SciFi Weekend: Doctor Who; Star Trek Shorts; Timeless Movie; Handmaid’s Tale; Veronica Mars

Doctor Who returns on October 7, and another trailer (video above) has been released. We will have a new Doctor and new companions. However, the new showrunner, Chris Chibnall, says we will not see other familiar faces:

In an interview with the Times Magazine, Chibnall revealed that the likes of Alex Kingston’s River Song, Michelle Gomez’s Missy (aka the female regeneration of longtime villain the Master) and the Paternoster Gang (including Neve McIntosh’s Madame Vastra and Dan Starkey’s Strax) won’t be included this time around, and while it’s not a massive shock – we might have heard by now if any of those figures were making a reappearance, and both Missy and River are technically dead at this point – it’s a definite sign of the vision Chibnall has for the show.

“I want this to be a recruiting year for Doctor Who to bring in that next generation of audiences,” he explained.

Chibnall also confirmed that other recurring monsters like the Daleks, the Cybermen and the Weeping Angels had been banished for the time being, with series 11 instead focusing on new baddies and threats to be enjoyed by new and old fans alike.

While it is hard to believe that we will not eventually see the return of classics like the Daleks, the Cybermen, and some version of the Master, I have wondered if Chibnall would use many of the characters which were creations of Steven Moffat. Perhaps there will be one similarity to the Moffat years. It was a common claim that Moffat lies–in order to attempt to have some surprises in this internet age when surprises are difficult. Syfy Wire has a good point that this could be similar misdirection from Chibnall:

The thing is, for those fans who have been around the block with the TARDIS once or twice, there’s every reason to believe this boast from Chibnall is actually a fib designed to protect spoilers and curb expectations. And that’s because the tools of misdirection, concealment, and outright lying are all time-honored traditions right before a new season of Doctor Who.

Way back in 2011, before Season 6 of the current run of Doctor Who, then-showrunner Steven Moffat made a similar claim, saying the Daleks would not appear in that season. “They aren’t going to make an appearance for a while… We thought it was about time to give them a rest,” Moffat said. And, then, in the finale of that season, “The Wedding Of River Song,” the Doctor fights a Dalek. True, the appearance of that Dalek was brief, but a big deal was made of the scene, complete with the Doctor calling his most dreaded enemy by name while looking right at the camera.

And then, there’s the supposed final appearance of River Song in the 2013 Season 7 episode “The Name of the Doctor.” Most fans considered her long-gone, and Moffat deflected the idea she would ever appear by saying that the former showrunner Russel T. Davies was going to write a raunchy episode called “Sex Storm” if she ever came back. Basically, the idea of a River Song return was laughed off by Moffat, publically. But then, in the 2015 Christmas Special, “The Husbands of River Song,” River Song returned, perhaps in her most poignant episode ever.

Steven Moffat also concealed the identity of Michelle Gomez’s character Missy back in 2014, insisting she was a new character to the show, when she was, in fact, not, and left it for the big Season 8 reveal that she was really the Master.

Jodie Whittaker discussed the controversy over being the first woman Doctor, and that she is confident that she is being paid the same as a male lead, in an interview with Variety:

When the new Doctor’s hood slowly dropped and Whittaker was revealed as the Time Lord on July 16, 2017, the world of sci-fi stood still for a moment, and fandom went a bit berserk. Not that Whittaker noticed, telling the BBC at the time that she’s not on social media. But “Avengers” and “Sherlock” star Benedict Cumberbatch struck a note for common sense. “It’s an alien,” Cumberbatch says. “Why can’t it be a woman? Why can’t it be any gender?”

Whittaker reports that the furor has since died down. “It’s not as [scary] as everyone maybe imagined when they took the hood down and it was a girl,” she tells Variety from Roath Lock, the studio in the Welsh capital of Cardiff where the series is shot.

The change, she says, is a long time coming: “It’s 2018. Women are not a genre. We are just the other half of the population, so to see us doing things should not be such a surprise.”

The gender debate strikes a personal chord. The leads Whittaker saw in series growing up were “white guys running about, saving the day doing really cool stuff,” while women were relegated to applauding their heroics.

When Whittaker started drama school at age 20, women were told their paths would be harder than for men because there were fewer roles. She hopes her Doctor can help remedy the problem. “It is a moment and I’m part of it and I’m proud of it,” she says. “But I can’t wait for it not to be a moment as well, so that when someone is going to drama school at 18 they don’t need to think, ‘There aren’t any jobs for me.’”

And with the gender pay gap also in the spotlight, Whittaker is confident a “Crown” moment isn’t coming. “I absolutely know I am not being paid less than any other Doctor,” she says. “This show is not the show that’s going to do that and have that revelation be the sidebar

The Wrap quotes Whittaker talking about role models:

“It’s someone’s opinion that boys can’t look up to women,” she said. “Role models and heroes come in all different shapes and sizes, and I’ve never needed to look like mine for me to be able to relate to them.”

Whittaker added that “Doctor Who” has always been “an inclusive” show, and that it’s “about embracing change.” “It’s not making the show to exclude, it’s making the show to include,” she said. “And the fact that a woman is playing an alien over a man playing an alien kind of is irrelevant to the qualifications. It’s playing an alien, and so the gender is irrelevant.”

We have also seen controversy when others were first cast to play the Doctor. When Matt Smith first started to play the Doctor, some complained that he was too young. Radio Times reports that it is possible Smith might have played a different role instead as Merlin. However, Smith ultimately lost the role to Colin Morgan as Smith was felt to be too old:

“Casting Merlin was really really hard because you needed to find an actor who had a really big, broad playing range, but also could handle the fact that it’s not naturalistic drama,” Johnny Capps, the co-creator and executive producer of the BBC fantasy series, tells RadioTimes.com in our in-depth feature on the making of Merlin, which will be available to read this weekend.

“So you couldn’t have an actor who was just going to play it in an incredibly earnest, real way. You wanted somebody that could find the truth, but also find the truth as it exists in that kind of fantasy world.”

And on the final shortlist for that part alongside Colin Morgan? Matt Smith, who apparently got down to the last two actors to play the boy wizard.

“Interestingly, in the early days Matt Smith was in the frame for Merlin,” recalls Julian Murphy, another co-creator and executive producer on the magical series.

“I think there’s a certain kind of actor who has the lightness and skill to play that sort of family drama, and I think both Colin Morgan and Matt Smith are that kind of actor. It’s a mercurial quality. And they’re light on their feet. That’s the skill they had.”

However, in the end Colin Morgan clinched it for one simple reason – the casting team felt like the younger Morgan would be better suited to play the adolescent wizard than Smith.

“We just felt that he was too old – not that he wasn’t great,” Murphy said. “And he was too old, really.”

Further information has been released about the Short Treks on CBS All Access this fall. From Deadline:

Runaway – Thursday, Oct. 4

Onboard the U.S.S. Discovery, Ensign Tilly (Mary Wiseman) encounters an unexpected visitor in need of help. However, this unlikely pair may have more in common than meets the eye.

Written by Jenny Lumet & Alex Kurtzman. Directed by Maja Vrvilo.

Calypso – Thursday, Nov. 8

After waking up in an unfamiliar sickbay, Craft (Aldis Hodge) finds himself on board a deserted ship, and his only companion and hope for survival is an A.I. computer interface.

Teleplay by Michael Chabon. Story by Sean Cochran and Michael Chabon. Directed by Olatunde Osunsanmi.

The Brightest Star – Thursday, Dec. 6

Before he was the first Kelpien to join Starfleet, Saru (Doug Jones) lived a simple life on his home planet of Kaminar with his father and sister. Young Saru, full of ingenuity and a level of curiosity uncommon among his people, yearns to find out what lies beyond his village, leading him on an unexpected path.

Written by Bo Yeon Kim & Erika Lippoldt. Directed by Douglas Aarniokoski.

The Escape Artist – Thursday, Jan. 3

Harry Mudd (Rainn Wilson), back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship – just in time to try out his latest con.

Written by Michael McMahan. Directed by Rainn Wilson.

Rainn Wilson discussed the shorts, along with his previous appearances on Star Trek: DiscoveryChoose Your Pain and Magic to Make the Sanest Man Go Mad.

You’ll be acting in and directing one of the Short Treks installments…

There’s going to be that 10, 15% of fans that go, “Oh, no way. I’m not going to watch a short film about Star Trek. This isn’t how it works.” But I love that they’re breaking molds and breaking new ground, and it’s a terrific mini Harry Mudd adventure. It goes to a lot of different places, from different aliens to a  lot of fun situations, with some great twists and turns, and I get to direct it and star in it. It’s like a dream come true. It’s like, “Write me a dream job.”

Is this a stepping stone to directing more?

Possibly, yeah. This is a great way to cut my teeth as a director. I directed three episodes of The Office, and I directed some short films and digital shorts, but this is special effects and visual effects. I’ve got my work cut out for me

In other Star Trek news, TrekMovie.com has the plot outline of a proposed story for Star Trek: The Next Generation which would have had Spock meet a younger version of himself:

They were going to go back to what was now the most forbidden place in the galaxy, which was that time portal, and they were going to have to actually violate the rules about non-interference, and it was going to create a Pandora’s box with a whole terrible, unforeseen thing which only the Spocks from the two different time periods coming together could actually fix.

Collider spoke with Eric Kripke about the upcoming Timeless movie to wrap up the series:

“It’s basically the equivalent of two episodes. As a matter of fact, we tried, at one point, to do one long historical period to last over two hours, and then eventually, Arika wisely said, ‘Why are we doing this? Why don’t we just do what we always do, which is spend an hour in two different time periods?’ And so, though they’re connected and though it’s one long mythology story that plays over both, they really are, in effect, two time periods of Timeless that they visit, and we’ll shoot each one. We shot 8-day episodes, and this will be a 16-day shoot. It will be exactly like two more episodes of the show.”

Kripke did leave open the possibility of continuing the story (in the unlikely event that someone picks up the show):

The short answer is that I don’t know if there’s anything we can do that will make them finally say, ‘Oh, that’s great! I’m gonna close that chapter of my life.’ There’s a certain amount of shocking turns, and we tried to let it build to something and provide a certain amount of closure, and give you a sense of where these characters go. We tried to put a period at the end of the sentence, but not so much that the door isn’t open for further adventures, down the road.”

This “sexy” Handmaid’s costume really misses the point of The Handmaid’s Tale. Yandy wound up pulling the costume from their site in response to the inevitable complaints from everyone who has any idea what the show is about.

The Handmaid’s Tale received multiple Emmy nominations. TV Guide interviewed the producer and asked about the third season:

TV Guide caught up with executive producer Bruce Miller on the red carpet of the 70th Primetime Emmy Awards, and what he had to say about June’s (Elisabeth Moss) upcoming storyline has us hungry for a closer look at the underground resistance within Gilead. “I think overall Season 3 is a lot more rebellious, outwardly rebellious than Seasons 1 and 2. I think June’s taken a lot, and I think it’s time for her to give back some,” Miller said.

Last we saw June, she was handing her newborn baby off to Emily (Alexis Bledel) so they could escape to Canada, while she stayed behind to try to find her other daughter, Hannah (Jordana Blake). It was a bold move, but does that mean June’s officially joining the resistance? Miller didn’t confirm how active a part June will take in the fight against Gilead (though we hope she gives them everything she’s got and more), but he did hint that her mindset will have changed drastically when we return to her story in Season 3.

“I think I’m most excited by what happens to June now that she’s chosen to go back to Gilead, that she isn’t forced,” Miller said. “That’s a huge, powerful choice. What changes in your psychology when you’ve chosen to be in a place like that and you’ve chosen to stay on the inside and fight as opposed to go to the outside? I think that’s a very different psychology so that’s been very interesting.”

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The Veronica Mars revival is now official on Hulu with the show premiering in 2019. Deadline has this plot synopsis:

In the revival, spring breakers are getting murdered in Neptune, thereby decimating the seaside town’s lifeblood tourist industry. After Mars Investigations is hired by the parents of one of the victims to find their son’s killer, Veronica is drawn into an epic eight-episode mystery that pits the enclave’s wealthy elites, who would rather put an end to the month-long bacchanalia, against a working class that relies on the cash influx that comes with being the West Coast’s answer to Daytona Beach.

SciFi Weekend: Doctor Who Return Date; William Shatner Interview; Blakes 7 Actress Dies; Evangeline Lilly on the Lost Finale; A Historian on Why Science Fiction Is Important

We finally have an announcement of a return date for Doctor Who, Sunday, October 7. I don’t know about viewing habits in the UK, but the change to Sunday could help ratings here in the United States. For years I have been downloading Doctor Who shortly after it airs in the UK instead of waiting to watch late on Saturday evening. BBC American plans to air the first episode of Doctor Who this season at the same time it airs in the UK, followed by a repeat showing in the evening. Subsequent weeks I guess I’ll be back to downloading.

With the change to Sunday I might have to reconsider how SciFi Weekend is posted. The post was initially called SciFi Friday, with the subsequent move to the weekends (generally Sunday) helpful for covering Friday night shows. I have been reviewing new episodes of Doctor Who on Sundays, the day following their release. Sunday releases create a problem with this schedule, as I ran into last year with my weekly reviews of the first season of Star Trek: Discovery not being posted until a week after the show aired.

Jodie Whittaker literally breaks the glass ceiling in the trailer:

Despite the point made in this promo, Chris Chibnall says that the gender change is barely mentioned in the opening episode, with the Doctor more concerned with surviving. The title of the episode will be The Woman Who Fell to Earth, sounding like it picks up where the last season ended. Chris Chibnall recommends:

New Doctor, new home. Jodie Whittaker’s Doctor is about to burst into Sunday nights – and make the end of the weekend so much more exciting. Get everybody’s homework done, sort out your Monday clothes, then grab some special Sunday night popcorn, and settle down with all of the family for Sunday night adventures across space and time. (Also, move the sofa away from the wall so parents can hide behind it during the scary bits). The Thirteenth Doctor is falling from the sky and it’s going to be a blast.”

According to Syfy Wire, Doctor Who director Jamie Childs said  that ’80s-era Spielberg served as an inspiration for the upcoming episodes in an interview with Empire Magazine.Executive producer Dan Strevens said the new season will be like Forrest Gump. “It’s a box of chocolates of a series. There’s something different in every episode.”

BBC America will be rebroadcasting every episode of Doctor Who since the reboot. This will take place over thirteen days, beginning on September 25 at 6 am.

TrekMovie.com interviewed William Shatner, who has a new memoir out entitled, Live Long and… What I Might Have Learned Along The Way. Some excerpts from the interview:

In the book, you talk about regret, although mostly framed as how you regret the things you haven’t done. I’m curious about something you did do that may have cut off future opportunities. Do you regret agreeing to do Star Trek: Generations, and allow them to kill off Kirk?

Well, I didn’t think I had any choice in the matter. Paramount had decided that the ceiling that they could reach in our box office had been reached and they thought that by putting in the Next Generation cast, that they would reach a higher box office. That decision had been made. It was either I was going to appear and die, or they were going to say he died. So, I chose the more practical of the two.

So, they were killing you no matter what?

That was their theory. It didn’t work out that way, but that is the way it was.

Recently you gave an interview where you said you were happy for Patrick Stewart and his new Star Trek series, but doing something like that wasn’t for you. Some in the media took that to mean you were done with Star Trek entirely. Last year you told me you were open to returning to the character. You may not want to do a new TV series, but if they can find a way to make it work, you would still return to the role, right?

That is exactly right. If they can find a way of writing a 50 years older captain and it was meaningful and had something to do with the plot, I would jump at the chance.

Evangeline Lilly was recently asked about the Lost finale at a convention. Here is her response:

“Well, I’m going to have to go straight to the finale. Vote of confidence, who liked the finale? [The room broke out into cheers] Who did not like the finale? [about the same amount of cheers] About 50/50. So, for those of who you didn’t like it; you loved our show, because at the end of every week, we would leave you with an impossible and pressing mystery. It would force you to the water cooler, or the dinner table, asking each other the most difficult questions. Usually philosophical questions. Sometimes questions that touched on God or religion and reality, and what it means to be human.

And then, on the finale, you sat waiting with baited breath, thinking ‘they’re gonna give us the answer.’ Well, that’s what religions do. So if you want the answer to the great big question of life, go to church, go to God, find the answer, but art…art is supposed to, every time without fail, turn the question back on you, and asks you to look at what you’re seeing, listen to what you’re hearing, experience it, and then look at it in the mirror of your soul, and figure out what it means to you.

And so there is no one interpretation of the finale of LOST. For as many people that are in this room, there are that many true, real, endings for LOST.

Because it’s just a reflection of who you are, and it’s the ultimate question being posed to you, not the ultimate answer being handed to you.”

Jacqueline Pearce, who played Servalan on Blakes 7 has died at 74.

I highly recommend reading Sapiens by historian Yuval Noah Harari. Wired reports that Harari is a big fan of science fiction and that he “includes an entire chapter about it in his new book 21 Lessons for the 21st Century.”

“Today science fiction is the most important artistic genre,” Harari says in Episode 325 of the Geek’s Guide to the Galaxy  podcast. “It shapes the understanding of the public on things like artificial intelligence and biotechnology, which are likely to change our lives and society more than anything else in the coming decades.”

SciFi Weekend: More News From Comic Con Including The Orville, Star Trek Discovery, Doctor Who, The Expanse and CW Shows; Game of Thrones; Altered Carbon Renewed

Last week I began coverage of this year’s San Diego Comic Con, concentrating on Star Trek: Discovery, The Orville, and Doctor Who. This week I will add some additional information which came out at Comic Con on these shows, some information on other shows, and some news which came out later in the week.

Marina Sirtis will be guest staring in an episode of The Orville, which will be directed by Jonathan Frakes. John Billingsley (Dr. Phlox) is yet another former Star Trek actor who will be appearing in an upcoming episode of The Orville. More on plans for season two of The Orville in last week’s post and at TrekMovie.com.

Rod Roddenberry premiered a short film at San Diego Comic Con, which can be viewed here. More information at SyFy Wire.

Alex Kurtzman says that a new Spock has already been cast.

Last week I wondered whether Anson Mount would be taking command of the Discovery for the entire season, or just as an arc part of the season. This does not entirely answer the question of whether he will be in command of Discovery the entire time, but Mount did say how long he will be appearing on Star Trek: Discovery in this interview with TrekMovie.com:

They’re still shooting, so was it an arc or are you a season 2 character?

Oh yeah. I’m contracted.

For the whole season, I meant. Main cast, whole season?

Yep.

13 episodes.

Yep.

There’s something a little jaded about Pike when we meet him early on in “The Cage.” Would you say that maybe some of what he experiences in this is part of his arc that takes him to that point?

Editor’s note: The question was intended to touch on how “The Cage” informed Mount’s performance, and how it affects where Pike is now. The fast pace of the red carpet means sometimes questions aren’t phrased perfectly. To clarify, the events of “The Cage” took place in 2254, three years prior to DSC season two (2257).

You’re going to see some easter eggs that you’ll recognize about Pike, I can tell you that.

Michael Dorn says that there hasn’t been any talk yet about a Worf spinoff among the new Star Trek projects, but he is working on it:

“I think this Worf thing would be perfect — I mean, really perfect,” he says. “It’s just a matter of getting the phone number of the right guy or getting the email of the right person that can actually get you in there. It’s a little early in the game right now, but I still think there’s hope for it.”

Even though there’s a powerful mystique to being a Starfleet captain, Dorn’s idea isn’t to put Worf in charge of the Enterprise. Dorn is fascinated with Klingons and feels the race of warrior aliens could be explored even further. His idea is to put Worf in charge of a Klingon ship during a period of cultural change for their fictional empire. There would be different aliens — including humans — on the ship, and the shift toward diversity and inclusion would be a painful one for the Klingons.

“I’ve always liked the Klingons. I’ve always thought that they were the most interesting aliens outside of the Vulcans and all that,” Dorn says. “There’s a certain Shakespearian bent with the Klingons. They’re very nationalistic — there’s coups, there’s assassinations, there’s takeovers, there’s all these kind of things. Interestingly enough, they talk kind of Shakespearian.”

Chris Chibnall told Digital Spy why the upcoming season of Doctor Who will have three companions and be more of an ensemble:

“I love Doctor Who as a big, popular, mainstream, accessible show,” Chibnall said. “So I wanted to make sure that every member of the audience felt they had a relatable character, an access point. Hopefully it means that the show can resonate with the broadest possible audience.

“And of course, three companions with the Doctor… we’re really going back to 1963 – that’s the format of the show! You’re not changing the format, that’s how it started, really – which I only realised afterwards.”

The Doctor’s new friends – Chibnall says not calling them “companions” just feels “a bit more natural” but “is in no way a rule or edict from now on” – include Yaz (Mandip Gill), who is “in absolute awe of the Doctor” and Ryan (Tosin Cole), who “challenges the Doctor from time to time, gets it right sometimes, but wrong a lot of the time”.

“Ryan’s 19, Yaz is 19, and then you’ve got Graham who’s the oldest of the bunch, so we’ve got different generations, different genders,” Cole told us.

“People have an ‘in’, in three different ways,” Gill added. “We all bring something different to the group, with gender, race, everything. And just the personalities of the three characters are very different.

“They each have a very individual voice, where I think certain people will be able to instantly relate to Bradley Walsh’s character, instantly relate to Tosin’s… and hopefully just love us all!”

Walsh completes the trio as Graham, with Chibnall confirming that he thought of casting the star having worked together on ITV’s Law & Order: UK in 2009.

“He’s an amazing actor and that’s what I learned working with him on Law & Order,” he added. “He has an incredible emotional range. He’s able to be really funny, and break your heart. And these guys [Gill and Cole] are exactly the same, as is Jodie. It means you have a range of emotional flavours in the show.”

Io9 interviewed Naren Shankar, showrunner of The Expanse at Comic Con, and asked about the move to Amazon:

io9: Will fans be able to tell the difference with the shift to Amazon?

Shankar: I think we’re in real strong continuity at this point. Anybody who’s read the books know that the books change pretty radically, sort of season by season. We’re in book four now, and if you’ve read book four, that is set entirely on one of the alien worlds beyond the rings. We’re not going quite that far, to, just completely do that as the entire season. But I think one of the strengths of the show is that it keeps changing. But—hopefully we’re doing our jobs right.

It’s not like Ty [Franck] and Daniel [Abraham, who co-author the Expanse books as James S. A. Corey] stopped being involved in the show. [laughs]. So, it’s not that. [Show writers] Georgia Lee and Robin Veith have both moved on to other projects, but they’re still friends of the show and they’ll be part of it again, I have no doubt.

io9: Will working with Amazon give you more creative freedom, or at least release you from having to do things like bleep out swear words?

Shankar: Absolutely. None of those restrictions have to come into play, because those are all basic cable issues. What’s weird about it is that on Syfy all of that stuff was bleeped out, but if you happened to be watching it on Space in Canada, none of that’s bleeped out. It’s going to be, I think, terrific for the show, because we don’t have language restrictions, we don’t have nudity restrictions, we don’t have all of these things that conspire a lot of times to make, especially genre shows, not feel as adult as they should be. Not to feel real. In my mind, it sort of infantilizes genre [TV series] even more so. But that goes away on Amazon.

We also don’t have to jam the individual episodes into 43-minute chunks. There were a lot of times over the last few seasons that I’ve gotten a show through post, and it’s been like, “Man, it would much better if I could just open this thing up by two minutes.” But you can’t. That isn’t a problem on Amazon either. So I think there’s huge creative advantages. And honestly, this show was made for streaming. It was made for bingeing. That’s just what it is. And everybody [who works on The Expanse], I think to a person, would say the same thing. We kind of have found our home. This is the right place for the show…

io9: The third season had events from both book two and book three guiding its plot. Will there be any of book five in season four?

Shankar: Without giving too many spoilers [laughs]—there’s so much that is juicy from this point on. One of the great frustrations when we thought we’d been canceled at the end of season three was that the end of the third book is really the end of the first big movement of the series. Which is, after spending a lot of time inside the solar system, this gigantically important thing happens that opens up an entirely new frontier for humanity. And that starts happening in book four.

Yeah, the book itself is completely restricted to the storyline on this new planet, Ilus, and a huge portion of the new season [is based on] book four. But we’re also creating material [that takes place] back in the solar system, that reflects on the events on Ilus. It’s stuff that isn’t in the book, but it actually bridges books four and five going forward. There’s a whole bunch of things happening that are sort of referred to, obliquely, in the text, but we’re bringing them to life and actually playing storylines back in the solar system simultaneously.

io9: Can you name a couple of examples from past seasons when the show has added or changed material from the books?

Shankar: There’s a few examples, even going back as far as the pilot. Chrisjen Avasarela, she’s not in book one of the series. She actually comes into book two. Very early on, that decision was made to pull her into the original narrative to give Earth’s perspective of the events, so it’s not just Holden and Miller, which is the entire book one. Similarly, the character played by Elizabeth Mitchell, Anna Volovodov, she’s in book three but she’s not in book two at all. So because we knew that we would be bridging the end of book two and book three in the third season, we launched Anna at the beginning of season three—the backstory of Errinwright and her on Earth, that’s not in the books or the novellas. So we’re teeing up the narrative for future seasons of the show, but we’re creating new stuff that’s not in any of the published stuff. Ty and Daniel are right there with us, so we’ve talked a lot about how to bridge it. But I think people are going to be pretty psyched by what we do.

io9: Is the ultimate goal to finish the books?

Shankar: I would love to take the show to the end of book nine. Ty and Daniel have written a story that has a beginning, a middle, and an end. That is the perfect version of this for me—if we can keep the show going, and people like it, I think it would be remarkable to tell, because they are telling a story about the evolution of a species and sort of the fate of humanity in very, very big terms with a very particular point of view. I’d love to be able to take it to the end. That would be amazing.

Nora Allen said she made a “big mistake” at the end of last season, but it turns out that she made multiple mistakes per this report from ComicBook.com:

In an interview with Entertainment Weekly at San Diego Comic-Con this weekend, Helbing said that Nora (Jessica Parker Kennedy) has more than one mistake to deal with and that those additional mistakes are well on their way.

“There’s a bunch of big mistakes and they’re coming,” Helbing said. “It’s not just one.”

While Helbing didn’t elaborate on exactly what those mistakes were, during the show’s SDCC panel Helbing also revealed that the show, whose overall theme for season five is the concept of legacy, would be doing a younger version of The Rogues. If Nora, whose heroic codename is XS, is operating as a super heroic speedster in the future it would make sense that she would also have her own version of the Rogues, the iconic group of Flash villains in comics.

On top of the possibility of a Young Rogues, the season’s big bad, Cicada, has also been teased as art of Nora’s big mistake. A tease about the villain was supposed to factor into The Flash’s season four finale, but was ultimately cut for time, though it was confirmed that Cicada won’t be a speedster, something Helbing told ComicBook.com gave the show a way to change up the obstacles for Barry and the team.

TV Line looked at Legends of Tomorrow, including why they are not being included in next season’s Arrowverse crossover.

Supergirl will have feature television’s first transgender superhero next season.

Marvel’s Cloak and Dagger has been renewed for a second season.

It was revealed at Comic Con that the third season of The Man In The High Castle will premiere on October 5, with the entire season being released that date. Amazon has also renewed the show for a fifth season.

The final six episodes of Game of Thrones will air in the first half of 2019. A pilot for one of the prequel series will also start filming early in 2019. At present there are only plans to proceed with one series, with previous stories discussing several possible spinoffs.

TV Line has information on The 100.

Altered Carbon has been renewed by Netflix for a second season. Like Doctor Who, the show lends itself to the “regeneration” of the main character, or at least having a different appearance and star every season. Anthony Mackie, who has played The Falcon in Captain America and Avengers movies will play Takeshi Kovacs next season. It is not known if other characters from the first season will return.

Terry Gilliam’s Time Bandits is being made into a television series by Apple.

SciFi Weekend: News From San Diego Comic Con On Star Trek Discovery, The Orville, & Doctor Who

We learned from the Star Trek: Discovery panel at San Diego Comic Con that Christopher Pike will be taking command of Discovery, but it is not how much of the season this will apply to. Even before the second season of Star Trek: Discovery returns, CBS All Access will be showing more Star Trek in the form of shorts. From The Hollywood Reporter:

Called Star Trek: Short Treks,each of the four-episode series will run between 10-15 minutes and feature deeper storytelling surrounding the characters and themes from Discovery and the expanding Star Trek universe. The series will launch in the fall and roll out monthly, helping to keep awareness of Discovery high before its return in January 2019.

Rainn Wilson will reprise his role as Harry Mudd in a short he will direct. Aldis Hodge (Hidden Figures, Showtime’s upcoming City on a Hill) will star in another installment as Craft, a man who finds himself the only human on board a deserted ship. Additional episodes will explore Saru’s (Doug Jones) backstory as the first Kelpien to join Starfleet and Tilly’s (Mary Wiseman) journey aboard the USS Discovery and her friendship with an unlikely partner.

“There is no shortage of compelling stories to tell in the Star Trek universe that inspire, entertain and either challenge our preconceived ideas or affirm long-held beliefs, and we are excited to broaden the universe already with Short Treks,” Discovery showrunner Alex Kurtzman said. “Each episode will deliver closed-ended stories while revealing clues about what’s to come in future Star Trek: Discovery episodes. They’ll also introduce audiences to new characters who may inhabit the larger world of Star Trek.”

This should serve two purposes–keeping alive interest in Star Trek until Discovery returns, and giving fans a reason to continue their subscription to CBS All Access as opposed to only subscribing during the months when Discovery is on.

The following trailer was released:

Other news includes an announcement that Rebecca Romijn (X-Men) will guest-star as Number One. While Spock will be on the show, there is no answer as to whether it will by young Spock in flashbacks or Spock serving on the Enterprise. The trailer does indicate that Spock will be on leave at the start of the season, but will be involved in the problem which leads to Pike taking command of Discovery.

Alex Kurtzman was evasive when asked if Lorca will return after his apparent death last season. Culmets will be back, but we don’t know how. There was a hint that it had something to do with mycelium.

The video of the Star Trek: Discovery panel can be seen in the video above. Alex Kurtzman also discussed canon:

We know we owe you a lot of answers how Discovery connects to canon, and you will get a lot of those answers this season. Guaranteed. You’re just not going to get them the way you expect them. A lot of what the first season was about was about the crew finding each other, and coming together, and forming the foundation of a family. Now they really are a family. And so much of what’s will happen over the course of season 2 is going to test them constantly. And they’re even going to have to make choices between their real family and their starship family. So a lot of family pain is going to be a major part of it. As you may have seen in the trailer, there are these mysterious signals that appear. The signals are very significant, and form a lot of the investigative trail of why the Enterprise is here, and where they’re heading. And it will lead to a lot of surprises.

Earlier in the month I noted the plans for  James T. Kirk Straight Bourbon Whiskey. The next in the line of Star Trek themed spirits was introduced at SDCC: Ten-Forward Vodka. The manufacturer plans to send a batch into space, which will be blended with the larger stock so they can promote this by saying that every bottle contains a tiny bit of space-bound booze.

Star Trek Discovery will be returning in early 2019 with exact date not yet announced.

Seth MacFarlane said at The Orville panel that the initial marketing for the show gave the wrong idea about it. From TV Guide:

“Initially, I think the show was a little misrepresented in Season 1. It was marketed as a comedy, a hard comedy. I’m not sure why. I think there was a little bit of worry that this was so new and weird and different that it wouldn’t land if it wasn’t put into a box. It wasn’t necessarily representative of the show,” he said. “The nice thing is that the fans stuck with it and saw what we were, the tonal balance that we were riding and they embraced it.”

MacFarlane clarified that the marketing team for Season 2 was staying more in line with what he believes is the core ethos of the show.

“The show was always intended to be what it is now. I’ll start this by saying that I think the work that the marketing team at Fox did on the season is stellar. They just did a knockout job with [the Season 2] trailer,” he explained.

The feel of Season 2 is going to be a lot bigger in Season 1 as MacFarlane says the writing team is taking more risks in their sophomore season.

“There are two huge changes — the experiment was a success so in Season 2 the storytelling is more assertive and bold. There’s some narratively bold stuff that was just amazing to make,” MacFarlane teased. “What you’re going to see in Season 2 is a show that’s even more comfortable in its footing as far as existing in that Goldilocks zone [between sci-fi and comedy]… Every episode feels like a movie.”

IndieWire adds:

“This show was a tonal experiment of sorts,” MacFarlane said. “Comedy and sci-fi when you blend them together, they don’t always mix well. In features they do, but television is kind of hard to sustain. The pleasant surprise for me was that fans and viewers were willing to let us tell a story. They weren’t waiting for the next joke to come.”

MacFarlane said “different stories call for different tones,” just like life has different tones, and the comedy in “The Orville” was always meant as a “garnish” more than the main course. To that end, he said early advertisements for the hourlong series weren’t in line with the final product.

“Initially, I think the show was a little misrepresented,” MacFarlane said. “It was marketed as a comedy… I’m not sure why. Maybe there was a worry this was so new and weird and different it wouldn’t land.”

Video from The Orville panel above.

The Orville will return on December 30. More on the second season here, including that the second season will be at least one episode longer than the first as one episode was held back.

We have known for a while that we will have a new set of faces when Doctor Who returns, and Den of Geek has some additional information. This includes that, “Chibnall is writing five episodes and that two of the five guest writers on this series are women, including the first-ever woman of colour to contribute to the TV show.”

Deadline interviewed Chris Chibnall and Jodie Whittaker:

DEADLINE: Jodie, besides this being your first Comic-Con, you are the first female Doctor Who. What is the significance of that for you?

WHITTAKER: Oh, it’s huge, really. I mean, your whole mind-set is programmed from being a kid that to play the Doctor, you have to be a man, and if you’re a girl you can be, could be a companion. So as an actor, for those rules to be thrown out the window at this kind of perfect time is really exciting.

DEADLINE: Why?

WHITTAKER: Because for the first time, the Doctor regenerates, but regenerates in this completely brand new way, which is really liberating. For me, now approaching the part it’s really liberating because there’s no rules for me in this way. Also, it’s a perfect job for any actor because even though there’s the 12 previous shoes that you’re filling, you’re able creatively to make it your own. So, I think rather than feeling the pressure of that, I feel the excitement of that.

DEADLINE: Was the heritage of the show an advantage?

WHITTAKER: Well, no season of Doctor Who is like the previous in many ways and neither is a new Doctor, so coming at it with fresh eyes was helpful in so many ways because nobody knows the character before born into this new body. I just wanted to, I suppose, use my newness in myself to be able to bring that energy to the show. Then also, you know, there’s so many references. You’re never going to have a Doctor Who series without references to things that have gone before. So, I obviously have done enough research to know what I’m talking about.

DEADLINE: Clearly, you know the 10th Doctor, David Tennant, from your mutual work on Broadchurch. Did you discuss the role and the show with him or other of your Gallifreyan predecessors?

WHITTAKER: (Laughs) I’ve known David for years, but at first, I wasn’t allowed to speak to anyone because I wasn’t allowed to tell anyone that I got the job. So, it was the only the weekend before it was officially announced that I was able to speak to, very briefly, Peter, Matt Smith and David.

DEADLINE: Did they have any words of Time Lord wisdom?

WHITTAKER: I think the thing that was the overriding message was that you are going to have the time of your life. Also, that this is like no other job, and it’s completely unique for every single person who plays the part.

DEADLINE: Speaking of playing the part, Chris, the two of you obviously worked together on Broadchurch and you have penned a number of Who episodes in the past. But what is it like working with Jodie on Doctor Who?

CHIBNALL: Actually Dominic, that was the brilliant thing about it, really. Having known Jodie and worked with her previously, I know that she is limitless as a performer and is incredibly funny and full of energy, which something that many people haven’t had a chance to see. Often, and some of this is my fault, she’s been crying in shows for years on British television.

So, now, I think what’s been brilliant is knowing how amazing she is as an actress, is to try and give her as much variety, and as much range, and as many challenges as possible to reveal her range and skills. Because the part of the Doctor can go anywhere and should go anywhere. So, in terms of us working together again, that’s been the joy of it on a show that, I think we can all agree, is pretty much the polar opposite of Broadchurch.

DEADLINE: Jodie, not just in terms of gender but generationally, you are a different Doctor than say Peter was. In that context, do you approach this with a clean slate point of view or as a continuation of the greater narrative that Doctor Who has built up over the decades?

WHITTAKER: It’s not so much of a clean slate because you take what’s gone before, and you honor it. But to make it your own season, and for me, to make it my own Doctor, I want to take those elements that’ve gone before in a new direction without losing any of the rich history of show.

DEADLINE: How do you mean?

WHITTAKER: Well, the way we’ve been operating is that if you’ve been a fan of this show for the last 20 years or 50 years, then this will absolutely carry on your passion, and engagement, and excitement. But if you’re brand new to it, that’s OK too. You don’t need to have an encyclopedic knowledge to come into this with fresh eyes, and that’s of any age or gender. I think that’s what’s been exciting for me, because I didn’t come at this as a Whovian, and this is a show that’s inclusive rather exclusive and that’s great.

The official trailer is above and video of the Doctor Who panel is below. So far the BBC is only saying that Doctor Who will return in Autumn 2018.

There was, of course, far more news from San Diego Comic Con which I will return to next week.

SciFi Weekend: The Handmaid’s Tale Controversial Second Season Finale; Discovery Shows The Enterprise Bridge; Emmy Nominations For Genre Shows; Doctor Who Teaser; HBO Picks Up New Show From Joss Whedon; Sweetbitter Renewed; Downton Abbey Movie Announced

The second season finale of The Handmaid’s Tale was quite controversial. I had mixed feelings when I saw June/Offred decide not to flee to Canada. It was frustrating, and unexpected, that she did not take advantage of this opportunity, but I was also concerned while watching the minutes leading up to this that we might be seeing a replay of the first season finale–June on the verge of escaping and then being dragged back again. At very least I am glad that they wound up doing something different.

The question is whether the surprise ending is believable with what we know about June. We would expect anyone to want to escape that country if possible. Last season, when given the opportunity to try to escape, June attempted to do so.  However, some things are different. She saw her first child, and had to face the question of why she did not try harder to remain with her. She even has information about her daughter, giving her a chance at finding her again. While fighting the system in Gilead appears to be too dangerous to risk, seeing that the Marthas have united to rebel does give more hope.

It might be argued that she was attempting to escape when she tried to get the car earlier in the season, however we don’t really know that her plan was to try to escape to Canada. She might have planned to try to free her first daughter first. Plus at that time she was pregnant, and escaping Gilead with her soon to be born daughter would be motivation to try to escape. At the end of the second season she had the opportunity to both send her second daughter to safety and remain behind to fight.

Ultimately whether I accept the conclusion of the second season as a realistic choice will depend upon what we learn was in June’s head in the time and what she winds up doing. After two bleak seasons, I hope that the third season does show further rebellion. Of course with this show there is no guarantee of success. There is the danger that June winds up being captured and in an even worse situation, or even that the entire series ultimately ends with the execution of the characters in Gilead who we care about. Hopefully we will get a more optimistic ending than that.

There are also questions about several other characters. Will Emily actually make it to Canada and, if so, what does she do there. How far will Serena go in opposing the system? Will Aunt Lydia survive her wounds? I bet she will be back. What happens to the relationship between Nick and Commander Waterford now that it is clearer that Nick is involved with the resistance? There must be a limit to how useful Nick’s knowledge of Waterford’s secrets are against a guy cruel enough to have his own wife’s finger cut off for reading the Bible. What will Commander Lawrence do now that we know where his sympathies actually lie? Will the authorities realize that the Marthas were rebelling, and what action will they take? It will be far easier to have a mass execution of Marthas than of handmaidens (as they threatened at the start of the season).

We have some hints as to the answers in this interview executive producer Bruce Miller had with TV Guide:

Did you know from the beginning that Offred was not going to escape at the end of the season? And did you get push back from anyone else about whether or not she should escape or stay?Bruce Miller: There was incredible amount of push back from me and from everybody else. All we want is for her to get out. So even though storywise you want to do one thing, emotionally all you want is the other answer. So I guess we all wanted her to get out personally. But yeah, I mean, I knew from the middle of Season 1 that this would happen. So because of that, we were working toward this. I mean, once we started to feel the kind of deep vein of regret that Offred was feeling, or June was feeling at the prospect of leaving Hannah behind and how it was tearing her apart, we felt like [that] after she saw her. And after she kinda was faced with the idea of, “I am going to be able to get one child to safety, and now I just have to decide what to do myself.” I don’t think it’s a choice about whether you’re gonna stay behind to try to rescue your child, I think it’s a needto. I wouldn’t be able to leave one of my children behind… When we got to it, it felt very natural to the character. It is an impossible choice but we are faced with those all the time, so it is interesting to see what she does.

Have we seen the last of Emily and baby Nicole or is there more story to tell for those two characters?
Miller: We have not seen the last of Emily and Nicole. I don’t know that we’re gonna see Nicole going to her first prom very soon, or Emily for that matter, but we have not seen the last of them. We’ll follow them on their journey after they leave Offred in the tunnel, in the finale, we will be following them… I think that Nicole is quite a popular young girl. There’s lots of people who want her including a whole country of Gilead if she happens to get out… It’s a huge, huge puzzle piece of our world. It’s June’s child, and just as much as Hannah has been a huge part of our show Nicole’s going to be a huge part of our show whether it’s in influence or whether it’s in corporeal reality with someone holding her in their arms. She is the force to be reckoned with. She is the next generation that they’re all doing all of this for.

Will Bradley Whitford’s character be coming back in Season 3, and what are we gonna learn about him and why he helped Emily escape?
Miller:
 Yes, Bradley’s coming back for Season 3. He was exactly the kind of character we wanted to start building in Season 2. We were hoping his schedule would work out that he could come back for Season 3. I think we’re gonna learn a ton about him. I mean, I think the fact is he’s our Oppenheimer character. The man who designed an atomic bomb and then saw what it could do. I mean, he’s a designer of Gilead, and now he’s seen what it can do. So he is a mass of contradictions and dangers, so you never know what he’s willing to do, what he’s not willing to do. He’s been protecting himself for a very long time. And his adventure to keep himself alive certainly is not always an adventure that’s going to keep the people around him alive. But now that June has crossed paths with him, she’s going to cross paths with him a lot more in Season 3.

What you can tell us about Aunt Lydia and her future? We don’t see her actually die but it looks really bad at the end of the season.
Miller: Aunt Lydia doesn’t die. I don’t think Aunt Lydia can die. I don’t think there are forces in the world strong enough to kill Aunt Lydia. And by extension the incredibly strong, fabulous Ann Dowd, I think is with us for a long, long time as well. Aunt Lydia doesn’t die, she’s transformed by this event. The fact that one of her girls who — [she thinks] that there’s a love between her and her girls — has literally stabbed her in the back. I think that that alters your workplace feelings on a day-to-day basis. You don’t wanna turn your back. So I think that in some ways there’s a lot of possible effects. But I think in her case, it makes her double down that she feels like she just wasn’t strong enough in her discipline. So she, I think, has decided it’s time to get tough.

It was exciting to see Rita take a decisive action in the finale. What can we expect from her character moving forward?
Miller: Amanda Brugel, has really done a remarkable job with Rita. The fact that she’s both incredibly strong and invisible in the house is just, it’s a miracle of acting that she really has made her both a powerful force and you just completely forget that she exists. And I mean, and that’s supposed to be mirroring the way the Waterfords and the people in Gilead just let her fade into the woodwork, on purpose, because that’s the role that she’s supposed to play. But it’s great that she uses it strategically, and so everybody forgets about her, and then all of a sudden she has this freedom to build this network with all the other Marthas. They trade things back and forth, information and cinnamon and cheese and all sorts of stuff. And so they have a life going on there and a resistance network. You know it’s used for other things, black-market things, gossip, but now she’s turning it and using it as a resistance network.

I think she’s gonna have to do some very deft dancing to get around her comeuppance for her complicity in this, and I don’t know whether she will, but she is our representative of this group of women who have been pushed into invisible domestic roles like so many women in real society, in our society. She is, but she is not invisible, and she’s not domestic. She is a woman in full, and you get to see kind of the power that brings to bear. And I think, in [Season 3], we’re going to see some of the results of her coming out of her shell and becoming a little more visible. But I think the key for me is that she is a very smart survivor, and that’s what she’s going to continue to be.

We saw Nick, too, take a stand against Fred (Joseph Fiennes) in the finale to help Offred escape. What are the consequences for that choice are going to look like for him next year?
Miller: Nick did take a stand and impulsively, which is not his best — not a Crayola crayon he does do very often. He’s not an impulsive guy in general. And I thought is was such a kind of a measure of the closeness of his relationship with Fred and how much he was willing to risk… But yes, there will be repercussions for Nick. The interesting thing about Nick and Fred is that power dynamic between the two men and the two positions that they hold. One is kind of outwardly a leader of Gilead, and the other, Nick, is quite a powerful person behind the scenes because he’s a spy, and because he has dirt on people, and because he knows all the good and bad things people are doing, going to Jezebel’s and all those things. So I don’t think it’s a hammer that the commander can bring down so easily on Nick, or would want to…

Is there a happy ending to this story? Is that in any way the end goal or is everything always going to be terrible?
Miller: I think there is a happy ending, and I don’t think everything’s always going to be terrible… I believe in June, and I believe that if The Handmaid’s Tale is the story we’ve decided to tell from this imaginary place of Gilead, if June’s story is the story we tell, we’ve told it because it’s a story of hope. I do feel like every episode where it ends and Offred is alive, June is alive, it’s a huge victory and a story worth telling. To see how someone in this world doesn’t just survive, but in their own way, find ways to live, find ways to actually have a life, have intimacy. She sees her daughter, which she never thought would happen. So all of these things are huge victories for me.

But in terms of an ending, I think this is a story of a woman getting out of bondage. So I think in the end that’s the story, whether she is able to get out herself or whether she’s able to get one or more of her children out, or reunite with her husband. Those are all details, but I think the story is bending, I hope, because it exists, it’s bending towards a happy ending because this account of what happened exists means that somehow some way, June got that account out. That to me sets a story of kind of the triumph of the human spirit and hope.

Miller had more to say about why June stayed in this interview with Deadline:

DEADLINE: I often like to start these at the end, so why does June stay in Gilead at the end of the finale?

MILLER: Because she’s a mother. She has one child who’s going off to safety and one child that’s still here so she stays for her daughter Hannah. Whether she’s going to help her daughter or whether she’s going to try her hardest to injure Gilead, it really comes from two things. One is her mom saying you’re stronger than you think, which is something she realized about herself throughout the season. The other is her daughter saying why didn’t you try harder?

When she finally sees Hannah, Hannah says why didn’t you try harder to find me?

And she’s going to try harder and I think that after having a season where all these things that were seemingly impossible have come to pass I think she’s willing to take a chance. She’s not so willing to leave her eldest daughter behind.

Elisabeth Moss also supported her character’s decision in an interview with The Hollywood Reporter:

“Speaking with The Hollywood Reporter, Moss explained her take on the season finale and the game-changing decision for June to stick around in Gilead, saying there are two primary reasons for the development.

“There’s really a couple answers to this, and they are equally important,” she says when asked why June’s decision feels like the right way to end season two. “Hannah is the first one. It’s as simple as that. She cannot leave her daughter there. She doesn’t know if she can get back in if she leaves. What can she do from the outside? She doesn’t know. But here’s what she does know. She just discovered that there’s a legitimate and strong underground network of Marthas working for the resistance. The wives led by Serena (Yvonne Strahovski) just rebelled against the men and government of Gilead. They are starting to resist. And she just saw a commander (Lawrence, played by Bradley Whitford) help his handmaid and her dear friend Emily escape. A commander. How deep does this underground network of resistance go? She knows now she isn’t alone. She doesn’t want to leave Hannah, but when she sees Emily and the commander, she realizes she can get her baby Holly out and stay to try to do the same for Hannah. And she doesn’t have a lot of time to make that decision. She does the riskier thing, which is stay, but she literally cannot leave Hannah in that place.”

(For what it’s worth, Moss weighs in on why June told Emily to refer to Holly as Nicole, the name Serena gave the baby: “It’s a show of love for Serena and a thank you for what Serena did in letting June get her out. It’s June’s baby, but it’s June’s way of acknowledging Serena’s true love for that child.”)

In terms of why June’s decision to stay was the right way for season two to end, Moss says, “She is staying to fight to save all the children of Gilead. It’s bigger than her now. It’s bigger than her and Holly and Hannah. It’s all about the sons and especially daughters of Gilead, and fighting for their lives. Seeing the Martha network and the commander have opened her eyes. She is no longer alone. She has an army, and she’s going to fight back.”

“I don’t want to fight from the outside,” she adds. “I think it would kill June. To feel helpless like that. There are people doing the work that needs to be done in other countries, particularly Canada of course, that we show legislatively and trying to find their families and fighting Gilead in that way. There are very few people who can fight from the inside, and you have to have both. There are very few people who are as smart and experienced with Gilead as June is, who are as connected to a high ranking commander such as Waterford (Joseph Fiennes) or Lawrence, who know the ins and out, who have someone connected like Nick (Max Minghella), who knows that there’s a network of Marthas. She has very particular qualities that make her the one who should lead the resistance. Being in Canada, trying to change things from the outside, would just be extremely frustrating for her. And there’s probably no one who gives less fucks about what she has to do to get her daughter Hannah out than June does.”

The final moment of the season sees June pulling her handmaid hood over her head, more iconically cloaked in Gilead than ever before. And yet, Moss agrees that it signals an end for June’s life as “Offred,” even if it also means the birth of someone new.

“It’s not the June that was captured and brought to Gilead,” she says. “It’s not the June in the flashbacks. It’s a new June. She has become stronger, smarter, braver. She has learned a lot. She has experienced indescribable physical and emotional pain. She has changed forever, and not necessarily for the better, but in a way that she needs to have changed to be able to lead the resistance. She has hardened. She’s gotten very tough. She’s maybe colder. But that’s what she needs to be. She will never lose her humanity, and she will never lose the capacity to love as a mother, but that mother’s love can be the fiercest thing you’ve ever seen.”

Promotional pictures for season two of Star Trek: Discovery are showing the inside of the Enterprise.  The above picture is of Burnham walking onto the bridge of the Enterprise. Sonequa Martin-Green is quoted as saying,  “…we’re really going to be digging into family. A lot of questions are going to be raised; some are going to be answered.” Will that include showing Spock? There has also been a picture released of a Saurian, an alien species first seen in Star Trek: The Motion Picture.

Star Trek: Discovery, with two nominations, is just one of several genre shows to receive Emmy nominations. Discovery’s nominations are in the categories of  Outstanding Prosthetic Makeup (Series, limited series, movie or special) and Outstanding Sound Editing For A Comedy or Drama (One Hour).

Other Emmy nominations of note include Tatiana Maslany (Orphan Black),  for Lead Actress in a Drama Series, Jesse Plemons (Black Mirror: USS Callister) for Lead Actor in a Limited Series or TV Movie, and multiple nominations for Westworld, Game of ThronesThe Handmaid’s Tale, and The Americans. The full list is available here.

The official teaser for Doctor Who series 11 was released during the BBC’s coverage of the World Cup Final. We got a look at Jodie Whitaker as the Doctor, the Doctor’s new companions, and perhaps a timey wimy way to replenish a pizza box.  From Entertainment Today’s cover story on Doctor Who:

The choice of Whittaker to play the lead role on Doctor Who represents a massive gamble on the part of new showrunner Chris Chibnall — who’d previously cast Whittaker as a grieving mother on his cop drama Broadchurch — and the BBC, which successfully revived the sci-fi series in 2005 following a lengthy hiatus. More than 18 million Doctor Who DVDs have shipped, 12 million action figures have been sold in the 13 years since its relaunch, and in 2013 a 50th-anniversary episode was screened in 94 countries. In the U.S., the show has become the flagship series for BBC America, which will premiere the new season this fall, simulcasting the first episode so it screens at the same time as in the U.K. There is a lot riding on Whittaker’s ability to make audiences around the world fall in love with a female Doctor, as the actress is well aware.

“There’s no rules, and it’s liberating,” she says. “But it’s equally terrifying.”

EW spent two days on the set of Doctor Who for this week’s cover story, hanging out with Whittaker and the trio of actors who are playing the Doctor’s new companions: Bradley Walsh, Mandip Gill, and Tosin Cole. Your writer also spoke with Chibnall who explained why he had made the decision to make the Thirteenth Doctor female once Whittaker’s predecessor, Peter Capaldi, decided to leave the series.

“I just felt the time was right,” said Chibnall. “I think if the show hadn’t done it, we would have been behind the world, and Doctor Who has got to be out front leading the world, and being a great example of all the amazing things that are in the world. So, it wasn’t even a question in my mind.”

Above is a cross over episode I’d love to see (via Doctor Who Today).

HBO has picked up a new series from Joss Whedon. TV Line reports:

The Whedonverse is expanding to HBO.

The premium cabler on Friday gave a series order to Joss Whedon‘s The Nevers, which is described as an “epic science-fiction drama about a gang of Victorian women who find themselves with unusual abilities, relentless enemies, and a mission that might change the world.”

Whedon — who previously toyed with creating a “Victorian female Batman” for the stalled comic book series Twist— will write, direct and executive-produce the HBO drama, as well as serve as showrunner. His previous live-action TV forays include, of course, Buffy the Vampire SlayerAngel and Firefly, as well as Dollhouse and the co-creation of Marvel’s Agents of S.H.I.E.L.D. (where his brother Jed serves as co-showrunner).

Totally non-genre (unless you consider the abundance of shows about someone moving to the big city or restaurant shows a genre), but I was pleasantly surprised to find that STARZ has renewed Sweetbitter for a new season. I won’t say it is must see, but at times shows with short seasons come in handy, sort of as a long movie. The first season is six thirty minute episodes, making it easy to watch in one or two sittings. It was the inclusion of Caitlin Fitzgerald in the cast which caught my attention.

In the historical television genre, a Downton Abbey movie is now official.

SciFi Weekend Time Travel Edition: Legends of Tomorrow Does The Time Loop; Doctor Who News; Timeless Season 2

Having the characters of a science fiction show enter a time loop as on Groundhog Day has been a common trope on science fiction shows. Last week’s attempt at this on Legends of Tomorrow might not have been the best version, but it turned out to be a great homage to the sub-genre. Tala Ashe (Zari) did an excellent job of expressing her frustration of repeating the same events repeatedly.

In some ways this was most like the version seen earlier this year on Star Trek: Discovery. The overall scenario was quite different from Magic to Make the Sanest Man Go Mad, but they were similar in having one character realize they were in a time loop, and having their ship explode at the end of each cycle. On both shows, one person realized what was going on, but had a hard time convincing others.

On Discovery, Stamets beat the time loop by convincing Burnham that he was telling the truth by showing that he knew everything she was going to say, and subsequently others were brought in.

On Legends, Zari initially had no success convincing others she was telling the truth. I was actually thinking at one point that time loops are such a common science fiction trope that the obvious thing to do is to tell people that things were happening like on Groundhog Day. Moments later Zari came close to this in a conversation with Nate. Actually she explained the scenario and Nate recognized it as Groundhog Day. Having it explained like Groundhog day was enough for him to believe her, and he and suggested that she only had to tell him that to get him on board next time. She did botch by saying Hedgehog Day, but she ultimately got the message across.

Groundhog Day is hardly the only example of this. Subsequently Ray was brought in, except that he related the scenario to Cause and Effect, an episode of Star Trek, The Next Generation. Other recent shows to use this trope have included the fourth episode of season three of Dark Matter, and the movie Edge of Tomorrow. While I did not watch the show, I also recently read that Xena: Warrior Princess had their own version entitled Been There, Done That. With this being such a common trope, it really should not be hard to explain what is going on if one encounters a science fiction fan while in a time loop.

The episode used the time loops partially for fun, and showing more about the characters. This included another rare occurrence of seeing Amy Pemberton give Gideon a human form. Other fun aspects including learning that Mick writes romance novels (and goes to great lengths to keep this secret). One time Nate suggested that Zari take a break and go though a cycle and just have fun, knowing she would have another chance to try to prevent the Waverider from exploding afterwards.

When Doctor Who returns next fall, major changes in how the show looks and feels are inevitable, between a new show runner (Chris Chibnall) and the first female Doctor (played by Jodie Whittaker). The show will also have a new logo, pictured above. A BBC America press release states that, “all official Doctor Who merchandise featuring the new logo will be available at selected retailers from February 20th, 2018.”

There will also will might be significant changes to the sound of Doctor Who. Murray Gold, who has been composing the music for Doctor Who since its return in 2005, is leaving.

Another rumored change might be moving the show from Saturday to Sunday. I hope this is the case as I regularly download Doctor Who as soon as possible after airing in the UK, except for when it conflicts with college football–as it inevitably will when moved back to the fall.

There are also rumors that an episode next season will deal with Rosa Parks.

Now that old television shows are easy to watch I suspect that there is far less interest in novelizations of episodes, but if people are still interested, Russel T. Davies and Steven Moffat are writing novelizations of some of the episodes they wrote.

For those interested in podcasts about both science fiction and Doctor Who, I recently discovered one worth subscribing to. Imaginary Worlds deals with a wide range of science fiction topics, and is currently running a series on Doctor Who. The first episodes was on the Doctor, the second was on the companions, and the third is on the Daleks, with briefer mention of other villains. The stories have a feel sort of as if This American Life was covering Doctor Who. The coverage includes both the original run and the new series. The podcasts would be great for someone new to the show to get a feel for its background, but long time viewers are also likely to find it interesting.

Another time travel show, Timeless, returns March 11. This was a rare case of a show being cancelled, and then the network reversing the decision and renewing it. Any chance someone went back in time to change the future for the show?

As Timeless ended on a big cliffhanger, which I looked at here, I am happy that it will be returning.

Following is the official synopsis of the season from NBC:

From Eric Kripke (“Revolution,” “Supernatural”) and Shawn Ryan (“The Shield”), season two of this thrilling action-adventure series will pick up right where we left off with our heroes. We continue to race throughout history with our beloved team: Rufus (Malcolm Barrett), a scientist; Wyatt (Matt Lanter), a soldier; and Lucy (Abigail Spencer), a history professor, in an attempt to prevent the destruction of our world as we all know it. This season they’ll find an unlikely ally in their quest to ruin Rittenhouse, a deadly organization with plans to change history and reshape reality — even though Lucy’s family has been a part of Rittenhouse for centuries. Still making every effort not to affect the past themselves, they will visit 1692, 1917, 1941, 1981 and more.  We’ll be introduced to the likes of Marie Curie, Hedy Lamarr, William Randolph Hearst and a multitude of other influential people throughout history. 

SciFi Weekend: Top Ten New Genre Shows Of 2017; Doctor Who News On The Eve Of “Twice Upon A Time”

Doing top of the year lists in television has become increasingly difficult in this age of peak television when there are around 500 scripted shows and it is impossible to watch everything new which is on. I’ve even heard some of the professional television critics admit to this problem and that their lists should realistically be called the Top X Shows Which I Have Watched. As each season adds to the number of shows which deserve to be ranked which I have not seen, I have annually limited my lists to the top new shows of the year. (The Top Twenty New Shows Of  2016 is posted here). In past years I have included all types of television, with a bias towards genre in the rankings. I found that this year I have seen most (but certainly not all) of the new genre shows which I believe are worth seeing, but when all types of shows are considered the percentage drops significantly. Therefore I decided to make the main list the Top Ten New Genre Shows Of 2017 and will mention some additional shows afterwards.

Top Ten New Genre Shows Of 2017

10. The Gifted (Fox)

One of three new X-Men or mutant related shows (with the X-Men and Inhumans possibly to be united if the Disney purchase of Fox goes through). This is definitely the more conventional of the two included on this list, and the mid-season finale opens hope that the show will be expanded from what we have seen so far. It is worth seeing with the combination of Root (Amy Acker) and Vampire Bill (Stephen Moyer), both obviously in new roles.

9. The Defenders (Netflix)

The team-up of Daredevil, Jessica Jones, Luke Cage, and Iron Fist was more worth watching to see the interactions of these four than for the battle against The Hand. I previously reviewed the series here.

8. The Tick (Amazon Prime)

This was a far better than NBC’s attempt at superhero comedy with Powerless. More on the show here.

7. The Punisher (Netflix)

Technically there are no superhero or science fiction elements in the show but I will include it as it overlaps with the Marvel universe, with Karen Page playing a significant role, and with the Punisher having been introduced in Daredevil. Like the other Marvel shows which are set up as one long story, it might have been better if cut to eight to ten episodes as opposed to thirteen, but they did do a good job of intermixing two related stories in the present along with flashbacks to set up the backstory. I did prefer the government conspiracy story line over The Hand as in the other two new Marvel series on Netflix this year.

6. Runaways (Hulu)

Yet another show based upon a Marvel comic, Runaways in tone is somewhere between the network-friendly Agents of SHIELD and the more adult shows on Netflix. So far it has done a good job of setting up a conflict between a group of teens and their villainous parents.

5. American Gods (Starz)

Bryan Fuller and Michael Green have done an excellent job of adapting the first portion of Neil Gaiman’s novel, but it is now questionable as to whether this will survive with their departure from the show. There is a look at the season finale here.

4. The Orville (Fox)

The show initially appeared questionable when billed as a parody, but over the course of the season Seth MacFarlane learned how to tell serious science fiction stories while mixing in humor. I had brief reviews of each episode, often looking at how well humor was incorporated into the episode, in each week’s post. My review of the season finale was here, with a follow-up look at the first season here. The show is strongly based upon Star Trek: The Next Generation, and many who prefer more conventional Star Trek, as well as episodic television, might prefer this over the other new Star Trek show.

3. Star Trek: Discovery (CBS All Access)

While many fans feel more comfortable with The Orville, Star Trek: Discovery is the more ambitious of the two. Discovery does a far better job than Enterprise did in making a Star Trek show with a more modern television feel, including a serialized format. This is also different from previous Star Trek series in taking place during a time of war, and having a Captain who is far more morally ambiguous. There are also questions regarding continuity which I discussed here. I had weekly reviews of each episode while the show was on, with the review of the fall finale here.

2. Legion (Fx)

Noah Hawley provided a quite original take on the X-Men universe, providing something new and unique to prevent superhero fatigue. My post on the season finale was here.

1. The Handmaid’s Tale (Hulu)

This excellent dramatization of Margaret Atwood’s novel about a dystopian future could have been a great series any year, but its treatment of women seemed so much more relevant at the start of the Trump administration–at time when its horrors seemed a bit more plausible. More on the series here.

Among the shows which I saw but did not make the cut was Iron Fist, the weakest of the Netflix Marvel series. While flawed, it is watchable and does lead directly into The Defenders. If you still have a lot of Marvel shows to watch, put this off. If you plan to watch them all, it might make sense to still watch it before The Defenders.

Two genre series which debuted in 2017 were remakes of past series. The X-Files (Fox) was generally disappointing, but with all the excellent episodes in the past I will still give the next season a try. I previously discussed the show here and here. There was also the return of Twin Peaks (Showtime), which competed with Legion as strangest series of the year. I previously looked at the series here.

There are also some genre shows which I have not seen but which might be worth checking out, such as the time travel comedy Future Man and the anthology series Dimension 404, both on Hulu. The genre show which I haven’t seen which is receiving the most favorable publicity is the German series Dark, available in the United States on Netflex.

There were also a few genre flops in 2017. I gave up on Powerless (NBC) midway through the season. I didn’t watch The Inhumans (ABC) after numerous poor reviews. If interested, Io9 summarizes what happened on The Inhumans for those who stopped watching. Time After Time (ABC) was cancelled before I had a chance to give it a try.

Moving beyond genre, there were also many excellent shows in 2017. There were two excellent dramas dominated by women, Big Little Lies (HBO) and Godless (Netflix), which I am currently in the midst of watching. The three top comedies from 2017 which I have watched also are led by women: The Marvelous Mrs. Maisel (Amazon Prime) from Amy-Sherman Palladino, GLOW (Netflix), staring Allison Brie, and SMILF (Showtime).

While not genre, the CW also premiered another comic based series in 2017, Riverdale, which presents a new take on the Archie comics.

Tomorrow we have a major television event with Peter Capaldi having his last appearance before regenerating into Jodie Whittaker on Doctor Who. Doctor Who News has an interview with Steven Moffat about the show:

What does Twice Upon A Time have in store for us?

There are some new eerie creatures of glass haunting the Doctor and his friends throughout this story – but what their purpose and what their plan is, and what their time traveling machinations are, is going to be a big surprise to the Doctor.

Were there any sets or locations that you particularly enjoyed working on?

There’s a real range of spaces that we visit across the special. We have the inside of a giant stone spaceship full of creepy glass creatures. We’re in the first Doctor’s TARDIS – recreated and brought back from the 1960s to stand proud in the Welsh studios. We’re on a First World War battlefield. And at long last we go to a location that I mentioned in my very first episode of Doctor Who back in 2005, as we visit the ruins of Villengard.

How would you describe the tone of this episode?

This episode is somewhere between a coda and drumroll. It’s a coda to the time of the Twelfth Doctor played by Peter Capaldi, and a drumroll to usher in the Thirteenth Doctor, played by Jodie Whittaker. Approaching it, one issue I had was that The Doctor Falls (this year’s series finale) was the end of Peter Capaldi’s Doctor. That episode saw the Twelfth Doctor stating what he stands for and standing on the hill on which he was prepared to die.

That was the end of his story. But – as often happens in stories and real life – it didn’t end there. He kept going, he started to regenerate, so at Christmas what we’re going to see is a man weary and tired and, having made his point and having made his stand and given his life for something that matters, he has to learn just how to carry on after that. But of course this being Doctor Who and Christmas it’s much warmer and hopeful than that, so in perfect timing walking towards him out of the snow he meets earliest incarnation. The William Hartnell version of the Doctor – played now by David Bradley in an astonishing performance – and the two of them are about to regenerate. Tonally it’s about saying “to hell with dying, let’s get on with living”. And what’s more Christmassy that that? It’s the turn of the year, a time for new beginnings, it’s the time when we start climbing back towards the light.

How does the First Doctor look at the Twelfth Doctor?

Well the Doctor never gets on with himself. Arguably he doesn’t get on with himself when it’s just him alone – we had the whole plot of Heaven Sent (in series nine) about that – so he doesn’t get on with himself even when it’s just him. But here I think we have perhaps one of the most interesting instances of the Doctors meeting, because the First Doctor as we know from the show is quite different from the Doctor we know now.

Ultimately he’s the same person – he has the same set of impulses and ideals – but he hasn’t yet become at home with what he’s becoming. If you look at the original William Hartnell series, the Doctor’s starting to fight the good fight, but he’ll arrive in a spot of trouble and generally speaking he’ll only help others out because he needs to get back to the TARDIS. So often there’d be a plot contrivance to stop William Hartnell’s Doctor getting back to his TARDIS and flying out of danger. Slowly that started changing as the Doctor developed as a character. He’d start saying “No I can’t leave yet – not because I can’t get to the TARDIS, but because these people are still in trouble and this evil is still in control. I have to help these people.”

Without noticing it, or it ever being his plan or his intent, he’s starting to engage with the universe and he’d be horrified to think that he’s starting to become its protector. Now, at the end of that lifetime when the First Doctor is facing his end, he doesn’t yet realise that’s what he already is. He’s already the man who rides to the rescue, the saviour of the oppressed, but he doesn’t own up to that. Now he meets the Twelfth doctor, and the Twelfth doctor has been doing this for so long. He’s used to the idea that he’s already Earth’s protector – an idea that completely bewilders his younger – except kind of older self. The thing to focus on this time, alongside the flourishes that distinguish the two doctors – it that they are at very different moments in their lives. The First Doctor is not quite yet the hero we are used to.

How did you feel to be writing your final episode of Doctor Who?

The truth about writing anything is that it’s always difficult. You can change the reason why it’s difficult, but the fact is it’s just always difficult! Throughout writing this I wanted to feel more about the fact it’s the last one I’ll ever write, and I wanted to feel more about it’s the last one Peter will ever play, but the truth is that the technicality and the difficulty and the demands on your creativity – all that overwhelms you to the point where you’re just trying to write a great Doctor Who story! That’s enough to contend with – you can’t have the real life drama of two old Scotsmen making their way to the door.

Once we got into shooting it, however, and especially when we approached filming Peter’s last moments as the Doctor which were done at the end of the shoot, we did talk more about how exactly he should meet his end. We were both very pleased with that final section of the script already, but as we went through piece by piece we thought there were ways to improve it so I’d be banging out new pages each night for us to discuss on set each day. That was so enjoyable and exciting to do – to really feel that we were getting his send off right – that in a way it took whatever emotions we were both having about leaving and put them on screen where they belong. By the time we got to that part of filming I think Peter and I were probably the least emotional on set because we’d put it all in the show!

David Bradley has some advice for Jodie Whittaker:

“Keep it light. Keep it funny,” he offered, adding poignantly: “Have a sense and wonder about the universe and everything in it.”

David Bradley previously told Digital Spy that he had high hopes for his former Broadchurchco-star Jodie’s tenure as the denizen of the TARDIS.

“I was delighted [by the casting],” Bradley told us. “I was wondering if [showrunner] Chris [Chibnall] would pick someone from the Broadchurch cast.

“As we saw in Broadchurch, she’s got this emotional reserve that… there’s no limits. She’s capable of great emotion and passion.”

The TARDIS Yule Log video has some glimpses of Twice About A Time.

Yahoo TV talked with Pearl Mackie about her year on Doctor Who. Here is a portion:

What were the characteristics about Bill that jumped out at you right away?
Well, she’s quite cheeky, which I liked. But she’s also intelligent and doesn’t feel the need to brag about it. It’s very much a part of her, and she’s not ashamed to just say things. She has this confidence that I really engaged with; she doesn’t let her life or experiences get the better of her. She also wants to learn more and is very inquisitive.

We see that in the way she challenges the Doctor from their first meeting. That’s a different dynamic from past companions.
Yeah, and that’s the energy that I felt when I first read the script. There’s an irreverence between her and the Doctor, even though there’s also a lot of respect and they grow to be very close by the end of the series. She’d never be like, “I bow to your superior knowledge.” It’s more akin to, “Well, actually I don’t agree with that. What about this?” I think he respects her for that; they both enjoyed the verbal sparring they had. It’s enjoyable to watch that dynamic.

How quickly did you establish that rhythm with Peter Capaldi?
I met him for the first time in my second audition — my callback essentially. Before that, I’d been reading the script on my laptop with the Facetime camera on, responding to a recording I’d made of myself doing a version of Peter Capaldi reading his lines! The real Peter is a much better actor than that — much more dynamic. [Laughing] When I went into the room, I was absolutely terrified because Peter is not only an incredible actor, but he’s also been playing this character for a long time. We read the first scene of Episode 1, this mammoth six-page scene, and I spent most of it standing there just hoping that what I was doing was right or at least interesting.

Then we did the scene where Bill goes into the TARDIS for the first time, and Peter said, “Do you want to stand up?” I went, “What? OK, sure.” In auditions, you’re supposed to sit still and keep your face as still as possible, but if you’re me, your face tends to move of its own accord. Steven enjoyed that and used it a little bit in the first episode when Bill is standing at the window in the Doctor’s office and says, “I see my face all the time. I never liked it; it’s all over the place — it’s always doing expressions when I’m trying to be enigmatic.” But, yeah, I mainly remember standing there aghast at being in a room acting with Peter Capaldi. Luckily, Bill was supposed to be pretty aghast when she walked in the TARDIS, otherwise we may not be having this conversation today! I think we were both responding to each other quite honestly and seemed to work in a very harmonious fashion.

BBC America posted this thank-you video for Peter Capaldi.

CinemaBlend said Capaldi had this to say about the Doctor’s real name: “I also know his real name. It’s not pronounceable to humans. It’s a frequency that can only be heard of people with good heart.” They went on to add:

To date, that’s one of the best answers someone connected with Doctor Who has given to the question. It’s far better than Matt Smith’s answer from long ago that it was “Drasicanawhocius” or some long name similar that is easily abbreviated by saying “Doctor Who.” It’s also more interesting than the some diehard fans’ explanations that the Doctor’s name is actually a rather hard-to-pronounce set of Latin letters to varying powers. Given that, Peter Capaldi’s response to Radio 2’s Access All Areas (via Digital Spy) should win as it gels with the awesomeness of the Doctor and doesn’t risk the spraining of the tongue muscle trying to pronounce.

While he has some very interesting ideas regarding the Doctor’s name, Peter Capaldi also holds an opinion that may sound like hot take to many Doctor Who fans. In fact, it may trigger some of those fans fans who have battled to keep those outside the fan community from referring to him in a certain way. Capaldi may indeed ruffle some feathers with this statement:
We can get into a fight about whether he’s called The Doctor, or Doctor Who. The reason I call him Doctor Who is because when you’re in the street, people don’t shout out, ‘There’s The Doctor!’ They go, ‘Hey, Doctor Who!’ That’s his street name. His street name is Doctor Who.

SciFi Weekend: CW’s Crisis On Earth-X; Agents of SHIELD; Doctor Who; The Orville; The Avengers Infinity War; American Gods; Stranger Things

Crisis on Earth-X was both the best of the CW cross-overs and was a lot more fun than the DC movie team-ups. They did an excellent job of using most of the characters over the entire four hours, and making a true four hour story as opposed to four related episodes of each CW series. The event ended with Legends of Tomorrow and did include more members of the team as only some had good reason to spend the entire time at the wedding of Barry Allen and Iris West, which started the story. Despite having good reason for the rest of the Legends to only appear in the fourth episode, some of the Legends were important throughout the four hours, especially with many scenes involving Stein and continuing the story line involving his separation from Firestorm.

While the crossover did continue plot lines from the individual shows, it was more notable for the combinations who do are not normally together. This included the hook up between Alex and Sara prior to the wedding, and later having Felicity and Iris team up. There were also plenty of pop culture and genre references, especially with The Man In The High Castle plot line. Comicbook.com has a list of Easter Eggs.

I was surprised that Crisis on Earth-X advanced some major plot threads in the various series, rather than leaving them for the individual shows. (Major spoilers ahead.) While we knew that the marriage of Iris an Barry would eventually occur, Felicity and Oliver turned it into a double wedding. The Stein’s story line not only progressed, but his previously-announced departure from the show (baring further appearances thanks to time travel) also occurred. Bleeding Cool has Victor Garber talking about his time on Legends of Tomorrow.

The event also may have started new story lines. There was the introduction of one new character,  The Ray, and the return of Leonard Snart , except as his good doppelganger, Citizen Cold. Presumably the mystery girl at the wedding was there for a reason–with some speculation as to her identity here.

Of course there were many plot holes and questionable elements. Rather than an infinite number of parallel earths, there are exactly fifty-three, which all have agreed-upon numbers. While people from other earths seem to have far more contact with each other than people from our earth, we are still designated Earth One. A major plot device involved preventing the destruction of the installation used to transport the heroes to Earth-X, but at other times it seems relatively easy to go from one earth to another (or send wedding invitations).

The major villains included doppelgangers of Oliver and Kara, but instead of a Barry’s doppelganger there was a version of Eobard Thawne. It is already quite convoluted to explain how he is around, thanks to time remnants, despite having been removed from existence at the end of season one when his ancestor killed himself. It is even harder to explain why the version seen was from when he appeared like Harrison Wells, other than to give more air time to Tom Cavanagh. Plus when did he learn how to do heart transplants?

Overall it was an enjoyable four hours which was never intended to be thought about very deeply, with the time passing much more quickly than most of the DC movies, which often feel like they are far more than four hours long. Plus, with my daughter’s wedding now less than six months away, it provided me with important warnings of things to be careful about–guests who fail to RSVP and, of course, the danger of a wedding being interrupted by Nazis from a parallel earth. I will be certain to take the proper precautions.

There is behind the scenes information available here.

Jed Whedon’s goal for Agents of SHIELD this year was to “throw them on the craziest roller coaster adventure we could think of.” While we knew since the last season that the season would take place in space, we did not learn the real twist until the season premiere on Friday (spoiler’s head). Not only are they in space, but they have been pulled into the future, and are on a space station with the last remnants of humanity, under Kree rule. Most of human history has been wiped out to help keep humans subservient, except a version of the Framework is still around.

The specifics are vague but the earth has been destroyed, supposedly by Daisy (who does not fall for future pick-up lines). The members of SHIELD were brought due to a legend that they will help save the remaining humans. As we don’t really know the rules of time travel in effect here, I wonder if the ultimate victory will be helping them get out from under Kree rule, or if the end-game will be to prevent this future from happening.

The cast discussed being in space here. Elizabeth Henstridgeand Iain De Caestecke discussed having Simmons and Fitz being separated yet once again here. Screen Rant has a list of Easter eggs.

The BBC has released a teaser poster for Twice Upon A Time, this year’s Christmas episode of Doctor Who, with a motion version here. The official synopsis:

The magical final chapter of the Twelfth Doctor’s (Peter Capaldi) journey sees the Time Lord team up with his former self, the first ever Doctor (David Bradley – Harry Potter, Game of Thrones) and a returning Bill Potts (Pearl Mackie), for one last adventure. Two Doctors stranded in an Arctic snowscape, refusing to face regeneration. Enchanted glass people, stealing their victims from frozen time. And a World War One captain destined to die on the battlefield, but taken from the trenches to play his part in the Doctor’s story. An uplifting new tale about the power of hope in humanity’s darkest hours, Twice Upon A Time marks the end of an era. But as the Doctor must face his past to decide his future, his journey is only just beginning…

Doctor Who will have both new cast and crew next season. The show will also have a different look. Radio Times reports:

If it’s not exciting enough to get the first female Time Lord on screen, then Doctor Who bosses have further surprises in store: a brand new cinematic look for Jodie Whittaker’s adventures.

The production is being supplied with brand new cameras and lenses which will add a touch of big screen dazzle to the look of the new series according to trade magazine Broadcast

Production house Films at 59, which supplies the BBC’s Doctor Who studios in Roath Lock in Cardiff, is using Cooke anamorphic Prime lenses and Angenieux Optimo anamorphic zooms that will be used with Arri Alexa XT and Alex Mini cameras for series 11.

The intention is to bring an increased cinematic look to the show which started production at the end of October.

According to Bristol-based Films at 59’s Dave Wride this means a whole new visual feel to the show.

“The BBC have made a monumental leap here to enhance the look of Doctor Who and I’m sure the fans will not be disappointed with the distinctly cinematic results that this lens and camera combo will afford them,” he said.

New Dimensions was another solid episode of The Orville. It also helped remedy one of the problems which was seen in a previous episode, Majority Rule. John LeMarr played a key role in that episode, which also served to make it apparent that we really did not know very much about him. We learned that there is much more to him in this episode.

There were the usual references to current and recent literature and pop culture, including Flatland, Doctor Who, Oscar the Grouch’s can, Snoopy’s doghouse, and Dumbo.

The episode also did a good job of mixing humor in the episode. This included yet more practical jokes, leading to Yaphit having to explore Bortus’ GI tract for a portion of himself: “Ah, dude, it stinks down here, what the hell have you been eating?  Is that a boot?”

While we have one more episode to go, I09 has already accumulated a list of the funniest and most surprising moments from The Orville so far. TV Guide has information on this Thursday’s season finale.

The official trailer for Avengers: Infinity Wars is now available, with the movie to be released May 4. Discussion here, here, and here.

The talks between Disney and Fox are back on. While I am concerned about yet further media consolidation, this does have interesting ramifications for the Marvel Cinematic Universe.

Bad news for American Gods with show runners Bryan Fuller and Michael Green leaving. While there have been no specifics, most of the reports center around disputes with Starz regarding the budget for the show.

Surprising nobody, Netflix has officially renewed Stranger Things. (Last night I was out for a walk and saw holiday light effects outside of a neighbor’s house which made it look like it was in the Upside Down. Just to be safe, I didn’t get too close.)

SciFi Weekend: Doctor Who (Twice Upon A Time, Jodie Whittaker, Matt Smith, and Shada); Star Trek Discovery (Captain Lorca, Ash Tyler, and Continuity); The Orville; The Arrowverse Crossover; Agents of SHIELD; The Magicians

The upcoming regeneration in the Christmas Episode of Doctor Who, Twice Upon A Time,  might be the most anticipated episode ever due to Jodie Whittaker becoming the first female lead. Typically regeneration scenes only involve the outgoing Doctor with little, if any, of the new Doctor seen until the subsequent episodes are aired. With the degree of interest in this regeneration it would be a mistake to not show at least a little of Jodie Whittaker in the Christmas episode. It does appear that she probably does have at least one significant scene as Radio Times reports that Chris Chibnall will be present for her appearance in the episode. From Radio Times:

“There is a little bit of like ‘I want to see Jodie now!’” episode director Rachel Talalay admitted on the Radio Free Skaro podcast.

“What I do hope is, for Christmas you don’t have your Christmas pudding and your brandy, and say ‘OK, let’s just get to the regeneration!’ I hope you can actually enjoy the story too.”

Still, Talalay wasn’t shy about discussing some aspects of the pivotal final scene, which she shot both Capaldi and Whittaker’s parts for on different days under the direction of current showrunner Steven Moffat and new boss Chris Chibnall.

“I knew I was going to shoot both parts of the regeneration, but I did say to Chris Chibnall if you want a different director to introduce Jodie, you should have a different director,” she recalled. “Because he’s creating a whole new world.

“[But] he too was absolutely lovely and said no, we’re absolutely delighted it’s going to be you, and no-one else. And so we sat down and talked about the Jodie portion of the regeneration, and it was wonderful.

She added: “The thing I would love to talk about, and look forward to talking about in the future is how I planned Peter’s portion of the regeneration versus how I planned and shot Jodie’s.

“Because as a director, that was a really satisfying, interesting, fun challenge, and I’m really pleased with both sides of it.”

Of course, the side Talalay COULD talk about was Capaldi’s, with the director revealing that the Scottish actor had played a big part in the planning of his final scene.

“When it came to the regeneration in the Christmas episode, Peter has a big scene about it, as one would expect,” she said.

“And he and I spent some time alone on the Tardis, which is his place to sit when he wants to be quiet. We just sat there, in that space, alone, talking through that whole scene. Talking through in his happy space.

“He had a hundred notes on his script. Again, I view myself as a guide. But he was deeply into it.”

And apparently the collaboration paid off handsomely, with Talalay full of praise for the Twelfth Doctor’s last stand.

“It’s absolutely a Peter Tour-de-force as you can imagine,” she said. “I was so lucky to get to do it.”

In other words, then, it seems like we’re in for a simultaneously sad, exciting, nostalgic and forward-thinking episode of Doctor Who that contrasts with itself just as much as it does with anything else on the telly.

Radio Times has some speculation about the episode here. I posted a video from the episode last week in which the first Doctor commented on changes to the TARDIS.

The first pictures of  Jody Whittaker and Bradley Walsh filming next season have been released. More pictures are here.

Last week I mentioned rumors that Matt Smith might appear in the Christmas special (although it is also possible he just visited the set to see Doctor Who history and/or the final episode by Stephen Moffat). Smith has also discussed the possiblity of returning to Doctor Who, and has had some advice for Jodie Whittaker. From Digital Spy:

The Eleventh Doctor revealed that he wanted to come back to the franchise a few years down the line, once the new Time Lord Jodie Whittaker had settled in, that is

“Why not?” Matt told MTV. “I’d come back. Yeah, if the timing was right.

“I think we’ve gotta give a few years to Miss Whittaker to get the TARDIS under her belt, as it were, and then yeah – one day.”

However, he then dashed our hopes just a little by teasing that it probably won’t be until he’s “old and grey”, but joked that that “isn’t far off”.

When pressed on any advice he had for the Thirteenth Doctor when she heads into the TARDIS, Matt added: “Yeah, I will tell Jodie what I told Peter [Capaldi] – listen to no-one.”

The Crown star has also spoken about the next series of Doctor Who, arguing that the show should be “bold and inventive”.

“I think Doctor Who is a bit like Shakespeare,” he told press, including Digital Spy. “It needs expression and it needs courage and bold ideas – and I think Chris [Chibnall, new showrunner] and his team will bring all that to theshow, so I just sit back as a fan and watch what happens.

He added: “I absolutely don’t see why [the Doctor] can’t be a girl.”

It would make sense to have a two Doctor or multi-Doctor episode bringing him back but I wonder about this being “a few years down the line” considering that most actors playing the Doctor only stick around a few years at most. He better not wait too long.

Shada is now becoming available in various formats and a trailer (video above) has been released. Radio Times spoke with Tom Baker about returning to Doctor Who:

“I think it was, you see, that probably it never left me,” Baker said in a new interview to commemorate the BBC Worldwide release of the newly-completed Shada (which combines original footage with new animation).

“I think it was, you see, that probably it never left me,” Baker said in a new interview to commemorate the BBC Worldwide release of the newly-completed Shada (which combines original footage with new animation).

“And that’s why I can never stay away from it, you know – it was a lovely time of my life.

“I loved doing Doctor Who because it was life to me,” he went on. “It’s an amazing thing to be in something that was more important – my real life was really rather drab compared to the life of Doctor Who when we were making it.”

“Sometimes, when it would get near 5 o’ clock, I used to dread the end of rehearsal. Because then, real life would impinge on me.

“Doctor Who for me was an asylum. When I was in Doctor Who in full flight, making silly suggestions and pulling funny faces to make the other actors laugh, then I was happy.

“But then of course came five o’clock – and like everyone at five o’ clock, they’re leaving work – another reality impinges. Life – I wasn’t very good at that.”

In other words, then, Baker was more than happy to return to the world of Who – and he even has a theory as to why his particular Doctor has stood the test of time (and space) to remain popular to this day.

“Well I suppose actually because I was the silliest!” he suggested. “I was the most alien, I think.

“When I got it, I felt this benevolent alien personality, which was part of me. I embraced it and it took me over.”

Den of Geek spoke with “Star Trek‘s Ash Tyler and Captain Gabriel Lorca, aka Shazad Latif and Jason Isaacs, about their Discovery characters, shared trauma, fan theories and more.” Here are some excerpts:

There are a lot of purist fans out there, how have you reacted to some of the negative feedback?

SL: When we make it I’m enjoying what we’re doing and the rest we don’t have any power over. It’s like a painting, if people don’t like it then they don’t like it. We can’t really do much about that.

JI: I thought it was just a sign of how unbelievably passionate and protective they were of this legacy, and before we were on the air they were reacting to a trailer or something. Micro-analysing every frame of it. Now that we’re on, I’m a bit disappointed that the dissent has died down. I liked when people were outraged by things, and mostly everyone’s loving it all over the world now. I seek out those people who are upset because they’re always more passionate, first in line to watch it and first to hit the internet afterwards. They’re probably more die hard fans that anybody else.

Every new series that came along was hated instinctually by everybody and slowly they were won over. I think we’ve won them over. Quickly, which is a bit of a shame…

Shazad, you’ve probably been asked this by everyone today, but are you a Klingon?

JI: I can’t believe you’re not asking me – there’s a fan theory that I’m a Romulan!

SL: That’s not the same thing. There are crazy fan theories which is, like you were saying, the power of Star Trek fandom, they’re great detectives and some things they get right and some they get wrong.

JI: I love it. The madder they are the better – superb!

How do you feel about that way of watching TV now, where it’s kind of a detective game?

SL: I don’t know why you’d want to know so much before, I get that it’s because they love it.

JI: Well it’s a mystery that they’re trying to guess. The big thing for me, not the theories because one of the great things about this Star Trekparticularly in our dark and troubled times, our credits run and the debate starts. The worst thing you can be is something where the credits run and people say “What shall we eat?”. It actually affects people and they’re thinking about it. Although it’s on Netflix it’s not bingeable so there’s a week to talk about things like there is with Game Of Thrones. The thing that bothers me – networks have asked me to live tweet shows I’ve been in before, and I want people to watch the telly not look down at their phones or iPads. Watch it and talk about it afterwards.

Is one of the reasons you signed on because of how prevalent those issues that Star Trek has always been about are right now?

SL: It wasn’t really that I was interested, I didn’t really get to choose. I had to take the job (laughs). I’m not in that position yet. But yeah that’s the whole point of Star Trek.

JI: Yeah you take good acting jobs that are interesting and challenging, and something you haven’t done before. But I’ve got two teenage girls and if they’re looking at the news and reading newspapers, they’re being told – unlike when we were growing up – that people in charge are childish or racist or homophobic or sexual predators. The world seems a very unsafe place and more and more divisive. There’s the rise of the right and so to get to do the job that we love but also be part of telling a story that sends a message of optimism. It says that maybe in the future, if we get it right, we won’t be judged by gender or the colour of our skin or our sexuality. Even species on our show. There’s an extra bonus for us that you’re putting something good out in the world when we’re getting pumped some very toxic stuff from powerful people.

Many of the complaints from purists center around how Star Trek: Discovery fits into canon. Syfy Wire looked at some of the issues.

I’ll just comment on a couple of other aspects, and I’ve also raised some of these points in more detail in my weekly reviews of the episodes.

Many of the differences come down to the look, and to a considerable degree I’d give them some leeway to take advantage of modern special effects even if this gives a more modern look than the original series which takes ten years later. Questions regarding uniforms and details of the ships could be handled with explanations such as type of ships or perhaps different services within Star Fleet. Realistically if you look at the changes from the original show to the movies, which were produced years later with a higher budget, there were also considerable differences.

The Klingons have been a problem since Star Trek: The Next Generation. While I’m not going to allow this to reduce my enjoyment of Discovery, I think that it might have been better to have them look like the Klingons of STTNG. This allows viewers to go with one of two explanations–either the genetic manipulation theory that the Klingons actually did change temporarily, or the obvious meta explanation that they have used more expensive makeup since TNG.

The bigger issue is the technology, primarily with the spore drive. I’ve mentioned a variety of possible explanations in the past including reasons that it could no longer be feasible to be used by Star Fleet, no longer allowed, or perhaps that the technology is lost. I’m not particularly concerned about finding that Spock never mentioned his half-sister since Star Trek V also showed him to have a brother we never knew about. Spock was never the most talkative character.

Executive producer Aaron Harberts had these comments regarding continuity quoted by Metro:

‘We have ten years until the original series comes into play. It is a challenge creatively because we have lots of choices, in terms of how do we reconcile this [Spore] drive? This surrogate daughter of Sarek? How do we reconcile these things the closer we get to the original series? ‘That’s going to be a big discussion that we have in season two. What’s so fun about the character of Michael, just because she hasn’t been spoken about, doesn’t mean she didn’t exist. A lot of the writers on our show are deeply involved in Star Trek, their knowledge is some of the finest around, they really do help us find areas where we can steer around things.

‘But the Spore drive? Who knows. It could be classified. There are many options. Some of the best ideas come from all over the place, not just in our writers room so I love hearing about the fan ideas and theories. We’ll have to see.’ After initially creating the show’s concept, Bryan Fuller departed the series, and the question surrounding his decision to make it a prequel is still a mystery to Aaron, who was too busy catching up on Star Trek canon to question it. ‘I’m glad that it is because it set up parameters for us. Let’s say we set it 100 years after Voyager, the canvas is so broad. To try to contemplate, you’re creating a whole new mythology really,’ Aaron says.

‘I think Bryan [Fuller] was interested in the original series and I think he was interested in the lead up to where the original series is. I think he was very interested in the Klingon federation conflict, but I don’t know definitively why he picked that.’

While I agree that it should be possible to reconcile the continuity questions Aaron discussed, I find it interesting that, instead of already having a specific plan in mind, they are leaving the explanation for the writers to come up with next season. This also means that it is probably pointless to spend too much time analyzing episodes for hints as to the ultimate explanation as the show’s writers have not yet decided how things will turn out. Fortunately they do have writers with a good knowledge of Star Trek canon, leaving me confident that, even if the explanations are not one hundred percent airtight, they will be no worse than what we have already experience in following Star Trek continuity.

The Orville was off last week for Thanksgiving and will soon be completing its first season. The final episode of the shortened season will air December 7. Here is the official synopsis of the episode, entitled  Mad Idolatry:

Ed and Kelly seriously reconsider getting back together. However, while Kelley is on a mission with Isaac and Gordon to investigate the origins of an uncharted star, they suddenly crash-land on a planet from another universe. Kelly then makes a decision with unforeseen long-term consequences for the planet, putting Ed in a difficult position in the all-new “Mad Idolatry” season finale episode of THE ORVILLE airing Thursday, Dec. 7 (9:01-10:00 PM ET) on FOX. (ORV-113) (TV-14 L, S, V).

The relationship between Ed and Kelly has dominated many of the episodes. While I think it has often been overdone, it will be interesting to see how things have changed now that they have both been working together, and Ed realizes that Kelly might have slept with Darulio due to pheromones she could not resist per Cupid’s Dagger.

TV Guide has eleven teases for next week’s Arrowverse crossover. Here are the first few:

1. Earth-X is full of baddies

As if being controlled by nazis wasn’t enough of a clue about how evil Earth-X is, this world is also home to some very sinister versions of the heroes we know and love. So far, we know the Reverse Flash (Tom Cavanagh), the Green Arrow (Stephen Amell) and Supergirl (Melissa Benoist) all have counterparts on Earth-X that are aligned with the regime.

2. Citizen Cold

Wentworth Miller has returned to the Arrow-verse, this time as the Earth-X version of himself: Citizen Cold. We can only assume he’s part of the Earth-X resistance movement, and it’s about time we got to see Miller kick some nazi butt.

3. Kara busts out those pipes again

You didn’t think the CW would just let Melissa Benoist’s amazing singing voice go to waste did you? Thanks to their little journey into musical theater last year, Barry decides to have Kara sing at his wedding, and we guarantee you’re not prepared for how awesome it is.

Stephen Amel discussed the Arrowverse crossover in an interview here.

Melissa Benoist discussed her role in an interview here.

Agents of SHIELD returns with a two-hour premier on December 1 but if you cannot wait that long, the first seventeen minutes have been released–video above. A trailer for season five can be seen here. We know from last season’s finale that the season involves going into space. Comicbook.com has some information on the aliens which will appear.

The Magicians returns on January 10. Trailer above showing them starting their quest to restore magic, after it was turned off in last season’s finale.

SciFi Weekend: Star Trek Discovery; The Orville Does Black Mirror; Doctor Who New Cast; Veronica Mars; Mr Robot & Donald Trump; Girls Night Out On The Flash; Stranger Things

Lethe, last week’s episode of Star Trek: Discovery was well plotted, with some reviewers calling it a more typical stand alone episode with both an A story line (saving Sarek) and a B story line (the visit from Admiril Cornwell). I would go further in saying that it both works as a stand alone episode and as part of the serialized story, plus as well plotted episodes generally do, the two stories wound up becoming interrelated. The A story provided more background on Vulcans and on Burnham. Both took place with the backdrop of the Klingon war. It remains to be seen how significant the capture of Admiral Cornwell is in terms of that story in the future.

The episode also had items of interest for two fan theories. Ash Tyler’s dialog takes on a different meaning if he is actually Voq. It is also notable that we have not seen Voq as Voq since he was told by  L’Rell, whose mother came from a house of spies, that he must sacrifice “everything.”

While far from conclusive, this episode has me taking the theory that Lorca is from the Mirror universe much more seriously. When I first heard this theory I hoped it was not true, thinking that a story of a star ship captain who might have gone bad is far more compelling than one of someone replaced by their evil doppelganger. There have already been clues of a connection to the Mirror universe, most notable with the reflection of Stamets in the mirror after he first used himself to navigate the spore drive. I became far more suspicious when Admiral Cornwell said how he had changed. It could be a matter of Lorca going crazy or otherwise changing, or it could mean he has been replaced. His paranoia leading him to both attack her during the night and seeing him wearing a phaser to bed both fit into what we have seen of the Mirror universe.

Another less likely possibility is that it is Lorca as opposed to Ash Tyler who was replaced after being a prisoner of the Klingons. All the evidence points towards Ash being the spy, but there could be intentional misdirection.

Whether it is because of being from the Mirror universe or flaws in Lorca’s character, we again saw signs of his ethics. I thought it was crazy for Cornwall to say that she was going to strip Lorca of his command before leaving. While I wouldn’t put it past him to shoot down her ship, that would be rather hard to convince his crew to accept. There is little doubt he did’t smell the trap and, regardless of whether he realized she would be captured, it was out of character for him to wait for Star Fleet’s orders to consider a rescue unless he had ulterior motives.

After all, we had seen Lorca ignore orders to save Sarek in the same episode, and Saru mentioned what he expected Lorca to do. While I have my doubts about the mind connection between Sarek and Burnham, it is at least consistent with what has happened so far. I thought that Sarek might have been a bit more emotional than portrayed on other series, but having him be a schmuck and seeing xenophobic Vulcans is consistent with canon, especially from Enterprise. This episode serves as a reminder that it is not that Vulcans lack emotions, but that they suppress them because of the consequences when they are emotional–now including Logic Extremists. (The contradiction in the term also reflects the contradictions in Vulcans.) Vulcan attempts at suppressing their emotions are variably successful. It is possible that Spock, with the extra pressure of acting Vulcan despite his human half, might actually be more successful in hiding his emotions than the average Vulcan.

One of the things I like about Star Trek on television as opposed to movies is that there is time to see moments of everyday life and to see more of a variety of characters. In this episode we learned that breakfast burritos will still exist, but I’m not sure what that was that they were drinking with it. Promotions are easy to obtain on Discovery if Lorca likes you, with both Burnham and Tyler moving into key positions. We also saw that Discovery has not only its own cool t-shirts (which not surprisingly are now being offered for sale), but its own holographic simulators. This was appropriately far simpler than the holodecks of STTNG, but raises the question as to why they were never seen on the larger Enterprise on the original show (along with the uniform synthesizers).

TV Line interviewed James Frain. From the interview:

TVLINE | Sarek and Burnham’s relationship is a tricky one: He’s protective of her, but also very standoffish. It’s kind of a push-pull.
I think that’s how she experiences him, for sure, and I think that’s probably how he’s experiencing himself. He has a very dynamic range, and he’s very, very bold with the way he’s chosen to live his life. He’s married a human being. That has made him a target. There are people who want to kill him for that. He adopted a human child, and there were people who wanted to kill her. So he’s put a lot of stuff on the line, and at the same time, he’s a Vulcan. He recognizes in this episode how different Vulcan and human cultures are, and how difficult a situation she was in. He never really understood that, I don’t think. And I think it’s kind of beautiful that he acknowledges that now. But there is a huge internal conflict that, in the original series, we saw in Spock, and now here we are, seeing it in Sarek. It’s kind of like Spock is his father’s son, you know?

TVLINE | Yeah, Discovery‘s Sarek is actually pretty rebellious for a Vulcan. He’s pushing back on a lot of the Vulcan ways.
Absolutely. It’s very clear, I think, in the flashback scene, when they tell him, “You’ve gone too far, and we need to rein you in,” and give him a punitive choice to make — which, obviously, is devastating for him. But he can’t not choose Spock. That’s his son. He’s half-Vulcan, and they’re basically saying, “We’d rather have the more Vulcan one of the two.” They don’t want [Michael] in, and they dump it on Sarek to bear the burden of that.

TVLINE | Sarek chooses Spock over Burnham, but then Spock rejects that and joins Starfleet instead. Does Sarek resent Starfleet, in a way, for that?
No, I don’t think resentment is quite it. He has a high regard for Starfleet, and Captain Georgiou. He handpicked her as the captain to educate Michael. It’s Michael who feels that this is some kind of demotion. But really, as he confesses in this episode, he failed her. He put her in an impossible situation, and then he places her in a much better situation where she can be with her own kind and learn who she is as a human being. He can’t do that for her.

He’s also admonished for making an emotional choice, and he has to kind of toughen up and be very clinical in how he delivers this information to her, because he’s just been told he has to be. The Vulcans, I often think of like the samurai: a very, very coded and strict, but noble and honorable society. You wouldn’t expect a samurai father to suddenly become a hippie just because he wants to make peace. He can’t step completely outside of himself. But he does give her a piece of his soul, and that’s no small thing. So it’s very, very rich and complex: his relationship to Michael, and his relationship to Starfleet.

In other recent interviews, Rainn Wilson told TV Guide that Harry Mudd will be returning soon: “He’s pretty ticked off and he’s ready to exact his revenge on Lorca,” Wilson tells TV Guide. “Sh–‘s gonna hit the fan.”

Alex Kurtzman spoke with Comicbook.com about the uncertain future for Star Trek movies.

CBS All Access has officially renewed Star Trek: Discovery for a second season. While the show is driving subscribers to the streaming service, last Sunday the service appeared to be unable to handle the traffic as many of us watching had to constantly restart the stream. Maybe having more growth than anticipated is a good thing, but they will have to provide better service if they expect people to continue to pay to subscribe.

The Orville generally feels like a copy of Star Trek: The Next Generation but Majority Rule took a story idea which was frequently used on the original show in which they find a planet developing like earth, with some major differences. While it might be questionable whether this could occur, it was no worse than what Star Trek has done. Once on this parallel to earth, the show begins with a feeling comparable to an episode of Black Mirror, which is only fair as Black Mirror will have an upcoming episode based upon Star Trek.

Unfortunately the episode does a weak job in execution as it tries to tell a light cautionary tale about social media. Of course one would think that John would realize the importance of keeping a  low profile as opposed to making a scene dry humping a stature, even if they had no knowledge of the consequences. Having the initial people from the Union arrested for failing to give a pregnant woman a seat on a bus was fairly unimaginative. It would have been more interesting if they had offered her a seat, and it turned out that the natives believed it was important for pregnant women to stand, causing this to be the violation of their social norms.

As on previous episodes, the crew got into the situation by flying down in a shuttle. With all the copying of Star Trek, I’ve been surprised that they do not use transporters. Of course that would also necessitate creating reasons why they cannot be beamed out when they get into trouble. They also apparently lack a version of the Prime Directive, as they had no problem bringing up a native to view their ship and reveal the existence of aliens.

Additional cast members have been named for Doctor Who after Jodie Whittaker takes over the TARDIS. From the BBC:

When Jodie Whittaker takes over as the Thirteenth Doctor on the global hit show next year, she will be joined by an all new regular cast.

BBC announces today (October 10, 2017) that Bradley Walsh, Tosin Cole and Mandip Gill will line-up as the new regular cast on Doctor Who.

Bradley will star as Graham, Tosin will play Ryan and Mandip will play Yasmin.

Also joining the series in a returning role is Sharon D Clarke.

New head writer and executive producer Chris Chibnall, who made the decision to cast the first ever woman in the iconic role, is also shaking up who will travel with the Doctor in the TARDIS, with a team of new characters.

In more exclusive news, it is confirmed that the new series will be a ten week run of fifty minute episodes in Autumn 2018, kicking off with a feature length hour for the opening launch.

Chris Chibnall says : “The new Doctor is going to need new friends. We’re thrilled to welcome Mandip, Tosin and Bradley to the Doctor Who family. They’re three of Britain’s brightest talents and we can’t wait to see them dive into brand new adventures with Jodie’s Doctor. Alongside them, we’re delighted that Sharon D Clarke is also joining the show.”

Jodie Whittaker says : “I am so excited to share this huge adventure with Mandip, Tosin and Bradley. It’s a dream team!”

Bradley Walsh has a previous connection to the Doctor Who universe, having played a villain on an episode of The Sarah Jane Adventures in 2008.

Digital Spy looked at the history of multiple companions on the TARDIS.

There has been a strong connection between Broadchurch and Doctor Who with Chris Chibnall coming in as show runner. A second executive producer has been added from Broadchurch. There will also be a Broadchurch connection with The Crown as Olivia Coleman will be replacing Claire Foy as Queen Elizabeth as she is older in the third and fourth seasons. There is also a Doctor Who connection as the Matt Smith plays Prince Phillip on the first two seasons.

Kristen Bell says that there will eventually be another Veronica Mars revival in the form of a miniseries.

Mr. Robot finally revealed where Tyrell Wellick has been in a flash back episode last week. Besides filling in details primarily involving Tyrell, the episode drew Donald Trump into the show’s conspiracies. Whiterose saw film of Donald Trump and expressed interest in endorsing him. She was asked,  “Look, the country’s desperate right now, but you can’t be serious. I mean, the guy’s a buffoon. He’s completely divorced from reality. How would you even control him?” Whiterose responded, “If you pull the right strings, a puppet will dance any way you desire.”

As we approach the wedding of Iris West and Barry Allen, there will be a Girl’s Night Out for the bachelorette party, to air on November 7. Bleeding Cool has several more pictures. Guests include Felicity Smoak (Emily Bett Rickards ) from Arrow, Katee Sackhoff (Battlestar Galactica) playing AmunetBlack, and Caitlin returns as Killer Frost. Following is the episode synopsis:

Having received an ominous threat from her old boss, Amunet (guest star Katee Sackhoff), Caitlin (Danielle Panabaker) fears that her past time as Killer Frost may be back to haunt her. Felicity (guest star Emily Bett Rickards) comes to Central City to help the girls celebrate Iris’s (Candice Patton) bachelorette party, while Cisco (Carlos Valdes), Joe (Jesse L. Martin) and the guys take Barry out for a night on the town.

The big genre event of the week has been the release of season two of Stranger Things. As I still have a few episodes to watch, and I’m sure others have not completed it yet, I’ll wait until next week for any specifics. The season so far, like the first season, has been highly entertaining. It is also an excellent show to binge, and hard to stop watching as every episode has ended with something happening which had me wanting to continue watching. It was hard to take a break to get this written.