SciFi Weekend: The Americans Season 4 Finale; New Director At SHIELD; The Flash; Supergirl; Gotham; You’re The Worst; Peter Capaldi Teases Reunion With Clara Oswald;

The Americans Season 4 Finale

The Americans concluded its fourth season  (spoilers ahead) with the death of another charter, and presumably the end of the biological weapons story line. Technically William had not died by the end of the episode, but if he should survive into the next season it will only be briefly. This was a season which included the deaths of some characters, and the possible loss of others to the show. Notable deaths include Nina and Gantt, dying in quite different manners. Plus the finale introduced another character which was mentioned previously–Philip’s long lost son from before he began working with Elizabeth.

With The Americans renewed for two more seasons, we can safely predict that Elizabeth and Philip will not be discovered in the near future, but this has been a major theme since Paige revealed their secret to Pastor Tim. Over the course of the season, Paige has developed into a reluctant but effective junior spy. The risk from Pastor Tim and his wife now seems much lower, but it will always hang in the background.

While William didn’t seek to betray Elizabeth and Philip, he did provide Stan with a small amount of information: “couple of kids…American dream. You’d never suspect them. She’s pretty. He’s lucky.” This fits far too many people for Stan to suddenly think of his neighbors across the street, but if he is ever given stronger reason to suspect them, he is bound to remember this.

Gabriel did strongly advise Elizabeth and Philip to leave the country, but left the ultimate decision up to them. If they are at risk, I think the greater risk would be that Philip might reach the point where he cannot go on. EST might help him, or it might lead him to question  what he is doing even more. Of course he couldn’t fully explain his difficulties in leaving his job when he had to go with the travel agent cover. Plus the world will change for him with the Soviet Union heading closer to its collapse and the introduction of his son.

Instead of Elizabeth and Philip deciding to leave, Oleg made that decision to help his mother. Arkady appears to be leaving involuntarily. Martha has been in the Soviet Union for months. We may or may not see these characters again.

The Americans William Palm

Joe Weisberg and Joel Fields were interviewed at Speakeasy:

The finale seemed to set a lot up for the fifth season, but at the same time, a lot of stories were left in a cliffhanger-y spot. So did you know when you wrote and shot the finale that the show had been renewed?

Joel Fields: Yes. FX is very generous and communicative about that stuff. They really helped us as we were turning a corner from the end of this season toward the last couple of seasons by putting the creative choice of how to end the show in our hands. And I think in a lot of ways we were able to be thinking through that as we were finishing up Season 4.

Was any of what happened to William in the finale based on a true story, the way he infected himself with the lethal Lassa virus to get out of the mission (and to get out of spending the rest of his life in jail)? There’s got to be tons of stories about spies like William getting disgruntled after all those years.

JF: We did a lot of research into disgruntled spies, into biological weapons. We never saw a story of someone intentionally infecting himself, but, there are stories of people who actually worked on these biological-weapons programs getting accidentally infected, and the horrible, horrible way that they died. So I think that that would be the closest thing to it being based on something real.

How long had you been planning to introduce the Philip’s son plotline?  

Joe Weisberg: It’s funny, because we were reminiscing about season 1, when, in fact, [you didn’t know] whether or not Philip actually had a son. It was ambiguous. Was Irina making that up? Or was it true? And we didn’t have an answer to that, ourselves. We liked that ambiguity. We thought that was really interesting. So, introducing that plotline meant making a final decision that that was a real person and a real character, which is probably more satisfying.

JF: Yeah, and that’s that case where much of the time you really plan these things out years in advance, seasons in advance. But this part of the story unfolded organically, as the story was told, like in that first episode with Irina when she mentioned the son? That was something that blossomed out of the script, and these other pieces fell into place over the course of the seasons.

The Americans Finale

More at Vulture:

The most surprising development in the entire season for me was the relationship between the family and Pastor Tim. I’m surprised that he made it out of the season alive. But I’m even more surprised that he seems to actually be their friend now!
JF: I don’t think we ever considered killing him off. As much as everybody was speculating that he was about to go, we were really exploring the question of how these characters would deal with being in this box, and how would that [situation] unfold?

Also, Tim is a character with whom we had a lot of sympathy. He really does, on some level, want to do the right thing — that’s been his whole problem all along. And the Pastor Tim thing also was an opportunity to explore a lot in terms of these character dynamics.

JW: It was pretty apparent to us early on that [the Soviets] couldn’t kill Tim because of the effect it would have on Paige. It would destroy her parents’ relationship with her. And that was it. The question then became, with that constraint of not being able to kill him off, what else could we do? The fact that he ends up being actual friends with them did take us a little bit by surprise, but [once we figured that out], that changed our sense of who this guy was, and how we would always see him from the moment we got to know him. And so we followed that through the season, and throughout the story, he just could not open his heart up to them.

JF: But it also led to one of my favorite lines in the season, which was in episode ten, when Paige was convinced that her parents had something to do with his disappearance, and Elizabeth says, “God, why would we do something as stupid as leave Allison, and, God, she thinks we would do that? If she only knew everything we did to not kill him!”

Are we ever going to see Martha again?
JW: We’re not going to answer that!

JF: What kind of a spoiler-y question is that, Matt?

I’m sorry I disappointed you with that question, guys! I have no idea why I asked that.
JW: Come on! Why don’t you just go ahead and ask us what the last scene of the show is going to be?  [Laughs.]

Okay: So you have two more seasons to go after this one. Is two a number that FX gave you, a number that you asked for? And are you happy with it?
JF: We’re thrilled with it. They came to us some time ago and said, “As you start thinking about the end of season four, we’re all thinking about how the show’s going to wrap up. What do you need? How do you want to tell the story?” That was something they really put on our end, which was generous and allowed us creatively to figure out what we thought would be best.

The Americans William

At TV Line:

TVLINE | We’ve seen Elizabeth have some hesitation this season about the things she has to do, specifically with regards to Young-Hee. Is she starting to understand Philip’s point of view about the job?
JOEL FIELDS | Philip has gone through a major personal transformation over the course of the show, [which] on a deep level is about marriage. When you’re in a marriage with somebody, you can’t help but be affected if your partner changes. She’s started to go through her own changes, although much smaller and at a much different pace than Philip. We’ll see how all of that plays out for them as a couple, her as a mother and her as an individual.

TVLINE | We’ve said goodbye to a lot of characters recently —Nina, Martha, Gaad, Arkady and possibly Oleg now. All the departures almost made it feel like you were reaching the end of the series. But then there was a two-season renewal.
WEISBERG | We did not have any particular intention or idea [like], “Oh, let’s gets rid of a lot of characters. Oh, it’s supposed to end. Oh, let’s start over.” There was no thinking like that at all. Every bit of this is just following stories where they were going. The two major storylines of Nina and Martha were coming to their end, and they happened to be coming to their end at the same time, which is fundamentally coincidental. There is no reason one of them might not have come to an end in a different season, [but] they happened to come to an end in the same season. It is probably less coincidental, in terms of storytelling, that the Gaad storyline ended soon after the Martha storyline, but there’s certainly a world where we could have kept Gaad or not killed Gaad. But ultimately, after what happened with Martha, he just wasn’t going to survive any longer in that job. The choice to have him die and how that was going to impact other people and other elements in the story seemed like a better choice to us.

TVLINE | Martha wasn’t killed off, and you’ve had scenes in Russia with Nina and various other characters. Will we see her in that setting at some point?
FIELDS | She’s not dead. So on The Americans, that’s something to hold on to.

TVLINE | What about Oleg? What can you say about his status?
FIELDS | Also not dead.

TVLINE | But he’s leaving America? He hasn’t changed his mind?
FIELDS | We’ll see. He was pretty clear on that

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Clark Gregg has discussed his thoughts on the next Director of SHIELD, but does not seem to know very much about this and how it will play into the Marvel Cinematic Universe. From Entertainment Weekly:

“Since it’s clear that Coulson is Team Cap, Jed [Whedon] and Maurissa [Tancharoen] have fiendishly put Coulson on the spot, because Hive [Brett Dalton] turned out to be the living embodiment of all the reasons why you would be afraid of Inhumans,” Gregg says. “He was the greatest argument that the people who support the Sokovia Accords could ever have for locking them all up. Coulson had to ride the line where he was trying to respect these new iterations of humanity as friends and allies, and at the same time stop Hive at all costs.” Fortunately, S.H.I.E.L.D. was able to stop Hive, but it certainly came at a steep price with Lincoln’s death, Daisy’s disappearance and Coulson’s demotion.

So, who is the new director of S.H.I.E.L.D.? The executive producers played coy ahead of the finale, which means Gregg is in the dark, too. “I was not given a clear answer,” he says. “I don’t know that it’s been determined. I thought I was going to find out when I saw Civil War, but it’s not at all clear. It all depends when the glorious Nick Fury [Samuel L. Jackson] returns from the cold and the shadows. I suspect, in the wake of the Sokovia Accords and the end of Civil War, the people involved in choosing who the director of S.H.I.E.L.D. will be are other than in-house S.H.I.E.L.D. people. If I know my government bureaucracies, I have a feeling it will be someone somewhat less qualified than Coulson to run S.H.I.E.L.D.”

Screen Rant has information on a new character being added on The Flash. Supergirl has had a casting call for five new characters including Lex Luthor’s sister, plus they are finally going to show Superman. Vicki Vale is being added on Gotham. As for the comics, Bleeding Cool looks at the relationship between Batwoman and Rachel Madow (who once discussed the character on Seth Meyers’ show).

FXX has announced that You’re The Worst will return on Wednesday, August 31.

The CMT has picked up Nashville following its cancellation by ABC. It sounds like a good fit. Cable and streaming services have provided multiple ways for canceled shows to return. I still haven’t given up hope that The Food Network will revive Hannibal.

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Screen Rant reports that Peter Capaldi has teased the possibility of the Doctor and Clara meeting again:

Speaking at a Doctor Who panel at Awesome Con in Washington, D.C., Capaldi hinted that there might be more to the Clara situation than what we saw at the end of season 9. While Clara won’t be returning as the Doctor’s companion, she may not be completely forgotten either. Capaldi stopped himself before he revealed too much, however:

“I think that the thing about the Doctor is that he’s quite mysterious – hence the name, Doctor Who – um, and I’m not sure how successfully Clara was able to wipe his mind. And in fact, I just did a… I was about to tell you something I can’t tell you yet.”

While Amy Sherman-Paladino is finishing up work on the Netflix revival of Gilmore Girls, Amazon has picked up a new pilot from her:

Sherman-Palladino’s dramedy The Marvelous Mrs. Maisel, which she wrote and executive produces, is about a 1950s housewife who decides to be one of the first female standup comics. Sherman-Palladino is currently in post-production on the four Gilmore Girls movies for Netflix, which serve as a sequel to her signature dramedy series.

Related genre post from earlier in the week: A Lanister Always Pays His Debts–But Not Donald Trump. Plus chart of which Game of Thrones character is most like 2016 candidates.

SciFi Weekend: Person of Interest; Orphan Black; American Gods; Game of Thrones; Outlander; Arrow; David Tennant; Captain America; DC Rebirth; iZombie

"Sotto Voce" -- The mysterious criminal mastermind known as "The Voice" returns, trapping Reese and Fusco in their own precinct with several armed gang members and the latest POI. Also, Root makes a shocking discovery, on PERSON OF INTEREST, Monday, May 30 (9:59 -- 11:00 PM ET/PT) on the CBS Television Network. Pictured L-R: Michael Emerson as Harold Finch and Amy Acker as Root Photo: John Paul Filo/CBS ©2015 CBS Broadcasting Inc. All Rights Reserved.

With only three episodes to go, Jonathan Nolan was free to do almost anything for the 100th episode, and he did. Major spoilers ahead. Those who were behind this season might not even have been aware that Elias was still alive but in hiding. His actual death this episode was overshadowed by the far more significant death of Root. At least she lives on in some manner with the Machine choosing to make her voice her own.

TV Line discussed the episode with Jonathan (Jonah) Nolan and Greg Plageman. Here is a portion:

TVLINE | For starters, why Root? Why was she the big loss entering this final salvo of episodes?
GREG PLAGEMAN | Root has always implored Harold Finch to make his machine more assertive in this war, and now, faced with what they’re up against, Root ultimately is the one who makes the sacrifice to save the father of The Machine, and that’s Harold. I think it’s true to Root’s character — her first love was The Machine. She always believed people were “bad code,” and more than anything she wants Harold’s machine to win this war. Her going down in this matter seemed apropos.

TVLINE | She did go down in a blaze of glory, after making one of the sickest kills in TV history.
JONAH NOLAN | Yeah, I was holding onto that one for a movie, but I decided Amy Acker was worth it…

TVLINE | In the million months since you filmed this episode, a controversy arose about TV shows killing off LGBT characters. But I think that in your defense, Root was a richly realized character, over four seasons. And as you have said, she died meaningfully.
NOLAN |  Thank you for that. We haven’t seen these other shows [that killed LGBT characters], so I can’t speak to that, but it’s really just about characters getting their due and not feeling disposable, and not feeling like the audience’s investment in a character is being used against them, or that they’re being set up for it. This was always the end of Root’s story, this was always where we were going. It became clear at the beginning of the season that this was the end of the ride for us… and Root’s journey has always been getting ever closer to The Machine, so the end of her story was always basically becoming The Machine. That’s another thing I thinks separates this from the pack, and this is how Root feels about it — it’s an evolutionary step. We’re not trying to sucker-punch the audience.
PLAGEMAN | We’re aware of the objections now to that [“Bury Your Gays”] trope, and I think we circumvent that in many ways. This is a real relationship between [Root and Shaw]. Not only was it consummated but there are real feelings there in subsequent episodes. Not to mention, as Jonah said, we’re heading down the final stretch here. This is not the only loss that Team Machine is going to encounter.

TVLINE | On the topic of consummation, although what we saw a few weeks ago was just a simulation, did I read somewhere that you said Root and Shaw actually first got “together” in Season 3, Episode 6…?
NOLAN |  We definitely implied as much at various moments. Look, we’re on CBS, there’s only so much we can show, a lot of that is left to the imagination…

TVLINE | Elias similarly went out as a hero. How important was it for you to “resurrect” him and get back Enrico Colantoni, if only for a short bit?
NOLAN |  Enrico Colantoni is a f–king magnificent actor, and has been such a fun collaborator for us over the years. We’ve always managed to make it work, when he’s available, and he’s had some great moments here. It was always the plan to fake his death and bring him ever closer to our team. If there’s one thing about the season I regret it’s not having a little more time to play with relationships like these, and spend a season with him on our team. But again, we’ve had to get to the end a little sooner than we wanted. We wanted to spend a little more time with Elias all the way inside the team, though we’d have to be careful with that — Elias isn’t much of a joiner! [Laughs] But that relationship between him and Finch has been so much fun to develop over the years, from the sort of chess conversations to really bringing him all the way in. The idea in this episode was that it’s almost like an avalanche of grief and loss bearing down on Finch, and the cumulative impact of it for Finch is watching as this set of decisions that he’s made, this sort of plan that he has held into all of these years, comes literally to grief with the death of two of his allies and friends.

TVLINE | The Machine actually speaking at the end, springing Harold from jail…. I almost feel like that’s Rocky getting up from the mat before pummeling Apollo Creed. Is our team about to rally?
PLAGEMAN | I got chills, man. One of the things that Elias really served to do…. When a character with that power says to Harold Finch, “You’re the one that people should be afraid of,” he gives that a certain weight and heft that we understand something’s coming for Harold Finch, because Elias told us so.
NOLAN | And at Comic-Con three years ago, when asked, “When will The Machine get a voice?,” we did say, “Someday, but you won’t like how it happens.” I think we fulfilled that mandate.

I was suspicious of Felix’s sister Adele when she showed up on the show, suspecting she worked for Neolution or some other group. After this week’s episode, she just might be what she seems. She filled a needed role of an attorney Donny and Alision could call on. She also had one of the best lines of the episode when she met Alison and noticed how she looks so much like Sarah, “with less anger and more hygiene.”  Next week Helena returns. I’d love to see Adele’s take on her.

Gillian Anderson has had some major genre rolls, including The X-Files, The Fall, and Hannibal. She will be working with Bryan Fuller once again on Amerian Gods. Variety reports:

Anderson will play Media, the mouthpiece for the New Gods, functioning as their public face and sales representative, by taking the form of various iconic celebrities. She lives off the attention and worship that people give to screens — to their laptops, their TVs, to their iPhones in their hands while they watch their TVs. Ever the perky spokesperson, and always in control, she spins stories in whatever direction best suits her.

The attack of the White Walkers on the cave was one of the most memorable scenes on Game of Thrones recently. The above video discusses the making of that scene.

Outlander has been renewed for two additional seasons. This will also make it possible to have less of a delay between seasons. Homeland has been renewed for three additional seasons by Showtime, who will also be doing a series based upon Jonathan Frazen’s novel Purity. Amazon has renewed Transparent for a fourth season.

TV Line has news on next season’s big bad on Arrow:

Arrow‘s latest evil mastermind is heading to Star City by way of Baltimore. TVLine has learned exclusively that the CW drama’s upcoming fifth season will introduce a new villain loosely inspired by Idris Elba’s Wire drug kingpin Stringer Bell.

The character, tentatively named “Anton Church,” is a ruthless crime lord who sets out to fill the sizable void left by 960Damien Darhk and H.I.V.E. The initial casting notice describes him as an “apex predator” who “cuts his way through the shadows” by taking down “the biggest threat first.” (Um, he’s looking at you, Ollie Q.). While the role is being likened to Elba’s classic Wire baddie, the breakdown also references ex-Game of Thrones actor Jason Momoa as a physical prototype.

Arrow had a great big bad last season, but sure didn’t conclude the story very well. Hopefully the quality of Arrow will get back to what we saw the first two seasons.

Here’s something for fans of both Doctor Who and Marvel. David Tennant of Jessica Jones does Ask Marvel in the video above.

In other Doctor Who news, Steven Moffat recently revelaled that the role of The Doctor was once offered to a black actor, but it didn’t work out.

Captain America Hydra

There have been a lot of changes in both the Marvel and DC comics over the years. After the last two Captain America movies showed SHIELD to be infiltrated by Hydra, and now has Captain America and other Avengers on the run, there is an even more radical change in the comics. Steve Rogers is apparently an undercover Hydra agent. Of course, in the comics, this could be a trick, or just something to go on for a while until they reboot again.

Here is a review of the DC Universe Rebirth from Nerdist and additional spoilers from Bleeding Cool.

Rose McIver discussed the season 2 finale of iZombie and what might be coming in season 3.

SciFi Weekend: Captain America; Agents of Shield; Legends of Tomorrow & The Justice Society of America; DC Four-Way Crossover; Star Trek; Mr Robot; Limitless

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Captain America: Civil War, like the previous movie in the series, made major changes in the Marvel Cinematic Universe which also extend to Agents of SHIELD on television. Spoilers ahead for both the movie and television series. Civil War showed a continuation of what was seen in Captain America: Winter Soldier, which led to moving SHIELD underground. It ends not with Captain America being killed as in the comics, but with both giving up his shield and going underground. Other members of the Avengers are in similar situations. Collider summarizes how the MCU has changed, with major spoilers for those who have not seen the movie and recent episodes of Agents of SHIELD.

It did seem strange that Nick Fury was not involved, and his role since the changes in SHIELD remain unclear. Civil War writers Christopher Markus and Stephen McFeely were asked about this by The Los Angeles Times:

I’m curious. Where was Fury? 

Stephen McFeely: I’m curious too!

Christopher Markus: We called him, but he let the line blink. Primarily it felt like one too many possible opinions. We didn’t want him to take one side or the other, because that’s not his place in the universe. And then we didn’t want another, “Is he still with the government? Is he opposed to the government but supporting the government?” It got to be the potential for a lot more polemic discussion that the movie did not have room for.

He’s the guy who put it together. He’s been the sort of parent figure to the Avengers. Let the parent go away, and see if the kids can handle this. See if the kids can be who they’re supposed to be without that governing voice. Um… and they didn’t do that good of a job.

Are we going to see him in “Infinity Wars?”

McFeely: I would think.

Markus: It’s probably all hands on deck.

McFeely: Don’t you assume you’ll see everybody in the “Infinity Wars?”

You heard it here first: Everybody is in “Infinity Wars.” Hopefully that includes Sam Rockwell’s Justin Hammer and Whiplash’s bird.

Captain America: Civil War acted as the origin story for Black Panther, and introduced Spider-Man to the rest of the MCU. Iron Man will be appearing in Spider-Man’s upcoming solo movie, Spider-Man: Homecoming. There is also speculation that there is yet another connection, with “homecoming” being one of the trigger words used by Hydra in brainwashing Bucky Barnes.

Deadline has a long interview with  Kevin Feige. One of the many items discussed included the possibility of  Black Widow getting a solo movie in the future:

DEADLINE: You’ve got a bunch of characters in this movie from Falcon and War Machine and Black Widow and Hawkeye, who have so far guest starred in movies with another characters title above the fold. Is there one destined to get a solo movie down the line?
FEIGE: We’ve announced the next nine movies, 10 counting Civil War, through the end of 2019. Where we go beyond that are ongoing discussions that we’ll focus on in the next few years because we have a lot to do before then. Of the characters that you’ve just mentioned I would say certainly the one creatively and emotionally that we are most committing to doing is Black Widow.

DEADLINE: Why?
FEIGE: We think she’s an amazing character. We think Scarlett Johansson’s portrayal of her is amazing. She’s a lead Avenger and has amazing stories in her own right to tell that we think would be fun to turn into a stand-alone franchise.

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Agents of SHIELD also worked in the Sokovia Accords, the movie version of the Superhero Registration Act, and ended the season with some deaths. Even Daisy now appears to be on the run, and who is this new Director of SHIELD? There was a second death for a Brett Walton villain, first Grant Ward, and now Hive. It looks like he might finally be finished with the series.  Jed Whedon and Maurissa Tancharoen spoke with Comic Book Resources about the finale.

CBR News: How difficult was it to say goodbye to Brett Dalton and Lincoln Mitchell?

Maurissa Tancharoen: It was so, so hard. There were many tears. It was very emotional. Even in the process of developing their arcs and breaking the season, it was a decision we struggled to finalize. We knew that we had to, though. We had to close a chapter with Ward. To sustain an antagonist for this long or to go beyond three seasons — we just didn’t want it to lose any steam. At our wrap party, there were several emotional speeches being made for both of those guys.

Jed Whedon: One of the things about television is that it’s fluid. You always have to generate a lot of different stories. Sometimes you eliminate a character and it’s easy, because you either don’t like the person or you don’t like the character. This was a situation where we didn’t have that. Both of these actors are just great guys, they’re great to work with and are pros. It was a very emotional end of the season for everybody.

Tancharoen: A week before we wrapped, we were here at home. I was thinking of Brett and Luke. They are such great people, and so talented and so handsome. “Oh, my God. What have we done?”

After watching Ward evolve from a member of S.H.I.E.L.D., to Hydra agent, to Hive, why did it feel that this was the time to let him go?

Whedon: One of the reasons we closed that chapter was to start a very different, very new chapter next year. We’re very excited about it, but that’s as specific we can get.

Now that viewers have seen the finale, what were the most important aspects, to you, about the send-off you gave Ward/Hive?

Whedon: Hive revealed his motivation: “I want a connection.” That’s a fitting end to his story. Also, to Ward’s story, he wanted that with Skye. Now, here he is, sitting with Lincoln, the one person who had that with Skye/Daisy. There’s some poetry to the simplicity and the quietness in that moment that we loved. It was a fitting end for someone with [goals of] world domination, and to our buddy Grant Ward, who we managed to maintain as an antagonist for three seasons, which is a lot for one character.

While some themes from the movies are reflected in Agents of SHIELD, the two are also disconnected, especially with Coulson being alive in the television show but still considered dead in the movies. It is also strange that nobody from The Avengers got caught up in the battle against Hive. Chloe Bennet talked about this last week. When asked if she would like to show up in the movie universe she replied, “The Marvel Cinematic Universe loves to pretend that everything is connected, but then they don’t acknowledge our show at all. So, I would love to do that, but they don’t seem to keen on that idea.”

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The Berlanti shows on CBS and the CW Network are almost completed for the season, with Arrow and The Flash presumably to complete their story lines related to Zoom and Damian Dahrk next week. Legends of Tomorrow remains the weakest of the four, but did improve in its final episodes. The good news was that it got more timey wimey. The bad news is that it handled their rules of time travel much more poorly than other genre shows such as Continuum and 12 Monkeys. As time travel does not really exist (which I assume as I have never received a list of winning lottery winners from my future self), a show can get away with their own rules, but they should be internally consistent and make sense. Screen Rant has more on the plot holes. More spoilers ahead.

It should help the show in the future to have Vandal Savage defeated. Having them spend the season getting close to him but not killing him led to many unsatisfactory episodes. Some old members of the cast will be gone. Ciara Renée is leaving as a series regular, but the manner in which Hawkgirl and Hawkman flew off certainly leaves open for the possibility of their return, even without using time travel. Wentworth Miller’s character Leonard Snart (Captain Cold) sacrificed his life on Legends of Tomorrow. In the Berlanti universe, death is not a permanent change (except for the Earth 1 Laurel Lance), and Miller will be a recurring character in various shows in the universe. Presumably time travel or effects from the destruction of the Oculus will  provide the explanation.

While some characters are gone, the ending suggested the introduction of the Justice Society of America. Collider has background information on this. Marc Guggenhein also discussed this with The Hollywood Reporter:

The CW’s Legends of Tomorrow used Thursday’s season one finale to reveal that Rex Tyler aka Hourman (Patrick J. Adams), along with the JSA, would be a major part of the Arrow/Flash spinoff’s sophomore run. He arrived on a Waverider as the Legends team intended to take off as Time Masters, warning them that they would all die if they did.

“With his final words in the finale, he planted a pretty deep flag about where we’re headed in season two, which is not just introducing Hourman but introducing his teammates in the Justice Society of America,” executive producer Marc Guggenheim tells The Hollywood Reporter. “For comic book fans, everyone knows the Justice Society is really the precursor to the Justice League, so it’s a pretty big move in our DC universe here on TV.”

Although the DC Comics franchise keeps its film and television projects separate (unlike rival Marvel, which connects its film and TV projects in one shared universe), it’s interesting to note that it’s the newest — rather than the highest-rated DC show (Flash) — that is going to be the one introducing the iconic superhero team…

The introduction of Hourman and the JSA won’t be the only reason Legends of Tomorrow will look different in season two. Along with some casting shakeups, the elimination of the Time Council and the set timeline takes away a huge part of the story and the rules that were established all season long.”One of the other big things we’ve done in the season finale is we planted another flag in the form of Rip’s [Arthur Darvil] statement. Because the Time Masters are essentially gone and the Legends have destroyed the Oculus, that all means that someone else has to do the job of the Time Masters,” Guggenheim says. “Our Legends take that on as their new responsibility. It’s sort of like, you break it, you buy it.”

“That’s really exciting to us, that our team of Legends, our misfits, are going to be responsible for the preservation of the timeline and protection of history,” he adds. “As we’ve seen, our team, our guys are not always the most responsible people around so maybe time has got some new troubles. But it will provide a lot of fodder, a lot of fun story for season two.”

With Supergirl getting picked up by the CW Network, they didn’t waste any time in announcing  plans for a four way crossover with Arrow, The Flash, and Legends of Tomorrow. This is facilitated by all four now being on the same network and all being filed in Vancouver starting next season. These matters are far more important then the logistics of getting Supergirl involved with characters who are on a different earth.

Above is a trailer for the movie Star Trek Beyond. It also looks like Paramount has been convinced that it is not a good idea to sue fans over copyright infringements in fan-made movies. JJ Abrams made this announcement:

A few months back there was a fan movie, Axanar that was being fan made, and there was this lawsuit between the studio and these fans. And Justin was sort of outraged by this as a longtime fan. And, we started talking about it and realized this was not an appropriate way to deal with the fans. The fans should be celebrating this thing, we all [as] fans are part of this world. So he went to the studio and pushed them to stop this lawsuit and now within the last few weeks it will be announced that this is going away and the fans will be able to [continue] their productions.

Hopefully they realize that it has been the fans who have kept interest in Star Trek alive, enabling them to make money from continued movies and soon a new television series.

CBS also released the above teaser for the upcoming Star Trek television series, which does not really provide any information. There has been some speculation that the statement of “new crews” in pleural might suggest more than one crew, possibly taking place in different eras.

The above trailer was released for season two of Mr. Robot which begins on July 13. We see that Christian Slater’s character is still around, and don’t know how much of anything else is real or in someone’s head.

With it doubtful that CBS will renew Limitless (but no cancellation announcement either), there is now talk of trying to sell it to another network. I don’t know if the finances would work, but it seems like it might be a good fit at USA Network. Supergirl has already moved from CBS to the CW Network, and I’m still hoping attempts to keep Person of Interest alive at anther network are successful.

Moving from science fiction to science, Mars is appearing as it biggest in over a decade:

Mars comes into opposition — the point when Mars and the Sun are on directly opposite sides of the Earth — once every two years.

But on Sunday night, as the Red Planet edged towards its closest point to Earth in 11 years, it appeared much bigger and brighter in the night sky than usual.

Amateur astronomer Dr Ian Musgrave, from the University of Adelaide, said it would trump Venus as the brightest object in the sky, aside from the Sun and the Moon.

SciFi Weekend: The Big Reveal on Game of Thrones; Orphan Back; Person of Interest; DC & Marvel News; Star Trek; The Handmaid’s Tale

Game of Thrones Jon Snow

While technically a spoiler for those who have not seen lase week’s episode of Game of Thrones, there was little doubt that Jon Snow would return in some form. While he has returned to life, so far all we have seen is his eyes open and beyond that he might not be entirely the same. Vulture looks at some of the possibilities, including that his wounds might never heal or that he might not have his memories. They also speculate that his death might have terminated his vow to to the Night’s Watch which “shall not end until my death.” If so, this would allow him to take other roles, such as leading the North and/or returning to aide the surviving  Starks.

Regardless of what happens to him, Kit Harrington is happy that he no longer has to lie to everyone.

Orphan Black Donnie

Orphan Black started out the season with a bit of a reboot and simplification of all the various conspiracies. The show is always at its best in dealing with the characters as opposed to overly complex conspiracies. While Tatiana Maslany is generally the show, supporting characters do have a lot to add, such as seeing Donny and Felix posing as a gay couple as part of the investigation of one of those conspiracies. It got even better when Donnie called Alison to help him provide a sperm specimen with phone sex in yet another classic scene in this series.

Person of Interest returned for its final season on CBS. A sneak peak from Comic-Con is above. The AV Club spoke with executive produces Jonathan Nolan and Greg Plageman. Here is a portion:

The A.V. Club:Since the beginning, this show that’s ostensibly been about artificial intelligence is really about human connection. What’s it like to thread that needle and how has it evolved over time?

Jonathan Nolan: It’s a great question. And it’s a big challenge. I remember Greg and I talking from the beginning about the collision between the more esoteric ideas in the pilot and how we were going to draw emotions and humanism and a recurring interest from the audience out of all those ideas. There are a lot of ideas in the show, and it’s something I’m very proud of. It’s funny, it’s not a normal show for CBS, but people kind of found it, which is exciting.

That link between the big ideas of the show and the characters—we’ve concentrated on it so hard from the beginning, because we wanted to explore all these crazy ideas about the surveillance state, big data, and AI—and the collision of all of that on a personal level. And from the beginning, I’ve felt like there was a great connection there between big data and the kind of “normal” violent crimes that you find in a major city like New York. I’m just kind of fascinated by the idea of the collision of all of those things. But the thing that people keep tuning in for is the characters. Week in, week out, you’re looking not for ideas, necessarily, although it’s great when your shows have ideas in them, but for the characters to become extended family. Especially in broadcast TV, that’s what happens on that level: When you’re on weekly, your characters come back and you connect with them every week. So, as you said, threading that needle becomes the challenge throughout all five seasons.

AVC:One of the great things is how you were able to connect to The Machine, even on a very personal level. The Machine was gendered female, whereas Samaritan has stayed relatively genderless. Can you expand on that?

JN: I think the gender question, you know, they’re obviously connected. If you want to understand the impact that any SI, or super intelligence, will have—and it’s pat, but it’s accurate—but it’s as if there were no gods and we made them, right? God has often been gendered in the West in a masculine light, which is absurd, but it evolved sort of organically, talking about The Machine as a person. Finch always referred to The Machine as “it” or a thing, but for Root there’s always been more of a personal connection there, a belief in The Machine as a being. So her personification of it—sadly, in the West, we have to gender things to personify them—it seemed most apt that she would think of it in those terms. There’s also something else we’re doing with that: If you’ve paid close attention to the show and where we’re going, there’s a little bit of foreshadowing there as well.

AVC:It seems as though The Machine went through a rebellion phase when it really started to only speak through Root. Will this season be about The Machine becoming more mature in that sense and answering to everybody?

JN: I’m picturing a hormonal artificial super intelligence.

Greg, what are you thinking?

Greg Plageman: I think the interesting relationship for me is Harold Finch and his creation. And there’s always been a troubling conundrum for Finch, building this thing that’s so powerful yet that could overtake us. He’s never been quite comfortable with the idea of an ASI—building something that’s more intelligent than us and us expecting that we could still actually control it. So he’s always had that dilemma that he’s been grappling with, and that caused him to put a limiter on The Machine. What Root has always implored Harold Finch to do is take the gloves off the thing because we’re losing—we’re losing to a much more diabolical creation.

So I think the evolution of that relationship of Harold Finch and his machine this season, in terms of reconstituting it, and how it’s going to be different this time, it’s almost like, what’s the point? What’s the point, Harold, if you’re going to put a limiter on this thing all over again, as Root has always told him in terms of her wanting to let this thing go and to see what it can do. It becomes an exploration of Harold Finch’s character that I think the audience is going to find very fascinating.

AVC:Do you think that if we had been watching the team behind Samaritan from the beginning, rather than the team behind The Machine, that we would be pro-Samaritan?

JN: I think that’s one of the delicious things about what we’ve been doing with this storyline and where we’ve gone with it in this last season. I’m always most excited about and drawn to villains who have a point of view and have a plan. One of the most exciting things about The Joker in The Dark Knight is, he may be a villain in your eyes, but he’s the only person who hasn’t broken his own rules. Everyone else has, everyone else has corrupted themselves, but he’s in many ways one of the most ethical people in the film in terms of their own ideas. He had an idea, and it drives the story forward. We applied a similar approach here, but even more rationally. A lot of things that Samaritan espouses are believed by the people who work for Samaritan, the same way that I’m sure people who work for Facebook don’t believe that they’re working for the company that will destroy the world. But, you know, they are. And everyone gets through the day rationalizing their own existence.

GP: It’s sort of fascinating right now what’s happening in Russia with Putin’s control of the media and the way the everyday Russian views the West now or the United States. It just depends on who’s telling the story. There was a moment where Root met Greer and he sort of said these things to her: “You and I are not all that unalike.”

Supergirl

CBS has not decided yet about renewing Supergirl, with cost being an issue. Ideas being considered include moving the show to Vancouver and airing fewer episodes. It might also move to CW with the other Berlantiverse shows. (If necessary to make room for all the superhero shows, I’d suggest cancelling Legends of Tomorrow and airing Supergirl instead).

At ABC, it has not been decided whether to return Agent Carter or go ahead with Marvel’s Most Wanted. If they don’t air the second, I wonder if they would write Adrianne Palicki and Nick Blood back into Agents of SHIELD. With the way they were written out, it wouldn’t be hard for Coulson to decide he doesn’t care what the Russians think and bring them back–especially as they are operating secretly. We should have news on May 17 from ABC.

Needless to say, there has been a lot out in the past week on the Marvel Cinematic Universe with the release of Captain America: Civil War. To avoid spoilers I will postpone discussing this until a later date. Here is one link of interest–the backstory from the comics of the history of fights between Captain American and Iron-Man.

CBS All Access remains on track to begin the new Star Trek series in January, 2017. They will be releasing one episode per week.

Hulu will be showing a ten-episode miniseries based upon Margaret Atwood’s novel The Handmaid’s Tale  in 2017. It will star Elizabeth Moss (Mad Men) had will be written by Bruce Miller of The 100. Miller will c0-executive produce the series along with Daniel Wilson (who worked on the movie version of the book), Fran Sears (The Sophisticated Gents) and Warren Littlefield (Fargo). I suspect they will also be releasing an episode a week as they did with the adaptation of 11.22.63.

Speaking of Mad Men, here’s a chance to explore Don Draper’s apartment in 3-D. It would be even more fun to have an apartment like this to spend some time at in Manhattan.

SciFi Weekend: The Marvel Television & Movie Universe; The Night Manager; Mads Mikkelsen On The Possible Return of Hannibal; Wet Hot American Summer; Hugo Nominees; Top Jokes From White House Correspondence Dinner

Agents-of-SHIELD-Cover-04272016

Not long after Supergirl used a classic comic book cover to promote the Supergirl/Flash cross over, Agents of SHIELD is also using a classic comic cover to promote an upcoming episode.

Agents of S.H.I.E.L.D. is sliding into its last few episodes for the season three finale, and they’re going for the hype by promising someone is going to die in promo art. The illustration is an homage to the cover of Amazing Spider-Man #121; that’s the one hinting at the death of you-know-who. Uh-oh. The art by Greg Land will actually be available as a variant cover in comic book shops, too. It will be a rare catch for Civil War II #0.

The official synopsis for the penultimate episode of the season ties into Captain America: Civil war, as the first season tied into Captain America: The Winter Soldier.

With only two episodes left before S.H.I.E.L.D. loses one of their own, Daisy’s prophecy ticks closer towards a major loss, as the aftermath of the events of “Marvel’s Captain America: Civil War” force S.H.I.E.L.D. to register the Inhumans, on “Marvel’s Agents of S.H.I.E.L.D.,” TUESDAY, MAY 10 (9:00-10:00 p.m. EDT), on the ABC Television Network.

Joe and Anthony Russo have also discussed how Captain America will lead into the Infinity War storyline.

Besides appearing in the Captain America and Avengers movies. Robert Downey, Jr. will be appearing in Spider-Man Homecoming. He is now teasing the possibility of a fourth Iron Man movie.

Marvel is now developing a series for Netflix about The Punisher, presumably in response to the response to his charter in Daredevil season 2.

John le Carré discussed how his con-man father inspired Richard Roper (Hugh Laurie) in The Night Manager in the video above.

Mads Mikkelsen gave an interview to the Sunday Express which sounds encouraging for the return of Hannibal:

Fans of the television adaptation of Thomas Harris’ novels about psychopathic psychiatrist Hannibal Lecter were left outraged last year when broadcaster NBC unceremoniously axed the show after just three seasons.

Nonetheless, in an exclusive interview with Express.co.uk, Mikkelsen has revealed that the story is far from over – and that there is hope for a reboot yet. When asked whether the series still has the potential to be picked up by another network, the actor revealed that the ball is firmly in show creator Bryan Fuller’s court.

“It all depends on Bryan. He is the key, the base, the heart,” Mikkelsen said. “We will wait and see what happens next in his career. But we all know that we can easily pick this up in two or three years, there are breaks in the stories. We could pick it up, say, four years later. If Bryan is up for it, we will all go for it.”

But will Fuller be up for it?

“He loved it. It was his baby. Let’s wait and see,” the 50-year-old actor teased, a knowing glint in his eye.

whas

After a successful prequel, Netflix is returning to Wet Hot American Summer once again with  Wet Hot American Summer: Ten Years Later. This time the cast will look more like the ages they are playing, but it was amusing during First Day of Camp to see the adult actors playing themselves as teenagers in the original. That’s except for Paul Rudd, who seemed to have barely aged, possibly due to a painting in the attic.

The Hugo Award nominees are out. Here are the nominees for television shows and movies:

BEST DRAMATIC PRESENTATION (LONG FORM)
  • Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
  • Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
  • Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
  • The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
  • Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
BEST DRAMATIC PRESENTATION (SHORT FORM)
  • Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
  • Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf (Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  • Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions; Netflix)
  • My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  • Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)


Barack Obama had his final appearance at the White House Correspondents’ Dinner (full video above).  He said that “if this material works well, I’m going to use it at Goldman Sachs next year,” mocking Clinton’s paid speeches. He also made fun of her attempts to appeal to young voters:  “Look, I’ve said how much I admire Hillary’s toughness, her smarts, her policy chops, her experience. You’ve got admit it though, Hillary trying appeal to young voters is a little bit like your relative who just signed up for Facebook. Dear America, did you get my poke? Is it appearing on your wall? I’m not sure I’m using this right. Love, Aunt Hillary.’”

Obama also mocked Donald Trump: “There’s one area where Donald’s experience could be invaluable, and that’s closing Guantanamo. Because Trump knows a thing or two about running waterfront properties into the ground.” Plus he praised his foreign policy experience: “They say Donald lacks the foreign policy experience to be president, but in fairness, he has spent years meeting with leaders from around the world — Miss Sweden, Miss Argentina, Miss Azerbaijan.”

Some of Obama’s top jokes can be read here and here.

Bored with the current set of presidential candidates? Take a look at Andrew Basiago, who claims to have traveled back in time and to have teleported to Mars in the 1980’s  with a young Barack Obama. It is surprising that Obama has never mentioned this.

Update: Larry Wilmore At The White House Correspondents’ Dinner

Captain America vs. Religious Discrimination: Marvel Studios Protests Georgia Religious Liberties Law

Captain America

There are many opponents to the so-called “religious liberties” proposals from conservatives. In this case “religious liberty” means the liberty for conservatives to impose their religious views on  others. Variety reports that the Walt Disney Company is joining other groups which are opposing such laws, including recent legislation in Georgia.

The Walt Disney Co. and Marvel Studios indicated opposition to a Georgia religious liberty bill pending before Gov. Nathan Deal, saying that they will take their business elsewhere “should any legislation allowing discriminatory practices be signed into state law.”

With generous tax incentives, Georgia has become a production hub, with Marvel currently shooting “Guardians of the Galaxy 2” at Pinewood Studios outside Atlanta. “Captain America: Civil War” shot there last summer.

“Disney and Marvel are inclusive companies, and although we have had great experiences filming in Georgia, we will plan to take our business elsewhere should any legislation allowing discriminatory practices be signed into state law,” a Disney spokesman said on Wednesday.

The MPAA, representing major studios, has already spoken out against the legislation. On Monday, an MPAA official called the pending legislation “discriminatory,” but expressed confidence that Deal would not sign it…

On Saturday, Human Rights Campaign president Chad Griffin urged studios and production companies to refuse to commit to any further productions in Georgia if Deal does not veto the legislation.

Georgia legislators passed the bill last week. It protects religious officials from having to perform same-sex marriage ceremonies, and would allow faith-based organizations to deny services or employment to those who violate their “sincerely held religious belief.”

Perhaps the risk of economic repercussions will affect Governor Deal’s decision as to whether to sign the bill. Besides opposition from Disney and other entertainment companies, sports organizations including the NCAA and the NFL have issued protests, along with several Fortune 500 companies and major tech companies.

The Hollywood Reporter adds:

The bill poses a dilemma for Deal, who is regarded as pro-business, since major corporations headquartered in Atlanta such as Coca-Cola, Home Depot, UPS and Cox Enterprises have opposed the bill, joining a business coalition called Georgia Prospers that has stated “for Georgia businesses to compete for top talent, we must have workplaces and communities that are diverse and welcoming for all people, no matter one’s race, sex, color, national origin, ethnicity, religion, age, disability, sexual orientation or gender identity.”

The controversy also comes just as Georgia is trumpeting its success in attracting film and television productions to the state, which offers attractive tax credits of up to 30 percent.

On Feb. 22, the governor joined other Georgia officials in celebrating Film Day, at which it was reported that during fiscal year 2015, which ran from July 1, 2014 to June 30, 2015, film and TV productions spent more than $1.7 billion directly in the state, which, in turn, generated a record $6 billion in economic impact.

During fiscal 2015, Georgia played host to 248 feature film, TV movies and series. Among them were such pics as the current Miracles From Heaven and Allegiant as well as TV series including AMC’s The Walking Dead, The CW’s The Vampire Diaries and Fox’s Sleepy Hollow.

SciFi Weekend: Agent Carter; Mr. Robot; Supergirl and The Flash; TV Renewals; Malevolent

Agent Carter Hollywood Ending

Agent Carter recently concluded its second season, showing once again the advantage of telling a self-contained story over a short season. Whitney Frost made a great villain for the season, with the dark matter providing a strong science fiction aspect. Other highlights of the season include meeting Jarvis’s wife and the return of Dotty. Howard Stark was also used well, just appearing enough to spice up some episodes. Peggy’s love life also attracted a lot of buzz.

The season finale provided an excellent Hollywood Ending which tied up the plot lines of the season and, other than for a cliff hanger at the very end, would make a satisfactory series finale if it comes to this. Major spoilers ahead.

Entertainment Weekly discussed the finale, and some questions left open, with executive producers Michele Fazekas and Tara Butters:

ENTERTAINMENT WEEKLY: Why did you kill off Jack Thompson?!
MICHELE FAZEKAS:
We did not kill off Jack Thompson, we shot Jack Thompson.

In the chest!
FAZEKAS:
Yup, that was the intent. We shot him. Honestly, he might not be dead, and that’s what we as writers have said, and that’s what we told Chad. That’s the truth.

Let’s talk about the person who may or may not have killed Jack. Is it someone we know? Are they connected to the Council of Nine?
FAZEKAS:
It’s unrelated to the Council of Nine. It is not for the reasons that you’d expect. It’s unrelated to Council of Nine, Zero Matter, any of that.

Purely related to the file?
FAZEKAS:
Correct.

This file reveals Peggy’s exploits with the S.O.E. and some kind of massacre. Thompson thought it was too good to be true, ultimately, and it didn’t seem to affect Peggy when he mentioned it. What’s really going on here?
FAZEKAS:
You have to pay really close attention to what exactly we showed that was in the file. You see that there was some sort of massacre, and I would say, don’t make assumptions by what you see in that file. We were really specific about what information was given for a reason.

Later in the interview:

Turning to Whitney Frost, why did you ultimately decide to have her go crazy? And is that the last we’ve seen of her?
BUTTERS
: I hope not. I hope we get to bring her back. She was delicious.
FAZEKAS: We probably don’t exactly tell that story again, but I loved working with Wynn. We didn’t want to kill her off. The Zero Matter, all along, had this increasing affect on her, where it was driving her mad. That felt like the organic way to end that story, because we didn’t start out that way, but boy did she end up that way. That was a direct result of Zero Matter.
BUTTERS: There was a little Frances Farmer connection of Old Hollywood taking its toll. I like her being a rogue’s gallery for Agent Carter, people who can come back like Dottie (Bridget Regan).
FAZEKAS: I really like how sad I feel for Ken Marino. Oh, Manfredi still loves her!

In the closing moments of the episode, Peggy is torn between New York and Los Angeles. Are you already thinking about whether you would keep the show in L.A. or whether you’d move the setting back to New York in season 3?
FAZEKAS:
The nice thing is you can put the show anywhere, because it’s spies. We loved doing L.A. If I had a choice between doing New York and L.A. again, I’d pick L.A. But London has been dropped. It’s all going to be determined by what story we want to tell. I loved L.A. I loved how it looked, I loved how it looked on Peggy. We would be very happy to do another L.A. season, but we’re not married to it.

Haley Atwell Hollywood Ending

Haley Atwell has also discussed the finale, and the question of who Peggy Carter will ultimately marry:

ENTERTAINMENT WEEKLY: How do you feel about Peggy and Sousa finally making a go of it?
HAYLEY ATWELL:
I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.

Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.

How do you think Peggy will handle Thompson’s potential death, especially since it’s happened because of that file?
She has an interesting relationship with Thompson. I think she deals with him with a bemused tolerance. I think she sees his façade and she understands why a lot of his bravado and his need to be liked and approved comes from, because he’s harboring a very guilty secret about his past that he confided in her in season 1. She’s not a dismissive person. She’s quite tolerant of people. She’s quite patient and wants to appeal to the good in him. Planting that seed in him is her hope that he will continue to be a good man. So to lose him, I think she would grieve, but it’s not the same. I don’t think she would regard him as a friend. He’s not someone that can be trusted. She suspects that he’s capable of making really bad decisions, but not malicious ones. I can imagine that he would get blinded by Vernon Masters, Whitney Frost and power, but she has sympathy toward that rather than sees that as something bad in him.

How much do you actually know about this file that discusses Peggy’s exploits with the S.O.E. and a massacre? Peggy seemed to dismiss it before, but do you know what’s really going on there?
James D’Arcy is so nosy, so he went sniffing around the writers’ room trying to figure it out. He finally found out what the secret was, and then on the last day he ran up to me and told me. I do know what that secret is. It’s really exciting, and it changes a lot. It basically gives us our core for season 3 if we were to go to a season 3. It’s really amazing, but I don’t want to get too excited about it in case we don’t get picked up again, so I can’t really say anything. Or it might get picked up in a couple years. I’m sworn to secrecy on it, but it’s really clever. Those clever writers!

Word as to whether there will be a third season is expected in May, but it appears Haley Atwell is interested despite working on another pilot. Even if she is busy with other projects, perhaps the series can be kept alive with fewer episodes to make it feasible.

Mr Robot s01e03

It appears that Mr. Robot will remain topical next season with encryption becoming a major subject. Deadline reports:

Mr. Robot showrunner Sam Esmail insisted at SXSW today that he’s no “fortune teller,” even though the show’s first season went into production just as a massive post-Snowden national debate about surveillance and the collusion between government and big business flared up. In any case, his luck continues, with the USA Network show’s second season heading into production with a storyline about privacy and encryption just as the FBI and Apple are having a very public fight about access to private iPhone user data.

“What’s weird is that we were really going into [Season 2] talking about encryption and privacy,” Esmail said during a SXSW show panel titled “Coding on Camera: Mr. Robot and Authenticity on TV.” “And then this whole thing with Apple and [CEO] Tim Cook happened.”

Esmail said he thinks the difficult-to-grasp real-life issue will play out over the next decade, with public discourse over the idea of a right to privacy. “Do we have that, do we not?,” he asked.

Is Mr. Robot meant to be a straight-up polemic? “I don’t know if it’s to make commentary, but it’s to bring it up and have a conversation,” Esmail explained later, offering as an example “the Apple/FBI thing. … We talked to our FBI consultants about this, and their view is that encryption should allow for this sort of third-party side-door thing.”

Esmail says he’s “totally opposed” to that. “I’m on Tim Cook’s side,” he said, a line that unsurprisingly got huge cheers from the SXSW room. Ultimately, he says, “if you keep breaking [the issue] down in a credible way and if you show both sides so that the audience can understand the debate, hopefully it gets people interested and invested in wanting to learn more about it. If our show contributes to that conversation, brings that conversation up again,” then he’s happy with the reception.

There will also be a lot more on Evil Corp. as two characters have been promoted to series regulars. From TVLine:

The acclaimed USA Network drama has promoted Stephanie Corneliussen (who recently guested on Legends of Tomorrow) and Michael Cristofer to series regular status for the sophomore run, as Joanna Wellick and Phillip Price. They join the previously announced Grace Gummer, who will be playing an FBI agent investigating the Evil Corp. hack.

Supergirl Flash

CBS has released the above promotional picture and a synopsis for the upcoming Supergirl/Flash crossover (and Glee reunion):

Kara gains a new ally when the lightning-fast superhero The Flash (Grant Gustin) suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home.

I can recall old DC covers with Superman racing the Flash but I’m not aware of whether Supergirl ever raced him. With CBS not having the television rights to Superman, several story lines and other aspects of Superman have been used in Supergirl–similar to how Arrow borrows from Batman.

The CW has renewed its lineup shows, including several genre shows. Renewed shows include:

Arrow (season five), Crazy Ex-Girlfriend (season two), Legends of Tomorrow (season two), The Flash (season three), iZombie (season three), Jane the Virgin (season three), The Originals (season four), Reign (season four), Supernatural (season 12), The Vampire Diaries (season eight) and The 100 (season four).

USA Network has announced that the eighth season of Royal Pains, which starts on May 18, will be the final season.

Netflix will release the second season of Daredevil on March 18 and Luke Cage will be released on September 30.

Malvolent

Malevolent is requesting assistance to get out this animated horror movie, which has quite an impressive cast:

  • Morena Baccarin (Deadpool, Gotham, Firefly)
  • Ray Wise (Twin Peaks, Robocop, Agent Carter)
  • Bill Moseley (The Devil’s Rejects, Texas Chainsaw Massacre II)
  • Rising star Dani Lennon (Bite Me)
  • William Shatner (Star Trek, Boston Legal)

MALEVOLENT is about a young woman named Miriam DeKalb (Dani Lennon, FearNet/Machinima’s BITE ME) who works for a non-profit which promotes global peace initiatives. When her billiionaire sociopath father Cyrus (Ray Wise) learns he is dying, Cyrus calls Miriam and her three siblings together to “discuss his will.” However, what he actually has planned is to pronounce judgment on them all. They are, in his view, traitors, and he has grisly death traps planned for each of them.

The wrinkle: a race of intergalactic gamblers, who wager on human conflicts as bloody sport, have chosen Miriam as their protagonist for this match. Thus the entire situation is being manipulated by the Gamemaster (Morena Baccarin,) who has the power to reverse time and reconfigure events as they play out. And so the playing field is constantly changing under Miriam’s feet — sometimes to her benefit, but usually, not. Through it all, The Overseer (William Shatner) calls the game.

SciFi Weekend: X-Files Finale; Big Reveal on The Flash; Captain America Civil War; Daredevil; Star Trek; Star Wars

THE X-FILES:  L-R:  Guest star William B. Davis and David Duchovny in the “My Struggle II” season finale episode of THE X-FILES airing Monday, Feb. 22 (8:00-9:01 PM ET/PT) on FOX.  ©2016 Fox Broadcasting Co.  Cr:  Ed Araquel/FOX

The X-Files concluded last week, with my discussion of the prior episodes appearing here. The six-episode revival rebooted the mythology storyline, and then wound up the earth on the brink of destruction, plus a UFO flying overhead. It is quite dissatisfying if you want a coherent mythology storyline for the season. Instead it is necessary to think of a cliff hanger on The X-Files as being more like the annual cliff hanger on Dallas as opposed to a complete genre story. It was enough to have me wanting to see more, so in the business of television it was a success.

Another plus was the introduction of Robbie Amell and Lauren Ambrose as recurring characters, the mini-Mulder and mini-Scully. I don’t know if they could carry the entire franchise on their own in the future, but at very least they reduce the burden on David Duchovny and Gillian Anderson, which could make a difference in making future seasons.

TV Line spoke with  Chris Carter about the finale. Here is a portion:

TVLINE | Let’s say the planets don’t align and there are no movies and no more seasons — are you OK with ending the series on that note?
I can tell you this: Fox owns this show. I can’t imagine, with the ratings that we’ve got and the way we ended this season, that there won’t be more X-Files. They will find a way to get that done. Because I spoke about it briefly with [Fox CEO] Dana Walden today, so there’s an appetite there and… a chance certainly to find how we’re gonna get ourselves off this precipice.

TVLINE | We had that shot of Alien Scully at the end of the cold open, which Fox released weeks ago. Was that just to mess with us?
[Laughs] Well, if Scully believes that she has alien DNA, this is something that’s going on in her subconscious. She’s possibly as alien as she is human, and that was playing with that idea.

TVLINE | Between the first episode of the revival and the finale, Scully and Mulder feel as though they’re growing back together — maybe not romantically, but they seem to want to be in each other’s company again.
Yes. There’s tension there, because they love each other and have, I think, since the first season — maybe even from the moment they first met. There’s a tremendous amount of love and respect there. That is what still exists, even if they’re not back together, I think you saw through our six episodes a warming, a thawing of whatever cold places they’d both found themselves in. And when they are arm in arm, or hand in hand, walking in front of Mulder’s house there [in Episode 5, “Babylon”], I think that’s a moment, for me, of a thawing of the situation.

TVLINE | William was referenced in a bunch of the episodes, then again right before the cliffhanger. In your mind, do you know where he is and what he’s up to?
[Laughs] I can’t tell you.

TVLINE | Of course you can’t! But do you know?
Well, if anyone knows, it’s me.

The Flash -- "Enter Zoom" -- Image FLA206A_0236b.jpg -- Pictured: Zoom -- Photo: Dean Buscher/The CW -- © 2015 The CW Network, LLC. All rights reserved.

The big reveal of the week (major spoilers) was the identity of Zoom on The Flash. Variety discussed this reveal with Andrew Kreisberg:

While fans may be forgiven for thinking that the Zoom storyline seems eerily reminiscent of last season’s twist, which revealed that the Reverse Flash, Eobard Thawne (Matt Letscher), had assumed the identity of scientist Dr. Harrison Wells (Tom Cavanagh) in order to gain the trust of Barry Allen (Grant Gustin), executive producer Andrew Kreisberg tells Variety that the parallel is entirely by design.

“For us, it could only happen because of what happened last season,” Kreisberg explains. “For Barry and the others, as much as they were stung by Wells/Thawne’s betrayal, he had been their mentor and friend and they all felt that vacuum when he was gone. Jay had been watching them and knew that so he was able to masterfully step into the role each of them needed. He became a friend and mentor to Barry. A love interest to the heartbroken Caitlin. He skillfully played them all.”

The twist is particularly surprising given Jay’s iconic status in the DC universe, but Kreisberg says that fan expectations helped conceal their master plan for Zoom. “We knew there’d be a fair amount of the audience who would know who Jay Garrick was and would take the character and anything he said at face value because of his past history,” he points out. “With this, we were better able to hide the ball as it were as to Zoom’s true identity. Who would suspect the big bad was the classic hero from the comics?”

Captain America Civil War

A director of Captain America: Civil War teases a controversial ending:

“The consequences of Civil War will have an even more significant impact [than The Winter Soldier]. In Civil War, we’re going to change the Marvel Cinematic Universe’s Psychology, and it’s an extreme shift.” He added: “Winter Soldier was a political thriller; this is a psychological thriller.” Now, there have been a lot of rumours about how the end of the movie is going to play out, and Anthony went on to promise that fans should expect a “very dramatic ending that will be controversial for a lot of people.” 

Netflix has released the above trailers for season 2 of Daredevil. The first is discussed here and the second, featuring Elektra, is discussed here. Den of Geek also has a spoiler-free review of the series, which will be released on March 18.

There is more good news about the upcoming Star Trek television series on CBS All Access. Recently we learned that Bryan Fuller would be show runner. Now it has been announced that Nicholas Meyer will be a writer and consulting producer.

Meyer wrote directed both Star Trek II: The Wrath of Khan and Star Trek VI: The Undiscovered Country. He also wrote Star Trek IV: The Voyage Home. 

J.J. Abrams might explode a few conservative heads:

“When I talk about inclusivity its not excluding gay characters, it’s about inclusivity so of course,” Abrams said at the U.S.-Ireland Alliance Oscar Wilde Awards on Thursday when asked if the franchise might include a gay character in the future. “To me the fun of Star Wars is exploring the possibilities, so it seems insanely narrow minded to say that there wouldn’t be a homosexual character in that world”

SciFi Weekend: Arrow; Legends of Tomorrow; Jessica Jones; Luke Cage; The Man In The High Castle; The Expanse; Childhood’s End; 11.22.63; Minority Report; House of Cards; Fargo; Doctor Who; Ted Cruz Christmas Infomercial

Arrow -- "The Magician" -- Image AR304a_0155b -- Pictured (L-R): Katrina Law as Nyssa al Ghul and Stephen Amell as Oliver Queen -- Photo: Ed Araquel/The CW -- © 2014 The CW Network, LLC. All Rights Reserved.

Matt Nable will be reprising his role of Ra’s al Ghul from Arrow in the ninth episode of Legends of Tomorrow. Considering that much of the cast is made up of people who either died or appeared to die on Arrow, this doesn’t really come as a surprise. Damian Dark will also be making an appearance on Legends of Tomorrow. On Arrow, Nyssa will also continue to fight Malcolm Merlyn (John Barrowman) for her dead father’s title.

I really liked Daredevil, and liked what they did with Jessica Jones even more. Jessica Jones also has me looking forward to Luke Cage. Collider had an interview with Mike Colter, who plays Luke Cage. The discussion included how Luke Cage will differ from Daredevil and Jessica Jones.

Man In The High Castle

I was happy to hear that Amazon has renewed The Man In The High Castle, as expected, for a second season. The entire series was enjoyable, but that ending has me really wondering where the show is headed. I read the book many, many years ago and don’t remember how it ended. Plus there are already major changes from the book so that might not matter.

I’ve  been far too busy around the holidays to keep up with everything on television. I thought I was doing well completing both Jessica Jones and The Man In The High Castle. (My original plan was to review these two series this week, but holiday plans have prevented it.) I haven’t had time to start The Expanse, but I hear that if some time opens up it is possible to stream the first four episodes, and get ahead of what has been shown on television.

I have recorded Childhood’s End with hopes of watching it sometime later over the holidays. Meanwhile this article, which I haven’t read to avoid spoilers, looks like the type of article with a show’s producer on the ending which I would be quoting from if I had seen the show.

Yet another new genre show I haven’t had time to watch–The Magicians. IO9 has a review here.

Hulu is releasing teaser trailers of 11.22.63, produced by J.J. Abrams and based upon the Stephen King novel. Abrams also has something else major out this weekend.

I also haven’t had a chance to watch the movie version of The Martian yet, but did enjoy the book last year. Nerdist has news on Andy Weir’s next book, to take place on the moon and feature a female lead.

With so much to watch on television, I didn’t watch Minority Report after some poor reviews of the first episode, followed by news that production was cut to ten episodes. The final episode aired recently and I have heard some buzz that the series ended well. This is a positive sign of how television has changed. In the past a network needed at least a few years of a series to make money in syndication. If it looked weak after a few episodes, they would be tempted to just pull the plug.

These days a series can still bring in episodes with even a short run. By giving the producers a cut off date, they were able to make a series which stood on its own with ten episodes, or expand into subsequent seasons if it did build an audience. It is still possible to sell a self-contained ten episode series as a Blu ray or DVD set, as well as have it on one or more streaming networks. The networks have reason to continue a show with a small audience for at least a short time, current viewers get a conclusion as opposed to having a show they like abruptly pulled, and genre fans have one more thing available to watch when desired in the future. Plus maybe a show will even be brought back by another outlet.

Netflix ran the trailer for the fourth season of House of Cards during last week’s Republican debate. The show returns on March 4. “America, I am only getting started” sounds sort of scary.

The third season of Fargo won’t be filming until next winter, and therefore won’t be seen until sometime in 2017. It will take place in 2010, four years after the first season. We got an unexpected view of some of the characters from the first season in the second season finale, but reportedly the regulars from the first season will not be the major characters for the third season. Some could appear briefly.

Doctor Who TV has an advance review of this year’s Christmas special, The Husbands of River Song.

ABC will be airing a one hour special, Captain America’s 75th Anniversary, on January 19th, just prior to the season premiere of Agent Carter. It will be opposite the return of The Flash on CW, but that is why we have Hulu, and modern DVR’s which record more than one show at a time.

Vox looks at Tina Fey’s response to some of the internet outrage over Unbreakable Kimmy Schmidt for having  the blonde, Polish actress Jane Krakowski playeding a Native American woman who was hiding her true ethnicity.

Ted Cruz has paid for a Christmas-themed parody infomercial to air during Saturday Night Live tonight. Steve M. has a review, and finds Cruz to be scary. I agree.

SciFi Weekend: Doctor Who, Heaven Sent; Legends of Tomorrow; Arrow; The Flash; Supergirl; Captain America: Civil War; Jessica Jones; Sleepy Hollow

Doctor Who Heaven Sent

Heaven Sent was an ambitious episode of Doctor Who, following the death of Clara Oswald. The Doctor is in a castle with moving walls and stalked by a monster who represents his greatest fears. Only confessing his deepest, darkest secrets will slow it down, but he ultimately dies and starts over, like Bull Murray in Groundhog Day. Before dying, he would retreat to a version of the TARDIS in his mind, and discuss his plans with a version of Clara, who also was only in his mind. Sometimes answers were provided on chalk boards. His escape might be in the twelfth room, once again giving more meaning to his artificial designation as the twelfth Doctor. He eventually realizes that every one hundred years a bird pecks on a diamond wall which is preventing his escape. He manages to reverse-teleport allowing a version of himself stuck in the hard drive to start over. (This might raise the question as to whether at the end he is really the same Doctor who we started out with, but considering that the entire universe has already been rebooted and recreated, this hardly matters.)  The rooms in the castle all revert to their previous state (automated room service). After billions of years, of doing this, the wall would break down.

You really must see this for it to make any sense, and I would recommend a second viewing.

As the Doctor confesses, we learned that he did not leave Gallifrey because he was bored, but because he was scared. The Timelords knew that the time war was coming. After escaping the castle, the Doctor sees Gallifrey off in the distance. He contradicts what he claimed before and confesses that nothing is half-Dalek. The Daleks would not allow it. He admits, “The Hybrid destined to conquer Gallifrey and stand in its ruins is me.”

The meaning of this remains unclear. Maybe they are returning to the claims in the 1996 movie that the Doctor is half human, but I suspect there will be a different meaning. There are also other questions especially what will happen when he gets to Gallifrey? There are also questions about the recent past, give or take several billion years. Who trapped the Doctor and sent him to Gallifrey? What exactly is the confession dial? How does Ashildr fit in? These question may or may not be answered next week in Hell Bent.

Doctor Who Extra videos for Heaven Sent can be seen here.

A full length trailer for Legends of Tomorrow has been released, giving a far better idea of what the first season will be about. There are some minor spoilers out for the DC superhero shows. There are rumors that Constantine will be in season two of Heroes of Tomorrow, with a different cast from the first season. Other reports say that this might be a single season show, possibly replaced with a different show next year.

Constantine might also have further impact on Arrow this season:

Constantine’s parting gift to Oliver — a magical tattoo? — will come back to play soon. “Basically Constantine says to him that this is insurance against Reiter, and we’re going to deliver on that promise entirely,” EP Wendy Mericle says. “It’s going to help Oliver when he’s in a very dark place and time when he has no other way out. It’s going to be the thing that pulls him out of a very dark spot and literally saves him.” But whether he’ll be able to use it on Damien Darhk is another story. “The mysticism that Reiter is practicing may or may not sync up with what Damien Darhk is doing,” Mericle adds.

Stephen Amel told what he knows about the flash forward to a graveyard scene in Arrow (and it is not very much):

Amell initially joked, “It’s not me.”

He then added, “I don’t. That’s not for me to know. That’s for our producers to know. It’s only for me to know if and when I need to do something if we end up doing another flash forward in the show. I needed to know certain things about the scene without knowing who it actually was when we did the initial flash forward. I just needed to simply know that the person I wanted to kill was a him and that the person that was in the grave was someone I cared a lot about. That’s all I needed to know. I don’t need to know the specifics until if and when we shoot another flash forward scene if there was something else that I had to say.”

We will also be seeing more of Jay Garrick and Harrison Wells on The Flash:

When Jay Garrick returns, he may actually find some common ground with Wells for once, though it won’t be easy. “Jay is summoned to S.T.A.R. Labs in an urgent matter from Wells,” Teddy Sears tells EW. “Jay shows up only to find out that Wells wants Jay to be his guinea pig. He is toying with a substance that has its history in the lore of The Flash, so it’s something from the comics. He wants to try it on Jay to see if it works because he wants to use this on Barry in their fight to bring down Zoom. Jay doesn’t react very well to that. He doesn’t want to be a part of Wells’ schemes. There will be some life threatening moments in there and we have to use a combination of science and ingenuity and Wells’ mysterious substance to get to a safe conclusion.”

There are rumors of a meeting between Supergirl and The Flash. They do have a lot in common in their first seasons. Both were mentored by a head of an organization or lab who were keeping secrets. I suspect both were evil, but we don’t know very much yet about Hank Henshaw.

New scenes from Batman v. Superman will be shown during the Gotham season finale on Monday.

Over on the Marvel side,the above trailer was released for Captain America: Civil War, with the movie to be released May 16. Some fans have been disappointed by the lack of Spider-Man in the trailer despite his planned presence in the movie now that Marvel Studies and Sony have come to an agreement. There is also the possibility that Captain America and Iron Man will appear in the next Spider-Man movie.

I finished Jessica Jones on Monday, and it maintained the quality I noted last week. Unlike Daredevil, which did often have distinct stories within its general arc, the episodes flowed together like one long (and highly enjoyable) movie. Jessica Jones has a lot of Easter eggs related to the rest of the Marvel universe. If they ever decide to move beyond the Marvel universe, I recently noted aspects of Donald Trump which would work well to make him the evil supervillian in one of these future shows set in New York.

The other major streaming series to premier the same day, Man In The High Castle, also looks quite promising but I haven’t gotten too far into this one yet. Both of these  recent shows to start streaming might be good topics to write more about in December after most of the genre shows have gone on hiatus. Incidentally, TV Line has a handy chart of when shows are ending for the holidays, and when they are returning in 2016.

Fargo has been renewed for a third season by FX, but Fox is moving Sleepy Hollow to Friday nights, where genre shows go to die. While better than last season, Sleepy Hollow still has not recaptured the quality of the first season. Some shows are better suited for more limited runs than is common on network television. I don’t think Fargo is as good as the first season (very few shows ever have been as good as the first season of Fargo, but the second season is still very good. It does benefit from having an entirely different story each year.