SciFi Weekend: Mad Men Ends In Perfect Harmony; The Flash Season Finale; Orphan Black; David Letterman’s Final Show; Gilmore Girls Reunion; Community’s Homage To The Captain America Elevator Scene; John Nash

Mad Men Don Meditating

 Mad Men really did end somewhat like I discussed last week–Don Draper on the California coast, analogous to the season finale of Arrow with Oliver and Felicity driving up the coast.  Don even traveled with a woman from Arrow–Caity Lotz, the Black Canary. In this case she played Stephanie, Anna Draper’s niece. The choice was probably because of Stephanie knowing Don as Dick Whitman. Spending the episode being called Dick culminated the trend of the last few episodes with Don symbolically as the falling man in the opening titles. By this time Don had given up virtually everything involved with this identity. During the finale he was rejected by his family, who thought that others should raise his sons after Betty dies, and hit rock bottom after talking with Peggy.

In the end Mad Men might be called an eight-year anti-smoking public service announcement and coke ad. Don was moved when he heard Leonard speak. While not as bad off, Leonard’s talk of being the person nobody wanted to take out of the refrigerator resonated with Don. In the final scene Don was meditating on a cliff and came up with the idea for the classic coke ad, which even included two girls who looked  like the receptionist at the retreat. Up until this point I had one complaint about how the series appeared to be ending. The first half of the final season was all about Don losing his position in advertising  and then moving back to the top. It seemed strange to then have Don walk out on it all, even if not comfortable with how the larger company does business, along with being wrong about the future of light beer.

Don’s return to advertising was foreshadowed, as was Betty’s development of cigarette cancer. The promos showed a previous scene of Roger shrugging off Don’s disappearance by saying simply that, “He does that.” Stan reassured Peggy by pointing out that “He always does this, and he always comes back.” Peggy told Don that he could return and that McCann Erickson would take him back. She even asked, “Don’t you want to work on Coke?”  Don was asked to fix a coke machine in another recent episode. The coke ad also was the culmination of Don’s difficulties over the years understanding hippy subculture. He may or may not really get it at the end, but he understood enough of the philosophy to develop the message of the ad. It clicked with him while meditating. While the message of a coke ad might on one level be somewhat superficial, this was a series which revolved around the advertising industry after all.

While Matthew Weiner has given support to the interpretation that the ending does mean Don returned to do the coke ad, while watching the show it does appear valid to come to other conclusions, such as that Don reached a spiritual awakening which was analogous to the message of the ad, giving him the strength to do other things, as opposed to actually writing the ad. If the show is seen as ending with an open ended question as to whether Don did create the ad, then in some ways the ending could be even more ambiguous than the ending of The Sopranos. With The Sopranos, Tony Soprano was either killed in the diner or lived to continue as he had previously lived. If Don did not create the coke ad, then things were left wide open. He could have returned to advertising, possibly return to raise his children, take a new job elsewhere, or just remain on the road for an indefinite period of time.

Mad Men ended with a happy ending for almost everybody. Pete Campbell wound up far better than expected after he realized he did not have to be a philanderer like his father, and convinced his wife to return to him. (Perhaps they have a daughter who grows up to attend Greendale Community College who looks just like her mother). Joan, who was never the type to live off someone’s money to use cocaine in the Florida Keys, returned to work. Her company may or may not succeed, but if Mad Men were to continue we know that Joan would be working somewhere regardless of how long it were to run. While providing an ending, the show also left things open for the characters to move on in other ways in the future. Joan’s business may or may not succeed, and things may or may not work out for Roger and Marie in long term.

Two characters who might have the most interesting futures should we see them on a sequel such as Better Call Sally are Sally and Peggy. Sally’s future is most in question due to her age. Short term she will help care for her younger brothers while her mother is dying, but we know she will accomplish more long term. A couple of scenarios were already outlined by others for Peggy. She might succeed in becoming Creative Director by 1980, or she might take the route suggested by the head hunter in a previous episode and move on to a great job in a few years after having McCann Erickson on her resume.

In a way even Betty wound up with a good ending for her character. After being disliked by many viewers over the years, she became far more sympathetic after we learned on Mother’s Day that she is dying of  lung cancer. She is also dying on her own terms, rejecting treatment which in 1970 was probably of little value.

The final moments of Mad Men, which includes where the key characters were at the time, can be seen in the video above, which concludes with the classic coke commercial after Don smiled and a bell went off in his head.

Matthew Weiner discussed the finale at the New York Public Library a few days after it aired. Here are some excerpts from a report on the event from The Hollywood Reporter:

Yes, Don Draper created the Coke ad. The last scenes of the series features Don hugging a stranger at a retreat and meditating with hippies before the episode cuts to the 1971 Coca-Cola “Hilltop” commercial. Viewers can infer that Don returns to McCann-Erickson and creates that ad. “I have never been clear, and I have always been able to live with ambiguities,” said Weiner. “In the abstract, I did think, why not end this show with the greatest commercial ever made? In terms of what it means to people and everything, I am not ambiguity for ambiguity’s sake. But it was nice to have your cake and eat it too, in terms of what is advertising, who is Don and what is that thing?”

That commercial shouldn’t be read cynically. “I did hear rumblings of people talking about the ad being corny. It’s a little bit disturbing to me, that cynicism. I’m not saying advertising’s not corny, but I’m saying that the people who find that ad corny, they’re probably experiencing a lot of life that way, and they’re missing out on something. Five years before that, black people and white people couldn’t even be in an ad together! And the idea that someone in an enlightened state might have created something that’s very pure — yeah, there’s soda in there with a good feeling, but that ad to me is the best ad ever made, and it comes from a very good place. … That ad in particular is so much of its time, so beautiful and, I don’t think, as — I don’t know what the word is — villainous as the snark of today.”

Leonard was “probably the most important role in the series.” The post-war period in which the beginning of the show is set, “the word ‘depressed’ was not part of the vocabulary except for doctors, and men certainly didn’t express their feelings other than in bar fights,” Weiner explained. In casting Evan Arnold, “I needed someone who’s not famous and can cry, and really do it. … We believe it right away that he’s invisible.” He played the role of the everyman, “even if they’re not veterans, the alienation that was created by success, political racial tension, the technology — which is, I think, what’s happening right now — the isolation, these guys, they’re gonna crack. … I don’t think there’s enough empathy right now in the world.”

That hug between Don and Leonard had two meanings. “I hope the audience would feel either that he was embracing a part of himself, or maybe them, and that they were heard. I don’t want to put it into words more than that. … I liked the idea where he’d come to this place, and it’d be about other people and a moment of recognition. I don’t think I can put it into words, but I knew.”

Don’s road trip was inspired by The Fugitive. “I thought, ‘I want to see Don on his own. I want to do an episode of The Fugitive where Don comes into town and can be anyone,'” Weiner said, pointing to the ’60s series. “That netherworld of being on the run — I don’t know about you, but I think everyone has dreams of committing a crime and being on the run. Am I the only one? I think it’s very common. You’re lying!” he told the audience with a smile.

In the history of television, Mad Men is the real thing.

The_Flash_S01_finale_TVGM-1431462169

The season finale of The Flash left many things open due to the effects of time travel. Barry went back in time with the intent to save his mother but was quickly waived off by his future self, and he decided not to change the events which led to him becoming the Flash. I was disappointed by this aspect of the episode as presumably Barry gave a lot of thought to this decision. Considering the risks which he had accepted, I would think it would have taken more to convince him to change his mind. Regardless, he decided against changing history at this time, but after he returned history was changed by another event. Eddy shot himself, making his descendant, appear to cease to exist. (It is a shame that Eddy hadn’t previously thought to get a vasectomy instead.)

As far as we could see, after Eddy shot himself and Thawne faded away everything seemed the same, other than for the time travel having caused the development of  a singularity which threatens to destroy the planet. The annual threats to Starling City which culminate every season of Arrow now seem so trivial. Theoretically once Thawne disappeared everything should have been different and the group wouldn’t have been together at Star Labs, but this timey whimy stuff can be unpredictable. We did see a brief image of an alternate Earth Flash helmet from the DC comics and Kaitlin as Killer Frost. Both or neither might ever be seen in the timeline of the television show. There was also an homage to Douglas Adams with Cisco saying, “So long, and thanks for all the fish.” Plus his memories of the alternate timeline were explained as being a power he gained when the particle accelerator exploded, possibly foreshadowing him turning into the Vibe as in the comics.

One consequence of this could be that the real Harrison Wells is still alive, never having been killed and having his body snatched by Thawne. Plus should the Reverse Flash return (and does anyone really doubt this will happen) instead of Wells under the mask it might be the face we say before he disappeared.

The Flash Jay Helmet

Andrew Kreisberg discussed the season finale with The Hollywood Reporter:

When did you know Eddie would make this sacrifice?

When we decided to name him Thawne, we hoped the audience would suspect Eddie was the Reverse-Flash because of his last name. We always knew Eddie would be his ancestor, but we weren’t quite sure how we would end the season. The way things were moving forward, it felt like it was the best thing to do for his character. Like with Colin Donnell [whose character Tommy died in Arrow‘s season one finale], it was literally the worst thing we could do to ourselves as writers, producers and friends, because we all love Rick so much both personally and professionally, and we think he’s crushed it as Eddie all season. We’ve all become very close. It’s one of those terrible things. The story sort of tells you what it wants to be and as much as it broke our hearts, we knew this was the way the season needed to end…

Will Eddie be back?

The great thing with our show — you saw it with Colin Donnell and with Caity Lotz [whose deceased Sara is returning for spinoff Legends of Tomorrow] — is just because you are dead doesn’t mean you’re not coming back. Especially in the world of The Flash, which involves time travel and real hardcore science fiction, there’s always a way for Eddie to return, and we hope Rick will.

How does Eddie’s sacrifice work? Eobard disappears — but everything he did up until the finale still happened?

Our time travel hopefully holds together as much as it can. It doesn’t completely obliterate all of their memories of Eddie and everything, but it has the desired effect of “harm to Eddie means harm to Tom Cavanagh’s character.”

How did you lay the groundwork for Eddie to make this choice?

Eddie has been struggling these last few weeks, hearing about the future and about how there is no place for him in the future. He wasn’t going to believe in Wells’ interpretation of the future. He was going to make his own decision and he basically decided to recommit to Iris, which only makes his sacrifice that much more heartbreaking. He didn’t do it because he didn’t have anything to live for. He did it because he had everything to live for.

What does this mean for Tom Cavanagh’s future on the show?

Tom Cavanagh will be back. That is not in question. Tom Cavanagh will continue to be a regular…

You’ve said season two will introduce more Speedsters. Is that going to be a major theme akin to the Rogues in this season?

Yeah. We are going to introduce a few more speedsters next year and a bunch more villains. How they and those villains come about is part of the surprise of season two. We’re really excited. [Executive producer] Greg [Berlanti] and myself and [executive producer] Geoff Johns and the writers, the cast, the crew, the directors — we are so proud of this season of television. It really is a high mark for all of us, and we feel a great deal of pressure and anxiety to live up to it because it’s been so well received. As proud as excited as we are about everything we’ve done this year, we really are just as proud and excited for all the things we are planning coming up. Hopefully people will continue to take this ride with us.

Alison (TATIANA MASLANY) and Donnie (KRISTIAN BRUUN)

This week’s episode of Orphan Black, Certain Agony Of The Battlefield, gave viewers the pay off for the set up of the previous couple of episodes which had many slow moments. This included two deaths, Paul and Pupok the Scorpion. Paul’s death was foreshadowed in television logic by the manner in which the episode returned to his role in the first season, along with the dream sequence which brought Sarah face to face with Beth. After having ambiguous motives for much of the series, Paul was shown as the good guy. If that wasn’t enough to foreshadow his death, the clincher was his admission to Sarah that, “It was never Beth I loved.”

In other key developments, Helena returned to help Sarah, after eating the scorpion. Rachel has the key to decoding Duncan’s code in the margins of The Island of Dr. Moreau (poroviding references to H.G. Wells in two of the shows I am reviewing this week). Allison and Donnie have gone Breaking Bad-lite, with their daughter walking in on their bedroom celebration in a scene reminiscent of Paige walking in on Elizabeth and Phillip in the 69 position on The Americans (picture here). There will be a longer version of the sequence on the DVD.

John Fawcett discussed the episode with The Hollywood Reporter:

  1. The loss of Paul is one of the more significant character deaths the show has done. What made the timing right now, and is there anything you’d like to tell fans about making that decision?That’s what drama’s about — having characters that can sacrifice themselves, and open new doors, and throw themselves on bombs, and reveal themselves emotionally, and elicit big reactions from people. That’s what makes great storytelling, and what Graeme and I have strived to do. Also, [to] keep people off-guard, and never certain. I don’t like people getting too comfortable. We like that people tune in to our show, and they don’t know what they’re going to get. They don’t know where we’re going to take them. That’s part of the fun of the show, and something we can continue to do. Because I really do think people get all tense and excited about watching the show, and what’s going to happen. This is an element of the way we tell stories on Orphan Black. … Was it necessary we kill a character? I don’t know. But what it does is it’s such a big emotional explosion for Sarah, and it sends her on a different course. This teamed with the fact that she’s had this strange vision of Beth, this is pushing her towards the end of the season. It means big things to help push her towards the drama of the finale.Up until now, viewers were left to draw their own conclusions about Paul’s feelings for Beth and Sarah. What discussions were there about him saying, pre-death, so concretely that he didn’t love Beth, but he did love Sarah?We talked about so many different aspects of that. I was always a little worried about introducing a dream sequence into the show. But it kind of worked so well with Paul, and Paul’s departure from the show, and [resolving] the thread we left kind of hanging a little bit. Does Paul actually have feelings for Sarah? Does Sarah actually have feelings for Paul? It was nice to hear him voice it. It was just one of those big epic lines, where you get some clarity before he dies.Paul sacrificed himself with the intention of taking down as much of Castor as possible. How successful was he in destroying the samples, etc.?

    The point of it was to corral all of the Castor [operatives], all of the DNA, all of their research into one room and blow the f—ing shit out of it. So that was his point. Beyond that, you have to see the remainder of the season.

Sarah (TATIANA MASLANY) and Paul (DYLAN BRUCE)

More in that interview, as well as in an interview at TV Line:

TVLINE | Is Paul definitely dead?
I don’t know, man… [Laughs] He blew himself up. I think that’s cool. I like the fact that Paul is a character that we have not really been able to trust. We never knew where we stood with him. Was he a good guy? Was he a bad guy? Why is he doing the things he’s doing? And we’ve come through the last bunch of episodes to realize why he’s making the decisions he’s making. And, at the end of the day, he makes the right choice and heroically throws himself on the bomb. Literally. It was the way we wanted to see that character depart.

TVLINE | This is the first series regular character to be killed off. What was it like deciding to say goodbye to Paul and Dylan?
[This] was our plan from the beginning [of] plotting out Season 3. We knew. Dylan knew. It was a bit sad on set, though, I have to say. It was a little sad to see him go. [There were] a lot of feels on set, if you know what I mean.

TVLINE | Should we be questioning whether Dr. Cody and Rudy were actually taken out by that grenade? ‘Cause we didn’t see any bodies…
[Laughs] Yeah, you should question everything, of course.

TVLINE | Now more than ever, Sarah has so much information about herself and her sisters. What does that mean for her going forward? I felt like Beth, in a way, was telling her to step back. But does knowing all this just make her want to look for answers even more?
Absolutely. It’s more important than ever that Sarah gets to the bottom of this — and not just for herself and for the safety of her immediate family. The driving force with Sarah is that she’s really had to step up and become the leader. She’s gone from being a teenage-runaway-reluctant mother, to having to be not just a responsible mother, but a leader. The one who is keeping the sisters together, and the driving force behind trying to find a cure for Cosima.

TVLINE | There was another death in this episode. Have we seen the last of Pupok the Scorpion?
I can’t say that. Listen, Pupok’s not really real. Pupok’s a spirit animal. Can you really kill a spirit animal? I don’t know.

This has been a big year for saying good-by. Not only was it the end for the world of Mad Men, it was the end for Pawnee, the Bravermans, and last week was the final show of Late Night With David Letterman. I’m not giving up hope of seeing Dave on television again–I remain hopeful that he will still get The Tonight Show.  He probably will not be hosting the Oscars, but now he does have more free time to hang out with Oprah, and maybe Uma. So far since the finale I have been watching some of the great interviews and Top Ten lists he did in his last month on You Tube. Terry Gross had an excellent interview with his producer Rob Burnett on Fresh Air. You can read highlights or listen to the interview here. I heard it on a downloaded podcast which had an extra not present on the show–an interview with David Letterman from 1981. Among the highlights was Letterman talking about the great comedians of the time as well as new comedians who showed promise, including Jay Leno. David Letterman’s last sign off is in the video above, followed by highlights of the show which were aired as the Foo Fighters performed Everlong after David Letterman said good night for the last time on a television program.

While we will not see Pawnee, the Barvermans, the various manifestations of Sterling Cooper, or David Letterman, Scott Patterson has hinted that we might be able to return to another place which is missed–Stars Hollow. A Girlmore Girl reunion remains possible.

Community featured an homage to the elevator scene from Captain America: The Winter Soldier. Both scenes above.

A Beautiful Mind

There was one unexpected additional farewell this week. John Nash, whose life inspired the movie, A Beautiful Mind, along with his wife were killed in a traffic accident. The New York Times reports:

John F. Nash Jr., a mathematician who shared a Nobel Prize in 1994 for work that greatly extended the reach and power of modern economic theory and whose decades-long descent into severe mental illness and eventual recovery were the subject of a book and a 2001 film, both titled “A Beautiful Mind,” was killed, along with his wife, in a car crash on Saturday in New Jersey. He was 86.

Dr. Nash and his wife, Alicia, 82, were in a taxi on the New Jersey Turnpike in Monroe Township around 4:30 p.m. when the driver lost control while trying to pass another car and hit a guard rail and another vehicle, said Sgt. Gregory Williams of the New Jersey State Police.

Jennifer Connelly as Alicia Nash and Russell Crowe as John Nash are in the picture above from the movie.

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SciFi Weekend: Avengers Age of Ultron; Agents of SHIELD; Orphan Black; Jonathan Strange & Mr Norrell; Community; Revenge; Scarlett Johansson On SNL

Marvel's Avengers: Age Of Ultron..Thor (Chris Hemsworth), Steve Rogers/Captain America (Chris Evans), Clint Barton/Hawkeye (Jeremy Renner), Tony Stark/Iron Man (Robert Downey Jr.) and James "Rhodey" Rhodes/War Machine (Don Cheadle)..Ph: Film Frame..?Marvel 2015

Avengers: Age of Ultron opened with the second highest box office receipts of all time, trailing only The Avengers 2012 opening. I would rank the first Avengers movie, along with the better Iron Man and Captain America movies, above Age of Ultron, but it was still a very enjoyable movie, falling in the middle of the recent Marvel releases. My discussion here is primarily as to how it fits into the rest of the Marvel universe and I avoided major spoilers of plot points, but those who want to totally avoid any information about the movie before seeing might want to jump down to the next section. Some of the linked articles have even more significant spoilers.

There is an attempt at continuity between the Marvel television universe and cinematic universe, but it is largely one way. The movie definitely takes place after the events of Captain America: The Winter Soldier with SHIELD broken up. The members of the Avengers are working out their own hierarchy, no longer taking orders from SHIELD. Agents of SHIELD did have a lead-in for the movie in last week’s episode, including the search for Loki’s scepter, but as far as the movie series goes, Coulson is dead. While Nick Fury and Maria Hill appeared in the movie, there was no sign of Coulson, even at a party where it seemed everyone who ever appeared in a Marvel movie was invited. For those who primarily watch the movies, they avoided having to explain how he is alive, and viewers of the show could just assume he was too busy hiding from HYDRA and the other SHIELD to attend. Joss Whedon discussed the conflict between the television and movie people, including a reference to the ending of St. Elsewhere:

“Yeah he’s dead. The entire television series is just a fever dream. It’s a Jacob’s Ladder moment he’s having at the point of death, but we don’t give that away until after season seven. And there’s a snow globe. Now I’ve given it away. Bollocks!

“It’s a weird little yes and no. As far as I’m concerned in the films, yes he’s dead. In terms of the narrative of these guys [The Avengers] his loss was very important. When I created the television show, it was sort of on the understanding that this can work and we can do it with integrity, but these Avengers movies are for people to see the Avengers movies and nothing else. And it would neither make sense nor be useful to say ‘Oh and by the way remember me? I died!’”

The Agents of SHIELD show runners discussed the tie in to the movie with Variety. Note that it is not necessary for understanding of the television show to have seen the movie to make sense of its references in last week’s episode. We will see how the events tie into future shows, but my bet is that the movie and television show are sufficiently self-contained so that it won’t necessary to have seen the movie.

One limitation of Avengers movies is that there are too many characters to spend much time on each individually. They did throw in a new romance, and we learned much more about Hawkeye and about The Black Widow. The most significant opportunity for characters to be seen as individuals  occurred when Scarlet Witch caused them to have dream sequences. These sequences told more about the motivations and thoughts of the characters, and are discussed further at Slate.

It shouldn’t come as a spoiler to note that the Avengers win in the end. The ending shows some of the original Avengers leaving the group, although we know they will be seen again in Captain America: Civil War. The ending did suggest that newer superheroes would be replacing some of them, but I would not be surprised if more of the original Avengers also play a role in the future. It looks like the Avengers will primarily consist of Captain America, Black Widow, Falcon, War Machine, and two introduced in this movie: Scarlet Witch and Vision. More on this here , here, and here. There was not a scene at the end of the credits, but there was a brief scene during the credits which also ties the movie to Guardians of the Galaxy. Discussion of that scene can be found here. Of course there was the obligatory Stan Lee cameo.

Orphan Black s03e03

Orphan Black got back to Mark and the Prolethean storyline, and had a big revelation about the Castor clones (I am  your sister). In watching it is hard to tell to what degree the writers had a long range plan and to what degree they are making things up as they go along. This is most apparent in how they retcon Paul’s role to fit into whatever is happening each season. This season they have him working with Team Castor, and therefore retroactively came up with the explanation the he had previously infiltrated Dyad. There is an even more retcon with Mark. Ari Millen was originally intended to only play Prolethean Mark, but at the end of the season it was decided to have him play the line of male clones. I had wondered how they would reconcile Mark’s character with the other clones. Now the explanation is that he was only with the Proletheans to retrieve material from Henrik. The change in each character seems even less plausible when considering the scene last season where Mark and Paul met in a bar and gave no indication that they were both on Team Castor. While they should have recognized each other, I imagine this scene could be explained away as each engaging in meaningless banter to avoid giving themselves away to anyone who might have been around them.

The Hollywood Reporter discussed the episode with Graeme Manson and John Fawcett, who pretend this was their plan all along:

Though the male line of clones was only introduced in the second season finale, it took just three episodes of season three for a key piece of the puzzle to fall into place: The clones from Project Castor (the males, played by Ari Millen) and Project Leda (the females, played by Tatiana Maslany) are biological siblings.

“There’s no doubt that’s been a plan of ours for a long time,” Orphan Black co-creator Graeme Manson tells The Hollywood Reporter. “It does shape the season going forward. We wanted a big revelation about these male clones, and the revelations are going to keep on coming.”

Cosima (Maslany) shared the truth with Sarah (Maslany), and then Sarah informed Mark (Millen) of their connection. And while Sarah has fiercely embraced protecting her new sisterhood, the discovery will lead to her own mixed feelings on the matter.

“It certainly adds a massive layer of complexity for Sarah, especially,” says series co-creator John Fawcett. “She’s just coming to grips with the fact that it really wasn’t that long ago where she was basically running away from her own daughter. Shunning her responsibilities of her immediate, biological family. Sarah’s done a lot of growing up in the past; going from street urchin, running around, avoiding the fact that she’s a mother to changing her life, wanting [her daughter] back, wanting to be a mother, going, ‘Oh my God, I have clones running around.’ There’s been a lot of acceptance and discovery for Sarah through this journey. There’s this other brain-numbing facet that Sarah has to take on board. It’s a big part of the mystery going forward.”

“Bearing in mind, none of these ‘brothers’ are acting very much like siblings,” added Manson. “So, we are also raising questions in terms of family of, ‘What makes family?’ Does biology make family? Do you choose your family? Sarah, like John said, has grown up a lot. She’s choosing her clone family. Are they going to choose the males or not?”

The above trailer for the television adaptation of Jonathan Strange & Mr Norrell has been released.

Looking to the week ahead, both Gotham and Person of Interest have each set up a high stakes battle for their season finales, and the end games for The Flash and Arrow appear near. I will wait until these stories have played out more to discuss them further. I have not been thrilled by the last couple of episodes of Outlander, but those who have read the book do say that big things are happening in the remaining episodes of the season.

Syfy has canceled Helix after its second season.

Community Annie Pleasure Droid

With twenty-eight minute episodes. Dan Harmon can get into more into an episode of Community now that it is on Yahoo! instead of NBC.  This week’s episode, Intro to Recycled Cinema, mocked commercials, Chris Pratt, and movie-making. It amusingly ripped off Star Wars, including the Cantina and garbage chute scenes. Chang was briefly a star, Jeff was the Mayor of Outer Space, Abed did his thing, and Annie was a  pleasure droid-turned-bounty-hunter Scorpio 9, who sometimes reached into her shirt and pulled out a laser bomb.

In an act of mercy killing, ABC is canceling Revenge. This is a perfect example of the problem with the US model for television series. It was a fine escapist show the first season, but continued long after there was any reason to drag out the story. While the BBC or cable might have ended the series at a natural point, even if only after a season or two, the American networks don’t work that way. The final straw was, after the rational for the show was seeking revenge for the false imprisonment and death of David Clarke, he suddenly turned up alive.

Scarlett Johansson was guest host on Saturday Night Live this week, and in this video showed how Marvel would make a girl superhero movie:

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SciFi Weekend: Arrow; The Flash; The Americans; Community; Two SHIELDs; Victorian Sherlock; X-Files Closer To Returning; Sleepy Hollow Renewed; True Detective Hires Porn Stars

The-Flash-Harrison-Wells-Kills-Cisco

Arrow and The Flash returned on CW (now the leading genre network), along with the premiere of iZombie. We don’t know all that much more about where they are heading with Ra’s al Ghul‘s offer to Oliver other than it will be difficult to refuse. The big surprise of the episode was of the apparent appearance of Shado in the flashback. If this is really her, maybe she dies again because of Oliver, giving Slade a better reason for blaming Oliver for her death than what we saw before.

The Flash did more to advance their storyline this week than Arrow in showing that, as has already been hinted, Barry can travel in time. We also learned the actual identity of Harrison Wells–a time traveler named Eobard Thawne. Major events of the episode included  Wells/Thawne killing Cisco plus Barry kissing Iris and revealing his secret identity to her. However, as we also saw that Barry went back in time to events earlier in the episode, either or both events could wind up being changed–especially likely as Cisco does appear in trailers for future episodes.

Screen Rant looked at events of the episode and how they related to the Flash’s powers in the comics.

The-Flash-Barry-Time-Travel-Discussion

The Hollywood Reporter  reported on a press screening in which  executive producer Andrew Kreisberg, Tom Cavanagh(Wells/Thawne)  and Candice Patton (Iris) answered questions:

How much will Barry fix?

Kreisberg teased that “the fun” of next week is seeing the ramifications of Barry’s actions and how they will change what viewers have already seen. Not everything will be undone by the time travel (though it’s safe to assume Cisco will be saved, as he’s been shown in previews for future episodes).

“This episode allowed us to sort of give people a tease and a taste and make some big reveals,” said Kreisberg.

Who is Eobard Thawne?

Wells confessed to Cisco that his real name was Eobard Thawne, and that he’d been stuck in the past for fifteen years. He called Iris’ boyfriend Eddie Thawne (Rick Cosnett) a “distant” relative, which Kreisberg confirms was not a lie.

“There’s some great scenes coming up between Tom and Rick, that starts to become a storyline,” said Kreisberg.

The revelation puts to rest a fan theory that Eddie might actually be Eobard Thawne (AKA Reverse-Flash and Professor Zoom), who in comic book lore is a man from the 25th century who gets stuck in our era.

What does Wells want?

Wells killed Barry’s mother, but as he told Cisco, he actually wanted to kill Barry that night 15 years ago. Viewers do not know why Wells wanted to kill Barry, but at this point, all he cares about his getting home, though if he can kill Barry in the process that’s a bonus.

“Imagine if one of us was transported back into the past with no antibiotics and no internet and no indoor plumbing,’ said Kreisberg. “Every day in this time is an assault on him.”

Is Wells evil?

Kreisberg said Wells is not an “evil man” and that he even has reason to see “himself as a hero.”

“There’s nothing he says in that scene with Cisco that isn’t the truth,” said Kreisberg. “He’s sorry he found out. He’s sorry it has to happen, but it does have to happen and there’s a scene in episode 16 which kind of mirrors this scene, that I think really speaks to that.”

Cavanagh sees Wells as a man is just “trying to get home.” He has genuine affection for the STAR Labs team and their mission — at least while it serves his own purposes.

“As we see in this episode, it makes it a little more heartbreaking when the next phase of the plan starts to happen,” said Cavanaugh.

Will Iris uncover Wells’ secret?

Iris’ journalism mentor Mason (Roger Howarth) is poised to publish an expose on Wells, connecting him to a number of murders around town.

“For Barry, the wheels are turning for him, as far as what’s going on with Dr. Wells. Iris is going to continue to go after that story because Mason has piqued her interest,” said Patton. “For Barry, he wants to keep her out of harm’s way and this is directly putting her back into harm’s way by going into a situation with Dr. Wells that he’s not even quite clear about.”

What’s next?

Wells had future knowledge about these characters, and will start to share some of that knowledge. Episode 17 will also flashback to the beginning of the series, and show it from different perspectives, including Wells’.

“Toward the ends of the season, a whole bunch of new questions will pop up and that will drive the series forward. Most of the questions that we proffered at the beginning of the season will be paid off,” said Kreisberg.

If Thawne was really trying to kill Barry, was it young Barry or the Barry in our present?

The-Flash-Eobard-Thawne-Speed-Mirage

More at TV Line:

BREAKING THE TIME-SPACE CONTINUUM | Now that Barry has gone back in time, next week’s episode will deal with “how much of [what took place in Episode 15] still happens and how much of it might possibly change,” Kreisberg previews. As Dr. Wells pointed out previously, “there’s different versions of time travel. There’s the fixed loop and then there’s the version where time is more plastic and mutable. One of the fun things is discovering, like on Doctor Who, what’s a fixed point in time and what can’t be changed, what things always have to happen, and then what things are changeable and mutable. It’s a mixture of both.” That could spell bad news for Cisco — or good, if you look at it from the point of view of “Yay! He gets to live!” — because the episode explores “how certain events occur that prevent Cisco from following along the same trajectory” in his suspicions about Dr. Wells. Then there’s this question: Is there now a parallel universe with no Flash? “Is there?” Kreisberg replies coyly.

The Americans Divestment

While CW has become the leading broadcast network in terms of quantity of genre shows, FX leads as best non-premium cable channel with regards to quality shows. The Americans once again balanced several distinct plot lines going. While I would be perfectly happy watching any episode with Nina, there has been come complaints that her storyline back in the Soviet Union is no longer connected to any of the show’s other characters (other than for the indirect involvement with Arkady due to his family’s connections.) Fans of The Americans should realize by now that plot threads from past episodes can be picked up at anytime, with Nina suddenly involved with two characters from past episodes. Not only is she assigned to spy on Anton Baklanov, a scientist who was sent back to the Soviet Union in a previous episode, but she is working under Vasili, her former superior who she once framed. Best lines of the episode: “He’s the Minister of Railways.” “So next time I’m home I won’t be able to ride the train?”

The storyline involving apartheid in South Africa led to the third unforgettable scene of the series (after packing up Annelise’s body in a suitcase and home dental work on Elizabeth). However, while The 100, which also doesn’t hesitate to show death, would have killed off every character they could have plausibly kill off, outcomes on The Americans are less predictable, with Todd being spared. The possible recruitment of Paige moved ahead slowly, with Elizabeth explaining that activism is not as simple as being a criminal or not after Paige questioned Gregory’s history. The same complexity could apply to her profession.

Philip’s use of Martha has been a long-running storyline, but it has suddenly become much more interesting. In recent episodes there has finally been payoff on an event from the first season. Phillip, pretending to be Clark, tricked Martha into planting a bug in Gaad’s office. Now the bug has been found and Martha learns sees Walter Taffet, the actual person from the Office of Professional Responsibility who Clark is pretending to be. She has started asking questions, but Philip was prepared, such as with an apartment to take her to when Martha asked to see it. In this week’s episode, Divestment, Phillip was ready with a line about their relationship being real. At the moment this might be all Martha has to cling to, as opposed to prison or a death sentence for treason if it is discovered she placed the bug. If she is not careful she could wind up like Annelise, but she does present a real risk to Phillip. There probably was a reason for those scenes of her learning to use a gun earlier in the season.

Community Yahoo Premiere

Community returned with the first two episodes released on Yahoo Screen. As they were used to introduce two new characters, the stories were not among the best in the show’s history, but there were enough elements of the shows genius coming through. Abed went meta and assumed that Shirley was gone because of moving to a spin-off show. As NBC no longer does comedy, it is a crime show, and in a way he was right as we saw a glimpse of The Butcher and the Baker at the end of the episode. While it is a shame to lose another member of the original cast, the loss of Shirley, and earlier Pierce, is far less of a loss than the previous loss of Troy. Other highlights of the episode include the speakeasy and a rip off trailer of Gremlins, Knee-High Mischief from “Martelo Estrada Filme..”

In other major genre events of the week, things got even more complicated for Cole and Ramse on 12 Monkeys now that Ramse wants to preserve the timeline after finding he has a son. Tom Keene returned to The Blacklist. It was revealed that there are two SHIELDs. Is this for real, or a HYDRA trick? The other SHIELD is led by Edward James Olmos. Are Tony Stark and/or Maria Hill also involved? Perhaps they are real SHIELD agents, but Colson was chosen by Nick Fury himself.

Sherlock Victorian England

Teaser pictures of Benedict Cumberbatch and Martin Freeman in 19th century clothes have been floating around for a while. Steven Moffat has confirmed that a stand-alone Christmas special of Sherlock will take place in Victorian England.

Fox is getting closer to going ahead with a limited run of The X-Files to tie up the threads left open. Making sense of that series by the end will be a huge challenge.

Sleepy Hollow was renewed for a third season, with a new show runner, Clifton Campbell. No word as to how many episodes.

True Detective has brought in a couple of porn stars, Amia Miley and Peta Jensen, for a major orgy scene. HBO already learned the benefits of using porn stars on Game of Thrones.

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SciFi Weekend: Agents of SHIELD; The 100; Supergirl; Person of Interest; The End of Parenthood and Parks and Recreation & The Decline of NBC; 12 Monkeys; Netflix Marvel Series; The Americans; Sleepy Hollow; The End of The Marvel Universe; The Humor Of Sarah Palin; Mellisa Raunch Sex Scene

Agents of Shield Coulson Skye

Agents of SHIELD has come a long way from the first season. While they always hinted there was something special about Skye, they didn’t have the payoff on this plotline until the midseason finale with her conversion to an Inhuman. This might have major ramifications for her relationship with Coulson:

Executive producer Jeph Loeb says that the current Inhumans plotline has always been the plan for “Agents of SHIELD.” Like they always knew that Grant Ward was going to be HYDRA in Season 1, the seeds of Skye being something other were planned in the pilot.

“Once we started down that road hopefully you were coming along for the adventure, and now that you’ve come along for the adventure one of the things that’s so amazing about what’s happening on that show is so now we know she has gone through a transformation,” he says. “How is everyone going to react to that? And in the same kind of way you’re asking as an audience member, one of the things that I think is really valuable and one of the things that I think Jed [Whedon] and Maurissa [Tancharoen] and Jeff Bell and the writing staff really do have a great feeling for is they are audience members. The writers room sits around and tries to come up with, ‘What is it that you think we’re going to do and how can we then turn that on its ear in a way that makes it feel like it’s fun and valuable?'”

Blood says “SHIELD” has often gone in a different ways from what he expected. He says the latest script he read “just turned another corner,” and that audiences will “be surprised of a lot of stuff that’s coming up.” Because the SHIELD team doesn’t know about the term “Inhumans” like audiences do, Blood says “it’s going to be something that is unraveled.” He has yet to find out where the storyline is going.

The obvious turn would be that Coulson helps Skye — someone Gregg says is the “the person he cares about most” — through her transformation into an Inhuman. But what if he views her as a threat instead of an ally because of her new powers?

“His no. 1 job is to be responsible for SHIELD, which he views as being responsible for the safety of billions of people from things they don’t know about. That’s what SHIELD is. No matter how much he loves Skye — and it’s as much as you can love somebody — it’s the closest thing to a daughter he has. That’s a sacred trust,” Gregg says. “I hope he doesn’t get put in that situation [where she is a threat] because it would mess him up.”

He teases there will be trouble within SHIELD in the aftermath of Trip’s death and Skye’s transformation. “I don’t think the whole team is going to be unified behind what just went on, and it’s hard to blame them. He’s got a couple of people that he’s come to really trust,” Gregg says. “One of my favorite things about this season is that everybody comes up to me on the street really worried about Fitz and these new characters we introduced this year. Coulson also has these new people … he doesn’t have the same type of history with those people. It’s going to be hard to hold the baby brand new, on the run SHIELD together in the wake of what just happened.”

There’s also the question of Bobbi’s secret, which Blood says is as big a mystery in the second half of Season 2 as who the man with no eyes is. “I honestly think people are going to freak when they see some of the stuff we’ve been filming recently,” he says.

The 100
The 100 returned last week and the events of the fall finale continued to have a major impact on the characters. While I originally did not watch this show, thinking it was another CW show putting attractive young people in a sci-fi scenario which has been done before, I found that this was far better done than I anticipated.

Yes, it does have its attractive young cast members, led by Eliza Taylor as Clarke Griffin, who does an excellent job in the role. (Having binged on the first one and one-half seasons over a weekend, I did notice that Eliza Taylor does show less cleavage in the second season, which must have been a conscious decision by the producers considering that the characters couldn’t just run out to clothing stores in this post-apocalyptic world to change their wardrobe). There are also the CW love triangles, but they do not distract from the stories. Both the characterization and plot lines have been strong, even when going where other shows have gone before. Bustle and The Mary Sue both have posts on why you should watch the show.

Supergirl-TV-Show-Actress-Melissa-Benoist

CBS has chosen Melissa Benoist to play the lead role on Supergirl. Previous reports on the show have described it as more of a CBS procedural with Supergirl as a feminist investigating crimes, but with cross overs possible with the CW shows Arrow and The Flash.

CBS is showing success with another mixture between procedural and genre with Person of Interest. The show started out as a procedural show with a science fiction gimmick to propel it, and has evolved to what might be seen in the future as “a modern sci-fi epic that is considered a must-see show along the lines of Firefly or Battlestar Galactica…”

Many blogs and podcasts, along with this thread on Reddit, have looked at the question of how someone could get caught up with the show without watching all the old episodes. The purely procedural episodes of the first two seasons are mostly unnecessary to appreciate the more recent episodes since the show evolved into a more significant science fiction series, but it is hard to say exactly what can be skipped and must be watched as often early episodes would have a few minute segment towards the end to slowly develop the mythology in addition to the number of the week story.

There have been some posts, such as here and here, which might help in listing some of the more essential episodes. It would really be helpful if some of the other mythology segments which are only small parts of other episodes could be accumulated in a video.

Parks and Recreation

Time looked at the politics of Parks and Recreation, which is concluding its run on NBC.

But there’s a big idea in Parks’ small-scale vision. In the frame of today’s politics, it might be a liberal notion, but it’s one that for much of the 20th century was centrist, and even championed by Republicans like park lover Teddy Roosevelt: that we need government to do things the private sector can’t or won’t, like preserving public spaces.

Shockingly, Parks has dared to suggest that while some civil servants might be bumbling–sorry, Jerry!–they can also be well-intentioned and competent. (This too wasn’t considered a liberal notion before the era when Ronald Reagan joked that “the nine most terrifying words in the English language are ‘I’m from the government and I’m here to help.’”) Leslie is comically tenacious–Poehler plays her as a cheerfully overprepared super-wonk–but she’s good at what she does and is driven by a fierce love for her hometown as well as its famous waffles…

Leslie can’t do it alone, though: she’s assisted by a network of co-workers and friends (played by a comedy-powerhouse cast, many of whom–like Chris Pratt, Aubrey Plaza and Aziz Ansari–have deservingly become stars). Even her former supervisor Ron Swanson (Nick Offerman) admires Leslie’s commitment, even though he’s so libertarian, he once illustrated the evils of taxation to a fourth grader by eating 40% of her lunch. Parks argues not only that we need our neighbors’ help but that helping makes us better ourselves; it’s in the small-town, populist tradition of Friday Night Lights and It’s a Wonderful Life.

Parenthood Series Finale

When I recently posted my list of top television shows of the year, I noted how little representation the major broadcast networks had on the list. Perhaps the biggest decline is being seen at NBC. They will soon be without two of their highest quality returning shows. Besides trying to run through Parks and Recreation as quickly as possible,  Parenthood concludes this week, apparently with Lorelei Gilmore marrying Ray Romano. If it ends with Zeke dying, I’m imaging angry mobs storming Rockefeller Center. After these are gone they will still have some shows worth watching, most notably Hannibal, which I’m amazed a network is broadcasting, but the lineup of quality shows will sure be thin. Their announcements of upcoming shows is being greeted with far more snark than interest.

In the past NBC would often be the home of some of the highest quality drama shows on television, such as The West WingFriday Night Lights, I’ll Fly Away, and St. Elsewhere. They probably had better ratings success with some, but not all of their sitcoms, which included shows such as Cheers, Frasier, Friends, Community, 30 Rock, and Will and Grace. Going further back, it was also the home of some classic genre shows such as the original Star Trek and The Man From UNCLE. (We won’t talk about some of their more recent attempts at genre such as Revolution, The Cape and Heroes after the first season.)

So, what happened to NBC? I suspect that that it is a victim of otherwise good changes in television. Writers and producers for many high quality shows are now going to cable and streaming networks, where they can develop an audience without the need for netw0rk-level ratings. (In the case of Community, it is moving directly from NBC following cancellation by NBC, with the first two episodes to be streamed by Yahoo! on March 17.) It will be a challenge for NBC to attract this type of quality show in the future, and it is questionable as to whether they even care considering that lower quality shows will probably deliver higher ratings.

Increasingly cable or smaller networks owned by the major networks are offering higher quality shows than the major networks. FX and FXX are offering some of the best shows on basic cable. CBS has Showtime and CW, with The CW Network  turning into one of the strongest networks, especially for genre, as it attracts a totally different audience than CBS. NBC/Universal have even lagged behind other cable networks which have produced better science fiction than its Syfy Network.

12Monkeys_gallery_102Recap_04

Syfy is finally trying to compete with hard science fiction. 12 Monkeys remains promising after the second episode, which aired Friday and was available for streaming last week. With Leland Goines dead, his daughter Jennifer becomes a major character. Her character in an insane asylum serves as an alternate version of the Brad Pitt character in the movie. As discussed previously, the television show can cover far more ground with changes such as having the ability to change time and with the Army of the 12 Monkeys playing a more significant role.

I saw a posted link here which supposedly allows streaming of the third episode for cable subscribers in the United States but it would not allow viewing through either my Charter or Xfinity account. I’m posting the link in case it works for other cable systems, or if it becomes active later. The first two episodes are available for streaming there.

the_defenders_poster___marvel_netflix_series_by_tchallacbm-d78ic4v

Netflix has released a brief synopsis for their upcoming Marvel shows. While previous reports suggested that we might have to wait a year between shows, it looks like the Jessica Jones show (staring Krysten Ritter) will be out sometime later this year.

Daredevil
“Marvel’s Daredevil” is a live action series that follows the journey of attorney Matt Murdock, who in a tragic accident was blinded as a boy but imbued with extraordinary senses. Murdock sets up practice in his old neighborhood of Hell’s Kitchen, New York where he now fights against injustice as a respected lawyer by day and masked vigilante at night. Coming April 10

A.K.A. Jessica Jones
Working as a private investigator in New York’s Hell’s Kitchen, a troubled ex-superhero’s past comes back to haunt her in the live-action series, “Marvel’s A.K.A. Jessica Jones.” Coming 2015

Iron Fist
“Marvel’s Iron Fist” follows superhero and martial arts master Danny Rand in the upcoming live-action series. Coming soon

Luke Cage
In this Marvel live-action series, a street-fighting ex-con battles crime in New York’s Hell’s Kitchen as the superhero Luke Cage. Coming soon

The Defenders
“Marvel’s The Defenders” brings together Daredevil, Jessica Jones, Iron Fist and Luke Cage in an epic superhero team-up in New York City. Coming soon

The Americans returns this week. Unreality Primetime has a couple spoilers on upcoming episodes. The season three trailer is above.

Can Henry be redeemed? The cast of Sleepy Hollow answer questions such as this in videos available here.

The Marvel universe ends as we know it in the comics this spring.

Who needs Tina Fey to mock Sarah Palin? Her own words are ridiculous enough. Check out the reaction to her latest speech from Twitter.

bronze

Melissa Raunch of The Big Bang Theory has received a lot of attention at Sundance for her raunchy sex scene in The Bronze.

“The Bronze” kicked off the 2015 edition of the Sundance Film Festival on a foul-mouthed note Thursday, sticking a dagger through the concept of hometown heroes and providing one of the raunchiest sex sequences in movie history.

The scene in question, one that involves pole vaults, cartwheels and pirouettes, was a constant source of amusement during a question and answer period immediately following the film’s premiere at the Eccles Theater.

“Right after this there’s going to be an audition for the sex scene in the sequel,” joked director Bryan Buckley.

Melissa Rauch, the star of the film and its cowriter along with husband Winston Rauch, said, “As for the sex scene, you write what you know.”

Her husband added that it gave the couple a chance to “show you what we do in our bedroom.”

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SciFi Weekend: Arrow; The Flash; Doctor Who; The Fall; More Genre Novels Receiving TV Adapatations; Ascension; Community; Mrs. Wolowitz Dies; Porn Stars Explain Net Neutrality; Bill Cosby Rape Allegations

Arrow Black Canary Katie Cassidy

By now  most fans must have figured out that Katie Cassidy’s character is training to replace her sister Sara as the Black Canary, so there is no point in keeping this a secret. Publicity pictures have been released of Cassidy as the Black Canary. Marc Guggenheim has answered questions about when we will find out who killed Sara and has shot down another fan theory in a recent interview. The mystery over Sara’s killer won’t be dragged out over the entire season, but he is not telling exactly when we will find out.

The CW Network has released the synopsis of the cross over episodes of The Flash and Arrow, which will air on December 2 and 3.

Part 1: “Flash vs. Arrow”

“Barry is thrilled when Oliver, Felicity and Diggle come to Central City to investigate a case involving a deadly boomerang. Excited about teaming up with his friend, Barry asks Oliver if he’d like to help him stop Ray Bivolo (guest star Patrick Sabongui), the meta-human Barry is currently tracking. Bivolo causes people to lose control of their emotions and has been using that skill to rob banks. Unfortunately, the superhero partnership doesn’t go as smoothly as Barry expected. When Oliver tells Barry he still has a lot to learn, Barry sets out to prove him wrong by attempting to stop Bivolo alone. However, when Bivolo infects Barry and sets him on a rage rampage, everyone is in danger, and the only one who can stop him is the Arrow. Meanwhile, Iris is furious when Eddie tries to get a task force to stop The Flash, Joe and Dr. Wells agree the Arrow is a bad influence on Barry, and Caitlin and Cisco deal with a new team in S.T.A.R. Labs.”

Part 2: “The Brave and The Bold”

“Oliver, Arsenal and Diggle track down the location of a boomerang-wielding killer named Digger Harkness (guest star Nick Tarabay) but are surprised when they come face to face with an A.R.G.U.S. team. Diggle asks Lyla why A.R.G.U.S. is involved but she defers until Harkness attacks the building, killing several agents and targeting Lyla. The Arrow joins the fight and gets help from an old friend – The Flash. Harkness manages to get away and Oliver teams up with Barry again to find him before he can get to Lyla. When Harkness plants five bombs in the city that are timed to explode at the same time, both teams must come together to save the city.”

The above clip from this year’s upcoming Doctor Who Christmas special was played at Friday’s Children in Need special. Jenna Coleman is shown appearing again as Clara, and we do not know if this means whether Clara is continuing with the show next season or exiting the series as previously rumored.

Steven Moffat has discussed the past season of Doctor Who. With it uncertain as to whether there will be a new companion coming, there has been a lot of attention paid to his discussion of “changing it up with the companion.”

We actually have changed it up quite a lot, look how different those girls have been. Wait and see.

What we have is probably the most enduring form of the show and I think will always tend back to it for whatever reason, but there’s no reason you couldn’t tend away from it and there’s no diktat or special rule book left by Verity Lambert or something.

We absolutely could vary it. The times they’ve varied it, it makes them work hard – you can see them struggling with Leela. She was a great character but they had to civilize her fast because it was getting hard to fit her into stories – but it’s not a hard and fast rule at all.

Some of the bloggers at The Mary Sue disagree that they have changed it up all that much. Comments included, ” I know! Amy’s hair was red, and Clara’s was dark brown! So different“followed by, “And they were played by different women and it wasn’t the same actress in a wig so, right there.” Other comments included, ““And one wasn’t in love with the Doctor” followed by “Yes. One of them only flirted with the doctor. The others flirted and had feelings!” Maybe we’ll see “something really, really different” such as “curly hair.” On the other hand, the current formula works, so why be concerned about changing anything up?

The past season has received mixed reviews from fans, with more criticism of the plot holes in Moffat stories. What Culture has compiled a list of their top “face palm” moments in Doctor Who. While some fans are swearing that Moffat is destroying the show, to be fair to Moffat there were plenty of plot holes in stories before he took over. Examples can be found here, here, and here. Similarly, plot holes can be found during any typical evening of watching television. The nature of the show increases the risk of some plot holes on a show such as Doctor Who, but I also think the number is increased because Moffat often throws far too many clever ideas into some episodes, as he did in Death in Heaven. I feel he did a better job on episodes such as Blink in which he devoted the episode to just one clever idea and fully developed the story around it.

Michelle Gomez is hinting she will return to Doctor Who next season. She did too good a job as Missy to not consider using her again.

The Fall has started its second season, receiving excellent reviews, and Gillian Anderson hints there might be a third season. Netflix, which has the first season of this British series, will release all six episodes of the second season on January 16. The trailer is above.

There seems to be quite a few genre novels being turned into television series. Jonathan Nolan, creator of Person if Interest, is doing an adaptation of Isaac Asimov’s Foundation series for HBO. I could see this working as either adaptations of the books or as stories set in the universe Asimov created. Amazon has announced their planned pilots for 2015 and the list includes a series based upon The Man in the High Castle by Philip K. Dick. The alternative history creates a world twenty years after World War II in which the allies have lost. This could be another example of a series which might work by either adapting the novel or writing original stories in the universe created by the novel.

Ascension, a three night mini-series starting on Syfy on December 15 sounds like it could be awesome. Trailer above. From what I’ve read at various sources, the premise is that during the Kennedy years there were fears that humanity would not survive so an interstellar life boat was sent into space with a wide variety of people. The series takes place in the present, but the culture has not changed from the 1960’s, sort of giving us Mad Men in space. The mini-series reportedly deals with problems ranging from a murder to reaching the point of no return and having to decide whether to go on or to return to earth. Cast includes Tricia Helfer of Battlestar Galactica as the scheming wife of the Captain.

Paget Brewster

Community finally starts production next week and will be adding two new cast members following the loss of some regulars over the years. The new members of the cast will be Paget Brewster (above) and Keith David.

Carol Ann Susi, who provided the voice of Mrs. Wolowitz on The Big Bang Theory, died last Tuesday. No word yet as to how this will be handled on the show.

Glen A. Larson, creator of the original Battlestar Galactica, Buck Rogers in the 25th Century,  Magnum P.I., and multiple other shows has died.

Karen Gillan’s new series Selfie has apparently not received enough “likes” and has been canceled by ABC. CBS has canceled The Millers, which means that Margo Martindale might now have more time to reprise her role as Claudia on The Americans.

If you heard the rumors last week about Spider-Man’s Aunt May getting her own movie, they aren’t true. The biggest problem with the rumored concept was that the movie was going to take place when she was younger. If the concept had any chance of succeeding, they’d be better sticking with Sally Field, who just  might be able to pull it off.


Funny or Die used porn stars to explain net neutrality in the video above. Consumerist summarizes:

…three adult actresses — Alex Chance, Mercedes Carrera, and Nadia Styles — explain what it would mean if the FCC passes compromised neutrality rules.

“Without net neutrality, Internet service providers could create special fast lanes for content providers willing to pay more,” says Carrera.

Adds Chance, “That means slow streaming, slow social networking, and yes, slow porn.”

Ms. Styles slam neutrality critic, Sen. Ted Cruz from Texas, saying he “doesn’t want me to get naked for you.”

She also points out that the anti-neutrality drive is being led by wealthy older men and says that doesn’t make any sense since, “Old rich guys watch the weirdest porn.”

Ms. Chance compares the current, neutral state of the Internet to “a giant sex party where everyone gets to have sex with anyone they want,” but Ms. Carrera contends that, “Without net neutrality, that sex party is only for rich people.”

 Bill Cosby’s attorney has issued a statement regarding the recent rape allegations:

Over the last several weeks, decade-old, discredited allegations against Mr. Cosby have resurfaced. The fact that they are being repeated does not make them true. Mr. Cosby does not intend to dignify these allegations with any comment. He would like to thank all his fans for the outpouring of support and assure them that, at age 77, he is doing his best work. There will be no further statement from Mr. Cosby or any of his representatives.

Response from The Washington Monthly:

As I’ve previously noted, I certainly hope the allegations—some of which date back years—against Cosby turn out to be false; if true, every bigot who thinks African-American men, regardless of accomplishments, are sex fiends at heart will say, “See! I told you so!” However, as Boston Globe columnist Renee Graham notes, Cosby’s credibility appears to be compromised:

“Cosby settled a lawsuit in 2006 filed by a woman who claimed the comedian drugged and raped her in 2004, and he has never been charged with any crime connected to the allegations. Yet from comedian Hannibal Buress, who straight up called him “a rapist,” to countless slings and arrows on Twitter, there’s a sense that Cosby won’t emerge from this mess unscathed…

“Howard Bragman, a longtime celebrity public relations consultant, insisted on CNN that Cosby has “got to be willing to go on the air and go on the record, and say ‘These charges are not true, this is nothing I would do.’ ” So far, Cosby has done no such thing, perhaps already realizing his reputation is a lost cause.”

Cosby’s attorney says his client’s lips will remain sealed. We’ll see about that. Meanwhile, I don’t quite get why Rush Limbaugh is leaping to Cosby’s defense; does he think Cosby is a Republican? (By the way, remember when the right went after Cosby’s wife Camille in 1998 after she claimed that American racism played a role in the 1997 murder of their son Ennis?)

Again, I hope these allegations against Cosby turn out not to be true. However, if these allegations are meritorious, I think the lesson to be learned is: stop making celebrities out to be heroes.

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SciFi Weekend: Doctor Who; Benedict Cumberbatch on Sherlock and Sex; Agents of SHIELD; Agent Carter; Gotham; Arrow; The Flash; 12 Monkeys; Billy Bob Thornton and Other Sitcom News; Crash of Virgin Galactic’s SpaceShipTwo

Doctor Who Black Water

Black Water is so far likely to be the most memorable episode of this season of Doctor Who, but any such judgment will be influenced by the second part of the story, Death in Heaven. It is difficult to review the first episode of a two-part story as when an interesting idea in genre is raised we never know how well the story will play out. Of course this could also be said of both individual stories and entire series (such as Lost and The X-Files.)

The episode demonstrated how much the Doctor cared for Clara: “Do you think I care for you so little that betraying me would make a difference?” Fortunately the betrayal was in a dream sequence. Before realizing it was a dream I expected that the Doctor would either pull out a spare key or show that he can still get into his TARDIS even without a key. Clara pointed out a common issue on the the series in which the Doctor is inconsistent as to whether he can change time. Such inconsistencies are unavoidable on a long running time travel series and actually seem less objectionable when openly acknowledged by a character.

Danny Pink appears to have died, but it isn’t clear if it is final. After all, the idea of the episode is that death is not what we think it is, although it is not clear if we were told the truth or if it was entirely lies coming from Missy. We were told,  “This isn’t really an afterlife. It’s just more life than you were ever expecting.” With rumors that Jenna Coleman might be leaving the series, it is possible that he really is dead, but also possible that he can be rescued from the Nethersphere for further adventures. The previews of Death in Heaven suggest that Clara might have never existed, but previews are often misleading.

The biggest danger to Danny might not be that he appears to be dead, but that he might delete his emotions and voluntarily become what was hidden away in the black water, which hides all not-organic material. Even though it was well known that the finale involved the Cybermen, and it might not have made sense keeping all of them stored in water, the scene revealing what they were as the water drained away still had considerable impact.

If we can believe what we heard, the dead are still conscious and feel what their body feels–making “don’t cremate me” a crucial plea and avoiding being studied for science also an important goal. One reason we cannot be certain of anything we were told was the reveal as to the identity of Missy: “Try to keep up. I’m Missy. Short for Mistress. Well, couldn’t very well keep calling myself the Master, could I?”

Although there was widespread speculation that Missy was the Master, we were kept guessing until the end, including with a claim earlier in the episode that she was just a droid. Now that we know that Missy is the Master, the question remains as to whether she really was the one who gave Clara the Doctor’s phone number in The Bells of St. John, and if so what the purpose was. We can be certain that her use of the Cybermen is not a good thing,

Having the Master regenerate as a woman has been received with excitement by a lot of fans who have been hoping for a female doctor. While this establishes that it is possible for a Time Lord to regenerate in the opposite sex, having this be possible and actually doing it are quite different things. I suspect that for now this might have been done to placate fans calling for a female doctor with no current plans to actually do so.

The Doctor Who Extra for Black Water is above.

Benedict Cumberbatch discussed Sherlock and sex in an interview with the UK edition of Elle.

ELLE UK: What do you think Sherlock would be like in bed? How would you play a love scene as Sherlock?

BC: Oooh… You know I’d get the, I’d probably test the latex, if it involved prophylactics, beforehand.

BC: I’d do a little experiment to do with durability, length, girth, and um, strength. And um, I would probably take a lot of vitamin supplements to make sure that I could perform, and had had my sleep, and probably not had many cigarettes. Or drink, for that matter. Not that he does drink.

ELLE UK: You see. Proficient, but lacking enthusiasm.

BC: Yeah, no wait for it. I would probably watch a lot of porn…

Cumberbatch is currently in negotiations to star in Doctor Strange but perhaps he should also be signed for a guest appearance on Masters of Sex.

Agents of SHIELD Ward

SHIELD could really use better security. We figured that Ward wasn’t going to spend the entire season in Coulson’s basement, but I would think that they would have taken even more precautions to transport him. Brett Dalton discussed his character with Entertainment Weekly.

ABC has released the official synopsis for Agent Carter.

It is too early to judge Gotham as they are busy building their pre-Batman universe. Screen Rant looks at Arkham Asylum. Of course any discussion of Arkham leads to the Joker, and the post also mentions the fan theory that Oswald Cobblepot actually turns out to be the Joker, not the Penguin.

It has been announced that Morena Baccarin (Homeland, Firefly, V) will be playing Dr. Leslie Thompkins:

She will play Dr. Leslie Thompkins, a gifted and dedicated physician who was a friend of Bruce Wayne’s parents, Thomas and Martha. She is determined to use her skills to aid Gotham’s most in need, which currently means working at the newly opened Arkham Asylum’s Home for the Criminally Insane. In addition to her medical skills, her coolness under pressure will serve her well as she finds herself drawn close to James Gordon and into more and more dangerous waters.

Blastr looked at Christopher Nolan’s original ideas for the Dark Knight trilogy, which were changed with the death of Heath Ledger (the Joker).

At this point CW is doing the better job of bringing the DC universe to television, and Gotham has a long way to go to compete with Arrow as the best television adaptation of Batman. Last week Felicity visited The Flash and the next episode of Arrow features her in The Secret Origin of Felicity Smoak. The synopsis for the episode reads:

When a cyber attack brings Starling City to its knees, Oliver and Felicity are pushed to their limits to contain the destruction. Life gets even more complicated for Felicity when her mother, Donna (guest star Charlotte Ross), stops by for a surprise visit. Meanwhile, Ted Grant (guest star JR Ramirez) questions Laurel’s motives, and Thea buys an apartment with Malcolm’s “estate””money, which infuriates Oliver.

 Stephen Amell discussed Arrow, The Flash, and DC movies;

We’ve heard so much in recent weeks about Marvel and DC announcing so many comic book movies over the next few years. Are you ready for a Green Arrow movie? I am completely indifferent. First of all, wanting a movie undersells the idea that making 23 episodes a year isn’t a huge achievement. It is and I would put that degree of difficulty up against any feature film that has ever been made… except “Lord of the Rings” and that gigantic Peter Jackson-led undertaking… and maybe “Titanic.” But, other than those two movies, I’d put making 23 hours of interesting content in a TV season up against anything on the film side. It is difficult to me to want or envision an “Arrow” movie when we are shooting the 10th episode of our third season with 13 more episodes to go and in all likelihood 3 more seasons on the other side of that. I’m interested in keeping that content fresh. Once we get to the end of that road, maybe then I’ll shift my focus. There was some talk and controversy about the fact that Grant Gustin is doing the “Flash” TV show but was not named the Flash for the “Flash” movie. If Green Arrow was going to be on screen, do you feel like it should be you? Yeah. Of course. And I feel like it should be Grant doing the movie. But the important thing to remember is just because Grant Gustin plays the part of Barry Allen doesn’t mean Ezra Miller can’t also play Barry Allen. There can be different interpretations of the character. Anyone who is a fan of the comics knows the Flash character is one of the forces that leads to parallel universes. And who knows, they might find a fantastic actor to play Oliver Queen on the feature side who has a different take on the character. I’m certainly a departure from the typical Oliver Queen from the comic books. I just think that everybody needs to be patient with the whole thing. The fact that DC and Warner have announced all these comic book features is nothing but good for business.

Syfy has released the above extended footage for their upcoming series (based on the movie) 12 Monkeys.

Last season CBS killed Cristin Milioti in the series finale of How I Met Your Mother.  Now NBC has killed her on A to Z, or for now turned her into a zombie. She is currently walking dead, not unlike Brady Hoke as Michigan’s football coach. The series will complete its initial thirteen episodes but end at that point. Unless the thirteenth episode is rewritten we will never learn about what happens in that final hour of her eight-month, three-week, five-day, and one-hour relationship. I would expect that viewership will fall even further now that we know the show will not be on much longer. I have already deleted it from my DVR’s schedule.

NBC also canceled Bad Judge along with A to Z. NBC still has Marry Me for now but, having watched the pilot only, it hardly seems worth watching. Seeing these shows leads to the inevitable question–why did NBC cancel Community to make room for these? (Fortunately it has been saved by Yahoo!)

It has not been a good year for romantic comedies, with ABC having already canceled Manhattan Love Story.  At the moment, the only new network sitcoms I’m watching are Blackish and Selfie. Weak romantic comedies seem even lamer than most years after watching You’re The Worst which premiered last summer.

Big Bang Theory Billy Bob Thornton

Billy Bob Thornton was largely responsible for the success of Fargo. Late in the series he impersonated a dentist, and last week he went on to portray a doctor on The Big Bang Theory. The Hollywood Reporter interviewed showrunner Steve Molaro about his memorable appearance (which hopefully will be repeated). Billy Bob Thornton is a big fan of the show, and he is the one who pitched the idea of playing a doctor who tries to steal Penny away from Leonard. Molaro also states that “a major move forward in the Sheldon-Amy relationship occurs” in next week’s episode.

It was a real tragedy when Virgin Galactic’s SpaceShipTwo experimental space plane crashed on Friday.  While a huge setback, hopefully this is not the end of the idea of commercial spaceflight:

For now, the future of the New Mexico spaceport intended as the hub and central customer for Virgin Galactic’s operations seems uncertain.

And for Scaled Composites and Virgin Galactic, Messier says, “it’s obviously a massive setback.

“I’m hesitant to try to make predictions this soon after the accident,” he says.  “They’ve been working on SpaceShipTwo for ten years now. If the engine blew, they may have to go back to the drawing board.”

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SciFi Weekend: Doctor Who; You’re The Worst Renewed; Dallas Cancelled; Twin Peaks May Return; Marvel News; Arrow; Homeland; Community; Another Stephen King Novel To Television; Outlander; Short Skirts And Invented Languages In Genre

Doctor Who Kill The Moon

Kill the Moon could be seen both as one of many totally implausible and scientifically absurd episodes of Doctor Who along with another high concept episode with a major role in the series. Even if we accept that the moon could really be a giant egg, it makes no sense for the development of the space dragon to also lead to giving the moon more gravity. Doctor Who also has a strange cell phone technology on several episodes where cell phones seem to be connected to the time and place of their origin, in this case allowing Courtney to post to her Tumblr account (which has died out by 2049).

If you ignore its absurdity, which Doctor Who fans are accustomed to doing, the show does fill in a gap in the future history of mankind as presented on the show. The present earth of Doctor Who sees aliens as monsters and invaders. The far future has been shown with humans spread throughout space. At the time of this episode, mankind has given up on space exploration and even needed to restore an old museum shuttle to return to the moon. Thanks to Clara ignoring the input from humans at the time, earth was able to see space as a wonder and not threatening, encouraging mankind to start to look outwards.

The episode even answered the question raised during the episode of how the moon could be destroyed when they knew it was present in the  future. Now I’m wondering how the moon remained attached to the earth when the earth was dragged to elsewhere in the universe in The Stolen Earth/Journey’s End.

Dr-Who-Kill-The-Moon-alien1

The episode was originally written for Matt Smith, and must have had major rewrites in order to fit in so well with the story of the current Doctor as played by Peter Capaldi. The decision to go to the moon came about because the Capaldi Doctor couldn’t bring himself to tell Courtney that in some way she is special without actually making this true. The episode ended with Clara rejecting the Doctor, making me wonder if this is part of a planned arc. It certainly fits in with the personality changes in the Doctor since his last regeneration.

This might set up next week’s episode to be one without Clara, or show further advancement in their relationship. The entire lineup of companions is now in question. Danny Pink kept the possibility that Clara isn’t really done with the Doctor alive. Last summer we were teased with the idea of another couple in the TARDIS but Danny has yet to actually travel the the Doctor. Courtney has even beaten Danny in traveling in the TARDIS. If his relationship does not go further, I imagine it is debatable as to whether to consider Danny a (limited) companion. He is certainly involved with a continuing character, he is aware of what the Doctor is, and even did work with the Doctor at defeating an alien (after first messing up his plans) in The Caretaker.

Other continuity issues were touched upon. The doctor claimed he could regenerate forever. Did he really obtain an infinite number of lives, or is the Doctor who could not tell a white lie at the start of the episode now telling a lie? Was he lying when telling Courtney she would be the first woman on the moon? Polly traveled to the moon with the second Doctor in 1966 in Moonbase but it was set in 2070 while Courtney, from 2014, traveled to the moon of 2049. The Doctor could have been lying, could be using a timey wimey technicality, or could have just forgotten. At least he did remember his old catch phrase, “When I say run, run.”

There was not a scene with Missy and any of the astronauts who got killed during this episode.

The Doctor Who Extra video is above.

In other Doctor Who news, filming for the season concluded on October 3 with completion of the Christmas episode.

The best television news of the week is that You’re The Worst has been renewed. It is being moved to FXX and will be expanded to thirteen episodes. Married, which was paired with You’re The Worst, was also renewed and will remain on FX. The renewal and increase in number of episodes of You’re The Worst is no surprise considering the strong critical reaction to the show as people discovered it over the summer. If you haven’t seen it, the show is highly recommended. It would be easy to bing on as with only ten episodes the entire series only around three and a half hours after commercials are cut.

With all the late spring and summer television shows, there are probably several which we haven’t heard news on regarding renewals. In my opinion, the only one which we haven’t received word on yet which really matters is Continuum. Besides wanting to see this for several years to come, they just cannot end the show where it ended. In terms of ending a show with an unexplored change in the final episode, this would be reminiscent to the ending of Terminator: The Sarah Connor Chronicles.

As for shows I don’t care as much about, TNT has canceled their reboot of Dallas. Now we will never find out if Christopher Ewing, who died in the finale, will reappear in Elena’s shower, or if Nicolas is really the father of her baby.

Twin Peaks ended with Special Agent Dale Cooper disappearing for twenty-five years, and now that it is time for him to reappear there are rumors that the show might return. Update:  It was announced Monday that it is coming back as a limited series on Showtime.

mystique-xmen-first-class-jennifer-lawrence

Collider has information on X-Men: Apocalypse which opens in 2016 and concludes the current trilogy. The relationship between Mystique and Beast plays a large role in the movie:

Part of what’s really interesting about Mystique’s character is that she is, in some ways, the child of both Erik and Charles. She grew up with Charles and then she sort of became a woman with Erik, so her being the cross-pollination, if you will, of those two philosophies and those two men is something we can explore in the movie too.

Perhaps Mystique/Jennifer Lawrence will go after whoever  spread the  nude photos of her, without the body paint, around the Internet.

If you are having difficulty keeping track of all the mutants in the X-Men movies, Screen Rant has a guide.

Robert Downey, Jr. has said he will not appear in another Iron Man movie, but now says that Mel Gibson deserves another chance and would do so if Gibson directs it.

Adrianne Palacki, who will be playing Mockingbird on Agents of SHIELD, has said her character might also wind up appearing in a future Avengers movie.

It appears that the Fantastic Four comic might be canceled prior to the release of the upcoming Fantastic Four movie reboot. If true, this comes from the manner in which different Marvel Studios/Disney only have the movie rights to some of the Marvel characters. Other studies have the movie rights to characters including Spider-Man, Daredevil, The Fantastic Four, and X-Men as long as they are using the characters. This is one reason for the lack of cross overs of some of the characters with The Avengers, and also why some dreadful movies have been shoved out in order for other studios to maintain their movie rights.

Arrow returns this week–clip above. With Oliver losing the business it looks like everyone has to get new jobs, but Felicity is still helping him out. More at The  Hollywood Reporter.

Homeland returns tonight. TV Guide has some information on changes in the show now that they finally got away from the Brody storyline.

Yvette Nicole Brown (Shirley) won’t be continuing on Community when it returns on Yahoo! due to having to care for her sick father. She will have recurring roles on th CBS reboot of The Odd Couple and on a new USA Network show, Benched. With Jonathan Banks also leaving the show due to his commitment to Better Call Saul, two new characters will be added: “One is described as a woman who’s brought in as a consultant to help shape up the school. The other is a retired salesman who comes to Greendale to reinvent himself.”

The number of outlets for original programing has sure expanded. Beyond broadcast and cable television, both Netflix and Amazon have put out multiple shows. Yahoo! becomes far more significant with the addition of Community. Now Hulu is planning a miniseries based upon Stephen King’s time travel novel on the Kennedy assassination, 11/22/63. The show will be produced by J.J. Abrams and run for nine hours. This is certainly a far better way to do a book of its length as opposed to a movie adaptation. They have left open the possibility of doing additional seasons beyond the events of the book, which I am wary of after seeing what happened with Under the Dome.

Starz won’t have to worry about running out of material for Outlander if they want to continue the series for several more years. Diana Gabaldon has  signed a multi-million dollar book deal for the ninth book in the series. Thanks to the Starz series, the first Outlander novel from twenty-three years ago has jumped to the top of the bestseller lists.

Zoe Seldana’s short skirt while playing Uhura in the Star Trek movies was not very practical, unless flashing is encouraged in the J.J. Abrams universe. She discussed this problem, and other wardrobe malfunctions.

Wired looked at science fiction worlds and languages, such as the Klingon and Dothraki languages.

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SciFi Weekend: Doctor Who; Outlander; Extant and You’re The Worst Finales; Pineapple Mystery From How I Met Your Mother Solved; Gillian Jacobs Gets New Show; Supergirl; Suicide Squad; Star Trek

Doctor Who Time Heist

Saturday night featured The Wedding on Outlander while Doctor Who combined at least two old plot ideas. On the surface, Time Heist is a classic Ocean’s Eleven bank robbery, plus throw in a little of The Bourne Identity. It was obvious something big would happen after the Doctor said, “It’s just a phone Clara, nothing happens when you answer the phone.” Suddenly there were four people in a room with their memories wiped (with their consent) and placed in a position where they had no choice but to go through with robbing a bank. (“I’m an amnesiac robbing a bank.”) The Doctor led the gang. Why? “Basically, it’s the eyebrows.” Plus the Doctor has experience as a thief, dating back to when he stole the TARDIS.

But this is Doctor Who, not Bonnie and Clyde. In the end it turned out not to really be a bank heist at all, but a plan arranged by the Doctor and initiated with a call from the future from the head of the bank, Director Karabraxos, who took the Doctor’s phone number on a note saying he is a Time Traveler, with the advice, “You’ll be old and full of regret for the things you can’t change.” In a way, Director Karabraxos is this episode’s Sally Sparrow, as Doctor Who repeated an idea from Blink and Listen, with the events of the story being a self-contained wibbly wobbly timey wimey time loop. Instead of “Don’t Blink” the warning is “Don’t Think” when The Teller is around. It is not entirely clear how the Architect/the Doctor, managed to set this all up, or why it had to be this complex, but this week’s plot holes are still not as bad as Robot of Sherwood’s golden arrow.

To pull of the non-heist, the Doctor and Clara had the assistance of two recruits, Psi and Saibra . I wouldn’t be surprised they show up in a future episode (perhaps in their past), like the Paternoster Gang. Once again Doctor Who also took advantage of paying homage to its past. When Psi reviewed the universe’s worst criminals, several old Doctor Who villains were included. The new, less flashy Peter Capaldi Doctor also looked back and mocked earlier regenerations played by Tom Baker and Matt Smith: “Big scarf. Bow tie. Bit embarrassing.” Plus the episode began with answering a phone, which led to a reminder of the still-unanswered question of who gave Clara the Doctor’s phone number in The Bells of Saint John.

Above is the Doctor Who Extra for Time Heist.

The Heist is the last episode which leaked out before the start of the season, so the only spoilers out now are those officially released. Next week we return to where it all began for the Doctor on earth, and Clara’s current place of employment, as the Doctor becomes The Caretaker at Coal Hill School. Time Heist did little to advance the storyline between Clara and Danny, but presumably this changes next week. For someone who has spent so many years traveling through space and time, often on his own, the Doctor sure has a tough time figuring out what to do when Clara and Danny are out on a date. For someone who has spent so much time on earth, he also has a difficult time understanding both women and dating:

The Doctor : Are you taller?
Clara : Heels.
The Doctor : What, do you have to reach a high shelf?
Clara : Right, got to go, going to be late.
The Doctor : For a shelf?

Outlander The Wedding

The consummation of the marriage was far more important on Outlander than the wedding this week. Sam Heughan discussed filming the sex scenes with The Hollywood Reporter:

Those who have read the first Outlander book have been anticipating Jamie and Claire’s wedding episode for a while. Was this an episode that you circled on the calendar? How important was it to get the intricacies of the wedding and the aftermath right?

The wedding is a big episode for Jamie and for Claire. There are many big moments we have to get right and going back to the flogging that was another big one that we have to mark right. How we get from one to the next the writers have a bit more freedom in the way we portray it. Yeah, we got to get it right. But the subject matter — Caitriona [Balfe] and I have never done anything like this before, so it was a bit of a learning curve. We were lucky that the director, Anna Foerster, was good. We did a lot of rehearsals. We discussed how we wanted it to work. When you watch the episode there is a progression in the way that Jamie and Claire get to know each other. Their relationship grows quite quickly so by the end of the episode, you can see that they’re basically making love, it’s not just consummating the marriage. Their friendship and their relationship is really bonded, but is also left in a place where Claire is reminded of her husband, Frank, back in the future. That leaves a wonderful discord at the end of the episode.

You mentioned that you had never really done an episode like this before. How comfortable were you with the nudity? 

Caitriona and I had already filmed a scene from episode 10. When we were filming, we shot two episodes ahead so we did a scene after [the wedding] — a big breakup. It was very physical and lustful. To do this somehow felt easier, but more intimate because this was more about discovering each other. Yeah, we were both slightly nervous, which I think helps. In the scene, it’s part of them finding each other. We worked it out in rehearsals what we wanted the viewer to see and not see and how we wanted it to be portrayed. Again, we don’t want [the sex] to be gratuitous but it’s very important for the characters and what happens to their relationship.

We get a sense, too, of Jamie’s naivete when it comes to sex, which is a source of humor. Plus, it’s a nice role reversal to see Claire being the one who is more experienced sexually rather than Jamie, who hasn’t reached that level yet.

In most TV dramas and films, it’s normally the other way around. It’s the guy [with more experience] than the woman, so it’s kind of turned on its head. Jamie’s very willing to learn and Claire is a very good teacher. (Laughs.) He couldn’t ask for better really. But it’s wonderful that they do have that kind of relationship. It’s very physical; there are no barriers. That’s what made their bond even stronger. I think he grows up very quickly and learns a lot, but it is lovely his humor. He’s learned a lot from looking at farmyard animals [which] is slightly disturbing. (Laughs.)

Now Claire has two rings and two husbands, and after all that sex finally remembers that she is supposed to be trying to return home to her first husband.

Extant-Ethan-about-to-explode

There were finales of some summer shows this week, including Extant and You’re The Worst. Extant‘s end was not spectacular but did a decent job of concluding the story. The entire series could have been better if a few hours had been cut (and those which aired were better written). The show did tie together the two big story lines of Halie Berry’s impregnation in space and the artificial intelligence kid. I was wondering if they were going for some sort of high concept ending, showing two possible successors to the human race, or at least do more to question what it means to be human. Instead they tied them together in a simpler manner, having Ethan be the one “person” immune to the alien’s mind control as he is not  human. The anti-AI terrorist plot with Odin played into this as it created a new dilemma when Ethan decided to warm himself up to appear human to override the computer control on the spaceship Halie Berry was on.

The series was billed as a single season show, but we have seen such shows turn into multi-year series as with Helix and Under the Dome. I doubt this will happen due to Extant‘s poor ratings, but they left open the possibility with both the alien kid and Ethan’s’s mind still around at the end. While these loose ends were clearly intentional, presumably to leave open the possibility of a sequel, I suspect other loose ends were more from sloppy writing. For example, Molly and Sean should both have been infected by the alien spores, and now infecting others on earth. We also don’t know what happened to Yasumoto. Did he wind up dying after running out of that alien substance?

That’s too many questions. I don’t want anyone to get the idea of doing a second season to attempt to answer them.

You're The Worst Finale

While Extant was seriously flawed, You’re the Worst was the best, including the season finale. The finale was the perfect ending for what has turned into the best new sit-com in years. If the show is not renewed, it turns the ten episodes into what would feel like an excellent romantic comedy movie if watched in one sitting–which I would recommend for those who have the time and have not seen it yet–even if you don’t normally like romantic comedies. If you are above romantic comedies, think of what would happen if Dan Harmon wrote one. The show has very sharp writing and excellent performances by the cast, led by Chris Geere and Aya Cash, which manage to explode many of the clichés of the genre and television in general, while being extremely funny.

The episode shows how the series has begun to create its own universe, rather than relying on the stars alone. It provides what could serve as and end for the stories of both the main characters and side kicks (who in one episode even went meta and recognized their role). Besides altering the relationships of the various couples on the show, we saw the consequences of Gretchen’s habit of plugging her vibrator into a chain of Christmas lights, as well as what happened to the cat in the book store. While it works as a conclusion for the series, preferably this season finale will be a lead in to a second season, having introduced some changes in the situation of the characters to keep things fresh.

After You’re the Worst, I fear that the upcoming season’s new romantic comedies, such as A to Z and Manhattan Love Story, will seem quite lame.

how-i-met-your-mother-pineapple

How I Met Your Mother is another sit-com which developed its own universe, and a complex mythology. One mystery which was never solved occurred when Ted woke up with a hangover and no memory of the woman in bed with him or how a pineapple wound up on his nightstand. A deleted scene from the entire series DVD explains this. BuzzFeed has the scene, with the explanation involving the Captain who placed pineapples outside his homes: “It’s an old sea captain’s tradition, you put a pineapple on your porch as a symbol of hospitality. I keep one here and one outside my townhouse in the city.” Drunk Ted picked up the one outside his townhouse in the city. I imagine it was a matter of time, as this scene both resolves a long-standing mystery and contains a threat that fits in so well with the dynamic between Ted and the Captain.

Gillian-Jacobs

Gillian Jacobs of Community appears on the upcoming season of Girls. Working with Judd Apatow led to her being cast on a new show he is producing for Netflix:

Netflix has given an eye-popping two-season commitment to a comedy series from Judd Apatow and “Girls” alum Lesley Arfin that offers an unvarnished take on a modern relationship.

“Love,” produced by Legendary TV, will star “Community” player Gillian Jacobs and Paul Rust in the lead roles of Mickey and Gus, a couple in the throes of experiencing the “exhilarations and humiliations of intimacy, commitment, and other things they were hoping to avoid.” The series is targeted for debut in 2016.

“Love” garnered Neftlix’s biggest upfront commitment to an original series since drama “House of Cards’ went on the market in 2012 and landed a two-season order. Since then, the netcaster has built up a solid roster of original series.  Netflix has ordered 10 episodes for “Love’s” first season and 12 for the following season a year later.

It sounds like it might be more serious than You’re The Worst, but I wonder if it can do as well in providing its take on a modern relationship.

CBS has decided to pick up Supergirl.

The Suicide Squad, seen last season on Arrow, is being considered for a movie.

Zachary Quinto says that filming might begin on Star Trek 3 in the next six months.

Update: Emma Watson is even more awesome than Hermione Granger. Check out the link to her speech before the United Nations on gender equality.

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SciFi Weekend: Doctor Who; Sleepy Hollow; Outlander; Star Trek TOS In Wide Screen; You’re The Worst; Married; An Honourable Woman; Gilmore Girls; SHIELD; Agent Carter; The Hulk; Supergirl; Teen Titans; The Leftovers

Doctor Who Listen

Listen was an ambitious episode of Doctor Who, even if it does fall short of Blink, which it has been compared to. The episode deals with the character and origin of the Doctor, the further importance of the impossible girl in the development of the Doctor, along with Danny Pink’s (and presumably Clara’s) family tree. The episode begins with the Doctor writing on his chalk board (chalk boards are cool) and seeming to be talking directly to the audience about an idea he has come up with:

Listen! Question, why do we talk out loud when we know we’re alone? Conjecture: because we know we’re not. Evolution perfects survival skills. There are perfect hunters There is perfect defense. Question,  why is there no such thing as perfect hiding? Answer: how would you know? Logically, if evolution were to perfect a creature whose primary skill were to hide from view, how would you know it existed? It could be with us every second and we would never know. How would you detect it? Even sense it? Except in those moments when for no clear reason, you choose to speak aloud. What would such a creature want? What would it do? Well? What would you do?

In many ways this is a repeat of previous Moffat ideas. The Weeping Angels, introduced in Blink, are a terror which can be hidden in plain site, only moving when you aren’t looking at them. The Silence took this further, with people losing all memory of seeing them. Now the Doctor postulates a creature which cannot be detected at all. However, while we learned about the nature of the Weeping Angels and the Silence, at the end of the episode it is not clear whether these beings even exist.

If the exist, they could mean that a common nightmare is really about something which has actually occurred:

I think everybody at some point in their lives has the exact same nightmare. You wake up, or you think you do, and there’s someone in the dark, someone close. Or you think there might be. So you sit up, turn on the light, and the room looks different at night. It ticks, creaks, and breathes. And you tell yourself there’s nobody there. Nobody watching, nobody listening, nobody there, naturally. And you very nearly believe it. You really, really try.

Doctor-Who-Clara-and-Young-Doctor

For the Doctor it was real, but instead of being a creature whose existence was unknown, it turned out to be Clara, back in time to the Doctor’s childhood on Gallifrey.  Seeing the Doctor’s childhood in the barn does provide a connection to The Day of the Doctor, providing a reason as to why the War Doctor chose this place to decide whether to detonate the Moment. The scene also provides background to the Doctor’s antipathy towards soldiers (at this season, ignoring his past work with UNIT) and reused a line from 1963: “Fear makes companions of us all.”

It is questionable whether Clara could really control the TARDIS at all (even putting aside Sexy’s dislike of Clara, as revealed in The Doctor’s Wife), and even more questionable whether she it could have gone to Gallifrey, which was time locked, but whose status is no longer clear after the events of The Time of The Doctor. However these minor questions of continuity are outweighed by the manner in which Moffat ties in the entire history of the Doctor and the show.

Besides Gallifrey, the TARDIS traveled along Danny Pink’s timeline, presumably due to the importance to Clara’s. This included a visit to him as a young child, then called Rupert, to literally the end of the universe where a time-traveling descendant was stranded. If the implications are correct that Orson Pink is a descendant of both Danny and Clara, it looks like time travel is the Pink/Oswald family business on Doctor Who just as it is for Alec’s family on Continuum. Clara also has both influenced Danny’s decision to be a soldier and has made Dan the Soldier Man not only an important part of Danny’s life, but a family heirloom. Clearly, “A soldier so brave, he doesn’t need a gun” also refers to the Doctor.

Listen isn’t limited to other times ranging from the Doctor’s childhood on Gallifrey to the end of the universe. Moffat also took advantage of his experience from Coupling to present Clara and Danny’s first date. Things did not work out very well, but Clara ultimately figured out that she had to make it right.

One of the scenes of the date included an astronaut walking through the restaurant to get Clara. Using the astronaut suit made no sense, but this, along with the minor questions of continuity, can easily be overlooked. A more serious problem with the episode is that the initial question as to whether the creature which the Doctor speculated about does exist is never answered. Learning that Clara was the creature under the Doctor’s bed suggested that there was no need for such a complicated explanation for the nightmare. The noises in Orson’s ship could have been these creatures, or perhaps just noises from the ship. It is harder to explain what wrote on the Doctor’s chalkboard, and what was under Rupert’s sheets.

Above is the Doctor Who Extra for Listen.

Last week I posted the synopsis for the first episode of season two of Sleepy Hollow. Fox has released the synopsis for the second:

ICHABOD AND ABBIE TRY TO GET A “HEAD” OF THE COMPETITION ON AN ALL-NEW “SLEEPY HOLLOW” MONDAY, SEPTEMBER 29, ON FOX

Ichabod Crane and Lt. Abbie Mills concoct a daring plan to try to rescue Ichabod’s wife, Katrina, from the Headless Horseman by resurrecting a Frankenstein-like monster created by Benjamin Franklin. Meanwhile, Frank Irving faces new trouble after revealing the true details of his encounter with a demon, and Jenny Mills finds herself at odds with the new sheriff in town in the all-new “The Kindred” episode of SLEEPY HOLLOW airing Monday, Sept. 29 (9:00-10:00 PM ET/PT) on FOX. (SLH-202) (TV-14 L, V)

OUTLANDER Garisson Commander

While sometimes Outlander seems to move too slowly, The Garrison Commander does advance the plot considerably. It seems to be a safe prediction that Jack Randall does not just forget about Claire following her marriage. The Hollywood Reporter interviewed Tobias Menzies, who plays both Jack Randall and, back in the 20th century, Clarie’s husband Frank. The interview does have some major spoilers as to future events from the novels:

Because Outlander is primarily Claire’s story, we don’t get to see Frank’s internal monologue while she’s in 1743 Scotland. Have you filled in the blanks in terms of Frank’s state of mind and what he’s dealing with back in England?

We see Frank still struggling to come to terms with what happened, and be at loggerheads with the authorities and the police. Basically, they tell him to go home and that his wife has eloped with someone else. He won’t believe it. Through the episodes, we see him coming to accept the version of events that people are saying to him. I suppose he does know Claire better than the others, and in a way, he’s right. She isn’t a woman who would run off with someone else, and he’s forced to give up. I think it’s a good episode.

At the end of the episode, Dougal proposes that Claire marry Jamie. How do you think Frank would react to that?

I think he would be pretty understanding. My understanding is that Claire, later on in the novels, reappears and is taken back by Frank, even though she’s pregnant and she tells this story of time travel. And for whatever reason, he chooses to accept it and raise a child together, which I think is a pretty big gesture on his part. What’s interesting about Frank is that he’s thoughtful. It’s not the great, most ostentatious of loves. In that respect, he’s overshadowed by Jamie and Claire. But I think [Frank and Claire’s relationship is] deep and meaningful and speaks volumes.

This was a big episode for Black Jack and Claire. Let’s talk about the interrogation scene.

It’s only a page and half in the book. It was a great decision on the part of the writers to explode that moment. In the book, there’s a lot of Jack being referred to and not a lot of him being there. You need him onscreen. I’m really happy with where it ended up. It gave us the time to go back and understand where the backstory with Jamie and Jack began and also to understand the emotions that are driving Jack, so he isn’t just a two-dimensional thug. Compared to the rest of the season, it’s a change of gear. It’d be interesting to see how people find it.

Star Trek Wide Screen.

Star Trek Wide Screen 2

Here are some great examples of what Star Trek, the original show, could have looked if filmed in wide screen. Here is creator Nick Acosta’s description of this project:

Forty eight years ago this week Star Trek debuted its first episode on NBC. The show, like all other shows at the time, was broadcast in the old style 4×3 aspect ratio. Using HD screen caps from my friends at Trekcore.com, I created this project of what the show would have looked like in Cinerama widescreen. As a kid the show always felt bigger and more epic than it appears to me as an adult. I was able to create these shots by waiting for the camera to pan and then I stitched the separate shots together. The result is pretty epic. It reminds me of the classic science fiction movies of the 50’s and 60’s. Suddenly the show has a “Forbidden Planet” vibe. Other shots remind me of how director Robert Wise would use a camera technique to keep the foreground and background elements in focus.

Youre The Worst

Major television events of the upcoming week include the season finale of the best new sit-com to come around in a long time, You’re The Worst. Gretchen and Jimmy might be “the worst” but that is what makes them so fun to watch. If the season is a ten episode version of a warped romantic comedy movie, the eighth episode was the required portion in which the couple temporarily break up based upon a misunderstanding. Last week was somewhat of an origin episode with flash backs to before they met, as shown in the pilot. Hopefully this Thursday will end the season with the two back together, and ready for many seasons to come. The other summer sit-com from FX, Married, also ends this week. If it returns I will probably watch it, but it is You’re The Worst which I will really miss if it does not return.

You’re the Worst would also be a great show to binge watch if you haven’t seen it, with only ten episodes for the season and all highly entertaining. Another show to binge watch if  you missed it (as I did until binging over the past week) is An Hounorable Woman. Certainly there are unrealistic aspects, but watching it for eight hours was like reading a highly entertaining novel, and the portions which might not be realistic in the real world can easily be ignored while following the events surrounding Nessa Stein and her family.

Binge watchers are also getting excited to hear that the full seven seasons of The Gilmore Girls will be available on Netflix starting October 1. In 2006 I posted some of the political lines from the show. USA Today has listed five top episodes to watch once they are available.

If you want to stick with science fiction, Vulture has listed the best science fiction movies on Netflix.

Nurse Jackie is to end after the upcoming seventh season. It is probably the right decision. We can’t keep going through cycles of Jackie getting off drugs and then relapsing year after year.

Community, on the other hand, deserves at least one more year and a movie–preferably far more. I am glad to hear that Dan Harmon is denying the rumors that Alison Brie is not returning.

Hayley Atwell, star of the upcoming series Agent Carter, will appear on the second season premiere of Agents of SHIELD. I don’t know if this will be a flash-back or Agent Carter at an older age. In other Marvel news, there is talk that the Hulk might return both for a television series and movie. New DC projects being considered include Supergirl and Teen Titans.

While the show has had its ups and downs, The Leftovers did end with a satisfying season finale (far more than I can say for True Blood). While the show will probably never really explain what happened, at least we have the view of some characters as for the reason only some disappeared, along with finally learning what The Guilty Remnant was up to. The show has now caught up with the end of the novel, making next season even more of an unknown.

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SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more

Doctor-Who--Into-the-Dalek

Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”

sopranos2

I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

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