SciFi Weekend: Mid-Season Finales For Arrow (Is Oliver Dead?), The Flash, and Agents of SHIELD; Agent Carter; Spider-Man; Continuum Renewed; The Office In Middle Earth; Krypton; The Newsroom; Fargo

Arrow-Finale-Oliver-Killed-Explained

Arrow, The Flash, and Agents of SHIELD all had major revelations in the midseason finales aired last week. Needless to say, there are major spoilers following. Besides revealing who killed the Black Canary, Arrow had the biggest cliffhanger, except the lead character actually was shown falling off the cliff after getting killed by Ra’s al Ghul. Stephen Amell even played along with comments on Facebook and Twitter such as, “It was a good run.” The most common belief among fans is that Oliver might have really been killed, but he doesn’t stay dead. The most likely explanation is the Lazarus Pit, which is sort of the Genesis Planet for DC comics. I also noted that a drug used for mind control played a major part in the episode and wonder if this could also somehow plays  a part in how Oliver ultimately survives if he had managed to drug Ra’s al Ghul and influence his behavior and perception of the fight.

Oliver’s death, even if temporary, does provide an opportunity to highlight the show’s strong supporting cast. However Oliver won’t be gone long. Episode 13 is entitled The Return, but  Marc Guggenheim has said this does not refer to either Oliver or Slade Wilson (who will be returning at some point). This leaves open the question of who does return, which could be significant considering the large number of characters who have come and gone from the series. Set photos have appeared on line showing that the Arrow is back in that episode.

The revelation that Thea Queen (while drugged) killed the Black Canary was a bit of s surprise, but it did seem obvious that she was killed by someone we knew. I just wouldn’t have guessed Thea. Most likely she was about the last person most would have guessed, which is why the writers did make her the Canary’s killer.

Emily Bett Rickards engaged in bathroom therapy and answered questions about Arrow in a video filmed in her bathtub. (She is fully dressed, but really is in a bathtub in her video tweet.)

The Flash revealed the identity of Reverse Flash as Harrison Wells, as I predicted last week, but there remains much more to discover. It appears that Wells might not be described simply in terms of good or evil with his actions, presumably including killing Barry’s mother so that he becomes the Flash, and later protecting Barry, being motivated by doing what he thinks needs to be done for history to play out as it should.

Variety interviewed Andy Mientus about playing the openly gay villain Pied Piper in an episode airing January 27:

“With the gay thing, I feel like I’m representing a whole community,” Mientus, 28, told Variety at the “Into the Woods” premiere in New York on Monday night. “People are excited to see this character, so it is a lot of pressure. But I’m glad they are introducing the character to the show. It’s a huge step forward, and I’m thrilled to help make that happen. It’s awesome.”

Mientus, who is engaged to actor Michael Arden, admits he’s more nervous about pleasing the comicbook’s avid fans than addressing his character’s sexuality.

KYLE MACLACHLAN, CHLOE BENNET

Agents of SHIELD revealed that Skye is actually Daisy Johnson  and tied the show into Marvel Phase 3 and Avengers: Age of Ultron. Executive producers Jed Whedon and Maurissa Tancharoen explained much more about where the show is headed in an interview at Marvel.com:

Marvel.com: So I’m sure many fans are wondering what exactly that ending means for the future of the series?

Jed Whedon: We’ve dropped her name and it’s the origin of the new version of her.

Maurissa Tancharoen: Or the origin of the true version of herself, which is Daisy Johnson.

Marvel.com: When you were breaking these characters and first developing them, was this a discussion you had at the very beginning?

Jed Whedon: It was somewhat of a moving target early on, in that we knew Skye would be an orphan and would uncover secrets about her past. We had an idea of what we wanted some of those to be that found their ways into the storyline, but exactly who she was we landed on early last season, or midway through last season. We started setting it up early in the beginning of last season.

Marvel.com: We also get the reveal of her dad as Mister Hyde, or Cal. What does bringing him into the series give you guys?

Maurissa Tancharoen: As we always do, we pulled from what exists in the Marvel Universe and put our own spin on it. We had always had our eyes on Daisy Johnson, and therefore her father and her whole history. We sort of planted that throughout the first season and a half. You knew the story of her parents and the havoc they caused, the massacre in the Hunan province in China. We lay in things like that, and over time you put the pieces together. But of course Daisy’s powers aren’t really activated until that moment you see in the Winter Finale.

Jed Whedon: There are parts of it that move away from the story in the comics, but partially that’s because we’d invented our own way [of getting there]. We also wanted it to be a surprise to the people who are familiar with the comics, but [it’s] also because we’re tying it to a larger world. [It’s] not just her origin story, it’s the origin story of a bigger, other world.

Marvel.com: And that is a somewhat “inhuman” world, you could say?

Jed Whedon: It’s safe to say that.

Marvel.com: When did you hit upon the idea of introducing that Inhuman element into the Marvel Cinematic Universe for the first time?

Maurissa Tancharoen: It’s been a property in the Marvel Universe that we’ve been interested in since the beginning. Our tagline when we began the show was “not all heroes are super,” and we wanted to focus on that and highlight that for the first season. Now as we move forward we’re diving deeper into the Marvel Universe, and it’s our way of exploring a whole new world that may be comprised of people who have special abilities. We think that’s going to open everything up for us.

Jed Whedon: Not all heroes are super, but what happens to a hero when they become super?

Maurissa Tancharoen: Essentially what we’ve built since the beginning of the show is an extended origin story, and we’ll dive into that in the back half of Season 2.

There is a long hiatus until Agents of SHIELD returns, which will be filled with Agent Carter. The first two episodes of Agent Carter will air on January 6, with a clip from the series above. Here is the series description:

It’s 1946 and peace has dealt Agent Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field, putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers – a.k.a. Captain America. When old acquaintance Howard Stark finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy — the only person he can trust — to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis, to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for selling these weapons of mass destruction. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison – or worse.

The synopsis of the first episode:

“Peggy is contacted by old acquaintance Howard Stark when he is framed for unleashing his deadliest weapons and can trust no one else. To help Peggy clear Stark’s name, he insists his butler, Edwin Jarvis, be at her beck and call–whether she likes it or not. But the risk is great: If caught, Agent Carter could be targeted as a traitor and spend the rest of her days in prison…or worse.”

And the second episode:

“Howard Stark’s deadliest weapon has fallen into enemy hands, and only Agent Carter can recover it. But can she do so before her undercover mission is discovered by SSR Chief Dooley and Agent Thompson?”

Spider-Man Reboot

There have been reports that Sony, who owns the rights to Spider-Man, has denied requests to allow the use of  Spider-Man in the next Captain America movie, which was desired because Spider-Man did have a role in the storyline taken from the comics. There was also talk of Marvel Studies doing the next Spider-Man trilogy with Sony retaining “creative control, marketing and distribution.” Despite the last movie being a flop, Sony is looking at plans at continued use of the character, most likely as yet another reboot as opposed to a conclusion of a trilogy following the last two movies. Screen Rant looks at many of the ideas floating around. While I really don’t care if they do it with Spider-Man as a teenager or adult, I do agree with the idea of just jumping into a good story and not bothering with yet another origin movie. More at IGN and The Daily Beast.

Gotham shows life before Batman. Smallville showed Clark Kent’s earlier life. Now Syfy is going back even further with a planned show about Krypton.

Continnuum

Continuum was renewed by Showcase for a shortened six-episode final season.  Rachel Nichols responded, “All great stories deserve an end. I am excited and grateful to finish Continuum with the riveting conclusion it deserves … this series finale is dedicated to the devoted fans who have loyally supported us since day one.” Indiewire discussed the ending of the series with Simon Berry. Here are some of the questions and answers:

What went into the decision to make the fourth season the final season?

I’m obviously not privy to the conversations that happen inside the network, but I think from their perspective… whether it was an issue of internal profits or the money that gets recycled back into the broadcaster, to cover what they’re paying out or whether we’re simply making a creative decision, I think ultimately we were probably on the bubble in terms of how we were bringing money back in for the Canadian broadcaster. In terms of their decision-making process, we probably received the benefit of the doubt in terms of not being canceled, which a lot of shows are when they’re not performing to expectations. They wisely recognized there was an opportunity to service the fans, and also to make more of an event around this final season. It seemed like a lot of things lined up in our favor in that sense. Obviously, I’m speculating, because you never get to hear the inside information.

You seemed pretty confident, back in October, about the show getting picked up.

We definitely had indications early on. When there’s a delay and there’s no cancellation, you know people are working on finding a solution. That’s pretty clear. The delay is usually because somebody is working hard to find a solution that isn’t cancellation. The longer it went, the more I felt we had momentum, and I certainly started hearing things early on in terms of getting prepared for ideas and getting ready to present plans for Season 4, which gave me the indication that we had a final chance. But a lot of that has to do with how everything comes together, because we still have to do our jobs as producers to put together the mechanism by which the show gets made, which is the right people and the right budget, things like that that everyone has to agree on.

Every season on “Continuum,” we’ve had less money. One of the reasons we have less money is because when a show succeeds in its first season, usually the first season is the gamble season to launch it — much like opening a business. You put a lot of effort and a lot of energy and a lot of money into having a strong launch, then you kind of hope that the longer you last the more you can claw back that investment and the show can generate revenue in a positive sense.

It’s so hard to make time travel work narratively in just a two hour movie. For you, hitting Season 3 and going into Season 4, how do you handle every complication that you’ve created?It’s a good question. There was probably a time where we went into the show feeling like time travel had to be something that was touched on all the time. But we realized in the beginning, that once we’d set up the time travel event there was a ton of stuff to mine before we did time travel again. Really, for me, the challenge was how much of this story can we really exploit before I use this time travel trope, or that time travel device — I mean time travel device, literally and figuratively — to create more drama.We had an idea, at the beginning of Season 2, that we wanted to have another time travel event in the show, just as a component of our experience. The goal after Season 1 was let’s work toward a travel time moment, because we knew we hadn’t done it. We had really kind of avoided using time travel, because it does kind of get you in a ton of trouble. As you know, out of Season 2 and Season 3 that this one decision for Alec (Erik Knudsen) to go back in time reverberated in so many ways. I’m really glad we didn’t do more time travel. [laughs] Because it’s been so complicated dealing with that one end-of-Season-2 moment. Season 3 was incredibly complex as a result.

We had a great dramatic moment at the end of Season 2 with Alec going away, but I don’t think we appreciated, when we wrote that, all of the things we would have to deal with in Season 3. Season 3 became a really hard lesson — not a hard lesson in the sense that it was difficult, but a hard lesson in that we felt an obligation to pay off the results of that time travel choice. It was much more impactful than I realized, in terms of how it would affect the drama, how it would affect the characters. They were great opportunities, dramatically, but I think with the complexity of people trying to track it and follow it, we didn’t anticipate how hard it would be.

Did you always have, in your head, an idea for the series finale?

I’ve always known how the show ends, from day one. It was the first conversation I had with the writers — “Here’s how the show will end” — just so everyone knew where we were heading and that we understood that we couldn’t violate certain rules to get to that point. It wasn’t necessarily just how the show would end, it was like: “Here are the rules of time travel that I’m adhering to in the philosophy of time travel,” so that everyone kind of understood what we could hint at.

How close is what you’re planning for the finale to what you initially had planned?

Well, it’s certainly a shortcut to the original idea we had. I think we’re definitely staying true to the plan. We’ve had to adjust a little bit as to where we left off and where the story needs to go, so we’ve built a story bridge, if you will, to link the ending we wanted to where we left off. So I feel very good about how these things are connecting.

When you say shortcut, how many seasons were you expecting the show would last initially?

I always expected it to be cancelled every year! So it was less about what I expected and more about what I was hoping for. I was hoping we could get seven years to tell the full story and all the various chapters. There were certainly opportunities to tell half a dozen specific, episodic stories — we had chatted about it internally, but ultimately it’s still a linear story and I don’t think we’re compromising anything by getting to the ending in four seasons as opposed to seven. It’s maybe some other stories that won’t get told, but those, at the end of the day, didn’t make a difference as to how the show would end or not.

Given how complicated things got in Season 3, will Season 4 be scaling back or will it take all those threads and take them to the next level?

It’s hard to sort of qualify “complicated.” We’re definitely building off of Season 3 because that’s the natural evolution of storytelling. You’re always building off what you just did. But I would say that because we’re now dealing with a shorter season in six episodes, it’s also an opportunity to not deal with the reality of thirteen, which is to tend to want to have more layers of storytelling and multiple threads. Now with six, we’re actually more focused on one clear story, which means the show could be closer to more of a limited series than a traditional 13-episode series.

How different is the rhythm of a six-episode season?

Well, it’s naturally different because it’s shorter. But it also provides opportunities that the longer seasons don’t. I’m actually excited for the shorter number, in the sense that it allows for a different style of storytelling, which is more appropriate for finishing the story, rather than trying to service the balancing act of 13 hours, which tends to balance more serial and episodic.

Of course I wouldn’t expect him to say anything different about being able to finish the series in six episodes, but I can’t help but think it will result in a lesser story than planned. Individual seasons very well might have been better if shorter, but suddenly shortening the 4th season should be more difficult. They not only have to show the story planned for the season after the major changes shown in the third season finale, but also have to tie up the entire series in such a short amount of time. At least it is much better than having no conclusion at all.


Martin Freeman was guest host on Saturday Night Live last night. He appeared in the above skit as Bilbo Baggins in which an episode of The Office took place in Middle Earth.

The second season of Broadchurch starts on ITV on January 5. The US adaptation, Gracepoint, did have a different ending for the first season. The Guardian did think that the change in the ending was the one thing the US adaptation got right.

Tonight is the series finale of The Newsroom as yet another Aaron Sorkin television series ends way too early. (Yes, I know that The West Wing lasted seven seasons. For me, even that wasn’t long enough.) It looks like the death of Charlie Skinner  might be just one sign that ACN will end as we know it, plus Jim and Maggie look like they are finally getting together. Sorkin has discussed the recent rape storyline.

If you gave up on watching Homeland during the weak episodes to start the season, the show has become much better the last couple of weeks. Best line from Homeland: “It can’t be my belt.” It was also interesting to see the Ambassador’s reaction when her husband did not go through with his suicide plans.

Tony Stark is literally Iron Man in the parody video above.

Last week I expressed interest in the fan movement to bring in Jonathan Frakes to direct the next Star Trek movie. Reportedly Frakes is interested and has contacted JJ Abrams regarding this.

Kirsten Dunst and Jesse Plemons were the latest announced additions to the cast of the second season of Fargo.

Bill Cosby was asked about the recent rape accusations in a phone conversation with a reporter from The New York Post. He refused to respond to specifics and said, “Let me say this. I only expect the black media to uphold the standards of excellence in journalism and when you do that you have to go in with a neutral mind.”

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SciFi Weekend: Star Wars; Independence Day 2; Jurassic World; The Flash; Arrow; Supergirl; Gotham; Agent Carter; Constantine; Doctor Who; Selfie; Frozen

There has been a lot of news on sequels to classic science fiction movies. The teaser for Star Wars VII: The Force Awakens (video above) has received considerable attention, and has led to more speculation as to the movie and the future of the Star Wars universe. There might not be that much information, but several people have broken it down scene by scene to see what can be learned. There is discussion of the trailer here, here, here, here, and here.

Other science fiction classics are also being remade, including Jurassic Park which is discussed below. Fox is planning to release Independence Day 2 on July 4, 2016. Of course for those who don’t want to wait a year or longer, many science fiction movies came out this year. What Culture has picked their list of ten best sci-fi movies of 2014. Some like Interstellar are original movies while others like the two Marvel movies (X-Men and Captain America), Godzilla, and Dawn of the Planet of the Apes are also sequels or remakes of earlier movies.

The trailer for Jurassic World is above. Film discussed the movie (and leaks of the plot) with director Colin Trevorrow. As is the case with many blockbuster science fiction films, liberties are taken with the science. Trevorrow described the premise:

Yes. Jurassic World takes place in a fully functional park on Isla Nublar. It sees more than 20,000 visitors every day. You arrive by ferry from Costa Rica. It has elements of a biological preserve, a safari, a zoo, and a theme park. There is a luxury resort with hotels, restaurants, nightlife and a golf course. And there are dinosaurs. Real ones. You can get closer to them than you ever imagined possible. It’s the realization of John Hammond’s dream, and I think you’ll want to go there…

This film picks up twenty-two years after Jurassic Park. When Derek [Connolly] and I sat down to find the movie, we looked at the past two decades and talked about what we’ve seen. Two things came to the surface.

One was that money has been the gasoline in the engine of our biggest mistakes. If there are billions to be made, no one can resist them, even if they know things could end horribly.

The other was that our relationship with technology has become so woven into our daily lives, we’ve become numb to the scientific miracles around us. We take so much for granted.

Those two ideas felt like they could work together. What if, despite previous disasters, they built a new biological preserve where you could see dinosaurs walk the earth…and what if people were already kind of over it? We imagined a teenager texting his girlfriend with his back to a T-Rex behind protective glass. For us, that image captured the way much of the audience feels about the movies themselves. “We’ve seen CG dinosaurs. What else you got?” Next year, you’ll see our answer.

Flash Arrow Crossover

The crossover episodes of The Flash and Arrow are on this week but these might not be the only crossovers coming up. CBS owns CW and there are hints that their upcoming Supergirl television show will be in the same universe as The Flash and Arrow, allowing for crossover episodes between these DC characters. However, while you might think that having Supergirl in the television universe would lead to at least mention of Superman, as of now this will not be allowed. Neither Metropolis or Gotham City will be mentioned either. From IGN:

Unfortunately for those hoping to see the Dark Knight show up on the shows, Arrow and Flash executive producer Andrew Kreisberg stressed that anything you see referencing Batman on the show is “a tease.”

Explained Kreisberg, “Obviously, they have the Batman movies and there’s [the series] Gotham. DC are amazing partners and Geoff Johns, who’s the chief creative officer [of DC] and one of the developers of Flash and done episodes of Arrow, he’s been with us from the very beginning on both shows. There are things we can do and things we can’t.”

Kreisberg noted, “I’m a huge fan of Nightwing,” and how exciting it was for him on Arrow “Getting to name check Blüdhaven and go there.” However, he said there are still restrictions in place even when it came to mentioning locations, adding, “There’s the cities that we can use and then there’s everything else. I don’t think you’re going to be hearing ‘Gotham’ or ‘Metropolis’ [on Arrow or The Flash] anytime soon.”

We do know that among the many DC-based TV series in development is Titans at TNT, which would feature Dick Grayson in his Nightwing persona. So could that show directly mention Gotham City and Bruce Wayne/Batman – or even go to Gotham and have an appearance by Bruce? Or is the Gotham TV show seen as the only place where a version of Bruce Wayne will be seen on TV right now? These questions and more — including how directly Superman can be mentioned on CBS’ upcoming Suprgirl TV show — are all ones we’ll slowly find out the answers too as DC expands into more TV shows and films.

There has been one tease and one indirect connection between The Flash and Gotham. I did notice a reference to Wayne Tech in a newspaper headline on The Flash. Morena Baccarin did the computer AI voice at STAR Labs on The Flash and will also be playing Dr. Leslie Thompkins on Gotham. Of course this also provides a connection to the multiple other genre shows she has appeared in.

Den of Geek has teasers, interviews, and other information on the upcoming Flash/Arrow crossover episode. Arrow also teased an ATOM suit for Ray Palmer in a recent episode, providing the possibility of yet another superhero becoming involved. There are also questions as to where Caitlin Snow’s character is going on The Flash. In the comics she is a villain named Killer Frost and Danielle Panabaker, the actress who plays here, states her evolution might take place sooner rather than later. Then there is the bigger mystery of what Harrison Wells is up to and whether he is the one who killed Barry’s mother. Theories range from Wells being Barry Allen’s future self to be being the Reverse Flash. With time travel clearly important to the Harrison Wells storyline, it is notable that a recent episode showed that time can be changed.

Gotham finally had a bigger role for young Bruce Wayne which involved food fights and even a kiss with Selena Kyle. Plus Alfred is practically a superhero on final fall episode.

I am looking forward to Agent Carter but what is the deal with the network promotion of the show with, “Sometimes the best man for a job is a woman.” This is 2014 and just because the show takes place in the 1940’s is not justification for using 1940’s ideas on women to promote the show.

Constantine has not been as successful for NBC as The Flash and Arrow have been for CW and NBC has decided not to go beyond the original thirteen episodes for this season. The producers are still hoping to be renewed, even if limited to thirteen episode seasons (which could be a plus quality-wise).

Doctor-Who-Christmas-Special. 2014

The synopsis for the Doctor Who Christmas special has been released: “The Doctor and Clara face their Last Christmas. Trapped on an Arctic base, under attack from terrifying creatures, who are you going to call? Santa Claus!” There is even more drama beyond the terrifying creatures.

Steven Moffat has never liked spoilers and in the past has said he would like to be able to keep it a secret until an episode in which the Doctor regenerated airs, but this is not possible. At least he is getting the opportunity to surprise fans with the fate of Clara Oswald. The Mirror, which initially claimed prior to the start of the past season that Jenna Coleman was leaving Doctor Who in the Christmas special now states that she had decided to remain, leading to a rewrite. When other sources such as Radio Times tried to get an answer, the BBC just told them they would have to wait for the Christmas episode.

Hulu has picked up the remaining six episodes of Selfie remaining after it was canceled by ABC.

Idina Menzel was interviewed by The Telegraph and it sounds like a sequel to Frozen is in the works.

Totally off topic, but I can’t resist noting that Rudy Giuliani’s comments on race following the events in Ferguson sound the best in the original German.

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SciFi Weekend: Arrow; The Flash; Gotham; Agents of SHIELD; Natalie Dormer, Zombies, and Nudity on Game of Thrones; Westworld; How To Get Away With Murder; Doctor Who; Sherlock; SNL on Executive Orders

Flash vs Arrow

The Hollywood Reporter has  more information on the upcoming cross over episodes from Arrow and The Flash, along with some other information about Arrow. Among the information revealed (not all of which is new):

  • The title of The Flash portion of the pair of episodes is quite literal, The Flash vs. Arrow. Barry encounters a metahuman who brainwashes him.
  • The Flash episode “will deliver a very big moment for Oliver’s storyline.” It will take Oliver time to learn what the audience has learned.
  • Felicity sees Caitlin to get help from the people at STAR Labs in solving the mystery of the Black Canary’s murder
  • Laurel is mostly missing from the crossover stories but, “Episodes 10, 11 and 12 are a three-part trilogy that are about her. And episode 13 I think I can spoil, is called ‘Canaries.'” As it is Canaries pleural, my suspicion is that the flashback shows Sara while Laural replaces Sara as the Black Canary in the present.
  • Dingle’s ex-wife Lila is in danger.
  • Team Flash learns how dangerous things can be.
  • A future crossover is possible.

Gotham Penguin

Gotham is probably best viewed as a re-imagining of the Batman stories which is not necessarily connected to other aspects of the DC universe or other Batman series. Showrunner Bruno Heller told Entertainment Weekly about how he plans to establish the canonical Gotham–and then start messing with people’s minds. Killing off characters is not being excluded as a possibility:

Before Gotham premiered there was some discussion about how the show cannot kill any members of its cast of iconic characters, since the story is a prequel. And you had a great reply to that by saying, “It’s sad thing if you can only generate suspense by killing people.” I’m wondering now that you’ve dug more into the season and are juggling all these characters, with some being more interesting than others, whether there’s a part of you that’s like, “You know, what if we did?” Or is it just iron clad that you can’t deviate that far from canon?
I wouldn’t say it’s iron clad. You’d need a damn good reason to do it and a damn good end game to justify it. We’re certainly just learning the ropes at this stage. Not to be modest about it, but we’re still learning how to do a show this big. I’m always deeply reluctant to kill off characters simply for the shock value of killing them off. I’m not averse to cheap tricks. But apart from anything else, this season literally every actor has come through and [performed really strong]. I would hate to lose any of them. Killing off Sean Bean in the first season of Game of Thrones made everyone go, “Oh, what a good idea that is!” But I don’t think it’s a good idea if you’ve got Sean Bean. The bad one was on Deadwood, when they had David Carradine doing that marvelous Wild Bill Hickok, and then he was gone.

I agree on Carradine, it did feel like that character was gone too soon.
I’m going to put you on the spot: Who would you kill?

It’s not that there’s anybody in particular that I would kill off. But I would say the killing of a so-called un-killable character would add a greater layer of suspense when any of those characters are in jeopardy after that—because the message has been sent to the audience that, “You think you know how this story is going to go, but you’re wrong, because we’re not following the train tracks that you already know so well.
That is a very good point, and an actor somewhere is cursing you. You’re absolutely right. One of the things about doing the extra six episodes, and hopefully being successful enough to get a season two, is that once we’re up and running, that kind of narrative playfulness—playing with the audience’s expectations—is going to be much more a part of the show. For instance: Who will turn out to be The Joker? Those kind of games you can only get into once you have the audience’s trust and the train is rolling down the tracks. We want to establish the real deal—that this is the canonical Gotham—and then start messing with people’s minds.

Heller also revealed that Harley Quinn will not appear this season and there will be an episode here we learn how Robin’s parents got together. Ra’s al Ghul could conceivably appear, but at this point in Batman’s life, “He was probably a teenager as well, with Mrs. al Ghul making him sandwiches and sending him off to Ghul school.”

Agents of SHIELD Blue Alien

After dragging for most of the first season while waiting for the events of Captain America: The Winter Soldier, Agents of SHIELD is really moving this season. Recent episodes have dealt with topics including Skye’s background and the meaning of the mysterious writings. TV Guide reports that we will also learn about the blue alien, and how it ties into other aspects of the Marvel universe:

He’s not just any alien. The Dec. 2 episode of Marvel’s Agents of S.H.I.E.L.D. will finally reveal that its mysterious blue man from outer space — the one whose rejuvenating blood saved the life of Director Phil Coulson (Clark Gregg) — is a member of the humanoid Kree race. Yes, that’s the same alien species that gave us Lee Pace’s character, Ronan the Accuser, in the Marvel movie blockbuster Guardians of the Galaxy. But all this means bupkis to Coulson and his S.H.I.E.L.D. team.

“Our people don’t know anything about the Kree or that there’s a planet full of them,” notes executive producer Jeffrey Bell. “What they do know is that the strange carvings created by Coulson after he was injected with the Kree serum are actually the map of a city, and they need to find that city before Hydra does. But where is it? Here or on another planet?”

The Hydra terrorists have more manpower and resources than S.H.I.E.L.D., and their freaky obsession with the blue alien goes all the way back to the 1940s — the setting for ABC’s upcoming spinoff series Marvel’s Agent Carter. But S.H.I.E.L.D. has Skye. The do-or-die agent with no last name, played by Chloe Bennet, was also injected with Kree serum but, unlike Coulson, suffered no consequences. Similarly, her not-always-trusty cohort Raina (Ruth Negga) — again, no last name — was able to touch the deadly alien obelisk and survive without harm.

ComicVine has more about the meaning of this.

Game of Thrones Natalie Dormer

Matt Smith and Natalie Dormer will fight zombies together in Patient Zero. According to ComingSoon.net:

Patient Zero takes place in a post-outbreak zombie apocalypse and follows the adventures of one man who has the unique ability to speak with the undead and who hopes to use his gift to discover a cure for the plague and his infected wife.

Natalie Dormer was interviewed by The Daily Beast about topics including her role in The Hunger Games: Mockingjay Part 1 and nudity in Game of Thrones:

Speaking of “equality,” I understand HBO has a “boobs mandate,” but lots of viewers of Thrones think the show could use some more dick in there—for symmetry.

Well, during the first season Alfie, Richard, and several of the men got naked—although not all the way. I suppose it’s just the rules of broadcast television, isn’t it? I think Thrones has been better than your average show with the equality, but they could definitely ramp it up! Absolutely.

Did you base the character of Margaery Tyrell on anyone in particular?

It was based on the media circus that surrounds Kate Middleton. It’s the Princess Diana effect. Whether you’re talking about the royal family in our country, or the first lady obsession in this country—Michelle Obama, or Hillary Clinton before her. Because Margaery is very politically savvy and our royal family tries to keep out of politics, it’s a hybrid of that statesmanship between the royal family and the first lady.

There was a particularly awkward sequence last season on Thrones where your character is forced to seduce the boy-king, Tommen Baratheon.

That scene was altered because I phoned Dan [Weiss] and David [Benioff] and said, “I’m not comfortable doing this.” It’s the nature of the beast that I’m four years into playing Margaery Tyrell and the big plot points of the book are in stone. You can’t change them. George R.R. Martin wrote a particular plot line, so on the specifics of Margaery and Tommen getting married, there’s nothing I can do. On the show, we had to find a way to navigate that in a sensitive way. There’s more of it next season too, and we’re trying to handle it with intelligence, and integrity.

westworld

When I first heard about plans for a series based upon Westworld I was skeptical, but it sounds like HBO is bringing quite a bit of talent into the project:

The drama, based on Michael Crichton‘s 1973 film and written by Jonathan Nolan and Lisa Joy, stars Anthony Hopkins in his first series-regular role as an inventor who runs an adult amusement park populated by lifelike robots. HBO made the announcement Monday via Twitter, with the series coming in 2015.

The drama hails from J.J. Abrams and Bryan Burk‘s Warner Bros. Television-based Bad Robot Productions, with the duo exec producing alongside Jerry Weintraub, Nolan (who directed the pilot) and Joy. Kathy Lingg will co-EP and Athena Wickham is a producer on the drama. Susie Ekins is set as a co-producer. Westworld hails from Bad Robot, Jerry Weintraub Productions and Kilter Films.

Sources tell The Hollywood Reporter that the show’s androids — played by castmembers including James MarsdenEvan Rachel Wood and Thandie Newton — can be killed off and return with completely different personas, allowing actors to play many characters. That creative device, one top talent agent said, helped HBO attract a premier cast (which also includes Ed HarrisMiranda Otto and Jeffrey Wright). And unlike the actors on such anthology series as FX’s American Horror Story and HBO’s own True Detective, which reboot themselves every season, the cast of Westworld is signing multiyear deals.

“This is built as a series and, in terms of storytelling, I think the rules are definitely being broken,” HBO programming president Michael Lombardo told THR in August of the sci-fi Western from executive producers J.J. AbramsJerry Weintraub and Bryan Burk. “The promise of the show, in terms of where it’s going, is exciting to actors, and they want to be a part of this.”

While watching How To Get Away With Murder I was a little disappointed in how Sam’s murder was played out–until the revelation in the final moments. Entertainment Weekly discussed the mid-season finale and the second half of the season with showrunner Pete Nowalk.

It has been officially announced that Peter Capaldi will be returning to Doctor Who but no word yet on Jenna Coleman. There have been rumors since before the past season began that Coleman would be written out of the show on the Christmas episode (which have been denied), and the series has teased Clara leaving a few times. My bet is that Steven Moffat actually knows what is planned, but they are keeping this secret so that viewers will not know what might happen with Clara while watching the Christmas episode.

Series four of Sherlock will be a single episode, possibly airing on Christmas Day, 2015. Mark Gatiss has told Radio Times that the mystery about the apparent return of Moriarty at the end of season three will  will be solved “completely.”

BBC America will be showing a seven part series based upon Jonathan Strange & Mr Norrell.

Saturday Night Live began with a skit this weekend hitting Barack Obama on executive orders. Medialite summarizes:

Finally, the first biting political spoof from Saturday Night Live in a while: the Bill from Schoolhouse Rock explains to a student how he becomes a law, only to be violently beat up by Barack Obama and his new best friend, “Executive Order.”

Even then, the poor Executive Order still thinks he’s used for simple things, like declaring holidays and creating national parks, until Obama informs him that he’s going to be used to grant amnesty to 5 million undocumented immigrants. His reaction: “Whoa.”

While Ted Cruz found reason to cite this on Fox News Sunday, the skit actually is not accurate. Obama did not grant amnesty, and the executive action was used because the Republicans failed to pass a bill, not as an attempt to act in place of a law. Previous Republican as well as Democratic presidents have issued many executive orders in the past with both Presidents Reagan and George H.W. Bush having had executive orders regarding immigration in the past. (Clarification: Fox News Sunday is the name of show and my use of this term does in any way suggest that Fox presents actual news. Generally I do not use the term “Fox News” as that is an insult to all real news networks. )

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SciFi Weekend: Doctor Who; Dr. Cotton’s Bizarre Ideas, Boardwalk Empire & The Knick; DC and Marvel Movie Plans; Twin Peaks; The IT Crowd & Other British Adaptations

DoctorWho Flatline

Flatline managed to provide an episode of Doctor Who which successfully combined elements of both horror and humor. While not a totally original idea, it was something not seen on Doctor Who before, and realistically few television shows manage to come up with ideas which have not been influenced by other works. Think of it as if the residents of Flatland by Edwin Abbott Abbott were to invade earth, with a touch of The Adams Family thrown in.

Besides the idea of two dimensional beings invading, there was the added component of the TARDIS shrinking when the “structural integrity is compromised.” This did contradict The Name of the Doctor which showed such leaking to cause the TARDIS to swell in size, not shrink. The shrinking of the TARDIS, with the Doctor trapped inside, did enable Clara to take a leading role in this episode. This whole situation was quite difficult for the Doctor: “I mean this is just embarrassing. I’m from the race that built the TARDIS. Dimensions are kind of our thing.”

The Doctor did win out in the end. Ultimately the aliens from the two dimensional world were defeated by their inability to distinguish a two dimensional picture of a door from a real three dimensional door.

With the Doctor separated from the action for most of the episode, Clara took on the role of the Doctor, including taking on a companion, Rigsy, and calling herself the Doctor:

Rigsy: “What are you the doctor of?”
The Doctor: “Of lies.”
Clara: “Well, I’m usually quite vague about that. I think I just picked the title because it makes me sound important.”
The Doctor: “Why, ‘Doctor Oswald,’ you are hilarious.”

Clara did show Rigsy the inside of the shrunken TARDIS leading to the classic comment, “It’s bigger on the inside.” This set up the Doctor’s response:  “I don’t think that statement has ever been more true.”

Doctor Who Flatline1

Clara also showed that she can act like the Doctor, from using the Sonic Screwdriver to using his tactics:

Clara: “I just hope I can keep them all alive.”
The Doctor: “Ha. Welcome to my world. So, what’s next, ‘Doctor Clara’?”
Clara: “Lie to them.”
The Doctor: “What?”
Clara: “‘Lie to them.’ Give them hope. Tell them they’re all going to be fine. Isn’t that what you would do?”
The Doctor: “In a manner of speaking. It is true that people with hope tend to run faster, whereas people who think they’re doomed …”
Clara: “Dawdle. End up dead.”
The Doctor: “So, that’s what I sound like?”

Ultimately, when Clara asked if she did a good job, the Doctor did respond, “You were an exceptional Doctor, Clara. Goodness had nothing to do with it.” We still have the question from the start of the season as to whether the Doctor is a good man, and whether they are doing good.

The most amusing gag of all in the episode was seeing the Doctor’s full sized hand emerge from the tiny TARDIS to walk it away from an oncoming train.  The episode was very light on Danny Pink, but we did have another amusing scene with Clara talking on the phone with Danny, hiding the fact that she was in danger. The previews do show him taking an active part next week, but it still remains unclear whether we will ultimately see a return to two teachers from Coal Hill School being companions aboard the TARDIS as was teased last summer.

The ending scene with Missy took a different turn from her previous scenes, with Missy saying, “Clara, my Clara. I chose well.” It has already been suggested that it was Missy who gave Clara the Doctor’s phone number back in The Bells of Saint John, but we still have no idea as to what Missy’s overall plan is. Also uncertain is whether this has any connection to Clara’s role in The Name of the Doctor to become fragmented in time and have a role in each of the Doctor’s regenerations.

The writers this season do seem to be writing as if some of the past events have not taken place, almost starting fresh with Clara and the Peter Capaldi Doctor. Even going back to the season premiere in Deep Breath, the Clara who saw each regeneration in The Name of the Doctor should not have been as surprised by seeing the changes in the Doctor after his regeneration. Perhaps the events of The Time of the Doctor, with the Doctor gaining additional regenerations and not dying on Trenzalore, also mean there was never a giant TARDIS tomb for the Doctor and Clara never was fragmented in time. The Missy story line might wind up providing a completely different version of Clara’s life.

The Doctor Who Extra for Flatline is above.

While both the Doctor and now Clara having claimed to be a doctor without formal qualifications, there are some actual doctors who have done considerable harm despite having true medical degrees. One example, Dr. Henry Cotton, has appeared on cable television shows in the past week both on The Knick (at the start of his career and Boardwalk Empire (near the end). He was a real person. Henry Cotton believed that psychiatric problems were based upon infections and his treatment often began with pulling the teeth of psychiatric patients. If this did not provide a cure, then he would proceed to remove other organs which he believed were the cause of the infection. Needless to say, in an age before antibiotics, such unnecessary surgery could have catastrophic results. At one point during his career Cotton even had a nervous breakdown. He responded by pulling his own teeth, then proclaimed himself to be cured and returned to work.

Knowing the factual basis behind Dr. Cotton’s life leaves me concerned about Gillian Darmody’s fate after she told Dr. Cotton that she felt she was cured. We already saw another woman at the asylum undergo surgery, and Cotton would not be likely to accept Gillian’s assessment that she is cured without surgically removing what he believes to be the site of her infection. Being the final season,  Boardwalk Empire does have the ability to show tragic endings for its characters. This included the deaths of two long time characters last week. While Boardwalk Empire is ending, The Knick just ended its first season and has done an excellent job of showing what medical care was like back in 1900 and the development of new ideas such as transfusions.

News came in last week that a cable series which debut last summer, Manhattan, was renewed. While I have not seen the series, I feel comfortable in recommending this show about the development of the atomic bomb based upon several favorable reviews. (Although I have not seen Manhattan yet, do I get any points for reading Joseph Kanon’s novel, Los Alamos, several years ago?)

Still no news on whether Continuum will be renewed.

Episode 101

I would also recommend another new cable series which I did see the premiere of last weekend, The Affair. The main story involves an affair from the viewpoint of both parties, each telling their version for half the episode. We have narrators who are unreliable at least due to the faults in human memory. There might be additional reason for intentional deceit as we found that the stories are being told as part of a possible criminal investigation years afterwards, similar to in the first season of True Detective. It also reminds me of William Landay’s novel, Saving Jacob, in which there are glimpses of future questioning but we don’t know who the accused is or the crime until the end of the novel.

The creator of The Affair, Sarah Treem, discussed the dual narratives in an interview at The Hollywood Reporter:

With Noah and Alison remembering different accounts of the same stories, the series explores the notion of objective truth. Do you think there’s such a thing?

I think there is such a thing as objective truth. There are events that actually happen. As individuals our understanding of what happens is often quite limited. Sometimes the only way to get at objective truth is to have multiple people tell their own version of the same event. It is the job then of the interrogator, the therapist, the audience member, whomever, to basically try to find the commonality between the accounts in order to figure out what actually happened. That’s basically what we’re trying to do with this show. We’re not saying there’s no such thing as truth — there absolutely is — but we don’t think that one person is usually the arbiter of the truth. We think that it comes forward in conversation. There’s this quote, I think it’s from Hegel, but it’s the idea that all understanding is dialectic, meaning that nothing gets understood unless it’s as a result of a conversation. That’s how I think of the two sides of this show, that it’s a conversation from which the audience gains an understanding.

Will we see the perspectives of other characters besides Alison and Noah?

Not this season but maybe in subsequent seasons, if we get them.

We see a lot of overlapping stories that vary slightly depending on who’s telling them. What’s it like to have to regularly write two versions of the same event?

It’s a really fun exercise for a writer. It’s just about putting yourself in another character’s perspective, seeing the scene through the other character’s eyes. For the scene at the end of the pilot [where Alison and Cole have sex on their car], I was interested in writing a scene that looked like an attack on one side, and then coming back into it knowing more about what was actually happening to where all of the sudden the scene plays as a very different negotiation. Writers are trained at this because you’re always approaching the story through somebody’s eyes so it’s just a great, enjoyable exercise to go back and think, “Well, I wrote it this way the first time and now let me jump into a different character’s body and a different character’s mind and let me try it again and just see what happens.”

super-movies

Both Warner (DC) and the various studies which own the rights to Marvel characters have recently released news on their upcoming movie plans. Comics Alliance has more information and has put together the above infographic.

Here is an ambitious list from Warner Brothers:

  • “Batman v Superman: Dawn of Justice,” directed by Zack Snyder (2016)
  • “Suicide Squad,” directed by David Ayer (2016)
  • “Wonder Woman,” starring Gal Gadot (2017)
  • “Justice League Part One,” directed by Zack Snyder, with Ben Affleck, Henry Cavill and Amy Adams reprising their roles (2017)
  • “The Flash,” starring Ezra Miller (2018)
  • “Aquaman,” starring Jason Momoa (2018)
  • “Shazam” (2019)
  • “Justice League Part Two,” directed by Zack Snyder (2019)
  • “Cyborg,” starring Ray Fisher (2020)
  • “Green Lantern” (2020)

Batman v Superman: Dawn of Justice producer Charles Roven recently gave an interview with more information on the movie, including the origin story for Wonder Woman which is being used.

Unlike Marvel, DC is keeping their movie and television universes separate. While Gotham will probably need to be kept in a separate world of its own, Green Arrow, The Flash, and next Supergirl are forming their own television universe. Many fans are angry that Stephen Amell and Grant Guston won’t be appearing as Green Arrow and The Flash in the  Justice League movie. While fans would probably prefer such continuity, it does make it easier to wrote both the television shows and the movies if there is not a need for consistency. We saw how Agents of SHIELD was harmed by a need to postpone mention of HYDRA taking over SHIELD until after Captain America: The Winter Soldier was released.

avengers-captain-america-iron-man

Marvel fans are getting more excited by what appears to be planned. While Robert Downey, Jr. has not agreed to do another stand alone Iron Man movie, he may be appearing in Captain America 3, which reportedly involves the two being on opposing sides over the Superhero Registration Act. This could also be the end of Chris Evans as Steve Roberts. of There have also been rumors of Marvel making a deal with Sony, which owns the cinematic rights to Spider-Man, to allow him to appear, which sounds plausible as Spider-Man had a role in this storyline in the comics. Several other Marvel characters are also rumored to be appearing.

Emma-Stone-Cabaret_612x830

Meanwhile Emma Stone, when not playing the role of Gwen Stacy in Spider-Man, will be playing Sally Bowles on Broadway in Caberet.

With Twin Peaks coming back we have twenty-five years to catch up on. Mark Frost is writing a book to fill in this gap. I am looking forward to see what they do with the series and which characters return. I do hope that Audrey Horne returns and has a daughter who can tie a knot in a cherry stem with her tongue.

The IT Crowd

NBC has commissioned Bill Lawrence (Scrubs) to do a remake of the fantastic British sit-com, The IT Crowd. I have mixed feelings about such attempts to remake UK shows here. NBC’s first attempt at a remake, with cast including Joel McHale, was reportedly a total flop and never aired. NBC also failed in adapting Coupling, another excellent British sit-com written by Steven Moffat.

Fox has  had their own problems in attempting to remake British shows, both with Gracepoint (a remake of Broadchurch) and Us and Them (a remake of Gavin and Stacey).

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SciFi Weekend: Tuesday Shows Go Dark (SHIELD and Person of Interest); Sleepy Hollow; Under The Dome (“Nothing But A Giant Suck Hole”); Doctor Who; Outlander; Arrow; Gotham; Shatner Star Trek Rumors; If Ayn Rand Wrote Buffy

Shield Go Dark

Tuesday night featured the return of two television shows which have both changed for the post-Snowden era, Agents of SHIELD and Person of Interest. On each show the heroes are now working in secret, or even greater secrecy than they had operated in the past.

The premiere of Agents of SHIELD was not as good as the final episodes of the first season following Captain America: The Winter Soldier but did show promise of setting up a far better second season than the first was.  A couple problems from the first season are now solved. No longer can the team theoretically call upon the vast resources of SHIELD. This group is also easier to root for in the post-Snowden era. There is no doubt that the old SHIELD would have been listening in on our phone calls, reading our email, and have no problem with extraordinary rendition or even torture. That SHIELD no longer exists. We can dislike General Talbot as the nominally good protagonist (wondering if Bruce Banner is also in the neighborhood) and root for SHIELD in opposing him.

The episode started with a flashback of Agent Carter, including a glimpse of a green being in a box, suggesting the alien which was used to save Coulson, and later Skye (who works far better as an agent rather than the outsider) along with connecting to Guardians of the Galaxy.The show now makes mention of multiple Marvel characters, and included a super-villain, which gives the show much more the feel of being in the Marvel universe than seen in the first season. Lucy Lawless made her appearance as Isabelle  Hartley and lost her arm if not her life. There is certainly the possibility of her return on a show where two characters have returned from death or near-death, and now we have Dr. Whitehall, who hasn’t aged since seen in 1945.

While we don’t know whether Lucy Lawless will return, there is news that Adrianne Palecki of Friday Night Lights (and who almost became Wonder Woman) will be guest starring as Mockingbird later this season.

There were additional consequences to the events of last season beyond the breakup of SHIELD. Fitz is more interesting than last season now that we found that he did not recover from the lack of oxygen to his brain, and is imagining that Simmons is with him after she left. I would anticipate some recovery on his part and probably a Fitzsimmons reunion down the road. Agent Ward is also a bit nuts compared to last season, and may or may not really know anything about Skye’s father. I suspect he really does, and we might be in store for some Hannibal/Clarice type scenes between Ward and Skye this season.

Person of Interest s04e01

Go Dark was the strategic order from Director Coulson on Agents of SHIELD, and also describes the strategy Root devised with the Machine to keep everyone alive and hidden from Samaritan on Person of Interest.  The increased concern over the dangers of the surveillance state has been fortuitous for the show. Initially the Machine’s surveillance was primarily a gimmick to get the heroes into the story of the week, but last season the show transitioned far more into a series about the dangers of government surveillance and artificial intelligence in the wrong hands. The show has largely been rebooted this season, and shows promise of being even better than previous seasons.

Series co-creator Greg Plageman compared artificial intelligence to the creation of the atomic bomb at San Diego Comic-Con:

I think when we started out this show we were answering a lot of questions about the Orwellian surveillance state and people asking us if that was science fiction and now, in a post-Snowden era, no one’s asking those questions anymore. So what does the show become now?

I think the most interesting question in terms of our show and technology that is emerging is artificial intelligence. We’re living in a world now where not just nation states—Israel, United States, the Russians, whoever—are trying to build an artificial intelligent. The thing closest to this was the Manhattan Project, the greatest existential risk the world has ever faced: the development of the atomic bomb, and the race to get it, and who was going to get it first and what that meant in terms of ending World War II.

We are now at a similar crossroads with artificial intelligence. The only difference is it’s not just DARPA. It’s not just nation states. It’s a bunch of billionaires in their 30s up in Silicon Valley who are buying up all the artificial intelligence companies. It’s fascinating. Look up ‘Deep Mind,’ see what’s going on. No one really knows.

Harold Finch built a machine, an artificial intelligence, that he supposed was sympathetic to humankind. But what if someone built one that didn’t take that into consideration at all? And I think we’re dealing with the next great existential risk to the world and I think that’s something our show can deal with in a really cool way.

The Blacklist was among other shows which returned, once again turning what would otherwise be a mediocre show into a hit due to the presence of James Spader. Mary Louise Parker makes an excellent addition as his ex-wife.

Sleepy Hollow also returned with a strong season premiere. This is a series which I am reluctant to write much about as any description of the show sounds absurd. They manage to pull off its absurdities very well (far better than Under the Dome does). It is always fun to see what they come up with to tie early American history into their mythology, such as revealing that they key used on Benjamin Franklin’s kite is used to unlock Purgatory. As I said, it sounds like it makes no sense, but the show is so much fun.

Under the Dome Season 2 Finale

Under the Dome ended and the series could be summed up by what Noreen said: “It’s nothing but a giant killer suck hole!” The giant suck hole appeared the previous week after Melanie, a character who came back from the dead, was apparently killed a second time. In other recent episodes there was a tunnel under the school in which people could jump off a cliff and appear in another city, until Big Jim messed that up. Recently it became cold and nobody in town had any warm clothes to put on. The Dome started contracting, and when they began to time the contractions I wondered if next they were going to say the Dome was pregnant.

In the second season, and hopefully series, finale, everyone in town who could make it went through a tunnel where the giant suck hole had appeared. The final moment showed Melanie once again back from the dead, saying “Follow me, we’re going home.”But isn’t Chester’s Mill their home? If the show returns next summer, we will presumably see where Melanie leads them. I wouldn’t be surprised if they follow her, perhaps to an intermediate destination, and they ultimately wind up back in Chester’s Mill, like Patrick McGoohan trying to leave The Village. I imagine that if it doesn’t return, we can just assume that they escape, possibly coming back to rescue those who didn’t make it.

Doctor Who The Caretaker

On Doctor Who, The Caretaker returned to its 1963 roots at Coal Hill School, and Gareth Roberts, writer of episodes such as The Lodger, once again showed the Doctor attempting to blend in with humans. The killer alien story was weak, and primarily existed as a vehicle to have the Doctor finally meet Danny Pink. Along the way the Doctor got mislead when seeing Clara speaking with a fellow school teacher wearing a bow tie, thinking that she had fallen for someone who looks like his previous regeneration. While we had long been led to believe we will have another couple in the TARDIS, with Clara and Danny replacing Amy and Rory, it now looks like there once again might be two schoolteachers and a student, with Courtney joining along, at least temporarily, despite being a disturbance:

Clara: “I would say, yes, I’m afraid Courtney is a disruptive influence.”

Response: “Yeah, but last year you said she was a very disruptive influence. So I suppose that counts as an improvement.”

Courtney discovered the TARDIS after ignoring the Doctor’s sign to keep out, or more precisely, “Go Away Humans.”

The meeting between the Doctor and Danny Pink didn’t go very well. The Doctor continues to object to soldiers, apparently forgetting all the time he spent with UNIT, along with many other individual soldiers over the centuries. Danny sees the Doctor as an arrogant aristocrat, concentrating on the Lord part of Time Lord. He also wondered about about Clara (“Are you a space woman?”).

The episode also introduced another gadget for the Doctor, an invisibility watch. This raises the question of why this was never used on many occasions when it could have come in handy in the past, and whether it will be used again. Another plot hole which we will just have to ignore.

Among other top lines of the episode:  “You’re running out of time.” “For what?” “Everything! Human beings have incredibly short lifespans. Frankly, you should all be in a constant state of panic. Tick tock, tick tock.”

After not seeing this in recent episodes, The Caretaker also showed a character who died in the episode wind up in the Nethersphere, or perhaps Heaven.

OUT_108-20140501-ND_0513.jpg

Saturday night’s other time travel series, Outlander, got deeper into time travel in the mid-season finale. Frank heard of the possibility of time travel at Craig na Dun, and by the end of the  episode was willing to accept it as a possibility. In addition to seeing a poster with a reward for information related to Claire, there was another poster in Frank’s era seeking information about someone who sure looks like Jaime, suggesting that he might also wind up traveling in time.

It was surprising that a spy like Frank would fall into such an obvious trap when seeking information about Claire, but he was quite well prepared to take care of himself. He seemed to enjoy beating up his attackers too much, perhaps intending to show a comparison between the violence of his evil ancestor and Frank. Are we to question which husband Claire is really best off with?

The episode had a tease that Claire might return home. At very least she did hear Frank calling out to her through time, but it was intentionally left ambiguous as to whether Frank could hear Claire calling back. Just before getting a chance to return, she fell into the hands of Black Jack once again, with her attempts to deceive him failing. We don’t know  how Jaime managed to get into his window, but he came to attempt to save Claire just before she might have received an involuntary mastectomy. We will see what happens next when Outlander returns in April.

Arrow Oliver and Felicity

Arrow returns October 8 and Marc Guggenheim has discussed the upcoming season:

“He is going to get some new toys to play with,” Guggenheim said. “One of them is a new bow that looks identical to the old bow, but it does something that you’ve never seen before.” Guggenheim disclosed that the explanation behind Oliver’s new equipment will be detailed in DC Comics‘ currently unfolding digital-first series “Arrow: Season 2.5,” taking place between the second and third seasons.

While “Arrow” has traditionally been more grounded, the show’s second season embraced superpowers a bit more, both in laying the groundwork for spinoff “The Flash” and in Slade Wilson and his Mirakuru-fueld army that served as primary antagonists. With “The Flash” now its own series on The CW, Guggenheim stated that “Arrow” will return to a more realistic direction.

“We’re not really planning on revisiting superpowers or enhanced abilities during season three,” Guggenheim told Weiland. “We are really returning to the show’s roots of a very grounded world where it’s very realistic. We may take occasional artistic license with things, but for the most part, everything is pretty well and truly grounded in real-life things and real-life science.”

Another DC comic-based series began with the premiere of Gotham. I think we will need to see more to determine if is worth watching a show with Bruce Wayne before he became Batman. While it includes the origins of several villains, I think we will have to view this as another version of the legend, not connected chronologically with other Batman stories. While we think of the murder of Bruce’s parents as occurring years ago, Gotham appears to take place in the present (or a parallel universe were cell phones have been around a lot longer).

Syfy has renewed both Defiance and Dominion.

CaptainKirkShatner_1

There have been a number of rumors, denials, and perhaps an admission that J.J. Abrams has spoken to William Shatner about doing a cameo for his third Star Trek movie. I have my doubts as to whether it is a good idea, but it is more plausible now than in the first Abrams movie in which Spock from the original time line went back in time. Kirk could not do that because in that time line he was dead. However this doesn’t prevent a future Kirk from being seen from the Abrams time line.

There is yet another rumor that the next Avengers movie will be split into two parts.

If Ayn Rand wrote Buffy The Vampire Slayer

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SciFi Weekend: Doctor Who; Sleepy Hollow; Outlander; Agents of SHIELD; Gracepoint; Blacklist; Arrow; Supergirl; The DC Cinematic Universe; Revenge; How I Met Your Mother Alternate Ending

Doctor-Who-Robot-of-Sherwood-Villain-620x370

Doctor Who‘s third episode of the Capaldi era, Robot of Sherwood, was the lightest of the season. The episode, written by Mark Gatiss, almost seemed to be outside of the continuity of the season, being a story which could be watched at any time and which could easily have happened under Matt Smith or an earlier Doctor. The episode begins with Clara on the TARDIS, showing nothing of her home life, ignoring the recent addition of Danny Pink to the show. There are no scenes of Missy, but there was a brief reference to a space ship searching for the Promised Land.

The episode does have several references to classic Doctor Who. For example, the black and white still of Robin Hood from the TARDIS database is from a 1953 BBC show in which Patrick Troughton played Robin.

Despite the Doctor’s insistence that “I am totally against bantering,” the episode is amusing for its banter between the Doctor, Clara, and Robin Hood, along with its mocking of the traditional tropes of the action/adventure show. This was best seen in the dungeon scene as the Doctor and Robin discussed their plans to escape. They  included the classics: “get interrogated and turn the tables” and “pretend to be sick so the jailer will come in.” Clara excluded one Doctor Who solution which is utilized too often: “Can you explain your plan without using the words ‘sonic screwdriver'”? For once, an enemy took the sonic screwdriver away.

The Doctor had his own unique answer to the hero who fights but carries no weapon: “I don’t need a sword. Because I am the Doctor. And this is my spoon.” There was also a look at the nature of legends and heroism. Instead of being compared to the Daleks in Into the Dalek, this week the Doctor was compared to Robin Hood, even if it took a while for the Doctor to acknowledge Robin’s”reality” within this universe. We knew from the title that robots were involved, but it was not clear until the end as to who would be real and who would be robots.

Above is the Doctor Who Extra for Robot of Sherwood. While I posted the Doctor Who Extra for Into the Dalek with last week’s review, I initially did not post the video for Deep Breath as initially it was available for view within the U.K. only. Doctor Who Extra has since been made available internationally. The video for Deep Breath can be viewed here.

One scene was cut from the broadcast episode involving a decapitation in response to the recent decapitation of two journalists by ISIS. DoctorWhoTV described the cut scene:

In the original version of the final sword fight, the Sheriff gets the upper hand on Robin disarming him and putting his sword to his neck. Robin looks doomed but the Doctor throws a cloth tapestry over the Sheriff blinding him. Robin picks back up his sword and decapitates the Sheriff. His head rolling across the floor.

Clara congratulates Robin on his apparent victory, but the Sheriff’s severed head suddenly starts talking! He reveals that the skyship fell on him and the knights made him half-robot.

Behind Clara the Sheriff’s body gets back up and puts a sword to her throat ordering the Doctor and Robin to surrender. Robin picks up the Sheriff’s head and throws it back to the Sheriff’s headless body. He puts his head back on. And the fight scene resumes as was shown.

In total about a minute of footage was lost and of course the reveal that the Sheriff was a robot.

Next week’s episode, Listen, sounds much darker, despite reportedly containing Clara and Danny’s first date. The episode is being compared to perhaps Steven Moffat’s greatest episode so far, Blink. Trailer above.

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Sleepy Hollow had poor timing with their National Headless Day promotion, and did not manage to get this canceled before seen as Doctor Who did with its beheading scene. For more mundane promotion, here is the official synopsis of the first episode of season two:

Episode 2.01 – This Is War (22-Sep-2014)
In Sleepy Hollow, it would seem as though the status quo has been restored, but things in the formerly quaint town are never truly as they appear. Even now, how Crane managed to escape being betrayed and buried alive by his son, Jeremy (aka Henry Parish, aka the newly minted Horseman of War), or how Abbie freed herself from Purgatory, remains a mystery… even to them. What appears certain however is that while both Katrina and Jenny have apparently been lost, the Two Witnesses have not abandoned their quest to fight tirelessly against Moloch and his minions. Meanwhile, Moloch’s malevolent forces use all the powers at their disposal in an attempt to locate a key – once belonging to Founding Father Benjamin Franklin – which is capable of unlocking the gates of Purgatory. After using his unique skills on an unanticipated prisoner, Sin-Eater Henry Parish discovers a clue which points him in the direction of the valuable artifact, but Crane is intent on finding it first. While in Purgatory, Moloch works to raise a demonic army in preparation for his invasion, but those who would prevent the hoard’s advent get help from an unexpected source. Meanwhile, we learn that Jenny and Katrina are both still alive, though each is being held prisoner for vastly different reasons, and Crane takes the inadvisable action of re-entering Purgatory in order to fulfill a promise.

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Doctor Who is no longer the only time travel show on Saturdays. Even before Outlander began, critics who received the first six episodes were saying the sixth was by far the best. With the cliff hanger last night,next week’s episode, The Garrison Commander does look like it could be a major episode.

Claire was left with a big decision. She could tell the Red Coats that she was willingly with Dougal and stick with the enemy she knows, knowing she does have Jamie to protect her, or risk the unknown of seeing whether the British would really treat her any better. From the previews it looks like she does wind up with the Red Coats, but that doesn’t explain the situation under which this occurs or what her answer is. The episode also had added interest when Claire understood that Dougal’s motives were more noble than she first thought, but that he and his clan were ultimately doomed. She experienced the  frustration of being a time traveler and being unable to do anything about the future.

ABC has released a synopsis for the second season of Agents of SHIELD:

Marvel’s Agents of S.H.I.E.L.D.” returns for a dynamic, action-packed second season, with newly appointed Director Phil Coulson (Clark Gregg) – now the keeper of the secrets — charged with rebuilding and restoring government and public trust in S.H.I.E.L.D. in the wake of the events of “Marvel’s Captain America: The Winter Soldier,” where it was revealed evil Hydra agents had infiltrated the organization. Ever since the existence of super heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Agent Phil Coulson, who had died at the hands of Loki during the battle, was resuscitated and brought back into action, assembling a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But the biggest threat was growing from within, as S.H.I.E.L.D.’s old enemy, Hydra – a dangerous extremist group Captain America fought against in World War II – had secretly infiltrated and infected the organization at the highest levels. Once revealed to the public, S.H.I.E.L.D., including Coulson and his team, was discredited and made to look like the enemy. The world now views S.H.I.E.L.D. as untrustworthy, and it’s Coulson’s job to change that opinion.

After helping to thwart Hydra, Coulson was appointed as Director and tasked with rebuilding the agency. This won’t be an easy job to accomplish with the majority of S.H.I.E.L.D. agents either killed, secretly working for Hydra or free agents. Agent Melinda May (Ming-Na Wen), expert pilot, martial artist and longtime friend, will continue to look after Coulson in the wake of the mysterious etchings he’s been carving into walls. What do these etchings mean, and can Coulson be trusted? Grant Ward (Brett Dalton), highly trained in combat and espionage, was found to be a Hydra mole and a traitor to S.H.I.E.L.D. and locked up away from the world and his former teammates. But this isn’t the last we’ve seen of him… After being left to die in the middle of the ocean by Ward, Agent Leo Fitz (Iain De Caestecker), brilliant engineer, and Agent Jemma Simmons (Elizabeth Henstridge), genius bio-chemist, found a way to escape their watery grave. But all did not go well for Fitz, who was left in a coma and may never regain his full cognitive functions; a devastating blow to Simmons. And computer hacker Skye (Chloe Bennet), now a full-fledged S.H.I.E.L.D. agent, discovered her origins as a 0-8-4 — an object of unknown origin – and that her parents were considered “monsters.” Could Skye have darkness lying dormant inside of her? Also joining Coulson’s core team is Lance Hunter (Nick Blood), a dashing mercenary sharp shooter with a quick wit. Since he didn’t rise up through the ranks, does he have an ulterior motive for helping out the team?

Who can Coulson trust?

Fox has released a teaser for Gracepoint, staring David Tennant and Anna Gunn. It just feels like Broachchurch where they got things wrong.

There are some spoilers for season two of The Blacklist here.

Arrow has cast Matt Nable in the role of Ra’s Al Ghul. Thea will also have a new love interest.

Supergirl might be the next DC character to get her own television series.

The Nerdist has a look at what is known about the planned DC cinematic universe which follow Superman, Batman, and Green Lantern. Future movies include the Justice League of America, Shazam, Wonder Woman, and Aquaman. AV Club has more on Shazam on how it will differ from other DC movies.

There’s further talk about a movie version of 24.

Syfy is planning a six part miniseries adaptation of Arthur C. Clarke’s Childhood’s End. If done well, this could be one of the network’s greatest features to date.

Revenge tried to drag out the storyline from its first season way too long, and it looks like they are making the right decision in changing the show around. BuddyTV has some spoilers as to what will change next season:

With David Clarke’s name cleared, will Emily’s quest for revenge be over? Conrad was imprisoned and is now presumably dead and the great Victoria Grayson has been left to rot in a mental institution. Plus, Emily’s father is actually alive!

That will be an awkward reunion. Emily went against her father’s wishes and left the sweet Amanda Clarke behind and became a ruthless killer instead. Her life will be turned upside-down with the news.

Executive Producer Gretchen J. Berg teased, “The drive of season four will be Emily discovering who Amanda Clarke is and Emily figuring out her new life with her father in it. I don’t want to say when she’s going to discover that, but that’s going to be our arc for the season.”

In addition to Emily unraveling her true identity, it looks like she’ll have to contend with being the target of someone else’s revenge. The tides have turned!

Victoria does the voice over for the first Revenge Season 4 Trailer, “My name is Victoria Grayson and I have a story to tell. Over the past three years my family was destroyed, the love of my life murdered, my freedom taken away. When everything you love has been stolen from you, someone has to pay. Emily Thorne, I’m coming for you.”

…When we last saw Jack, he was being arrested for Charlotte’s kidnapping. He’ll take the cuffs off and become the one putting them on others when he becomes a cop. Yes, Jack likely will be donning a uniform!

What will happen when Emily and Victoria find out David’s alive? Executive Producer Aaron Harberts told EOnline, “He may not be the most emotionally and psychologically stable and if Victoria is the first person to get to David, she might be in control of that guy, which sort of presents her power running through the season,”

Copies of the promised alternate ending to How I Met Your Mother have been appearing on line but have been taken down. I don’t know how long it will be here, but at the time of posting I have found the above video of the entire final episode, with alternate ending to the finale starting around 37 minutes in. The options are somewhat limited as it can only contain what was already filmed, but it does have new narration from Bob Saget. While the alternate ending therefore could not show any new scenes of Ted and Tracy in the future, it was still a far better ending for the series than the one that aired.

As I discussed in my review of the finale, the ending made sense when first filmed early in the series run, but no longer made sense from where the show ultimately wound up. Viewers had too much invested in Tracy in the final season to just see her quickly die. Having Ted and Robin ultimately get together was the obvious ending during the first season, but it no longer made sense to have Robin and Barney break up for this to occur after spending so much time making this implausible relationship make sense, and spending the entire final season at their wedding.

While we were denied more scenes of Ted and Tracy leading up to the moment when Ted was telling the story to his children, there remains the opportunity to see Cristin Miloti alive, but in a different relationship, on the upcoming sit-com, A to Z. The pilot has been released for early viewing.

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SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more

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Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”

sopranos2

I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

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SciFi Weekend: Babylon 5 and Blake’s 7 Reboots; Doctor Who; Captain America; Agent Carter; Agents of SHIELD; Defiance; Big Bang Theory; Google Maps Adds The Moon and Mars

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J. Michael Straczynski has announced plans to reboot Babylon 5 as a movie. One reason for doing it his way is that Warner owns the television rights but Straczsynki retained the feature film rights:

Speaking at San Diego Comic Con last week, Straczsynki announced that he would soon be sitting down to write a Babylon 5 feature film, which is envisioned as a reboot of the iconic sci-fi series. JMS said that he plans to get the script locked down by the end of 2015 and the film would then enter production the following year in 2016.

Next to nothing is known about the plot for this Babylon 5 feature film, beyond the fact that it is a reboot of the concept seen in the series. That said, J. Michael Straczynski has stated that he would like to use cast members from the series, such as Bruce Boxleitner and Mira Furlan, in new roles in the feature film. “I’d love to see Bruce as the President of the Earth Alliance”, he said.

The hope is that Warner Bros, who produced the Babylon 5 television series, would step up and green-light a “big budget” feature film once the script has been completed. But owing to the nature of the deal that Straczysnki inked with the studio to produce Babylon 5 in the early 1990s, he, rather than Warner Bros, owns the feature film rights to the show. Should Warner Bros. choose not to greenlight a B5 movie, Straczynski would still proceed with the feature, which would then be funded and produced through his Studio JMS banner on a budget of $80 – $100 million.

Although Syfy passed on the show, there is still some hope for a remake of Blake’s 7.

The BBC has renewed Doctor Who for an eighth season since the show returned, again staring Peter Capaldi, with the shows to be presented in a continuous run. Steven Moffat said recently that there are no plans for either the return of the Master or for a tenth anniversary show (which would seem strange after doing a 50th).  Moffat has also expressed a willingness to do a Doctor Who/Sherlock cross over, but others involved are not interested. Would it look something like the video above, except with Peter Capaldi instead of Matt Smith?

Above is, perhaps, how Captain America: The Winter Soldier should have ended. Directors Joe and Anthony Russo discussed their upcoming projects, Agent Carter and the third Captain America movie:

Before turning their attention to the next feature, the Russos are directing several episodes of the spin-off TV series Agent Carter, debuting on ABC in January 2015. The miniseries follows the solo adventures of Peggy Carter, the love of Captain America’s life and founder of S.H.I.E.L.D. in the 1940s. From there, the brothers will tackle the third film, which picks up “a couple years” after Winter Soldier left off. Although the heart of the movie will be Steve Rogers’ complicated relationship with his childhood friend Bucky Barnes, the themes of politics and power will still be in play. “The character was invented for an explicitly political purpose. So it’s hard to get away from that nature,” Anthony tells Yahoo. It’s also important to the directors that Captain America doesn’t become another disillusioned antihero. As Joe sees it, “his morality is part of his superpower.”

While they’re not leaking any major details from the 2016 film, the Russo brothers promise that they’re “bringing some new elements to the table that will give us a twist on Winter Soldier.” Does this mean that Steve Rogers will pass the Captain America shield to Bucky Barnes (aka the Winter Soldier) or Sam Wilson (aka the Falcon), both of whom have donned the stars-and-stripes in the comics? With actor Chris Evans shifting his focus to directing, and Sebastian Stan and Anthony Mackie already in place as the Winter Soldier and the Falcon respectively, the next film could allow a new hero to step in.

Elsewhere in the Marvel universe, FBI Special Agent Dale Cooper (Twin Peaks) will be meeting SHIELD. Kyle MacLachlan  has been cast to play Skye’s father on Agents of SHIELD. Chloe Bennet said at Comic-Con that next season will also involve more hair. Skye will have bangs and Brett Dalton will do the evil-Spock thing of the mirror universe and have a beard as the evil Grant Ward.

Defiance Cast

Defiance has done a good job of creating a world with numerous well-developed characters and alien races, but often while watching I wonder if there is any point to it all. It lacks the big story ideas of a Babylon 5 or Battlestar Galactica. The showrunner, Kevin Murphy, did work on BSG and I am glad that he got away from the idea of doing the show as a “science-fiction crime of the week.”

AX: How did DEFIANCE started and how did it change when you came onto the project during its development?

KEVIN MURPHY: The original version was a little more of a closed-ended procedural, it was kind of more of a science-fiction crime of the week, and we were in the process of changing that when CULT got picked up and [original DEFIANCE co-creator/show runner] Rockne O’Bannon left. I then had a choice that I wasn’t sure that the show was going to work in the incarnation that it currently was in, and I didn’t want to have responsibility for something that didn’t work. So I gave Syfy a choice. I said, “I’ll transition you into your next show runner, and I’ll make sure that casting continues and produce the pilot, but I’m not going to stay on for the series unless I believe in the show.” And they were like, “Well, what would you want to do to it?” And it was basically, “Well, it involves getting rid of pretty much all the scripts, and let me give you my pitch.”

So I did the pitch, worked it out with the writing staff, and at this point, it was Rockne’s last day, and he was helping us to kind of reconceive it, and Scott Stewart, the director, was very involved in the process, and so was Michael Taylor, who had worked on BATTLESTAR GALACTICA and was a member of staff under me. And we pitched the whole thing to [then-Syfy Channel president] Mark Stern while he was driving in his car on vacation with his family in Palm Springs. And he had his wife and kid in the vehicle with him, and the pitch lasted about ninety minutes, because we pitched the entire story from beginning to end, every single beat, and by the time he pulled into the hotel in Palm Springs, we had finished our pitch and he was like, “Okay, I love it. Go write it.”

AX: Did you make major changes to the characters?

MURPHY: The PAPER MOON thing I added, the idea that Nolan [the town’s new law officer, played by Grant Bowler] came in from the outside and that he was a con man and a drifter and a huckster and a criminal. That was all stuff that I added. The idea that Amanda has only been mayor for six weeks and she’s the former mayor’s assistant and no one takes her seriously, that was an addition; the idea that Irisa [Nolan’s adopted Irathient daughter, played by Stephanie Leonidas] uses knives and Irisa being sort of the feral badass was an invention of mine. And Michael. When I say “me,” I’m including Michael Taylor, who was definitely my partner in crime. We would not have gotten that script in the shape it needed to be in without Michael at my side.

The Werewolf Transformation

In follow-up of an item from last week, the cast of The Big Bang Theory did settle on a new contract. The top three stars, Jim Parsons, Johnny Galecki and Kaley Cuoco, will each  earn $1 million per episode for the planned upcoming three seasons, and there is talk of potentially adding an eleventh season.

Google Maps has added maps of the moon and Mars. I imagine that going off the earth was inevitable once they added the TARDIS to their maps.

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Quote of the Day

“Marvel Comics announced that the next Captain America will be black. He has the same powers as white Captain America except he has to show ID when he votes.” –Bill Maher

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SciFi Weekend: Arrow; The Flash; Agents of SHIELD; Gotham; Doctor Who; Hannibal; Daredevil; True Blood; The Leftovers; The Last Ship; 24; Penny Dreadful

Arrow Oliver Felicity

TV Guide interviewed Andrew Kreisberg about the third season of Arrow:

Can Arrow‘s consummate hero have it all?

The third season of The CW series will dare to answer that question when Oliver Queen (Stephen Amell) attempts to have his cake and eat it too — in this case, that means being a superhero that the residents of Starling City actually respect while also trying to have a personal life. It’s harder than it sounds — something that Ollie will learn fairly quickly into the season.

But Oliver’s love life won’t be the only thing that’s complicated this season, especially since two of his ladies will actually be getting love interests of their own! TVGuide.com tracked down executive producer Andrew Kreisberg to get the scoop on the new season, including a surprising return from the dead, the future for Team Arrow and new villains ahead:

Will there be a time jump when the show returns?
Andrew Kreisberg: 
We’re going to jump the same amount of time that we did last year. It’ll be real time. It’ll be seven or eight months later. For Oliver, things are good. As we like to say, everything is coming up Arrow. Crime is down. At the end of last year, there was victory. A lot of this season is about what happens when you win and how winning isn’t always as easy as it looks.

What does it mean for Oliver now that the city actually accepts him?
Kreisberg: 
In the premiere, Lance (Paul Blackthorne) actually disbands the anti-vigilante task force in his new role as Captain. The Arrow is free to do his thing and it’s different for Oliver. He spent the first two years being hunted and distrusted. Now, he’s starting to feel like he has this under control. And then, of course, as Joss Whedon taught us all, you let your characters have a moment of happiness and then you take it all away from them.

You seemed to be setting the stage for Ra’s al Ghul to be the villain in Season 3. Is he actually the villain? Can you say anything about the new villain?
Kreisberg: 
It’s big. I can say that he’s big and he’s bad. We’re still figuring that stuff out. As far as the Big Bad, there will be Big Bad. Even last year, everybody was a subset of Slade’s (Manu Bennett). Slade was the Big Bad. We will meet other villains along the way, as always. We’ll have recurring villains and new villains we’re starting with this year and people who are coming back from the previous two seasons.

Felicity (Emily Bett Rickards) and Oliver are going on a date in the season premiere. How do you avoid the TV trope that a hero can’t be with the woman he loves just because of his duty?
Kreisberg: 
When you see the premiere and you see how things shake out, you’ll come to a very sympathetic understanding of both of their positions. The premiere last year was a microcosm of what was happening for the whole year. In the same way that the premiere of last season was really about Oliver struggling with whether or not he should be the Arrow, in this season premiere it’s, “Can I have everything I want?” That quest is going to take up his entire year, and hers.

How much of a foil will Ray Palmer (Brandon Routh), Felicity’s new rumored love interest and head of Queen Consolidated, be to Oliver?
Kreisberg: 
A big foil. It’s Season 3, and Season 3 is typically when you add that game-changing character like Buffy did in adding Faith or Everwood did with adding Scott Wolf. First of all, getting Brandon — he couldn’t be nicer, he couldn’t be sweeter. It’s just such a different energy that he’s bringing to the show. A lot of what’s funny about Felicity and Oliver is that he’s so straight and she’s the funny one. With Brandon, you get somebody who’s as tall, square-jawed and handsome as he is [and] he’s a really funny comedian. He and Felicity can have that verbal repartee that we haven’t typically had on the show. As much as the show is getting darker, it’s gotten a lot funnier. It’s just such a different energy. He and Felicity are really cute together.

The second season ended with the Black Canary giving her black jacket to her sister Laurel. This fed speculation that Laurel will become the Black Canary as in the comics. Kreisberg has a good point that she is not ready for this  yet: “As always with all of these things, you can’t just put on a mask and go running around. You’ll get killed. Laurel is still just an attorney. She’s an attorney with a jacket. I think Katie Cassidy fans are going to be very, very excited about her trajectory this year. Laurel is going to have a new love interest this season.” Caity Lotz will be returning for three episodes next season. One of the many good things about Arrow is that there is now a huge supporting cast, and even more characters are to be introduced. This allows them to have a variety of characters for parts of a season as opposed to having exactly the same characters from week to week. There will also be a cross over with The Flash next season in the eighth episode of each show, and Felicity will appear in the fourth episode of The Flash.

There has been contradictory information as to whether The Flash and/or Arrow will cross over with the DC cinematic universe in the manner in which Agents of SHIELD does with Marvel. The latest story is that DC Entertainment Chief Creative Officer Geoff Johns says the television shows and movies will be kept separate. Presumably this will mean that the Flash seen in the Justice League of America movie would be a different character than on the television show. While it would be entertaining to have the television and movie universes combined, there are advantages of keeping them separate. This allows for greater flexibility with the television shows not being confined by the movie universe, avoiding the problems faced by SHIELD most of its first season.

BRETT DALTON

Agents of SHIELD executive producers Jeffrey Bell, Jed Whedon, and Maurissa Tancharoen were interviewed about plans for the second season, now that the show is no longer constrained by waiting for Captain America: The Winter Soldier to reveal HYDRA’s infiltration of SHIELD.

Will there be consequences for Grant Ward for all that he had done last year?

“I would assume so,” Maurissa Tancharoen said. “Let’s put it this way: They’re not gonna just drop him on a farm and let him run wild.” Jed Whedon added. “When last we left him, he was in our custody. What does that mean? You’ll have to see,” Maurissa teased.

What are you specifically excited about for Season 2?

“I think the fact that when we left them, S.H.I.E.L.D. had completely crumbled… so just the idea of Coulson and our team, sort of left with nothing, or limited resources… I think we’ll be rooting for them to rebuild S.H.I.E.L.D.,” Tancharoen said.

“It’s a lot harder to protect the world when you don’t have any resources. Last year we saw how giant and all-consuming S.H.I.E.L.D.’s reach was, and they don’t have that anymore, so it’s much more of a struggle. They’re much more the underdog this year, which we’re really excited about that, and the tone that it sets, and what it does to our characters.” Whedon added.

This “ragtag team” has Maria Hill as a contact and she’s working for Tony Stark. Couldn’t she talk to him to hook them up with some money?

“We hope so! That’d be so cool!” Whedon responded. “Maybe so,” Tancharoen said. “That’s a good question.”

“Tony Stark doesn’t know Coulson’s alive, so it might be really awkward. It’d be weird,” Jeffrey Bell chimed in. “They could set up a Coulson Memorial Fund and channel that into S.H.I.E.L.D.,” he joked.

So with Phil Coulson now being the head of S.H.I.E.L.D., the Avengers still don’t know he’s alive?

“That’s a complicated question. One might assume, but you can’t assume anything, and they have their own movie that exists…” Whedon said, with his brother, of course, directing Avengers 2: Age of Ultron to come out next year.

“At least on screen so far, that hasn’t happened,” Bell said.

Will we be seeing Fitz (Iain de Caestecker) sooner rather than later?

“That’s a good question. When last we left him, we didn’t know exactly what happened to him. We just know he’s alive,” Tancharoen teased.

Gotham

TV Guide has more information on Gotham:

There will be no cape. There will be no cowl. Nevertheless, Fox’s Gotham intends to stay true to the Batman comics that fans have come to know and love over more than seven decades.

Based on DC Comics characters, Gotham explores the origin stories of the Caped Crusader’s eventual ally James Gordon (Benjamin McKenzie), a detective with the Gotham City Police Department, and his battle with the villains who made the city famous.

“What we won’t do is break the canonical iron truths of the mythology,” executive producer Bruno Heller told reporters at the Television Critics Association’s fall previews on Sunday. “It’s not a whole new mythology. But issues of chronology, we will play with in a fun way.”

Instead of Bruce Wayne (David Mazouz) taking center stage in the effort to save Gotham, James Gordon will be the central focus as he fights the ever rampant corruption and crime alongside his partner and mentor Det. Harvey Bullock (Donal Logue). “Gordon is the lynchpin of the show,” Heller explains. “He’s the guy who creates Batman or gives permission for Batman to exist in this world. Gordon will still remain at the central, but it’s very much about [the origin stories of every character], but Gordon is the moral center that you can identify with.”

Though Heller said that Batman won’t appear on the series, he doesn’t believe that will drive the fanboys away. “I don’t think so because the really interesting parts of the stories is the origin stories,” Heller says. “As soon as you’re into the capes and the costumes, it’s less interesting than how the people got there.

“If there is a superhero in this show, it’s Gotham,” he continues. “That’s a larger than life character that’s a central part of the show. To me, heroes are more interesting than superheroes because precisely the difference is superheroes do the impossible, and drama is really about the physically possible. This is about people and people trying to overcome real problems as opposed to trying to learn how to fly.”

But where do Gothamites find hope when the city’s villains of are running free with nary a hero (or the hope of one) to stop them? After all, Bruce Wayne hasn’t even started shaving yet! “That’s the situation that the show is all about,” Heller says. “How do you deal with crime of this level when there are no superheroes? It’s as much about the hope and the struggle that they’re engaged in… It’s about men and women, not about superheroes.”

And those men and women truly will be overrun. Though the first season delves into the rise of the Penguin (Robin Lord Taylor), the series pilot introduces a fair amount of villains for the show to play with, including Catwoman (Camren Bicondova), The Riddler (Cory Michael Smith), Poison Ivy (Clare Foley) and Fish Mooney (Jada Pinkett Smith). “You have to front-load the pilot with the best that you’ve got because that’s the way that you’ve got to open big,” Heller says of introducing so many villains. “As the show rolls on, we’ll be far more … careful with how we roll out the villains and in what way.”

Trailers for the upcoming season of Doctor Who above (one official and one from a fan).

With Laurence Fishburne having a roll on a new show next season, Black-ish, there has been speculation that this might mean that he did not survive the massacre in the second season finale of Hannibal. Fishburne says he is returning, and will do both shows part time. He also says the third season of Hannibal will be very dark–as if the first two seasons were so light and cheerful.

Looking back quickly on some genre shows of the past week, I was happy to see True Blood end some of its weak plot lines and get rid of some of the superfluous characters. This almost gives them yet another fresh start going into the final episodes of the series, and I hope they take advantage of this to end with a better story line.

The_Leftovers_65223

The Leftovers dealt with Christopher Eccleston’s character. As we know that it will not deal with any sort of explanation of what  happened to the missing people, to be successful the show will need to get viewers interested in the characters and how they responded to the other people disappearing. So far they have not done the greatest job of introducing the characters and adequately explaining their motivations. Earlier episodes dealt heavily with the police chief and his family, but it is not clear why his family is so affected considering that nobody in their family disappeared. Entertainment Weekly compared The Leftovers to Battlestar Galactica in the way in which both shows dealt with a loss of a portion of the population. Both the disaster and the manner in which the response were handled was greater on BSG.

While The Leftovers does have that in common with Battlestar Galactica, The Last Ship has far more in common in dealing with a ship of people surviving after mass deaths. It remains more of an action/adventure show than hard science fiction, but remains entertaining summer television.

Under the Dome remains weak (to put it gently), yet somehow remains interesting to watch. The same problems persist with the Dome having powers with no apparent limits but no clear motivations for those using the power. Now it was able to bring a girl who died years ago back to life. Plus Junior’s mother was also confirmed to be alive after her reported suicide.

24: Live Another Day concluded its short season. A shorter season was a plus, but it would have been even better if it ended a few episodes earlier when the main terrorist plot was tied up. In the past, full seasons suffered from the need to move from one plot line to another to keep things going for an entire twenty-four episodes. Now that they were freed from those constraints it would have better to tell one single story well, regardless of how many episodes it took. Then they had to tag on yet another quick story at the end to put Chloe in danger to set up Jack’s fate. The producers of 24 have not yet said whether the show will return. I’m sure that depends upon a lot upon the ratings.

Extant remained interesting in its second episode. I still fear it will turn out to be a network television rehash of old science fiction (and Spielberg)  troupes but I’m willing to give it a chance to prove me wrong.

Penny Dreadful Eva Green

Penny Dreadful ended earlier this month and I should note that after seeing the entire first season that it was well worth watching. The plot was not the strong point but it did excel in creating its characters and a world where fictional characters including Dr. Frankenstein, Dorian Gray, and others interacted. The show had a strong cast including Timothy Dalton, Josh Hartnett, and Billy Piper, but by far the strongest was Eva Green. The actual story such as fights with vampires weren’t terrible significant except as ways to introduce the characters and set up future events. Early episodes showed some violent deaths and, while there were some clues, the probable identity of the killer wasn’t revealed until the finale, undoubtedly influencing the second season. The show also made good use of episodic television, both having continuing stories and using some episodes to reveal character back stories or past events.

James Gardner, star of shows including The Rockford Files and Maverick, died yesterday at 86. Reports from Variety and The New York Times.

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