SciFi Weekend: Time After Time; Arrow; X-Men Casting News; Dark; Sense8; Santa Clarita Diet; Shows From Matthew Weiner and Amy Sherman-Palladino on Amazon; Doctor Who; Star Trek Discovery Air Date; Saturday Night Live

Time After Time is the next network time travel show to premiere. TV Guide answers some questions about it:

Is this really about Sexy Jack the Ripper and Sexy H.G. Wells? Boy, is it! You see, back in the day, before H.G. Wells wrote any of his now legendary novels, he apparently built a real time machine. He was showing off this game-changing piece of machinery to his good friend John — who, as it turns out, is actually the notorious anonymous serial killer Jack the Ripper. And once John discovers the authorities were hot on his tail, he uses the time machine to hightail it to modern-day New York City. Realizing he’s the only one who can stop John from killing again, H.G. follows his old friend to the future, where the world’s sexiest cat-and-mouse game begins!

Is it weird to feel attracted to Jack the Ripper? Yes and no. It’s totally weird to be sexually attracted to a serial killer, but the charismatic power of Josh Bowman is also impossibly hard to deny. Plus, this version of Jack the Ripper isn’t completely evil. There is a part of John that does want to change and leave his psychopathic, murderous tendencies behind. It’s a small part, but it’s big enough that you should feel slightly less confused by your newfound crush on the legendary murderer…

Don’t we have enough time-travel shows on TV right now? While time-travel is definitely one of the TV trends of the season, Time After Time isn’t exactly a time-travel show. In its second episode, the drama establishes its rules for time travel – ones which make it very dangerous to actually travel through time too often. That’s why H.G. Wells doesn’t simply go back in time to stop John from ever taking the time machine in the first place. It’s also why the show only time-travels four times in the first season.

Instead, Time After Time is far more interested in exploring how H.G. Wells’ adventures in modern-day Manhattan eventually inspire him to write The Time Machine, The Invisible Man, The Island of Dr. Moreau and War of the Worlds, which is a fun way to fully take advantage of having H.G. Wells as the show’s dashing protagonist.

The identity of Prometheus has been revealed on Arrow. TV Line spoke with the show’s producer and actor who played him, noting how this differs from the comics:

In the comics, Chase’s alter ego is Vigilante, but the producers chose to flip the script “because everybody would be thinking, ‘Of course he’s going to be Vigilante,’” executive producer Wendy Mericle explains. “We thought it would be a really fun twist to… take the comic-book mythology and turn it on its head and see what kind of story we can mine from a surprise like that. It was also something different for this season. We wanted to change up how we introduced the Big Bad and when we did it.”

…Although viewers are now aware of Prometheus’ true face — he exposed his mug to the audience when he took off his mask following a fight with Vigilante — Team Arrow will remain in the dark for the time being. As a result, the show gets to have “fun” as the characters continue to “interact with Adrian Chase in City Hall and elsewhere without knowing his real identity,” Mericle describes. “We’re going to play around with that for a little while before we let Oliver and the team find out.”

And find out they will, possibly sooner rather than later. “We’re not going to leave it to the end of the season,” Segarra promises. “We’re going to get to watch the pot get stirred a little bit. It’s hard because I already know how [Oliver] reacts, and I love the way it goes. You’re going to see Chase just kind of trying to burn the world around him.”

While we no know the identity of Prometheus, we will probably not learn the identity of the person under the vigilante mask this season.

Regardless of whether they are able to use the X-Men name, we will be seeing a lot of the X-Men in some form on television. ABC will be getting an Inhumans show. FX already has premiered Legion (which is highly recommended). Fox has some casting news on their upcoming untitled show. This includes Natalie Alyn Lind of Gotham:

Written by Matt Nix and directed by Bryan Singer, the pilot focuses on two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. Lind will play Lauren, one of the children at the center of the story. Smart, pretty, popular, organized and already ahead on her college applications, Lauren is the model of a perfect kid.

Amy Acker, who has a lot of genre experience in shows including Angel, Dollhouse, and Person of Interest, will play the other female lead:

Acker will star as Kate Stewart, a woman who is struggling with her separation from her husband, Reed (True Blood‘s Stephen Moyer), and her increasingly challenging teenage children. When her family situation takes a dark turn, she finds that she’s stronger than she thinks.

As noted above, Stephen Moyer has been cast as the male lead:

Moyer will play Reed, an ambitious attorney trying to balance the demands of his job at the DA’s office with his responsibilities to his family.

Patrick Stewart recently announced his retirement with regards to playing Professor X, but now states he might reprise the role in a Deadpool sequel. As I posted on Friday, he has also announced plans to become an American citizen to help fight Donald Trump. Make it so!

Netflix has released a teaser for Dark, an upcoming show being made in Germany, which appears somewhat like a darker version of Stranger Things. The description reads, “A missing child sets four families on a frantic hunt for answers. Their search for a culprit unearths a small town’s sins and secrets.”

Netflix is reassembling the cast for a potential third season of Sense8. The second season will be released May 5.

While reviews have been mixed, I’ve been  hearing a lot of great buzz from viewers of Santa Clarita Diet. We binged a large portion of the season last night and, while certainly not a hard-core zombie show, it was very enjoyable.

Mathew Weiner’s next show, The Romanoffs, to be on Amazon Prime, sounds nothing like Mad Men:

“Romanoffs” will consist of eight hourlong episodes, each of which will tell a standalone story with no recurring plot elements or actors. The only common thread is that each episode will tell the stories of people in contemporary times who believe they are descendants of the imperial family that ruled Russia from 1613 until the Bolsheviks seized power in 1917…

Weiner came up with the notion for “Romanoffs” about a year ago, after a long break following the end of his work on “Mad Men” in late 2014. He had the chance to watch other TV shows “in a non-competitive atmosphere,” and he realized that there was room for a show of this nature. “The rise of (Netflix’s) ‘Black Mirror’ made it easier for me to explain it, even though this show is not in that genre,” he said.

Amy Sherman-Palladino also has a pilot for Amazon:

After venturing into streaming TV with Gilmore Girls: A Year in the Life on Netflix last fall, the show’s creator Amy Sherman-Palladino is trying her hand with Amazon this spring. The site announced today that Palladino’s pilot, The Marvelous Mrs. Maisel, will be among the batch of programs up in pilot season starting on March 17. The one-hour pilot stars Rachel Brosnahan (House of Cards, Manhattan) as the titular Miriam “Midge” Maisel, a 1950s housewife who starts a career in stand-up comedy. Monk’s Tony Shalhoub will play her father; Michael Zegen (Boardwalk Empire) will play her husband. Alex Borstein (the original Sookie!) is also in the cast.

Speculation this week about the replacement for Peter Capaldi on Doctor Who includes Kris Marshall and Anthony Head. Doctor Who returns on April 15 with DoctorWho TV recapping everything which is known about the series so far.

After having been delayed twice, CBS is now saying that the premiere of Star Trek: Discovery will be in late summer or early fall.

The election of Donald Trump has been fantastic for the ratings of the late night comedy shows. Having Donald Trump as a regular target has improved the material on shows including The Late Show with Stephen Colbert and Saturday Night Live. The cold open on SNL last night had Kate McKinnon portraying Jeff Sessions as Forest Gump. Of course Donald Trump will likely be upset about him being portrayed by a woman, as when Melissa McCartney played Sean Spicer.

Last night’s episode of SNL has also received a lot of buzz for the above skit:

“Saturday Night Live” just ran a nearly two-minute liberal’s dream sequence disguised as a movie trailer.

The trailer — which promises a Republican “patriot who will put country over party” — features a notable omission: a title character. The point is that no Republican has really stood up to President Trump. You get it.

Daredevil Teaser Trailer Released

Netflix and Marvel have released the above teaser trailer for Daredevil, the first Marvel show to appear on Netflix, which will be released on April 10. Showrunner Steven S. DeKnight, who previously worked on Spartacus, discussed the trailer and the choice of Charlie Cox of Boardwalk Empire for the title role:

We had all loved Charlie on Boardwalk Empire. We knew that he had the charm and the charisma but also could go to a darker place. When he came in for his audition, he just had a fascinating take on the character. It wasn’t quite the direction we were going in but it was so nuanced and well thought out that we called him back in and we talked to him and made some adjustments and he made fantastic adjustments and he had such a depth of character that we really responded to. He can exude such inner turmoil and pain that is really vital to Matt Murdock, not to mention the fact that when you’re looking for a lead, you really want number one on the call sheet to be somebody that people respect and want to be around for 14 hours a day and Charlie is just the nicest guy in the world.

He discussed the use of the black uniform, as opposed to the red one which he more commonly wore in the comics:

Really, the reason we start with this version — which is hugely influenced by Man Without Fear — is for two reasons. One, this really is the beginning, the formation of Matt Murdock a Daredevil. On the flip side, it’s the formation of Wilson Fisk becoming Kingpin. It’s very much a parallel arc. We didn’t want to start him in the [red] suit. We wanted the early days of him figuring out what he was doing and making mistakes and getting the crap beat out of him on a regular basis. His suit, which we call his vigilante outfit, in the beginning – we tried practically everything, design-wise. We experimented with a lot of different head pieces. One version was a ski mask with the eyes sewn shut. We tried everything until we found something that just felt right. And also, really going back to that Man Without Fear, I can’t say where his costume ends up, where it goes, but there is definitely an evolution.

Daredevil was also compared to Batman:

I always loved in the comics that also this is a guy that has heightened sense but no super powers. This is a guy who’s pushing himself to the limit who can get hurt and can get killed… I’m hugely influenced by the Frank Miller runs that I grew up with, where he was constantly getting the crap kicked out of him. Again, obviously there’s a bit of a heightened sense of reality that he can do what he can do and not end up in the hospital every other day. But we also touch upon why that is. Really, it’s like Batman without the money. He is just determined. It’s sheer force of will that keeps him going when a normal man would fall over and a lot of that I think, also in the Matt Murdock mythos, comes from his father and being a boxer and that kind of thing, where you just don’t quit.


WhatCulture! further breaks down the trailer.

Daredevil will be followed by A.K.A. Jessica Jones later this year. Carrie-Anne Moss of The Matrix has been signed to play a potential friend and ally of the title character, played by Kristyn Ritter. According to, “Moss plays a no-nonsense woman who could prove a powerful ally to Jessica…if Jessica doesn’t completely alienate her first.”

More on the upcoming Marvel shows on Netflix here.

SciFi Weekend: Doctor Who; Dr. Cotton’s Bizarre Ideas, Boardwalk Empire & The Knick; DC and Marvel Movie Plans; Twin Peaks; The IT Crowd & Other British Adaptations

DoctorWho Flatline

Flatline managed to provide an episode of Doctor Who which successfully combined elements of both horror and humor. While not a totally original idea, it was something not seen on Doctor Who before, and realistically few television shows manage to come up with ideas which have not been influenced by other works. Think of it as if the residents of Flatland by Edwin Abbott Abbott were to invade earth, with a touch of The Adams Family thrown in.

Besides the idea of two dimensional beings invading, there was the added component of the TARDIS shrinking when the “structural integrity is compromised.” This did contradict The Name of the Doctor which showed such leaking to cause the TARDIS to swell in size, not shrink. The shrinking of the TARDIS, with the Doctor trapped inside, did enable Clara to take a leading role in this episode. This whole situation was quite difficult for the Doctor: “I mean this is just embarrassing. I’m from the race that built the TARDIS. Dimensions are kind of our thing.”

The Doctor did win out in the end. Ultimately the aliens from the two dimensional world were defeated by their inability to distinguish a two dimensional picture of a door from a real three dimensional door.

With the Doctor separated from the action for most of the episode, Clara took on the role of the Doctor, including taking on a companion, Rigsy, and calling herself the Doctor:

Rigsy: “What are you the doctor of?”
The Doctor: “Of lies.”
Clara: “Well, I’m usually quite vague about that. I think I just picked the title because it makes me sound important.”
The Doctor: “Why, ‘Doctor Oswald,’ you are hilarious.”

Clara did show Rigsy the inside of the shrunken TARDIS leading to the classic comment, “It’s bigger on the inside.” This set up the Doctor’s response:  “I don’t think that statement has ever been more true.”

Doctor Who Flatline1

Clara also showed that she can act like the Doctor, from using the Sonic Screwdriver to using his tactics:

Clara: “I just hope I can keep them all alive.”
The Doctor: “Ha. Welcome to my world. So, what’s next, ‘Doctor Clara’?”
Clara: “Lie to them.”
The Doctor: “What?”
Clara: “‘Lie to them.’ Give them hope. Tell them they’re all going to be fine. Isn’t that what you would do?”
The Doctor: “In a manner of speaking. It is true that people with hope tend to run faster, whereas people who think they’re doomed …”
Clara: “Dawdle. End up dead.”
The Doctor: “So, that’s what I sound like?”

Ultimately, when Clara asked if she did a good job, the Doctor did respond, “You were an exceptional Doctor, Clara. Goodness had nothing to do with it.” We still have the question from the start of the season as to whether the Doctor is a good man, and whether they are doing good.

The most amusing gag of all in the episode was seeing the Doctor’s full sized hand emerge from the tiny TARDIS to walk it away from an oncoming train.  The episode was very light on Danny Pink, but we did have another amusing scene with Clara talking on the phone with Danny, hiding the fact that she was in danger. The previews do show him taking an active part next week, but it still remains unclear whether we will ultimately see a return to two teachers from Coal Hill School being companions aboard the TARDIS as was teased last summer.

The ending scene with Missy took a different turn from her previous scenes, with Missy saying, “Clara, my Clara. I chose well.” It has already been suggested that it was Missy who gave Clara the Doctor’s phone number back in The Bells of Saint John, but we still have no idea as to what Missy’s overall plan is. Also uncertain is whether this has any connection to Clara’s role in The Name of the Doctor to become fragmented in time and have a role in each of the Doctor’s regenerations.

The writers this season do seem to be writing as if some of the past events have not taken place, almost starting fresh with Clara and the Peter Capaldi Doctor. Even going back to the season premiere in Deep Breath, the Clara who saw each regeneration in The Name of the Doctor should not have been as surprised by seeing the changes in the Doctor after his regeneration. Perhaps the events of The Time of the Doctor, with the Doctor gaining additional regenerations and not dying on Trenzalore, also mean there was never a giant TARDIS tomb for the Doctor and Clara never was fragmented in time. The Missy story line might wind up providing a completely different version of Clara’s life.

The Doctor Who Extra for Flatline is above.

While both the Doctor and now Clara having claimed to be a doctor without formal qualifications, there are some actual doctors who have done considerable harm despite having true medical degrees. One example, Dr. Henry Cotton, has appeared on cable television shows in the past week both on The Knick (at the start of his career and Boardwalk Empire (near the end). He was a real person. Henry Cotton believed that psychiatric problems were based upon infections and his treatment often began with pulling the teeth of psychiatric patients. If this did not provide a cure, then he would proceed to remove other organs which he believed were the cause of the infection. Needless to say, in an age before antibiotics, such unnecessary surgery could have catastrophic results. At one point during his career Cotton even had a nervous breakdown. He responded by pulling his own teeth, then proclaimed himself to be cured and returned to work.

Knowing the factual basis behind Dr. Cotton’s life leaves me concerned about Gillian Darmody’s fate after she told Dr. Cotton that she felt she was cured. We already saw another woman at the asylum undergo surgery, and Cotton would not be likely to accept Gillian’s assessment that she is cured without surgically removing what he believes to be the site of her infection. Being the final season,  Boardwalk Empire does have the ability to show tragic endings for its characters. This included the deaths of two long time characters last week. While Boardwalk Empire is ending, The Knick just ended its first season and has done an excellent job of showing what medical care was like back in 1900 and the development of new ideas such as transfusions.

News came in last week that a cable series which debut last summer, Manhattan, was renewed. While I have not seen the series, I feel comfortable in recommending this show about the development of the atomic bomb based upon several favorable reviews. (Although I have not seen Manhattan yet, do I get any points for reading Joseph Kanon’s novel, Los Alamos, several years ago?)

Still no news on whether Continuum will be renewed.

Episode 101

I would also recommend another new cable series which I did see the premiere of last weekend, The Affair. The main story involves an affair from the viewpoint of both parties, each telling their version for half the episode. We have narrators who are unreliable at least due to the faults in human memory. There might be additional reason for intentional deceit as we found that the stories are being told as part of a possible criminal investigation years afterwards, similar to in the first season of True Detective. It also reminds me of William Landay’s novel, Saving Jacob, in which there are glimpses of future questioning but we don’t know who the accused is or the crime until the end of the novel.

The creator of The Affair, Sarah Treem, discussed the dual narratives in an interview at The Hollywood Reporter:

With Noah and Alison remembering different accounts of the same stories, the series explores the notion of objective truth. Do you think there’s such a thing?

I think there is such a thing as objective truth. There are events that actually happen. As individuals our understanding of what happens is often quite limited. Sometimes the only way to get at objective truth is to have multiple people tell their own version of the same event. It is the job then of the interrogator, the therapist, the audience member, whomever, to basically try to find the commonality between the accounts in order to figure out what actually happened. That’s basically what we’re trying to do with this show. We’re not saying there’s no such thing as truth — there absolutely is — but we don’t think that one person is usually the arbiter of the truth. We think that it comes forward in conversation. There’s this quote, I think it’s from Hegel, but it’s the idea that all understanding is dialectic, meaning that nothing gets understood unless it’s as a result of a conversation. That’s how I think of the two sides of this show, that it’s a conversation from which the audience gains an understanding.

Will we see the perspectives of other characters besides Alison and Noah?

Not this season but maybe in subsequent seasons, if we get them.

We see a lot of overlapping stories that vary slightly depending on who’s telling them. What’s it like to have to regularly write two versions of the same event?

It’s a really fun exercise for a writer. It’s just about putting yourself in another character’s perspective, seeing the scene through the other character’s eyes. For the scene at the end of the pilot [where Alison and Cole have sex on their car], I was interested in writing a scene that looked like an attack on one side, and then coming back into it knowing more about what was actually happening to where all of the sudden the scene plays as a very different negotiation. Writers are trained at this because you’re always approaching the story through somebody’s eyes so it’s just a great, enjoyable exercise to go back and think, “Well, I wrote it this way the first time and now let me jump into a different character’s body and a different character’s mind and let me try it again and just see what happens.”


Both Warner (DC) and the various studies which own the rights to Marvel characters have recently released news on their upcoming movie plans. Comics Alliance has more information and has put together the above infographic.

Here is an ambitious list from Warner Brothers:

  • “Batman v Superman: Dawn of Justice,” directed by Zack Snyder (2016)
  • “Suicide Squad,” directed by David Ayer (2016)
  • “Wonder Woman,” starring Gal Gadot (2017)
  • “Justice League Part One,” directed by Zack Snyder, with Ben Affleck, Henry Cavill and Amy Adams reprising their roles (2017)
  • “The Flash,” starring Ezra Miller (2018)
  • “Aquaman,” starring Jason Momoa (2018)
  • “Shazam” (2019)
  • “Justice League Part Two,” directed by Zack Snyder (2019)
  • “Cyborg,” starring Ray Fisher (2020)
  • “Green Lantern” (2020)

Batman v Superman: Dawn of Justice producer Charles Roven recently gave an interview with more information on the movie, including the origin story for Wonder Woman which is being used.

Unlike Marvel, DC is keeping their movie and television universes separate. While Gotham will probably need to be kept in a separate world of its own, Green Arrow, The Flash, and next Supergirl are forming their own television universe. Many fans are angry that Stephen Amell and Grant Guston won’t be appearing as Green Arrow and The Flash in the  Justice League movie. While fans would probably prefer such continuity, it does make it easier to wrote both the television shows and the movies if there is not a need for consistency. We saw how Agents of SHIELD was harmed by a need to postpone mention of HYDRA taking over SHIELD until after Captain America: The Winter Soldier was released.


Marvel fans are getting more excited by what appears to be planned. While Robert Downey, Jr. has not agreed to do another stand alone Iron Man movie, he may be appearing in Captain America 3, which reportedly involves the two being on opposing sides over the Superhero Registration Act. This could also be the end of Chris Evans as Steve Roberts. of There have also been rumors of Marvel making a deal with Sony, which owns the cinematic rights to Spider-Man, to allow him to appear, which sounds plausible as Spider-Man had a role in this storyline in the comics. Several other Marvel characters are also rumored to be appearing.


Meanwhile Emma Stone, when not playing the role of Gwen Stacy in Spider-Man, will be playing Sally Bowles on Broadway in Caberet.

With Twin Peaks coming back we have twenty-five years to catch up on. Mark Frost is writing a book to fill in this gap. I am looking forward to see what they do with the series and which characters return. I do hope that Audrey Horne returns and has a daughter who can tie a knot in a cherry stem with her tongue.

The IT Crowd

NBC has commissioned Bill Lawrence (Scrubs) to do a remake of the fantastic British sit-com, The IT Crowd. I have mixed feelings about such attempts to remake UK shows here. NBC’s first attempt at a remake, with cast including Joel McHale, was reportedly a total flop and never aired. NBC also failed in adapting Coupling, another excellent British sit-com written by Steven Moffat.

Fox has  had their own problems in attempting to remake British shows, both with Gracepoint (a remake of Broadchurch) and Us and Them (a remake of Gavin and Stacey).

SciFi Weekend: Her; Harry Potter and Hermione; Sleepy Hollow; Hannibal; Orphan Black; Arrow; Doctor Who; The Americans; Lex Luthor; How I Met Your Mother/Dad;


This has been a very good year for science fiction movies. Her is very likely the science fiction movie which is receiving the most mainstream critical acclaim ever. Last night it won the award for best original screenplay from the Writer’s Guild of America. It ties with another science fiction movie, Gravity, for Best Picture from the Los Angeles Film Critics Awards (intentionally ignoring the debate as to whether Gravity is science fiction). Her was also a big winner at the National Board of Review Awards. Both Her and Gravity are nominated for Best Picture. There was controversy when various organizations declined to consider Scarlett Johansson for acting awards when she was not seen in the movie.

The important aspect of the movie is how people relate to the technology, along with their other limitations in dealing with other humans to the point where people pay others to write “personal” letters to their lovers. It still becomes impossible to ignore the technological aspects of the movie, primarily the question as to whether artificial intelligence could really be developed to the point seen in the movie. The co-creator of Siri looked at some of the abilities of Samantha which are well beyond what can currently be accomplished:

To get the “That’s incredible!” technology ball rolling, Samantha never made a mistake, never misunderstood nor misheard a word Theodore said. That’s tough to do in a loud, raucous world. Especially in loud places such as the circus scene, where you can barely hear the person next to you, let alone get the exact nuance of every word as you share the pandemonium through an earpiece.

And what about the scene where Samantha is literally spun around, viewing, understanding and commenting on the world she sees only through a jostling cameraphone lens bouncing around in Theodore’s pocket?

That would entail massively scaled real-time image recognition, spatial understanding, facial and mood recognition — as well as understanding the subtleties of thousands of social scenarios in order to predict that the couple sitting at the table were on a first date.

And such a conversationalist! Samantha not only discussed an amazing range of topics with Theodore, but was also incredibly adept at reflecting his mood in her own, varying the subtle tones and verbal inflections that indicate emotion. She even demonstrated an evocative handle on pop-culture terminology when he said in one scene, “No waaay.” And she replied, “Waaay.” Now that is some cool software.

Finally, I don’t even need to mention the complexities of building a program that’s adept at verbal phone sex, including all of the relevant and perfectly timed Meg Ryan-ish sound effects in perfect harmony with the partner on the other end of the line.

NPR’s Science Friday also discussed these topics recently. The podcast can be heard here.


Reading the Harry Potter books, I thought that it was unusual that Ron and not Harry wound up with Hermione. Harry was the hero who defeated Voldemort. Typically he is the one who would wind up with the girl. J.K. Rowlings now admits she did get it wrong:

“I wrote the Hermione/Ron relationship as a form of wish fulfillment,” she says. “That’s how it was conceived, really. For reasons that have very little to do with literature and far more to do with me clinging to the plot as I first imagined it, Hermione ended up with Ron.”

Rowling also said that Ron and Hermione would have needed “relationship counseling.”

John Noble Sleepy Hollow

John Noble had a notable role as a recurring character in Sleepy Hollow. His role (spoilers) became even more important in the season finale when he was revealed to not only be Jeremy Crane, the son of Ichabod and Karina, but also War, the second horseman of the apocalypse. After seeing how he played both Walter and Walternate on Fringe, he was clearly underused as a supporting character, and there is no doubt he can handle an entirely different type of role in the second season. He has been promoted to a series regular. Lyndie Greenwood, who plays Jennie Mills, will also be a series regular, which does spoil one of the many cliff hangers in the season finale which left Jenni unconscious on the road.


NBC is trying to build the audience for the second season of Hannibal in a way similar to how the audience for Breaking Bad increased after many people (including myself) caught up with previous seasons by watching on Netflix. They have entered into an exclusive agreement with Amazon Prime to carry Hannibal and some other series. I hope they are successful, but I wonder if Netflix has as much impact as Amazon. There is also some casting news for the second season, including Mason Pitt joining the series late in the season as Mason Verger:

Pitt, best known for his work as Jimmy Darmody on HBO’s Boardwalk Empire, will play Mason Verger, “an unstable wealthy patient of Dr. Hannibal Lecter who begins a dangerous cat-and-mouse game with the deadly serial killer.”

Hannibal’s version of Mason Verger – which will likely be quite different from the character Gary Oldman played in the 2001 film – was compared to Andrew Scott’s portrayal of Moriarty on BBC’s Sherlock in a casting description for the role. Knowing that, it will be interesting to see Pitt bring the same explosive energy he brought to Jimmy Darmody to Verger; a character who’s more cunning and therefor more dangerous.

Joining Pitt is Katharine Isabelle (Being Human), cast as Verger’s sister, Margot. She will first be introduced as a patient of Dr. Lector’s who is dealing with trauma related to her brother’s abuse. But again, this won’t be until later in the season.

Episode titles on Orphan Black came from Darwin’s Origin of Species during the first season. Second season titles will come from the work of Sir Francis Bacon. The title of the first episode of the season will be Nature Under Constraint and Vexed.

Felicity Smoak (Emily Bett Rickards) became a popular character during the first season of Arrow and in response the role of her character was greatly expanded. We know very little about her beyond moving from the IT Department to become Oliver Queen’s executive assistant to cover for all the time they spend together. Each season also has had a scene establishing that she is Jewish. She is finally going to get a back story this season.


The first pictures have been released of Peter Capaldi in the outfit he will wear as the Doctor. There have been some complains on line ranging from his hair being cut too short (following Matt Smith) to the top button being buttoned despite lack of a tie. Obviously none of these complaints have any real relevance to how successful Capaldi will be in the role. There is a minor spoiler about a surprise voice-only cameo upcoming on Doctor Who:

Clara emerges from the TARDIS on her mobile phone, looking intense and emotional. She’s not speaking to anyone, rather she seems to be just listening. In fact, whatever she is listening to hits her hard, and she slumps into the wall of a nearby store. The message, it turns out, is from the previous incarnation of the Doctor, played by Matt Smith. Hanging up the phone, the Doctor, played by Peter Capaldi exits the TARDIS, and starts an exchange with Clara. He asks if that was the Doctor on the phone. More on that in a minute.

Emotionally, he insists to Clara; he is the Doctor, he’s 2000 years old, and he’s standing right there, in front of her. Cautiously, Clara walks straight up to this strange, older man in front of her.

Inquisitively, she looks up straight into the Doctor’s eyes, inspecting them, looking for the man she knows. The Doctor looks down into his companions eyes curiously, like an owl bemused. Suddenly, Clara throws her arms around the Doctor. For his part, the Doctor awkwardly holds his arms out around her, fingers splayed and startled and uncomfortable.

Clara immediately then clicks back into her normal, bouncy self, asking the Doctor where they are. He replied Glasgow (although we were definitely in Cardiff, I double checked), and they continue to chat before the scene ends.

New promo for The Americans above. The show returns February 26.

Jesse Eisenberg will play Lex Luthor in the upcoming Superman vs. Batman movie. I don’t really see Eisenberg in the role, but we will see.

So far the former stars of Friends have not been very successful with network sitcoms. David Schwimmer is attempting a return to network television in a pilot named Irreversible.

Irreversible, which is partially improvised in the vein of Curb Your Enthusiasm, centers on Andy (Schwimmer) and Sarah, a somewhat eccentric, self-absorbed couple, and their trials and tribulations — most of which they bring upon themselves.


How I Met Your Mother had a fantastic 200th episode last week, going back over the time frame of the series from the perspective of the mother, played by Cristin Milioti. Characters have been outlined for the planned spin-off, How I Met Your Dad:

Sally: In her 20s but still not very grown-up and a little bit aimless, Sally has been married for a year to Gavin and is realizing they’re not meant for each other.

Danny: Sally’s older brother and opposite personality, he’s a driven lawyer who’s less than pleased when Sally moves in after splitting with Gavin. Danny is married to …

Todd: One of Sally’s best friends from college, who’s significantly more welcoming to having Sally as a roommate. Danny and Todd fill the Lily-and-Marshall/committed couple portion of the group.

Juliet: Sally’s “party-girl” best friend and the Barney of the group. She runs a fashion blog and has been telling Sally for some time that Gavin isn’t the right guy for her.

Frank: A “hot nerd” who heads up IT for Juliet’s site and has an unrequited (for the moment) crush on Sally. If Sally is the female Ted, Frank would be the male Robin (albeit with what sounds like a rather different personality).

Narrator: Future Sally.

 Philip Seymour Hoffman was found of an apparent overdose. His genre appearances include the Hunger Games movies and Red Dragon, based upon one of the Hannibal Lecter books.

SciFi Weekend: Doctor Who News; Matt Smith’s Is Bigger Than David Tennant’s; Counting Regenerations; Wonderland; Arrow; Community Returning; Big Bang Theory; Tatiana Maslany Does Comedy

The trailer for the 50th anniversary episode of Doctor Who, The Day of the Doctor, has been released with video above. Discussion and breakdown of the frames from the trailer here and here.

There’s been more news out about Matt Smith and David Tennant working together, including confirmation that Matt Smith’s is bigger than David Tennant’s:

“Mine’s bigger” confirms Smith. “I won… on that one”. “His is much bigger!” laughs Tennant. Everyone’s since 1963 is bigger than mine! Well, maybe I just don’t have as much to compensate so much; maybe I’m very happy with my sonic’s length. And it does everything it needs to.”

Celebration of the anniversary includes additional events including a TV movie on BBC 2 about the development of the series,  An Adventure In Space And Time. Five pictures have been released here, including  one with Jessica Raine (of Call the Midwife) as producer Verity Lambert:

Jessica Raine

Steven Moffat has been teasing the regeneration in recent interviews. From a statement in Doctor Who Magazine, it appears that Matt Smith’s regeneration into Peter Capaldi will occur in the TARDIS:

“Pretty soon [Peter] will arrive and he’ll be whisked off to begin the trip of a lifetime, probably wondering what it will be like, where it will take him, and how long it will last. And about then, Matt Smith will be standing in his TARDIS for the very last time, with his eyes on the studio door – because about to step through is a Scottish actor, dressed as him.”

Moffat discussed the twelve-regeneration limit in an interview with Radio Times:

The fact that the Doctor could be close to using up his apparent limit of 12 regenerations is one that hasn’t passed Doctor Who fans by. What will happen when his time is finally up we don’t know but there’s an assumption that whoever’s in charge of the show will find a way.

After all, there is a precedent here. The Doctor’s Time Lord adversary the Master used up his entire allocation but was handed a new regenerative cycle after taking possession of a non-Time Lord body and later having it restructured (it’s a long story).

However, Steven Moffat today confirmed of the Doctor, “He can only regenerate 12 times”, while simultaneously suggesting there has been a miscalculation of how many regenerations he has actually been through.

“I think you should go back to your DVDs and count correctly this time,” said Moffat, “there’s something you’ve all missed.

What can it all mean? If we were attempting to explain how the Doctor might already have had more than his fair share of regenerations, we could do it. John Hurt’s newly introduced dark Doctor would presumably add one, making Peter Capaldi the 13th and final incarnation. If we then followed the argument that David Tennant’s tenth Doctor used up a whole dose of regenerative energy when he re-grew his lost hand almost immediately after having transformed from the ninth Doctor, that would give us an illegal 14 versions of the Doctor. Whether the new hand counts as a full regeneration is very much up for debate, of course, but either way these are both arguments for adding not subtracting regenerations.

On the other hand (pardon the pun), we didn’t witness Paul McGann regenerating into either John Hurt’s ninth(?) Doctor or Christopher Eccleston’s ninth/tenth Doctor. If somehow neither of those counted as regenerations we would have one fewer than we’d previously thought – Matt Smith would be the tenth Doctor and Peter Capaldi would be the 11th. But how could the Doctor have changed bodies without regenerating?

Needless to say, there has been a lot of speculation regarding this on various blogs.


It seems that in recent years there have been more genre shows and movies which attract female following–not that these shows are for women only.  I had almost skipped Once Upon A Time in Wonderland until I read good reviews of the first episode, and thought the second episode was even better. In this version, Alice is an older action figure, not a small girl, and she is in love with a different version of the Genie from Aladin. Besides the new impressions of classic Disney characters, the magic in Wonderland reminds me of the fun in the early Harry Potter movies. The original version of Once Upon A Time, is spending the season in Neverland. The creators of the shows, who previously worked on Lost, discussed the two shows, and explained why the made Peter Pan evil in this interview.

Arrow cliffhanger

Arrow, which is also fun even if sometimes feeling too much like a soap opera, ended with quite a cliff hanger. Earlier in the episode, Oliver Queen acknowledged the same issue I brought up last week and made Felicity his executive assistant (over her objections) to explain why he spends his days as well as nights with her. (“And I love spending the night with you.”) Laurel tried to explain why she suddenly hates the vigilante so much but it is hard to accept her arguments as to why he is to blame for Tommy’s death. This leads to the cliff hanger and brings up two more of my ongoing complaints about the series (or two reasons why it is best to just enjoy the show and not to think much about it). We have seen repeated examples of predictable crimes with little done to prevent them. With medical supplies being stolen, you would think that guarding the trucks carrying them would be a top priority for police. That didn’t happen as it turns out that Laurel had all the well-armed police officers on stand-by for the next time the vigilante encountered her. In the past, Oliver has escaped such traps with far too  little difficulty. With all the guns aimed at him, I hope they come up with a more creative and plausible way for him to escape.

Following the recent criticism on Twitter on how he handled the finale of Lost, compared to the Breaking Bad finale, David Lindelof has left Twitter.

Steve Buscemi of Boardwalk Empire hopes people remember the shutdown in the next election:

“I think the shutdown is ridiculous. I think the Republicans in Congress are holding the country hostage. I think it’s criminal. I don’t see why they’re allowed to do it.” Buscemi on politics livens up. “The Tea Party faction of the Republican party are holding the Republican party hostage. They’ve hijacked it. I don’t understand their philosophy. I think that in their own hearts and minds there’s a reason why they feel they’re doing good. But I certainly don’t agree with it. And I hope the shutdown effects change. I hope people remember this in the next cycle of elections.”

The assassination of the Vice President on  Homeland was not only plausible, but a scenario which Dick Cheney’s doctor had taken precautions against several years previously.

BBC America is going for even more genre:

BBC America has greenlit Intruders, an eight-episode original series based on Michael Marshall Smith’s 2007 novel The Intruders. Glen Morgan (The X-Files, Those Who Kill) is the writer and executive producer on the series that’s about a secret society devoted to chasing immortality by seeking refuge in the bodies of others. BBC Worldwide Prods is producing, with production to begin in early spring 2014. Jane Tranter and Julie Gardner are exec producing, and BBC Worldwide is handling global distribution. The Intruders joins BBC America’s breakout original drama Orphan Black.

Community is returning to Thursday nights on January 2. Unfortunately, in terms of ratings, it goes up against The Big Bang Theory again. That’s why we have DVR’s.

The Workplace Proximity

This week’s episode of The Big Bang Theory included a break-out event for Sheldon Cooper. He was relieved to learn that the old adage about not defecating where you eat does not mean he shouldn’t use the men’s room at the Cheesecake Factory:  “Not as relieved as I’m about to be. It’s a brave new world, little lady.” Amy saw a bright spot in Sheldon’s incessant knocking: “I don’t mind. I’m hoping to put his love of repetition to use someday.” Meanwhile Raj got it right while watching Howard digging himself into quite a hole when talking to Bernadette: “His only options here are to fake a heart attack or have a real one.” She didn’t fall for it, especially when he chose the wrong arm.

I have often randomly pulled up old episodes of The Big Bang Theory to rewatch. It might be easier to choose which episode the next fifteen times I do this if I follow this guide to the top fifteen episodes. I may or may not wind up agreeing as to whether they are the fifteen best, but I’m sure they will all be excellent.

Also on last Thursday’s sit-coms, Tatiana Maslany of Orphan Black added comedy to the many roles she plays on Parks and Recreation. She will return next week.

Parks and Recreation - Season 6


SciFi Weekend: Doctor Who; Star Trek Into Darkness; Revolution; Superman; Thor; Captain America; Elementary; Sherlock; New SciFi Series; The Newsroom; Veronica Mars

Doctor Who Ice Warriors

Doctor Who brought us to the Cold War and the return, after forty years of the Ice Warriors. The episode provided a good, suspenseful submarine/Aliens drama until the problems got wrapped up too easily. At least this time the Doctor didn’t solve everything with the Sonic Screwdriver alone. He also gave a speech like many that James T. Kirk used to convince aliens to play nice on Star Trek. The cold war backdrop and idea of mutually assured destruction did provide a good backdrop for the discussions with Grand Marshall Skaldac over whether he would destroy the earth. (Spoiler: Earth was spared.) Professor Grisenko provided a second surrogate Doctor.

Mark Gatiss showed us what is inside of the Ice Warrior’s suit and solved the perpetual problem which is present in many episodes of why the Doctor doesn’t use the TARDIS during a crisis to overcome a problem. There was some mumbo jumbo about the TARDIS’s Hostile Action Displacement System (not seen since the Patrick Troughton) has been reactivated to take the TARDIS elsewhere to remain safe. This raises two other problems. How does the TARDIS’s translation matrix continue to work after the TARDIS is gone and  how does the Doctor get to the South Pole, where the TARDIS rematerialized? Will there be reference to their adventures getting to the South Pole next week?  (I’m still wondering how Amy and Rory got back to earth after the Doctor left them behind at the end of A Good Man Goes to War.)

There were no clear clues to the Clara mystery but one exchange might be significant. When faced with the threat of World War III being set off Clara pointed out, “The world didn’t end in 1983, or I wouldn’t be here?” The Doctor responded, “History’s in flux, it can be unwritten.” Does that apply to the fate of the girl who died twice?

This week’s behind the scene video is available here.

Jenna-Louise Coleman had some hints on the Clara mystery in an interview with TV Guide:

In a way, Clara is connected with the 50th anniversary. We saw in the Christmas episode that her birthday is Nov. 23, the same date that Doctor Who first aired.
  In the Christmas episode, I didn’t know why that was the case. But again, we will find out by the end of this series. But it’s really exciting — [the season finale] is phenomenal.  My spine was tingling when I read it. Again, I’m teasing your so badly here, but there’s the beginning opening sequence, which [is]  kind of building up into the 50th. It’s just huge.

She also discussed her relationship with the TARDIS:

You get to pilot that TARDIS in one episode. What does driving it entail?

Coleman: There’s a certain part of the TARDIS you go to, that liftoff thing. But you know, the TARDIS and Clara have a relationship. Actually I don’t think we’ve talked about this in interviews before. It’s something that’s running through the series. Instead of it being like, “Does so-and-so like Clara?” The TARDIS and Clara have a bit of a face-off. So, the Doctor is obviously bringing back somebody new. I think we’ve done a whole additional content scene of me talking to the TARDIS, and the TARDIS is making fun of Clara. They kind of have an argument. They’ve got a relationship individual to the Doctor where they have a dialogue.


Doctor Who is filming the 50th Anniversary episode in Trafalgar Square as pictured above. Another cast member  has been announced:

Jemma Redgrave will be returning to Doctor Who for the show’s fiftieth anniversary special. She previously appeared in 2012’s The Power of Three playing Kate Stewart, daughter of the legendary Brigadier Lethbridge-Stewart.

Jemma is part of a brilliant cast that is already known to include Matt Smith and Jenna-Louise Coleman who are joined by the returning David Tennant and Billie Piper plus screen legend John Hurt and Joanna Page. Filming is underway on the special which will be a 3D spectacular shown later this year.


There’s a new poster for Star Trek Into Darkness and a new trailer will be out on Tuesday. There are still rumors that, while named John Harrison, Benedict Cumberbatch’s character will turn out to be Khan. Cumberbatch won’t respond to the rumors saying, “Umm, I play a character called John Harrison. I can’t say more.” Some fans who believe this will be a re-imagining of the Khan story are upset since the change in the timeline in the first J.J. Abram’s Star Trek movie wouldn’t account for a different version of the Khan story. Of course the same might be argued about many other changes from the Roddenberry universe.

On last week’s Revolution, after lots of hype, Juliet finally told Google Guy what was going on. Something about how they all died on the island and are in purgatory, with no explanation of the flash forward. Actually there was something about viruses which only eat electricity and reproduce, sort of like Tribbles. I’m not very hopeful about the show, seeing it take a trajectory closer to that of FlashForward than Lost.  I do wonder what type of genre show Elizabeth Mitchell will be in next and what type of doctor or scientist she will play.


Man of Steel is featured on the cover of Entertainment Weekly, along with mention of other genre (and non-genre) movies:

This week’s cover story reveals how the new film (out June 14) attempts to humanize the superhuman by finding new flaws and vulnerabilities. The most common one, however, was off the table: “I’ll be honest with you, there’s no Kryptonite in the movie,” says director Zack Snyder (300, Watchmen) Those glowing green space rocks – Superman’s only crippling weakness – have turned up so often as a plot point in movies, the only fresh option was not to use it. Anyway, if you want to make an audience relate to a character, a galactic allergy isn’t the way to do it.

Henry Cavill (Immortals), the latest star to wear the red cape, instead plays a Superman who isn’t fully comfortable with that god-like title. This film reveals that even on Krypton, young Kal-El was a special child, whose birth was cause for alarm on his home planet. (More on that in the magazine) And once on Earth, his adoptive parents, Ma and Pa Kent (Kevin Costner and Diane Lane), urge him not to use his immense strength – even in dire emergencies — warning that not every human would be as accepting of him as they are. So Clark Kent grows up feeling isolated, longing for a connection to others, and constantly hiding who he is. As a result, Man of Steel presents the frustrated Superman, the angry Superman, the lost Superman. “Although he is not susceptible to the frailties of mankind, he is definitely susceptible to the emotional frailties,” Cavill says.

That’s just the set-up. Once the Kryptonian villain General Zod (Boardwalk Empire’s Michael Shannon) arrives to threaten the Earth, eventually the passionate Superman steps forward, too. It helps that he has a reason to care about the home he’s defending, and we can all thank Amy Adams’ Lois Lane for that. “I think she’s very transient. She’s ready to pick up and go at a moment’s notice,” Adams says of the hard-bitten journalist. “I think that definitely could be part of what she sees in Superman — not really laying down roots, not developing trust.”

Iron Man 3 will include a trailer for Thor: The Dark World. Screenrant has some information on Thor 2 along with Captain America 2.


I gave up on watching Elementary earlier this season but might return to it after reading that Natalie Dormer of The Tudors and Game of Thrones will be playing Irene Adler in a three episode arc which begins May 9. It will be interesting to see how she compares to Lara Pulver’s (often nude) portrayal of her in Sherlock. Dormer has shown in The Tudors that she would have no qualms in topping Adler’s scenes if allowed on broadcast television. Henry Cavill, who is staring in Superman, also had a major role on The Tudors.

It was previously announced that the first episode of season 3 of Sherlock will be entitled The Empty Hearse. It has now been announced that the second episode will be entitled The Sign of Three.

Syfy has seven new series being considered, some of which are hard science fiction. These are in addition to Ron Moore’s upcoming series about a disease outbreak entitled Helix.

The space opera centers on Orion, an adventurous female relic hunter who tracks down valuable artifacts while trying to piece together her past. Set amid an intergalactic war pitting humans against a terrifying alien race, Orion must decide whether to use her abilities to save herself or commit to the cause and unearth long hidden artifacts that could free all of humanity from a horrible fate. Ron Milbauer and Terri Hughes Burton (Alphas) will write and executive produce, with George Krstic and Ryuhei Kitamura on board as co-executive producers. F.J. Desanto will serve as a supervising producer on the UCP project.

The first detective ever in space is tasked with investigating a murder on a starship — headed to colonize another planet –­ and instead becomes embroiled in a vast conspiracy involving a mysterious terrible crime dating back to the original launch of the ship 50 years ago. Phil Levens (Smallville) will write, with Blum (Paranormal Activity) on board to produce the Lionsgate entry.

After a clan of bandits are nearly destroyed and left for dead by Coalition forces, they take refuge in the nearest safe haven, a derelict Coalition starship floating in space. Once onboard, they masquerade as Coalition officers while continuing their criminal ways ­– until they stumble upon a shocking realization about the true nature of the Coalition. Todd Stashwick and Dennis Calero will write, with Hurd (The Walking Dead) and John Shiban (Hell on Wheels) attached to executive produce the UCP project.

When an alien armada is sighted in the region of Pluto, the Earth government turns to a young billionaire industrialist — who has the only ship ready for interstellar travel — to greet the aliens and avoid a catastrophe. Powered by secret alien technology discovered on Earth in the 1960s, the ship engages in a firefight that sends them spinning through a wormhole into an uncharted region of space. Lost in the universe, the team struggles to survive as they encounter new planets and alien species, searching for a way back home. Javier Grillo-Marxuach (Lost) will write the Berman/Braun produced entry from Universal Television.

Silver Shields
When his father is slain by assassins connected to the government of the large nearby city of Pont Royal, farm boy Caymer journeys there to continue his father’s legacy as a member of the local police force — and to solve the mystery of his father¹s death. He discovers that his simple country view on life is at odds with the big city, filled with orcs and other magical creatures. Robert Hewitt Wolfe (Alphas) will write and executive produce the UCP effort alongside producer Aaron Kaplan.

A massive meteorite is headed toward Earth, forcing 30,000 hand-picked humans to live underground in a government-funded shelter in order to start a new society. What begins as a Utopia quickly succumbs to the old human faults and jealousies as certain members of society create alliances to gain favor and power. Meanwhile, things on the surface are not what they seem. Humans slowly realize that this event may have been fated and the survivors meant for a greater purpose in rebooting life on Earth. Bruce Joel Rubin (Deep Impact) will write and executive produce the UCP project with writer/co-executive producer/writer Ari Rubin.

Dominion (working title, formerly known as Legion)
The effort, based on the feature film Legion produced by Bold Films, is set 20 years after evil angels have descended from heaven to lay waste to the human souls they felt God had favored over them. A reluctant “savior” must arise to protect Vega, the last remaining stronghold of humanity. The savior has more to fear than just angels, as the elites of this new society conspire to gain power for themselves. Vaun Wilmott (Sons ofAnarchy) will write and co-executive the Sony Pictures TV project, with ScottStewart (Defiance) attached to direct and executive produce. David Lancaster will EP as well.

The reboot of Blake’s 7 has also been received a thirteen episode order. I’m surprised that it has taken this long to bring this classic back. A reboot does make more sense than continuing the original but I would have loved to see how they might have managed to continue after the events of the original show’s finale.


Yvonne Strahovski will be reprising her role as Hannah McKay on the final season of Dexter. We can expect lots of flowers and murder.

HBO has announced that Aaron Sorkin’s show The Newsroom will return on July 14.

Last month I mentioned contributing to the Kickstart campaign to finance a Veronica Mars movie. They wound up raising 5.7 million. The bulk of this came from people other than myself.