SciFi Weekend: What the Awake Finale Means; Doctor Who News; Warnings of Daleks and the Tax Implications of a Zombie Apocalypse; House and Holmes Fake Deaths

Following the series finale of Awake I found many sites were interpreting the final scene as meaning that it was all a dream, and the accident did not occur. I posted my disagreement with this interpretation. Subsequently interviews with Kyle Killen  (such as here) verified my interpretation and answered additional question. The finale went into a different form of dream after Britten was in jail in one of his realities. In this dream, Britten actually met with his self from the other reality, was followed by both of his psychiatrists, and had an unusual meeting with his wife. It might be argued the Britten in jail was the real Britten, having dreams of solving the crime and being the hero in the other reality, and developing a new dream to cope with the reality of being in jail.

Regardless of whether this was the real Britten or a dream within a dream, the episode ended with Britten speaking with Dr. Evans. She attempted to convince Britten that the world with Hannah was just a dream, but Michael then questioned what the “rules” were. Britten never had been interested in finding which reality was true–his desire was to have both his wife and son back alive. His mind coped with the death of one by creating a second reality in which the other survived. His mind now realized that he could create an even better fantasy in which both his son and wife were alive. The immediate feeling upon watching this episode was that this was a happy ending with Britten getting what he wanted. It is also an ending in which Britten is even more out of touch with reality.

Killen described it this way:

Some fans saw the final scene — Britten (Jason Isaacs) seeing both Rex and Hannah in the house — and mistook it as a copout ending revealing the detective had dreamt the entire 13 episodes. “The idea that we’re saying nothing happened, this is St. Elsewhere, was something we actively fought against. You can still hate the finale, you just can’t say that that’s what it did. It’s just wrong and can actually be disproven watching the last four minutes,” Killen says. The show was always conceived as the way that one particular man dealt with grief that he was completely unprepared to handle. “That’s how the season ended — while he’s able to see his wife and child together, if you take a step back, what it really represents is a further fracturing of his psyche,” he says. “You understand that you don’t see your partner in a penguin suit in any version of reality — that grew directly out of the red world in which Hannah is alive [seemingly] revealing itself to be a dream. He just can’t accept that, and then [in the conversation with Dr. Evans] backs into the idea of, Wait, what if I fell asleep in my cell and then everything that happened after that was a dream? What if for the first time I had dream-like dreams in between being awake and being asleep? Once he does that, it’s almost as if his brain seizes that moment and creates precisely the thing that psychologically he’s dying for — and that is a moment with everyone together.”

One big question all season has been whether one reality was true and the other a dream, if there was some sort of quantum universe explanation in which both were equally valid, or whether there would be a conclusion like on Life on Mars in which nothing was real. Watching week by week I found that the evidence was contradictory as to which reality was real and suspected they were equally valid or both unreal. In interviews leading up to the finale Killan had said that one was real and the other was a fantasy which Britten developed due to the horror of losing either his wife or son. The reason that there was such contradictory evidence now appears to be that Killan and the writers did not have a conclusion in mind which settled this:

The show’s producers all had their own pet theories, but nothing was written in stone. “Most people felt like the red world was more likely to be real, just from a logical basis that the death of a child is something that’s out-of-order with nature and much more difficult to deal with than the death of a spouse. It felt like the death of a child is one that you might create a world to undo. So it felt a little bit like the balance was tipped in the red world’s favor, but we constantly adjusted that. One of the things we talked about was if ultimately the green world with his son was real and the red world was his imagination, was it that he couldn’t let his wife go until he’d psychologically worked out something that was unresolved with Hannah? There were arguments for why he simply could not let go of one or the other. We didn’t feel it was necessary to decide which one was his imagination now. We didn’t have a big sitdown and say, ‘This is what Rosebud means.’ We just didn’t approach it that way.”

Watching the finale I had also wondered whether this was written after Killan knew the show was cancelled and was intended to be the ending, or if this was written previously with plans to move on from this point in a second season. Killan revealed that he planned to pick up the second season from this point if the show was renewed:

The finale was written and filmed before the show’s cancellation. “I don’t know how the show could have gone on if the fundamental thing that made it work was taken away,” Killen says. He believes you can make the argument that the world in which wife Hannah survived — the red world — was the real one with just as much vigor. “Look at the state that Britten is in [there]. He’s lost. The woman who destroyed his family has gotten away with it. He’s in prison and he seems to have no hope of getting out of there. He’s essentially indicted himself with his own behavior. So if ever there were a place where you could reach a low that would cause you to create through a psychic break a world in which you do solve all the problems, and you do get the bad guy, and everything does turn out okay… I would think that would be an argument for the red world actually being real and requiring the green world as a dream to make going on seem possible. We, at least internally, made sure we could argue it both ways because going forward, we didn’t intend to have that mystery sewn up in this episode.”

Killan went on to describe how the second season would have picked up the story:

“The discussion was always that that’s where he finds himself when he woke back up in red world. It would be as if all of the dream-like elements had in fact been a dream, and he’d closed his eyes just before the guard knocked on the door and told him he had a visitor [Harper], and we’d treat it as that was the moment he went to sleep. He would know that he’d caught Harper in the other world and that he seemed unable to do anything in red. Ultimately, he would have relied on Vega to help him extricate himself from that situation.”

At that point the narratives would have proceeded in both realities (or technically one reality and one dream state) we saw in the first season, with the addition of the third state seen at the end of the finale:

“You still would have had red and you still would have had green,” Killen says.”We left ourselves open to the possibility that [producers/writers plotting out season 2] would have had a really interesting pitch for what to do with that third space, and whether there was an ongoing narrative we wanted to tell there or whether we wanted to use it as simply a surreal dream space that we could access when we wanted to and how we wanted to that let us bring other weirder elements into the show that we’d always wanted to try.” He suspects it would have been the latter. “Twin Peaks being a show that was very close to my heart and a seminal thing in my childhood, the third space was sort of our Black Lodge. It was a place where almost anything could have happened. What happened initially was he found himself in his house with his wife and his child, but there were a lot of other places we would have taken that dream space. I don’t know that it would have always been that linear or happy. I think it would have been a place where he had a lot less control than he thought.”

If the show continued, Britten would have also had a relationship with Rex’s tennis coach, Tara, as was hinted at in the first season:

“It always felt too soon and difficult to explain. If it’s about a man overcoming the loss of his wife, he’s only overcoming the loss for 12 hours a day. So most of us deal with that by not needing to get into another relationship. What ultimately was needed to really jump-start the alternate relationship was some sort of fracturing in the Hannah-Britten story. That’s exactly what you see us building to at the end of the season,” Killen says. “Once he’s imprisoned and he’s considered essentially a mad man and there’s not really a clear way out, we would have used that and Dr. Evans to really try to convince him that that was his imagination and there was a psychological reason that he was holding himself there. That would have opened the door enough for us to begin something with Tara. And then by the time the red world resolved itself and he was extricated from prison, without really meaning to, he would have gotten himself in two different relationships. By the time things were repaired with Hannah, he would have already begun a relationship with Tara because he had been leading himself to believe that Hannah wasn’t real and it was something that he needed to get over. By the time that flipped on him, he would have been a man divided. That was something we were really eager to explore in the second season.”

https://www.youtube.com/watch?feature=player_embedded&v=PKdKj2DEy5E

Benedict Cumberbatch and Matt Smith presented Steven Moffat with a well-deserved special BAFTA Award. Video of the presentation, including clips from Moffat’s work, is above.

Matt Smith carried the Olympic Torch this week. Pictures and an interview with Smith were posted here, and above is another news clip.

If you every wondered how all eleven Doctors would look if they were dinosaurs, an entire set of pictures can be seen at I09.

Christopher Eccleston continues to insist he will not appear in a 50th reunion episode. He has previously explained this by saying, “I never bathe in the same river twice.” This never sounded like a satisfactory reason, and he has subsequently elaborated without much detail saying, “I know what went on and the people who were involved know what went on. That’s good enough for me. My conscience is completely clear.” Obviously there were problems which have not been made public.

Karen Gillan on her final script for Doctor Who:

I literally couldn’t read it without crying … It was the most highly-charged read-through I’ve ever experienced. But I couldn’t have asked for a better exit. I don’t think it’ll be what people expect.’

Gillan leaving means that Jenna-Louise Coleman has started filming. Her initial filming was behind closed doors so we do not yet know how her character will look.

Merlin is filming season 5.

Sign seen in Colorado above. If Daleks were there, it would certainly be good to warn people. Last year the same area had a sign warning “Zombies Ahead.” That would be another important warning. Besides the obvious hazards, there are serious tax implications to a Zombie Apocalypse, as is discussed in this paper, and summarized here.

House concluded last week with House and Wilson being compared to Holmes and Watson. The series ended in a manner similar to  how Moffat’s version of Sherlock ended its second season, with both House and Sherlock faking their own deaths. In addition, Moffat’s other show also ended with the Doctor faking his death. Steven Moffat and Mark Gatiss discussed the finale of Sherlock with The Guardian but gave no clues as to how Sherlock survived. Moffat simply says, “He did it cleverly. Very cleverly. And we know, we’re not telling – next!!” I suspect that there will be aspects which were not clear  on screen so I have not worked on a full explanation as to how Sherlock survived, but here are my comments after The Reichenbach Fall  originally aired on the BBC.

It seems strangely appropriate that the big war scene which this season of The Game of Thrones has been leading up to will be airing this Memorial Day weekend.

SciFi Weekend: Casting Jenna-Louise Coleman; Amy and Rory; The Easter Dalek; Enterprise in Los Vegas; Hugo Nominees; Captain America; Titanic; Downton Abbey; Upstairs Downstairs

People who interpret the Mayan calendar as indicating the end of the world in December 2012 are mistaken. It is now clear that  the Mayans were just noting the transition from Karen Gillan to Jenna-Louise Coleman on Doctor Who. We have some more information about the process of casting Jenna. Material has been posted on line from part of the audition of Jenna-Louise Coleman for her role as the new companion. The material, taken from Doctor Who Magazine, appears to be Jenna acting out a scene with Matt Smith:

The Doctor and Jasmine are investigating a haunted house.

DOCTOR: So you saw it coming in here? What did it look like?

JASMINE: Grey. Sort of dusty. Like it was made of spider webs.

D: And it came through the wall.

J: Yeah, that wall there.

D: But you don’t think it was a ghost. Why not?

J: Because there’s no such thing as ghosts.

D: You know, a lot of people who saw what you saw wouldn’t still think that.

J: Obviously. Otherwise there wouldn’t be idiots who believe in ghosts.

D: What were you doing here?

J: I love this place. It’s… beautiful.

D: It’s falling apart.

J: It’s old. I love old things, they make me feel sad.

D: What’s good about sad?

J: It’s happy for deep people. You’d know.

D: I’m not sad.

J: Oh, you are though. Under all that talking and leaping about. Takes one to know one.

D: So you come here for… recreational sadness?

J: Yeah. In a way. Okay, why are you looking at me like that?

D: You remind me of an old friend of mine. Someone I lost a long time ago.

J: Down boy. I’m not her.

D: Oh, I know you’re not – I don’t believe in ghosts either.

J: Oh my God, what’s that?

D: Okay, just stay calm.

J: But that’s the thing I saw before.

D: Yep, and it’s coming towards us. I expect you noticed that. Say it with me – I don’t believe in ghosts!

J: I don’t believe in ghosts!

D: Louder! I don’t believe in ghosts!

J: I don’t believe in ghosts!! Will this work?

D: No idea, never met a ghost before.

Whatever this is, Moffat has said that Jasmine won’t be the character’s actual name on the show:

“Two things before you read it. Her name is NOT Jasmine. I don’t like the name Jasmine (sorry all Jasmines, I didn’t mean you) so I knew I’d never use it for real. And also, you might notice there’s a line snuck in from Blink. One of those self-consciously clever, writer-showing-off lines that anyone stuck working with me better get used to.

“So here’s a spoiler from a future that is never going to happen. This is the scene we saw Matt and Jenna perform in a dull little room in the basement of the BBC, which changed the future of Doctor Who. Now remember, this is nonsense, none of this is going to happen, no clues or hints. Think of it as series of hurdles we placed in front of an actress to check her jumping skills.”

After months of rumors (spread by Steven Moffat and Sophia Myles via Twitter), Sophia Myles now says she is not returning to Doctor Who, at least in the near future:

“Steven [Moffat] and I did talk about Doctor Who and I honestly feel – and I think he feels the same – that The Girl in the Fireplace was so special, I really doubt we could do something better together on that show. It was just so perfect and I would rather leave it at that, ” she explains in the latest Doctor Who Magazine.

“If I was to come back to Doctor Who, I don’t think it should be as [Madame de Pompadour]… but it would just ruin it to come back as anything else.”

However, Myles doesn’t completely rule out another role.

“Maybe when I’m old and don’t look anything like her. I’d like to come back in 20 or 30 years’ time as a baddy, and cause some trouble! But as for anything imminently? No. I think that would be inappropriate.

This might be a major spoiler (or perhaps major misdirection) from the first episode of the next season of Doctor Who: Reportedly a prop was seen of divorce papers for Amy and Rory. There are also reports of them getting along well in scenes from episode 3, so if true early-season conflict between the two might get resolved.

Via the TARDIS Newsroom, here’s the Easter Dalek.

The big thing we learned about the alternate universe on Fringe is that they have different superheroes, and no Batman. It was obvious that Agent Lee was interested in Olivia in our universe. Now that she is reunited with Peter, is he heading into a relationship with Fauxlivia?

On Awake, Britten wound up working with Dr. Lee on a police case (although part of their contact was real, and part induced by a drug–or  was Britten  having hallucinations and losing his mind?). It might have been more interesting if they had Britten run into Dr. Lee in the time line where he sees the other psychiatrist and Dr. Lee doesn’t know that Britten knows him. Of course we’ve seen that sometimes things are quite closely the same in both time lines, and sometimes individual’s lives are quite different, so Dr. Lee may or may not be around as a police psychiatrist in the other time line. From the previews, it looks like next week gets back to the conspiracy around the auto accident which precipitated events.

Las Vegas considered building a full sized replica of the Enterprise in 1992. The story came out last week and can be seen here.

The Hugo Award nominees have been announced. Nominees for Best Dramatic Presentation (Short Form) include three episodes of Doctor Who and one episode of Community.

Best Dramatic Presentation (Short Form) (512 ballots)
“The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales)
The Drink Tank‘s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (Renovation)
“The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (BBC Wales)
“A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (BBC Wales)
“Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)

Television shows typically are recognized by the Hugo Awards based upon individual episode. Game of Thrones misses out under that criteria. The entire first season was actually one long story, but it is hard to pick an individual episode. Instead the first season was nominated under Best Dramatic Presentation (Long Form):

Best Dramatic Presentation (Long Form) (592 ballots)
Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel)
Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO)
Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.)
Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount)
Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)

It is difficult to compare an entire season of a television show to a single movie. Perhaps they should divide into three categories, one for individual episodes of television shows and other short form presentations, one for movies, and a new category for genre television shows.

A sequel to Captain America has been announced for release in April 20124:

Marvel Studios isn’t waiting to see how “The Avengers” does in theaters later this year. Following in the footsteps of “Thor,” the studio Friday announced it’s moving forward with a sequel to its 2011 hit “Captain America,” prepping it for a 2014 release.

Keeping the film canon with “The Avengers,” Chris Evans will take on the title role in the present, and not during World War II like the previous film. The events at the end of the first “Captain America” film, along with some storyline in the upcoming “Avengers” movie, bring super soldier Steve Rogers to the present.

The first Captain America film is of increased interest being the film debut of Jenna-Louise Coleman. A picture of her in the movie was previously posted here.

Although not airing in the United States until next weekend, I did get a hold the first two episodes of Titanic. Some of the information posted about the mini-series on line was incorrect. Some reports claimed that Jenna-Louise Coleman doesn’t appear until the third episode but actually she was present in the first two. Perhaps she has a larger role in the third. Some early reviews also described the mini-series as each episode involving  different characters, leading up to the ship sinking at the end of each hour. It is correct that each episode leads up to the Titanic sinking, but there is tremendous overlap between the characters. The second episode introduced new characters and didn’t include all the characters from the first episode, but it did provide more information about some of the major characters from the first episode.

The mini-series, written by Julian Fellowes, does have much of the same style as Fellowes’ show Downton Abbey. One difference is that the some among the wealthy are far less sympathetic characters–and in some cases their servants are even nastier.

As for Downton Abbey, there are spoilers for the third season:

What can “Downton Abbey” fans expect when the PBS series starts its third season in January?

“Matthew and Mary do get married,” ”Masterpiece” executive producer Rebecca Eaton said Wednesday at a Winter Park party. She previewed the British drama, which is in production, for supporters of WUCF TV, Central Florida’s new PBS station.

In the new “Downton” season, everyone is waiting for the arrival of the mother of Cora (Elizabeth McGovern), a character played by Oscar-winner Shirley MacLaine. They’re waiting for MacLaine’s character because the British family, especially Violet (Oscar-winner Maggie Smith), needs money again, Eaton said.

“There are some wonderful scenes between Maggie and Shirley MacLaine — Shirley MacLaine being as ditsy as ever,” Eaton said. “And Maggie barely restraining her sneer in having to deal with this American. Maggie Smith is a handful, it’s true. She’s very difficult. She knows her worth, and she’s tricky on the set, but she delivers when the time comes.”

Eaton supplied more teases: “Somebody will be born, and somebody will die, somebody pretty key in the cast, unfortunately not going to make it. It’s the 1920s now.”

The obvious speculation is that the birth will be a child for Matthew and Mary, especially as it is confirmed that they will marry. There are other possibilities. Perhaps Bates makes it out of prison and starts a family with Anna. It is also possible that Lady Sybel might be having a child. Those interested in seeing Jessica Brown Findley in other roles might click here to see her in Albatros. (Beware, the scene is not safe for work, and the Crawley family would really be shocked to see her flashing in this scene).

The cast of Downton Abbey includes Hugh Bonneville, who has appeared on Doctor Who. Alex Kingston has a role on the second season of the remake of Upstairs, Downstairs (coincidentally also playing an archeologist). I was aware that Jean Marsh, who has been on the original and remake of Upstairs, Downstairs, has appeared in Doctor Who and was curious as to whether many other actors have appeared on both shows. I was surprised by the length of the list, which can be seen here.

The second season of Upstairs, Downstairs won’t air in the United States until 2013 and is well worth watching. The season takes place as conflict escalates between Germany and Great Britain just before World War II, giving it a much more modern feel compared to the original, or compared to Downton Abbey.

SciFi Weekend: Secrecy Surrounding Selection of Jenna-Louise Coleman; Daleks; Torchwood; Fringe; Avengers Monorail; Adopt a Direwolf Cub

There was a lot of secrecy surrounding the choice of Jenna-Louise Coleman to become the next companion on Doctor Who. They also love anagrams, such as coming up with Torchwood, which is an anagram of Doctor Who. Jenna had to tell people she was auditioning for a show called Men on Waves, an anagram of Woman Seven (for seventh series):

“I wasn’t allowed to say it was Doctor Who at any point – not talking to my agent, not when I arrived at the audition, and I certainly couldn’t tell anyone at all what I was up to next,” the 25-year-old actress says, admitting that she was surprised at how good a fibber she became.

“When she was auditioning, Karen Gillan had been given a codename – Panic Moon, which is an anagram of Companion – so I worked out that Men on Waves is an anagram of Woman Seven, because this is the seventh series. Weirdly, seven is my lucky number and this is my seventh job.”

Jenna also told RadioTimes that she was named after Jenna Wade from Dallas.

When the Daleks appear next season, it appears there will be models going all the way back to the 1960′s versions. Steven Moffat tweeted the picture above.

Steven Moffat says another Doctor Who spin-off is unlikely at present. That isn’t very surprising as there aren’t any current situations which would make good spin-offs, and Moffat is already busy with two shows. Perhaps if both Amy and Rory survive their final encounter with the Weeping Angels, which doesn’t sound likely, he could write a sit-com similar to Coupling about them. No, not very likely to happen.

Starz CEO Chris Albrecht hasn’t ruled out a return of Torchwood:

MCN: Is there anything more out of the Torchwood camp. I know you’re close with the people there…

CA: You know, Russell [Davies] is so busy. Obviously, we’re in touch with the BBC all the time. They are our partners on DaVinci’s Demons and the Harem project that you just mentioned. We told them, we stand by ready for any news, but I think it would be a while before Russell came back to Torchwood.

Nothing As It Seems returned to an old episode of Fringe in which things play out differently. Olivia is strangely unconcerned about losing her memories of the timeline she is actually living in, but the FBI wasn’t as complacent. In the end, they realized that an Olivia without much of her memory is still a more useful agent than most. Of course her memories of the other timeline could also provide valuable information if they continue to face the same menaces.

I have been disappointed in the current season because it seems to be ignoring the way in which the previous season played out, with the existence of both universes in jeopardy. The season concluded with Peter bringing the two universes together, presumably to work together, but this idea, along with Peter’s existence, was quickly forgotten. Next week returns to the alternative universe to investigate the shape shifters and show more of the hotter Altlivia. Perhaps at some point they will remember the major problem (or did changing the time lines make this less urgent?).

More importantly, Fringe‘s ratings rebounded on Friday. Most likely ratings were down the previous week due to a combination of having been on hiatus and coming back against the NCAA Tournament. Fox is also joining the twitter campaign to keep Fringe alive.

Netflix has decided against saving Terra Nova and the future of Fox’s other genre shows remains in doubt. Alcatraz completed its first, and possibly only, season. We learned some things such as that the Warden appears to be behind things (no surprise) and that the lead infusions are to track the prisoners who came from 1963. Rebecca appeared to die, but there is little doubt that she will come back to life should the series return. If the series does not return, I bet fans will be far more frustrated by the lack of more information about what is going on.

Disney often decorates their monorails for big events, and currently the monorail promotes the upcoming Avengers movie (video above). This is only being done on the Magic Kingdom monorails and not the monorail to Epcot. This might be because the Epcot Monorail takes a loop through the park. While Disney has purchased Marvel, currently Universal has the license to use Marvel characters within their theme parks.

A Star Trek script written by Norman Spinrad was found last fall. CBS, which  owns the script, isn’t allowing a planned fan-produced version of the script to be filmed.

Game of Thrones returns tonight. Here’s a review should you need one.

April Fool’s Day has led to posts claiming Doctor Who is being cancelled, that Jenna Louise Coleman is actually taking over as the first female Doctor, and an offer to adopt a Direwolf cub. The cost is only $2499.99.

SciFi Weekend: Doctor Who, The Impossible Astronaut; Elisabeth Sladen; More Doctor Who News; Surviving Judgment Day; A New Roommate For Sheldon Cooper

Unless you were locked up in the Pandorica, you should know about the two big stories of the week: the season premiere of Doctor Who and the death of Elisabeth Sladen (Sarah Jane Smith). A video on Sladen’s career is posted above. My initial post on Elisabeth Sladen, which includes some major scenes from her career and tributes, was posted here. This week’s episode of Doctor Who, The Impossible Astronaut, began with a message in memory of Elisabeth Sladen on the BBC broadcast. A memorial show was broadcast afterward on CBBC. The full video of My Sarah Jane A Tribute To Elisabeth Sladen is posted here. David Tennant had this to say about Elisabeth Sladen on BBC Breakfast:

More of the interview with David Tennant can be seen here. Tom Baker has a tribute on his web site.

Those who need a refresher coarse on forty-seven years and eleven Doctors before beginning this season can check out this video which recaps it all in just six minutes:

Both NPR’s Morning Edition and The New York Times had stories about how this season is starting on the same day in the United Kingdom, The United States, and Canada (and soon after in Australia) to reduce pirating of the show. When there was a several month delay, there would typically be 200,000 illegal downloads the week an episode aired. The article reports that BBC America will not air a new episode on Memorial Day weekend, and then be a week behind for the remaining June episodes.  That will get many US fans to resume downloading on the day it first airs.Even the several hour delay between airings will make downloading irresistible. I had a high definition copy hours before I could have watched a standard definition version on cable, but if I ever get a Nielsen box I promise to turn on BBC America when Doctor Who is on.

The Impossible Astronaut began both what is probably a season-long arc and a two-part story with events of a magnitude which is more characteristic of a season finale. Now that there is no longer a gap before the U.S. version airs, posts here on completed episodes will no longer avoid spoilers.

The episode began with a few minutes of fez hats and other fun before bringing Amy, Rory, and River Song to a meeting with the Doctor (now wearing a stetson) in Utah. While breaking out of prison was no surprise, I’m not certain as to how River Song managed to get to Utah in 2011, but she always has been a resourceful person. Soon afterward the Doctor was killed, and then shot again during the regeneration cycle by someone in an astronaut outfit, leading to the Doctor’s actual death. This left the three with no choice but to burn the Doctor’s body as it goes out into the lake.

Doctor Who Regenerates The Impossible Astronaut

Obviously we knew that the Doctor could not really be dead, and figured that it was all part of some sort of plan, considering that the Doctor clearly knew what was going to happen and told the other three not to interfere. He even arranged for gasoline to be delivered for his funeral pyre. This was delivered by ex-FBI agent Canton Delaware, played by the father of Mark Sheppard who played the ex-agent in the 1969 portion of the story.

Moffat used some of his “timey-wimey” stuff to continue the story with a younger version of the Doctor, which was anticipated after a point was made of the Doctor’s age when he first met up with his three companions. Theoretically the story could continue after establishing that the Doctor would die when two hundred years older, but this would mean no further regenerations and that Matt Smith would be the last actor to play the Doctor. It is more likely that they will resolve this by preventing the Doctor from actually dying, and this was confirmed in an interview with Matt  Smith.

While we generally know when watching a show that the main character will not be killed, Doctor Who has always appeared to place the main character in less danger  due to his ability to regenerate. This episode shows that the Doctor can be killed, and that the character can feel he is at risk when taking actions which might endanger his life.

Knowing this detail of the Doctor’s future changes the dynamics as this time it is the companions who knew more, leaving the Doctor feeling very uncomfortable. He finally agreed to trust his friends and do what they say when Amy swore on something very important to her, “fish fingers and custard.”

They traveled back to 1969, with the TARDIS materializing in Richard Nixon’s oval office. I had expected that they would make use of a pre-existing set, but Doctor Who Confidential showed the crew actually building their version of the oval office. The Doctor wound up getting involved with the mystery of a young girl calling Richard Nixon every night, regardless of where he was. A new villain, which Amy first got a glimpse of  in Utah, was present–The Silence. With the Weeping Angels, Steven Moffat created a threat which would kill you if you blink and stop looking at them. The Silence is even harder to fight as the moment you look away you forget that you even saw them. They were presumably behind the destruction of the universe last season, and Doctor Who fans are reporting evidence of their appearance in several previous episodes.

The Silence told Amy that she must tell the Doctor something, which probably explains why she suddenly told him that she is pregnant at what was not a very convenient time. Presumably their instructions, while forgotten the moment Amy looked away, remained somewhere in her mind. The episode ended with a cliff hanger in which we found that the little girl who had been calling Richard Nixon was in an astronaut suit. Amy, assuming this is the same person who had killed the Doctor, shot the girl.

The cliff hanger left a lot to speculate about. Was the little girl in 1969 the same person in the astronaut suit who killed the Doctor in 2011? Could the girl be Amy’s daughter? Perhaps it was River Song who was in the astronaut suit and killed the Doctor. We were reminded of River’s story (presumably to allow new viewers to catch up) and the Doctor even asked her who she killed.  (“No spoilers.”)  In Flesh and Stone River said she had killed “the best man I’ve ever known.” She also foreshadowed her own “death,” at a time when the Doctor would no longer know her, in Forrest of the Dead. Perhaps River is even Amy’s daughter. Someone known as Pond just might name a daughter after another type of body of water. Hopefully we will get some answers next week in Day of the Moon:

Karen Gillan does say there will be a lot of revelations in an interview in the Scotsman.com:

“There are going to be a lot of revelations,” she suggests tantalisingly. “There’s one huge one that will change everything. Steven Moffat went around everybody and only told them the bits they needed to know, and we’re not allowed to discuss it with each other, which is really relevant for the whole story.”

Karen Gillan Amy Pond Doctor Who

In an interview with The Telegraph, Karen Gillan said she wanted to be like Robin Williams, or perhaps Birttany Murphy.  Karen Gillan’s interview with Craig Ferguson aired on Friday–a video is posted here.

In other Doctor Who news, Meredith Vieira and The Today Show will be traveling to the set of Doctor Who in May. Vieira will have a cameo role on the show.

Doctor Who has been nominated for three Hugo Awards, including two stories written by Steven Moffat, A Christmas Carol and The Pandorica Opens/Big Bang. A third episode of Doctor Who, Vincent and the Doctor written by Richard Curtis also received a nomination. In addition, a nomination went to a book entitled Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It, edited by Lynne M. Thomas and Tara O’Shea.

Steven Moffat is vague in talking about Neil Gaiman’s script, but does tell us he is giving the Daleks a year off:

The TV boss and lead writer has opted to give the aliens a rest in 2011.

He wants to give them another make-over and bring them back with a bang next year.

Diehard fans hated the multi-coloured fat Daleks from the last series and dubbed them Dipsy, Tinky Winky, Laa-Laa and Po after children’s favourites the Teletubbies.

Moffat said: “We will bring back the Daleks.

“But there will be lots of different kinds.

“I want them to come back in a really brilliant way.

I started the post by noting there were two important events this week. Fortunately we escaped a third. According to Terminator: The Sarah Connor Chronicles, April 21, 2011 was Judgment Day, when the machines rose up to destroy most of humanity. We might have already been on borrowed time as the original Terminator movie set Judgment Day on August 4, 1997.

And, finally, there is news that Sheldon Cooper is getting a new roommate on Big Bang Theory. It will be someone we already know:

As teased in the new issue of EW, everyone favorite creature of habit is parting ways with his longtime roomie, Leonard.

“You have a situation where Priya is staying with her brother, and Leonard is spending time with Pryia,” executive producer Billy Prady says. “The current sleeping arrangement isn’t the best one. I think a little experimentation with people in different spots [is necessary].”

But who is the (un?)lucky soul to take Leonard’s spot in the apartment? Prady wouldn’t say, specifically, but guarantees, “It will be a human, and it will be someone we know.” Prady elaborates: “One of the things that Sheldon will [learn from] his new roommate — temporary or permanent, we don’t know — is just how long Leonard has been skating by. He’s going to have a terrific experience with this new roommate.”

The author speculates that it will be Amy Farrah Fowler. That is a definite possibility, but the two are so much alike. There could be far more conflict if Penny moves in with Sheldon to save money. There is already a bizarre chemistry between the two.

SciFi Weekend: New Development on Fringe; Robocop Statue For Detroit; Interview with Rick Berman; Star Trek Meets Doctor Who; Star Trek Girl

Fringe returned to the alternative universe in this week’s episode. Other than for the characters being the  cooler versions from the other universe, most of the episode seemed like it would have worked as a stand-alone story in either universe. (Major spoiler ahead). In the end we found the reason why this story had to take place over there–Fauxlivia found out that she is pregnant and Peter is the father.

The ramifications of this are obvious, having recently learned that which universe survives might come down to which Olivia is chosen by Peter. The mother of his child might have a significant advantage over the Olivia from our universe who is not even certain whether she wants to continue a relationship with Peter. Who could blame Peter if he goes back to Fauxlivia after Olivia broke things off after finding Peter had slept with Fauxlivia. His argument for sleeping with another woman–she is an exact duplicate of you from another universe–is far stronger than Ross’s argument to Rachel that “we were on a break.”

Fringe head writers J.H. Wyman and Jeff Pinkner had hinted that there would be a big revelation during a conference call before the episode aired. They also discussed its importance:

One reporter, who had already seen the new episode, entitled “Immortality,” phrased his question vaguely so as not to spoil anything. He asked if the ramifications of the reveal will “make it’s way to our universe sooner rather than later?”

Wyman and Pinkner responded, “The information and the reality of what is happening over there will get to our side rather sooner.”

They mentioned that one thing they enjoy about Fringe is the ability to tell traditional, mundane storylines (like a man cheating on his girlfriend) in new ways (like a man cheating on his girlfriend with a version of her from another reality). “The reveal,” they continued, “will not unfold in a way that I think is traditional.”

They also stated that “Peter will also come clean to Olivia about murdering the shapeshifters in an upcoming episode.”

Detroit Mayor Dave Bing has turned down the idea of a statue of Robocop to be built in Detroit.  Science fiction fans didn’t go along with the idea to ignore the hero of the 1987 movie which took place in Detroit. There is a movement to obtain private contributions to build the statue. There are already several examples of statures honoring fictitious characters in other cities including a statue of Rocky in Philadelphia,  Superman in Philadelphia, and Yoda in San Francisco.
Rick Berman Captain Kirk Picard

The official Star Trek site has a three part interview with Rick Berman. In Part I he discussed how he was chosen by Gene Roddenberry and ultimately took over the Star Trek universe:

One of the things you did NOT have in common was Star Trek

Berman: I made it very clear to Gene that I had not watched The Original Series. I had seen one of the movies. I’d probably seen a few episodes of The Original Series at some point, in my pre-college or college period. But it was nothing I was serious about watching at the time. A day or two later I got a call from Gene’s confidante and attorney, Leonard Maizlish, who said that Gene wanted to go to the studio and ask for me to be released from my vice-president-ship so that I could come work with him on this new series. I think his reasons were two-fold. First of all, I was young compared to the other people who were involved with the project at the time, because Gene was dealing with Bob Justman and Eddie Milkis and Dorothy Fontana, people who’d worked with him on the original series. I was a good 20 years younger than this group.

More importantly, Gene was very specific about the fact that my not knowing much about Star Trek was something he was very attracted to. He wanted somebody involved in the production of the show who did not grow up with Star Trek and wasn’t enamored by it over the previous two decades like most of the people who were involved with show. We’re talking about before the (TNG pilot) script was written. So that was how I began. I think I was co-executive producer along with Bob Justman, and I was asked by Gene to be involved with the creative elements of the show, where Bob was more involved with the production and budgetary ends of the show.

Let’s dig into some complicated ground. Roddenberry got sick, became less involved and eventually passed away. What were your thoughts, as the torch was handed on, about following his vision versus doing what needed to be done to make the show work versus any urge you might’ve had to put your own imprint on TNG?

Berman: It was never a sense to me of a torch being passed. That all sounds great in retrospect, but things are never quite as clear-cut as that. As the first few years of TNG went on, Bob Justman left the show and Maurice Hurley and I were involved. And then Maurice left and a fellow named Michael Wagner was hired. He lasted a very short time, and then Michael Piller came on. Gene was comfortable with me taking care of the day-to-day supervision of this program that he’d been involved with for about two years at that point, and he stepped back. He’d come to the office every day. He did a lot of correspondence with people. He and I would talk a lot. He’d read some scripts. But his involvement got smaller and smaller as the months went on. Then he got ill and his involvement got quite a bit less. By the time he passed away, I was, I guess you could say, running TNG along with Michael Piller. And I’d been asked by Brandon Tartikoff, at the time, to develop a new show. This was something that I discussed with Gene, who felt very positive about it. But he was quite ill at the time and wasn’t really interested in getting involved with what it was or what it was going to be about. I would like to think that he had faith in both myself and Michael, who I asked to work with me on what became Deep Space Nine.

So, by the time Gene died, there was no sense of “Oh my God, this great responsibility has been put on my shoulders.” I was doing the job I’d been doing for a couple of years and Gene had become, in a sense, a producer emeritus of the organization. I had absolutely no thoughts about putting my own imprint on Star Trek. My interest was to continue to try to do the best work that I could and to hire the best people that I could and to continue on with what Gene set out to do with TNG. It was my hope that the direction we went in with DS9 – and onward with the other shows — was something he would have thought was the right direction to go. I don’t see myself, nor have I ever seen myself, as a visionary who wanted to put his ideas onto the show. I wanted to be as truthful as I could to Gene’s vision, and that was something I was more than comfortable with.

During the second part of the interview Berman discussed the three spin-offs after STTNG, Deep Space Nine, Voyager, and Enterprise.  This is from the discussion of Deep Space Nine, which I felt was the only spin-off which compared in quality with the original show and Star Trek: The Next Generation.

Going into DS9 — with a space station, stories about war, politics and religion, a fractious crew and a commander of color — how ready were you for the backlash from the portion of the fan base that felt the show wasn’t their father’s Star Trek?

Berman: At that point, our biggest concern was to do something different. We had a show that was on the air. We had no idea how long it was going to be on the air, but we knew that it was going to continue to be on the air for at least another few years. We didn’t want to send another crew out on a spaceship at the same time the TNG crew was out on the Enterprise. Michael (Piller) and I spent a long time thinking about this. One of the things that Brandon Tartikoff, who was the head of the studio at the time, suggested was The Rifleman, which was a show that he loved when he was a kid. It’s a father and a son out doing good deeds on the prairie. This was an era when television executives loved to say, “Let’s do The Partridge Family meets Father Knows Best.” Roddenberry evidently had talked about “Wagon Train in space” 20 years before and DS9 was “The Rifleman in space.” I think what Michael and I ended up pulling from that was the idea of a father and a son, and we chose to do the story of a man who had recently lost his wife, who was very bitter, and was sent to a very distant space station that was not a Federation facility. As a result, we could have a lot of non-Starfleet people.

One of the big problems that Michael and the writing staff (on TNG) had was Gene that believed that in the 24th century there wouldn’t be any conflict between the major characters. Mankind had reached a point where the kind of human conflict that exists today had subsided, and the writers all believed very strongly, in fact, that drama is based on conflict, and they were very frustrated by that. And they were frustrated very often by notes they got from Gene about how he didn’t want conflict between anyone in Starfleet, primarily the main cast of the show. So, what Michael and I felt was that if we placed the show on a Bajoran space station we would have characters like Odo and Quark and Kira, who were regular characters, who were not only not human, but they were also not Federation, and thus conflict could exist among the series regulars.

The religious elements you mentioned were not really part of our initial thoughts. That was stuff that evolved. But the idea of a wormhole that led to another part of the galaxy gave us new fodder. As far as hiring a black actor to play Sisko, this was something that meant a great deal to Michael Piller. My feeling was it would be great if we could find the right actor, but that if we couldn’t find the right actor, I felt that it wasn’t necessary to go with a black actor. But we very much wanted to find a black actor who could pull it off because it was time for that. When we met Avery (Brooks), when he came in and read for the role, we felt it was a slam dunk.

Berman also admitted it was a mistake to end Enterprise with characters from Star Trek: The Next Generation. (Personally I was not bothered by this, considering how weak the entire series was compared to STTNG, but if there really were fans of Enterprise I could see their objections).

Not to beat up on Enterprise, but we’ve got to ask about the finale. “These Are the Voyages…” was clearly the most controversial Trek finale. Some fans groused it was only an hour long, but the more strenuous gripe was that it folded four years of Enterprise into a TNG episode. Were you surprised by the hostile reaction?

Berman: Totally. I would have never done it if I had known how people were going to react. We were informed with not a whole lot of time that this was our last season. We knew that this was going to be the last episode of Star Trek for perhaps quite some time – and here we are, almost six years later. So it was the last episode for quite a length of time. It was a very difficult choice, how to end it. The studio wanted it to be a one-hour episode. We wanted it to be special. We wanted it to be something that would be memorable. This idea, which Brannon and I came up with – and I take full responsibility – pissed a lot of people off, and we certainly didn’t mean it to. Our thought was to take this crew and see them through the eyes of a future generation, see them through the eyes of the people who we first got involved in Star Trek with 18 years before, with Picard and Riker and Data, etc., and to see the history of how Archer and his crew went from where we had them to where, eventually, the Federation was formed, in some kind of a magical holographic history lesson.

It seemed like a great idea. A lot of people were furious about it. The actors, most of them, were very unhappy. In retrospect it was a bad idea. When it was conceived it was with our heart completely in the right place. We wanted to pay the greatest homage and honor to the characters of Enterprise that we possibly could, but because Jonathan (Frakes) and Marina (Sirtis) were the two people we brought in, and they were the ones looking back, it was perceived as “You’re ending our series with a TNG episode.” I understand how people felt that way. Too many people felt that way for them to be wrong. Brannon and I felt terrible that we’d let a lot of people down. It backfired, but our hearts were definitely in the right place. It just was not accepted in the way we thought it would be.

In Part III, Berman talked about the Star Trek movies he was involved with, along with the more recent remake by J.J. Abrams:

Speaking of the Abrams film, did you see it and what did you think of it?

Berman: I thought it was a wonderful movie. It was very, very big. You have to remember, I did four movies with incredibly restrictive budgets. The philosophy when I made movies was, “We know we can make X number of dollars off a Star Trek movie, so don’t spend more than Y number of dollars.” The lengths that (Abrams’) film went with its visual effects and production values were so astonishing to me. I thought the story was wonderful and a lot of the acting was terrific. I’ve just gotten to a point where these big action films filled with computer-generated stuff from beginning to end are starting to wear on me a little bit. To me, the movie, like Iron Man or any of these big, incredibly expensive films dealing with tens upon tens of millions of dollars worth of visual effects… it was a very, very exciting movie. In terms of it having the heart of Star Trek, I think it could have perhaps had a little bit more of that. But I liked it very much.

Deviant Art presents the above picture mixing Star Trek and Doctor Who. Kirk, Spock, the Doctor, and Amy Pond fight off Klingons, Romulans, Daleks, and Cybermen. (Click on picture for larger version).

Here’s one of the best YouTube music videos since Obama GirlStar Trek Girl. With her references to going to Vulcan I’m happy to see that Star Trek Girl clearly lives in the Roddenberry universe and not the J.J. Abrams universe.

SciFi Weekend: The Romantic Triangle of Fringe; Cobie Smulders of SHIELD; Nolan and Sorkin Win Awards; V To End on Cliffhanger; And Daleks

On Fringe, Olivia expressed the belief that she had difficulty competing with Fauxlivia due to being less fun after having been experimented upon as a child. While Fauxlivia definitely is the hotter of Anna Torv’s characters, Olivia needs to understand that the real problem is that she has been pushing Peter away. I had even been rooting at times for Peter to get back with Fauxlivia, until we learned in this week’s episode that possibly only one universe will survive and it will be the one with the version of Oliva which Peter chooses. Actually I suspect the show will end up with both universes surviving, but it now does sound far too risky to root for Fauxlivia, regardless of how much hotter she is than Olivia.

A major component of the episode involved an excuse to bring in someone who could read minds so that they could read Peter’s thoughts. This led to the scene in the picture above where Olivia read that Peter still had feelings for Fauxlivia. The mind reader might have been more helpful if he also pointed out that Peter clearly also has feelings for Olivia.

Strange that Fringe, which is probably the top American science fiction show now on the air, has essentially turned into a gigantic love triangle.

In an interview with Jimmy Fallon,  Samuel L. Jackson revealed that there would be a female side kick for Nick Fury in the upcoming Joss Whedon Avengers movie. The latest rumor is that Cobie Smulders of How I Met Your Mother is the front runner for the role of SHIELD Agent Maria Hill.

Olivia Wilde is rumored to be in consideration to play Lois Lane in the Superman reboot.

Christopher Nolan and Aaron Sorkin won major awards last night at the Writers Guild Awards. Christopher Nolan won for best original screenplay with Inception and Aaron Sorkin won for best adapted screenplay with The Social Network.

Sorkin is currently working on a pilot for HBO which goes behind the scenes of a cable news show. Sorkin has shown interest in this type of show in Sports Night and Studio 60 On The Sunset Strip. Going to a cable news show would allow him to include the type of politically-oriented stories he wrote for The West Wing which didn’t work as well when mixed into Studio 60.

Although it is far from certain that V will return next season, the season will reportedly end on a cliffhanger. This could turn out to be like the original series, which ended on a cliffhanger. By that time the series had gotten so bad that nobody really cared. The Cape also appears in trouble of not coming back, being reduced to only ten episodes. The return of The Event is being postponed until after The Cape concludes its brief run.

Community had another great genre-oriented episode involving a game of Dungeons and Dragons. The episode even included a shot with a picture of a Dalek on the table.

Ironically, this occurred the same week on which Jim Parsons, whose show The Big Bang Theory is on opposite Community, admitted in an interview with Craig Ferguson that he doesn’t watch Doctor Who (video above).

Last week I had a video of kids and Daleks. It appears that Steven Moffat is looking into this trend.

Here’s a must buy item. The Doctor Who Site reports that this Tardis mug is available for pre-order. For unexplained reasons it is available in the United States and Australia but not the U.K.

SciFi Weekend: Fringe and the Alternate Universe; Charlie’s Angels and Other Casting News; More Matrix Sequels Theatened; The Science of Battlestar Galactica; And Kids With Daleks

I was ambivalent about Fringe during the first season when there were primarily stand-alone stories, but have grown to love the show as it got more into its mythology and a continuing story line. Friday’s episode brought about one major change as we saw in Reciprocity that Peter’s connection to the Doomsday Machine has also changed Peter. Finding that Peter was the one killing the shape shifters was a surprise. It was also amusing to see the effects of Walter injecting the chimpanzee DNA and I was happy to see some movement on Peter’s relationship with Olivia.Dumping a boyfriend because he had sex with your identical counterpart from an alternative universe is the lamest reason since Rachel dumping Ross for messing around when they were on a break.

While an excellent episode, I do miss the alternative universe. We’ve been promised that the show will return there, and there was some more news on this last week. John Noble has hinted about his roles:

In a recent conference call, the actor told reporters that the brain-damaged scientist will begin to “put his life back together”.

“He finally comes to face up to his limitations, but also his strength,” said Noble. “[That is] more than enough to deal with the problems. It’s a wonderful journey for Walter this season and he gets to go through all the stages.”

Noble also promised that viewers will begin to see a more human side to Walter’s doppelganger, the sinister Walternate.

“You will learn more of what made Walternate what he is, and you will see some humanisation of the man behind that steel exterior,” he explained. “He has to make some difficult decisions. We’ve done some terrific things that don’t soften him, but help to understand that he is man, not a machine.”

He added: “I hope that there is a resolution between Walter and Walternate, because I don’t see either of them as bad men.”

I am especially looking forward to the February 25 episode which goes back to Peter’s abduction:

“Peter,” the season two episode that brilliantly chronicled how Walter Bishop accidentally abducted the alternate universe’s Peter, was such a fan favorite that producers are headed back to 1985 in an upcoming episode of “Fringe.”

Slated to air February 25, the installment will serve as a companion piece to “Peter,” according to star Jasika Nicole. “It’s going to pick up right where ‘Peter’ left off and it’s better than the first one,” she told PopWrap.

But unlike the season two edition, “this flashback is going to take place in the alternate universe as well as this universe. That’s why it’s so good, you’ll see the repercussions stealing Peter has for Walter and Walternate,” she adds.

A huge part of the fallout will involve Elizabeth Bishop. “As we’ve seen, Walternate is still with his wife and there’s a reason for that. You see all these consequences that happened as a result of that [abduction] and what that means for his relationship with Elizabeth. It’s a really heartbreaking story.”

The biggest Fringe news is that Leonard Nimoy has tweeted that he might be returning as William Bell. The actual tweet states, “Plans developing for a William Bell return to Fringe. Stay Tuned. LLAP.” As long as Nimoy is willing to return, it is hard to believe that the producers of Fringe will not take advantage of this.

I wasn’t paying any attention to the prospect of an other remake of Charlie’s Angels until Minka Kelly of Friday Night Lights was cast in the movie last week.(Kelly also has a recurring role in Parenthood this season and played Autumn in 500 Days of Summer).

ABC’s Charlie’s Angels has its trio female leads: Former Friday Night Lights star Minka Kelly’s will play a former Marine and weapons expert and Transformers star Rachael Taylor will play a con artist.

The duo have been near-deals for the roles this week and are now official on the Sony Pictures TV project. Kelly and Taylor join the previously cast General Hospital star Annie Ilonzeh.

Friday Night Lights is down to only two more episodes. I won’t give any details as many are waiting until it airs on NBC this spring, but I think this was the best of the shorter, and lower-budget, seasons done jointly with Direct TV.

In other casting news, Henry Cavill of The Tudors will play Superman.

Colin Firth says he’d like to play a bad guy on Doctor Who or Torchwood, especially Doctor Who.

Keanu Reeves has created a stir in the blogosphere by stating two more sequels to The Matrix are in the works. Perhaps we could start a fund to pay them not to do this.  I’m not sure where they would go after the two terrible sequels to a great movie. Would it be feasible to just pretend the two sequels don’t exist and remake a good pair to replace them?

Luke Pasqualino will play William Odama on the upcoming Battlestar Galactica prequel, Blood and Chrome. IO9 has a larger version of the above map of the Twelve Colonies of Kobol.

Not only is this map a thing of great beauty, but it’s totally official — Grazier was science advisor for Battlestar Galactica from the very beginning, and helped to define a lot of the show’s concepts. And Espenson, as the original showrunner for the prequel series Caprica, had to do a lot of thinking about exactly how the Twelve Colonies were laid out. This info comes straight from the creators — and from the showrunner’s bible for BSG and Caprica. And Grazier, who works at NASA’s Jet Propulsion Laboratory, verifies that the info in this map is “scientifically plausible.” It was created by Hollywood graphic designer Geoffrey Mandel, who made countless adjustments as the technical data underwent scrutiny…

We asked Espenson and Grazier some questions about the map, and they ended up telling us a lot more about the science and backstory of Battlestar Galactica:

I didn’t realize there were four different stars in the Cyrannus star system. I had always wondered if there were just 12 habitable planets clustered around a single sun. Where did the idea of four different stars come from? Was this in the show bible someplace? I’m especially curious about Leonis, the “heart of the colonies,” which I don’t think we ever heard about. Also, Scorpion, the “playground of the colonies.” Is that the colonial version of Risa?

Jane: Even back before Caprica the show existed, I believe Kevin and I had talked a bit about the configuration of the colonies. All the work on that is his. I instinctively loved the idea of a star cluster. The idea of 12 habitable planets all orbiting one star just seemed unworkable. And crowded. This group of stars makes so much sense. Kevin was at work on the configuration of stars and planets long before we shot a single frame.

More on the “science” of Battlestar Galactica in the full post.

One of the Fantastic Four has died. This link reveals which one.

David Frye has died age 77. He was best known for his impersonations of Richard Nixon.

Personally I think that Daleks are far too dangerous for human children to use as toys. Exterminate!

SciFi Weekend: The Pandorica Opens (Or As Amy Pond Would Call It, The Invasion Of The Hot Italians); Torchwood Casting News; Changes for Mad Men

The Pandorica has opened and the big surprise was that nothing was inside. Instead it was a prison designed to hold the Doctor. In recent years Doctor Who has ended with big episodes. Steven Moffat is ending the season by bringing together many of the Doctors enemies, including Daleks and Cybermen. Instead of them acting with evil intent, they believe they are acting to protect the universe by locking up the Doctor, who they think is behind the cracks in the universe.

The episode started out with scenes involving many of the characters from previous episodes as a message for the Doctor is ultimately rerouted by the Tardis to the prison where River Song is being held. A message is sent about a  vision from Van Gough demonstrated by a  painting showing the Tardis exploding. This was hidden away until found by British forces during World War II and taken to  Winston Churchill, who naturally tried to make a phone call to the Doctor.

A lot happened once the Doctor and River got back together. They traveled back to 102  AD, which Amy Pond described as the invasion of hot Italians–when ancient Romans invaded England. Later in the episode River returned to the present and found that the Romans were actually recreations from a book in Amy’s bedroom. This was all a trap created from images in Amy’s mind. The images included Rory,who was also revived as a Roman. Unfortunately the Romans turned into Autons and the episode ended with Rory appearing to kill Amy. Besides this fate for Amy, and the Doctor being locked in the Pandorica, River was aboard the exploding Tardis, as all the stars in the sky were going out and the universe was coming to an end.

I don’t want to say too much about the episode and risk spoiling the conclusion (which already aired a month earlier on BBC America). There’s plenty of time to talk about fez hats next week. I can’t resist one nitpick. If  the Doctor went back to 102 AD,  wouldn’t Stonehenge have looked different back then?

There’s also one key lesson from the Doctor to keep in mind: Nothing is ever forgotten, not completely. And if something can be remembered, it can come back.”

Next week: The Big Bang. I’ve also been holding back information on the Christmas Special as this would spoil the conclusion of The Big Bang.

Ausiello has some information on the new characters being added to Torchwood:

Among the casting intel I’ve gathered on the new season (airing on my new favorite cable network, Starz), the show is out to cast a new series regular — Rex Matheson, a wickedly funny (operative word: wicked) CIA agent born to make waves. Almost as key to the new season are recurring characters Esther Katusi, a CIA grunt in her early 20s who learns what she’s really made of only when she’s forced to, and Oswald Jones, a convicted murderer and pedophile who will be as shocked as anyone to learn how easily infamy and fame can be exchanged for one another.

There’s similar information from TV Guide:

And Starz’s new season of Torchwood is shaping up with the search for one series regular and two supporting roles. Rex Matheson is a white, twenty-something CIA agent who sounds sort of like FX’s animated Archer spy: a fearless, cocky thrill seeker. Recurring characters include Esther Katusi, a newbie Watch Analyst in the CIA who is deeply (and secretly) in love with Rex. And Oswald Jones is the dangerous psychotic villain. He’s a forty-something murderer and pedophile who gets sprung from the slammer into the spotlight. Rex — catch this sicko!

Mad Men is returning with major changes which were set up last season. Don Draper has lost Betty. Will this lead to better stories of Don Draper chasing women, or is an important element of the story lost when he is no longer cheating? There’s also a new start up firm, Sterling Cooper Draper Pryce.

I hope they pull it off. Sometimes losing some of the stable anchors for a show hurts. Dallas was never the same when J. R. Ewing lost both Sue Ellen and Ewing Oil was broken up. On the other hand, Thirtysomething did fine after the Michael and Elliot company folded. This ultimately led to bringing in Miles Drentell, which was a big plus for the series. Of course Michael still was with Hope.

SciFi Weekend: Doctor Who, Canceled Series, The Fringe Alternative Universe, New Star Wars Rides, & RIP Frank Frazetta

BBC America concluded the two part Doctor Who story The Time of Angels and Flesh and Stone. This post will include major spoilers for the episodes which have now aired in the United States with some limited information on future episodes.

Steven Moffat used major components of two of his top stories from past years along with the crack in time from this season. The story began with River Song using an ingenious method to summon The Doctor to rescue her. The two episodes teased us with both the possibilities that River will wind up marrying The Doctor and/or that she winds up being imprisoned for killing him. At least this is the speculation after we found that she was in prison for killing “the best man she ever knew.” As the time lines of the two are crossing in different orders The Doctor does not know what to expect from her.

The episode also had the return of the Weeping Angels from Blink but they were quite different from the Angels in that story. The crack in time is shown to be able to rewrite time, most likely explaining why Amy did not recall the Daleks in Victory of the Daleks. The Angels suggest that The Doctor should know more about the crack in time, and it appears we might learn more when River Song next meets The Doctor when the Pandorica opens–which Prisoner Zero also mentioned earlier this season. This is presumably related to June 26–the wedding date on the alarm clock in Amy’s room and the date the episode is scheduled to air in the U.K.

It appears that the episode will be a major event with the climax of the crack in time story arc from this season. It is also possible that The Doctor goes back in time to the events of Flesh and Stone. At one point in the episode The Doctor is dressed and acts a little differently, raising suspicion it is a future version of him. Playing with time travel in such a manner would be the type of thing Steven Moffat is likely to come up with. There’s also been rumors that the episode will include the return of the younger version of Amelia Pond.

The episode ends with Amy having The Doctor return to earth where she makes a pass at him. This leads into the following two episodes which have aired on the BBC which both lead to Amy choosing between Rory and The Doctor.

There was a lot of news this week regarding the upcoming television season. V and Chuck were both renewed. FlashForward, as expected, was canceled. The show began strong and has been excellent in its closing episodes but did go through a weak mid-season stage when it turned into an overly complex FBI investigation instead of concentrating on the characters involved. Reportedly the final episode was edited so it won’t end with a cliff hanger but the story is not likely to be satisfactorily wrapped up. Originally the producers suggested that it would take two seasons to complete the story behind why the flash forward occurred.

Heroes was also canceled, also coming as no surprise. The show started out strong  first season but in subsequent seasons fell in both quality and ratings. There continues to be talk of a two hour show to conclude the series, which I think is a good idea. The last season ended with Claire revealing the existence of the heroes. Concluding this would provide a different story from past seasons (and hopefully one different from the X Men). I also suspect that many viewers who have abandoned the show after the first season would watch a two or four hour event to definitively conclude the story.

Added to Dollhouse , 24, and Lost this means a large number of genre shows are not returning.  However there are many new ones planned. IO9 presents a run down of seven new genre shows including The Cape staring Summer Glau.

During my reviews of Fringe last year I had mixed feelings about the show. I am certainly happy I stuck with it. An excellent season is ending extremely strong with a two part episode in the alternative universe. This will also probably be the last we see of Leonard Nimoy who says he is retiring and will not return to Fringe or the Star Trek movies. Of course we’ve seen many actors say this but get lured back. Nimoy has also said that when J.J. Abrams calls he does answer the phone.

We know that disastrous things may happen as a result of contact between the two universes but I cannot help but be intrigued by the alternative universe. So far we learned earlier in the season that they had digital cell phones years before us. This week we found that the alternative Olivia is hotter than ours, Peter’s parents appear more sane, and that The West Wing remains on television. On the other hand, the Fringe unit seems paramilitary and I fear we will find other unpleasant things about that universe.

Also this week we learned much more about Jacob and his brother on Lost but the island still feels like a big mystery regardless of how many answers we receive.

TrekMovie.com has pictures of this years Star Trek themed ornaments from Hallmark, including the above which is the first based upon the 2009 movie. Other ornaments include a scene of Kirk and Spock fighting from Amok Time.

Walt Disney World and Disneyland will be having their last trips to the planet Endor as the Star Wars rides are reimagined. The new Star Tours will be a 3-D ride with a  high-speed pod race on Tatooine. It is expected to re-open at both Walt Disney World and Disneyland in May 2011.

The sad news of the week is that legendary comic and pulp fiction artist Frank Frazetta died at age 82.

SciFi Weekend: What The Daleks Did in World War II

Last night American viewers saw Victory of the Daleks (written by Mark Gatiss),  the first appearance of the Daleks since Steven Moffat took over Doctor Who. This post will include major spoilers for the most recent episode to air on BBC America with minimal information on subsequent episodes which have aired on the BBC.

The Daleks are so heavily identified with the series that it was almost mandatory to have such a story, but recent Dalek stories left little room for further development. When the show was rebooted we had a new back story of the Daleks being destroyed in the Time War. Since then we’ve had episodes in which a few Daleks survived and tried to rebuild but were stopped by The Doctor. This episode served to reboot the Daleks as this time The Doctor failed to destroy the Daleks. This is for the better (at least in terms of writing stories). There is a limit to the number of times we can have The Doctor appear to have destroyed the Daleks only to have them return once again.

The Daleks were created as the Nazis of the universe, both the ultimate killing machine and a race which thinks all others are inferior beings which deserve to be exterminated. Therefore it is fitting that we had a Dalek episode take place during World War II. The twist is that the Daleks appeared to be on the side of the British.

While the Daleks are best known for their cries for extermination, many of the best Dalek stories have involved them using trickery to gain what they needed. The show began with highly entertaining scenes of Daleks pretending to be the creation of a human scientist to help the British. They performed functions from shooting down incoming bombs to serving tea.

This all turned out to be a trick to get The Doctor  to testify that these genetically impure Daleks are Daleks so that the Progenitor would reactivate and provide access to pure Dalek DNA to create a new race of Daleks. The new improved Daleks even come in different colors. Most likely the redesign, like the redesign of the interior of the Tardis, was to improve the look on HD television sets, along with providing new action figures to sell.

The Daleks succeeded with their trickery, but The Doctor used some trickery of his own to limit the Dalek victory. The show also featured  excellent space battles as Spitfires were launched to attack the Dalek ship.

Besides rebooting the Daleks, leaving them free to return in future episodes without having to contrive reasons why a few survived the Time War, the episode provided what I believe is a major development in the ongoing story of the crack in time beginning with the first episode of the season. The crack was seen again, and Amy had no recollection of The Daleks invading earth in her time. Besides showing that something is happening with time, this change might also have its benefits if it continues. Earth in the Davies era had become far too accustomed to contact with aliens, making it a far different place from the real earth.

Looking beyond all the holes in the plot, which is necessary to enjoy Doctor Who, I have two complaints. The story began at the end of the previous week’s episode with Winston Churchill calling The Doctor on a telephone. Come on.

Secondly, we know that The Doctor travels through time, the Daleks travel through time, and the Time Lords travel through time. If at one point in time there was a Time War which ended the Daleks and the Time Lords, why should The Doctor never be expected to encounter them again during his travels through time? If The Doctor went to World War II England he theoretically should have been able to run into Daleks from before the Time War.Similarly he should be able to meet a Time Lord who had not yet reached the point of the Time War.

This certainly cannot be explained by arguing that their time lines cannot cross. The next two episodes involve the return of River Song, along with the Weeping Angels. We already know from The Doctor’s previous encounter with River that they have a habit of running into each other in different orders. Perhaps the time bubble used at the conclusion of the Time War provides an argument which is no worse than many of the other aspects of the show we just must accept.