casualties, followed by failure, just did not seem like a good future for him. He could not escape his fate as, in sort of a time loop, Chen made sure a copy of the manifesto from the future came out, also leading Julian to a toddler Kagami. This leads back to the question of whether the future we know about will still come about, which directly impacts Kiera’s attempts to return home.

After two episodes which were largely setup, the story did progress in the third episode–already half way into the final season. The fourth episode does move the story forward considerably, making it possible to speculate as to the end game of the series. Here are a some teasers which will not spoil the episode, but those who want to go into the episode with zero information might want to look away. Alec responds to Emily being gone, but does not destroy the entire timeline this time. There is an unexpected conversation between characters. A puzzle from the first season is resolved. Keep wondering whether Kellogg should trust his future self.

SciFi Weekend: Doctor Who; Limitless; Supergirl; Gotham; You’re The Worst; Alison Brie; Continuum

Doctor Who Missy and Clara

Doctor Who returned with The Magician’s Apprentice. Does this mean that the Doctor is the Magician and Clara the Apprentice? This was a true Moffat episode, including both the strengths and weaknesses which that implies. The strengths include dealing with big issues, and a strong connection to the history of Doctor Who. The episode returns to the question raised in the classic 1975 episode, Genesis of the Daleks: “If someone who knew the future, pointed out a child to you, and told you that that child would grow up totally evil, be a ruthless dictator who would destroy millions of lives, could you then kill that child?”

The episode started with a child endangered by a war. The Doctor appeared to try to save him, with the advice, “Your chances of survival are about one in a thousand. So heres what you do, you forget about the thousand and concentrate on the one.” Then, before trying to save him, the Doctor asked his name. “Davros. My name is Davros.” Davros, the creator of the Daleks

From the start we saw another characteristic of a Moffat episode–many interesting ideas thrown in. Davros was threatened by the hand mines. When there was an effort later to get Clara’s attention, it was done by stopping planes in the air–a simple time trick from Missy, who is not dead as appeared last season: “Not dead. Back. Big surprise. Never mind.” This led to a quick scene with Clara at UNIT, meeting with Kate Lethbridge-Stewart, and then the actual meeting between Clara and Missy.

The season began somewhat similar to how last season did, with the Doctor not around. It also felt like a repeat of an old theme with the Doctor preparing for his death, with the added twist this time of the Doctor sending Missy his confession dial, the Last Will and Testament of the Doctor. He hosted a rock party and, without regard to how it might change human history, “I’ve also introduced the word ‘dude’ several centuries early.”

Missy’s role was never entirely clear, other than for the Moffat tendency to try to find a way to bring back favorite ideas from previous episodes. It did make little sense for the Doctor to walk into such an obvious trap. If he did not see it himself, he even had his frenemy Missy to warn him, noting “I know traps. Traps are my flirting.” She was a little upset to find that she was not the Doctor’s number one enemy:

The Doctor: “Now, explain. Politely. Davros is my archenemy. Why would I want to talk to him?”
Missy: “No, wait, hang on a minute. Davros is your archenemy now?”
The Doctor: “Hush.”
Missy: “Not as much as I am.”

But the Doctor did walk into the trap, and apparently saw the death of both Clara and Missy, along with the destruction of the TARDIS. Of course there was never any question as to whether it would really end this way. If Davros is killing the Doctor’s friends (or friend and favorite enemy) because of remembering how the Doctor did not save him, this leaves two options. He could return to save him, or could make sure Davros did not survive.

I suspect that there is more Moffat misdirection, but the episode ended with the impression that the Doctor did go back time to make certain that Davros died. Or maybe he exterminates the hand mines. In the final scene, the Doctor again appeared in the hand mine field. “I’m from the future.” He then said to young Davros, “I’m gonna save my friend the only way I can: Exterminate!”

We will have to wait until next week to see how this really turns out, with Moffat mixed in providing satisfactory conclusions to the set-ups in two-part stories. Two part stories area also reportedly to become the norm this season. There will be twelve episodes and then a Christmas episode which includes the return of River Song.

Doctor Who Daleks Abbey Road

The return of Doctor Who was a major event. My favorite publicity picture is the one above with the Doctor and Clara along with two Daleks replacing The Beatles on Abbey Road. Steven Moffat discussed the entire season with Radio Times, possibly providing too many spoilers. Just like last year there were rumors that Jenna Coleman would be leaving the show, ultimately with confirmation that this will be her last season. There are also two Doctor Who Extra videos for this week’s episode which can be viewed here.

Supergirl

CBS made the pilot for Limitless available through there All Access service, and in this day and age that means a copy was quickly available all over the web. The pilot was enjoyable in setting up the series, essentially being an origin story for someone with superpowers. From here I fear that it might drift into a typical CBS procedural, with the setup for that type of storyline contained in the pilot. Maybe we will be pleasantly surprised, like with Person of Interest. While the pilot does appear to set up a procedural, it also left open questions about the drug which gave the protagonist his powers.

Originally reports also suggested that Supergirl would be more of a CBS procedural also, however watching its pilot (which leaked out weeks ago) it appears to be more similar to The Flash, with Supergirl having super-enemies who escaped from Krypton similar to the metahumans who provide conflict for Barry Allen. Pictures of the Red Tornado were also recently released, further suggesting that the show is headed in the direction of fighting super-powered foes.

Season two of Gotham will be a more serialized story, and it sounds from this interview like they might have fixed some of the problems with the first season.

The second episode of You’re The Worst, Crevasses, showed dilemmas including Jimmy and Gretchen having to make their own Bloody Mary’s when Edgar was out with Lindsay. Most important discovery of the episode: Jimmy’s kitchen has a Bloody Mary drawer.

Alison Brie of Community and Mad Men will be staring in  Julian Fellowes’ first  post-Downton Abbey show for ITV, a television adaptation of Anthony Trollope’s Doctor Thorne.

It is hard to believe that Continuum is half over, with three episodes having already aired on Showcase (two shown in the United States). I will avoid any spoilers for those who have only seen the first two episodes. It should be no spoiler to note that the questions I had after the first two remain after watching the third, even if the third did advance the storyline more than the first two episodes did. As is usual for Continuum, finding out a little more information often leads to even more questions.

The first episode included a scene which was later revealed to be a simulation created by Kiera’s  CMR after she was knocked unconscious. Kiera felt as though she woke up in 2080 after spending three years in a medically-induced coma after the explosion which actually sent her back in time. Kiera saw her family, and afterwards had regained the desire to return home. (I suspect this came about here due to the need to condense the series and wrap it up this year–otherwise I suspect Kiera might not have regained this interest until later in the series). This raises a huge question after seeing how the future changed after Kellogg had taken control of Piron.

If the future has changed, how does Kiera think she can return home? While not explicitly stated, does this mean she intends first to correct the time line? Is she envisioning a means of returning to one of multiple possible time lines? It is also hard to believe she will just consider her job done when the Time Marines are running around in the present. There is also the question  of what is their goal, and how this will affect the future. It is apparently only need to know for Brad, and we do not know if the soldiers returned from just after Brad left, from a time later on when things have changed, changing the mission, or if this is even the same exact timeline Brad came back from.

Kellogg should also have questions about the soldiers which his future self sent back. The Kellogg of the present would much rather live in luxury as a corporate CEO than become a future warlord. Everyone should wonder what Curtis is up to, as he might know more than anyone else, but appears to be playing each side off each other.

In other events of interest, Dillon is somehow still alive, and now working for Piron. We have seen since the start of this series that alliances change, and I would not write him off as one of the bad guys yet. Poor Emily has both been kidnapped, and after escaping being told she is not the mother of Alec’s son, leading her to pack up and leave. I’m not sure that it makes sense for her to expect to be Jason’s mother considering how the timeline has changed since Jason traveled back in time, and how in the original timeline she was killed. The whole point of Emily’s character is that she might keep Alec from turning out to be how we have seen his future self.

If you are watching the episodes as presented in the United States, you might feel that too little has happened so far, considering how close we are to the end of the series. The action does pick up in the third episode, but it certainly feels like there is far too much to fit into only three more episodes.

SciFi Weekend: Doctor Who Season Finale, Death In Heaven

Doctor Who Cybermen

Doctor Who followed up last week’s Black Water with an entirely satisfying conclusion in Death in Heaven. Steven Moffat has no qualms about putting in the big scenes with big ideas even if not entirely logical, but he did it well enough that only the most fanatic Moffat haters should object to this episode. Moffat certainly gave us quite a lot in this episode including The Master/Mistress, Cybermen, UNIT, reopening the question of the location of Gallifrey, and a conclusion to the Danny Pink storyline. Osgood returned, this time wearing a bow tie like Eleven (“Bow ties are cool”) in place of her Tom Baker scarf. Many episodes of Moffat’s stories have major scenes in a cemetery, and this happened once again.

As was expected after we found that Missy was the Master, or now regenerated as a woman and calling herself the Mistress, and that the Nethersphere was using Timelord technology to upload the minds of the dead, the claims about the dead on Black Water were all a ruse. It became necessary for the BBC to make this point clear before Death in Heaven was aired due receiving a lot of complaints about the claims about death in the previous episode. Instead of cremation really leading to pain felt after death, cremation just diminishes the size of the Cybermen army. What of those whose bodies had decayed over time? While they cleared up some issues from last week, are there now going to be complaints because of children believing grandma and grandpa were turned into Cybermen?

Doctor Who (series 8) ep 12

There was still more misdirection. Moffat lies, and he did it again in this episode, both with the teaser from last week and the words from the characters. He added to the mystery of Jenna Coleman saying there never has been a Clara Oswald in the previews by having her next claim to be the Doctor. They made this almost appear credible by giving her top billing, and using her eyes, in the opening credits. This  second time in which she claimed to be the Doctor (previously in Flatline) turned out to be a lie to fool the Cybermen, but it did create some momentary questions for viewers. This was not the only key lie of this episode.

People at UNIT did make some questionable decision. They did start out well, acting like tourists desiring selfies with the Cybermen in order to get close. Then they initiated their protocol in case of an alien invasion of earth and by drugging the Doctor before seeking his help, which is as nutty as Clara’s idea last week of threatening the Doctor to get him to help her after Danny’s death.

It made no sense to drug the Doctor, and then put him in charge, as opposed to seeking his advice, when he lacked any detailed knowledge of the forces suddenly placed under his command. It is worth ignoring this, and the other plot holes, to enjoy learning that the internationally agreed upon protocol in case of alien invasion is put all earth forces under a single President, and that the Doctor would be the chief executive officer of the human race. With all the animosity expressed by the Doctor this season towards the military, he is now in charge of the military, as well as taking on the aristocratic role which Danny Pink attributed to him in The Caretaker.

Doctor Who Death in Heaven Missy Osgood

Once on their flying headquarters, there were more questionable moves by UNIT along with insanity on the part of Missy. Missy’s killing of Osgood, followed by stepping on her glasses, helped establish how insane and evil she is.  When Missy made her move, I would think that Osgood might have been smarter not to have fallen for the old trope of getting close to the villain to hear her plan, the guards might have done something, and Osgood might have gotten out of the room as soon as she heard the threat. Besides, this all could have been avoided if they used more than handcuffs to restrain Missy, or even kept her tranquilized. Once the plane was under attack by the Cybermen, everyone else on board  might have run to the TARDIS for safety.

Michelle Gomez created a fantastic variation on The Master, along with channeling both Mary Poppins and Marilyn Monroe (Happy Birthday, Mr. President). The Master has often had an insane streak, but probably never to the degree seen in this regeneration. Missy’s actions did seem contradictory with regards to her motives. At one point she seemed to be trying to kill the Doctor, or perhaps she had no doubts in watching him from back in the Nethersphere that he would find some way to escape death.  That move of making it into the TARDIS while in free fall must be something he picked up from River Song. We later found that Missy’s ultimate plan was far different from when the Master really wanted to rule the earth in The Sound of Drums. This time the plan was more personal, and more insane.

Doctor Who (series 8) ep 12

Missy had no real desire to conquer earth this time, and was more interested in trying to prove that deep down the Doctor is no better than she is. Perhaps blinded by her own insanity, she thought she could tempt the Doctor by giving him an army. The nature of the Doctor has been an ongoing question this season, beginning with Deep Breath when the Doctor asked Clara if he was a good man. The following week, on Into the Dalek, the Doctor was called a good Dalek. This week when offered such power, his answer was, ” I am not a good man. I am not a bad man. I am not  hero. I’m definitely not a president. And no, I’m not an officer. You know what I am? I am an idiot. With a box and a screwdriver. Passing through. Helping out. Learning. I don’t need an army. I never have.”

It was also verified that Missy was the one who gave Clara the Doctor’s phone number in The Bells of Saint John, again showing her obsession with the Doctor. Just as she found it amusing to see the Doctor with almost unlimited power, she also found it amusing to join “the control freak and the man who should never be controlled.” This was also an important part of her plan to get the Doctor to the Nethersphere: “You’d go to hell, if she asked, and she would.” If she knew this, does it mean that she had intentionally set up Danny’s death?

Doctor Who Cyber-Danny

It is convention on Doctor Who for a character, including the Master, to have some changes in personality with each regeneration. While not going through technical regenerations, Cybermen on Doctor Who have been different at different times in the history of the series. This time instead of using Cybermen to blur the difference between humans and machine, we had a zombie version, in which the dead were used. This technique of creating Cybermen was not completely effective as love allowed Danny Pink to resist Cybermen programing. This did provide an easy solution to the problem, but at least did turn seem more credible when it turned out that Danny was not the only one to resist this programming.

In an episode which did see the deaths of two characters, Danny and Osgood, it was easier to forgive them for sparing Kate after seeing her fall from a lane. Earlier she had spoken to the Doctor about saluting:

The Doctor : People keep saluting and I’m never gonna salute back.
Kate : That was always my Dad’s ambition, to get you to salute him back. Just once

Matt Smith, playing Eleven, had once saluted Kate in The Power Of Three, and in this episode Twelve did the same for Brigadier Lethbridge-Stewart, now another Cyberman who resisted their programming. Of course if Danny could resist Cybermen programming out of his love for Clara, there should be no doubt that the Brigadier could fight off any alien programming, and would be there to save his daughter. While some are complaining that this version of the Cybermen breaks from continuity, the episode did show tremendous respect for continuity with its multiple references to previous episodes.

The episode also concluded the story of the kid shot in Afghanistan, with Danny saving him instead of himself. It was somewhat contrived to stipulate he could only save one of them, reminiscent of inventing rules to prevent the Doctor from saving Amy in The Angels Take Manhattan.

Doctor Who Death in Heaven Cybermen Zombies

Both Clara and the Doctor lied to each other. Clara claimed she would be happy with Danny, and the Doctor claimed he found Gallifrey when there was nothing at the coordinates he received from Missy. This could be seen as a final episode with Clara as companion. I have seen some claims that Clara will be in the Christmas episode, in which the Doctor assists Santa in an attack at the North Pole. If so, this may or may not be her last appearance in light of the rumors she is leaving after the Christmas episode. Maybe she will join the Doctor more intermittently, as Amy and Rory did after they married.

Clara’s story might not be over, but it also might become more complicated for her to travel with the Doctor. What about Danny’s great-grandson Orson, seen in Listen, who will continue the family business of time travel? Maybe the death of Danny has rewritten time, or maybe Clara is now pregnant with Danny’s child. Whether or not Clara returns, it is a safe assumption that the Master, either played again by Michelle Gomez or in a new regeneration, will appear at some time. There is plenty of precedent for the Master surviving anything, including being incinerated by the Cyberman Brigadier.

With or without Clara, I also wonder if Gallifrey will be a factor next season after being teased yet again–either a search for Gallifrey or actual encounters with other Timelords. I was wrong with this prediction about the current season, but Moffat often plays a long game, and very well could have a payoff for such teases planned for a future season.

The Doctor Who Extra for Death in Heaven is above.

Steven Moffat has answered some questions at a screening of the episode. Here are some of his answers from Doctor Who Online:

What made you turn the Master in to a woman?

SM: I’d never written a Master story, and there had been a number of Masters in the show from the amazing Roger Delgado through to John Simm, and I could never think of a way to do it which was interesting.

And then I thought, if you could smuggle her in to the show in plain sight and then land that one… and then once and for all absolutely establish in plain sight, so nobody has any doubt about this whatsoever: yes, Time Lords can do that… it just expands the show a little bit.

You get old time fans saying ‘no! You’re not allowed to do that…!’

And what about Disney fans? She’s Mary Poppins!

SM: Mary Poppins has always been evil!

I don’t know why. To be honest, it was a gimmick at the start – there’s nothing wrong with a gimmick – and I was really fiddling with how on Earth I was going to write it.

Michelle Gomez was on the list for a different part, and she’d been offered another part but couldn’t do it. But then I thought ‘Oh my God, that’s it!’ Michelle is so genuinely barking… I thought there’s never going to be a dull moment on screen! I’ve known Michelle for a long time, because she was married to Jack Davenport who had done Coupling. So I’d known her, I’ve gotten drunk with her, and she actually is like [she is on screen]. That’s toning it down.

So is the Master gone now?

SM: Yes.

I was delighted back when the wonderful Anthony Ainley was the Master back with Peter Davison, and he would definitively get fried, or incinerated, or destroyed at the end of each story… and he’d turn up at the beginning of the next one and basically say ‘I escaped’. I had no problem with that!

So… observe how I’ve avoided your question! What are the chances?

This is the first time that the Master has worked with the Cybermen…

SM: Oh, but the Master has met the Cybermen before. Would you like me to list them?

But why the idea to team them up?

I’ve never written a Cyberman one, and when I was a kid, I absolutely loved the Cybermen. They were my favourite. I mean, the Daleks were really my favourite, but I pretended that the Cybermen were my favourite to make myself more interesting. Which absolutely doesn’t work.

I’d always wanted to make them creepy and scary. I was aware that there is kind of a problem that the Cybermen are brilliant at standing there, and brilliant at breaking out of tombs, fantastic at breaking out of tombs – they’ve been doing that since 1967 – but when they stand up and actually arrive… they’ve a monotone voice, no facial expressions, and no emotions. That can be tricky. You sort of want to put them with somebody who can be the interface. But I love Cybermen.

I don’t even know why they’re great. The absolutely indispensable part of the Cybermen is that they’ve got handles there… I mean the idea of removing them would be heresy… But what are they for?

But I do adore them. Especially an old show called The Tomb of the Cybermen, which I’ve ripped off many times, it’s just perfect Doctor Who. Glorious Doctor Who.