SciFi Weekend: Orphan Black; Dark Matter; Stranger Things; Star Trek: Discovery; Legion; The Flash; The Magicians; Doctor Who; And Other News From Comic Con

There’s a lot of lat minute news from San Diego Comic Con which didn’t make it into my run down last week, but first there was a major event Saturday night. With only two episodes left after last night’s episode, Guillotines Decide, Orphan Black is rapidly moving towards a conclusion for its mythology, and is free to kill of characters. (Major spoilers ahead.) There have already been deaths, such as M.K. and Susan Duncan, but this really accelerated last might. First Gracie was shot by people from Neolution after trying to protect Helena. Last week I noted a change for the better with Rachel.  Ferdinand, however, came to save her but did not realize her change in priorities, and almost got killed when Rachel betrayed him as part of her plan to take down Neolution.

Ferdinand survived the first threat and appeared like he was going to strangle Rachel, who should have been better prepared for the possibility of him surviving. This led to a showdown with Mrs. S. in which each got off a fatal shot at the other (sort of like what happened to one of the major characters in this season’s finale of Fargo). It is commonplace on television for major characters to not really be dead despite appearances but Maria Doyle Kennedy did confirm that he character was dead in an interview with TV Line.

Despite the three deaths, the episode also managed to have the type of fun sequence which is often most enjoyable for the show–seeing the clones and major cast members living their lives and interacting Felix had his art show, introducing what looked like various versions of his sister to those unaware of them being a set of clones. At the end, however, Sarah did feel the disruption in the Force with the death of Mrs. S.

The best lines in the episode came when Donnie complained about Alison being too controlling. She responded, “I’m not going to micromanage you, Donnie.” This was quickly followed by, “Is that what you’re wearing?”

Entertainment Weekly discussed the episode with Graeme Manson:

ENTERTAINMENT WEEKLY: How dare you go and depress all these people on a Saturday night. What’s wrong with you, for chrissakes?
GRAEME MANSON: Because if you track the story and you track the story of Sarah and Mrs. S, we’re telling a generational story now. Ultimately, we’re telling that story about Sarah’s journey, and to step into those big shoes of her mother is really the strongest journey that Sarah can make. So, there was a drop in the writer’s room. There was one of those moments of deep breath when the idea came up because it’s our final season. Someone has to go, and this made sense. And the first phone calls that we made were to Tatiana and to Maria to talk about this, and everybody had the same reaction — that gut reaction that this was the gut punch the series needed.

So why was this the time and place and way to do it and kill off Mrs. S?
We have two episodes left, and it was the most traumatic point that we could do this and complete the journey of the girl that we saw step onto the train tracks in the very first episode of Orphan Black. And it’s time to set the stage for the final two episodes now. We’ve got a two-parter coming up, and what is Sarah’s reaction going to be? Is she going to be the impulsive Sarah that we’ve known so much? Is she going to be beaten down? How are her sisters going to get through this together without the mother figure of this chosen family? We’re just tremendously excited to see this play out and see how our girls will take the hardest thing that we could throw at them…

Of course, Mrs. S not the only character who died. You also killed off Ferdinand and Gracie, who have been big characters on this show. Are you guys like, the end is near, let’s just start offing everybody now?
[Laughing] Well, it’s definitely ramping up, and it’s ramping up in real time with Helena’s pregnancy, so the crux of what’s coming is about new life, as well as the loss that we’ve just experienced. I just can’t wait for these final two episodes. It’s a great two-parter.

What if Ferdinand had taken Rachel up on her offer to go off the grid? Would they be sipping Mai Tais somewhere right now?
Yes. And so I think she would have left Kira. But that was the moment when Rachel chose to stand with her sisters, and it’s more than just the I. Rachel and Mrs. S had a moment where they connected, and Mrs. S had told her before — there will come a time when you need us. So Rachel’s journey over the last couple of episodes has been one of our favorites as well, certainly one of Tatiana’s favorite to play. Episode 7 was very deep, and in episode 8 we see the results. Rachel is stepping to our side, what’s going to happen now? Rachel and Sarah the old arch enemies. This is what the death of Mrs. S does. It throws everybody together…

And looking ahead a little bit to that, what can you say about Helena? We see her taken — I’m guessing being taken to the island now. What can you say as far as that?
End game. It’s coming from all ends. Now, the crux is all coming down to Helena’s babies. Rachel did the right thing and saved Kira, but now we’ve got Helena out there, and she’s about to have those valuable genetic children that everybody wants. So, the stage is set, my friend. Next week’s episode is really about getting back together, closing the circle with Rachel. Is Sarah going to murder Rachel? There’s a lot of stuff up in the air, and it all hinges on Sarah’s reaction to this event. So, it’s a great episode that ends in a huge, huge cliffhanger that’ll lead us into the finale.

Who would have predicted during the first season that the end game would be about rescuing Helena?

Also this weekend, Dark Matter continued to cycle through all the major genre troupes, this time with the time travel episode in which their actions led to the technology they depend upon. Plus they did the Stranger Things homage including kids, and there were video games.

Speaking of Stranger Things, ScreenRant report that it was revealed at Comic Con that the upcoming second season will help set up the eventual end point for the series, whenever that may be. More news on Stranger Things last week.

Last week we also learned that Michael Emerson will have a recurring role on Arrow next season. Spoiler TV reports that he will also have a recurring role on Mozart In The Jungle:

Emerson plays Morton Norton, an eccentric collector of classical music ephemera and curiosities who prefers the past to the present. He spends his days alone in a gothic mansion surrounded by classical music relics, dressed as a 16th century homicidal composer named Gesualdo (a composer he finds very underappreciated). When Rodrigo (Gael García Bernal) arrives, he will be pulled into Norton’s bizarre world, taking a tour of his collection.

The Star Trek: Discovery panel begins with the video above. TrekMovie.com has coverage including here, here, and here. Quotes include the producers considering both long time fans and a new audience:

We are very, very attentive of the divergence between audience bases. We know that there are folks like us – who know way too much – and folks who know little or none at all. So the barrier to entry has been reduced. We are trying to be welcoming to people who have never seen an episode of Trek, but also really delightful to those us who can’t stop seeing them. So that is our outcome goal. Star Trek is always about a world that is for everyone. Our show tries to be for everyone…

The fact that we are on a streaming channel allows us to tell the stories in a different way. These are serialized stories. They are not stand-alone stories. So there there is an emotional continuity and characters are learning as they go. They don’t forget what happened last week. And that is really exciting. So in the way you would watch any series for the characters and for that approach we get to do that here and that is really exciting…

With the increased tensions between the United States and Russia, I am happy to see that Discovery is getting away from the idea of the Federation vs. Klingon conflict being analogous to the United States vs. the Soviet Union:

We are also talking about not only war, but something that is really bubbling up in the United States right now, isolationism. Our country has so many different philosophies. Do we extend a hand? Do we shut it down? And that is also two viewpoints that are being expressed. The Klingons are not necessarily the Russians anymore. The Klingons – I think we will see far more in, frankly, people in the United States and different factions in the United States.

And that is not to say they are bad, but what we really wanted to do too is understand two differing points of view and really explore it. And I think when people look at the Klingons – I frankly love what they represent. Not in terms necessarily of all the messaging, but in terms of learning about them and learning why they are who they are and making sure they aren’t just the enemy.

And then finding a way to come together. How do we bring everyone back together? What do we do? What does it take? It is a big challenge for us, but that is what season one is all about.

The biggest news revealed was that Sonequa Martin-Green revealed that her character, First Officer Michael Burnham, is actually the adoptive daughter of Spock’s parents Sarek and Amanda. That explains earlier reports that Sarek will be included on the show, and leaves open the possibility of a younger Spock.

While they have taken liberties with the look of the Klingons and giving it a more modern look than The Original Show, they are considering canon. A video has also been released with producer Alex Kurtzman discussing the show and canon:

If you are a fan of Trek you are going to see a lot of things which hearken back to the original series and elements of the original series. I am not just talking plot, but the spirit of what that show was. We are going to be revisiting a couple of things on Star Trek: Discovery that I think people are going to find familiar. Without spoiling anything we are adhering to a timeline and sticking to the rules, but also I think finding some new areas and avenues that have only been alluded to, but never fully explored…

You have got a roomful of people with very different and very devoted relationships to Star Trek in that writers’ room. And that carries on a pretty proud tradition of Trek being written by fans.

You have to respect canon as it’s being written. You cannot say, “That never happened.” No, no no, you can’t do that, they would kill you. Star Trek fans would kill you. No, you have to respect canon. You have to understand the timelines and what the different timelines were and what the different universes were and how they all worked together. You have to keep very meticulous track of who, what, where, when and why. And we have people in the writer’s room whose sole job is to say, “Nope, can’t do that!”

We also learned more about Bryan Fuller leaving the show, and his initial plans to make Discovery an anthology show.

International Business Times summarized what was learned about season two of Legion at San Diego Comic Con:

Hawley already revealed that the second season will spread across 10 episodes. At the Comic-con, he revealed that he was not sure when the show will end but he confirms that it will come to an end when it has to.

“I have a structure, I have a kind of endpoint in my mind, but I don’t know yet how many episodes or seasons that is. I never want to overstay the welcome and I never want the show to become predictable. There will be an ending, that we know,” he told Comicbook.com.

Discussing the second season, David actor Dan Stevens told the website that the new season will most definitely explore David’s mind and things will become more complicated.

“We haven’t even really scratched the surface of the number of characters or entities that are contained within Legion. The Shadow King was obviously one of them and a large part. But there’s a lot more going on and anyone who knows the comics knows the scope of the world in which it set. So yeah, there’s a lot more to dig out of his head,” he told.

So will fans get to see Professor X aka Patrick Stewart in the upcoming episodes? According to Stevens, he surely will be a part of the show. Talking to ET Online, the actor revealed that the new season will talk about David’s dad. And according to Stevens, Stewart seems interested in reprising the role of Prof X in the show.

“He seemed very unaware of the show, but I mentioned that he was my dad, and he seemed pleasantly surprised. I think we want to address that,” he said.

“It’s normal when you learn you’re adopted to want to know who your real family is. He doesn’t yet know the identity, so I think it will be a process to get there. There’s quite a lot of explaining there, that your dad is Professor X,” Stevens added.

While the mystery about Professor X remains to be seen in the new season, Hawley did confirm that Wonder Woman star Saïd Taghmaoui will be donning the role of Shadow King. “Theres going to be a lot of things that are going to happen that I can’t tell you. But what I can tell you is that Saïd Taghmaoui, who was recently on Wonder Woman, will be playing Amahl Farouk a.k.a. the Shadow King,” Hawley confirmed.

Last week I had posted trailer and some news on the upcoming season of The Flash. Comic  Book has more on the changes in Barry Allen after spending time in the Speed Force from Grant Gustin:

“We’re not necessarily going to see Barry’s experience in the Speed Force. We’ll see kind of the effects that the Speed Force has had on Barry, and he’s been in there six months real-time,” Gustin started.

“I suspect the Speed Force is kind of nonlinear with time, so Barry has experienced his entire life from star to end infinity times over since he’s been in there.”

Continuing, the actor said, “He’s going to have kind of an awakening when he comes out. He’s going to have some knowledge that he probably doesn’t even quite understand yet. He’ll also be little scrambled; He won’t really be himself the first time we see him.”

Fans won’t be too surprised to hear about the Speed Force’s effect on the Flash; After all, Barry was well-aware during the season three finale that his sacrifice wasn’t going to be an easy one. Being stuck in the Speed Force is damaging, and The Flash went so far as to prove that by trapping Wally West there for a spell. When Barry exits the Speed Force, he will not be the same man he was before he stepped foot into it, and Gustin said that truth makes his job a bit more exciting next year.

“It’s almost like a fresh start for me as an actor,” the actor said, nodding to how different Barry will be in season four.

The Flash movie will deal with Flashpoint, and there has been speculation that this will provide a way to do a reset for Batman from the Ben Affleck version.

IO9 reports on next season of The Magicians:

The Magicians took the chance provided by Comic-Con to reveal the Muntjac, a magic, living ship that will play a huge part in season three of the Syfy show. In a press event that same day, executive producer John McNamara said, “It will kind of be our Fury Road season. No resources. What do you do?”

Season two ended with Quentin (Jason Ralph) and Julia (Stella Maeve) causing a bit of a problem for everyone. “Quentin and Julia kind of killed magic,” explained executive producer Sera Gamble. “It’s still called The Magicians, so we felt a certain responsibility to bring something cool and magical. It just comes from completely unexpected and different places in season three,” she continued.

Gamble also revealed a bit about where certain characters would be starting the season, with Quentin thinking about how much he would like to have magic back, while Alice (Olivia Taylor Dudley) is trying to figure out who she even is without it. There’s also the question of Julia, who was shown in the end of the season to still have at least a bit of magic. Gamble added that Margo’s (Summer Bishil) story was, and is, about how when you are in charge and have to make decisions, sometimes there is no perfect answer and people you love get hurt…

Interview with Olivia Taylor Dudley in the video above, discussing what happens with Alice now that she is human again. 

Jodie Whittaker already had a run in with the Daleks at the BAFTA awards ceremony in 2013. See the video above. Curiously the next Doctor showed that she recognized the Daleks, but they did not appear to recognize their most powerful enemy.

Steven Moffat certainly foreshadowed the upcoming regeneration into a woman, leaving open the question of whether he knew that it would be as soon as the December? Moffat revealed that he knew all along at Comic Con: “I’ve known for the entire series I’ve been working on that the next Doctor was going to be a woman. I didn’t know that it would be Jodie. I didn’t know that until the Friday before the announcement. I didn’t want to know until Peter knew. That was my rule.”

Den of Geek has several excerpts from Peter Capaldi’s comments in his last appearance at SDCC as the Doctor.’

While not at all genre, I can’t resist noting this additional bit of television news: Megyn Kelly’s show on NBC has been cancelled after just eight episodes due to poor ratings.

Americans Report Criminal Aliens To Trump Hotline

When I heard a news story about Donald Trump’s hotline to report crimes committed by illegal aliens, my first thought was of The X-Files, or perhaps those aliens in Independence Day who blew up the White House. Of course there are serious objections to the xenophobic and racist nature of this program, and others have tried to tie up the hotline by protested along the lines I was first thinking of.

BuzzFeed reports that People Are Trolling Trump’s New Anti-Immigrant Hotline With Reports Of Space Aliens And The Government Is Not Amused. By coincidence, Wednesday was also Alien Day, used to promote the upcoming release of Alien: Covenant,  further putting people in the mood for this type of protest. There was encouragement on Twitter:


Alexander McCoy, a member of the activist group Common Defense, called to say he was abducted by a UFO, and the person taking his call did not get the joke. Once they did figure out what was going on, Immigration officials were not amused:

US Immigration and Customs Enforcement officials told BuzzFeed News the hotlines were “tied up by hoax callers.”

“There are certainly more constructive ways to make one’s opinions heard than to prevent legitimate victims of crime from receiving the information and resources they seek because the lines are tied up by hoax callers,” an ICE spokesperson said.

“We will adjust resources, if necessary, to ensure that the victims for whom this office and hotline is intended get the info and resources they need.”

There were also calls to complain that Superman is an illegal alien, and warnings about that orange alien from New York.

Gabe Ortiz had more serious criticism of the Victims of Immigration Crime Engagement (VOICE) program:

Here’s the truth: “unauthorized immigrants commit crimes at a lower rate than the American population at large,” according to multiple studies. And the pro-immigrant sanctuary city policies that Trump loves to hate actually make communities safer, because local law enforcement agencies are able to build trust with immigrant residents. But truth isn’t Trump’s intention here. As the Atlantic notes, if “Trump’s goal is stigmatizing a vulnerable class of people, then publicizing their crimes—and their crimes alone—makes sense. It’s been a tactic bigots have used more than a century”:

In The Nazi Conscience, Duke historian Claudia Koonz notes that the Nazi newspaper Der Sturmer ran a feature called “Letter Box,” which published readers’ accounts of Jewish crimes. When the Nazis took power, the German state began doing something similar. Frustrated by the failure of most Germans to participate in a boycott of Jewish businesses in April 1933, Adolf Hitler’s government began publicizing Jewish crime statistics as a way of stoking anti-Semitism. In Nazi Germany and the Jews: The Years of Persecution, the historian Saul Friedlander notes that, until 1938, Hitler’s Ministry of Justice ordered prosecutors to forward every criminal indictment against a Jew so the ministry’s press office could publicize it.

Resistance Report noted yet another way to protest this program:

In response to the obvious fearmongering about immigrants from the Trump administration, Reps. Jared Polis (D-Colorado), Pramila Jayapal (D-Washington), and Tony Cárdenas (D-California) launched the Saved by American Immigrants National Task force (SAINT) program, which aims to highlight stories of Americans who were saved by the heroic acts of immigrants.

Speaking of aliens who act heroically to protect the earth:

Now I think I will call the hotline to report a Dalek invasion.

SciFi Weekend: Doctor Who and The Two Masters; Legends of Tomorrow Breaks Time; Surprises On The Magicians; A Wedding On Orphan Black?; Hugo Award Finalists; Netflix Marvel Shows; Renewals and Returning Shows


Thanks to time travel, there have been many episodes of Doctor Who which featured two or more Doctors from different regeneratons. In the upcoming season, not only will there be the return of Missy, but John Sims will be returning as The Master. The BBC reports:

John Simm will return as the Master to battle the Doctor (Peter Capaldi), new companion Bill Potts (Pearl Mackie) and Nardole (Matt Lucas) in the forthcoming series of Doctor Who.

John Simm says: “I can confirm that it’s true, thanks to the power of time travel I’m back. It’s always a pleasure to work with this great team of people and I can’t wait for you all to see what the Master gets up to in the next series. “

Steven Moffat, writer and executive producer, says: “Nothing stays secret for long on Doctor Who but you’ll have to wait a little bit longer to see exactly what the Master is up to and how he makes his return to face the Doctor. It’s been a huge pleasure to have fan favourites John Simm and Michelle Gomez face to face in the same role! It’s not often you get to see a solo personality clash.”

John Simm was last seen as the Master on New Year’s Day 2010. Viewers will have to wait to see exactly when and how the Master will return to the new series, which starts on Saturday 15 April at 7:20pm on BBC One.

As previously announced, Doctor Who series 10 will also star Michelle Gomez as Missy – a later regeneration of the Master. Other returning foes include the Daleks, the Ice Warriors and – returning for the first time in over 50 years – the Mondasian Cybermen. An exciting line up of new faces and adversaries will debut across the series, including adorable-but-deadly Emojibots and David Suchet as the Landlord.

Steven Moffat has also been teasing a huge spoiler, to be revealed in a trailer to one of the episodes:

“This is just a public warning,” said a playful Moffat. “Some people hate spoilers and some people love spoilers – and everybody hates me whatever way they think about it. So this is my last attempt in this role to avoid hatred.

“At the end of the episode there will be yet another awesome trailer for Doctor Who… at the very end of the trailer there is, frankly, an enormous spoiler, a spoiler that may actually melt your brains. But I promise you, you’d be better off not knowing because awesome though it will be here, it will be even more awesome in a few weeks’ time. So we’re gonna give you the option, in our frankly camp and ridiculous way…

“There will come up a warning and then there will be a countdown to the spoiler, and then there will be a warning to ‘blink now’. If at that point you close your eyes and wait until you hear the cliffhanger noise, you will have a better experience in a few weeks’ time.”

Den of Geek has a spoiler-free review of the season premier.

Series ten will finally reveal the location of the TARDIS toilet. (“It’s down there. First right, second left, past the macaroon dispenser.”) It remains unseen.

Doctor Who TV has links to series ten interviews with Steven Moffat and the cast. In an interview elsewhere,  Peter Davison discussed how the regeneration scenes were hard for both himself and David Tennant.

There have already been shows such as Broadchurch and Victoria which include at least two actors who had previously appeared in the Doctor Who universe. Another example is coming. Look at the cast in this show discussed at Deadline:

Netflix has come on board BBC Two’s contemporary thriller Collateral as co-producer and will release globally outside the UK. As Deadline revealed last month, Carey Mulligan is starring in the David Hare created drama that explores the spiraling repercussions surrounding the fatal shooting of a pizza delivery man. New cast includes John Simm (Life on Mars), Nicola Walker (Spooks) and Billie Piper (Doctor Who, Penny Dreadful).

Rose and The Master, plus staring Carey Mulligan, who played Sally Sparrow in Blink.

Legends of Tomorrow was considerably improved in the second season. After an apparently happy ending, the Legends wound up in a Los Angeles with a changed skyline with futuristic buildings and buildings from Victorian England, and dinosaurs. I wonder if they are intentionally using things which the Legends have encountered previously.  Screener discussed the aftermath of breaking time with showrunner Phil Klemmer:

It’s no secret that the Legends revisiting an event they’d already changed is bad news — and now in the Season 2 finale, that’s exactly what’s happening. What can you tell us about the episode?

I guess I’ll say this: We have to follow through on our promise. I think people would hate us if the Legends were able to perform this feat without any consequence… If this were a typical “Legends” episode, and ended with, “Alright, we didn’t get a lot of style points but we succeeded.” This really has to be different than a random episode throughout the season.

As a show, it’s always been designed to reinvent itself at the end of every season, whether that’s with the mythology or the characters or the stakes. The blocks that we build with are not designed to last from one season to the next. We’ve loved Season 2 and could continue writing this forever, but I don’t think that would be true to the spirit of the show, which is supposed to be wildly unpredictable and zany.

We had to have a seismic shift for our story, and one that will leave people scratching their heads for the next five months or whatever. I think the show is at its best when you watch an episode and honestly don’t know how the hell you got there. We never could have predicted that we would do an episode about George Lucas, or “Land of the Lost” dinosaurs. You can get a little too comfortable and we got good at doing the Season 2 thing. That’s precisely the moment where you have to blow the canon up again, you know? Crash this beautiful ship of ours and see where you land.

It’s scary — but it’s a challenge that I know, when we all sit down in the writers’ room for the first day of work, everybody’s going to be on the edge of their seat and eager to start talking, because nobody knows where we’re headed. And that’s exciting and terrifying.

While ‘Legends’ is telling a unique story, it still exists in a shared universe — your actions can be felt on other shows. Is that a line you have to walk — debating how much to blow up so it doesn’t impact ‘Arrow’ or ‘The Flash’?

It is funny. Kevin Smith said at Paleyfest how Barry has suffered endlessly for making one mistake, and we’ve sort of made a habit out of it. Usually when we’re in the Waverider and we’re traveling through time, we’re thinking the crossover is really the only time we have to make our worlds harmonious.

But you’re right, we have maybe made a really difficult challenge for ourselves. You’ll see in the last 45 seconds a different kind of mistake than we’ve ever made before — and the challenge of Season 3 is going to be coming up with a new mission-of-the-week… Because it’s not as easy as going back in time and keeping George Lucas in film school. That’s going to seem like a very two-dimensional surgical strike, compared to the historical messes that we have to clean up as a result of what we do in this finale. It’s exponentially more complicated.

Despite the changes on Legends of Tomorrow, Marc Guggenheim says we will not see dinosaurs in Central City on The Flash next season.

Last week’s episode of The Magicians had a dragon, a visit to the underworld (with bowling), and a lot of surprises. Eliot was surprised to find he was not going to get laid because a bunch of Fillorians and Lorians were turned into rats on Eliot and King Idri’s wedding day. Margo surprised Eliot when the truth serum forced her to confess, but then, surprisingly did something risky to try to fix everything. Eliot was also surprised to return to Brakebills. Senator John Gaines was surprised to learn why some people did what he wanted, and further surprised when he gave another Senator a heart attack. Julia was surprised to learn that Elysium is run by Miss Persephone. The biggest surprise was the sacrifice Julia made for Quenton, presumably now opening the door to bringing Alice back.

The Dragon got the best lines of the episode:  “You have 24 hours to return to the portal.” “Or…” “I sit patiently, waiting for you to come back. No, I eat you, I’m a fucking dragon, what do you expect?”

Deadline had a panel with cast and crew, and had some teasers for the final two episodes of the season:

With just two episodes to go, the team promised to go out with a bang (“They’re insane,” said Maeve. “Quite insane”). Added McNamara: “There’s been something for the entire season, and there’s a perpetrator behind these things that are going on, and you don’t know who it is… It’s kind of a giant whodunit.” Ralph confirmed that the April 19 finale will pull the rug out from under its characters, saying, “Just as these people think that they have real control over their lives and have made real decisions and have forward momentum and feel like they’re taking responsibility for things for the first time, we draw back the curtain and reveal that they’ve had no control – they’ve been pawns.” Gamble smiled. “Don’t you love a cliffhanger?”

Orphan Black returns for its fifth and final season on June 10. Several pictures and clips have been released, including this one which suggests that Cosima and Dephine are getting married:

 

The 2017 Hugo Award finalists are out. The awards will be presented on August 11, 2017. Here are the nominees for the two categories which include television shows and movies:

Best Dramatic Presentation, Long Form

  • Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)
  • Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)
  • Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)
  • Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)
  • Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)
  • Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

Best Dramatic Presentation, Short Form

  • Black Mirror: “San Junipero”, written by Charlie Brooker, directed by Owen Harris (House of Tomorrow)
  • Doctor Who: “The Return of Doctor Mysterio”, written by Steven Moffat, directed by Ed Bazalgette (BBC Cymru Wales)
  • The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)
  • Game of Thrones: “Battle of the Bastards”, written by David Benioff and D. B. Weiss, directed by Miguel Sapochnik (HBO)
  • Game of Thrones: “The Door”, written by David Benioff and D. B. Weiss, directed by Jack Bender (HBO)
  • Splendor & Misery [album], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Screenrant has looked at how the television version of Legion differed from the comics.

On a somewhat similar topic, Vulture compared how the ending of Big Little Lies compared to the book.

Netflix has revealed that The Defenders will be released on August 18, 2017.

Daredevil will start filming season three later this year, to be released in 2018.

Iron Fist has received a number of poor reviews, but I doubt I will go entirely without seeing it before watching The Defenders. Nerdophiles has a possible solution–listing the must see episodes and recommendations for those to skip. They even have a synopsis of the episodes they recommend skipping. It won’t save all that much time, only recommending skipping three episodes (the second, third, and twelfth). The first also also gets a poor review, but I assume the author recommends watching as it is the first episode and presumably does set up the show. In other words, it appears that the series doesn’t really become all that watchable until the fourth episode.

In this era of peak TV, there are many shows I have not had a chance to see which others say are worthwhile. I’ve heard a few people say great things about Wynonna Earp. Screen Rant gives fifteen reasons to watch. The first season recently became available on Netflix, and the second season begins on Syfy on Friday June 9. Syfy has announced that Dark Matter will also return on June 9 with two episodes. Killjoys will return on  June 30. I finally manged to binge watch Dark Matter in December, when other shows were on hiatus, and really enjoyed it. I didn’t get into Killjoys, but I only watched one episode and will give it another chance if there is another slow period.

Hulu has released the first three episodes of an anthology series entitled Dimension 404, which appears to be influenced by The Twilight Zone and Black Mirror. I09 says these episodes are bingeworthy.

Netflix has renewed A Series of Unfortunate Events for both a second and third season. USA has renewed Colony for a third season.

SciFi Weekend: The Flash/ Supergirl Duet; Felicty Smoak, Superhero; The Magicians; Star Trek Discovery Cast; Justice League Trailer; Doctor Who At Comic Relief; American Gods; Riverdale

The DC based shows on CW are beyond their prime, suffering from attempting to have four season-long series simultaneously. I found it to be a welcome break to get away from the usual narrative on The Flash and have the musical cross-over with Supergirl last week. The episode was well received. Synopsis and review at Geeks of Doom. Another review at I09.

The story was briefly introduced at the end of Supergirl, and continued on The Flash, with Barry Allen (Grant Gustin) in a dream-like state, first seeing Supergirl (Melissa Benoist) singing Moon River (video above).

Other musical numbers included The Flash and Supergirl singing, of course, Super Friend in the above video, with amusing references to each series. Characters from both Supergirl and The Flash were included playing different roles, along with other CW characters such as John Barrowman and Victor Garber, both now appearing on Legends of Tomorrow.

Cast and crew discussed the episode in the video above.

Elsewhere in the Belantiverse, Felicty Smoak (Emily Bett Rickards) will be seen in a super hero costume, but it will be on Legends of Tomorrow as opposed to Arrow.

Marc Guggenheim has said that we will not learn the identity of Prometheus, one of the big bads on Arrow, until season six, but it will be someone we already know. He also teased how the season finale will be different from previous seasons in not destroying Star City once again:

As the season heads toward the ultimate showdown between Oliver and Chase, we’re going to be seeing a very different season finale this year. “We’re not going to destroy the city,” EP Marc Guggenheim teases. “We’re not even going to threaten the city. In fact, I can also tell you the finale doesn’t even take place in the city. Finally, the citizens of Star City can breathe easily in May.” Wherever the finale takes place, Guggenheim adds, “You can expect a good number of returning characters, characters you haven’t seen in a while, back in the episode.”

The Magicians also had a major musical number in last week’s episode (video above). Margot once looked like just a sidekick for Eliot, but in recent episodes she has turned into quite a strong character. She is often the most sensible one, who can figure out what to do in a crisis. She had a unique way to prepare Eliot for battle, as described by IndieWire:

“The Magicians” went into battle on Wednesday night and pulled out the ultimate weapon: a Broadway musical song.

In the episode, Fillory’s High King Eliot (Hale Appleman) is about to enter into mortal combat with the King of Lauria, who has never been defeated. Eliot’s right-hand magician and partner in every crime imaginable Margo (Summer Bishil) gives him a pep talk and reminisces about how well he did in a production of “Les Miserables.” Inspired by that success, she used magic to force him and others to perform the number “One Day More” from the musical in order to get him pumped up for his duel.

For the benefit of anyone who might have read Lev Grossman’s novels but haven’t seen the television series, Margo’s character was  named Janet in the books.

Screener interviewed the show runners about this scene, and other aspects of the show. Screener also has an interview with Christopher Gorham about his newly introduced character, John Gains.

Star Trek: Discovery is now in production, with release expected late summer or early fall. Above is the first picture of the cast, via Empire On Line:

From left to right are Jason Isaacs (Discovery’s captain, Lorca), Michelle Yeoh (Captain Georgiou, whose ship is the Shenzhou), Chris Obi (the Klingon T’Kuvma, who is determined to bring together the various Klingon houses), Sonequa Martin-Green (Rainsford, also known as Number One, a lieutenant commander who serves as Discovery’s first officer and the show’s main character); Kenric Green (not actually on the show, but definitely serving as Sonequa’s husband), Doug Jones (an alien science officer aboard Discovery), James Frain (the Vulcan father of Mr. Spock, Sarek), and Shazad Latif(Kol, a commanding officer of the Klingons).

Other cast members of the show not featured in this image are Terry Serpico as Starfleet Admiral Anderson, Maulik Pancholy as the Shenzhou’s chief medical officer, Nambue; Sam Vartholomeos as junior officer Connor, assigned to the Shenzhou; Mary Chieffo as L’Rell, a Klingon battle deck commander; Mary Wiseman as Starfleet cadet Tilly, who is assigned the Discovery, and Anthony Rapp as science officer Stamets.

The Justice League official trailer has been released (video above).  Learn what Bruce Wayne’s superpower is, and how he feels about playing well with others. Here is the synopsis of the movie:

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

Further discussion here.

The BBC released the above video last week:  “To celebrate Red Nose Day today we present the full 1999 Doctor Who Comic Relief special The Curse of Fatal Death. Starring Rowan Atkinson, Richard E. Grant, Jim Broadbent, Hugh Grant and Joanna Lumley as the Doctor, written by Steven Moffat.” I09 wrote how this has forshadowed the Moffet era:

One of the other truly fascinating things about 1999’s “The Curse of Fatal Death” is how it previews a number of things from the show’s revival years later: the tried and weary Doctor, the Doctor and Master’s complicated one-upmanship, making the romantic love between the Master and Companion explicit, same for that between the Master and the Doctor (although, it’s the Doctor who is female in this, and not the Master), etc. I’m actually most disturbed by the idea of the Dalek-Time Lord hybridization, since it reminds me of the horrible Dalek plot in “Daleks in Manhattan/Evolution of the Daleks.”

The other thing that makes this short more relevant than before is the flurry of regenerations at the end. Both Moffat’s time as showrunner and Peter Capaldi’s time as the Doctor are coming to an end soon, and people really want a Doctor who isn’t a white man. For proof that it would work fine, check out Joanna Lumley at the end of this. She’s great!

Starz has released the above trailer of American Gods. Nerdist interviewed the cast at South By Southwest.

The Big Bang Theory has been renewed for two additional seasons.

Riverdale showrunner Roberto Aguirre-Sacasa spoke with Entertainment Weekly, teasing further genre elements in the show. There was no definite answer regarding fan theories that zombies will be involved.

SciFi Weekend: Stranger Things; Timeless; Rectify; The Good Place; CW Genre Shows; Doctor Strange; Doctor Who; Matt Smith Back In The Past With New Companion on The Crown

A 1980’s news cast (video above) reports on the disappearance of Barb, as seen during the first season of Stranger Things. The newscast also provides further evidence that Eleven is still around. It should come as no surprise that she is returning, despite the first season finale leaving things ambiguous.

NBC has extended Timeless from thirteen to sixteen episodes, to run in two blocks, between November 14 and December 12 and from January 16 to February 20.

Showrunner Ray McKinnon explains why you can’t multitask and keep up with Rectify, and discusses the upcoming fourth and final season

Parks and Recreation predicted the victory by the Chicago Cubs in the World Series. Since the series ended, Michael Schur has moved on to new show, The Good Place. It returns for its four final episodes of the season on January 5. Michael Schur discussed what will be happening with Entertainment Weekly. Think love quadrangle.

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Last week’s episodes of The Flash revealed the secret behind the new version of Harrison Wells, as well as dealing far more with Caitlin’s powers–which should be a major focus for the upcoming episodes. More at The Nerdist.

Besides the major crossover involving all of the Berlantiverse shows, there will be a Glee reunion with Melissa Benoist and Grant Gustin doing a musical crossover between Supergirl and The Flash. Now there is talk that Legends of Tomorrow might get involved to at least include Broadway veteran Victor Garber.

Lexa Doig has been cast as alia al Ghul, daughter of Ra’s al Ghul and half sister to Nyssa al Ghul, on Arrow.

Spoiler TV has some teasers regarding season four of The 100.

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The biggest genre event of the week was the opening of Doctor Strange. It is too early to have any spoilers about the movie here, but here are a number of links for those wanting to read more:

Hitflix wrote about Marvel’s ‘Doctor Strange,’ ‘Inhumans,’ and the connected MCU (no spoilers until the end, with spoiler warning). Also at Hitflix, ‘Doctor Strange’ writer Jon Spaihts talks about blowing the Marvel Cinematic Universe wide open

Time on Doctor Strange and What We’ve Learned From Superhero Movies in 2016. Plus How Doctor Strange Hints at Big Changes for the Marvel Universe and Demystifying Doctor Strange‘s Curious Mid-Credits Scene.

Nerdist asks How Will DOCTOR STRANGE Change the MCU?

Spoilers from AV Club with Doctor Strange’s writer on [REDACTED]’s fate and that final credits sequence

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Moving on from Doctor Strange to another Doctor, I previously posted about plans for an animated version of a lost Doctor Who story, The Power of the Daleks. Inverse calls it essential viewing, and has updated information.

When the BBC purged their archives in 1974 to make room for more film, “The Power of the Daleks,” the Second Doctor’s introduction to the show, was lost in the process. “The Power of the Daleks” is not the only serial or episode lost to time; there are dozens of episodes that have never been seen by modern audiences. But “The Power of the Daleks” is the first one to be made in what is assumed to be a shot-for-shot remake. It’s animated and, of course, in black and white, but Troughton’s Doctor and Anneke Wills’s Polly will probably be no less charming.

Matt Smith is back playing a character in the past on television, with Netflix releasing The Crown last week. Claire Foy (who previously played Anne Boleyn in Wolf Hall) makes an excellent companion for him as Queen Elizabeth. Much of Matt Smith’s character can be seen in his portrayal of Prince Phillip. I was not surprised to see him handle an elephant in Nairobi, expecting him to pull out a sonic screwdriver or explain handling the elephant by saying, “I speak elephant.” When he protested playing second fiddle after Elizabeth became Queen, I half expected him to protest that he is a Time Lord of Gallifrey.

The series starts with Elizabeth and Phillip before Elizabeth became (spoiler?) Queen and was forced to fulfill what was expected of the role. They have great chemistry together and someday I would like to see Foy and Smith together again, possibly in another period piece, in which they can remain young and carefree, without having to fit into their historical roles on this show. The actual history along with a look at the series are discussed at The Guardian.

Matt Smith was able to get some tips on playing royalty from Jenna Coleman, who is staring in ITV’s Victoria. This means that Smith is playing Coleman’s great-great-grandson-in-law. It will take a TARDIS to get them back together.

While Matt Smith and Jenna Coleman are busy playing members  the royal family, Karen Gillan is preparing to direct, as well as write and star in, and independent movie named Tupperware Party, which is being filmed in Scotland.

Also in the Doctor Who universe, I got a chance to watch the first three episodes of Class while flying home last weekend. I was impressed that each episode was better than the previous. I have not seen the fourth yet, but have heard it couldn’t continue that trend, but look forward to further episodes.

SciFi Weekend: Star Trek; The Growing Berlantiverse; SHIELD; Doctor Who; Catwoman; Genre Shows Win Creative Arts Emmys; The Nix

George Takei discussed Star Trek with Stephen Colbert. Video above. Nerdist reports:

Yesterday was the 50th anniversary of the debut of the original Star Trek (well, in America at least: sorry to Canada that we didn’t do this two days earlier), so fittingly the tributes and odes were pouring in from fans around the globe. However, it was George Takei who best summed up what the franchise is really all about, and in doing so explained why it is so beloved and has endured for so long.

The O.G. Sulu was a guest of super nerd and Trekkie Stephen Colbert on The Late Show last night, and Takei shared his memories of the “very special” first time he went to work on the series, where franchise creator Gene Roddenberry described to him and the rest of the cast at their first table read what story the space adventure show was really telling.

“Gene explained to us what Star Trek was all about,” said Takei, “He said that the Starship Enterprise was a metaphor for Starship Earth, and the strength of this starship lay in its diversity coming together.” Roddenbery then explained that the possibilities of “infinity diversity in infinite combinations” (IDIC) would force the crew, representing the many people of the planet, to combine their abilities to solve problems as one.

More detail on the interview at The Mary Sue.

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Majel Barrett has had both on-screen roles and has been on multiple versions of Star Trek as the voice of the ship’s computer. Her voice was recorded phonetically before she died and there is talk of using her voice on Star Trek: Discovery, along with using it Siri-like virtual assistants. I want my Amazon Echo to use her voice!

Bryan Fuller continues to slowly provide hints about other aspects of Star Trek: Discovery. He tweeted than an episode from The Original Series, Balance of Terror, is a “touchstone” for Discovery’s story arc. The episode introduced the Romulans, and TrekMovie.com speculates on what this might mean.

USA Today has an article on Rod Roddenberry.

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Greg Berlanti is working on yet another superhero show, now Black Lightning for Fox.

IndieWire has interviewed Gregg Berlanti about his multiple superhero shows. He has news on several of them, including the cross-over episodes:

As “Supergirl” leaps to The CW, how has the network move – and the relocation to Vancouver – been going?

I just saw the director’s cut of the first episode, and I’m in as much love with the show as ever. It’s been challenging to figure out all the moving parts, moving the show across cities and across networks. But the reality is, I think the show is as strong as ever and it feels really seamless. People will not be able to tell that it’s not L.A. It feels like National City still. There are some new enhancements to the set that we were going to do anyway. Obviously some new characters are coming to the show that we would have brought in anyway to the second season. And so I’m really pleased. CBS in their own wisdom recognized it, there’s no part of the show that’s fighting itself anymore. It has a youthfulness and appeal because of the age of the leading lady, and it gets to embrace that a touch more.

What more can you tell us how often we’ll see Calista Flockhart’s character, Cat Grant?

She’s recurring. We’re trying to get her for at least six episodes this year, and she’s in the first two episodes. We’re just trying to see when she can come back now.

And will we see her interact with Superman?

I don’t want to give it away, but she has a special kind of dynamic with Clark Kent.

How far along is the “Supergirl”/”The Flash” musical crossover?

We just finished writing the fall crossovers. And now we’re trying to figure out how to produce them. That’s probably the most challenging thing we do all year. And now we’re doing it across three shows! But next week we’ll have to start talking about clearing music. I have a few ideas for tone and style in my head but we’re just starting to talk about what that can be. I do want to try and get an original piece of music written. As we make a deal on that we’ll probably make some announcements on the original songs.

Perhaps written by, I don’t know, Lin-Manuel Miranda?

[laughs] I would say, pretty close. I can’t say yet because we don’t have a deal yet, but I did speak to someone we’re really excited about. There are some writers I’m incredibly excited to work with.

Back to the big CW series crossover, how difficult is that to pull off across so many series?

You really are trying to run a single production across three different productions. But they’re run as three separate entities. We have to figure out when we’re borrowing one actor from where. We’re telling one cohesive story; “Supergirl” will participate, but the storyline doesn’t actively begin there. There are some characters who show up in her episode, but the story begins with “The Flash” episode and goes to “Arrow” and “Legends of Tomorrow.” We’re just getting into designing the bad guy for it, and we start now but it doesn’t air until the end of November. We will put a lot of time between now and then figuring out visual effects sequences. Just today I was holding the three scripts back-to-back – that’s 180 pages of material. It’s a three-hour story, almost a miniseries.

And when you place all three scripts together, it unlocks some sort of fortune.

[laughs] It’s very daunting when you hold them all together like that. Each one of these pages is 10 hours of shooting and a visual effects extravaganza. But hopefully it feels like a great kind of crossover comic book sell.

The Spoiler Room at Entertainment Weekly has news on several genre shows, including this about Felicity on Arrow:

Emily Bett Rickards has been training a lot lately. Does it mean Felicity will be involved in more action scenes in Arrow season 5? — Itakha
At first, Felicity will be dealing with the fallout of Havenrock’s destruction. “In the first five episodes, we face head-on the decision that Felicity made,” EP Marc Guggenheim says. “We are most definitely not ignoring it.” Following that, though, Guggenheim cryptically teases what could be Felicity jumping in on the action. “We’re positioning her to do something in the second half of the year that is really, really key, and that isn’t about her relationship with Oliver or even necessarily her father or her mother. It’s really new territory for her, and we’ve very excited about it. Some big things are going to happen with Felicity.”

I was pleasantly surprised to see Emily Bett Richards while watching Brooklyn last weekend. (Sorry, it was not a major role, and the movie, while excellent, is totally non-genre).

Agents of SHIELD has a promo for Ghost Rider. More at Screen Rant.

Hulu has picked up a sci-fi comedy entitled Future Man from Seth Rogen.

Vince Gilligan is producing a limited series for HBO on Jim Jones for HBO entitled Raven. My bet is that he will do a good job of showing Jones’ life, but after Breaking Bad I would prefer to see him invent more flawed characters of his own.

Netflix has renewed Narcos for season 3 and 4.

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It appears that the next season of Doctor Who will start in April based upon reports in Radio Times and a comment from Peter Capaldi. Before that, there will also be the Christmas episode. Plus in November there will be an animated version of a lost story:

It’s one of the Doctor’s most celebrated adventures and yet no complete film recordings of The Power of the Daleks are known to have survived. The master negatives were destroyed in an archive purge in 1974.

BBC Worldwide has announced that a brand new black and white animation based on audio recordings of the programme using the original cast, surviving photographs and film clips will be released 50 years to the minute after its only UK broadcast on BBC One.

The six half hour episodes feature the regeneration, or as it was then called ‘renewal’, of First Doctor William Hartnell into Second Doctor Patrick Troughton, as the Time Lord and his companions Polly (Anneke Wills) and Ben (Michael Craze) do battle with the Daleks on the planet Vulcan.

Anne Hathaway told Variety she would live to play Catwoman again. That might be difficult as the Christopher Nolan Batman stories, where she appeared, have concluded, but that doesn’t entirely rule out her reprising the role in a future movie.

A few genre shows have already won awards last night at the Creative Arts Emmys. Winners included Jessica Jones (Outstanding Original Main Title Theme Music), Mr. Robot (Outstanding Music Composition For A Series), and Man In The High Castle (Outstanding Main Title Design and Outstanding Cinematography For A Single-Camera Series). Hopefully some of these series will  also win some of the more major Emmy awards.

J.J. Abrams is working on a television adaptation of The Nix, staring Meryl Streep.

Headline of the day coming over my news aggregators which sounds more like cheap fiction than news: Sick African dictator ‘eats his enemies’ testicles and brains to boost his sexual prowess’

SciFi Weekend: New Companion Announced For Doctor Who; Supergirl Finale; Krypton; The Girl On The Train; Person of Interest; Mr Robot; The Blacklist; The Night Manager; Catastrophe; Mick Jagger

The next companion has been introduced in the video above to replace Jenna Coleman on Doctor Who. Pearl Mackie will play a character named Bill, who clearly has not encountered the Daleks in the past. The Guardian has a little more information on her:

Capaldi said it was “a genuine delight” to welcome Mackie to Doctor Who. “A fine, fine actress with a wonderful zest and charm, she’s a refreshing addition to the Tardis and will bring a universe of exciting new possibilities to the Doctor’s adventures.”
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Steven Moffat, outgoing lead writer and executive producer, said: “A new face in the Tardis, a new voyage about to begin: welcome aboard, the amazing Pearl Mackie! This is where the story really starts.”

Mackie trained as an actor at Bristol Old Vic Theatre School, graduating in 2010. Since drama school, she has worked across theatre, film, radio and television. Her acting credits include Svengali, a British film released in 2013, and she is currently appearing in the stage production of The Curious Incident of the Dog in the Night-Time at the Gielgud Theatre in London.

Among other actors who had been thought to be in the running for the role were Coronation Street’s Michelle Keegan, Rakhee Thakrar, who impressed many with her performance as Shabnam Masood in EastEnders, and Maisie Williams, who plays Arya Stark in Game of Thrones and guest-starred in the last season of the sci-fi show.

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Supergirl ended the season well. While the two part season finale had its plot holes, they did end many of the plot thread of the season, while leaving one major one for next season (the search for Jeremiah Danvers) and ended the episode with a cliff hanger. Prior to the last second cliff hanger, there was a feel-good moment for the cast. Plus there is the question (as of now undecided by the writers) as to exactly Kara’s new job will be.

Entertainment Weekly interviewed Andrew Kreisberg about the finale. Here are a couple of excerpts:

ENTERTAINMENT WEEKLY: Let’s start off with the reveal that someone else has landed on Earth. What can you tease of who this is? Are they friend or foe?
ANDREW KREISBERG:
Obviously it’s our big cliffhanger of the season, so I’m not fully inclined to let everyone know who shot J.R. It’s an important character, and they’ll play an important role in season 2.

Is this a character we may have seen in the comics before?
Again, I don’t want to give too much away, but it’ll be cool. The fans are going to be excited. It’s going to definitely shake things up for season 2.

Especially with something like Project Cadmus in the ether, the first person I think of is Superboy.
[Crickets.]

Moving on, Kara was willing to risk her life for the world. How does that change her in season 2?
This whole season has been about her embracing being Supergirl. In a way, this was her graduation episode. She hadn’t fully figured out how to integrate being Supergirl into her life. This whole season has been a learning experience for her. At the end of this episode, she’s fully Supergirl. Next season, you’re going to see a Supergirl who is more mature, and a bit more of a cohesive character. She’s taken the identity of Kara and the identity of Supergirl and merged them in a better way. You’re just going to see a more confident, stronger Supergirl than we’ve ever seen before.

Is it safe to say the world is now on her side?
Oh yeah. You don’t save the world without dispelling all doubters…

Even though Fort Rozz is gone, are the prisoners who were once inside it still an ever-present threat?
I think so.

What can you say of the fates of Non and Brainiac?
If you’re a fan of the comic books, you know that Kara’s heat vision took away Non’s — lobotomized Non. How and when we see him again, he’ll probably be very different. I think Indigo is probably the hardest person in the world to kill given that she’s a living computer, so I wouldn’t be surprised if she pops up again.

What would you say was your point of pride for the first season?
I’m so proud of the show. As much expectation there was for the show, there was also a lot of like, “Yeah, prove it!” [Laughs.] I think the show really works. Melissa is a star. Like any first season show, there were missteps and not every episode was as strong as the others, but I can point to a whole bunch of episodes, like “Red Faced,” like “Human for a Day,” like the crossover, like “Falling” as being some of my favorite episodes that I’ve gotten to do over the course of all the series that Greg [Berlanti] and I work on together. I’m just super proud of the show. We’ve proven that there’s an audience for a female superhero. Hopefully there will be many more years to come.

Syfy has ordered a pilot for a Superman prequel Krypton, set on the planet two generations before its destruction. The idea reminds me of Gotham, and even more of Caprica. Hopefully it is more successful than the later.

The trailer is out for The Girl On The Train. The mystery novel, often compared to Gone Girl, should make a good movie, and does have a strong cast.

The cast and crew of Person of Interest haven’t given up on saving the show, which CBS is ending after the upcoming season which will air this spring. From TV Guide:

A potential reboot doesn’t mean, however, that the June 21 series finale will lack closure. “We had to hurry up and end it. They had 13 episodes to turn a very large, slow-moving boat,” Emerson says. “But I think the idea that we had to do it in 13 was actually a plus rather than a minus. I think it allowed the writers’ room to set aside their need to create palatable side stories or a murder-of-the-week or whatever, and really just get focused on wrapping up the loose ends of this thing.”

Adds executive producer Jonathan Nolan: “I would have loved to have kept making this thing for a long, long time, but you don’t want the show to become creatively moribund. We saw the writing on the wall before this season started, but we had the incredible luxury of having 13 episodes to really finish our story. And so, as much as I would have loved to have kept working on the show … I’m very proud of what we’ve made here for the final season, and I’m very glad that we had a chance to finish telling our story, an opportunity that’s denied to so many great network TV shows. So I’m very satisfied with the way we’ve told our story, and I certainly hope our fans are.”

After evolving from a CBS procedural to a true genre show, I certainly can see reason to keep it going if any other networks are interested.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

Mr. Robot will be returning on July 13. Presumably we will be seeing the aftermath of the first season finale, unless Elliot just imagined it all.

Some additional brief thoughts on the past week which will be kept brief due to limited time this week:

Better Call Saul had a great second season, but certainly left a lot hanging in its season finale.

Cape May was an unusual episode of The Blacklist. I’m still not certain if Lizzie is really dead, but it is looking less likely that Reddington faked her death. If she is alive, Reddington does not appear to be aware of it.

The Night Manager’s premier was excellent. As soon as time permits I will probably be downloading the remainder of the season rather than waiting for it to finish its run here.

Speaking of shows from the UK, Amazon recently released the second season of Catastrophe, which is well worth watching. The show is much like You’re The Worst in tone with a somewhat older couple. Like You’re The Worst, Catastrophe got a little more serious in its second season, but it did so without any drop in quality or humor.

In other entertainment news, Mick Jagger is not portrayed very well in a new book:

Rich Cohen delivers the unflattering portrayal of Jagger in “The Sun & the Moon & the Rolling Stones.”

“There’s something monstrous about Mick Jagger,” Cohen writes after exhuming details from the band’s dark past.

“The Stones had been shedding people from the start. Use ’em up, toss ’em aside,” Cohen continues. “It’s a machine that runs on bodies.”

Prince was honored in this week’s Saturday Night Live, hosted by Jimmy Fallon.

SciFi Weekend: Steven Moffat Leaving Doctor Who; Jessica Jones; Legends of Tomorrow; Charlotte Rampling On The Academy Awards

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Steven Moffat is stepping down as show runner of Doctor Who after the upcoming tenth season (since the show’s revival) and Chris Chinball, best known for Broadchurch, will be taking over. Chinball is a long time fan of Doctor Who and also wrote these episodes: 42, The Hungry Earth/Cold Blood, Dinosaurs on a Spaceship and The Power of Three. He was also a producer and writer on Torchwood.

The tenth season of Doctor Who will not air until the spring of 2017, and the only episode to air in 2016 will be the annual Christmas special. I wonder if Moffat will introduce the next companion in the special or wait until the show returns on a regular schedule in 2017.

After Broadchurch, I also cannot help but wonder if, should David Tennant return for an episode of the show, if Chinball will have him talk in an often incomprehensible accent.

Following is the BBC press release:

BBC announces Steven Moffat’s next series of Doctor Who will be his last and confirms Chris Chibnall as new Head Writer and Executive Producer.

After six incredible series at the helm, the multi-award winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.

Steven took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the Eleventh and the Twelfth Doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory (Arthur Darvill) and the terrifying Weeping Angels. Plus, the smash hit 50th Anniversary special in 2013 which saw fans around the world celebrate the world’s longest running sci-fi series with the Doctors, Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature length episode. Steven’s final series will air on BBC One in Spring 2017 and there will be a Christmas Special in 2016.

Steven Moffat says: “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”

Like Steven, Chris Chibnall is also a lifelong Doctor Who fan and a multi-award winning writer and executive producer. He has most recently achieved huge success with the triple BAFTA winning hit ITV series Broadchurch. His other credits include BAFTA nominated The Great Train Robbery, United, Law & Order: UK, Life on Mars and Torchwood. Chris Chibnall’s debut series will launch in 2018.

Chris Chibnall, new Head Writer and Executive Producer : “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

Charlotte Moore, Controller, BBC One says : “I want to thank Steven Moffat for everything he has given Doctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in Spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”

Polly Hill, Controller, BBC Drama Commissioning says : “Like Charlotte I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”

AKA Jessica Jones

Variety discussed plans for season two of Jessica Jones with show runner Melissa Rosenberg and star Krysten Ritter:

Rosenberg shared that she doesn’t know when work on the new season will start, or whether she’ll be collaborating with writers from any of the other Marvel-Netflix series (“Daredevil,” “Luke Cage” and “Iron Fist”) leading up to “The Defenders” crossover, but said that she intends to continue utilizing story ideas from Brian Michael Bendis’ series of “Alias” comics, where Jessica Jones debuted.

“I will always use as much as I possibly can from the comic book,” Rosenberg said, noting that they’ll have to allow for deviations given the differences in the mythology between the Marvel comics and ongoing Marvel Cinematic Universe. “The MCU is very different in terms of its mythology. In the books, everyone knows superheroes are walking around, there’s a lot of things building toward Secret Wars. We’re probably not going to be able to do a totally parallel storylines. But I take every little piece I can because it’s so good.”

While Rosenberg admitted that it was both intimidating and exciting to think of having to come up with a villain to follow Kilgrave, she didn’t consider keeping him around past season one, since “the show is about Jessica Jones; the story is about Jessica’s arc,” and thus everything had to be in service to her journey.

When asked about Jessica’s mental state at the end of the season, given her final defeat of Kilgrave, star Krysten Ritter said, “For Jessica, that final moment, that victorious triumphant moment, I found that very conflicting in terms of her headspace. He’s the reason why she got up every day. He’s the reason why she went out in the world… it really gave her a purpose, and the past trauma doesn’t go away with his death.”

Arthur Darvill Legends of Tomorrow

Legends of Tomorrow premiered this week and we found that there was some misdirection in both what the characters were told when recruited and in the trailers for the show. This might be for the better. If they really were already known to become legends, it would imply that they were successful and this was future history. The outcome of their mission would already be known. Of course with time travel a lot of questions can come up. For example, why not go after Vandal Savage when he was reduced to dust at the end of the Arrow/Flash episode and prevent him from being revived?

I suspect that this will turn out to be the sort of show which can be a lot of fun to watch as long as you don’t think too much about the time travel implications. It even has Rory (Arthur Darvill) as sort of a renegade Time Lord. Screen Rant has a list of additional Easter eggs.

KUDOS FILM AND TELEVISION PRESENTS BROADCHURCH SERIES 2 Images are under strict Embargo not to be used before the 18th December. PICTURED : CHARLOTTE RAMPLING as Jocelyn Knight. Copyright ITV/Kudos.

Charlote Rampling, who appeared with David Tennant and Arthur Darvill in Broadchurch, has addressed the controversy over lack of diversity in the Academy Award nominees. Rampling had initially spoken about boycotting the awards, but has backed away from this:

In an interview with Europe 1 Radio earlier this week, Rampling said calls for a boycott of the Academy Awards because all of the nominees were white “was racist to white people.”

Today Rampling told CBS News’ “Sunday Morning”:

“I regret that my comments could have been misinterpreted this week in my interview with Europe 1 Radio. I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration. I am very honored to be included in this year’s wonderful group of nominated actors and actresses.”

Rampling also said:

“Diversity in our industry is an important issue that needs to be addressed. I am highly encouraged by the changes announced today by the Academy to diversify its membership.”

SciFi Weekend: Doctor Who, Heaven Sent; Legends of Tomorrow; Arrow; The Flash; Supergirl; Captain America: Civil War; Jessica Jones; Sleepy Hollow

Doctor Who Heaven Sent

Heaven Sent was an ambitious episode of Doctor Who, following the death of Clara Oswald. The Doctor is in a castle with moving walls and stalked by a monster who represents his greatest fears. Only confessing his deepest, darkest secrets will slow it down, but he ultimately dies and starts over, like Bull Murray in Groundhog Day. Before dying, he would retreat to a version of the TARDIS in his mind, and discuss his plans with a version of Clara, who also was only in his mind. Sometimes answers were provided on chalk boards. His escape might be in the twelfth room, once again giving more meaning to his artificial designation as the twelfth Doctor. He eventually realizes that every one hundred years a bird pecks on a diamond wall which is preventing his escape. He manages to reverse-teleport allowing a version of himself stuck in the hard drive to start over. (This might raise the question as to whether at the end he is really the same Doctor who we started out with, but considering that the entire universe has already been rebooted and recreated, this hardly matters.)  The rooms in the castle all revert to their previous state (automated room service). After billions of years, of doing this, the wall would break down.

You really must see this for it to make any sense, and I would recommend a second viewing.

As the Doctor confesses, we learned that he did not leave Gallifrey because he was bored, but because he was scared. The Timelords knew that the time war was coming. After escaping the castle, the Doctor sees Gallifrey off in the distance. He contradicts what he claimed before and confesses that nothing is half-Dalek. The Daleks would not allow it. He admits, “The Hybrid destined to conquer Gallifrey and stand in its ruins is me.”

The meaning of this remains unclear. Maybe they are returning to the claims in the 1996 movie that the Doctor is half human, but I suspect there will be a different meaning. There are also other questions especially what will happen when he gets to Gallifrey? There are also questions about the recent past, give or take several billion years. Who trapped the Doctor and sent him to Gallifrey? What exactly is the confession dial? How does Ashildr fit in? These question may or may not be answered next week in Hell Bent.

Doctor Who Extra videos for Heaven Sent can be seen here.

A full length trailer for Legends of Tomorrow has been released, giving a far better idea of what the first season will be about. There are some minor spoilers out for the DC superhero shows. There are rumors that Constantine will be in season two of Heroes of Tomorrow, with a different cast from the first season. Other reports say that this might be a single season show, possibly replaced with a different show next year.

Constantine might also have further impact on Arrow this season:

Constantine’s parting gift to Oliver — a magical tattoo? — will come back to play soon. “Basically Constantine says to him that this is insurance against Reiter, and we’re going to deliver on that promise entirely,” EP Wendy Mericle says. “It’s going to help Oliver when he’s in a very dark place and time when he has no other way out. It’s going to be the thing that pulls him out of a very dark spot and literally saves him.” But whether he’ll be able to use it on Damien Darhk is another story. “The mysticism that Reiter is practicing may or may not sync up with what Damien Darhk is doing,” Mericle adds.

Stephen Amel told what he knows about the flash forward to a graveyard scene in Arrow (and it is not very much):

Amell initially joked, “It’s not me.”

He then added, “I don’t. That’s not for me to know. That’s for our producers to know. It’s only for me to know if and when I need to do something if we end up doing another flash forward in the show. I needed to know certain things about the scene without knowing who it actually was when we did the initial flash forward. I just needed to simply know that the person I wanted to kill was a him and that the person that was in the grave was someone I cared a lot about. That’s all I needed to know. I don’t need to know the specifics until if and when we shoot another flash forward scene if there was something else that I had to say.”

We will also be seeing more of Jay Garrick and Harrison Wells on The Flash:

When Jay Garrick returns, he may actually find some common ground with Wells for once, though it won’t be easy. “Jay is summoned to S.T.A.R. Labs in an urgent matter from Wells,” Teddy Sears tells EW. “Jay shows up only to find out that Wells wants Jay to be his guinea pig. He is toying with a substance that has its history in the lore of The Flash, so it’s something from the comics. He wants to try it on Jay to see if it works because he wants to use this on Barry in their fight to bring down Zoom. Jay doesn’t react very well to that. He doesn’t want to be a part of Wells’ schemes. There will be some life threatening moments in there and we have to use a combination of science and ingenuity and Wells’ mysterious substance to get to a safe conclusion.”

There are rumors of a meeting between Supergirl and The Flash. They do have a lot in common in their first seasons. Both were mentored by a head of an organization or lab who were keeping secrets. I suspect both were evil, but we don’t know very much yet about Hank Henshaw.

New scenes from Batman v. Superman will be shown during the Gotham season finale on Monday.

Over on the Marvel side,the above trailer was released for Captain America: Civil War, with the movie to be released May 16. Some fans have been disappointed by the lack of Spider-Man in the trailer despite his planned presence in the movie now that Marvel Studies and Sony have come to an agreement. There is also the possibility that Captain America and Iron Man will appear in the next Spider-Man movie.

I finished Jessica Jones on Monday, and it maintained the quality I noted last week. Unlike Daredevil, which did often have distinct stories within its general arc, the episodes flowed together like one long (and highly enjoyable) movie. Jessica Jones has a lot of Easter eggs related to the rest of the Marvel universe. If they ever decide to move beyond the Marvel universe, I recently noted aspects of Donald Trump which would work well to make him the evil supervillian in one of these future shows set in New York.

The other major streaming series to premier the same day, Man In The High Castle, also looks quite promising but I haven’t gotten too far into this one yet. Both of these  recent shows to start streaming might be good topics to write more about in December after most of the genre shows have gone on hiatus. Incidentally, TV Line has a handy chart of when shows are ending for the holidays, and when they are returning in 2016.

Fargo has been renewed for a third season by FX, but Fox is moving Sleepy Hollow to Friday nights, where genre shows go to die. While better than last season, Sleepy Hollow still has not recaptured the quality of the first season. Some shows are better suited for more limited runs than is common on network television. I don’t think Fargo is as good as the first season (very few shows ever have been as good as the first season of Fargo, but the second season is still very good. It does benefit from having an entirely different story each year.

SciFi Weekend: Continuum Series Finale; Doctor Who; Fargo & Manhattan Return; Defiance Canceled

Continuum Finale 2

Continuum had both a happy and sad ending but, even more remarkably, ended with a surprise which was totally consistent with what we have seen. With all the  questions among fans, and even some characters on the show, as to whether Kiera could return home, nobody I’m aware of predicted the ending. She was successful and returned home to a better world where the Corporate Congress never took control, and old Alec was much more like young Alec than a futuristic version of the evil cigarette smoking man. However, as in this future there was never a reason for her to be sent back in time, the future included another Kiera who was the mother to Sam. Kiera could see that her son would have a better future, but would not personally be a part of it. Plus Sam grew up with different versions of his parents and in a different culture and might not be anything like the Sam she left. She also has no real role in this timeline with another Kiera being there.

In retrospect, the ending was obvious. We already saw that when Alec went back in time to save Emily there were two Alecs. When Kiera crossed into the other timeline, there were two Kieras, even if one had been killed. If Kiera never went back in time in this timeline, of course there would be another Kiera there. This all assumes that the same people would be born. It is actually more likely that if the timeline was radically changed, there would not be the exact same people born in the future. This, like having all the action taking place in Vancouver, are just things we have to accept for the show.

In this future timeline, Alec grew older and remained good. Kagame was alive, and his role primarily served as a means to momentarily make Kiera think that the future was worse than it actually was. There would presumably be versions of other members of Liber8 who never went back in time, possibly with both an old and a young Garza since she remained in the past.

It was no surprise that the Time Marines were lying about their goals, and their plans failed. Kiera had a mixed ending. The ending was not so good for Kellogg. He killed Vasquez with a corkscrew (fitting for Kellogg) but learned while she was dying that she was his daughter, and not the lover of his future self as assumed. He was momentarily safer, if not for the legal penalties he faced, when the current timeline was tethered to the timeline of the Time Marines. Now if anything happened to him, such as having both kidneys removed, his older self would undergo a 12 Monkeys style fate (movie version). Kellogg tried to go back in time to when everyone first came back to get rid of them (presumably including another version of himself) to try to make things turn out as he wanted, including taking control of that kid in the garage (Alec). Instead Alec outsmarted him, sending him to prehistoric times. I’m not sure if Kellogg will get killed, or manage to be treated as a god. Maybe he does have a happy ending.

Continuum Finale

The condensed six-episode season did wrap up the series well, but compromises had to be made. It was necessary to quickly have Kiera want to remain in the present at the end of last season and then want to go home this season. Kiera’s husband was totally ignored for the final season.

Presumably there were plans to do far more with The Traveler, but his story had to be wrapped up very quickly. Once Kellogg went back in time, the future with the Time Marines, along with a future with evil Alec and the Corporate Congress, never took place and The Traveler’s future was again present, allowing him to return home.

The flash-forwards of previous seasons were no longer used and until the finale we only saw old Alec in Zero Hour. I still have so many questions which will never be answered. The episode confirmed that Alec sent Liber8 back to prevent the future he created, and that Kiera was assigned to be at the fake execution because young Alec mentioned her name. However, young Alec never told old Alec that Kiera arrived with no idea what was going on. Knowing the little he did know, I would think that old Alec would have instead briefed Kiera and sent her back with a more concrete mission. If there was more time in future scenes, it might have convincingly be shown that Alec considered this but, in recognizing her views at the time, decided it was better to send her back without such a briefing.

It is also unfortunate that there was little time to get into the politics of the show in this condensed final season, especially with the series ending this year. Given more time, Continuum could have been partially a weekly promotion for the views of Bernie Sanders. Maybe there is a timeline where Bernie Sanders gets elected to prevent the corporate excesses shown on the show.

Simon Berry had said he envisioned the final scene from the beginning. This led to the show making more sense than shows which drifted like Lost and The X-Files. However, the other examples which come to mind of a television writer having the end in mind have not worked out as planned. J. Michael Straczynski got the ending he intended for Babylon 5, and then wound up having an extra year to kill. Amy Sherman-Palladino never got to end Gilmore Girls as she planned as she did not remain for the final season. The ending for How I Met Your Mother might have been clever at the time, but no longer was the best ending by the time the story was told.

Doctor Who The Girl Who Died2

The Girl Who Died was on one level a light episode of Doctor Who with Vikings versus aliens, but it also included a lot of references to the mythology of the show, and presumably leads into however the season ends. The Doctor was caught by Vikings and tried to pretend to be Odin. That did not work as there was already another alien pretending to be Odin. Plus it was the nearest thing we will probably see to Doctor Who meeting Game of Thrones.

The Doctor helped the Viking village defeat The Mire with clever but improbable strategy including electric eels, mind tricks to make the invaders think they were under attack by a giant serpent, and threats to ruin their reputation with a video of the events. Along the way there were references to previous Doctors along with some seen in videos. The Doctor used the phrase attributed to the third Doctor, even if not really used all that often: “I’m reversing the polarity of the neutron flow. I bet that means something, it sounds great.” The seventh Doctor was also recalled with “Time will tell – it always does.”

There was an explanation for the current Doctor looking so much like Marcus Aurelius from The Fires of Pompeii (beyond both being played by Peter Capaldi). Seeing this face was a reminder that he can sometimes change what might be fixed points in time.  In the episode, Donna Noble convinced the Doctor into saving a the volcano which destroyed Pompeii. This tells him: “I’m the Doctor and I save people!” (Will we later get an explanation for Peter Capaldi’s appearance in Torchwood: Children of Earth, or is it just better to pretend that one never existed?)

It is never clear what the rules of time are. Will they necessarily lead to problems, or are they just rules of the Time Lords which can be ignored when they are not around? We received a little guidance: “It’s OK to make ripples, but not tidal waves.”

This all mattered first to get the Doctor to save the village. It was saved but Maise Williams’ character, Ashildre, died during the battle. The Doctor not only made her “functionally immortal,” but also gave her a second dose of the revive-chip for “whoever she wants” so she will not be alone. It is strange that the Doctor did this for her, but never considered it for many other people he saw die, or to make sure he is never alone. I wonder if there will be tragic consequences of this violation of the rules to provide reason for him to never consider it again.

The Doctor did realize that he turned Ashildre into a hybrid. We heard mention of a hybrid earlier in the season in The Witch’s Familiar, but it sounded like a cross between a Time Lord and a Dalek. We will have to wait and see if this is all connected.

Another event of the season was to have the Doctor lose his sonic screwdriver and replace it with the sonic sunglasses. The Vikings broke them, but they also appear in a preview so presumably are returning.

The episode had the second suggestion that Clara might be bisexual when she spoke of fighting the Doctor for Ashildre. In The Magician’s Apprentice she mentioned that Jane Austen is “a brilliant writer and, strictly between ourselves, a phenomenal kisser.”

A couple other memorable lines from the episode:

Doctor: “I’m not actually the police, that’s just what it says on the box.”

Clara: “The universe is full of testosterone. Trust me, it’s unbearable.”

Behind the scenes videos with Maisie Williams can be seen here.

fargo-season-2-header

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching.

Fargo and Manhattan returned for their second seasons. Fargo looks fantastic. I have not seen Manhattan yet but I hear it was also excellent. I would highly recommend watching the first season of each of these shows. Fargo is a different story with slight overlap in characters, and I doubt it will be necessary to have seen the first season to enjoy the second. It would be better to watch the first season of Manhattan before trying to jump in.

Fresh Off The Boat, also in its second season, has been picked up for a full twenty-two episodes.

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching. Please do not  let Manhattan suffer this fate–it is an excellent show despite being seen by so few people as it is only on WGN.