The conclusion to last week’s episode of Doctor Who, Before the Flood, got more timey wimey. Under the Lake, possibly not trusting the audience to realize they were seeing a paradox, began with the Doctor speaking directly to the audience about the Bootstrap Paradox (named after the paradox in Robert A. Heinlein’s classic story By His Bootstraps). The doctor told what he called a fake story about a time traveler who loved the work of Ludwig van Beethoven. He went back in time to meet Beethoven, and even took all his sheet music for Beethoven to autograph. The time traveler found that Beethoven did not exist, so he had the sheet music he brought published under Beethoven’s name. History went on as he remembered it, but who actually composed all the music in the first place?
The Doctor also had to find a way to break the rules of time in this episode–which he wold only do for Clara. When he first found out that he was to become a ghost in the time period where the story began, he assumed that this was part of history, a fixed point in time, and could not be changed. Clara urged the Doctor to try and he did find a way. He created a hologram, so that Clara saw what she told the Doctor she saw, but it was not actually a ghost. He then set up a prerecorded message claiming to be the order of the deaths, motivating the Doctor to take action to prevent Clara’s death (but not O’Donnell’s). There was also a second message, “The chamber will open tonight.” The Doctor then came out of the suspended animation chamber in the future, like his companions and the Pandorica. The messages given by the hologram gave the Doctor the information he needed, but where did the idea for those messages come from in the first place? Maybe the same place as those messages in Blink.
Best line from the show: “You might find you’ve lost a couple other memories too. Like people you went to school with, or previous addresses, or how to drink liquids…”
The early reviews of Jessica Jones have been excellent. The show includes superpowers, hot sex scenes, and the Marvel Cinematic Universe’s first lesbian character. There have now been a few teasers such as above, without Krysten Ritter’s face actually being shown. This makes me wonder if these scenes are not from the show, and possibly filmed with a body double. Jessica Jones premiers on Neflix on November 20.
Manhattan is also starting its second season soon. This show deserves a far bigger audience than it has received. I highly recommend binging on the first season and then watching the second.
CBS has finally canceled Extant, and plans another project with Halle Berry. They should have made this decision at least a year ago.
I held off on watching Minority Report after the first couple of episodes were not received well. Fox has now cut back the order from thirteen to ten episodes, which looks like a poor sign for the show to continue.
AMC has renewed Halt and Catch Fire for a third season. While it has low ratings, I’ve heard that AMC likes the demographics of the viewers. Plus AMC directly owns the show and hopes to make money off of streaming rights in the future.
Blindspot is the first new drama of the season to receive a full season pickup. It is well deserved, so far being my favorite new network drama of the season. Another new drama I’ve watched has been Limitless. I see Blindspot and Limitless as having a lot in common, with Blindspot the better of the two and Limitless as being a lighter version.
Both shows feature protagonists with powers (fighting ability plus her clues in Blindspot, and abilities from the pill in Limitless) who are working with the FBI. The first few episodes of each centered around them gaining trust and getting involved in cases rather than remaining behind in an office. Both have some type of mysterious background stories.
I was surprised to see how quickly Blindspot revealed that Jane Doe is Weller’s missing childhood neighbor Taylor Shaw, but that really does not answer any of the mysteries. (Does star Jaimie Alexander’s Asgardian roots explain anything about her character?) I was also surprised to see the bearded guy get killed so soon. Actors on this show have even less job security than those on Games of Thrones.
When Brian’s new “boss” introduced himself on Limitless, I wondered if this was a way to continue the story without Bradley Cooper, but reportedly he will return in future episodes.
Sleepy Hollow also follows this pattern to some degree with Abbie now being in the FBI and, while not having unusual abilities, Ichibad does have an unusual background in other days. This season feels like an attempt to reboot the series, but so far has not captured the unique entertainment of the first season. It does look promising enough to watch longer.
Other worthwhile shows of the new season include Supergirl, based upon the pilot previously released on line, and Casual. While totally non-genre, Casual (on Hulu) is an excellent family dramedy. The first two episodes were very entertaining, and reviews have been great from those who saw the series at the Toronto Film Festival.
Above are trailers for this season of The Flash and Arrow from New York Comic-Con. Note that characters who have apparently died are present, in preparation for them joining together on Legends of Tomorrow.
The penultimate episode of Continuum has aired in the United States and the series finale aired on Showcase in Canada. The Desperate Hours was mostly all action, including another heroic death, setting up the finale which is obviously named Final Hour. It seems rather pointless now to discuss the questions I have had during the season and after The Desperate Hours considering that they were answered in Final Hour. I will wait to discuss Final Hour to avoid spoiling those who wait for the US presentation of the show.
This year’s Doctor Who Christmas special, Last Christmas is a “dreamy-weamy”combination of a variety of Steven Moffat tropes and old movies. The early scenes combined elements of Doctor Who episodes such as Blink, Listen, the Silent from The Impossible Astronaut with the Alien movie series. Instead of not blinking, or not being able to see or remember the alien, the challenge was to not look at or think about the alien. Suddenly the strategy fell apart and we had an attack out of Alien, only to saved by Santa and a gang of toys reminiscent of the Toy Story movies. We even learned how Santa fits all those toys on his sleigh, and it should have been obvious: It is bigger on the inside.
Santa was played by Nick Frost who, with the possible exception of Nick Blood on Agents of SHIELD, is the actor with the best name to fit their role. At first Santa tried to hide his identity: “Sorry about this, girl, we are just three passing perfectly ordinary roof people, doing some emergency roof things.” One of the elves pointed out to Santa that his attempts to hide his identity were not that effective: “You know how you grew the beard as a bit of a disguise? People have picked up on it.” Incidentally the other elf was played by Dan Starkey, who also plays Strax.
Moffat did not hide the allusions to other movies. He recognized Alien with this line, spoken by the Doctor (who happens to be an alien): “There’s a horror movie called Alien? That’s really offensive. No wonder everyone keeps invading you.” Moffat has also stated in interviews that the tangerine at the conclusion of the movie is like the walking stick at the end of Miracle on 34th Street.
Following the rescue by Santa and the toys, we found that it was all a dream, and ultimately there were dreams withing dreams, with the episode feeling much like Inception. Of course being a Moffat show it was far less structured than Inception. There were certainly many plot holes in this episode, but being a Christmas episode in which Moffat was writing in Santa we need to be more forgiving than in a typical episode. The rules kept changing, but in this case it was often acceptable as we were dealing with changeable logic within dreams. Besides, none of the plot holes were as flagrant as the mass of the moon increasing as an egg comes close to hatching (Kill The Moon), people forgetting the actions of trees to protect the planet (In The Forest Of The Night), or the golden arrow of Robot of Sherwood.
A highlight of the dream sequences was Clara having far better closure with Danny Pink than occurred in Death in Heaven. The scene also used old Moffat tropes again, such as with the chalk board with messages like “Dreaming,” similar to the chalkboard from Listen. The episode also had both Clara admit that she lied about Danny being alive and the Doctor admit that he did not find Gallifrey, leaving them in a better position to go on together from when we last saw them. It also leaves the question open as to whether Gallifrey will play into future episodes.
Unfortunately the BBC had put out a press release immediately after the UK showing announcing that Jenna Coleman was returning, partially spoiling the ending. The scenes in which the Doctor saved an older version of Clara could have worked if Coleman was really leaving the series, and the scenes would have been more convincing before seeing the press releases. I wonder if that might have been the end of the episode if Jenna Coleman was really not returning. Instead, with Jenna Coleman coming back to play opposite Peter Capaldi for at least one more season, that was yet another dream.
While I enjoy Moffat’s work, I also see the point of his critics and do find that his more recent work is not as tightly written as back in the days in which he wrote occasional (and usually excellent) stories under Russell T. Davies. I do wonder if he does need a good editor to tighten up his plots these days. Some of the plot holes in Last Christmas could have been been handled with some better writing and more concern for details. The storyline would have made more sense if, when the Doctor first explained about the mind crabs, he made a point of saying that their ability to eat their victim’s brain depended upon the victim not realizing it was a dream while being tranquilized, but victims could successfully resist if they realize. The progressive realization that they were having dreams within dreams could then be turned into a battle of wits between the Doctor and the mind crabs. It made little sense that the mind crabs had them dream about being scientists fighting the mind crabs, as opposed to the happier (and individual) dream which Clara had involving Danny. This might have seemed more plausible with an exchange in which Clara specifically asked why the aliens would have themselves present in one layer of the dream. The Doctor could have come up with an explanation such as that at the shallowest levels of the dream their brains did provide them an explanation which was closer to reality.
Of course none of this would have explained why they had the sleigh rid and didn’t just wake up when they figured out that they were having dreams within dreams. The answer to that one is simple. How could you expect Moffat to refrain from doing a scene featuring the Doctor flying Santa’s sleigh over London in the most exciting sleigh scene since Santa flew from Central Park through midtown Manhattan in Elf?
The Doctor Who Extra for Last Christmas follows:
While most television shows in the United States now go on hiatus around the holiday, networks in the U.K. instead often have some of the major episodes of their top series on Christmas Day. There must be some sociological significance to how each country handles television so differently around Christmas. In addition to Doctor Who, two others were of particular interest, involving shows which also have a following in the United States. As US viewers are behind the UK, I will avoid spoilers on these two shows.
Downton Abbey had an excellent Christmas episode which essentially serves as the season finale for the show, wrapping up a few major plot lines from the fifth season and providing a potential hint of what is to come next season. I don’t want to say anything else as none of the fifth season has been on here yet, with any discussion of the topics of the episode likely to spoil events of the season. I’ll just say that the season is more satisfactory with this conclusion added on.
The Christmas episode of Call the Midwife was the first since the departure of Jessica Raine. Fortunately the show had developed an excellent ensemble which should allow the show to survive her departure, even if she was a major element. Miranda Hart returned to a major role and instead of young Jenny staring in the main story, Vanessa Redgrave appeared as both narrator and on screen at the start and end of the show. The episode does show include character development for some of the remaining characters. Among the story lines is an aspect of the work of the midwives not seen before–handing pregnancies for young, unmarried women who leave town for the birth of their babies.
Besides the Christmas episodes, there were two new episodes of shows of significance in the past week. Homeland‘s season finale was a real disappointment. They would have been better off ending the season after last week’s episode. The Affair ended its first season with a much stronger finale. They certainly put out enough circumstantial evidence to make Noah’s arrest appear inevitable, and he didn’t help his case by attempting to bribe a witness. As there is still at least another full season to come, it seems a safe bet that Noah really is not guilty, and I wouldn’t be surprised if he is covering up for Alison.
The Interview dominated the news with regards to holiday movie releases. This was more because of the Sony hacking and threats to dissuade them from releasing it, and not due to the quality of the movie. I still might stream it this weekend, but the reviews have not been very good:
“Characterizing it as satire elevates the creative execution of the film’s very silly faux assassination of North Korea’s leader Kim Jong Un far beyond what it merits,” writes Betsy Sharkey in the Lost Angeles Times.
In the Village Voice, Stephanie Zacharek writes that “The Interview” is “contrived absurdity” and that it has very little payoff for all the trouble it caused.
Slate’s Aisha Harris argues that those looking for a satire of North Korea are better off re-watching “Team America: World Police,” the puppet movie created by the makers of “South Park” more than a decade ago.
While Part 1 of SciFi Weekend concentrates on reviews of the past week, Part 2 will look back on the entire year.
By now most fans must have figured out that Katie Cassidy’s character is training to replace her sister Sara as the Black Canary, so there is no point in keeping this a secret. Publicity pictures have been released of Cassidy as the Black Canary. Marc Guggenheim has answered questions about when we will find out who killed Sara and has shot down another fan theory in a recent interview. The mystery over Sara’s killer won’t be dragged out over the entire season, but he is not telling exactly when we will find out.
The CW Network has released the synopsis of the cross over episodes of The Flash and Arrow, which will air on December 2 and 3.
Part 1: “Flash vs. Arrow”
“Barry is thrilled when Oliver, Felicity and Diggle come to Central City to investigate a case involving a deadly boomerang. Excited about teaming up with his friend, Barry asks Oliver if he’d like to help him stop Ray Bivolo (guest star Patrick Sabongui), the meta-human Barry is currently tracking. Bivolo causes people to lose control of their emotions and has been using that skill to rob banks. Unfortunately, the superhero partnership doesn’t go as smoothly as Barry expected. When Oliver tells Barry he still has a lot to learn, Barry sets out to prove him wrong by attempting to stop Bivolo alone. However, when Bivolo infects Barry and sets him on a rage rampage, everyone is in danger, and the only one who can stop him is the Arrow. Meanwhile, Iris is furious when Eddie tries to get a task force to stop The Flash, Joe and Dr. Wells agree the Arrow is a bad influence on Barry, and Caitlin and Cisco deal with a new team in S.T.A.R. Labs.”
Part 2: “The Brave and The Bold”
“Oliver, Arsenal and Diggle track down the location of a boomerang-wielding killer named Digger Harkness (guest star Nick Tarabay) but are surprised when they come face to face with an A.R.G.U.S. team. Diggle asks Lyla why A.R.G.U.S. is involved but she defers until Harkness attacks the building, killing several agents and targeting Lyla. The Arrow joins the fight and gets help from an old friend – The Flash. Harkness manages to get away and Oliver teams up with Barry again to find him before he can get to Lyla. When Harkness plants five bombs in the city that are timed to explode at the same time, both teams must come together to save the city.”
The above clip from this year’s upcoming Doctor Who Christmas special was played at Friday’s Children in Need special. Jenna Coleman is shown appearing again as Clara, and we do not know if this means whether Clara is continuing with the show next season or exiting the series as previously rumored.
Steven Moffat has discussed the past season of Doctor Who. With it uncertain as to whether there will be a new companion coming, there has been a lot of attention paid to his discussion of “changing it up with the companion.”
We actually have changed it up quite a lot, look how different those girls have been. Wait and see.
What we have is probably the most enduring form of the show and I think will always tend back to it for whatever reason, but there’s no reason you couldn’t tend away from it and there’s no diktat or special rule book left by Verity Lambert or something.
We absolutely could vary it. The times they’ve varied it, it makes them work hard – you can see them struggling with Leela. She was a great character but they had to civilize her fast because it was getting hard to fit her into stories – but it’s not a hard and fast rule at all.
Some of the bloggers at The Mary Sue disagree that they have changed it up all that much. Comments included, ” I know! Amy’s hair was red, and Clara’s was dark brown! So different“followed by, “And they were played by different women and it wasn’t the same actress in a wig so, right there.” Other comments included, ““And one wasn’t in love with the Doctor” followed by “Yes. One of them only flirted with the doctor. The others flirted and had feelings!” Maybe we’ll see “something really, really different” such as “curly hair.” On the other hand, the current formula works, so why be concerned about changing anything up?
The past season has received mixed reviews from fans, with more criticism of the plot holes in Moffat stories. What Culture has compiled a list of their top “face palm” moments in Doctor Who. While some fans are swearing that Moffat is destroying the show, to be fair to Moffat there were plenty of plot holes in stories before he took over. Examples can be found here, here, and here. Similarly, plot holes can be found during any typical evening of watching television. The nature of the show increases the risk of some plot holes on a show such as Doctor Who, but I also think the number is increased because Moffat often throws far too many clever ideas into some episodes, as he did in Death in Heaven. I feel he did a better job on episodes such as Blink in which he devoted the episode to just one clever idea and fully developed the story around it.
Michelle Gomez is hinting she will return to Doctor Who next season. She did too good a job as Missy to not consider using her again.
The Fall has started its second season, receiving excellent reviews, and Gillian Anderson hints there might be a third season. Netflix, which has the first season of this British series, will release all six episodes of the second season on January 16. The trailer is above.
There seems to be quite a few genre novels being turned into television series. Jonathan Nolan, creator of Person if Interest, is doing an adaptation of Isaac Asimov’s Foundation series for HBO. I could see this working as either adaptations of the books or as stories set in the universe Asimov created. Amazon has announced their planned pilots for 2015 and the list includes a series based upon The Man in the High Castle by Philip K. Dick. The alternative history creates a world twenty years after World War II in which the allies have lost. This could be another example of a series which might work by either adapting the novel or writing original stories in the universe created by the novel.
Ascension, a three night mini-series starting on Syfy on December 15 sounds like it could be awesome. Trailer above. From what I’ve read at various sources, the premise is that during the Kennedy years there were fears that humanity would not survive so an interstellar life boat was sent into space with a wide variety of people. The series takes place in the present, but the culture has not changed from the 1960’s, sort of giving us Mad Men in space. The mini-series reportedly deals with problems ranging from a murder to reaching the point of no return and having to decide whether to go on or to return to earth. Cast includes Tricia Helfer of Battlestar Galactica as the scheming wife of the Captain.
Community finally starts production next week and will be adding two new cast members following the loss of some regulars over the years. The new members of the cast will be Paget Brewster (above) and Keith David.
Carol Ann Susi, who provided the voice of Mrs. Wolowitz on The Big Bang Theory, died last Tuesday. No word yet as to how this will be handled on the show.
Karen Gillan’s new series Selfie has apparently not received enough “likes” and has been canceled by ABC. CBS has canceled The Millers, which means that Margo Martindale might now have more time to reprise her role as Claudia on The Americans.
If you heard the rumors last week about Spider-Man’s Aunt May getting her own movie, they aren’t true. The biggest problem with the rumored concept was that the movie was going to take place when she was younger. If the concept had any chance of succeeding, they’d be better sticking with Sally Field, who just might be able to pull it off.
…three adult actresses — Alex Chance, Mercedes Carrera, and Nadia Styles — explain what it would mean if the FCC passes compromised neutrality rules.
“Without net neutrality, Internet service providers could create special fast lanes for content providers willing to pay more,” says Carrera.
Adds Chance, “That means slow streaming, slow social networking, and yes, slow porn.”
Ms. Styles slam neutrality critic, Sen. Ted Cruz from Texas, saying he “doesn’t want me to get naked for you.”
She also points out that the anti-neutrality drive is being led by wealthy older men and says that doesn’t make any sense since, “Old rich guys watch the weirdest porn.”
Ms. Chance compares the current, neutral state of the Internet to “a giant sex party where everyone gets to have sex with anyone they want,” but Ms. Carrera contends that, “Without net neutrality, that sex party is only for rich people.”
Over the last several weeks, decade-old, discredited allegations against Mr. Cosby have resurfaced. The fact that they are being repeated does not make them true. Mr. Cosby does not intend to dignify these allegations with any comment. He would like to thank all his fans for the outpouring of support and assure them that, at age 77, he is doing his best work. There will be no further statement from Mr. Cosby or any of his representatives.
“Cosby settled a lawsuit in 2006 filed by a woman who claimed the comedian drugged and raped her in 2004, and he has never been charged with any crime connected to the allegations. Yet from comedian Hannibal Buress, who straight up called him “a rapist,” to countless slings and arrows on Twitter, there’s a sense that Cosby won’t emerge from this mess unscathed…
“Howard Bragman, a longtime celebrity public relations consultant, insisted on CNN that Cosby has “got to be willing to go on the air and go on the record, and say ‘These charges are not true, this is nothing I would do.’â€Š” So far, Cosby has done no such thing, perhaps already realizing his reputation is a lost cause.”
Saturday night featured The Wedding on Outlander while Doctor Who combined at least two old plot ideas. On the surface, Time Heist is a classic Ocean’s Eleven bank robbery, plus throw in a little of The Bourne Identity. It was obvious something big would happen after the Doctor said, “It’s just a phone Clara, nothing happens when you answer the phone.” Suddenly there were four people in a room with their memories wiped (with their consent) and placed in a position where they had no choice but to go through with robbing a bank. (“I’m an amnesiac robbing a bank.”) The Doctor led the gang. Why? “Basically, it’s the eyebrows.” Plus the Doctor has experience as a thief, dating back to when he stole the TARDIS.
But this is Doctor Who, not Bonnie and Clyde. In the end it turned out not to really be a bank heist at all, but a plan arranged by the Doctor and initiated with a call from the future from the head of the bank, Director Karabraxos, who took the Doctor’s phone number on a note saying he is a Time Traveler, with the advice, “You’ll be old and full of regret for the things you can’t change.” In a way, Director Karabraxos is this episode’s Sally Sparrow, as Doctor Who repeated an idea from Blink and Listen, with the events of the story being a self-contained wibbly wobbly timey wimey time loop. Instead of “Don’t Blink” the warning is “Don’t Think” when The Teller is around. It is not entirely clear how the Architect/the Doctor, managed to set this all up, or why it had to be this complex, but this week’s plot holes are still not as bad as Robot of Sherwood’s golden arrow.
To pull of the non-heist, the Doctor and Clara had the assistance of two recruits, Psi and Saibra . I wouldn’t be surprised they show up in a future episode (perhaps in their past), like the Paternoster Gang. Once again Doctor Who also took advantage of paying homage to its past. When Psi reviewed the universe’s worst criminals, several old Doctor Who villains were included. The new, less flashy Peter Capaldi Doctor also looked back and mocked earlier regenerations played by Tom Baker and Matt Smith: “Big scarf. Bow tie. Bit embarrassing.” Plus the episode began with answering a phone, which led to a reminder of the still-unanswered question of who gave Clara the Doctor’s phone number in The Bells of Saint John.
Above is the Doctor Who Extra for Time Heist.
The Heist is the last episode which leaked out before the start of the season, so the only spoilers out now are those officially released. Next week we return to where it all began for the Doctor on earth, and Clara’s current place of employment, as the Doctor becomes The Caretaker at Coal Hill School. Time Heist did little to advance the storyline between Clara and Danny, but presumably this changes next week. For someone who has spent so many years traveling through space and time, often on his own, the Doctor sure has a tough time figuring out what to do when Clara and Danny are out on a date. For someone who has spent so much time on earth, he also has a difficult time understanding both women and dating:
The Doctor : Are you taller? Clara : Heels. The Doctor : What, do you have to reach a high shelf? Clara : Right, got to go, going to be late. The Doctor : For a shelf?
The consummation of the marriage was far more important on Outlander than the wedding this week. Sam Heughan discussed filming the sex scenes with The Hollywood Reporter:
Those who have read the first Outlander book have been anticipating Jamie and Claire’s wedding episode for a while. Was this an episode that you circled on the calendar? How important was it to get the intricacies of the wedding and the aftermath right?
The wedding is a big episode for Jamie and for Claire. There are many big moments we have to get right and going back to the flogging that was another big one that we have to mark right. How we get from one to the next the writers have a bit more freedom in the way we portray it. Yeah, we got to get it right. But the subject matter — Caitriona [Balfe] and I have never done anything like this before, so it was a bit of a learning curve. We were lucky that the director, Anna Foerster, was good. We did a lot of rehearsals. We discussed how we wanted it to work. When you watch the episode there is a progression in the way that Jamie and Claire get to know each other. Their relationship grows quite quickly so by the end of the episode, you can see that they’re basically making love, it’s not just consummating the marriage. Their friendship and their relationship is really bonded, but is also left in a place where Claire is reminded of her husband, Frank, back in the future. That leaves a wonderful discord at the end of the episode.
You mentioned that you had never really done an episode like this before. How comfortable were you with the nudity?
Caitriona and I had already filmed a scene from episode 10. When we were filming, we shot two episodes ahead so we did a scene after [the wedding] — a big breakup. It was very physical and lustful. To do this somehow felt easier, but more intimate because this was more about discovering each other. Yeah, we were both slightly nervous, which I think helps. In the scene, it’s part of them finding each other. We worked it out in rehearsals what we wanted the viewer to see and not see and how we wanted it to be portrayed. Again, we don’t want [the sex] to be gratuitous but it’s very important for the characters and what happens to their relationship.
We get a sense, too, of Jamie’s naivete when it comes to sex, which is a source of humor. Plus, it’s a nice role reversal to see Claire being the one who is more experienced sexually rather than Jamie, who hasn’t reached that level yet.
In most TV dramas and films, it’s normally the other way around. It’s the guy [with more experience] than the woman, so it’s kind of turned on its head. Jamie’s very willing to learn and Claire is a very good teacher. (Laughs.) He couldn’t ask for better really. But it’s wonderful that they do have that kind of relationship. It’s very physical; there are no barriers. That’s what made their bond even stronger. I think he grows up very quickly and learns a lot, but it is lovely his humor. He’s learned a lot from looking at farmyard animals [which] is slightly disturbing. (Laughs.)
Now Claire has two rings and two husbands, and after all that sex finally remembers that she is supposed to be trying to return home to her first husband.
There were finales of some summer shows this week, including Extant and You’re The Worst. Extant‘s end was not spectacular but did a decent job of concluding the story. The entire series could have been better if a few hours had been cut (and those which aired were better written). The show did tie together the two big story lines of Halie Berry’s impregnation in space and the artificial intelligence kid. I was wondering if they were going for some sort of high concept ending, showing two possible successors to the human race, or at least do more to question what it means to be human. Instead they tied them together in a simpler manner, having Ethan be the one “person” immune to the alien’s mind control as he is not human. The anti-AI terrorist plot with Odin played into this as it created a new dilemma when Ethan decided to warm himself up to appear human to override the computer control on the spaceship Halie Berry was on.
The series was billed as a single season show, but we have seen such shows turn into multi-year series as with Helix and Under the Dome. I doubt this will happen due to Extant‘s poor ratings, but they left open the possibility with both the alien kid and Ethan’s’s mind still around at the end. While these loose ends were clearly intentional, presumably to leave open the possibility of a sequel, I suspect other loose ends were more from sloppy writing. For example, Molly and Sean should both have been infected by the alien spores, and now infecting others on earth. We also don’t know what happened to Yasumoto. Did he wind up dying after running out of that alien substance?
That’s too many questions. I don’t want anyone to get the idea of doing a second season to attempt to answer them.
While Extant was seriously flawed, You’re the Worst was the best, including the season finale. The finale was the perfect ending for what has turned into the best new sit-com in years. If the show is not renewed, it turns the ten episodes into what would feel like an excellent romantic comedy movie if watched in one sitting–which I would recommend for those who have the time and have not seen it yet–even if you don’t normally like romantic comedies. If you are above romantic comedies, think of what would happen if Dan Harmon wrote one. The show has very sharp writing and excellent performances by the cast, led by Chris Geere and Aya Cash, which manage to explode many of the clichés of the genre and television in general, while being extremely funny.
The episode shows how the series has begun to create its own universe, rather than relying on the stars alone. It provides what could serve as and end for the stories of both the main characters and side kicks (who in one episode even went meta and recognized their role). Besides altering the relationships of the various couples on the show, we saw the consequences of Gretchen’s habit of plugging her vibrator into a chain of Christmas lights, as well as what happened to the cat in the book store. While it works as a conclusion for the series, preferably this season finale will be a lead in to a second season, having introduced some changes in the situation of the characters to keep things fresh.
After You’re the Worst, I fear that the upcoming season’s new romantic comedies, such as A to Z and Manhattan Love Story, will seem quite lame.
How I Met Your Mother is another sit-com which developed its own universe, and a complex mythology. One mystery which was never solved occurred when Ted woke up with a hangover and no memory of the woman in bed with him or how a pineapple wound up on his nightstand. A deleted scene from the entire series DVD explains this. BuzzFeed has the scene, with the explanation involving the Captain who placed pineapples outside his homes: “It’s an old sea captain’s tradition, you put a pineapple on your porch as a symbol of hospitality. I keep one here and one outside my townhouse in the city.” Drunk Ted picked up the one outside his townhouse in the city. I imagine it was a matter of time, as this scene both resolves a long-standing mystery and contains a threat that fits in so well with the dynamic between Ted and the Captain.
Netflix has given an eye-popping two-season commitment to a comedy series from Judd Apatow and “Girls” alum Lesley Arfin that offers an unvarnished take on a modern relationship.
“Love,” produced by Legendary TV, will star “Community” player Gillian Jacobs and Paul Rust in the lead roles of Mickey and Gus, a couple in the throes of experiencing the “exhilarations and humiliations of intimacy, commitment, and other things they were hoping to avoid.” The series is targeted for debut in 2016.
“Love” garnered Neftlix’s biggest upfront commitment to an original series since drama “House of Cards’ went on the market in 2012 and landed a two-season order. Since then, the netcaster has built up a solid roster of original series. Netflix has ordered 10 episodes for “Love’s” first season and 12 for the following season a year later.
It sounds like it might be more serious than You’re The Worst, but I wonder if it can do as well in providing its take on a modern relationship.
Listen was an ambitious episode of Doctor Who, even if it does fall short of Blink, which it has been compared to. The episode deals with the character and origin of the Doctor, the further importance of the impossible girl in the development of the Doctor, along with Danny Pink’s (and presumably Clara’s) family tree. The episode begins with the Doctor writing on his chalk board (chalk boards are cool) and seeming to be talking directly to the audience about an idea he has come up with:
Listen! Question, why do we talk out loud when we know we’re alone? Conjecture: because we know we’re not. Evolution perfects survival skills. There are perfect hunters There is perfect defense. Question, why is there no such thing as perfect hiding? Answer: how would you know? Logically, if evolution were to perfect a creature whose primary skill were to hide from view, how would you know it existed? It could be with us every second and we would never know. How would you detect it? Even sense it? Except in those moments when for no clear reason, you choose to speak aloud. What would such a creature want? What would it do? Well? What would you do?
In many ways this is a repeat of previous Moffat ideas. The Weeping Angels, introduced in Blink, are a terror which can be hidden in plain site, only moving when you aren’t looking at them. The Silence took this further, with people losing all memory of seeing them. Now the Doctor postulates a creature which cannot be detected at all. However, while we learned about the nature of the Weeping Angels and the Silence, at the end of the episode it is not clear whether these beings even exist.
If the exist, they could mean that a common nightmare is really about something which has actually occurred:
I think everybody at some point in their lives has the exact same nightmare. You wake up, or you think you do, and there’s someone in the dark, someone close. Or you think there might be. So you sit up, turn on the light, and the room looks different at night. It ticks, creaks, and breathes. And you tell yourself there’s nobody there. Nobody watching, nobody listening, nobody there, naturally. And you very nearly believe it. You really, really try.
For the Doctor it was real, but instead of being a creature whose existence was unknown, it turned out to be Clara, back in time to the Doctor’s childhood on Gallifrey. Seeing the Doctor’s childhood in the barn does provide a connection to The Day of the Doctor, providing a reason as to why the War Doctor chose this place to decide whether to detonate the Moment. The scene also provides background to the Doctor’s antipathy towards soldiers (at this season, ignoring his past work with UNIT) and reused a line from 1963: “Fear makes companions of us all.”
It is questionable whether Clara could really control the TARDIS at all (even putting aside Sexy’s dislike of Clara, as revealed in The Doctor’s Wife), and even more questionable whether she it could have gone to Gallifrey, which was time locked, but whose status is no longer clear after the events of The Time of The Doctor. However these minor questions of continuity are outweighed by the manner in which Moffat ties in the entire history of the Doctor and the show.
Besides Gallifrey, the TARDIS traveled along Danny Pink’s timeline, presumably due to the importance to Clara’s. This included a visit to him as a young child, then called Rupert, to literally the end of the universe where a time-traveling descendant was stranded. If the implications are correct that Orson Pink is a descendant of both Danny and Clara, it looks like time travel is the Pink/Oswald family business on Doctor Who just as it is for Alec’s family on Continuum. Clara also has both influenced Danny’s decision to be a soldier and has made Dan the Soldier Man not only an important part of Danny’s life, but a family heirloom. Clearly, “A soldier so brave, he doesn’t need a gun” also refers to the Doctor.
Listen isn’t limited to other times ranging from the Doctor’s childhood on Gallifrey to the end of the universe. Moffat also took advantage of his experience from Coupling to present Clara and Danny’s first date. Things did not work out very well, but Clara ultimately figured out that she had to make it right.
One of the scenes of the date included an astronaut walking through the restaurant to get Clara. Using the astronaut suit made no sense, but this, along with the minor questions of continuity, can easily be overlooked. A more serious problem with the episode is that the initial question as to whether the creature which the Doctor speculated about does exist is never answered. Learning that Clara was the creature under the Doctor’s bed suggested that there was no need for such a complicated explanation for the nightmare. The noises in Orson’s ship could have been these creatures, or perhaps just noises from the ship. It is harder to explain what wrote on the Doctor’s chalkboard, and what was under Rupert’s sheets.
ICHABOD AND ABBIE TRY TO GET A “HEAD” OF THE COMPETITION ON AN ALL-NEW “SLEEPY HOLLOW” MONDAY, SEPTEMBER 29, ON FOX
Ichabod Crane and Lt. Abbie Mills concoct a daring plan to try to rescue Ichabod’s wife, Katrina, from the Headless Horseman by resurrecting a Frankenstein-like monster created by Benjamin Franklin. Meanwhile, Frank Irving faces new trouble after revealing the true details of his encounter with a demon, and Jenny Mills finds herself at odds with the new sheriff in town in the all-new “The Kindred” episode of SLEEPY HOLLOW airing Monday, Sept. 29 (9:00-10:00 PM ET/PT) on FOX. (SLH-202) (TV-14 L, V)
While sometimes Outlander seems to move too slowly, The Garrison Commander does advance the plot considerably. It seems to be a safe prediction that Jack Randall does not just forget about Claire following her marriage. The Hollywood Reporter interviewed Tobias Menzies, who plays both Jack Randall and, back in the 20th century, Clarie’s husband Frank. The interview does have some major spoilers as to future events from the novels:
Because Outlander is primarily Claire’s story, we don’t get to see Frank’s internal monologue while she’s in 1743 Scotland. Have you filled in the blanks in terms of Frank’s state of mind and what he’s dealing with back in England?
We see Frank still struggling to come to terms with what happened, and be at loggerheads with the authorities and the police. Basically, they tell him to go home and that his wife has eloped with someone else. He won’t believe it. Through the episodes, we see him coming to accept the version of events that people are saying to him. I suppose he does know Claire better than the others, and in a way, he’s right. She isn’t a woman who would run off with someone else, and he’s forced to give up. I think it’s a good episode.
At the end of the episode, Dougal proposes that Claire marry Jamie. How do you think Frank would react to that?
I think he would be pretty understanding. My understanding is that Claire, later on in the novels, reappears and is taken back by Frank, even though she’s pregnant and she tells this story of time travel. And for whatever reason, he chooses to accept it and raise a child together, which I think is a pretty big gesture on his part. What’s interesting about Frank is that he’s thoughtful. It’s not the great, most ostentatious of loves. In that respect, he’s overshadowed by Jamie and Claire. But I think [Frank and Claire’s relationship is] deep and meaningful and speaks volumes.
This was a big episode for Black Jack and Claire. Let’s talk about the interrogation scene.
It’s only a page and half in the book. It was a great decision on the part of the writers to explode that moment. In the book, there’s a lot of Jack being referred to and not a lot of him being there. You need him onscreen. I’m really happy with where it ended up. It gave us the time to go back and understand where the backstory with Jamie and Jack began and also to understand the emotions that are driving Jack, so he isn’t just a two-dimensional thug. Compared to the rest of the season, it’s a change of gear. It’d be interesting to see how people find it.
Here are some great examples of what Star Trek, the original show, could have looked if filmed in wide screen. Here is creator Nick Acosta’s description of this project:
Forty eight years ago this week Star Trek debuted its first episode on NBC. The show, like all other shows at the time, was broadcast in the old style 4×3 aspect ratio. Using HD screen caps from my friends at Trekcore.com, I created this project of what the show would have looked like in Cinerama widescreen. As a kid the show always felt bigger and more epic than it appears to me as an adult. I was able to create these shots by waiting for the camera to pan and then I stitched the separate shots together. The result is pretty epic. It reminds me of the classic science fiction movies of the 50’s and 60’s. Suddenly the show has a “Forbidden Planet” vibe. Other shots remind me of how director Robert Wise would use a camera technique to keep the foreground and background elements in focus.
Major television events of the upcoming week include the season finale of the best new sit-com to come around in a long time, You’re The Worst. Gretchen and Jimmy might be “the worst” but that is what makes them so fun to watch. If the season is a ten episode version of a warped romantic comedy movie, the eighth episode was the required portion in which the couple temporarily break up based upon a misunderstanding. Last week was somewhat of an origin episode with flash backs to before they met, as shown in the pilot. Hopefully this Thursday will end the season with the two back together, and ready for many seasons to come. The other summer sit-com from FX, Married, also ends this week. If it returns I will probably watch it, but it is You’re The Worst which I will really miss if it does not return.
You’re the Worst would also be a great show to binge watch if you haven’t seen it, with only ten episodes for the season and all highly entertaining. Another show to binge watch if you missed it (as I did until binging over the past week) is An Hounorable Woman. Certainly there are unrealistic aspects, but watching it for eight hours was like reading a highly entertaining novel, and the portions which might not be realistic in the real world can easily be ignored while following the events surrounding Nessa Stein and her family.
Binge watchers are also getting excited to hear that the full seven seasons of The Gilmore Girls will be available on Netflix starting October 1. In 2006 I posted some of the political lines from the show. USA Today has listed five top episodes to watch once they are available.
If you want to stick with science fiction, Vulture has listed the best science fiction movies on Netflix.
Nurse Jackie is to end after the upcoming seventh season. It is probably the right decision. We can’t keep going through cycles of Jackie getting off drugs and then relapsing year after year.
Community, on the other hand, deserves at least one more year and a movie–preferably far more. I am glad to hear that Dan Harmon is denying the rumors that Alison Brie is not returning.
Hayley Atwell, star of the upcoming series Agent Carter, will appear on the second season premiere of Agents of SHIELD. I don’t know if this will be a flash-back or Agent Carter at an older age. In other Marvel news, there is talk that the Hulk might return both for a television series and movie. New DC projects being considered include Supergirl and Teen Titans.
While the show has had its ups and downs, The Leftovers did end with a satisfying season finale (far more than I can say for True Blood). While the show will probably never really explain what happened, at least we have the view of some characters as for the reason only some disappeared, along with finally learning what The Guilty Remnant was up to. The show has now caught up with the end of the novel, making next season even more of an unknown.
Doctor Who‘s third episode of the Capaldi era, Robot of Sherwood, was the lightest of the season. The episode, written by Mark Gatiss, almost seemed to be outside of the continuity of the season, being a story which could be watched at any time and which could easily have happened under Matt Smith or an earlier Doctor. The episode begins with Clara on the TARDIS, showing nothing of her home life, ignoring the recent addition of Danny Pink to the show. There are no scenes of Missy, but there was a brief reference to a space ship searching for the Promised Land.
The episode does have several references to classic Doctor Who. For example, the black and white still of Robin Hood from the TARDIS database is from a 1953 BBC show in which Patrick Troughton played Robin.
Despite the Doctor’s insistence that “I am totally against bantering,” the episode is amusing for its banter between the Doctor, Clara, and Robin Hood, along with its mocking of the traditional tropes of the action/adventure show. This was best seen in the dungeon scene as the Doctor and Robin discussed their plans to escape. They included the classics: “get interrogated and turn the tables” and “pretend to be sick so the jailer will come in.” Clara excluded one Doctor Who solution which is utilized too often: “Can you explain your plan without using the words ‘sonic screwdriver'”? For once, an enemy took the sonic screwdriver away.
The Doctor had his own unique answer to the hero who fights but carries no weapon: “I don’t need a sword. Because I am the Doctor. And this is my spoon.” There was also a look at the nature of legends and heroism. Instead of being compared to the Daleks in Into the Dalek, this week the Doctor was compared to Robin Hood, even if it took a while for the Doctor to acknowledge Robin’s”reality” within this universe. We knew from the title that robots were involved, but it was not clear until the end as to who would be real and who would be robots.
Above is the Doctor Who Extra for Robot of Sherwood. While I posted the Doctor Who Extra for Into the Dalek with last week’s review, I initially did not post the video for Deep Breath as initially it was available for view within the U.K. only. Doctor Who Extra has since been made available internationally. The video for Deep Breathcan be viewed here.
One scene was cut from the broadcast episode involving a decapitation in response to the recent decapitation of two journalists by ISIS. DoctorWhoTV described the cut scene:
In the original version of the final sword fight, the Sheriff gets the upper hand on Robin disarming him and putting his sword to his neck. Robin looks doomed but the Doctor throws a cloth tapestry over the Sheriff blinding him. Robin picks back up his sword and decapitates the Sheriff. His head rolling across the floor.
Clara congratulates Robin on his apparent victory, but the Sheriff’s severed head suddenly starts talking! He reveals that the skyship fell on him and the knights made him half-robot.
Behind Clara the Sheriff’s body gets back up and puts a sword to her throat ordering the Doctor and Robin to surrender. Robin picks up the Sheriff’s head and throws it back to the Sheriff’s headless body. He puts his head back on. And the fight scene resumes as was shown.
In total about a minute of footage was lost and of course the reveal that the Sheriff was a robot.
Next week’s episode, Listen, sounds much darker, despite reportedly containing Clara and Danny’s first date. The episode is being compared to perhaps Steven Moffat’s greatest episode so far, Blink. Trailer above.
Sleepy Hollow had poor timing with their National Headless Day promotion, and did not manage to get this canceled before seen as Doctor Who did with its beheading scene. For more mundane promotion, here is the official synopsis of the first episode of season two:
Episode 2.01 – This Is War (22-Sep-2014)
In Sleepy Hollow, it would seem as though the status quo has been restored, but things in the formerly quaint town are never truly as they appear. Even now, how Crane managed to escape being betrayed and buried alive by his son, Jeremy (aka Henry Parish, aka the newly minted Horseman of War), or how Abbie freed herself from Purgatory, remains a mystery… even to them. What appears certain however is that while both Katrina and Jenny have apparently been lost, the Two Witnesses have not abandoned their quest to fight tirelessly against Moloch and his minions. Meanwhile, Moloch’s malevolent forces use all the powers at their disposal in an attempt to locate a key – once belonging to Founding Father Benjamin Franklin – which is capable of unlocking the gates of Purgatory. After using his unique skills on an unanticipated prisoner, Sin-Eater Henry Parish discovers a clue which points him in the direction of the valuable artifact, but Crane is intent on finding it first. While in Purgatory, Moloch works to raise a demonic army in preparation for his invasion, but those who would prevent the hoard’s advent get help from an unexpected source. Meanwhile, we learn that Jenny and Katrina are both still alive, though each is being held prisoner for vastly different reasons, and Crane takes the inadvisable action of re-entering Purgatory in order to fulfill a promise.
Doctor Who is no longer the only time travel show on Saturdays. Even before Outlander began, critics who received the first six episodes were saying the sixth was by far the best. With the cliff hanger last night,next week’s episode, The Garrison Commander does look like it could be a major episode.
Claire was left with a big decision. She could tell the Red Coats that she was willingly with Dougal and stick with the enemy she knows, knowing she does have Jamie to protect her, or risk the unknown of seeing whether the British would really treat her any better. From the previews it looks like she does wind up with the Red Coats, but that doesn’t explain the situation under which this occurs or what her answer is. The episode also had added interest when Claire understood that Dougal’s motives were more noble than she first thought, but that he and his clan were ultimately doomed. She experienced the frustration of being a time traveler and being unable to do anything about the future.
ABC has released a synopsis for the second season of Agents of SHIELD:
Marvel’s Agents of S.H.I.E.L.D.” returns for a dynamic, action-packed second season, with newly appointed Director Phil Coulson (Clark Gregg) – now the keeper of the secrets — charged with rebuilding and restoring government and public trust in S.H.I.E.L.D. in the wake of the events of “Marvel’s Captain America: The Winter Soldier,” where it was revealed evil Hydra agents had infiltrated the organization. Ever since the existence of super heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Agent Phil Coulson, who had died at the hands of Loki during the battle, was resuscitated and brought back into action, assembling a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.
But the biggest threat was growing from within, as S.H.I.E.L.D.’s old enemy, Hydra – a dangerous extremist group Captain America fought against in World War II – had secretly infiltrated and infected the organization at the highest levels. Once revealed to the public, S.H.I.E.L.D., including Coulson and his team, was discredited and made to look like the enemy. The world now views S.H.I.E.L.D. as untrustworthy, and it’s Coulson’s job to change that opinion.
After helping to thwart Hydra, Coulson was appointed as Director and tasked with rebuilding the agency. This won’t be an easy job to accomplish with the majority of S.H.I.E.L.D. agents either killed, secretly working for Hydra or free agents. Agent Melinda May (Ming-Na Wen), expert pilot, martial artist and longtime friend, will continue to look after Coulson in the wake of the mysterious etchings he’s been carving into walls. What do these etchings mean, and can Coulson be trusted? Grant Ward (Brett Dalton), highly trained in combat and espionage, was found to be a Hydra mole and a traitor to S.H.I.E.L.D. and locked up away from the world and his former teammates. But this isn’t the last we’ve seen of him… After being left to die in the middle of the ocean by Ward, Agent Leo Fitz (Iain De Caestecker), brilliant engineer, and Agent Jemma Simmons (Elizabeth Henstridge), genius bio-chemist, found a way to escape their watery grave. But all did not go well for Fitz, who was left in a coma and may never regain his full cognitive functions; a devastating blow to Simmons. And computer hacker Skye (Chloe Bennet), now a full-fledged S.H.I.E.L.D. agent, discovered her origins as a 0-8-4 — an object of unknown origin – and that her parents were considered “monsters.” Could Skye have darkness lying dormant inside of her? Also joining Coulson’s core team is Lance Hunter (Nick Blood), a dashing mercenary sharp shooter with a quick wit. Since he didn’t rise up through the ranks, does he have an ulterior motive for helping out the team?
Who can Coulson trust?
Fox has released a teaser for Gracepoint, staring David Tennant and Anna Gunn. It just feels like Broachchurch where they got things wrong.
There are some spoilers for season two of The Blacklist here.
The Nerdist has a look at what is known about the planned DC cinematic universe which follow Superman, Batman, and Green Lantern. Future movies include the Justice League of America, Shazam, Wonder Woman, and Aquaman. AV Club has more on Shazam on how it will differ from other DC movies.
Syfy is planning a six part miniseries adaptation of Arthur C. Clarke’s Childhood’s End. If done well, this could be one of the network’s greatest features to date.
Revenge tried to drag out the storyline from its first season way too long, and it looks like they are making the right decision in changing the show around. BuddyTV has some spoilers as to what will change next season:
With David Clarke’s name cleared, will Emily’s quest for revenge be over? Conrad was imprisoned and is now presumably dead and the great Victoria Grayson has been left to rot in a mental institution. Plus, Emily’s father is actually alive!
That will be an awkward reunion. Emily went against her father’s wishes and left the sweet Amanda Clarke behind and became a ruthless killer instead. Her life will be turned upside-down with the news.
Executive Producer Gretchen J. Berg teased, “The drive of season four will be Emily discovering who Amanda Clarke is and Emily figuring out her new life with her father in it. I don’t want to say when she’s going to discover that, but that’s going to be our arc for the season.”
In addition to Emily unraveling her true identity, it looks like she’ll have to contend with being the target of someone else’s revenge. The tides have turned!
Victoria does the voice over for the first RevengeSeason 4 Trailer, “My name is Victoria Grayson and I have a story to tell. Over the past three years my family was destroyed, the love of my life murdered, my freedom taken away. When everything you love has been stolen from you, someone has to pay. Emily Thorne, I’m coming for you.”
…When we last saw Jack, he was being arrested for Charlotte’s kidnapping. He’ll take the cuffs off and become the one putting them on others when he becomes a cop. Yes, Jack likely will be donning a uniform!
What will happen when Emily and Victoria find out David’s alive? Executive Producer Aaron Harberts told EOnline, “He may not be the most emotionally and psychologically stable and if Victoria is the first person to get to David, she might be in control of that guy, which sort of presents her power running through the season,”
Copies of the promised alternate ending to How I Met Your Mother have been appearing on line but have been taken down. I don’t know how long it will be here, but at the time of posting I have found the above video of the entire final episode, with alternate ending to the finale starting around 37 minutes in. The options are somewhat limited as it can only contain what was already filmed, but it does have new narration from Bob Saget. While the alternate ending therefore could not show any new scenes of Ted and Tracy in the future, it was still a far better ending for the series than the one that aired.
As I discussed in my review of the finale, the ending made sense when first filmed early in the series run, but no longer made sense from where the show ultimately wound up. Viewers had too much invested in Tracy in the final season to just see her quickly die. Having Ted and Robin ultimately get together was the obvious ending during the first season, but it no longer made sense to have Robin and Barney break up for this to occur after spending so much time making this implausible relationship make sense, and spending the entire final season at their wedding.
While we were denied more scenes of Ted and Tracy leading up to the moment when Ted was telling the story to his children, there remains the opportunity to see Cristin Miloti alive, but in a different relationship, on the upcoming sit-com, A to Z. The pilot has been released for early viewing.
We now have a new regeneration of the Doctor, a redecorated TARDIS, and a new title sequence on Doctor Who. Unfortunately the plot of Deep Breath was not very good. There was the return of the droids from The Girl in the Fireplace. Unlike the challenge of not blinking in Blink and other stories with the Weeping Angels, the challenge in this episode was seeing how long you could hold your breath. There was plenty of humor between the confusion of the Doctor post-regeneration, along with cultural misunderstandings and the usual Strax humor. In addition, Moffat’s inner teenager came out wigh having a dinosaur and multiple allusions to Clara either removing her clothes or having sex. The Doctor did do some flirting, but only with the female dinosaur and not Clara, plus there was a human/lizard lesbian kiss. There was even the reported cameo by Matt Smith, telephoning Clara from his past.
While this episode was far from one of the better post-regeneration episodes, the episode did leave me confident that Peter Capaldi will make an excellent 0ld school style Doctor, and of course Jenna Coleman remains an excellent companion, even if there is no flirting or actual removal of her clothing. There are some vague clues of things to come. While we know that the reason the Doctor has seen his face before is because Peter Capaldi has appeared on Doctor Who in other roles, it appears that the reason for the same face will be given an explanation within the story in future episodes. The end of this episode left open the possibility that this could be the start of a new arc, with Missy apparently having had key roles in the past, such as giving Clara the Doctor’s phone number in The Bells of St. John. Capaldi presented what could also be a theme for the season: “I’m the Doctor, I’ve lived for over 2,000 years, and not all of them were good; I’ve made many mistakes, and it’s about time I did something about that.”
There are alternative versions of Doctor Who. For example, check out the above video celebrating fifty years of American Doctor Who. IO9 looked at a porn parody of Doctor Who which can be viewed at Woodrocket.com.
Matt Smith has taken the Ice Bucket Challenge to raise money for research on ALS (amyotrophic lateral sclerosis). Benedict Cumberbatch of Sherlock went even further, including getting naked in the shower for a repeat exposure. Contributions to the ALS Association can be sent through their web site.
Last week I noted that the pilot for A to Z is available on line. A sit-com pilot with an even stronger genre connection was released this week–Selfie staring Karen Gillan.
A four-part You Tube series with background on Gotham has been released. The first part is above.
True Blood finally reaches the true end tonight. Does anyone even care anymore whether Bill really goes through with true death or if the show end with true love? At least there were some humorous moments in the final few episodes, such as Ginger finally getting to have sex with Eric. The scene is discussed more here.
My theory as to how the series ends is that Sookie will decide to become a vampire to convince Bill that the two of them can spend eternity happily ever after. Bill refuses to turn her into a vampire so she goes to Eric. By the time Sookie gets out of the ground she finds that Bill has already died from Hepatitis V. Meanwhile Pam, thinking Eric turned Sookie into a vampire for herself, kills Sookie. Jessica (Deborah Ann Woll) then leaves the show for a role on Daredevil. We will find out later tonight if my prediction comes through.
Steven Spielberg is developing a television series based upon the movie Minority Report.
The big law suit this week stemming from television is Jessie Nizewitz suing Viacom for $10 million because not everything was obscured in the airing of Dating Naked. This led to many web sites (including here) posting the uncensored picture. I do not think a model should film a television show entirely naked if she has any qualms about pictures of her crotch getting out. Plus I would bet that far more people have now seen her nude pictures following the publicity from this law suit.
It was a great weekend for television, with an excellent episode of Doctor Who, the season finale of Torchwood: Miracle Day, and a Michigan vs. Notre Dame football game which not only once again wound up being settled by four points scored in the last thirty seconds, but also had three touchdowns in the last seventy-two seconds. In the final second Notre Dame also lost the ball and I believe that if the Michigan player pushing it into the end zone had actual possession it would have been counted as a fourth touchdown in the last seventy-two seconds.
The Girl Who Waited was the economy episode of Doctor Who, having less of the Doctor and minimal use of other cast. While not as great as another Doctor-lite episode, Blink, it was an excellent episode with an interesting timey-whimey idea. A planet with a plague, which killed beings with two hearts, including Time Lords, in one day, set up a Two Stream facility. Those infected with the plague lived in one time stream where they could live out their entire life in one day, while family could watch them from the other time stream over twenty-four hours. After their arrival to the planet, Amy ran back to the Tardis to get her phone. The Doctor, who so far thought they were just at a recreational facility, had the first of two great lines during the episode: “I bring you to a paradise planet two billion light years from Earth and you want to update… Twitter?”
When Amy caught up, she pushed the wrong button and wound up in the wrong time stream. She had to beware of being killed with kindness as medications from this planet would be fatal to her. There were certainly a number of holes in this setup, and a bit of timey-whimey technobabble to try to explain it, but that didn’t prevent enjoyment of the show. After all, as the Doctor explained, “Come on Rory, it’s hardly rocket science, it’s just quantam physics.”
This setup provided for an interesting look at the character dynamics, and gave Karen Gillan the opportunity to play an older version of herself.
It was not surprising to see Amy Pond become bitter about her raggedy man after being left behind for thirty-six years. It was logical for her to prevent the Doctor and Rory from saving the younger version of herself, making her disappear, but in the end there were stronger arguments to the contrary. There was never any doubt that Rory would choose the younger version of Amy over the older, but Rory did realize the cost as he told the Doctor, “You’re trying to turn me into you.” We also saw again that the Doctor lies. I bet that will be important when we see how the Doctor avoids his impending death.
The episode appeared to be totally stand-alone (with it continuing to be strange that Amy and Rory so easily gave up on the idea of rescuing Melody as an infant). I wonder if a show which dealt so strongly with the relationship between Amy, Rory, and the Doctor might wind up having ramifications to be seen later this season.
The Blood Line, the finale of Torchwood: Miracle Day, was a pretty good episode, but still it didn’t have enough payback for a ten-episode story. Considering that there is no real explanation, they did a fair job of explaining how the Miracle came about, using Jack’s immortal blood. I wasn’t clear on why this would make Jack (and cancer cells) mortal, or why they brought Oswald Danes along. The episode did leave a couple of plot threads open, including the tree families moving on to their next plan, with Jilly Kitzinger helping with public relations. A transfusion of Jack’s blood allowed Rex to recuperate as quickly as Jack. I hope that this is a temporary effect of the transfusion, possibly aided by occurring at the same time as the Blessing was reset. Otherwise it wouldn’t be realistic to have Torchwood continue with some many people close to Jack getting killed.
It was a good idea to take a high concept and attempt to make a single-season arc. Children of Earth worked as a third-season story over five days, but ten episodes was too long this year. The writers tried to get around this problem by having a number of subplots. This did not work as the show was set up around solving a single problem, and the subplots often felt like needless distractions.
Sooner or later I also hope to see Torchwood reestablished as a real organization with additional characters. Torchwood might work better modeled somewhat after how Dexter or Fringe have been handled. I would like to see a fifth season in which Torchwood is reestablished. Episodes could deal with building a new team and solving some individual mysteries, while also having a “big-bad” to contend with all season. That way it is not necessary to come up with a monster of the week every week, but individual stories could be mixed with the season-long arc.
We know that Doctor Who will have another thirteen-episode season, but it won’t start until next fall. The future of Torchwood is unknown, despite a tag at the end of the final episode in Australia saying Jack will be back in four months. There is, however, hope of seeing another Tom Baker episode of Doctor Who. Shada, the 1980 Tom Baker episode of Doctor Who written by Douglas Adams, has finally been completed, with a couple of twists:
Given that it has been three decades since the cameras last rolled on the story, the actors involved would never have been able to convincingly play the same age, so Shada has been completed via animation, using only their voices.
The other twist is that this hasn’t been paid for by the BBC, nor even their commercial arm 2|entertain (responsible for the Doctor Who DVD releases). The animation has been privately funded by record producer and fan Ian Levine, and as things stand, the wider public might never get to see it.
Which isn’t Levine’s intention, of course; now that Shada has been finished, he’s hopeful an agreement can be reached with 2|entertain and the story released into the public domain.
Wait a minute. The Doctor and Romana are Time Lords and would hot have aged. The real problem is that they have regenerated into different forms.
SyFy divided up the first season of Caprica into two parts, ending the first half with major cliff hangers. The show was originally to air this fall but was then moved back to January. This week they announced plans to move it back up to start on October 5. No decision has been made on whether to film a second season, with the actors’ contracts extended until November. Moving up the start of the second half of the series provides an opportunity to see how the show does before the decision is made. Hopefully ratings will be up.
Ron Moore might also be getting a new show on network television. As part of Moore’s development deal with Sony, there is consideration for developing a show described as “a police procedural that heavily involves the use of magic” for NBC. Airlock Alpha has more information.
Doctor Who won as Best Family Drama at the the TV Choice Awards 2010 in London, taking place a day after the show won a Hugo award. The current series’ lead character Matt Smith has won as Best Actor in GQ’s Men of the Year Awards. Above is Smith with his girl friend, model Daisy Lowe. There have been rumors this week that Smith is proposing to Lowe.
While signing boxes for her action figure, Karen Gillan discussed the growth of her character:
Karen Gillan has described filming Doctor Who as an “emotionally draining” experience.
The Scottish actress, who shot to fame as the Doctor’s assistant Amy Pond, said she was looking forward to changing her character in the next series of the BBC sci-fi show.
She said: “I think that she’s a completely different person at the end of the series to when we meet her, when she’s really quite odd and a bit messed up in the first episode.”
The 22-year-old added: “I think she’s much more kind of in tune with what she understands about herself mostly and the Doctor by the end of the series. And she’s been through a lot in the series.
“It’s been pretty emotionally draining. Just all the stuff when she was crying and she doesn’t know why she’s crying – that was quite a challenge. But I think there’s a lot more to come in the next series. I really want to just keep on developing her character and I want her to evolve and change lots.”
We know that the Tardis has far more room inside than it appears to have from the outside. This would make the Tardis great for storage. In the picture above a 1 TB drive has been crammed into the model Tardis, showing it really can store a tremendous amount of material. That’s more than enough space for DivX downloads of all the episodes of Doctor Who and its spin offs which remain available.
SyFy has compiled a list of ten of the best science fiction television episodes that ever aired. The list is limited to one episode from any given show. Blink from Doctor Who made the list. Some of the other notable episodes include City on the Edge of Forever, often considered the best episode of Star Trek: The Original Series. Yesterday’s Enterprise was a good choice from Star Trek: The Next Generation. X-Files was represented by Home,Battlestar Galactica by 33, and Lost by The Constant.
Heroes didn’t have any episodes make the list, and won’t get an opportunity to resolve the series-ending cliff hanger. NBC has decided against going ahead with a television movie to wrap it up.
It might be a long time before we find out about the succession plans for when Steve Carrell leaves The Office after this season. The second half of the season will deal with Michael Scott leaving but his replacement in the season finale might not become the show’s new star:
By season’s end, one character will have Scott’s job — but that person is not necessarily Carell’s replacement as the show’s star. Sources say writers are tempted to have the character who becomes the Scranton branch’s new boss fail in some spectacular manner, leaving the seat open again for another successor during Season 8.
One radical notion being explored is the possibility of subtly shifting the show’s point of view so that a current character is the star instead of the boss.
As for replacing Scott with a new manager, sources say the network and producers are on the same page.
“You’re looking for someone who can start stories,” a source said. “Someone whose judgment isn’t necessarily one where when an issue comes up and a boss with a correct judgment would quickly settle it and then you have no episode. You’re also looking for somebody who considers the rest of the office his family.”
The Hugo Awards were announced this weekend. There was a tie for best novel between The City & The City by China Miéville and The Windup Girl by Paolo Bacigalupi. Moon won for Best Dramatic Presentation–Long Form. Moon won in a strong field which included Star Trek, Avatar, District 9, and Up. As has been occurring quite frequently in recent years, an episode of Doctor Who won the award for Best Dramatic Presentation–Short Form.
Doctor Who has previously won three Hugo awards, all by current show runner Steven Moffat before he took his current position. In 2006 Moffat won for The Empty Child/The Doctor Dances. In 2007 he won with The Girl in the Fireplace and in 2008 for Blink. His two parter Silence in the Library Forest of the Dead received a Hugo nomination in 2008.
Last year Moffat didn’t write any episodes and instead of a regular season there were a handful of special episodes written by Russel T. Davies. Davies won withThe Waters of Mars, which beat two of his other special episodes, The Next Doctor andPlanet of the Dead. Epitaph 1 (Dollhouse) and No More Good Days (FlashForward) were also nominated in this category.
David Tennant, who played the Doctor in The Waters of Mars, will be appearing in a four-part drama entitled Single Father along with Suranne Jones. The show will air in October on BBC1.
Jane Espenson, who has worked on shows including Battlestar Galactica, Caprica, and Dollhouse, will be writing three episodes of next season’s ten episode arc. She was interviewed about her work:
How did you end up getting the writing gig? And exactly how involved are you going to be?
I’m thrilled to say I was invited. My agent told me about it very casually; I was already busy at the time, and he thought I’d want to decline, but I jumped in fast to say I absolutely wanted to participate. I will be writing three episodes of the 10-episode arc.
What’s got you most excited about it?
Working with Russell T. Davies and Julie Gardner and the others. Writing for a show I already adore, for characters and actors I already respect. Writing for a show with roots in another country—this is a new experience for me, and I’m loving it.
And is there something you’re just DYING to do or try on the show? Or something you can only do because it’s Torchwood?
I love blending tones—mixing the broadly comedic moment in with the darkly dramatic one can heighten both. Torchwood is a show that welcomes that kind of moment. I’m also really eager to play with all the culture-clash material that comes naturally out of the show’s pedigree. And I’m especially eager to write material that pushes the boundaries of what can ordinarily be done on television.
So how do you approach a show like Torchwood vs. your work on, say, Buffy or Caprica?
Because of the length of our season and the lead time before production begins, we’re actually approaching Torchwood in a very unusual way—all the episodes will be written before any of them begin shooting. This is allowing us to “break” all the episodes at once, with the entire writing staff working together in a very concentrated one-month work session. This is making for a very intense and collaborative process, all guided by Russell’s very precise vision. The final product is going to be tightly plotted and lovingly crafted.
Can you give us any juicy details? Or maybe just some slightly moist
ones? Or anything at all?
We’ve already changed the name of at least one character that was announced in the press. And there’s nothing to stop us from changing more—so if you hear anything, even if it was true at some point, it probably isn’t anymore. So the more you learn about Torchwood, the less you know.
There remains no word as to whether there will be a second episode of Caprica (beyond the second half of the first season which airs in starting in January). Contracts with the cast have been extended and there is speculation that they are waiting to see how DVD sales are since ratings were lower than anticipated.
There will be two Star Trek actors appearing on The Big Bang Theory next season. In addition to a return visit from Katee Sackhoff. George Takei will be playing himself:
In an interview, Prady explained that Wolowitz is thinking about getting back together with his ex-girlfriend Bernadette (Melissa Rauch), and it sounds as though Sackhoff and Takei will represent opposing points of view.
“George Takei plays himself, and he’s the other person guiding Wolowitz in his thoughts as he tries to figure out what to do about Bernadette,” Prady said.
Prady won’t disclose the venue for this conversation, but he ruled out a return to Wolowitz’s bathtub, where Sackhoff famously appeared last season. But Sackhoff and Takei do share some dialogue, Prady noted.
“I think they do discuss being typecast in science-fiction shows,” Prady said.
I can forgive Wil Wheaton for Wesley Crusher. After all, he was just a teenage actor reading his lines. If we weren’t told that he’s the evil Wil Wheaton from the Mirror Universe, it would be harder to forgive Wheaton for what he has done to Sheldon and, even worse, breaking up Leonard and Penny. Michael Ausiello has this news on a repeat appearance from the Evil Wil Wheaton.
It looks like Sheldon is climbing back in the ring with his longtime rival, Evil Wil Wheaton.
Big Bang Theory executive producer Bill Prady confirms to me exclusively that he wants to revive the ugly feud this season—possibly in time for November sweeps.
“We started talking about the idea of minor celebrities cutting in line,” Prady says, “and we thought it might be funny to have our [Big Bang] guys waiting in line for a one-time-only midnight screening of something like Raiders of the Lost Ark with restored footage, and Wil Wheaton and his three friends cut the line. When it comes time for our guys to get in, the line stops; Wil took the last four seats and Sheldon is just furious. Because it doesn’t make sense to him. Wil’s celebrity is not applicable here. This is not Star Trek. It’s just wrong.”