Jenna-Louise Coleman interviewed earlier today on BBC Breakfast, discussing her role as Clara, the Doctor’s new companion. She refers to the question as to how she and Oswin are related as a soft mystery which will not be answered yet.
Jenna-Louise Coleman interviewed earlier today on BBC Breakfast, discussing her role as Clara, the Doctor’s new companion. She refers to the question as to how she and Oswin are related as a soft mystery which will not be answered yet.
Before this week’s episode of Fringe, theories about how the series would end fell into two categories. There were the happy endings in which the Observers were defeated, possibly including a cosmic reset going back to the day in the park. There were also predictions of unhappy endings, at least for Peter, after inserting the Observer’s device in his brain stem. This ranged from Peter dying (which has been foreshadowed so many times in the past) in order to defeat the Observers, to the possibility that Peter’s actions led to the eventual development of the Observers. After Walter warned that the effects on Peter were soon to be irreversible, it became clear that this arc would lead to one of two results–either Peter would remove the device or he would soon become bald, and with a changed personality. This week’s episode resolved the issue with a pocket knife and self-performed surgery.
Besides convincing Peter of the importance of human emotions, Olivia stuck a blow for science and math over alternative explanations to those with extraordinary abilities: it’s all just numbers, and the invaders are better at math than we are. After she defeats the Observers, we’ll set her loose on today’s Republicans.
The series finale is to be entitled An Enemy of Fate. Presumably this refers to someone who prevents humanity’s fate of being enslaved to the Observers.
Companions have fallen in love with the Doctor, but this time it might be the Doctor falling for the new companion–and who can blame him considering what we’ve seen of Jenna-Louise Coleman:
Matt Smith says the Time Lord is “attracted” to all his female companions – and that he’s particularly struck by new partner in time Clara when he meets her in this year’s Doctor Who Christmas special The Snowmen.
“I think, in one way or another, the Doctor is always attracted to his companion and he’s certainly taken by this striking young lady,” Smith tells Radio Times in the new edition of the magazine.
And he says Clara is just what the Doctor ordered after the loss of former travelling companions Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill).
“The fall of the Ponds had a grave effect on the man,” said Smith. “I think he’s quite lonely and removed from the universe and not really as engaged as he was, at his best with Amy and Rory. “Handily, he meets a jaunty new companion, a hot chick…”
Fans will have to wait until Christmas to see the full effect Clara has on the Doctor but they’ve already glimpsed her snatching a rare kiss from him in a BBC1 Christmas trailer and Smith said “what’s interesting with a new companion is that it changes the way [the Doctor] is and affects his personality.”
The BBC have announced the airtime for the Doctor Who 2012 Christmas Special, The Snowmen. The episode will air on BBC One at 5:15 p.m, December 25. It will air on BBC America and in Canada (SPACE) on December 25. It will air in New Zealand and Australia on December 26. More pictures from the Christmas Special can be seen here.
The Doctor Who series 7 finale finished filming last week. There are rumors that the 50th Anniversary special will start filming in February. Other rumors include a title of The Eleven Doctors with all eleven Doctors appearing in some manner. The manner is not clear as not all former Doctors are living and Christopher Eccleston has said he will not appear in the special.
The trailer forStarhas been released (video above).
The Japanese trailer (above) has additional material. While the villain appears to be Gary Mitchell as opposed to Khan, there is a scene reminiscent of Spock’s death scene in Star Trek II. Hopefully that is not what is actually occurring–we don’t need a remake of The Search For Spock.
Pictures from the Downton Abbey Christmas Special can be seen here. Beware if waiting for the third season to play in the United States–these must be considered spoilers for 3rd season events based upon who is present and who is not present.
The BBC has released the poster for The Snowmen, this year’s Doctor Who Christmas Special. The official synopsis:
Christmas Eve 1892 and the falling snow is the stuff of fairy-tales. When the fairy-tale becomes a nightmare and a chilling menace threatens Earth, an unorthodox young governess, Clara, calls on the Doctor for help. But the Doctor is in mourning, reclusive and determined not to engage in the problems of the universe. As old friends return, will the Doctor really abandon humankind or will he fight to save the world – and Christmas – from the icy clutches of this mysterious menace.
Radio Times has The Snowmen on their cover. Blogtor Who reports that the article quotes Jenna-Louise Coleman as saying, “I’m not Oswin: I’m a different person who looks and sounds like Oswin.” Could it be that there is no connection, or is Moffat dragging out an explanation? If at some point we find out that Clara gets duplicated, don’t get too attached to the copy. Same goes if we meet a descendent of Clara’s who looks a lot like her.
Entertainment Weekly interviewed Jenna-Louise Coleman about her role as Clara, the Doctor’s new companion. She had no further information to reveal about how she appears after having been blown up as a Dalek in Asylum of the Daleks:
So, you played an ultimately deceased Dalek on that show and now you are about to debut (again!) on the special Christmas show as the Doctor’s assistant. All of which obviously raises about a thousand questions. Is this a subject that is going to be addressed in the Christmas episode?
Uh… mmm… no. We’re going to have what has been referred to as a “soft mystery.” For me, filming, I’ve been totally oblivious to Oswin and the “Asylum of the Daleks.” I really have had to erase it from my memory. Yeah, Christmas is it’s own episode.
Oswin was a Dalek. Can you tell us whether your companion is human? Not all of the Doctor’s companions have been.
That’s why it’s so difficult [to talk about it]. Because of the way it started with Oswin, it’s really difficult to say much: where she’s from, what period she’s from, what planet she’s from, even.
It’s not often an actor can’t even reveal what planet their character is from.
Exactly, yeah. I know. Doctor Who’s the worst for it, isn’t it?
The BBC has announced that Merlin will end after the fifth season, which is currently being aired in the U.K. I will try to avoid giving away too much for those waiting for the season to air in the United States but there will be some spoilers here. I had thought that the entire series was to be about younger versions of Merlin and Arthur, taking place before the major occurrences of the legends. Now it appears the series might include the entire Arthur story. The final season is in some ways more like the King Arthur legends except that this still seems earlier in the legends than might be expected at the conclusion of the story. Mordred plays a part in the final series and based upon released synopses of upcoming episodes we do appear to be heading towards their final confrontation.
The video above contains an interview with Colin Morgan. There is also talk of a spin off series taking place in this time period.
Production on Sherlock has been delayed so we will have to wait until late 2013 to see how the cliff hanger is resolved, with the third season not airing in the United States until late 2013 or 2014.
Revolution wrapped up the first half of the season. The mid-season finale was disappointing, but this came as no surprise based upon how the series has been written to date. The entire first half of the season consisted of an arc in which Rachel’s son was captured and it came as no surprise that the arc ended by freeing him. The contrived suspense of whether Miles would rejoin the militia, which began in a flashback the previous week, ended as expected. What could have been a surprise at the end of the episode, a helicopter in the air, had been given away by scenes of the helicopters in the preview. Even if Rachel had really built a working amplifier, could this really support helicopters going an distance? I suppose they also quickly invented some sort of receivers for the helicopters so that they would have power but there wouldn’t be electricity for everyone else around.
Entertainment Weekly interviewed series creator Eric Kripke about the finale. Here are some of the questions and answers:
ENTERTAINMENT WEEKLY: Was there ever a version in your head where Miles goes, “Yeah, I’m re-joining Monroe”?
Eric Kripke: What we love about Miles is half of him is light and half is shadow. If this story was set a couple years ago he would be the bad guy. You never want to lose sight of that. Just because Miles was able to face-off with Monroe in this particular encounter and maintain the heroic side of his personality doesn’t mean it’s going to happen again. So even though he was able to resist the temptation, that temptation is still there. Even moreso when he starts to fulfill his destiny and becomes a leader for the rebels [in the second half of the season]; he starts to fall into his old bloodthirsty patterns again. … There’s also a lot of important pieces in last night’s episode that move the story forward. We’re setting up how pissed Monroe is going to be in the second half of the season; how personal Neville is going to take Miles’ assault on his wife. And [we hinted that] Rachel and Miles have a very secret history.
I gotta ask, since I’m seeing this comment on the boards: How could Rachel forget to grab the pendant on the way out of the room?
Kripke: We shot a scene where Rachel goes, “We have to go back and get the pendant,” and Miles says, “We can’t go back, they’re shooting machine guns at us!” We ended up cutting it for time because we thought, maybe wrongly, that when there’s a room full of five people shooting machine guns in your direction that you can’t run toward those machine guns.
You mentioned the learning curve, what more have you figured out since the last time we spoke?
Kripke: The biggest lesson we learned is we need to move this story forward a little faster. We’re still going to have the same format where each episode is centered around a single event so it has certain self-enclosed elements to the storytelling. But sometimes in the emotional arcs and serialized arcs we treaded water maybe a little too much without revealing either new character moves or emotional revelations. We went a couple episodes too many where we didn’t move the ball forward significantly. We’re trying to correct that so that every time somebody tunes in they get a satisfying story and also a big “what the hell” moment
Staging a revolution is a pretty big venture. Can you give us an idea of what specific characters will be focused on?
Kripke: Charlie and Miles are really going to be focused on the war against Monroe. Miles leading the rebels gives them a fighting chance and Charlie is right beside him. Rachel and Aaron will focus the ongoing mythology in terms of revealing why the lights go out. I can reveal now that we do reveal it, now that we’ve written that scene. And reveal how to turn them back on.
You’re not that deep into production on the second half of the season, so can we assume that revelation comes fairly early?
Yeah in the second half it happens sooner than anyone is thinking it will happen.
Revolution has been mediocre but has managed to keep me hooked by wondering about its back story. Knowing that their will be a revelation early has me hooked into starting the second half of the season, and once I start watching I’m likely to continue through the first season. Will they come up with enough to advance this story into a second year?
An official synopsis has been released for Star Trek Into Darkness, scheduled for release on May 17, 2013:
In Summer 2013, pioneering director J.J. Abrams will deliver an explosive action thriller that takes “Star Trek Into Darkness.”
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
My immediate thought on this: Gary Mitchell (Where No Man Has Gone Before). The above video is obviously from the original show and not the upcoming movie.
Last week’s installment of SciFi Weekend had some cases of shows having to carry on with the loss of characters. Now there are reports that Dan Stevens will only return for the first episode of the fourth season of Downton Abbey. His character, Matthew, takes on a prominent role at Downton in the third season (which has not yet aired in the United States) and I wonder if it will require a major change in direction for the fourth season if it is necessary to write him out. Perhaps more money will encourage him to stay, or at least make occasional appearances so that they can just say he is working in London for parts of the season.
Julian Fellowes is going to be writing and producing a series on The Gilded Age for NBC:
UNIVERSAL CITY, Calif. – November 27, 2012 – NBC and Universal Television have entered into a deal with Oscar, Emmy and Golden Globe Award-winning writer-producer Julian Fellowes (“Downton Abbey,” “Gosford Park”) to create and produce his next dramatic television series, it was jointly announced today by Jennifer Salke, President, NBC Entertainment, and Bela Bajaria, Executive Vice President, Universal Television.
Fellowes, creator of “Downton Abbey,” will write and produce “The Gilded Age,” an epic tale of the princes of the American Renaissance, and the vast fortunes they made — and spent — in late nineteenth-century New York. “This was a vivid time,” says Fellowes, “with dizzying, brilliant ascents and calamitous falls, of record-breaking ostentation and savage rivalry; a time when money was king.”
This week’s episode of Doctor Who, Dinosaurs on a Spaceship, was a lighter episode which delivered exactly what was promised: dinosaurs on a spaceship. It was not a major episode, but the idea of having dinosaurs on a spaceship sure does appeal to the inner Leonard Hofstadter of every genre fan. There was another bonus: the Doctor got a gang. He actually did the same for A Good Man Goes To War, but at least the Doctor seemed to think he was having fun doing something new.
The show was not intended to be a major episode in the (not entirely consistent) continuity of Doctor Who, but it did raise some questions in my mind. What does it mean for a time traveler to have died–or in this case appeared to have died? When Commissioner Gordon wants to summon Batman, there are no timey-whimey matters to be concerned about. Both Commissioner Gordon and Batman are on the same time line and the dates of the attempt to contact Batman and Batman’s calendar totally coincide. When the people of 2367 AD sent a request for help to the Doctor, why did it happen to reach the Doctor at some point following his adventures in Asylum of Daleks as opposed to another time in his life–especially as the Doctor was now thought to be dead? On the other hand, while they apparently knew the Doctor lived, a computer in this episode was unable to find information on the value of the Doctor because of the belief that he was dead.
There’s also the question of the Doctor’s changing attitude towards the villains he encounters. The Doctor witched the signals of the Silurian ship and Solomon’s ship, causing the missiles to target and certainly kill Solomon. There have been clear differences between different regenerations of the Doctor in his attitude towards killing, considering previous episodes in which the Doctor tried to save Davros and the Master.
I also have my doubts about the possibility of a beach on a spaceship, but who are we to question advanced technology?
Perhaps it is nitpicking such as this which is directed towards Steven Moffat on his Twitter account (as opposed to generally supportive blogs) which led Moffat to close his Twitter page.
Some of the blog criticism this week went beyond nitpicking of this nature. S.E. Smith objected to how women are handled by Moffat over at Think Progress. I think she is confusing the subservient roles inherent to supportive characters with Moffat’s view of women. I don’t see Amy Pond playing second fiddle to the Doctor as making her weak. We don’t see most of her family because of the nature of her back story. Instead her life beyond the Doctor primarily consists of her relationship with Rory. If you want to see how Moffat is capable of writing strong women, check out Coupling, one of the best sit-coms ever written. (Definitely watch the U.K. version as opposed to the attempt of a US network to handle Moffat’s creation.) The character Steve Taylor was largely based upon Moffat himself. Steve’s girlfriend, Susan Walker, was neither weak nor subservient to Steve. Anyone now want to accuse Moffat of writing weak male characters?
We all know about the big event to take place this year–so big that the ancient Mayan calendar chose this for the end date. Moffat provided SFX with some hits as to what it will mean for the Doctor to change companions this season:
“We are going to do the story properly of the Doctor having lost a friend and making a new one. We’re not taking that lightly. It’s not in one door out the other. It’s the story of how all that affects him, why he engages with somebody else and what’s going on with that – that’s all important.
“What does Jenna bring to it? It’s surprising just how much the show changes with a new co-star. The Doctor is quite different with her, and the way you watch them is quite different. You watched the Eleventh Doctor and Amy arrive together. It’s like they grew up in the same sandpit, playing. They felt not quite like equals – the Doctor never feels like an equal to his companion – but you knew them equally well and they were equally important to each other. They formed around each other. And one of the interesting things about writing the Doctor is that he’s so responsive to the people around him. It’s almost like left on his own his personality would slowly disintegrate. He becomes what people want him to be, a little bit. So he’s Amy’s Raggedy Doctor.
“With a different companion he becomes a slightly different man. He dresses differently. The mere fact that he’s so much taller than her suddenly reveals that Matt Smith is very tall, not, as people assume, about average height, because he was about the same height as Karen. He’s the senior man, not in the sense that he’s more important but he’s the one you know already, and he’s training up a new one, as it were. In these five episodes the Doctor is practically the adopted son of Amy and Rory. He’s gone from being the wonderful man from space – Space Gandalf, as he wants to be – to being that troublesome kid that they try and keep under control. They even talked about getting babysitters for him in one unfortunately cut scene. They love him, but they know he’s a big kid, they know they have to look out for him, check he eats and all that. Whereas with the new companion he’s back to being the mysterious spacefarer…”
We have also learned this week that Coleman is 5’2″ and stands on a phone book when filming close up scenes next to Matt Smith. Recent interviews have also suggested that Jenna-Louise Coleman will play the same Oswin Oswald seen in Asylum of the Daleks, and we will learn in the future how she wound up in that situation. If so, I suspect that the Doctor might come up with a way to get her out of that, as opposed to having already shown us the death of the character. Something close to that was already done with River Song.
The title for J.J. Abram’s Star Trek sequel might have leaked out, based upon domain names registered by Paramount. The suspected title is Star Trek Into Darkness. Meanwhile I09 looked back to the original series this week, presenting a list of 10 Things You Probably Didn’t Know About Star Trek: The Original Series.
Fox has ordered a science fiction pilot about LAPD officers with android partners. I am far more interested in a show of this description after finding it is coming from J.J. Abrams and J.H. Wyman.
ABC, which now has Joss Whedon ruling the Marvel universe, has ordered a pilot for a show based upon SHIELD. This does make the most sense as an answer for the desire of ABC to have a television show based in the universe of The Avengers. One cast member from the Avengers universe even spoke to the Democratic Convention. Scarlett Johansson urged young people to get out to vote:
Doctor Who returned this weekend with Asylum of the Daleks. It as preceded by two prequels, the video above from iTunes and Pond Life, with the collected episodes below:
Asylum of the Daleks featured lots and lots of Daleks. The Daleks now are somewhat like the Borg, using nanotechnology to convert people into Daleks and into humans with Dalek weapons popping out of their foreheads. There’s also a game changing ending, and a huge surprise (Spoilers ahead).
We were told that each episode would be a stand-alone story without the big arc of last season. Asylum of the Daleks could certainly be enjoyed by the casual viewer as a stand-alone episode, but Doctor Who fans were likely to be surprised to find that a character named Oswin, played by Jenna-Louise Coleman, was the highlight of the episode. For the benefit of any Doctor Who fans who might have been trapped in the Pandorica since last spring, Jenna-Louise Coleman will be playing the Doctor’s next companion beginning with the Christmas episode. Rumors are that her name will be Clara Oswin and she will be a computer genius, but seeing how Moffat played with us by having Jenna appear months early, it is possible that we also might have been fed some false information.
There are many possible explanation. Some companions, including Karen Gillan, appeared on the show as different characters prior to being hired to play the companion. Perhaps Moffat is using a variation on this, inserting the new companion into a different role after hiring Jenna. At least one interview I’ve heard does suggest this was the explanation, but I cannot give up on the idea that there is a stronger connection.
There’s also Donna Noble who appeared in a Christmas episode, and then returned in a future season to be the Doctor’s companion. It would be a little more difficult for Jenna to return as Oswin had both been turned into a Dalek and the planet she was on was blown up. Of course this is Science Fiction, and perhaps either Oswin found a way to save herself or the Doctor found a way to save her. This might explain all the references in the episode to being remembered. The Doctor told Amy to make the Daleks remember her, but for a moment Amy’s mind was somewhere else, seeing Daleks as dancers. Rory forgot his own name for a moment. Oswin told the Doctor to remember her. There’s also the ending of the episode which I will get to later, plus memory has been a common theme in Moffat’s stories.
If Oswin somehow escaped on her own, it might be significant that she has seen the Doctor while he does not knowwhat she looks like. That might explain reports of Clara chasing after the Doctor (who would not recognize her) in the Christmas Episode. If Oswin did survive, this be somewhat similar to Sherlock, where Holmes did survive a situation in which it appeared he had died.
If Oswin really is dead as it appears, there is always the River Song scenario. The Doctor might meet Oswin at some point earlier in her timeline, but would Moffat do the same thing twice? Maybe the Doctor rewrites time to prevent her from becoming a Dalek. Those rules about time are quite ambiguous to those of us who are not Time Lords. However that might create problems if Oswin was not around to help them in the asylum.
Perhaps Jenna does not play this Oswin but instead someone who looks identical to her. That could be a twin, an ancestor, or perhaps even a clone if the Doctor not only remembers her but somehow saved some of her genetic material. I could easily seen Clara Oswin being an ancestor of Oswin’s, assuming we aren’t being misled about the Clara Oswin name.
The Doctor also ended last season with most people believing he was dead. Oswin extended this to the Daleks, who share a long history with the Doctor. Moffat has often worked in the question, Doctor Who? but it was a surprise to hear it from the Daleks. It will totally change the completion of their next meeting if they do not know who the Doctor is. The episode also showed why Amy and Rory separated and brought the two back together, perhaps only for a short time.
Another amazing aspect of the surprise in this episode is that it remained a secret after four screenings. Steven Moffat expressed his appreciation:
“I hope you all got a nice surprise when Jenna popped up in Doctor Who several months early. If so, that surprise came to you courtesy of the frankly magnificent ladies and gentlemen of the press, and of the many Doctor Who forums and blogs too. This show has been seen at four separate screenings, across four different countries and yet not one person gave one spoiler. From all of us on Doctor Who, a heartfelt thank you for helping us tell our story.”
The 2012 Hugo Awards are out. The complete list is here and some of the winners include:
BEST NOVEL: Among Others by Jo Walton (Tor)
BEST NOVELLA: “The Man Who Bridged the Mist” by Kij Johnson (Asimov’s, September/October 2011)
BEST NOVELETTE: “Six Months, Three Days” by Charlie Jane Anders (Tor.com)
BEST SHORT STORY: “The Paper Menagerie” by Ken Liu (The Magazine of Fantasy & Science Fiction, March/April 2011)
BEST RELATED WORK: The Encyclopedia of Science Fiction, Third Edition edited by John Clute, David Langford, Peter Nicholls, and Graham Sleight (Gollancz)
BEST GRAPHIC STORY: Digger by Ursula Vernon (Sofawolf Press)
BEST DRAMATIC PRESENTATION, LONG FORM: Game of Thrones (Season 1) (HBO)
BEST DRAMATIC PRESENTATION, SHORT FORM: “The Doctor’s Wife” (Doctor Who) (BBC Wales)
Neil Gaiman conformed that he is working on another script for Doctor Who: “Only a fool or a madman would try to do it again… so I’m on the third draft”