J.J. Abrams has been highly successful in keeping shows interesting by rebooting them over time so that each season isn’t a rehash of the exact same format as previous seasons, and viewers cannot assume that fundamental changes cannot occur. This worked with Lost and Alias in the past. It worked a little less well on Fringe, with the fourth season failing to maintain the quality of the second and third seasons (with the show still worth watching). If Alcatraz survived, it was clear from the finale that it would also have been a different show. I had concerns as to whether Once Upon A Time could be successful over multiple seasons if left with a situation where Emma must always fail to break the spell. As was rumored before airing, Once Upon A Time had a major reboot, with Emma breaking the spell, followed by Rumpelstiltskin bringing back magic. The highlight of the week was the appearance of Amy Acker on Person of Interest, also shaking up this show.
Amy Acker’s character, who turned out to be the hacker Root, surprised Finch and Reese, and from reviews it appears also fooled most viewers. While this was the second time that the person they were protecting turned out to be far different from what the person seemed, the set up was done so well that we were fooled again. The series began with a simple format of the machine giving Social Security numbers. A simpler show would have continued the format, failing to raise the underlying questions of what it would mean to have such a powerful computer. The episode ended with Finch in danger and a phone call to Reese which just might be the machine, making it likely that the machine will be more significant next season. I hope that Amy Acker’s character also becomes a recurring character next season. Seeing how this show has evolved, it would most likely be as a protagonist to Reese and Finch, but not being sure of Root’s agenda, she could also turn into an ally over time.
Awake is in the midst of a two-part series finale so I will wait until it is completed before saying much about the show, but what is the deal with Britten visiting Britten in the preview? I do hope they end this series with a satisfying explanation as to what has been happening with the two realities.
If seeing Amy Acker on Person of Interest was the network television highlight of the week, the low point was the firing of Dan Harmon as show runner of Community. Producing a season of Community without Dan Harmon as show runner is like doing West Wing without Aaron Sorkin or Gilmore Girls without Amy Sherman-Paladino. Neither show was as good as when their creators ran the show, but in this case the consequences will be far worse. Those who took over West Wing and Gilmore Girls still attempted to do a similar show without breaking from the past. In this case I fear that the goal is to make Community a more traditional sit-com about a group of people going to school together. The show has an excellent cast and might still be an above-average sit-com, but it will not be the same without Harmon’s variations from the normal sit-com formula.
As is usually done in such situations. Harmon was given a title, but it is doubtful he will have any further influence on the show. He explained how he learned about being fired after getting off a plane and turning on his phone, without any previous discussion with Sony.
Apparently great show runners are treated better Great Britain than here. Steven Moffat is to receive as special Bafta award for “outstanding creative writing contribution to television.” One of Moffat’s current shows, Sherlock, is now running in the United States while Doctor Who recently filmed the final scene with Karen Gillan and Arthur Darvill. Gillan is seen in the picture above taken at Cannes, and will soon start filming Not Another Happy Ending, a movie about an eccentric author with writer’s block. She did manage to steal something before leaving the TARDIS for the last time.
An episode of Doctor Who, The Doctor’s Wife, was awarded the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebula Awards. That was quite a major accomplishment, beating Midnight in Paris, Hugo, Captain America, Source Code, and The Adjustment Bureau for the award. Among Others by, Jo Walton won the Award for Best Novel.
The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.
The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”
Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.
Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.
TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:
“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036? J.H. Wyman: Yes.
Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman: Well, let’s say that basically 2036 is extremely important to Season 5.It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.
Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman: At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason. We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are. Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work. Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed. Wyman: They don’t know if anything is over. So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?
Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman: Basically, when Walter was going through the Nanites.From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.
Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.
Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman: You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.
Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman: We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them. Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad. I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.” She said, “I was so wrong.” Wyman: Everything is a possibility on Fringe.
Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman: We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.
Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.
Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman: You’re very perceptive. Let’s just say you will understand the hesitation.
There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker: You will see changes, but you will see things that are familiar, as well. I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.
Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman: We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.
The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.
Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.
Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.
There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.
Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over. Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:
TVLINE | What other drama is going on in Storybrooke outside of the Henry thing? KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling. HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.
TVLINE | How is August doing? Is he flipping through termite control ads? HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.
TVLINE | What is Mr. Gold’s particular take on the Henry situation? KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.
TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own? KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well…. HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]
TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm? HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new. KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?” HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”
TVLINE | Will the finale introduce any new players to the canvas? KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced. HOROWITZ | And there may be some old characters seen in a new way.
TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds? KITSIS |All of them. HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise. KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”
The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960′s, it makes sense to pay what it takes to include the Beatles, considering how important they were to music of the era.
The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.
The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:
In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.
For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.
Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.
“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”
KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.
“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”
Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”
Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.
Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:
Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.
“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”
Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”
This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.
It has become a tradition for the nineteenth episode of Fringe to break from the usual narrative, but this one could be a real game changer. Letters of Transit takes place in a future in which the Observers have taken over, the Fringe division officially exists to police the natives, and some Fringe agents are secretly involved in a rebellion. The episode raises questions as to whether this is the direction Fringe is moving in or if this is just one of many possible futures.Have the Observers been actually working to set this up, or maybe was this a previously unintended response to their meddling. The ending raises a number of more specific questions. Where was Olivia? Presumably she had died previously per the previous warnings. Why was William Bell, who we have been led to believe was also dead in the changed timeline, also in the Amber and exactly why did Walter respond to him as he did? We previously learned of the negative consequences of Peter and Altlivia having a child. What about the daughter? Presumably Etta is resistant to mind reading by the Observers due to inherited abilities from her mother. It was a fantastic episode to watch, and could be enjoyed by those who are not following the series regularly, but it remains to be seen as to how it fits into the series.
Many more pictures from Doctor Who in New York are on line, along with spoilers as to what occurs. There have been rumors that Rory is sent back in time by the Weeping Angels and is not found until he is an old man, and we see him die. Does Amy go back to be with him? There have been reports of the Doctor yelling at someone not to do something while filming. The cast has returned to Cardiff where the location of the filming might be related to these rumors:
Doctor Who and Sherlock have inspired a lot of fan art. A couple examples are above and far more are posted here.
TV Guide interviewed Natalie Dormer about her role as Margaery on Game of Thrones:
You’re best known in the U.S. as Ann Boleyn on The Tudors. You’ve become quite the go-to girl for period drama on cable!
Natalie Dormer: [Laughs] My range does exchange beyond that. But I hear it’s a commonality to jump between HBO and Showtime and vice versa, so I take it as a compliment really.
How would you describe your character Margaery?
Dormer: She’s very genuine, she’s old beyond her age. Through her family, she’s always been educated and trained to be a political operator and play the cards for her family the best that she can for their ambition. There are comparisons you could make with my experience playing Ann Boleyn in that regard. The big difference between playing Margaery and the machinations and politics of court in playing Ann Boleyn is that Margaery a lot more of a genuine, sincere, straight-playing woman. As compared to Cersei, there’s quite a Machiavellian element to her. Margaery has a pure heart. She’s trying to do the best she can for her brother, for her house and for the good of the people, what she thinks is best for the realm.
The same is true for Loras, the Knight of Flowers, that sort of optimistic, liberal feel from the South. Michelle Fairley as Catelyn says “They’re the Knights of Summer, and winter is coming.” She feels sorry for them because they do come from a more positive, liberal attitude, environment and culture as they do in King’s Landing. I think it’ll be very interesting when the cultures collide.
In the last episode, you have a scene where you have to try to seduce your husband Renly…
Dormer: That was the first scene I shot. I was having a good laugh with the creators of the show, David [Benioff] and Dan [Weiss], that it was a nice initiation to Game of Thrones. It was a bit cruel that they had to schedule it that way, but they denied all knowledge of the scheduling. I hadn’t met Gethin Anthony before, and obviously his being a veteran from the last season, he was very generous, very welcoming. The family spirit on the show is quite amazing considering the sheer number of cast [members]… You’re a new character, and there are lots of new characters for the second season. There’s this ethos on the show that starts with David and Dan and it works its way down. I was made to feel very welcome immediately, which was much appreciated on quite a delicate scene to begin with.
What can you tell us about a scene you have with Littlefinger (Aidan Gillen) in the upcoming Sunday’s episode?
Dormer: I knew Aidan before joining Thrones and I think he’s an absolutely incredible actor. His creation of Littlefinger is exciting and impressive. It’s a testament to Aidan’s skill as an actor that he has managed to create this fascinating character that viewers just adore to watch how he operates. I was very excited to begin Margaery’s relationship with Littlefinger because even though she is a woman and even though she is so very young, because of the way she was brought up and the world she comes from, she’s an old spirit. Littlefinger would make a mistake in underestimating such a young, innocent woman in the game of thrones. So it was very interesting to raise my bar as an actress to play opposite an actor such as Aidan the way Margaery knows she’s going to have to raise her skills and her bar in being able to interact with Littlefinger. Maybe there’s a little bit of life imitating art there.
Were you familiar with the books and Margaery before auditioning for the part?
Dormer: I wasn’t familiar with the books… I think every actor on the show makes the decision whether to [read them] or not. Even though the first season was incredibly accurate to the book, there’s the suggestion that in the future, because of the enormity of the scope of the books and the characters we already have in place on the show, that it might not be easy to be 100 percent so faithful to the books in the future. Not necessarily in the character story lines but in what we’re able to see. I had the advantage of not really knowing who Margaery was previous to going in, so I did my interpretation on how the creators saw her…
Did the costumers want you to be cold as possible? That neckline plunged to your navel!
Dormer: Oh man, yes, absolutely. It was freezing. It’s a shame. I think it was on the back of your Hurricane Irene or something, but the tail end of it came across The Atlantic and it hit the north coast of Ireland so hard. It was scheduled to happen earlier in the month when it was slightly sunnier, but because of problems with the weather, we had pushed shooting that scene. So it was really probably about fall by the time we shot it. In an ideal world, we should have been where Emilia [Clarke, who plays Daenerys] was in Croatia. That tournament scene was just unfortunate. From my experience of shooting Tudors on the island of Ireland, you cannot predict the weather. I had a lot of costume girls running over to me with hot water bottles and blankets. They were very dutiful and took great care of me.
What would best represent you on your own personal sigil?
Dormer: It’s funny you should say that because I could answer that straightaway. It’s a twist of fate. When I was a little girl, my grandfather who I was very close to used to grow yellow roses. He had yellow roses growing all the way up his drive. I remember watching him [raise] them when I was a little girl. I always used to joke when I was playing Ann Boleyn — the Tudor roses are white and red because they’re the amalgamation of the two houses during the civil war in England — I used to say, “The roses are in my life because of The Tudors, but I love yellow roses.” And it was just a twist of fate that the Tyrell’s sigil is the yellow rose. I took it as a sign at the time that I was destined to play Margaery because I’ve always had a thing for yellow roses. Now I actually have one as a sigil. It was a twist of fate.
If you sat on the Iron Throne, what would be your first edict? Dormer: Worldwide emancipation for women, equality for the sexes in all areas.
On Community, Annie entered the Dreamatorium with Abed and became Temporary Constable Geneva to Inspector Spacetime. Video clip above.
People who interpret the Mayan calendar as indicating the end of the world in December 2012 are mistaken. It is now clear that the Mayans were just noting the transition from Karen Gillan to Jenna-Louise Coleman on Doctor Who. We have some more information about the process of casting Jenna. Material has been posted on line from part of the audition of Jenna-Louise Coleman for her role as the new companion. The material, taken from Doctor Who Magazine, appears to be Jenna acting out a scene with Matt Smith:
The Doctor and Jasmine are investigating a haunted house.
DOCTOR: So you saw it coming in here? What did it look like?
JASMINE: Grey. Sort of dusty. Like it was made of spider webs.
D: And it came through the wall.
J: Yeah, that wall there.
D: But you don’t think it was a ghost. Why not?
J: Because there’s no such thing as ghosts.
D: You know, a lot of people who saw what you saw wouldn’t still think that.
J: Obviously. Otherwise there wouldn’t be idiots who believe in ghosts.
D: What were you doing here?
J: I love this place. It’s… beautiful.
D: It’s falling apart.
J: It’s old. I love old things, they make me feel sad.
D: What’s good about sad?
J: It’s happy for deep people. You’d know.
D: I’m not sad.
J: Oh, you are though. Under all that talking and leaping about. Takes one to know one.
D: So you come here for… recreational sadness?
J: Yeah. In a way. Okay, why are you looking at me like that?
D: You remind me of an old friend of mine. Someone I lost a long time ago.
J: Down boy. I’m not her.
D: Oh, I know you’re not – I don’t believe in ghosts either.
J: Oh my God, what’s that?
D: Okay, just stay calm.
J: But that’s the thing I saw before.
D: Yep, and it’s coming towards us. I expect you noticed that. Say it with me – I don’t believe in ghosts!
J: I don’t believe in ghosts!
D: Louder! I don’t believe in ghosts!
J: I don’t believe in ghosts!! Will this work?
D: No idea, never met a ghost before.
Whatever this is, Moffat has said that Jasmine won’t be the character’s actual name on the show:
“Two things before you read it. Her name is NOT Jasmine. I don’t like the name Jasmine (sorry all Jasmines, I didn’t mean you) so I knew I’d never use it for real. And also, you might notice there’s a line snuck in from Blink. One of those self-consciously clever, writer-showing-off lines that anyone stuck working with me better get used to.
“So here’s a spoiler from a future that is never going to happen. This is the scene we saw Matt and Jenna perform in a dull little room in the basement of the BBC, which changed the future of Doctor Who. Now remember, this is nonsense, none of this is going to happen, no clues or hints. Think of it as series of hurdles we placed in front of an actress to check her jumping skills.”
After months of rumors (spread by Steven Moffat and Sophia Myles via Twitter), Sophia Myles now says she is not returning to Doctor Who, at least in the near future:
“Steven [Moffat] and I did talk about Doctor Who and I honestly feel – and I think he feels the same – that The Girl in the Fireplace was so special, I really doubt we could do something better together on that show. It was just so perfect and I would rather leave it at that, ” she explains in the latest Doctor Who Magazine.
“If I was to come back to Doctor Who, I don’t think it should be as [Madame de Pompadour]… but it would just ruin it to come back as anything else.”
However, Myles doesn’t completely rule out another role.
“Maybe when I’m old and don’t look anything like her. I’d like to come back in 20 or 30 years’ time as a baddy, and cause some trouble! But as for anything imminently? No. I think that would be inappropriate.
This might be a major spoiler (or perhaps major misdirection) from the first episode of the next season of Doctor Who: Reportedly a prop was seen of divorce papers for Amy and Rory. There are also reports of them getting along well in scenes from episode 3, so if true early-season conflict between the two might get resolved.
The big thing we learned about the alternate universe on Fringe is that they have different superheroes, and no Batman. It was obvious that Agent Lee was interested in Olivia in our universe. Now that she is reunited with Peter, is he heading into a relationship with Fauxlivia?
On Awake, Britten wound up working with Dr. Lee on a police case (although part of their contact was real, and part induced by a drug–or was Britten having hallucinations and losing his mind?). It might have been more interesting if they had Britten run into Dr. Lee in the time line where he sees the other psychiatrist and Dr. Lee doesn’t know that Britten knows him. Of course we’ve seen that sometimes things are quite closely the same in both time lines, and sometimes individual’s lives are quite different, so Dr. Lee may or may not be around as a police psychiatrist in the other time line. From the previews, it looks like next week gets back to the conspiracy around the auto accident which precipitated events.
Las Vegas considered building a full sized replica of the Enterprise in 1992. The story came out last week and can be seen here.
The Hugo Award nominees have been announced. Nominees for Best Dramatic Presentation (Short Form) include three episodes of Doctor Who and one episode of Community.
Best Dramatic Presentation (Short Form) (512 ballots) “The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales) “The Drink Tank‘s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (Renovation) “The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (BBC Wales) “A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (BBC Wales) “Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)
Television shows typically are recognized by the Hugo Awards based upon individual episode. Game of Thrones misses out under that criteria. The entire first season was actually one long story, but it is hard to pick an individual episode. Instead the first season was nominated under Best Dramatic Presentation (Long Form):
Best Dramatic Presentation (Long Form) (592 ballots) Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel) Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO) Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.) Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount) Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)
It is difficult to compare an entire season of a television show to a single movie. Perhaps they should divide into three categories, one for individual episodes of television shows and other short form presentations, one for movies, and a new category for genre television shows.
Marvel Studios isn’t waiting to see how “The Avengers” does in theaters later this year. Following in the footsteps of “Thor,” the studio Friday announced it’s moving forward with a sequel to its 2011 hit “Captain America,” prepping it for a 2014 release.
Keeping the film canon with “The Avengers,” Chris Evans will take on the title role in the present, and not during World War II like the previous film. The events at the end of the first “Captain America” film, along with some storyline in the upcoming “Avengers” movie, bring super soldier Steve Rogers to the present.
The first Captain America film is of increased interest being the film debut of Jenna-Louise Coleman. A picture of her in the movie was previously posted here.
Although not airing in the United States until next weekend, I did get a hold the first two episodes of Titanic. Some of the information posted about the mini-series on line was incorrect. Some reports claimed that Jenna-Louise Coleman doesn’t appear until the third episode but actually she was present in the first two. Perhaps she has a larger role in the third. Some early reviews also described the mini-series as each episode involving different characters, leading up to the ship sinking at the end of each hour. It is correct that each episode leads up to the Titanic sinking, but there is tremendous overlap between the characters. The second episode introduced new characters and didn’t include all the characters from the first episode, but it did provide more information about some of the major characters from the first episode.
The mini-series, written by Julian Fellowes, does have much of the same style as Fellowes’ show Downton Abbey. One difference is that the some among the wealthy are far less sympathetic characters–and in some cases their servants are even nastier.
As for Downton Abbey, there are spoilers for the third season:
What can “Downton Abbey” fans expect when the PBS series starts its third season in January?
“Matthew and Mary do get married,” ”Masterpiece” executive producer Rebecca Eaton said Wednesday at a Winter Park party. She previewed the British drama, which is in production, for supporters of WUCF TV, Central Florida’s new PBS station.
In the new “Downton” season, everyone is waiting for the arrival of the mother of Cora (Elizabeth McGovern), a character played by Oscar-winner Shirley MacLaine. They’re waiting for MacLaine’s character because the British family, especially Violet (Oscar-winner Maggie Smith), needs money again, Eaton said.
“There are some wonderful scenes between Maggie and Shirley MacLaine — Shirley MacLaine being as ditsy as ever,” Eaton said. “And Maggie barely restraining her sneer in having to deal with this American. Maggie Smith is a handful, it’s true. She’s very difficult. She knows her worth, and she’s tricky on the set, but she delivers when the time comes.”
Eaton supplied more teases: “Somebody will be born, and somebody will die, somebody pretty key in the cast, unfortunately not going to make it. It’s the 1920s now.”
The obvious speculation is that the birth will be a child for Matthew and Mary, especially as it is confirmed that they will marry. There are other possibilities. Perhaps Bates makes it out of prison and starts a family with Anna. It is also possible that Lady Sybel might be having a child. Those interested in seeing Jessica Brown Findley in other roles might click here to see her in Albatros. (Beware, the scene is not safe for work, and the Crawley family would really be shocked to see her flashing in this scene).
The cast of Downton Abbey includes Hugh Bonneville, who has appeared on Doctor Who. Alex Kingston has a role on the second season of the remake of Upstairs, Downstairs (coincidentally also playing an archeologist). I was aware that Jean Marsh, who has been on the original and remake of Upstairs, Downstairs, has appeared in Doctor Who and was curious as to whether many other actors have appeared on both shows. I was surprised by the length of the list, which can be seen here.
The second season of Upstairs, Downstairs won’t air in the United States until 2013 and is well worth watching. The season takes place as conflict escalates between Germany and Great Britain just before World War II, giving it a much more modern feel compared to the original, or compared to Downton Abbey.
This week’s episode of Awake, Guilty, did little to progress the mythology of the show, but did address how Michael’s son and wife were coping with the loss of the other in each reality. There was no further mention of the ending from last week regarding the car crash. Things were very similar in both worlds–so much so that Michael could use sleeping pills to go to sleep and find out where a falsely convicted man had a hiding place in the dessert after his counterpart was killed in one realilty. Having things be so similar, including both having hide outs in the same location, was a different situation from last week when the same person was a fertility specialist in one reality and a homeless man in the other. The previews suggest that next week’s episode will again have a character who is different in each reality.
Awake actor Jason Issacs says over the next several episodes, the series will begin to examine some of the implications of Michael’s ability to fall asleep and change from one reality to the next.
That examination will begin with tonight’s episode when something happens to his teenage son in one universe and Michael takes extreme methods to try and go to the other to find clues that may help him get his son back.
Issacs says he came on the idea that Michael could take sleeping pills in order to fall asleep in one universe and wake up in the other.
“That was my idea – “Please let me take a fistful of pills” – and Howard Gordon went, “Great idea.” And there it was on the page next day,” Issacs says. There are not that many stories in the world, so it’s always about execution, and taste, and tone. And you very smartly put your finger on one of the hats that’s in the ring – how many interesting and different ways can we think of to make him pass out and go to sleep? There’s a bunch of people in that writers building that you’d like to be on a desert island with, because they continue to get more and more creative as the series goes on. They spread their wings until they’re just flying.”
Issacs says that idea will extend into next week’s episode and the question of Michael losing consciousness in one reality will shift him to the other.
“Any drop in consciousness. There’s an episode coming up where we play with every permutation of what you can do with this guy. You know that old showbiz maxim, “Nobody buys a ticket to watch the village of the happy people”? We send this guy to hell and back, and one way we play with him is to make him unconscious as often as possible, and we do it in every way you can dream of. Knocked out, getting medicated, being drugged against his will,” Issacs says.
HBO has released the synopses for the first five episodes of Game of Thrones:
Season 2, Episode 1: “The North Remembers” (April 1)
“As Robb Stark and his northern army continue the war against the Lannisters, Tyrion arrives in King’s Landing to counsel Joffrey and temper the young king’s excesses. On the island of Dragonstone, Stannis Baratheon plots an invasion to claim his late brother’s throne, allying himself with the fiery Melisandre, a strange priestess of a stranger god. Across the sea, Daenerys, her three young dragons and khalasar trek through the Red Waste in search of allies, or water. In the North, Bran presides over a threadbare Winterfell, while beyond the Wall, Jon Snow and the Night’s Watch must shelter with a devious wildling.”
Season 2, Episode 2: “The Night Lands” (April 8)
“In the wake of a bloody purge in the capital, Tyrion chastens Cersei for alienating the king’s subjects. On the road north, Arya shares a secret with Gendry, a Night’s Watch recruit. With supplies dwindling, one of Dany’s scouts returns with news of their position. After nine years as a Stark ward, Theon Greyjoy reunites with his father Balon, who wants to restore the ancient Kingdom of the Iron Islands. Davos enlists Salladhor Saan, a pirate, to join forces with Stannis and Melisandre for a naval invasion of King’s Landing.”
Season 2, Episode 3: “What Is Dead May Never Die” (April 15)
“At the Red Keep, Tyrion plots three alliances through the promise of marriage. Catelyn arrives in the Stormlands to forge an alliance of her own. But King Renly, his new wife Margaery and her brother Loras Tyrell have other plans. At Winterfell, Luwin tries to decipher Bran’s dreams.”
Season 2, Episode 4: “Garden of Bones” (April 22)
“Joffrey punishes Sansa for Robb’s victories, while Tyrion and Bronn scramble to temper the king’s cruelty. Catelyn entreats Stannis and Renly to forego their ambitions and unite against the Lannisters. Dany and her exhausted khalasar arrive at the gates of Qarth, a prosperous city with strong walls and rulers who greet her outside them. Tyrion coerces a queen’s man into being his eyes and ears. Arya and Gendry are taken to Harrenhal, where their lives rest in the hands of “The Mountain,” Gregor Clegane. Davos must revert to his old ways and smuggle Melisandre into a secret cove.”
Season 2, Episode 5: “The Ghost of Harrenhal” (April 29)
“The end of the Baratheon rivalry drives Catelyn to flee and Littlefinger to act. At King’s Landing, Tyrion’s source alerts him to Joffrey’s flawed defense plan and a mysterious secret weapon. Theon sails to the Stony Shore to prove he’s worthy to be called Ironborn. In Harrenhal, Arya receives a promise from Jaqen H’ghar, one of three prisoners she saved from the Gold Cloaks. The Night’s Watch arrive at the Fist of the First Men, an ancient fortress where they hope to stem the advance of the wildling army.”
The Fringe Team’s favorite Walterisms, collected at WonderCon in the video above.
Once Upon A Time had a new twist to the Little Red Riding Hood story. The TV Addict interviewed Meghan Ory about the twist in her role:
So how long have you know about the juicy nugget that you’re the big, bad wolf? MEGHAN: I’ve know for a little while. A few episodes in, the boys called me up and said, “Guess what? You’re the wolf!”
When you auditioned to the show, they didn’t say, “Hey, by the way . . . “? MEGHAN: They did not tell me. They did not. I think it might have changed a few things about my audition perhaps. But it was very exciting when I found out.
What did you think when they first told you? Did you think, “Oh no!” or “Oh, cool!”? MEGHAN: I was intrigued. I thought it was a really cool twist and something that most people probably wouldn’t see coming and it was kind of something different for the show too. So I was pretty excited about it.
Did it start informing your performance once you found out? As far as changing the way you were portraying Ruby? MEGHAN: A little bit. But not too much. I had a pretty good idea what I wanted to do with her. And also since we hadn’t seen the wolf in Storybrooke, it was more a Red thing, and we hadn’t seen Red that much.
Have they clued you in on whether Ruby can transform in Storybrooke, or is that part of the curse? That isn’t something she has to worry about? MEGHAN: Well, I think that’s going to be a very interesting story to find out about.
Jennifer Morrison talks about what is coming up on the show here.
In a post at The Guardian which is primarily about Mark Gattis joining Being Human, there are some comments about the cliff hanger to Sherlock (major spoiler for those who have not seen the season two finale:
Earlier this year Steven Moffat suggested that feverish fan theories as to how Holmes had faked his own death had missed one vital clue. So does Gatiss think the truth could now be out there? “There’s some very clever theories, some of them elaborate, and I enjoy them all. But if I were to tell you if someone had worked it out then it wouldn’t be a secret.” Which, of course, isn’t an answer. So I try again. Has somebody somewhere now worked it out? “It may be, sort of, in some of the theories. There’s a lot of very clever people out there … ”
Gatiss points to certain theories beyond his wildest imagination, and admits to being happily shocked by the frenzy that surrounded Holmes’ jump. “I’ve never known something become such a public talking point.” And one that shows little sign of abating. “It’ll be worth the wait,” he promises.
On the planned US Sherlock Holmes update, starring Johnny Lee Miller and Lucy Liu, he pauses for a moment. “All I can say … is no comment.”
According to the BBC’s in-house magazine, Sherlock won’t begin filming until early 2013, meaning that we won’t see a resolution to the cliff hanger until at least spring. We might not have that answer, but if anyone is wondering about Benedict Cumberbatch’s favorite songs, they can check here.
I am sure happy that Community has returned. It is the only sit-com to deal with topics including seven alternative realities, a parody of My Dinner With Andre, and paintball fights–plus in contrast to HBO, no horses were killed during the production of this show. Community remains on the bubble, but the ratings of the show compared to other NBC comedies leaves reason to be optimistic. While it might have benefited by all the hype surrounding its return, as well as not being up against The Big Bang Theory this week, Community has done better than 30 Rock and the first episode back beat most NBC shows:
This season, except all 18 episodes of The Office, all six episodes of Smash (following The Voice), three episodes of Shitney (1.01, 1.02 and 1.03, all after The Office), three episodes of Up All Night (1.01 (after the America’s Got Talent finale), 1.02 (time-period première) and 1.04) and the season premiere of Law & Order : Special Victim Unit, not a single scripted NBC show has done better than last Thursday’s Community episode.
The demographics of the viewers were also quite favorable. Favorable reviews, such as this one from The New York Times, is certainly helpful.
Community has also been picked up for syndication by the Comedy Channel. Another few years worth of episodes should make syndication even more lucrative. Huffington Post has a handy chart of all the relationships on the show.
With Jeff’s ties to both Annie and Britta, will there be any kind of development in either (or both) of those relationships this season?
There’s no romantic development really; there will be little things here and there. But as Dan has always done, he mixes up the couples all the time. It’s like being in a really close group of friends in high school – they keep pairing up in different ways. But because the group has to fend for its life against all these outside pressures–like the air conditioning repair school, Chang’s ascent to power with an army of 13-year-old boys he gets from a Bar Mitzvah, and the group gets expelled–those things have to be resolved first.
How long is the group expelled for?
They’re expelled forever. They all go work at a Jamba Juice together.
This has often been called the darkest season of ‘Community’ – any hints or teasers as to how things get darker in the coming episodes?
A few characters die, in a hilarious way – that’s dark. Troy and Abed get into a pretty big fight. There’s a full-scale blanket fort war. It’s not like it’s become macabre or scary, but it definitely gets darker than usual. But I think that’s where Dan and the other writers operate best. One of the most praised episodes of last season was the Dungeon and Dragons episode (“Advanced Dungeon and Dragons”), which dealt with a guy who was going to commit suicide. So I think the writers are happy to dance around the lasers right now.
Among other genre shows, Once Upon A Time is believed to have an excellent chance for renewal and Person of Interest was officially renewed in the past week. Over at Fox, Terra Nova has officially been cancelled while Alcatraz and Fringe remain in danger.
The movie version of 24 has been delayed, but now there are reports that it will be turned into a trilogy.
The second episode of Awake, The Little Guy, gave more hints as to the direction the show might be moving in. Like last week’s episode, much of the show involved slightly different events in each reality. In one, Hannah (the wife who survived in one reality and died in the other) investigated mail to their dead son and found that Rex had been secretly building a motorcycle with a friend. In the other world, Rex and his friend were still working on the motorcycle without Michael realizing it until Hannah told him about it in the other reality. Hannah of one reality also helped Michael with the information needed to wash Rex’s clothes in the other.
This episode provided clear examples of Michael finding out something in one reality which was pertinent to the other. This could be the case if everything was imaginary in Mikael’s head or if we are dealing with two different realities which split apart at the time of the accident.
There were some key differences between the two worlds. One is in the reaction of the psychiatrist in each to how Michael used information from one to help in the other, including in solving crimes. Dr. Evans was impressed by the manner in which (to her perspective) Michael was using his subconscious to solve problems. In contrast, Dr. Lee saw this as negative, believing the subconscious thoughts were unreliable.
Information from one reality did help Michael solve the murder of fertility specialist Benjamin Mackenzie by a teen (a little guy) who found that Mackenzie impregnated his mother with his own sperm. (Isn’t this always the case when a fertility specialist is seen on a crime show?) . In the other reality (where Dr. Lee questioned the use of the supposedly subconscious information) Mackenzie’s murder was not solved. In this world, Mackenzie had been murdered a month before (by a little guy) but Mackenzie was a homeless drug addict instead of a doctor.
While there are similarities between the two worlds with Mackenzie being murdered in each, it is a major finding that Mackenzie had a different life in each universe which would have begun before the auto accident. This could occur if everything is taking place in Michael Britten’s mind. This could not arise out of a situation where things split into two parallel worlds at the time of the accident as if this was the explanation Mackenzie would be the same in each reality at the time of the accident. Another possibility is that the accident is causing Michael to move back and forth between two parallel universes which were already in existence but where not everything was the same. (Perhaps one even has the twin towers still intact as on Fringe.)
In another major development, Laura Innes, who plays Michael Britton’s superior in the police department, met with another man who was revealed to have been responsible for the car crash which was intended to result in the death of Britton’s entire family. The actual accident was set up by a little man. Beyond revealing that the accident was not really a accident, this answers another question about the show–whether it is possible to have scenes showing events that Britton is unaware of. (This was not the only example, but is by far the most significant to reveal that there is a world beyond Britton’s thoughts). This meeting appears to take place in the Red World where his wife is still alive and the murder of Mackenzie was not solved, but could it possibly be taking place in a different “real world” if the two worlds we see with Michael Britton are both taking place in his mind? The reasons for trying to kill Britton provides another mystery which, while not as interesting as the underlying question of how there are two different realities, is an ongoing mystery which a reasonable story could be written about.
The third episode of the upcoming season of Doctor Who is being filmed in Spain. It is reportedly a western episode in which a “half-human half-robot Terminator-style beast which patrols a Victorian-era western town”. Ben Browder of Farscape will be appearing and there are also unconfirmed rumors that Sophia Myles (also rumored to replace Karen Gillan) appears. (Myles previously appeared in The Girl In The Fireplace, an episode written by Steven Moffat.)
The episode was written by Being Human creator Toby Whithouse and directed by Saul Metzstein of Upstairs Downstairs. There is also another connection between Doctor Who and Upstairs Downstairs. Alex Kingston, in addition to being in the second season of Upstairs Downstairs, plays an archeologist. Seeing “River Song” in pre-World War II England is certainly not implausible.
Two new trailers have been released for The Game of Thrones (videos above).
A long time has passed since we last saw Mad Men. The cast helps us catch up in the above video.
Terra Nova has been officially cancelled by Fox but there are reports that Netflix might be interested in continuing the show. Until Netflix develops a following for original programming, I think it does make sense to try to take advantage of the existing audience of shows which had reasonable ratings but didn’t survive on network television, as it is doing with Arrested Development. While I (and many others) have become accustomed to watching original programing on HBO, Showtime, AMC, and now even Starz, I would be far less likely to click on an original show on Netflix unless I heard a lot of favorable buzz. I think that I, and many other potential viewers, would be far more likely to watch a show we were already in the habit of watching before picked up by Netflix.
If Netflix really is interested, they better act quickly while the cast is still available. Christine Adams has already received a role in a pilot for ABC entitled Americana.
I hope that the announcement of the cancellation of Terra Nova means that this increases the chances that there will be a spot on next year’s schedule for Fringe and Alcatraz. There are reports that Fox might give Fringe a shortened season next year to wrap up the series as a short season would extend the series to at least one-hundred episodes, which is preferred for syndication.
The above video envisions the Benedict Cumberbatch version of Sherlock to the theme of Batman: The Brave and the Bold.
Emily Blunt, who appeared last year in The Adjustment Bureau, passed up on some other genre roles in superhero movies. She was asked about this in an interview in New York Magazine:
At one point, you were up for parts in Iron Man 2 and Captain America, but you passed. Would you ever want to do a superhero movie?
Usually the female parts in a superhero film feel thankless: She’s the pill girlfriend while the guys are whizzing around saving the world. I didn’t do the other ones because the part wasn’t very good or the timing wasn’t right, but I’m open to any kind of genre if the part is great and fun and different and a challenge in some way. I would love to do a comic-book movie or a science-fiction film that would scare the bejesus out of me. Maybe I need to be James Bond! I just did Looper, because it’s so original and breathtakingly cool. The time-travel aspect is just a backdrop to visit this heightened world, where you’re atoning for something and attempting to be more than you’ve been.
Carlton Cuse, show runner from Lost, is joining The Bate’s Motel, a prequel to the Alfred Hitchcock movie Psycho being prepared by A&E.
Stephen Hawking will be appearing on the April 5 episode of The Big Bang Theory. Will Sheldon try to tell Hawking about the physics errors he has made? Community returns this week!!!
In a year when genre television shows are struggling to survive, it was a good sign that a new well-written genre show, Awake, has been receiving excellent reviews. The Christian Science Monitor calls it one of the best dramas on television. Awake is about detective Michael Britten who wakes up after an auto accident in which his son or wife were killed. He alternates between realities in which one has survived and the other is alive. In each reality he remains a detective but is forced to see a psychiatrist. In one reality the psychiatrist is a woman (played by Cherry Jones of 24) who possibly represents the wife he lost while in the other the psychiatrist is a younger man, possibly representing the lost son. His partner is also replaced by a young man in one of the realities.
The show is more a police procedural than a science fiction show which attempts to explain what is happening. In style it reminds me a lot of Life on Mars in which the explanation for the police officer going into the past was a minor matter compared to the individual stories. Explanations were added in the end, with the British and American versions providing entirely different explanations, showing how little the explanation mattered during the shows’ run. The pilot also set up a mystery about the accident which precipitated events of the show. The pilot began with the accident, and Britten has no recollection of events leading up to this point.
From the first episode I don’t believe that finding an explanation will be significant in this show. Should an explanation ever be given, I bet that each reality will be equally valid. The pilot certainly gave no reason to believe one as opposed to the other. I bet either both realities are a dream-like state or there will be two alternative realities which Michael Britten is shifting between. Britten’s lack of recollection of events leading up to the accident do raise the possibility that none of the events are real (within the show), as was also the case in Life on Mars. Britten made it clear he wants no “cure” for the situation as he wants to preserve the situation in which he still has both his wife and son–a decision which certainly makes sense for him.
An interview with executive producer Howard Gordon and creator Kyle Killen was posted in Blastr, discussing comparisons between Awake and Inception and addressing Britten’s desire to live in both worlds:
“The show is really about a man who has decided and desperately wants to live in both of these worlds. Who refuses to acknowledge which is real and which isn’t,” said Killen. “And as you try to live two lives in parallel and you see them start to go in dramatically different directions, I think the idea is that hopefully the audience, like the character, becomes invested in not wanting to let either of those go.”
“Because as long as he has got both of them, he has got access to his wife and his son, then he hasn’t really lost anything. And the upshot for a detective living across two worlds is that he discovers that the cases in one seem to sort of be reflected or replicated in the other. And that provides him with insight and clues that allow him to do his job differently than he did before, and differently than any other detective that we have gotten to see on television.”
It is too soon, after only seeing the pilot, but with Fringe (while still worth watching) not reaching the quality of last season, Awake does have a shot at becoming both the best genre show and drama shown on American network television. Competing with the top shows available on cable will be far harder.
Radio Times on the monsters and villains of Doctor Who:
Fans of perennial Doctor Who villains such as the Daleks and the Cybermen may disagree but Steven Moffat says new baddies are the best.
The Doctor Who and Sherlock writer says viewers develop a connection with villains when they first meet them and that continually bringing them back can hamper a show’s growth.
“One of the temptations, particularly if it’s a success is to keep repeating your hits, which means you hear it again and again and again,” said Moffat.
“I always say new monsters are better in Doctor Who because you fall in love with monsters when they’re new,” he told Le Village.
It’s an admission that may surprise some viewers, given that Moffat resurrected the Daleks within three episodes of having taken over the show for its 2010 series, but it suggests the Doctor will be facing some new foes in series seven.
Meanwhile, the show’s producer Marcus Wilson told Doctor Who Magazine that two monsters from “classic” Who would be back in the new series.
The final link above provides further information on next season.
Besides discussing old versus new monsters, Steven Moffat tweeted the above video showing Sherlock vs. The Doctor. Actually the leads on both of Steven Moffat’s shows are pretty similar. Just how did Moffat manage to become show runner for not one but two of the top fictional characters of all time?
It only makes sense that the tenth Doctor be on the ten dollar bill. (Similar changes should be made for the $1 and $5 dollar bills.)
Marvel has uploaded the official trailer to The Avengers, which opens in the United States on May 4 and in the U.K. on April 29. (Official UK trailer here). The movie is packed with super heroes and beautiful women. More pictures of Cobie Smulders (How I Met Your Mother) as Maria Hill can be seen here. Besides appearing in The Avengers, Scarlett Johansson has recreated the classic Janet Leigh shower scene in Alfred Hitchcock and the Making of Psycho. Entertainment Weekly reports that it took seven days to film the nude scene. It probably actually took a half day to film and then someone wanted to have her do it over and over again.
The last two episodes of Fringe have included major advances to the plot in the alternative time line as Olivia began having memories from the Olivia of the original time line, we encountered the Nina from the universe, and Peter entered the mind of an Observer. The big revelation was that problems were caused by Peter having a child with Altlivia instead of Olivia. Jeff Pinkner and Joel Wyman were interviewed by The Hollywood Reporter last week, and Collider has a more recent interview:
Was the Observer intel something you’ve been wanting to reveal for awhile now?
WYMAN: Well, we always said that you’d find out about the Observers this season, and that we’re going to investigate them a lot more. So, we’re excited about it all because the Observers are a highlight. For us to constantly break what you think you know, and re-set and have viewers go, “Wow, I didn’t see that coming,” that’s why we get up in the morning. It’s to take people on the ride. We’re excited about what’s coming up, too.
This season, there have been some really great singular cases and stand-alone episodes, but “The End of All Things” was mythology heavy and really speaks to the larger arc this season. How will that effect what viewers see in the final stretch this season?
PINKNER: Well, it’s definitely a game-changer, in that our characters learn a lot more, and the audience is going to learn a lot more, about the uber-plot of our season bad guy, David Robert Jones (Jared Harris). For Peter (Joshua Jackson), Olivia (Anna Torv) and Walter (John Noble), it’s going to start to unfold in ways that, hopefully, will be both really satisfying and challenging to our characters. It’s the 14th episode out of 22, and it’s very much a hinge episode that’s going to launch us into the back half portion of the season.
Do you already know what the final episode for this season will be?
PINKNER: No, we have not written the finale, but we do know what it is. We’ve known the shape of our season before we even started this year.
WYMAN: Fortunately, at the end of every season, we close the chapter and start anew. That’s the language of the series now, so it can organically come to a conclusion that we love.
How soon is it going to become evident what David Robert Jones’ (Jared Harris) uber-plan is, specifically, and how Olivia fits into it?
WYMAN: We can’t say anything, but just remember that, on Fringe, nothing is as it seems. There’s always a little more to the story behind the story. He’s definitely a large part, going forward. A lot of things will come full circle.
PINKNER: We’re well aware of how intelligent our audience is. We’re well aware that Fringe is a show that you really need to lean forward into and pay attention to and think about. It’s not designed to be a show that you can watch while you’re folding laundry. So, we’re well aware of the questions that our audience is inevitably going to ask. We’re well aware of how carefully they watch the show and hold us to continuity. We’re certainly aware of the debates that are going to occur. Our audience holds us to an incredibly high standard of continuity and emotional authenticity. We don’t toy with that, but oftentimes we write stories, in order to spark debate. We’re very determined to always give the answer. We don’t want to leave a lot of things open to debate, at the end of the day.
Episodes of Alcatraz have a formula in which a different prisoner from Alcatraz shows up in the present and must be apprehended every week. Some of the prison staff has also been seen in the present, but very little has been revealed as to what is really going on. Whether the show is successful as a genre show as opposed to a crime show with a twist will depend upon how the mythology of the show is developed. With cancellation of the series a strong possibility after this season, I have feared that we might be kept hanging without real answers. In an interview with TV Guide, executive producers Jennifer Johnson and Dan Pyne indicate that we will receive answers by the end of this season:
Is there a particular reason why Alcatraz prison became the focus point of the disappearance?
Johnson: Yeah. There are theories that our characters have. We’ll talk about what those theories are by the end of the season, but they may not be the real ones. We’ll understand what Hauser thinks about it and what his think-tank thinks about it, but that’s really just the tip of the iceberg. We may meet a character by the end of the season who does know that specific answer, who probably has a lot more answers than any of the characters we’ve met so far.
Will we learn who the powers that be are and what their motives are this season? Or is that a series arc?
Pyne: Well, it’s a little of both. I think by the end of [Episode] 13 we’ll have an understanding of who that might be.
Johnson: That’s the character that we were referring to. He might be part of the powers that be. Pyne: But definitely by the end of the season there will be more of a sense of the game that’s afoot. We won’t be coy about it and keep holding back. There will be a better sense of what’s going on. We may not understand what the endgame is, but at least the players will become a little bit clearer.
Johnson: It’s complicated because they don’t all have the same goals, which we’re going to hit upon before the end of the season. There’s almost a secret war happening between the ’63s, too. That all interplays with what their relationships were in the past when they were imprisoned or working on Alcatraz.
Is there a reason why some of the ’63s have gone against mission?
Pyne: Yes. Johnson: We won’t say definitively, but we’ll give people the tools to have pretty informed theories about it.
What’s with the fascination with the number three — three keys, three bank robberies and three days of sniper shootings are just some of the few?
Pyne: There may be more than one number clue.
Johnson: Forty-seven is an important number, too. But we like three for its stability and the idea that it’s a triangle. We talk about triangles a lot and relationships that have three angles in them.
Lucy had mentioned in the past that she was going to fix the prisoners with memory-altering experiments. Did she end up being a puzzle piece in the overall mystery of how the ’63s disappeared?
Pyne: She definitely is a puzzle piece, yes. We may not stick with this forever, but right now, everything that’s happened in the past has happened chronologically in 1960. So, there’s still three years left before the jump. Clearly, allegiances change. Stuff happens in those three years between the time when Lucy comes to prison to start her experiments and 1963 when she obviously disappeared along with everybody else. Certainly, she has some answers to what might have gone on, but she also may not even understand. She didn’t understand at the time what was going on. It may be just now looking back at it that she can start to unravel what she saw.
Johnson: Yeah, helping the team unravel by knowing the psychology of the inmates. But the Warden (Jonny Coyne) is very Machiavellian. He does not want the left hand to know what the right hand is doing. So, he may utilize different players for their different challenges. But part of his M.O. is not to let any one person know too much of what is going on.
Diego mentioned in the pilot that the Warden had died many years ago. Did he really or is he part of the missing ’63s?
Pyne: It’s possible.
Will we discover how Lucy came to work with Hauser in the future and see more of their relationship in the past?
Johnson: Yes. Definitely, 100 percent.
Pyne: Their love story is one of the great triangles of Alcatraz.
Johnson: It’s kind of the love triangle between Hauser, Lucy, and the jump itself.
Will we find out what Dr. Beauregard (Leon Rippy) was doing behind closed doors at Alcatraz?
Pyne: You may find out soon, in the next couple episodes. Then once you find out, you may be totally wrong, but you will see some of what he’s up to. He’s a little bit jealous of Lucy’s elevation to the prize poodle on Alcatraz, so he gets up to some hijinks that he maybe shouldn’t.
What can you tell us about the downstairs door that needs to be opened with three keys?
Johnson: That we’re going to open it before the end of the season. We’ll understand by the end of the season what’s behind that door, at least one layer of it. It was very important to the Warden. There may only be one person that he shares that secret with.
We learned Diego was kidnapped at age 11. Will that come back into play?
Johnson: That’s his deep, deep back story and a lot of what motivated his fascination with Alcatraz and with comic books. We won’t necessarily go there before the end of the season, but that is part of who he is as a character and why he became part of this team.
Once Rebecca does finally come face-to-face with Tommy, will she be able to let bygones be bygones and realize that he is still her family?
Johnson: We know the answer to that, but I don’t think we can tell you.
What can you tell us about what is in store for her?
Pyne: She begins to get a little bit more focused on solving the mystery of what happened to her partner and delving into that day and why he was there. It slowly leads her to some revelations about her partner about the larger mystery of Alcatraz and also about Tommy Madsen.
Johnson: And what everybody is doing here present day. They discover that there are different factions of ’63s here in present day San Francisco and beyond.
Sarah Jones, who plays Detective Rebecca Madsen, also indicated that there will be pay off for the fans in the last two episodes in an interview with Collider.
Last week the political blogosphere debated whether the Death Star was worth building. Kevin Drum looked at the economics and found that it was a surprisingly cost-effective weapon. A post at Enik Rising argued that it was a bad investment, even if affordable. I bet that such debates prior to the building of the Death Star didn’t take Luke Skywalker into consideration.
Community returns on March 15. There will also be a web series of Inspector Spacetime, a British time travel show which began in 1992 according to Community. Geeks of Doom has more information:
Inspector Spacetime, the Doctor Who-spoofing character whose cheeky sci-fi exploits are vastly enjoyed by Community characters Abed (Danny Pudi) and Troy (Donald Glover), will soon be seen in his very own web series, but don’t expect to see any cameos from certain Greendale Community College students. Travis Richey, the Inspector himself, is producing the six-episode series independently.
You can expect to see the Inspector and his trusty sidekick Constable Reginald battle their arch-nemesis Boyish the Extraordinary and take on the Blorgons of Second New Old Earth 7 with the aid of the Inspector’s “optic pocketknife.”
Richey wrote to io9 to further clarify his intentions for the web series:
“Dan Harmon, Community, NBC and Sony have nothing to do with this web series. I pitched it to them after my first episode of Community, but never heard back from them one way or another. So I’m going to do it myself, with the help of fans. I’m launching a Kickstarter campaign in a matter of hours for an equipment budget, and the complete story can be read there.”
The Game of Thrones returns on April 1 (preview above).
The BBC made a pilot for a series loosely based upon Douglas Adams’ Dirk Gently novels in 2010. A three episode series begins on BBC 4 on March 5.
Lost alumna Emilie de Ravin is set to co-star in another ABC drama series project, pilot Americana, a soap about a famous fashion industry clan. It centers on iconic fashion designer Robert Soulter (Anthony LaPaglia), the patriarch of a sprawling family who just welcomed a new member, a young designer whose shocking arrival turns the family and the legendary label inside out. De Ravin, repped by Gersh and manager Darren Goldberg, will play Robert’s chic and outgoing daughter Francesca who is the head of events at Americana but Robert doesn’t consider her a candidate for the heir to his empire, which may have treacherous consequences. Michael Seitzman wrote the script, with Phillip Noyce, who helmed the pilot for ABC’s Revenge last year, directing.
Camilla Luddington, who played Kate Middleton in the Lifetime movie William & Kate, has more recently had a role in Californication. In last week’s episode she was repeatedly seen naked in scenes ranging from swimming in the nude to getting caught by Charlie Runkle while getting out of the shower. In is safe to assume this is the closest we will ever get to seeing any version of Kate Middleton nude on television. Pictures are under the fold if you are seeing this on the main web page (double click on the pictures for larger versions).
It was a good night for Doctor Who at the National Television Awards, despite losing to Downton Abbey as best drama. Matt Smith won the award for best actor and Karen Gillan won for best actress. Merlin was also a contender for Best Drama.
David Tennant has also won as best actor at the inaugural BBC Audio Drama Awards. He won for his role as Kafka in Kafka: The Musical.
Does reading about awards for the last two Doctors make you nostalgic for their episodes, as well as all the episodes before them? The above video shows almost fifty years of Doctor Who in less than ten minutes.
Matt Smith and Karen Gillan beat nominees from Torchwood, John Barrowman and Eve Myles, in their respective categories in the National Television Awards. Cultbox interviewed Eve Myles about the future of Torchwood and the upcoming 50th anniversary of Doctor Who:
What’s the latest you’ve heard on the future of Torchwood?
“As far as I know at the moment, everything’s still very much on hold. Russell [T Davies] has things happening in his personal life.
“John [Barrowman] is very much on the same page as me, in that if and when they need us, they can just pick the phone up and we will be there before they’ve even put the phone down, because it’s something we love doing.
“Nothing’s going to happen in 2012, I know that much for sure. But who knows what will happen in 2013. Maybe a movie, to kinda draw a line under it.
“That’s the thing about Torchwood, every series we’ve changed our format. We’ve always had a gap in between, so fingers crossed, because we’ve got such an outstanding loyal fan base. They deserve Torchwood to go ahead with something else to draw a line under it, for the fans to have a bit of closure.
With the 50th anniversary of Doctor Who coming up next year, would you be up for returning as Gwen for that?
“Um, I said something at one of these conventions and the press kinda jumped on it: “EVE MYLES THINKS BEING INVOLVED IN THE 50TH ANNINVERSARY OF DOCTOR WHO IS INAPPROPRIATE.”
“Now, this has come across wrong and I want to get this out that I didn’t mean it like that! What I meant was that the direction we were taking with Torchwood was very violent kind of storylines. The characters were going through certain narratives that are pretty hefty and adult. What I meant was that it’s difficult for a character to do those kind of scenes then do Doctor Who, which my niece and my nephews watch. And I would never let them watch Torchwood!
“It’s a difficult crossover. It works with Captain Jack because John does it beautifully. If I was asked it would be an absolute honour to be involved with something as huge as Doctor Who again.
“We were born from Doctor Who and we will be eternally grateful to the mothership. And I always say that and that never gets printed! If I was involved, I’m sure it’d be a wonderful thing but there’s been no phone call or no talk about it so I doubt very much that I will be involved, but I’d be honoured.”
Topless Robot helped me transition from Torchwood to Star Trek by digging up the above video of John Barrowman interviewing William Shatner (Captain Jack and Captain Kirk) from 1994 about Star Trek: Generations.
Zoe Saldana has provided a hint as to what happens with her character in J.J. Abram’s second Star Trek movie in an interview with New York Magazine:
Might we see some more “close encounters” between you and Zachary Quinto in this movie?
If I’m elusive, will that spoil it for you? You mean you can’t say anything, and that in itself might be indicating something?
I just don’t want to spoil it for you. All I’m going to say is, if you put all the time and energy and wit into setting these two characters together in the first movie and didn’t follow through, it would be a shame.
I hope I didn’t say too much!
I don’t think you did.
I feel like J.J. is going to pop up out of the corner and say, “Come with me, Zoe.”
J.J. Abrams also has two new genre television shows this season, Person of Interest and Alcatraz. Individual episodes of each give the impression of being essentially police procedural shows with a twist, and the question in my mind is whether there will be enough back story of interest to make them worth watching. I almost gave up on Fringe during its first season, seeing it as largely a monster of the week version of X-Files, but by the second season there was a tremendous pay off for sticking with the show. Therefore I paln to keep watching these two new Abrams shows.
There are hints that a story is developing beyond the weekly procedurals on Person of Interest. We have already seen a major change in Detective Carter. I am curious to see what develops now that Reese is having Finch followed. Meanwhile, Jonathan Nolan warns, “None of these characters are safe. You always have to be willing to [kill off characters]. Nothing is given.” I doubt that they would kill off Reese or Finch, but Carter and Fusco are definitely expendable.
Alcatraz combines a weekly police procedural with hunting down escaped prisoners from Alcatraz along with a continuing story about how they managed to be transported to the present. So far we’ve seen three stories (with two separate episodes being aired the first week). I got hooked with the second episode, which showed Lucy both in the past and present. It was not only the prisoners who disappeared from Alcatraz.
Perhaps because of being produced by Warner Brothers, The Big Bang Theory tends to concentrate heavily on DC comic characters. One rare past reference to Doctor Who which I can recall was from last year’s New Year’s Eve party when Stuart wore a Tom Baker costume at a party at his comic book store. Meanwhile, most of the characters came not as X-Men or Avengers but members of the Justice League of America:
Two years ago, Sheldon did combine watching Doctor Who with his fixation on his place on the couch:
Or perhaps we should not ignore the harm done to Christian children by Jews, atheists, and gays in the War on Christmas. See the public service announcement above.
Community is going on hiatus until spring but did end for the fall with more Inspector Spacetime.
With Inspector Spacetime gone, we will have to settle for Excellent!, a comedy spin off of Doctor Who staring the Cybermen. Title sequence above. Not satisfied? Then we must Save Greendale. Beyond Inspector Spacetime, more reasons to save Community are listed here.
Spin, a short film by Jamin Winans which has won over 40 film festival awards worldwide, shows the complexities of trying to control time in the video above.
There are some hints as to what happens in the season finale of Terra Nova next week:
Someone’s going to die. That much has been leaked about the upcoming two-hour finale on Fox’s Terra Nova, and star Allison Miller promises that fans are not going to be at all happy if the Steven Spielberg dino drama doesn’t get a second season.
“There’s going to be so much left unanswered,” Miller told EW. Miller plays Skye, a traitor within the Terra Nova camp.
The finale, which airs on Monday, Dec. 19, at 8 p.m., opens with the colonists anticipating the arrival of the 11th Pilgrimage. Producers have already spilled that not just one, but two people will die, including a “person who is without family,” there will be an explosion, and there is an unexpected trip back to 2149.
“It felt like we went back to the pilot as far as the scope and scale of everything,” said Miller. “It’s just so huge, it sort of has this post-apocalyptic feel to it that’s dark and interesting.” As far as who might be killed off in the finale, “I was so disappointed. I mean, it’s heartbreaking. It’s so, so sad.”
However, she does say we’ll get some answers. We’ll learn why Lucas wants the portal to go into the future, as well as the past, and how Lucas and Taylor ended up on different sides of things. “You’ll know exactly what has been driving them apart all these years,” said Miller. And we’ll find out about an organization with “something else in mind for Terra Nova.”
Since we’ve already heard about new evildoers named the Phoenix Group, we’re guessing that might be the organization she’s talking about.
According to executive producer Brannon Braga: “We have supercharged the premise of our show in a very chilling way. … Everything changes.”
“It would not be fair to anyone to not give us a second season,” said Miller.
I would like to see the show have more time to develop, but getting a second season has nothing to do about fairness. The first season could have been developed more, but the key factor in delaying a decision is probably the high cost of the show.
Sherlock returns on BBC1 on January 1. Spoiler TV has interviews with Steven Moffat, Mark Gatiss, and Benedict Cumberbatch on the second season. The first episode is A Scandal In Belgravia:
The contemporary re-imagining of the Arthur Conan Doyle classic, co-created by Steven Moffat and Mark Gatiss, caused a sensation in the summer of 2010, delivering an audience of more than nine million viewers who tuned in to watch Sherlock and John Watson navigate a maze of cryptic clues and lethal killers in three thrilling, action-packed adventures.
In episode one of this new series, compromising photographs and a case of blackmail threaten the very heart of the British establishment but, for Sherlock and John, the game is on in more ways than one as they find themselves battling international terrorism, rogue CIA agents and a secret conspiracy involving the British government. But this case will cast a darker shadow over their lives than they could ever imagine, as the great detective begins a long duel of wits with an antagonist as cold and ruthless and brilliant as himself: to Sherlock Holmes, Irene Adler will always be THE woman.
The BBC has announced that The Hour will return for a second season:
Critically-acclaimed drama, The Hour will return to BBC AMERICA next year with a mini-series sequel, once again co-produced by the network.
Written and created by the award winning Abi Morgan (The Iron Lady, Shame, Sex Traffic) and produced by Kudos Film and TV, the new six-parter (6×60) sees the return of the highly competitive, sharp-witted and passionate news trio Bel (Romola Garai), Hector (Dominic West) and Freddie (Ben Whishaw) alongside beloved Lix (Anna Chancellor), scheming McCain (Julian Rhind-Tutt) and newly assertive Marnie Madden (Oona Chaplin), in this highly acclaimed 1950s newsroom drama.
The next installment rejoins The Hour team a year later in 1957 where we are introduced to new characters played by Peter Capaldi (The Thick of It, The Nativity) Hannah Tointon (The Inbetweeners) and Tom Burke (State of Play).
Perry Simon, General Manager, Channels, BBC Worldwide America says: “The Hour successfully launched BBC AMERICA’s new Dramaville franchise in August by setting the standard for great British drama. Abi Morgan and the Kudos production team delivered an extraordinary television experience and when the opportunity arose for us to co-produce a sequel we jumped at it. I can’t wait to see the next chapter in the lives of these brilliant characters.”
Jane Featherstone, Creative Director and Executive Producer, Kudos Film and Television, says: “In series two of The Hour we are going to find out what happens next in the lives of our news team, as they engage with a new year full of old flames, new loves, thrilling stories and plenty of scandal. Taking us even deeper into our characters’ lives and engaging the viewers with its energy, wit and story, we’re chuffed to bits to be able to keep the world alive.”
The sequel will see the team still striving to broadcast the stories they believe in, as they grapple with the looming spectre of the Cold War and changing social mores. It will chart political intrigue and corruption against the highly charged backdrop of a country in the grip of unsettling and rapid change. With the space race and nuclear power, Britain seems on the threshold of a new era of modernization, economic optimism, scientific progress and cultural change in the face of new immigration from the Commonwealth. But under the buoyant veneer, our characters become deeply embroiled in cover-ups, sexual intrigues and the resurgence of Mosley’s fascism…
Bel Rowley is still single and determined not to get involved with another married man. Clarence is in prison and she must now report to Randall Brown (Peter Capaldi) the eccentric new Head of News. While juggling the sparky relationships around her, she finds out that Hector is being lured to ITV. She fights for her program and finds herself taking on her adversary, Bill Kendall (Tom Burke), a producer whose magnetic charm she can’t help but find irresistible.
Hector Madden has risen to the status of a national celebrity, all while maintaining his lifestyle as a happily married man and face of The Hour. He is unsettled by Marnie’s desire to establish her own career and finds himself drawn to the late night clubs of Soho where he befriends Kiki (Hannah Tointon), a club hostess. No longer happy at The Hour under Randall’s new regime, he is tempted by offers from ITV, but when a night at the club goes badly wrong, scandal threatens and Hector must try to stop a news story that could destroy his marriage and his career.
Freddie Lyons, who was fired after ‘The Lord Elms’ live interview, makes an unexpected return to The Hour. Having been away for several months travelling around the world, he returns as co-host of The Hour, to both Bel and Hector’s surprise. He has however not lost his passion to investigate and as he becomes embroiled with exposing a cover-up, it becomes clear that the ghosts of the past will not let Freddie go.
Lix is still heading up the foreign desk, fighting for airtime for international stories, but a new side to her is revealed when Randall arrives at The Hour. Meanwhile, McCain (Julian Rhind-Tutt) is now Head of Press for Macmillan, protecting the recently elected Prime Minister and the closed circle of his cabinet.