Bryan Fuller has explained the name Discovery was chosen for the upcoming Star Trek series:
“This ship is called the Discovery for a few reasons,” Fuller explained. “Not the least of which is Stanley Kubrick’s contribution to the Discovery on 2001: A Space Odyssey, NASA’s vessel the Discovery, and also the sense of discovery.” He added that the title of Star Trek: Discovery was also about “what the word ‘discovery’ means to Star Trek audiences who have been promised a future by Gene Roddenberry where we come together as a planet and seek new worlds and new alien races to explore and understand and collaborate with.” Fuller went on to say that sense of discovering would manifest as the show reintroduces new and familiar aliens, ships, and technology to the Star Trek universe.
TV Guide reports that there will be more than just a television series:
Star Trek: Discoveryis going really, really big when it debuts on CBS — before moving to CBS’ All Access portal in January of 2017: not just with a new ship, new aliens and new planets; but a novel and comic book series, too.
Kristen Beyer, who’s overseeing a line ofStar Trek novels, announced the big plans for the series at the Star Trek: Mission New York convention this weekend, where she and Nicholas Meyer, writer and director of the acclaimed movie Star Trek II: The Wrath of Khan, celebrated the franchise’s 50-year milestone.
At the gathering, Beyer said that longtime Star Trek author David Mack will write the Discovery tie-in novel, while writer Mike Johnson will have a hand in developing the comic series. “We’re creating these in real time [with the show],” Beyer said, according to a report from Yahoo. “They’re going to support the story in a way we don’t normally have the chance to do.”
HBO has a new trailer for Westworld.
Westworld looks quite promising but looking at the trailer, I have my doubts about Aftermath. It looks like they tried to throw in far too much, but we won’t know until actual episodes are on, and perhaps others will find this above trailer more compelling than I did.
Netflix has picked up season two of Stranger Things. The second season will contain nine episodes and take place in 1984. That is not the only Netflix series to take place in the 1980’s. Netflix has also picked up G.L.O.W., a ten-episode comedy by Jenji Kohan of Orange Is The New Black. The series about a 1980s female wrestling league is primarily of interest as it will star Alison Brie of Community and Mad Men.
DC’s Legends of Tomorrow fortunately is being largely redone for the second season. Trailer above. The addition of the Justice Society of America gives another reason to give the series a second chance.
Supergirl will finally show Superman on screen second season. The first set pictures of Superman (played by Tyler Hoechlin ) with Supergirl have been posted this week.
Radio Times reports that Doctor Who has had a huge influence on names in England and Wales:
Amelia – the dearly departed Amelia Pond of course – is the most popular girls’ name in England and Wales for 2015. Even more significantly, Clara entered the top 100 for the very first time in 2015 – the same year as Clara Oswald’s final moments in the Tardis.
Rose (Tyler), Martha (Jones), Sarah (Jane), Victoria (Waterfield – an assistant to the second Doctor) and Grace (Holloway – pal to the eighth Doctor) all feature in the top 100 names for girls.
In fact, according to our calculations, 3 per cent of all girls born in 2015 were named after Doctor Who companions.
And the boys? Well, Rory (Williams) and Michael (‘Mickey’ Smith) both have a place in the top 100. Jack (Captain Harkness) meanwhile, is the second most popular name for boys in 2015.
I’m not so sure that we can attribute the Michaels and Jacks to Doctor Who, but is is far more likely that others such as Clara, Amelia, and Rory were influenced by the show.
Amelia Pond is also quite busy in new roles. Karen Gillan has been cast in the remake of Jumanji. This is among other upcoming roles including returning as Nebula in Guardians of the Galaxy Vol. 2 and a role in the movie version of The Circle.
The Emmy nominations came out this week, and I think they did a much better job than most years. The full list of nominees can be found here. Common problems in previous years included failing to recognize new shows, snubbing genre, and keeping old favorites in the nominations even when shows were beyond their prime. Last year they finally made up for snubbing Tatiana Maslany for Lead Actress in a Drama Series and she was nominated again this year. The biggest correction this year was finally recognizing The Americans–not only for Outstanding Drama Series, but also recognizing its stars Matthew Rhys and Keri Russell.
While it took four years for the academy to give The Americans the recognition it deserves, another good surprise was that Mr. Robot received nominations, including for the series and for star Rami Malek. As with Tatiana Maslany on Orphan Black, it is hard to picture Mr. Robot working without Rami Malek. On the other hand, they did snub Christian Slater, who won a Golden Globe for Best Supporting Actor for his work on the series. Perhaps the Emmy Awards don’t recognize characters who are a figment of another character’s imagination.
It was also a pleasant surprise that Master of None received nominations including for the series and for star Aziz Ansari. Ansari might have benefited from his work on 30 Rock, while another 30 Rock alumni, Ellie Kemper (Unbreakable Kimmy Schmidt) missed out her first year but was nominated this year.
Beyond the additions of The Americans and Mr. Robot, the Outstanding Drama Series category was fairly predictable, including Homeland and Downton Abbey remaining beyond their best years. Of course the Emmy’s have also been more likely to include a show or star when they are in their final year, so I was not surprised that Downton Abbey was included. If they must include a show which Damian Lewis was at one time connected with, I would have chosen Billions over Homeland this year. The biggest snub this year of a show which deserved to be included was Jessica Jones. Similarly, Krysten Ritter and David Tennant deserved nominations for Best Actress and Supporting Actor. The series was nominated for some minor awards but it is hard for genre shows other than Game of Thrones to receive the major nominations.
The Outstanding Comedy Series category includes several worthy shows, along with continuing to nominate Modern Family out of inertia. I would have included Catastrophe and You’re The Worst before Modern Family.
Fargo deserves another nomination for Outstanding Limited Series, but this year I would give the award to The Night Manager, which also received nominations in additional categories. A miniseries was the best way to handle a John le Carré novel. While the same can also be said of other novels, whenever I have seen a movie based upon one of his novels which I have read I would feel disappointed by how much had to be left out.
Mr. Robot returned with two episodes last week. One question when watching is how much is true and how much is Eliot imagining. I noticed that when the episode showed his routine, whenever he was by a television Barack Obama was on live, throughout the day. That aspect was obviously imagined, even if he really saw Obama at one point. How much of the rest of the day, or where he is living, was imagined?
TV Guide looked at one theory that everything was imagined, noticing how much his room looked like a cell in containing only a bed and a small table, his mother seemed like a guard, his meals with the same person could have been taking place in a prison cafeteria, his meeting across the table with Gideon looked like a prison visit, and the use of a wall phone as opposed to a cell phone looked like a prisoner talking on a prison phone. These, and other examples, could mean that Elliot was in prison, or perhaps a mental hospital. The knock on his door at the end of season one could have been when he was apprehended. However, there were also suggestions that the FBI is pursuing Elliot, which might argue against him already being in prison, unless he is relating events out of order.
Dan Harmon says a Community movie will still happen, although from this report it sure doesn’t sound like we will see it anytime soon (if ever).
With Benedict Cumberbatch and Martin Freeman both becoming such big stars, Steven Moffat wonders if he will be able to continue Sherlock beyond the fourth season.
Channel 4 has renewed Catastrophe for seasons three and four. Amazon will stream them in the United States. Amazon didn’t stream previous seasons until after they were on Channel 4 so I bet I will wind up downloading them as opposed to waiting.
I would watch season three of Fargo even if it stared all unknown actors, but the addition of Carrie Coon (Leftovers) is a huge plus.
In follow up of my review last week of the season finale of Outlander, Vulture has some spoilers as to what to expect in the third season.
Digital Spy looks at the rumors of Matt Smith returning to Doctor Who and gives reasons why they do not believe they are true.
Next week we will have a miniseries of the absurd, The Republican Convention. The schedule of people you don’t really want to see speak is listed here.
Fans of Community are familiar with the concept of the darkest timeline. While nobody has clinched the nomination and there is still time for unexpected events to change the trajectory after Super Tuesday, the most likely outcome of the nomination battles is that we will have a habitual liar and warmonger running for president, and the other candidate will be Donald Trump. The two worst candidates imaginable. We might now be living in the darkest timeline.
Again, nothing is final. Super Tuesday was set up to benefit moderate Democratic candidates who would appeal to the southern states, with party rules set up to hinder liberal nominees even before the games played this election year. Clinton did very well in states she probably has no chance to win in a general election, but it was also disappointing to see both Clinton and Trump win in Massachusetts.
Clinton has more than enough baggage to normally derail any politician but, like Donald Trump, her supporters don’t seem to care what she has done. There is also a remote chance that the Republican race will turn into a two way battle with the survivor being to win enough winner take all states to overcome Trump’s advantage.
One hopeful sign is the amount of donations Sanders has been receiving, receiving over forty million dollars in February alone. Generally, when a candidate loses primaries, they are forced from the race as their money dries up. Sanders has the resources and will be continuing to take on Clinton.
If it is a general election between Hillary Clinton and Donald Trump, one question will be how the nomination process led to the two candidates with the highest negatives for a general election winning each party’s nomination. While the outcome is analogous, the process was completely different. Clinton has benefited from being the establishment candidate in a battle rigged in her favor, without regard to the consequences. Trump has defied the Republican leadership, which has so far been powerless to get in the way of voters rejecting the establishment.
In other words, the Democratic race has been totally undemocratic, while the Republicans have had a much fairer process. As David Atkins wrote about the Democratic process at Washington Monthly, “The Democratic Party should be true to its name and trust in democracy.”Republican voters have been right in rejecting the establishment, but unfortunately the wrong person has benefited from this.
An election between Clinton versus Trump will very likely break modern records for dishonesty and smears. With each candidate being so disliked on a national level, each will probably try to win by making voters hate the other even more.
We might see a breakdown in the red/blue state divide which has dominated recent elections. It is not unimaginable to see Donald Trump taking New York and the blue portions of the midwest in a battle with Clinton, who already is having problems in the traditional battleground states. On the other hand, Democrats might be lucky if Trump is the nominee as Clinton would have a much harder time beating Cruz or Rubio. The latest CNN poll , along with multiple other recent polls, agrees with this, showing both Sanders and Clinton beating Trump, with Sanders winning by a larger margin, but only Sanders being able to beat Rubio and Cruz.
The real reason that this is the darkest timeline is not the general election, but who we will have to live with as president for at least four years. A Clinton victory means a return to the neoconservative foreign policy view which has resulted in disaster. She will keep us on a path of perpetual warfare and strengthening of the surveillance state. She even received a major neocon endorsement last week. While Donald Trump is less hawkish on paper, I could still see him as being at considerable risk of blundering us into more wars. Both show little regard for First Amendments rights.
We would have a Democratic nominee who has proposed legislation making it a crime to burn flags in protest and a Republican nominee who has proposed limiting entry to the country based upon their religion. Neither is tolerable. I imagine that in the case of Trump we are dealing with what might be campaign hyperbole, versus an actual record on Clinton’s part of proposing restrictions on civil liberties and pushing for greater military intervention, but it is risky to trust that Trump will be more rational if in office. Just like it is risky to believe it when Clinton takes more progressive positions, on limited and selective issues. At least Trump has exposed the problems of big money in politics–not that I would count on him really reforming a system he has benefited from. It is no wonder that I am seeing so much talk about voting for the Green Party recently.
There has been a reduced television schedule so far this year, (giving me time to watch the second seasons of Catastrophe, Mozart In the Jungle, and Tranparent), but many shows are starting or coming back soon. Blastr has a list of nine science fiction shows premiering in January. I have already discussed Legends of Tomorrow and the revival of X-Files several times in the past. The trailer for Legends of Tomorrow,which premieres on CW on Januray 21 is above. ScreenRant discussed Sara Lance’s mental state on the new series with Caity Lotz.
As for the three shows I mentioned watching above, Catastrophe‘s second season was broadcast in the U.K. on Channel 4 late last year but is not availably yet on Amazon, while the second seasons of the other two shows recently became available. The first season of Catastrophe, which I ranked as the best new comedy of 2015, is available on Amazon.
Getting back to the science fiction shows premiering this month, I have heard some favorable buzz for The Shannara Chronicles which began on January 5 on MTV. Nerdist interviewed the executive producer, Miles Millar. Other shows on the list which have received the most interest so far have been The Magicians (with Syfy streaming the pilot early) and Colony (with initial reviews being better for the first). Initial buzz has been negative for Second Chance, and there are questions as to whether Lucifer can make it on a major network.
There will be many additional genre shows premiering later in the year, along with the return of other shows. What Culture has a list of original shows appearing on Netflix this year, including Daredevil, which returns on March 18 (trailer above).
Sherlock returned for a single episode,The Abominable Bride, on New Year’s day. Those of us expecting a self-contained story in Victorian times were surprised by what was actually done with the episode and how it actually played into last season’s cliffhanger.
ABC has ordered a pilot for the Agents of SHIELD spinoff, Marvel’s Most Wanted. The series will center on Bobbi Morse (Adrianne Palicki) and Lance Hunter (Nick Blood).
Among the shows I’m most interested in seeing, 11.22.63 premiers on Hulu on February 15, with new episodes being released weekly as opposed to all episodes being released at the same time as on Netflix and Amazon. (Trailer above.) There will be some changes from the Stephen King novel. More here and here, plus J.J. Abrams also addressed the controversy over the female lead in Star Wars: The Force Awakens (reviewed here) being left out of the Star Wars themed Monopoly game.
In my review of Star Wars: The Force Awakens I noted how the novelization has filled in some plot holes. Mashable has more from the novelization. In addition, the script has been released which also provides further explanation of some plot points.
J.J. Abrams also says that Person of Interest will probably end after this season, which is no surprise considering how it is receiving a reduced thirteen episode run and has not made the schedule for this season yet. As long as it ends well this season, that is fine with me. The show gradually changed over time from primarily a procedural show to a true science fiction show, and it is better to have it end well as a great genre show as opposed to continuing indefinitely as a typical CBS procedural.
Like Person of Interest reinvented itself this year, Blacklist has also been considerably different from how it began. It was also off to an excellent start in this week’s episode. Unfortunately I don’t know how much longer they can continue this storyline for.
The trailer above shows how the second season of Outlander will be much different from the first when it returns in April.
Besides all the speculation as to the fate of Felicity, there have been rumors that Stephen Amell would leave Arrow, presumably ending the series, in the next year or two. Amell responded by saying his contract runs through 2019 (which doesn’t guarantee that CW will continue the show that long).
Laura Dern has been added to the cast of Showtime’s revival of Twin Peaks. While her role has not been announced, there have been rumors that she might play Special Agent Dale Cooper’s previously unseen secretary, Diane. The cast also includes Kyle MacLachlan, Sheryl Lee, Sherilyn Fenn, Jennifer Jason Leigh, Robert Knepper, Balthazar Getty and Amanda Seyfried. The first three were from the original cast.
Class, the Doctor Who spinoff from BBC Three taking place at Coal Hill School, will also be available on BBC America sometime in 2016, but no date has been set yet.
Doctor Who has made the short list for the National Television Awards in the Drama category. It is up against Downton Abbey, Broadchurch, and a show I am not familiar with named Casualty. Humans is among the nominees for New Drama. Downton Abbey has completed its run in the U.K. (doing a good job of concluding the series) and has resumed in the United States.
BBC America is also working on a new television adaptation of Douglas Adams’ Dirk Gently series.
There is now hope that Parenthood will return in some form, with Jason Katims being inspired by the movie Boyhood to return to the lives of the major characters over time. (Review of the finale here). It is interesting that two of the shows which might return in such a manner both star Lauren Graham, with a revival of Gilmore Girls now being filmed. Katims made it sound unlikely that the rumored follow up of his other show, Friday Night Lights, will return.
Yahoo Screen has been discontinued, making it even less likely that Community will ever return.
Update: News came in overnight that David Bowie died of cancer. The New York Times reports:
David Bowie, the infinitely changeable, fiercely forward-looking songwriter who taught generations of musicians about the power of drama, images and personas, died on Sunday, two days after his 69th birthday.
Mr. Bowie’s death was confirmed by his publicist, Steve Martin, on Monday morning.
He died after having cancer for 18 months, according to a statement on Mr. Bowie’s social-media accounts.
“David Bowie died peacefully today surrounded by his family,” a post on his Facebook page read.
His last album, “Blackstar,” a collaboration with a jazz quartet that was typically enigmatic and exploratory, was released on Friday — his birthday. He was to be honored with a concert at Carnegie Hall on March 31 featuring the Roots, Cyndi Lauper and the Mountain Goats.
Following is a video of David Bowie’s Space Oddity, recorded by Commander Chris Hadfield on board the International Space Station in 2014:
Doctor Who returned with The Magician’s Apprentice. Does this mean that the Doctor is the Magician and Clara the Apprentice? This was a true Moffat episode, including both the strengths and weaknesses which that implies. The strengths include dealing with big issues, and a strong connection to the history of Doctor Who. The episode returns to the question raised in the classic 1975 episode, Genesis of the Daleks: “If someone who knew the future, pointed out a child to you, and told you that that child would grow up totally evil, be a ruthless dictator who would destroy millions of lives, could you then kill that child?”
The episode started with a child endangered by a war. The Doctor appeared to try to save him, with the advice, “Your chances of survival are about one in a thousand. So heres what you do, you forget about the thousand and concentrate on the one.” Then, before trying to save him, the Doctor asked his name. “Davros. My name is Davros.” Davros, the creator of the Daleks
From the start we saw another characteristic of a Moffat episode–many interesting ideas thrown in. Davros was threatened by the hand mines. When there was an effort later to get Clara’s attention, it was done by stopping planes in the air–a simple time trick from Missy, who is not dead as appeared last season: “Not dead. Back. Big surprise. Never mind.” This led to a quick scene with Clara at UNIT, meeting with Kate Lethbridge-Stewart, and then the actual meeting between Clara and Missy.
The season began somewhat similar to how last season did, with the Doctor not around. It also felt like a repeat of an old theme with the Doctor preparing for his death, with the added twist this time of the Doctor sending Missy his confession dial, the Last Will and Testament of the Doctor. He hosted a rock party and, without regard to how it might change human history, “I’ve also introduced the word ‘dude’ several centuries early.”
Missy’s role was never entirely clear, other than for the Moffat tendency to try to find a way to bring back favorite ideas from previous episodes. It did make little sense for the Doctor to walk into such an obvious trap. If he did not see it himself, he even had his frenemy Missy to warn him, noting “I know traps. Traps are my flirting.” She was a little upset to find that she was not the Doctor’s number one enemy:
The Doctor: “Now, explain. Politely. Davros is my archenemy. Why would I want to talk to him?”
Missy: “No, wait, hang on a minute. Davros is your archenemy now?”
The Doctor: “Hush.”
Missy: “Not as much as I am.”
But the Doctor did walk into the trap, and apparently saw the death of both Clara and Missy, along with the destruction of the TARDIS. Of course there was never any question as to whether it would really end this way. If Davros is killing the Doctor’s friends (or friend and favorite enemy) because of remembering how the Doctor did not save him, this leaves two options. He could return to save him, or could make sure Davros did not survive.
I suspect that there is more Moffat misdirection, but the episode ended with the impression that the Doctor did go back time to make certain that Davros died. Or maybe he exterminates the hand mines. In the final scene, the Doctor again appeared in the hand mine field. “I’m from the future.” He then said to young Davros, “I’m gonna save my friend the only way I can: Exterminate!”
We will have to wait until next week to see how this really turns out, with Moffat mixed in providing satisfactory conclusions to the set-ups in two-part stories. Two part stories area also reportedly to become the norm this season. There will be twelve episodes and then a Christmas episode which includes the return of River Song.
The return of Doctor Who was a major event. My favorite publicity picture is the one above with the Doctor and Clara along with two Daleks replacing The Beatles on Abbey Road. Steven Moffat discussed the entire season with Radio Times, possibly providing too many spoilers. Just like last year there were rumors that Jenna Coleman would be leaving the show, ultimately with confirmation that this will be her last season. There are also two Doctor Who Extra videos for this week’s episode which can be viewed here.
CBS made the pilot for Limitless available through there All Access service, and in this day and age that means a copy was quickly available all over the web. The pilot was enjoyable in setting up the series, essentially being an origin story for someone with superpowers. From here I fear that it might drift into a typical CBS procedural, with the setup for that type of storyline contained in the pilot. Maybe we will be pleasantly surprised, like with Person of Interest. While the pilot does appear to set up a procedural, it also left open questions about the drug which gave the protagonist his powers.
Originally reports also suggested that Supergirl would be more of a CBS procedural also, however watching its pilot (which leaked out weeks ago) it appears to be more similar to The Flash, with Supergirl having super-enemies who escaped from Krypton similar to the metahumans who provide conflict for Barry Allen. Pictures of the Red Tornado were also recently released, further suggesting that the show is headed in the direction of fighting super-powered foes.
Season two of Gotham will be a more serialized story, and it sounds from this interview like they might have fixed some of the problems with the first season.
The second episode of You’re The Worst, Crevasses, showed dilemmas including Jimmy and Gretchen having to make their own Bloody Mary’s when Edgar was out with Lindsay. Most important discovery of the episode: Jimmy’s kitchen has a Bloody Mary drawer.
Alison Brie of Community and Mad Men will be staring in Julian Fellowes’ first post-Downton Abbey show for ITV,a television adaptation of Anthony Trollope’s Doctor Thorne.
It is hard to believe that Continuum is half over, with three episodes having already aired on Showcase (two shown in the United States). I will avoid any spoilers for those who have only seen the first two episodes. It should be no spoiler to note that the questions I had after the first two remain after watching the third, even if the third did advance the storyline more than the first two episodes did. As is usual for Continuum, finding out a little more information often leads to even more questions.
The first episode included a scene which was later revealed to be a simulation created by Kiera’s CMR after she was knocked unconscious. Kiera felt as though she woke up in 2080 after spending three years in a medically-induced coma after the explosion which actually sent her back in time. Kiera saw her family, and afterwards had regained the desire to return home. (I suspect this came about here due to the need to condense the series and wrap it up this year–otherwise I suspect Kiera might not have regained this interest until later in the series). This raises a huge question after seeing how the future changed after Kellogg had taken control of Piron.
If the future has changed, how does Kiera think she can return home? While not explicitly stated, does this mean she intends first to correct the time line? Is she envisioning a means of returning to one of multiple possible time lines? It is also hard to believe she will just consider her job done when the Time Marines are running around in the present. There is also the question of what is their goal, and how this will affect the future. It is apparently only need to know for Brad, and we do not know if the soldiers returned from just after Brad left, from a time later on when things have changed, changing the mission, or if this is even the same exact timeline Brad came back from.
Kellogg should also have questions about the soldiers which his future self sent back. The Kellogg of the present would much rather live in luxury as a corporate CEO than become a future warlord. Everyone should wonder what Curtis is up to, as he might know more than anyone else, but appears to be playing each side off each other.
In other events of interest, Dillon is somehow still alive, and now working for Piron. We have seen since the start of this series that alliances change, and I would not write him off as one of the bad guys yet. Poor Emily has both been kidnapped, and after escaping being told she is not the mother of Alec’s son, leading her to pack up and leave. I’m not sure that it makes sense for her to expect to be Jason’s mother considering how the timeline has changed since Jason traveled back in time, and how in the original timeline she was killed. The whole point of Emily’s character is that she might keep Alec from turning out to be how we have seen his future self.
If you are watching the episodes as presented in the United States, you might feel that too little has happened so far, considering how close we are to the end of the series. The action does pick up in the third episode, but it certainly feels like there is far too much to fit into only three more episodes.
This week’s episode of Hannibal, Digestivo, involved a lesbian relationship between Margot and Alana, a pig-baby, and an escape from Muskrat Farms. We learned that Mason’s plan was to cut Will’s face off, place it onto his face, which had been destroyed, and then eat Hannibal piece by piece with Will’s face. His butcher/surgeon, Cordero, is at least as sadistic as Mason, and planned to both cut off Will’s face without anesthetic (but paralyzed) and keep Hannibal alive while he is eaten piece by piece. Mason’s best line of the episode, discussing another cannibalistic murder was, “you go to all that trouble to eat a friend, and you overcook his penis.” In telling this story, Mason did promise not to overcook Hannibal’s penis.
Alana and Margot, who became lovers, had major roles in this episode. Alana knew that Mason’s sadism would work to her advantage: “He’ll torture them and take the time to enjoy it: That gives us time.” Alana even warned Mason as to how this would all turn out: “Play with your food, Mason, and you give it the opportunity to bite back.”Alana and Margot set Hannibal free, while Chiyoh was nearby to shoot anyone pursuing them. Finally Chiyoh’s presence in the earlier episodes this season had a reason. Instead of getting Will’s face, Mason saw himself with Codero’s face lying on his own before he was killed in his eel tank. Hannibal gave up on his earlier desire to eat Will, possibly because of how intrigued he was when Will took a bite out of Cordero’s face. Regardless of motivation, Hannibal kept a to promise he made to Alana to take Will to safety, but was shocked when Will realized he was all through with Hannibal–so shocked that Hannibal surrendered.
Now there is going to be a three-year time jump, and on to the events of Red Dragon.
Caroline Dhavernas and Katharine Isabelle discussed their characters’ romance in the episode post-mortem video above.
Bryan Fuller discussed the episode with TV Guide, answering the big question I had as to why Hannibal surrendered, and discussed future plans:
This episode felt like a finale, and particularly brought back many of the emotions I had watching the Season 2 finale.
Bryan Fuller: This was the breakup that we had been driving toward. One of the benefits of having two distinct chapters in the season is you get two distinct climaxes. This one had to serve as a stopping place for the story before it can be launched again next week three years later. So, this is the breakup, and when we pick up in the second half of the season, it’s that awkward moment when you have to see your ex again.
Will’s motivation has always been hard to read. Should we believe him when he says he wants Hannibal out of his life?
Fuller: We come back to that moment in the final episode of the season and break it down between those two characters, and they address it themselves. Will is telling Hannibal, “I don’t need you anymore, I don’t want you anymore, I release you.” And Hannibal is saying, “No you don’t. You’re telling yourself that. You don’t want to know or think about where I am? I am going to give you the knowledge of exactly where I am and let that eat away at you for as long as it takes you to come back into my orbit, and I am patient enough to wait.”
Does Hannibal surrender to Jack out of spite towards Will or is he once again heartbroken? Does he no longer feel like playing this game without Will as a willing participant?
Fuller: Will realizes that he can’t win and Hannibal can’t win. So, the only option for him at that moment is to stop playing. That, for Hannibal, is a huge rejection. It’s an even stranger rejection than the betrayal of Season 2 because Will has gone into Hannibal’s past and understands him better than ever. Will has realized that this is not an evil man, this is just a monster doing what he has always been designed to do essentially. So, he can’t give him any more energy. For Will, a magic door presented itself that he could step through and leave Hannibal and all of this behind him. But what Hannibal knows is going to come around again on the cannibal carousel is that that Will can’t live without him…
As Will predicted/suggested, Alana played an active role in Mason’s demise. What kind of impact will that have on her moving forward?
Fuller: Once Alana made the devil’s bargain with Mason, it felt fated that she would play a role in bringing Mason down. In her mind, she always knew that she was going to stab him in the back one way or another. She put up with his ugliness inside and out for the purposes of capturing Hannibal, but she always intended to bring in the cavalry at the last moment. … We continue Alana’s shift into a less naïve, more hardened spirit in the Red Dragon arc. We see who she’s become three years later as a result of this pact and her relationship with Margot and this cabal against Mason. There’s a lot of bargains that were struck between various characters that, even though we’re picking up three years later, we still feel them resonating in the next arc of episodes.
And, of course, Hannibal reminded Alana that he always keeps his promises….
Fuller: Yes, and that’s something we carry through into the Red Dragon arc. Alana is fully aware that if Hannibal gets away in any way, shape or form, he is absolutely intending to kill her.
Is this the last we’ll see of Chiyoh this season?
Fuller: Yes. She told Hannibal that she was going to be his keeper. She was always going to be that angel in the bushes with the rifle making sure that no one further was killed by him. That’s the penance she’s willing to pay for 20 years of keeping a prisoner out of the interest of not taking a life. In essence, she’s saying to Hannibal, “I’m not going to cage you, but I’m going to serve as your jailer.” But as she’s watching the takedown of Hannibal, she realizes her job is done and she’s free, for the first time in her life, to go off and pursue her own life.
You mentioned that the next episode jumps ahead in time three years. How big of a reset should we expect?
Fuller: It feels huge. We’ve leapt forward in all these people’s lives. Everyone is stained in their own way from the experiences of the first two and a half seasons, and yet everyone has a sobriety and they go into this new chapter with eyes open. But even so, they’re in for some horrible, horrible surprises.
Will it feel different tonally than the first half of the season?
Fuller: It’s a slightly more grounded narrative than what we experienced in the first part of the season. So much of the first arc was all about the grieving process and also the trauma of what these people had experienced. I didn’t want to skip over what these characters were feeling, and that’s why so much of the first part of the season was contemplative and brooding and surreal. Everyone was in shock.
Red Dragonhas already been adapted into two different movies. How do you think your version will be different?
Fuller: The version of Red Dragon that we are telling is very faithful to the literature with the exception of the relationship we’ve been building over the last two and a half seasons. Will and Hannibal’s relationship in the previous adaptations was nowhere near as wet and dark and sticky as what we’ve come to learn of the dynamic between the men in this version of the telling. So, to have Will and Hannibal truly possess a history together that informs their approach to the Red Dragon didn’t necessarily feel like an opportunity to change the story, but to provide many more layers of the tiramisu for the audience to enjoy.
This season forth episode of Hannibal, Aperitivo, dealt more with aftermath of the second season finale. The biggest surprise was that Dr. Chilton is alive, and out for revenge against Hannibal. It even turned out that many of the lines initially shown to occur between Will and Abigail earlier in the season actually happened when Chilton visited Will in the hospital. Chilton also compared notes with Mason Verger on making up their face–if you show yours I’ll show you mine. Jack and Alana are also both alive. Will confessed to Jack that he had called Hannibal hoping he would flee. Alana met with Verger, warned by Margot, “If my brother offers you chocolate, politely refuse.” Hannibal was not seen in the episode, but the the set up has now been completed to have each of these characters come after him.
This week NBC announced plans to cancel Hannibal after this season and there is a scramble to find a replacement network. There has been talk about both Netflix and Amazon but it does not sound likely that Netflix is much of a possibility due to the deal with Amazon to stream previous seasons. Hopefully Amazon will be interested in picking up the show. If not, The Food Network sounds like a good match.
Even if Hannibal is renewed, Bryan Fuller will have a reduced role due to becoming show runner of American Gods.
Humans premiers in the United States on AMC tonight but the first three episodes have already been shown on Channel 4 in the U.K. After downloading episodes I highly recommend it. Unlike far too much science fiction on television, this show is not satisfied with a clever idea. It handles both characters and plot well, and as a result is likely to be enjoyed even by people who do not normally watch science fiction. This review avoids major spoilers but those who want to be entirely surprised in watching the show might not want to read this before watching the first episode as some minor events are mentioned.
Humans looks at the implications of something which could really happen in the not so distant future. The premise is that synthetic humans, known as Synths, start doing our mundane work, both in industry and the homes. This leads to issues such as a wife, played by Katherine Parkinson, whose many television roles included Jen from the IT Crowd. I see a certain irony in her having played Jen, the computer-ignorant woman placed in charge of the IT Department, to now play a woman who is skeptical about the Synths. Her daughter questions the point in studying if Synths could do anything. A man with Alzheimer’s uses his Synth to help him remember the past. The twist is that his Synth is a first generation one, slated for replacement, which has memory problems of its own.
Naturally the sexual implications are also explored, including Synths used as prostitutes. In one scene Parkinson’s husband looked at the directions which came with their beautiful Synth for those 21+ , and in another scene his son received a warning about inappropriate touching.
Besides looking at the sociological ramifications of the Synths, the show is also a thriller. Some of the Synths are secretly self-aware and communicating with each other. Also, while most of the Synths act in a characteristic way, don’t be so certain that everyone who appears human really is.
Incidentally, besides Humans, another recent show from Channel 4 has become available in the United States. Catastrophe recently became available on Amazon. Think of it as if Welcome to Sweden took place in the U.K. and was written by the people who wrote You’re The Worst. While not genre, it did include one genre reference. In one scene a character is wearing a shirt saying, “Where is Jessica Hyde,” referring to a genre show on Channel 4, Utopia. I have also watched Jonathan Strange and Mr. Norrell from the BBC beyond what has been available in the United States and recommend this miniseries based upon the book.
In other summer television news, Extant returns this week, reportedly with major changes from the first season. Under the Dome returned last week, but I have not had time to watch the two-hour season premiere. I also have not had time to watch Mr. Robot yet. Apparently Humans is about robots, but Mr. Robot only has humans and no robots. I have held off on watching True Detective following poor reviews. The first season was only worth watching, despite a weak plot, due to the excellent work by Matthew McConaughey and Woody Harrelson.
Over on Syfy, Defiance is much better in its third season. I still couldn’t call it a must-watch show for science fiction fans, but if anyone has seen the first two seasons was undecided about watching the third I would say to go ahead. It is much better having eliminated some of the characters and bringing in a new big-bad for the season. I have not watched their other Friday night show, Dark Matter, after hearing from several people that it is awful.
The “original Avenger” has died. Patrick Macnee of the 1960’s British spy series, The Avengers, has died at 93. Initially the show is well known for the role played by Diana Rigg.
Marvel Studios and Warner Brothers might not be the only ones with a superhero universe including crossovers from other characters. Marvel Studios has The Avengers (obviously different from The Avengers pictured above. Warner has separate universes of DC superheroes both on television, and in with Justice League of America. 20th Century Fox, which owns the rights to X-Men and Fantastic Four, is rumored to be doing a crossover of these two franchises.
Emma Watson and Tom Hanks will be staring in the movie adaptation of The Circle, an excellent novel about current trends in social media going too far.
Joel McHale has been interviewed by Esquire, including about Community and his upcoming appearance on The X-Files. He has been predicting a Community movie but not a seventh season. #sixseasonsandamovie
While last week’s episode of Hannibal jumped ahead and left open the fates of those left for dead in the season two finale, Primavera centered on Will and flashed back to the aftermath of the bloodbath. There was no indication on screen as to the fate of Jack Crawford and Alana Bloom but I was surprised to see Abigail walk into Will’s hospital room early in the episode. I was surprised a second time when it was revealed that Abigail was only in Will’s head, most likely representing the part of Will which still wanted to be with Hannibal.
The other key character of the episode was a police officer named Rinaldo Pazzi who had history with Hannibal. Years ago he investigated the murder of a couple who were arranged like a painting. Will explained how Hannibal operated, including how he doesn’t leave evidence– as he eats it. The climax of the episode was a search through catacombs. When Will warned Pazzi that he shouldn’t be be down there alone, with the warning that Hannibal will kill him (which will probably happen at some point), Pazzi pointed out that he had Will with him.
Will’s response summed up the episode: “You don’t know whose side I’m on.” The problem is that that Will himself doesn’t know, and if he was smart he would followed the advice he gave Pazzi and remain home with his dogs (and Alana if she survived). There was another clue as to Will’s state of mind when he said at the end of the episode, directed towards Hannibal, “I forgive you.”
This still leaves open how each will respond when they actually meet again.
The penultimate episode of the season of Orphan Black, Insolvent Phantom Of Tomorrow, gave more answers, regardless of whether plausible. Allison’s days as a drug dealer appear to be coming to an end, but the storyline provided for an unexpected pairing of Donnie and Helena. Helena was disguised as Allison, but under the circumstances it was more useful for Donnie to have the psychopathic killer clone along. The big mistake at Pouch’s warehouse was for the drug dealers to first take Helena’s tank with her embryos, and then threaten Donny and who they believed to be Allison’s children. Helena told them, “You should not threaten babies.” She then made them pay for the threat, and then rejoin Donny with the money he had lost, and more. “I got refund, we should go now.”
Delphine again showed how terrifying she can be, threatening Shay’s life believing that she had given the information about the book to the Castor group. It really didn’t come as a surprise when it turned out that Gracie and not Shay had sold them out to please her guy-clone. Seeing Delphine hold that razor blade after Cosima phoned her about Gracie, I half expected Delphine to tell Cosima that it was too late and then proceed to kill, or at least torture Shay. The previews revealed that Shay remains alive, although I wouldn’t be at all surprised to find out that there is still more to her than appears.
The biggest revelation took place in London when Kendall Malone turned out to be Sirobhan’s mother, who had absorbed a male twin in the womb s0 that she has two cell lines. She was the original cell line for Castor, but they couldn’t kill her as planned because she also was the original cell line for Leda, having both male and female cells. Not only are Castor and Leda brother and sister as we learned earlier this season, this would also mean that Sarah along with the rest of the clones and Siobhan actually are biologically related.
If this didn’t set up enough for the season finale, Ferdinand and Topside are also back.
Like Veronica Mars, the previous hit from Rob Thomas, iZombie was enjoyable more for its season-long arc and the characters than for the case of the week. By the season finale much has changed, including more people knowing that Liv is a Zombie. David Anders, as usual, made a fantastic villain, this time as Blaine. He had a great racket going, turning people into zombies, and then selling them brains. As opposed to the typical zombie show, the zombies on iZombie kept their human memories as long as they had a steady supply of brains to eat. Now that Blaine is no longer a zombie, will he keep his racket going? If not, where do the zombies he created get their brains, and do we wind up with a zombie apocalypse?
Rob Thomas discussed the finale and second season with E!:
E! News: Blaine and Major have both been cured—are there going to be any complications with becoming human again? Rob Thomas: Yeah, there will be. Ravi would not have wanted to put that cure on the market yet, and for good reason. There will be side effects. There will be fallout from that. It won’t be as easy as boom, you’re human again, go enjoy the rest of your life. Blaine will have to try to maintain his zombie world while being human so we’re going to have some fun in season two with him trying to pass as a zombie. Imagine him trying to put on white face to convince his clients that he’s still a badass who they should be afraid of.
Liv’s brother is in critical condition by the end of the finale—how is this going to shake up their family dynamic especially since Liv can’t give her blood to save him?
It will have real repercussions next year. We know that the season two opening scene is going to be a really rough scene with her family. They do not understand the decision she made and it’s kind of impossible for her to tell them.
TVLINE | There’s not one, but at least three major cliffhangers in the finale. Was that always the plan, even before the show was renewed?
Yes. In fact, it’s been the plan for a long time. When we offered [Robert Buckley] the role of Major, he called me and said, “Listen, I just want to make sure that I’m not just going to be the boy that Liv pines for, that I’m going to have something to do,” and I pitched him the exact ending of the show. I said, “It’s going to end like Taxi Driver. You going into the zombie headquarters and mowing people down. You will have gone through this horrible journey. You will have this moment where you get to take out all these enemies.” So we were always building to that.
And probably around midseason, we had some ideas on how we wanted to reset for Season 2. We announce our big Season 2 storyline right there in the finale. Vaughan, the head of Max Rager, says, “We’re going to take out all the zombies.” So that will be a big part of Season 2, and it will make Liv and Blaine strange bedfellows. One of the things that was rough in Season 1 was we loved those two actors on screen together, but part of the season arc was Liv searching for Blaine. We couldn’t play them on screen. Next season, you’ll see a lot more of them on screen, at the same time, with a common enemy.
TVLINE | Is it safe to say that Blaine as a human, even without his zombie strength and rage, is still not a nice person and a dangerous threat to Liv and Major?
Yeah. We’re not going to make him cuddly next year. If you talked to me a few years ago, I would have thought, “Well, how in the world, after him spending Season 1 murdering homeless teenagers, could we ever believe him as anything but evil?” Then you watch Game of Thrones. Somehow, Jaime Lannister has become a sympathetic character even though he threw a young boy out a window in Episode 1. So it can be done, and maybe someday, we will attempt that. But for the immediate future, Blaine is bad.
TVLINE | Can he keep his business going as a human?
That’s going to be part of the fun of Season 2. He will need to trick his clientele. Next season, he may be passing as zombie in order to maintain the fear, which I think we’ll have fun with.
TVLINE | So instead of tanning, he’ll be putting on powder.
It’s funny you say that because we already have a scene up on our writers’ board in which we will see him getting powdered up in order to appear as a full-blooded zombie.
TVLINE | Major now knows the whole truth. What does that allow you to do that you couldn’t before with Major and his relationship with Liv?
Now that they both know, and Major knows what he’d be getting into, we’re toying with, could they try a romantic relationship in which no bodily fluids were exchanged? It’s sort of a great existential question of, could you have a romantic partner with whom the sexual limits were very, very strict? How would that go? We may explore that.
The Flash is casting a Felicity-like love interest for Barry Allen for season two. Of course we know from those future newspapers who he winds up with, assuming they are from the same timeline.
There were at least two huge scenes on The Game of Thrones last Sunday, with one of the most disturbing deaths of the series and flight on dragons. With the season finale airing tonight I will wait for that before saying more about the show.
Defiance returned on Friday with two more alien threats. Fans of the show probably enjoyed the two hour season premiere. I remain lukewarm, but see more promise this season than in the second season. Knowing the characters after two seasons did make me more interested in the events than I had been at points in the past.
The HBO version of The Leftovers completed the material from the novel in its first season. The above trailer has been released for the second season which moves to a new location, with major changes in the cast. The story moves to Jarden, Texas where, unlike the rest of the world where two percent of the people vanished in a rapture-like event, nobody disappeared in Jarden. I wonder if they play Dillon, Texas in football.
The BBC adaption of Jonathan Strange and Mr. Norell, about half way through in the UK, premiered in the US on BBC America. Reading reviews of the mini-series I found that they all agree that some aspects of the novel did not make it into the television show. The reviewers disagreed as to whether this means that important aspects of the novel were left out, or if this means that what they saw as flaws in the novel were fixed.
The Man From UNCLE will be released in theaters on August 14, 2015. The trailer is above and the synopsis, based upon the 1960’s television show, follows:
Set against the backdrop of the early 1960s, at the height of the Cold War, The Man from U.N.C.L.E. centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo’s only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe.
Streaming video has greatly changed how many of us watch television. Netflix has dominated this market, but there are additional options including Hulu, Amazon, Yahoo! (primarily notable for carrying the sixth season of Community) and now stand alone subscriptions for HBO and Showtime. Netflix has been expanding worldwide, but they will have new competition when they move ahead with plans to expand to China. Alibaba plans to launch a Netflix-like streaming service in China. About ninety percent of its content will be paid for, either by subscription or payment for individual shows. with the remaining ten percent available for free.
Orphan Black continues at high speed in the second half of the season with Ruthless in Purpose, and Insidious in Method being one of the best episodes of the season. There was the return of another clone as Tatiana Maslany once again played Krystal, the manicurist who fears twins and clowns who was seen in the first episode with Rudy and Seth. This also provided a different situation in which a character got to act as someone else, in this case Felix acting as a straight guy hitting on Krystal. Krystal turned out to not entirely be the bubbly air head as she was portrayed as, although unaware of being a clone, or having slept with clones, realized something is up and was investigating.
Unfortunately this did not work out very well for poor Krystal as Rachel was up to far more than anyone realized, and managed to play everyone against everyone else to get what she wanted, including Krystal’s body to hide her escape. It will be good to see Rachel back as a powerful antagonist, but I was hoping she might keep the eye patch.
We found out more about the outcome from last week’s grenade dropped by Paul in Mexico. Data was damaged, but Dr. Coady and Rudy survived. Coady revealed that unless they find the cure, the Castor clones will all be dead within one to two years. She understands the underlying structure of the show–when one part of the conspiracy is exposed, there is always another behind it. She asked, “Castor and Leda – I’ve been feeling this for a while. It’s not just two factions is it? Who’s in charge, David?”
Alison’s Weeds story line continues to be mostly independent of the other story lines but they continue to find ways to fit it into the rest of the show. Previously Cosima had to impersonate Alison. This week the connection is that it is their turn to host Helena, who was also reunited with Gracie.
Next week, London now that we found out a bit of the code in The Island of Dr. Moreau:
We all fell down,
And Castor woke from slumber.
To find the first,
The beast, the curse,
The original has a number.
And the number is H46239, which I’m sure we will learn more about later.
Hannibal began the third season with an Antipasto which was served to partially reset the show. Instead of Baltimore, the episode takes place in Florence, after a stop over in Paris. It is a much slower episode after the bloody season finale from season two. While it was implied that Will Graham and perhaps others survived, most of the major characters from the first two seasons were not seen. The exception was flashbacks to the final days of Dr. Abel Gideon, which was primarily to provide insight into Hannibal’s mind.
Hannibal is traveling with Dr. Bedelia Du Mauirer (Gillian Anderson), who was acting as his wife as she was getting dragged (or in one bathtub scene, submerged) into Hannibal’s world. Hannibal asked if she was an observer or participant, and it looks like she is heading to be far more of a participant than she ever intended. That does not stop her from observing and analyzing Hannibal, describing him in a way which was accurate from the start: “You no longer have ethical concerns, Hannibal. Only aesthetical ones.”
Of course Hannibal did invite someone over for dinner, and it was obvious as to what that ultimately means.
Community concluded its sixth season with one of its more meta episodes, pondering what a seventh season might be, and ending with the hashtag #AndaMovie. The episode could very easily work as a season finale or as a lead in to whatever Dan Harmon decides to do next. It sounds like he is taking a break, but that Yahoo! would be quite happy to put on another season if he writes it. Getting the cast together for another season might be difficult due to other obligations, suggesting that six seasons and a movie might be the most likely outcome after all, but a seventh season remains a possibility.
Dan Harmon has responded to the question saying, “I told Yahoo, ‘I can’t think about writing a movie until I miss Community,” Harmon said. “They wanted to turn around a do a movie immediately, and Yahoo can get it done. They’re like the NSA.” Joel McHale will have a guest role on the X-Files revival, and when on Conan seemed more interested in a movie. Making matters more difficult for a seventh season, Gillian Jacobs and Ken Jeong have roles in other series. Both Annie and Abed were leaving at the end, but it was left open whether they might later return. Personally I’d watch a show centered around Jeff and Annie, along Abed, the Dean, and any other characters who are still available.
That was a rather emotional finale, and true to Community form, very meta. What were you hoping to accomplish with the season ender?
It was a meta explosion. I never know what it is I want to say, I just know of areas I want to explore. Community was the show that commented on itself the whole time, and for the last episode of Season 6 the goal isn’t to lure new viewers, so might as well really lean into this thing and talk about what’s on everybody’s mind, since the conversation about Community has always been more intense than the conversation about the characters. So we had the characters talk about the future of the show as if it were a show. Other than that, it had a pretty traditional structure: It was an excuse to explore possibilities, only to realize there’s absolutely no way we can control anything. Also if we want these characters to continue to grow, they’re missing a huge part of their life right now. Annie is an exceptional person. I want Annie to taste the world.
Jeff Winger had the most idealistic dream of everyone staying at Greendale as faculty colleagues. That actually would be a device you could use for another season–but that would mean that none of these characters get to really grow or ever leave.
I do agree with Winger that that show makes more sense than the one I originally pitched, because then they all have a reason to be together. They would have a reason to have meetings, and then it would be Boston Public set at Greendale.
Annie and Abed leave the group at the end of the episode to pursue their dreams. Why them?
I think Britta’s future can still be found at Greendale and I don’t think there’s anything sad about that. She lived in New York. She was the wild horse that galloped around and then came slinking back to community college. So she has sown her oats and still needs to grow up, just like Jeff does. In the original idea, there were three characters – Abed, Annie and Troy – who represented the younger stories you might encounter at a community college. Those are stories about transitions. Other stories can be about falls from grace. They were wayward youth. On the off chance that it’s the last image of the show that we ever see, I felt more comfortable with the image of Abed and Annie going off to an airport, where they might go anywhere or do anything. It made me feel better about the eternity of the show.
Let’s talk about the Annie and Winger relationship and that kiss. There’s still a big age gap between the two, but on an emotional scale they’re on the same level.
Yeah, with each passing year it gets a little less creepy. I did just marry a 29 year old at 42. And in real life, Allison Brie is 43. No. I just wanted her to read that and freak out. I have no idea how old Allison is. Age aside, it’s more an issue of how much life experience you have had. Do we really believe in our heart of hearts that the current version of Jeff Winger and the current version of Annie Edison would be happily ever after if they ever got together? Or is it more likely their souls are intermingled and there is such a thing as true love that is genuinely star crossed? This person hasn’t lived their life yet. I’m comfortable with the realization that he’s genuinely in love with her, but that’s a separate thing from whether that’s actually good for her.
This episode has the feel of a series finale, but you had to leave the door open in the event of a seventh season or a movie. Are you leaning toward the movie option?
We’ve exploded into these successful shrapnel. Dr. Ken is now Dr. Ken. Allison has probably got her eye on movies. Gillian is working on a Netflix show. If there was some magical way of guaranteeing that everyone could come back all at once, let’s do it. But it would be a lot easier to put together a movie project and get them all on board than to say, “Let’s give it one more season!”
You made a point of not changing Community‘s language or content this season, even though you were no longer confined by broadcast standards. But you ended up with two “fucks” in the finale!
I did! It was kind of unintentional. That one that Jim [Rash, as Dean Pelton] does is adlibbed. As soon as he said it, the entire cast started laughing, but I edited around it. As for Britta’s I should have bleeped it… it’s weird to have two “fucks” on that one.
The show, especially the Chang and Dean Pelton characters, was more grounded this season.
I think it was more emotionally grounded, but structurally, ironically everything was a lot looser. I think I’ve become a victim of my own story structure. The lack of a clock at Yahoo, a really strict one, allowed for something I think the show needed in order for it to continue to feel healthy. A certain randomness. The stories don’t resolve the way you always think they might. There are these strange slingshots around the sun. The wedding episode ends randomly with Chang being the hero. I was a little more British this year.
If I buy a Honda CR-V [which played a major role in Season 6, particularly in the episode “Advanced Safety Features”] and drop your name, do you get a cut?
I’m still waiting for my jacket. I told them I wanted the Honda jacket that Jim wears in the episode.
The last episode ends with a faux Community board game advertisement, which ends up diving into your own stream of consciousness. You even did the voice over. Is that a snapshot of how you were feeling as the season ended?
Well, I certainly did that voice over just two days ago. Everybody had to talk me into doing it. I kept saying, “It’s not funny if it’s me.” Then I tried it. That is my throat catching in a genuine way. But I don’t know, I want to wait and see. I’ve never had a relationship this long. I’ve never done anything for six years, except drink.
The cast of Gilmore Girls, along with the show’s creator Amy Sherman-Palladino got together at the ATX TV Festival. Unfortunately there is still no plans for the long-rumored movie reunion, but hope was kept alive. At least the cast still gets along and nobody really objects to working on it. Amy Sherman-Palladino also said she will not reveal the final four words with which she had planned to end the series until she is on her death bed. This remains a mystery as she left the show for the final season, so her planned finale was never aired. The cast did discuss where they think their character would be today.
John Noble has been cast as Sherlock’s estranged father on season four of Elementary.
The Nebula Awards winners were announced. The award for best novel went to Annihilation, by Jeff VanderMeer. The full list of winners is here.
Outlander ended the first season like ending a book, moving on to new things but without a television cliff hanger. Note that even though it was divided, everything which aired so far is considered the first season, based upon the first book in the series. The episode concluded the arc with Jaime’s capture and rape by Jack. Jack even demanded that Jaime “Say my name!” I half expected Jaime to respond with “Heisenberg.” The topic of changing time did come up in the finale, and it will be interesting to see how this plays out as Outlander is a totally different type of time travel story compared to shows such as 12 Monkeys.
Ron Moore spoke with Deadline about the season finale of Outlander and the plans for next season. The comparison to the recent rape scene on Game of Thrones was also noted:
DEADLINE: The May 17 episode of HBO’s Game of Thrones featured a rape of the Sansa Stark character that erupted into controversy for a show already drenched in sex and violence. Airing so close to that, how do you think what happened there will impact reaction to the Outlander finale?
MOORE: Obviously we wrote the finale, shoot it, and put in the can a long time ago and the rape of Jamie by Jack Randall was always a part of this story. Suddenly I’m talking about our show and we’re stepping into a cultural moment where that Game of Thrones scene has suddenly grabbed everybody’s attention.
To be honest, I still haven’t even seen it. I’m behind in my Game of Thrones and I have yet to catch up on it so I keep sort of defying comparisons as a result. But I will say, it’s just one of those things you can’t control. You never know exactly what pop cultural moment a show is going to step into. Sometimes it happens and there’s nothing else around it, sometimes you’re sort of moving into the stream where something has caused a wake and that’s kind of where we are at this moment.
DEADLINE: While you haven’t seen the Unbowed, Unbent, Unbroken episode of Game Of Thrones with the rape, having seen the sandstorm of a controversy it blew up into, did you think of toning down the finale?
MOORE: I’ve never even thought that for a second. This is our show. We stand by it. I stand by it. We made our decision. We’re ready to show it to the audience and we’ll see what happens, but no I never even thought about that…
DEADLINE: The season ended on what is basically the end of the first book in Diana Gabaldon’s series – is that going to be the strategy for each season going forward?
MOORE: The general plan is probably to try to do a book a season. Some of the books are bigger than others so we’ve definitely had conversations about, “well, you know, at some point we made need to split a book into two seasons,” but right now we’re not there yet so the plan is to do Dragonfly In Amber for Season 2.
DEADLINE: Are we going to see more changes from that book for Season 2 of the show?
MOORE: There will be twists and turns that aren’t in the book. The second book is more complex than the first book is. It’s a little tougher challenge to adapt it. It takes place in France and it deals with the Jacobite Rebellion. It’s much more political, it weaves in and out of actual historical events. There’s more complexity, just in terms of how Diana structured the story in Paris, in particular, as Jamie and Claire try to change history.
DEADLINE: What’s going to be different?
MOORE: It’s an urban setting and you’re dealing with aristocracy and the court of Louis XV so it’s a whole different thing. It’s not going to look anything like Season 1, so you’re really kind of prepping and shooting a whole new TV show into the second year. It has a lot of, you know, “oh my God, what can we do,” those kind of moments to it…
DEADLINE: You’ve worked on and led a number of shows, now that the first season is over on this one, how has Outlander been different for you from a creative standpoint?
MOORE: Well, it’s a very different experience, you know? Galactica was something where I took the old show and then decided to revamp it and reinvent it. But it was kind of something that I was making up in the writers room as we went along and I literally didn’t know where it was going season to season. It was a process of invention and discovery all the way along the road right up until the end. This project is different, it’s an adaptation so there is a roadmap – this is where we’re going. The challenges are very different. It’s the first time I’ve done an adaptation like this.
Just from a strictly producing standpoint, it’s been the most challenging thing I’ve ever done. The story aspect and the writing aspect has just been a very different game from what I’ve done before. It’s trying to maintain the spirit of the book, it’s trying to keep these characters, trying to maintain this story and making changes along the way because you have to make changes along the way. It’s trying to get back to that, and hopefully you’re able to serve two masters, the fans of the books and those who’ve discovered the story through the show.
TVLINE | Claire and Jamie are off to France for Season 2. Talk to me about how the show will look next season.
They’re going to Paris, and they’re going to be dealing with the French aristocracy. So you’re already in a completely different planet than where we were with Season 1. Scotland is about heavy stone, rough wood, dark tabletops, smoke and candlelit rooms, and now you’re in world of gilt, fine China, glassware and costumes that are made of silks and bright colors.
It’s going to be a whole different tone, a whole different…playing the story as much more political. We’re dealing with the Jacobite Rebellion. It’s much more about deception, and lies within lies, and the gossips and the surroundings of Paris. And dinner parties, and going to the court of Louis the XV — and if you know those books, there’s St. Germain, and there’s Master Raymond, and there’s more of an occult feeling to a lot of that stuff. [Plus], she’s pregnant, and he’s got the aftermath of Jack Randall.
In probably every which way you can think of, it’s going to be different than Season 1 was, which I think is one of the strengths of the series overall: its continuing evolution.
TVLINE | What can you tell me about how Jamie and Claire will navigate that world?
In a lot of ways, [Parisian society] is more familiar to him in certain ways than you would anticipate, because he is a laird in his own life, and he has lived in France, and he speaks the French language. It is a somewhat familiar culture to him. He does know his cousin, Jared, who runs a wine business, and he’s been to this place. Claire also speaks French, and she’s adapting in a different way, but she still struggles with the roles woman in these times, even in French society.
TVLINE | Do Caitriona Balfe and Sam Heughan speak French?
Caitriona definitely does, because she spent quite a bit of time in Paris, and Sam is learning French. I just heard him at the table read the other day, and I was pretty surprised. He did quite well.
TVLINE | Can you speak to whether Season 2 won’t be quite as true to the structure of the novel Dragonfly in Amber as Season 1 was to its source material?
It’s just a complicated process of adaptation… The Paris section [of Dragonfly in Amber], the plot is not as clean and simple as the plot was in Book 1. Book 1, for a big chunk of it, is Claire going back in time and trying to get home, and then she’s trying to find Jamie, and those are very clean narratives.
The Paris section of Book 2 is just more complex. It’s about many more ideas, other characters coming and going. They’re involved in something that’s more complex Diana [Gabaldon] shifted points of view, herself, in Book 2. So that alone just makes it a more complicated task to make the adaptation. So, yeah, we’re still struggling with the same things, with trying to be as true to the book as we possibly can while making it a television series. We always just try to do our best.
Last week’s episode of Games of Thrones had a couple of major events, including Cersei finding that a religious movement now has more power than she does. George R.R. Martin discussed his inspiration for The Sparrows in The Game of Thrones with Entertainment Weekly:
“The Sparrows are my version of the medieval Catholic Church, with its own fantasy twist,” Martin told EW. “If you look at the history of the church in the Middle Ages, you had periods where you had very worldly and corrupt popes and bishops. People who were not spiritual, but were politicians. They were playing their own version of the game of thrones, and they were in bed with the kings and the lords. But you also had periods of religious revival or reform—the greatest of them being the Protestant Reformation, which led to the splitting of the church—where there were two or three rival popes each denouncing the other as legitimate. That’s what you’re seeing here in Westeros. The two previous High Septons we’ve seen, the first was very corrupt in his own way, and he was torn apart by the mob during the food riots [in season 2]. The one Tyrion appoints in his stead is less corrupt but is ineffectual and doesn’t make any waves. Cersei distrusts him because Tyrion appointed him. So now she has to deal with a militant and aggressive Protestant Reformation, if you will, that’s determined to resurrect a faith that was destroyed centuries ago by the Targaryens.”
And there are other, more direct influences as well between Catholic Church and the Faith of the Seven as well, Martin pointed out. “Instead of the Trinity of the Catholic Church, you have the Seven, where there is one god with seven aspects. In Catholicism, you have three aspects—the Father, the Son and the Holy Ghost. I remember as a kid, I was always confused by that. ‘So there are three gods?’ No, one god, but with three aspects. I was still confused: ‘So he’s his own father and own son?’”
Game of Thrones has diverged from the books this season. The show runners discussed one of the changes seen in last week’s episode which I think makes a lot of sense to move the story along–moving up the meeting between Tyrion Lannister and Daenerys Targaryen:
Showrunner David Benioff said pairing these two characters—played by Emmy winner Peter Dinklage and Emmy nominee Emilia Clarke—was one of the twists the producers most eagerly anticipated this season. “We’re really excited to see these two characters we love so much finally set eyes on each other,” Benioff said. “Creatively it made sense to us, because we wanted it to happen. They’re two of the best characters of the show. To have them come so close together this season then have them not meet felt incredibly frustrating. Also, we’re on a relatively fast pace. We don’t want to do a 10-year adaptation of the books, we don’t want to do a nine-year adaptation. We’re not going to spend four seasons in Meereen. It’s time for these two to get together. It’s hard to come up with a more eloquent explanation, but this just felt right. [Varys] puts Tyrion’s mission out there [in the season premiere] and the mission ends in Meereen.”
Tyrion and Daenerys have not yet met in George R.R. Martin’s novels upon which the series is based. But as is increasingly the case on the show, the producers opted to progress the story beyond the characters’ stopping point in Martin’s most recent book, A Dance with Dragons, in order to maintain an intense TV-friendly pace. Benioff and his fellow showrunner Dan Weiss have previously pointed out they prefer to cap the series around seven seasons.
“There will always be some fans who will think it’s blasphemy,” Benioff noted. “But we can’t not do something because we’re afraid of the reaction. I like to think we’ve always done what’s in the best interest of the show and we hope most people agree.”
The first real conversation between Daenerys and Tyrion, which occurs on tonight’s episode, should be interesting.
Both Ron Moore and George R.R. Martin have dealt with questions of the television works they are involved with differing from the books. Martin recently addressed fans who have been upset with events on the television show which differ from the books, such as the rape of Sansa, on his blog:
How many children did Scarlett O’Hara have? Three, in the novel. One, in the movie. None, in real life: she was a fictional character, she never existed. The show is the show, the books are the books; two different tellings of the same story.
There have been differences between the novels and the television show since the first episode of season one. And for just as long, I have been talking about the butterfly effect. Small changes lead to larger changes lead to huge changes. HBO is more than forty hours into the impossible and demanding task of adapting my lengthy (extremely) and complex (exceedingly) novels, with their layers of plots and subplots, their twists and contradictions and unreliable narrators, viewpoint shifts and ambiguities, and a cast of characters in the hundreds.
There has seldom been any TV series as faithful to its source material, by and large (if you doubt that, talk to the Harry Dresden fans, or readers of the Sookie Stackhouse novels, or the fans of the original WALKING DEAD comic books)… but the longer the show goes on, the bigger the butterflies become. And now we have reached the point where the beat of butterfly wings is stirring up storms, like the one presently engulfing my email.
Prose and television have different strengths, different weaknesses, different requirements.
David and Dan and Bryan and HBO are trying to make the best television series that they can.
And over here I am trying to write the best novels that I can.
And yes, more and more, they differ. Two roads diverging in the dark of the woods, I suppose… but all of us are still intending that at the end we will arrive at the same place.S
The video above has interviews with the cast of Legends of Tomorrow, and the first few seconds shows them in uniform. This includes Caity Lotz returning as The White Canary, and a scene showing The Atom shrinking.
Disney has announced they have discontinued plans for Tron 3. While some fans are complaining, I don’t mind. I see the Tron series as something out of the past which which we have moved beyond and no longer need–like another Clinton or Bush running for president. Besides, with Disney owning the movie rights to Marvel and Star Wars they have much better genre properties to develop into movies, such as we have much better politicians to consider for the presidency.
The Community sixth season finale will be on Yahoo this upcoming week. Yvette Nicole Brown will return to reprise her role as Shirley. Then is is six seasons and a movie?
Orphan Black did not advance the overall story very much this week. We don’t even know if anyone survived Paul’s grenade, but it was confirmed that the military installation was in Mexico. The highlight was another case of one clone impersonating another, in this case Cosima as Alison. Next it is the time for the suburban drug deals to play host family for Helena.
Showtime has doubled the length of the planned Twin Peaks reboot from nine to eighteen episodes.
Jon Hamm should walk away with the Emmy this year for his work on Mad Men. Hamm has also showed other acting talent doing comedy work such as on 30 Rock and Unbreakable Kimmy Schmidt. Next he has a more dramatic movie role, string in a political thriller, High Wire Act. From The Hollywood Reporter:
Jon Hamm has signed on to star in the Tony Gilroy-penned political action-thriller High Wire Act. Brad Anderson is directing the film for Radar Pictures.
Set in 1980s Beirut, Hamm plays a former U.S. diplomat who is called back into service to save a former colleague from the group possibly responsible for his own family’s death.
Netflix has renewed another show well worth watching, Grace and Frankie, for a second season. Netflix, incidentally, accounted for 37 percent of internet bandwidth during peak hours in North America in March. According to Variety, “YouTube accounted for 15.6% of downstream Internet traffic, web browsing was 6%, Facebook was 2.7%, Amazon Instant Video was 2.0% and Hulu was 1.9%.”
In addition to increased viewing of television from streaming sources. podcasts are becoming more popular, with Serial one of the biggest. It has been announced that Serial will have at least three seasons, with the second season coming this fall.
Halt and Catch Fire starts its second season on AMC tonight. Reviewers are saying it has fixed many of its first season problems and the second season sounds worth watching.