SciFi Weekend: Doctor Who; Sleepy Hollow; Outlander; Star Trek TOS In Wide Screen; You’re The Worst; Married; An Honourable Woman; Gilmore Girls; SHIELD; Agent Carter; The Hulk; Supergirl; Teen Titans; The Leftovers

Doctor Who Listen

Listen was an ambitious episode of Doctor Who, even if it does fall short of Blink, which it has been compared to. The episode deals with the character and origin of the Doctor, the further importance of the impossible girl in the development of the Doctor, along with Danny Pink’s (and presumably Clara’s) family tree. The episode begins with the Doctor writing on his chalk board (chalk boards are cool) and seeming to be talking directly to the audience about an idea he has come up with:

Listen! Question, why do we talk out loud when we know we’re alone? Conjecture: because we know we’re not. Evolution perfects survival skills. There are perfect hunters There is perfect defense. Question,  why is there no such thing as perfect hiding? Answer: how would you know? Logically, if evolution were to perfect a creature whose primary skill were to hide from view, how would you know it existed? It could be with us every second and we would never know. How would you detect it? Even sense it? Except in those moments when for no clear reason, you choose to speak aloud. What would such a creature want? What would it do? Well? What would you do?

In many ways this is a repeat of previous Moffat ideas. The Weeping Angels, introduced in Blink, are a terror which can be hidden in plain site, only moving when you aren’t looking at them. The Silence took this further, with people losing all memory of seeing them. Now the Doctor postulates a creature which cannot be detected at all. However, while we learned about the nature of the Weeping Angels and the Silence, at the end of the episode it is not clear whether these beings even exist.

If the exist, they could mean that a common nightmare is really about something which has actually occurred:

I think everybody at some point in their lives has the exact same nightmare. You wake up, or you think you do, and there’s someone in the dark, someone close. Or you think there might be. So you sit up, turn on the light, and the room looks different at night. It ticks, creaks, and breathes. And you tell yourself there’s nobody there. Nobody watching, nobody listening, nobody there, naturally. And you very nearly believe it. You really, really try.

Doctor-Who-Clara-and-Young-Doctor

For the Doctor it was real, but instead of being a creature whose existence was unknown, it turned out to be Clara, back in time to the Doctor’s childhood on Gallifrey.  Seeing the Doctor’s childhood in the barn does provide a connection to The Day of the Doctor, providing a reason as to why the War Doctor chose this place to decide whether to detonate the Moment. The scene also provides background to the Doctor’s antipathy towards soldiers (at this season, ignoring his past work with UNIT) and reused a line from 1963: “Fear makes companions of us all.”

It is questionable whether Clara could really control the TARDIS at all (even putting aside Sexy’s dislike of Clara, as revealed in The Doctor’s Wife), and even more questionable whether she it could have gone to Gallifrey, which was time locked, but whose status is no longer clear after the events of The Time of The Doctor. However these minor questions of continuity are outweighed by the manner in which Moffat ties in the entire history of the Doctor and the show.

Besides Gallifrey, the TARDIS traveled along Danny Pink’s timeline, presumably due to the importance to Clara’s. This included a visit to him as a young child, then called Rupert, to literally the end of the universe where a time-traveling descendant was stranded. If the implications are correct that Orson Pink is a descendant of both Danny and Clara, it looks like time travel is the Pink/Oswald family business on Doctor Who just as it is for Alec’s family on Continuum. Clara also has both influenced Danny’s decision to be a soldier and has made Dan the Soldier Man not only an important part of Danny’s life, but a family heirloom. Clearly, “A soldier so brave, he doesn’t need a gun” also refers to the Doctor.

Listen isn’t limited to other times ranging from the Doctor’s childhood on Gallifrey to the end of the universe. Moffat also took advantage of his experience from Coupling to present Clara and Danny’s first date. Things did not work out very well, but Clara ultimately figured out that she had to make it right.

One of the scenes of the date included an astronaut walking through the restaurant to get Clara. Using the astronaut suit made no sense, but this, along with the minor questions of continuity, can easily be overlooked. A more serious problem with the episode is that the initial question as to whether the creature which the Doctor speculated about does exist is never answered. Learning that Clara was the creature under the Doctor’s bed suggested that there was no need for such a complicated explanation for the nightmare. The noises in Orson’s ship could have been these creatures, or perhaps just noises from the ship. It is harder to explain what wrote on the Doctor’s chalkboard, and what was under Rupert’s sheets.

Above is the Doctor Who Extra for Listen.

Last week I posted the synopsis for the first episode of season two of Sleepy Hollow. Fox has released the synopsis for the second:

ICHABOD AND ABBIE TRY TO GET A “HEAD” OF THE COMPETITION ON AN ALL-NEW “SLEEPY HOLLOW” MONDAY, SEPTEMBER 29, ON FOX

Ichabod Crane and Lt. Abbie Mills concoct a daring plan to try to rescue Ichabod’s wife, Katrina, from the Headless Horseman by resurrecting a Frankenstein-like monster created by Benjamin Franklin. Meanwhile, Frank Irving faces new trouble after revealing the true details of his encounter with a demon, and Jenny Mills finds herself at odds with the new sheriff in town in the all-new “The Kindred” episode of SLEEPY HOLLOW airing Monday, Sept. 29 (9:00-10:00 PM ET/PT) on FOX. (SLH-202) (TV-14 L, V)

OUTLANDER Garisson Commander

While sometimes Outlander seems to move too slowly, The Garrison Commander does advance the plot considerably. It seems to be a safe prediction that Jack Randall does not just forget about Claire following her marriage. The Hollywood Reporter interviewed Tobias Menzies, who plays both Jack Randall and, back in the 20th century, Clarie’s husband Frank. The interview does have some major spoilers as to future events from the novels:

Because Outlander is primarily Claire’s story, we don’t get to see Frank’s internal monologue while she’s in 1743 Scotland. Have you filled in the blanks in terms of Frank’s state of mind and what he’s dealing with back in England?

We see Frank still struggling to come to terms with what happened, and be at loggerheads with the authorities and the police. Basically, they tell him to go home and that his wife has eloped with someone else. He won’t believe it. Through the episodes, we see him coming to accept the version of events that people are saying to him. I suppose he does know Claire better than the others, and in a way, he’s right. She isn’t a woman who would run off with someone else, and he’s forced to give up. I think it’s a good episode.

At the end of the episode, Dougal proposes that Claire marry Jamie. How do you think Frank would react to that?

I think he would be pretty understanding. My understanding is that Claire, later on in the novels, reappears and is taken back by Frank, even though she’s pregnant and she tells this story of time travel. And for whatever reason, he chooses to accept it and raise a child together, which I think is a pretty big gesture on his part. What’s interesting about Frank is that he’s thoughtful. It’s not the great, most ostentatious of loves. In that respect, he’s overshadowed by Jamie and Claire. But I think [Frank and Claire’s relationship is] deep and meaningful and speaks volumes.

This was a big episode for Black Jack and Claire. Let’s talk about the interrogation scene.

It’s only a page and half in the book. It was a great decision on the part of the writers to explode that moment. In the book, there’s a lot of Jack being referred to and not a lot of him being there. You need him onscreen. I’m really happy with where it ended up. It gave us the time to go back and understand where the backstory with Jamie and Jack began and also to understand the emotions that are driving Jack, so he isn’t just a two-dimensional thug. Compared to the rest of the season, it’s a change of gear. It’d be interesting to see how people find it.

Star Trek Wide Screen.

Star Trek Wide Screen 2

Here are some great examples of what Star Trek, the original show, could have looked if filmed in wide screen. Here is creator Nick Acosta’s description of this project:

Forty eight years ago this week Star Trek debuted its first episode on NBC. The show, like all other shows at the time, was broadcast in the old style 4×3 aspect ratio. Using HD screen caps from my friends at Trekcore.com, I created this project of what the show would have looked like in Cinerama widescreen. As a kid the show always felt bigger and more epic than it appears to me as an adult. I was able to create these shots by waiting for the camera to pan and then I stitched the separate shots together. The result is pretty epic. It reminds me of the classic science fiction movies of the 50’s and 60’s. Suddenly the show has a “Forbidden Planet” vibe. Other shots remind me of how director Robert Wise would use a camera technique to keep the foreground and background elements in focus.

Youre The Worst

Major television events of the upcoming week include the season finale of the best new sit-com to come around in a long time, You’re The Worst. Gretchen and Jimmy might be “the worst” but that is what makes them so fun to watch. If the season is a ten episode version of a warped romantic comedy movie, the eighth episode was the required portion in which the couple temporarily break up based upon a misunderstanding. Last week was somewhat of an origin episode with flash backs to before they met, as shown in the pilot. Hopefully this Thursday will end the season with the two back together, and ready for many seasons to come. The other summer sit-com from FX, Married, also ends this week. If it returns I will probably watch it, but it is You’re The Worst which I will really miss if it does not return.

You’re the Worst would also be a great show to binge watch if you haven’t seen it, with only ten episodes for the season and all highly entertaining. Another show to binge watch if  you missed it (as I did until binging over the past week) is An Hounorable Woman. Certainly there are unrealistic aspects, but watching it for eight hours was like reading a highly entertaining novel, and the portions which might not be realistic in the real world can easily be ignored while following the events surrounding Nessa Stein and her family.

Binge watchers are also getting excited to hear that the full seven seasons of The Gilmore Girls will be available on Netflix starting October 1. In 2006 I posted some of the political lines from the show. USA Today has listed five top episodes to watch once they are available.

If you want to stick with science fiction, Vulture has listed the best science fiction movies on Netflix.

Nurse Jackie is to end after the upcoming seventh season. It is probably the right decision. We can’t keep going through cycles of Jackie getting off drugs and then relapsing year after year.

Community, on the other hand, deserves at least one more year and a movie–preferably far more. I am glad to hear that Dan Harmon is denying the rumors that Alison Brie is not returning.

Hayley Atwell, star of the upcoming series Agent Carter, will appear on the second season premiere of Agents of SHIELD. I don’t know if this will be a flash-back or Agent Carter at an older age. In other Marvel news, there is talk that the Hulk might return both for a television series and movie. New DC projects being considered include Supergirl and Teen Titans.

While the show has had its ups and downs, The Leftovers did end with a satisfying season finale (far more than I can say for True Blood). While the show will probably never really explain what happened, at least we have the view of some characters as for the reason only some disappeared, along with finally learning what The Guilty Remnant was up to. The show has now caught up with the end of the novel, making next season even more of an unknown.

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SciFi Weekend: Doctor Who; Sleepy Hollow; Outlander; Agents of SHIELD; Gracepoint; Blacklist; Arrow; Supergirl; The DC Cinematic Universe; Revenge; How I Met Your Mother Alternate Ending

Doctor-Who-Robot-of-Sherwood-Villain-620x370

Doctor Who‘s third episode of the Capaldi era, Robot of Sherwood, was the lightest of the season. The episode, written by Mark Gatiss, almost seemed to be outside of the continuity of the season, being a story which could be watched at any time and which could easily have happened under Matt Smith or an earlier Doctor. The episode begins with Clara on the TARDIS, showing nothing of her home life, ignoring the recent addition of Danny Pink to the show. There are no scenes of Missy, but there was a brief reference to a space ship searching for the Promised Land.

The episode does have several references to classic Doctor Who. For example, the black and white still of Robin Hood from the TARDIS database is from a 1953 BBC show in which Patrick Troughton played Robin.

Despite the Doctor’s insistence that “I am totally against bantering,” the episode is amusing for its banter between the Doctor, Clara, and Robin Hood, along with its mocking of the traditional tropes of the action/adventure show. This was best seen in the dungeon scene as the Doctor and Robin discussed their plans to escape. They  included the classics: “get interrogated and turn the tables” and “pretend to be sick so the jailer will come in.” Clara excluded one Doctor Who solution which is utilized too often: “Can you explain your plan without using the words ‘sonic screwdriver'”? For once, an enemy took the sonic screwdriver away.

The Doctor had his own unique answer to the hero who fights but carries no weapon: “I don’t need a sword. Because I am the Doctor. And this is my spoon.” There was also a look at the nature of legends and heroism. Instead of being compared to the Daleks in Into the Dalek, this week the Doctor was compared to Robin Hood, even if it took a while for the Doctor to acknowledge Robin’s”reality” within this universe. We knew from the title that robots were involved, but it was not clear until the end as to who would be real and who would be robots.

Above is the Doctor Who Extra for Robot of Sherwood. While I posted the Doctor Who Extra for Into the Dalek with last week’s review, I initially did not post the video for Deep Breath as initially it was available for view within the U.K. only. Doctor Who Extra has since been made available internationally. The video for Deep Breath can be viewed here.

One scene was cut from the broadcast episode involving a decapitation in response to the recent decapitation of two journalists by ISIS. DoctorWhoTV described the cut scene:

In the original version of the final sword fight, the Sheriff gets the upper hand on Robin disarming him and putting his sword to his neck. Robin looks doomed but the Doctor throws a cloth tapestry over the Sheriff blinding him. Robin picks back up his sword and decapitates the Sheriff. His head rolling across the floor.

Clara congratulates Robin on his apparent victory, but the Sheriff’s severed head suddenly starts talking! He reveals that the skyship fell on him and the knights made him half-robot.

Behind Clara the Sheriff’s body gets back up and puts a sword to her throat ordering the Doctor and Robin to surrender. Robin picks up the Sheriff’s head and throws it back to the Sheriff’s headless body. He puts his head back on. And the fight scene resumes as was shown.

In total about a minute of footage was lost and of course the reveal that the Sheriff was a robot.

Next week’s episode, Listen, sounds much darker, despite reportedly containing Clara and Danny’s first date. The episode is being compared to perhaps Steven Moffat’s greatest episode so far, Blink. Trailer above.

SLEEPY-HOLLOW-PREMIERE-130916-large

Sleepy Hollow had poor timing with their National Headless Day promotion, and did not manage to get this canceled before seen as Doctor Who did with its beheading scene. For more mundane promotion, here is the official synopsis of the first episode of season two:

Episode 2.01 – This Is War (22-Sep-2014)
In Sleepy Hollow, it would seem as though the status quo has been restored, but things in the formerly quaint town are never truly as they appear. Even now, how Crane managed to escape being betrayed and buried alive by his son, Jeremy (aka Henry Parish, aka the newly minted Horseman of War), or how Abbie freed herself from Purgatory, remains a mystery… even to them. What appears certain however is that while both Katrina and Jenny have apparently been lost, the Two Witnesses have not abandoned their quest to fight tirelessly against Moloch and his minions. Meanwhile, Moloch’s malevolent forces use all the powers at their disposal in an attempt to locate a key – once belonging to Founding Father Benjamin Franklin – which is capable of unlocking the gates of Purgatory. After using his unique skills on an unanticipated prisoner, Sin-Eater Henry Parish discovers a clue which points him in the direction of the valuable artifact, but Crane is intent on finding it first. While in Purgatory, Moloch works to raise a demonic army in preparation for his invasion, but those who would prevent the hoard’s advent get help from an unexpected source. Meanwhile, we learn that Jenny and Katrina are both still alive, though each is being held prisoner for vastly different reasons, and Crane takes the inadvisable action of re-entering Purgatory in order to fulfill a promise.

outlander-starz-premiere-early-online

Doctor Who is no longer the only time travel show on Saturdays. Even before Outlander began, critics who received the first six episodes were saying the sixth was by far the best. With the cliff hanger last night,next week’s episode, The Garrison Commander does look like it could be a major episode.

Claire was left with a big decision. She could tell the Red Coats that she was willingly with Dougal and stick with the enemy she knows, knowing she does have Jamie to protect her, or risk the unknown of seeing whether the British would really treat her any better. From the previews it looks like she does wind up with the Red Coats, but that doesn’t explain the situation under which this occurs or what her answer is. The episode also had added interest when Claire understood that Dougal’s motives were more noble than she first thought, but that he and his clan were ultimately doomed. She experienced the  frustration of being a time traveler and being unable to do anything about the future.

ABC has released a synopsis for the second season of Agents of SHIELD:

Marvel’s Agents of S.H.I.E.L.D.” returns for a dynamic, action-packed second season, with newly appointed Director Phil Coulson (Clark Gregg) – now the keeper of the secrets — charged with rebuilding and restoring government and public trust in S.H.I.E.L.D. in the wake of the events of “Marvel’s Captain America: The Winter Soldier,” where it was revealed evil Hydra agents had infiltrated the organization. Ever since the existence of super heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Agent Phil Coulson, who had died at the hands of Loki during the battle, was resuscitated and brought back into action, assembling a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But the biggest threat was growing from within, as S.H.I.E.L.D.’s old enemy, Hydra – a dangerous extremist group Captain America fought against in World War II – had secretly infiltrated and infected the organization at the highest levels. Once revealed to the public, S.H.I.E.L.D., including Coulson and his team, was discredited and made to look like the enemy. The world now views S.H.I.E.L.D. as untrustworthy, and it’s Coulson’s job to change that opinion.

After helping to thwart Hydra, Coulson was appointed as Director and tasked with rebuilding the agency. This won’t be an easy job to accomplish with the majority of S.H.I.E.L.D. agents either killed, secretly working for Hydra or free agents. Agent Melinda May (Ming-Na Wen), expert pilot, martial artist and longtime friend, will continue to look after Coulson in the wake of the mysterious etchings he’s been carving into walls. What do these etchings mean, and can Coulson be trusted? Grant Ward (Brett Dalton), highly trained in combat and espionage, was found to be a Hydra mole and a traitor to S.H.I.E.L.D. and locked up away from the world and his former teammates. But this isn’t the last we’ve seen of him… After being left to die in the middle of the ocean by Ward, Agent Leo Fitz (Iain De Caestecker), brilliant engineer, and Agent Jemma Simmons (Elizabeth Henstridge), genius bio-chemist, found a way to escape their watery grave. But all did not go well for Fitz, who was left in a coma and may never regain his full cognitive functions; a devastating blow to Simmons. And computer hacker Skye (Chloe Bennet), now a full-fledged S.H.I.E.L.D. agent, discovered her origins as a 0-8-4 — an object of unknown origin – and that her parents were considered “monsters.” Could Skye have darkness lying dormant inside of her? Also joining Coulson’s core team is Lance Hunter (Nick Blood), a dashing mercenary sharp shooter with a quick wit. Since he didn’t rise up through the ranks, does he have an ulterior motive for helping out the team?

Who can Coulson trust?

Fox has released a teaser for Gracepoint, staring David Tennant and Anna Gunn. It just feels like Broachchurch where they got things wrong.

There are some spoilers for season two of The Blacklist here.

Arrow has cast Matt Nable in the role of Ra’s Al Ghul. Thea will also have a new love interest.

Supergirl might be the next DC character to get her own television series.

The Nerdist has a look at what is known about the planned DC cinematic universe which follow Superman, Batman, and Green Lantern. Future movies include the Justice League of America, Shazam, Wonder Woman, and Aquaman. AV Club has more on Shazam on how it will differ from other DC movies.

There’s further talk about a movie version of 24.

Syfy is planning a six part miniseries adaptation of Arthur C. Clarke’s Childhood’s End. If done well, this could be one of the network’s greatest features to date.

Revenge tried to drag out the storyline from its first season way too long, and it looks like they are making the right decision in changing the show around. BuddyTV has some spoilers as to what will change next season:

With David Clarke’s name cleared, will Emily’s quest for revenge be over? Conrad was imprisoned and is now presumably dead and the great Victoria Grayson has been left to rot in a mental institution. Plus, Emily’s father is actually alive!

That will be an awkward reunion. Emily went against her father’s wishes and left the sweet Amanda Clarke behind and became a ruthless killer instead. Her life will be turned upside-down with the news.

Executive Producer Gretchen J. Berg teased, “The drive of season four will be Emily discovering who Amanda Clarke is and Emily figuring out her new life with her father in it. I don’t want to say when she’s going to discover that, but that’s going to be our arc for the season.”

In addition to Emily unraveling her true identity, it looks like she’ll have to contend with being the target of someone else’s revenge. The tides have turned!

Victoria does the voice over for the first Revenge Season 4 Trailer, “My name is Victoria Grayson and I have a story to tell. Over the past three years my family was destroyed, the love of my life murdered, my freedom taken away. When everything you love has been stolen from you, someone has to pay. Emily Thorne, I’m coming for you.”

…When we last saw Jack, he was being arrested for Charlotte’s kidnapping. He’ll take the cuffs off and become the one putting them on others when he becomes a cop. Yes, Jack likely will be donning a uniform!

What will happen when Emily and Victoria find out David’s alive? Executive Producer Aaron Harberts told EOnline, “He may not be the most emotionally and psychologically stable and if Victoria is the first person to get to David, she might be in control of that guy, which sort of presents her power running through the season,”

Copies of the promised alternate ending to How I Met Your Mother have been appearing on line but have been taken down. I don’t know how long it will be here, but at the time of posting I have found the above video of the entire final episode, with alternate ending to the finale starting around 37 minutes in. The options are somewhat limited as it can only contain what was already filmed, but it does have new narration from Bob Saget. While the alternate ending therefore could not show any new scenes of Ted and Tracy in the future, it was still a far better ending for the series than the one that aired.

As I discussed in my review of the finale, the ending made sense when first filmed early in the series run, but no longer made sense from where the show ultimately wound up. Viewers had too much invested in Tracy in the final season to just see her quickly die. Having Ted and Robin ultimately get together was the obvious ending during the first season, but it no longer made sense to have Robin and Barney break up for this to occur after spending so much time making this implausible relationship make sense, and spending the entire final season at their wedding.

While we were denied more scenes of Ted and Tracy leading up to the moment when Ted was telling the story to his children, there remains the opportunity to see Cristin Miloti alive, but in a different relationship, on the upcoming sit-com, A to Z. The pilot has been released for early viewing.

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SciFi Weekend: Doctor Who; Matt Smith and Benedict Cumberbatch Take Ice Bucket Challenge; Gotham; True Blood; Minority Report; Dating Naked; Richard Attenborough

Doctor Who Deep Breath

We now have a new regeneration of the Doctor, a redecorated TARDIS, and a new title sequence on Doctor Who. Unfortunately the plot of Deep Breath was not very good. There was the return of the droids from The Girl in the Fireplace. Unlike the challenge of not blinking in Blink and other stories with the Weeping Angels, the challenge in this episode was seeing how long you could hold your breath. There was plenty of humor between the confusion of the Doctor post-regeneration, along with cultural misunderstandings and the usual Strax humor. In addition, Moffat’s inner teenager came out wigh having a dinosaur and multiple allusions to Clara either removing her clothes or having sex. The Doctor did do some flirting, but only with the female dinosaur and not Clara, plus there was a human/lizard lesbian kiss. There was even the reported cameo by Matt Smith, telephoning Clara from his past.

While this episode was far from one of the better post-regeneration episodes, the episode did leave me confident that Peter Capaldi will make an excellent 0ld school style Doctor, and of course Jenna Coleman remains an excellent companion, even if there is no flirting or actual removal of her clothing. There are some vague clues of things to come. While we know that the reason the Doctor has seen his face before is because Peter Capaldi has appeared on Doctor Who in other roles, it appears that the reason for the same face will be given an explanation within the story in future episodes. The end of this episode left open the possibility that this could be the start of a new arc, with Missy apparently having had key roles in the past, such as giving Clara the Doctor’s phone number in The Bells of St. John. Capaldi presented what could also be a theme for the season: “I’m the Doctor, I’ve lived for over 2,000 years, and not all of them were good; I’ve made many mistakes, and it’s about time I did something about that.”

Next week: Daleks.

There is a rumor that Jenna Coleman will be leaving Doctor Who in the Christmas episode. Peter Capaldi denies this.

There are alternative versions of Doctor Who. For example, check out the above video celebrating fifty years of American  Doctor Who. IO9 looked at a porn parody of Doctor Who which can be viewed at Woodrocket.com.

Matt Smith has taken the Ice Bucket Challenge to raise money for research on ALS (amyotrophic lateral sclerosis). Benedict Cumberbatch of Sherlock went even further, including getting naked in the shower for a repeat exposure. Contributions to the ALS Association can be sent through their web site.

Last week I noted that the pilot for A to Z is available on line. A sit-com pilot with an even stronger genre connection was released this week–Selfie staring Karen Gillan.

A four-part You Tube series with background on Gotham has been released. The first part is above.

True Blood finally reaches the true end tonight. Does anyone even care anymore whether Bill really goes through with true death or if the show end with true love? At least there were some humorous moments in the final few episodes, such as Ginger finally getting to have sex with Eric. The scene is discussed more here.

My theory as to how the series ends is that Sookie will decide to become a vampire to convince Bill that the two of them can spend eternity happily ever after. Bill refuses to turn her into a vampire so she goes to Eric. By the time Sookie gets out of the ground she finds that Bill has already died from Hepatitis V. Meanwhile Pam, thinking Eric turned Sookie into a vampire for herself, kills Sookie. Jessica (Deborah Ann Woll) then leaves the show for a role on Daredevil. We will find out later tonight if my prediction comes through.

Steven Spielberg is developing a television series based upon the movie Minority Report.

Dating Naked

The big law suit this week stemming from television is Jessie Nizewitz suing Viacom for $10 million because not everything was obscured in the airing of Dating Naked. This led to many web sites (including here) posting the uncensored picture. I do not think a model should film a television show entirely naked if she has any qualms about pictures of her crotch getting out. Plus I would bet that far more people have now seen her nude pictures following the publicity from this law suit.

Richard Attenborough has died at age 90.

Lord Attenborough was one of Britain’s leading actors, before becoming a highly successful director.

In a career that spanned six decades, he appeared in films including Brighton Rock, World War Two prisoner of war thriller The Great Escape and later in dinosaur blockbuster Jurassic Park.

As a director he was perhaps best known for Gandhi, which won him two Oscars.

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SciFi Weekend: Doctor Who, The Girl Who Waited; Torchwood Blood Lines; Shada Completed; Michigan Beats Notre Dame 35-31

It was a great weekend for television, with an excellent episode of Doctor Who, the season finale of Torchwood: Miracle Day, and a Michigan vs. Notre Dame football game which not only once again wound up being settled by four points scored in the last thirty seconds, but also had three touchdowns in the last seventy-two seconds. In the final second Notre Dame also lost the ball and I believe that if the Michigan player pushing it into the end zone had actual possession it would have been counted as a fourth touchdown in the last seventy-two seconds.

The Girl Who Waited was the economy episode of Doctor Who, having less of the Doctor and minimal use of other cast. While not as great as another Doctor-lite episode, Blink, it was an excellent episode with an interesting timey-whimey idea. A planet with a plague, which killed beings with two hearts, including Time Lords, in one day, set up a Two Stream facility. Those infected with the plague lived in one time stream where they could live out their entire life in one day, while family could watch them from the other time stream over twenty-four hours. After their arrival to the planet,  Amy ran back to the Tardis to get her phone. The Doctor, who so far thought they were just at a recreational facility, had the first of two great lines during the episode: “I bring you to a paradise planet two billion light years from Earth and you want to update… Twitter?”

http://www.youtube.com/watch?v=Ht6wBPidk4g&feature=player_embedded

When Amy caught up, she pushed the wrong button and wound up in the wrong time stream. She had to beware of being killed with kindness as medications from this planet would be fatal to her. There were certainly a number of holes in this setup, and a bit of timey-whimey technobabble to try to explain it, but that didn’t prevent enjoyment of the show. After all, as the Doctor explained, “Come on Rory, it’s hardly rocket science, it’s just quantam physics.”

This setup provided for an interesting look at the character dynamics, and gave Karen Gillan the opportunity to play an older version of herself.

http://www.youtube.com/watch?v=bj9Dcrr4AJo&feature=player_embedded

It was not surprising to see Amy Pond become bitter about her raggedy man after being left behind for thirty-six years. It was logical for her to prevent the Doctor and Rory from saving the younger version of herself, making her disappear, but in the end there were stronger arguments to the contrary. There was never any doubt that Rory would choose the younger version of Amy over the older, but Rory did realize the cost as he told the Doctor, “You’re trying to turn me into you.” We also saw again that the Doctor lies. I bet that will be important when we see how the Doctor avoids his impending death.

The episode appeared to be totally stand-alone (with it continuing to be strange that Amy and Rory so easily gave up on the idea of rescuing Melody as an infant). I wonder if a show which dealt so strongly with the relationship between Amy, Rory, and the Doctor might wind up having ramifications to be seen later this season.

The Blood Line, the finale of Torchwood: Miracle Day, was a pretty good episode, but still it didn’t have enough payback for a ten-episode story. Considering that there is no real explanation, they did a fair job of explaining how the Miracle came about, using Jack’s immortal blood. I wasn’t clear on why this would make Jack (and cancer cells) mortal, or why they brought Oswald Danes along. The episode did leave a couple of plot threads open, including the tree families moving on to their next plan, with Jilly Kitzinger helping with public relations. A transfusion of Jack’s blood allowed Rex to recuperate as quickly as Jack. I hope that this is a temporary effect of the transfusion, possibly aided by occurring at the same time as the Blessing was reset. Otherwise it wouldn’t be realistic to have Torchwood continue with some many people close to Jack getting killed.

It was a good idea to take a  high concept and attempt to make a single-season arc. Children of Earth worked as a third-season story over five days, but ten episodes was too long this year. The writers tried to get around this problem by having a number of subplots. This did not work as the show was set up around solving a single problem, and the subplots often felt like needless distractions.

Sooner or later I also hope to see Torchwood reestablished as a real organization with additional characters. Torchwood might work better modeled somewhat after how Dexter or Fringe have been handled. I would like to see a fifth season in which Torchwood is reestablished. Episodes could deal with building a new team and solving some individual mysteries, while also having a “big-bad” to contend with all season. That way it is not necessary to come up with a monster of the week every week, but individual stories could be mixed with the season-long arc.

We 

We know that Doctor Who will have another thirteen-episode season, but it won’t start until next fall. The future of Torchwood is unknown, despite a tag at the end of the final episode in Australia saying Jack will be back in four months. There is, however, hope of seeing another Tom Baker episode of Doctor Who.  Shada, the 1980 Tom Baker episode of Doctor Who written by Douglas Adams, has finally been completed, with a couple of twists:

Given that it has been three decades since the cameras last rolled on the story, the actors involved would never have been able to convincingly play the same age, so Shada has been completed via animation, using only their voices.

The other twist is that this hasn’t been paid for by the BBC, nor even their commercial arm 2|entertain (responsible for the Doctor Who DVD releases). The animation has been privately funded by record producer and fan Ian Levine, and as things stand, the wider public might never get to see it.

Which isn’t Levine’s intention, of course; now that Shada has been finished, he’s hopeful an agreement can be reached with 2|entertain and the story released into the public domain.

Wait a minute. The Doctor and Romana are Time Lords and would hot have aged. The real problem is that they have regenerated into different forms.

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SciFi Weekend: Caprica Returning Next Month; Awards for Doctor Who; New Use For The Tardis; Best Television Episodes Ever Aired; No More Heroes; Replacing Michael Scott

SyFy divided up the first season of Caprica into two parts, ending the first half with major cliff hangers. The show was originally to air this fall but was then moved back to January. This week they announced plans to move it back up to start on October 5. No decision has been made on whether to film a second season, with the actors’ contracts extended until November. Moving up the start of the second half of the series provides an opportunity to see how the show does before the decision is made.  Hopefully ratings will be up.

Ron Moore might also be getting a new show on network television. As part of Moore’s development deal with Sony, there is consideration for developing a show described as “a police procedural that heavily involves the use of magic” for NBC. Airlock Alpha has more information.

Doctor Who won as Best Family Drama at the the TV Choice Awards 2010 in London, taking place a day after the show won a Hugo award.  The current series’ lead character Matt Smith has won as Best Actor in GQ’s Men of the Year Awards. Above is Smith with his girl friend, model Daisy Lowe. There have been rumors this week that Smith is proposing to Lowe.

While signing boxes for her action figure, Karen Gillan discussed the growth of her character:

Karen Gillan has described filming Doctor Who as an “emotionally draining” experience.

The Scottish actress, who shot to fame as the Doctor’s assistant Amy Pond, said she was looking forward to changing her character in the next series of the BBC sci-fi show.

She said: “I think that she’s a completely different person at the end of the series to when we meet her, when she’s really quite odd and a bit messed up in the first episode.”

The 22-year-old added: “I think she’s much more kind of in tune with what she understands about herself mostly and the Doctor by the end of the series. And she’s been through a lot in the series.

“It’s been pretty emotionally draining. Just all the stuff when she was crying and she doesn’t know why she’s crying – that was quite a challenge. But I think there’s a lot more to come in the next series. I really want to just keep on developing her character and I want her to evolve and change lots.”

We know that the Tardis has far more room inside than it appears to have from the outside. This would make the Tardis great for storage. In the picture above a 1 TB drive has been crammed into the model Tardis, showing it really can store a tremendous amount of material. That’s more than enough space for DivX downloads of all the episodes of Doctor Who and its spin offs which remain available.

SyFy has compiled a list of ten of the best science fiction television episodes that ever aired. The list is limited to one episode from any given show.  Blink from Doctor Who made the list. Some of the other notable episodes include City on the Edge of Forever, often considered the best episode of Star Trek: The Original Series. Yesterday’s Enterprise was a good choice from Star Trek: The Next Generation. X-Files was represented by Home, Battlestar Galactica by 33, and Lost by The Constant.

Heroes didn’t have any episodes make the list, and won’t get an opportunity to resolve the series-ending cliff hanger. NBC has decided against going ahead with a television movie to wrap it up.

It might be a long time before we find out about the succession plans for when Steve Carrell leaves The Office after this season. The second half of the season will deal with Michael Scott leaving but his replacement in the season finale might not become the show’s new star:

By season’s end, one character will have Scott’s job — but that person is not necessarily Carell’s replacement as the show’s star. Sources say writers are tempted to have the character who becomes the Scranton branch’s new boss fail in some spectacular manner, leaving the seat open again for another successor during Season 8.

One radical notion being explored is the possibility of subtly shifting the show’s point of view so that a current character is the star instead of the boss.

As for replacing Scott with a new manager, sources say the network and producers are on the same page.

“You’re looking for someone who can start stories,” a source said. “Someone whose judgment isn’t necessarily one where when an issue comes up and a boss with a correct judgment would quickly settle it and then you have no episode. You’re also looking for somebody who considers the rest of the office his family.”

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SciFi Weekend: Another Hugo For Doctor Who; Jane Espenson on Torchwood; Guests Appearances on Big Bang Theory

Waters of Mars Hugo Winner

The Hugo Awards were announced this weekend. There was a tie for best novel between The City & The City by China Miéville and The Windup Girl by Paolo Bacigalupi. Moon won for Best Dramatic Presentation–Long Form. Moon won in a strong field which included Star Trek, Avatar, District 9, and Up.  As has been occurring quite frequently in recent years, an episode of Doctor Who won the award for Best Dramatic Presentation–Short Form.

Doctor Who has previously won three Hugo awards, all by current show runner Steven Moffat before he took his current position. In 2006  Moffat won for The Empty Child/The Doctor Dances. In 2007 he won with The Girl in the Fireplace and in 2008 for Blink. His two parter Silence in the Library Forest of the Dead received a Hugo nomination in 2008.

Last year Moffat didn’t write any episodes and instead of a regular season there were a handful of special episodes written by Russel T. Davies. Davies won with The Waters of Mars, which beat two of his other special episodes, The Next Doctor and Planet of the Dead. Epitaph 1 (Dollhouse) and No More Good Days (FlashForward) were also nominated in this category.

David Tennant Single Father

David Tennant, who played the Doctor in The Waters of Mars, will be appearing in a four-part drama entitled Single Father along with Suranne Jones. The show will air in October on BBC1.

Jane Espenson on Torchwood

Jane Espenson, who has worked on shows including Battlestar Galactica, Caprica, and Dollhouse, will be writing three episodes of next season’s ten episode arc. She was interviewed about her work:

How did you end up getting the writing gig? And exactly how involved are you going to be?

I’m thrilled to say I was invited. My agent told me about it very casually; I was already busy at the time, and he thought I’d want to decline, but I jumped in fast to say I absolutely wanted to participate. I will be writing three episodes of the 10-episode arc.

What’s got you most excited about it?

Working with Russell T. Davies and Julie Gardner and the others. Writing for a show I already adore, for characters and actors I already respect. Writing for a show with roots in another country—this is a new experience for me, and I’m loving it.

And is there something you’re just DYING to do or try on the show? Or something you can only do because it’s Torchwood?

I love blending tones—mixing the broadly comedic moment in with the darkly dramatic one can heighten both. Torchwood is a show that welcomes that kind of moment. I’m also really eager to play with all the culture-clash material that comes naturally out of the show’s pedigree. And I’m especially eager to write material that pushes the boundaries of what can ordinarily be done on television.

So how do you approach a show like Torchwood vs. your work on, say, Buffy or Caprica?

Because of the length of our season and the lead time before production begins, we’re actually approaching Torchwood in a very unusual way—all the episodes will be written before any of them begin shooting. This is allowing us to “break” all the episodes at once, with the entire writing staff working together in a very concentrated one-month work session. This is making for a very intense and collaborative process, all guided by Russell’s very precise vision. The final product is going to be tightly plotted and lovingly crafted.

Can you give us any juicy details? Or maybe just some slightly moist
ones? Or anything at all?

We’ve already changed the name of at least one character that was announced in the press. And there’s nothing to stop us from changing more—so if you hear anything, even if it was true at some point, it probably isn’t anymore. So the more you learn about Torchwood, the less you know.

There remains no word as to whether there will be a second episode of Caprica (beyond the second half of the first season which airs in starting in January). Contracts with the cast have been extended and there is speculation that they are waiting to see how DVD sales are since ratings were lower than anticipated.

There will be two Star Trek actors appearing on The Big Bang Theory next season. In addition to a return visit from Katee Sackhoff. George Takei will be playing himself:

In an interview, Prady explained that Wolowitz is thinking about getting back together with his ex-girlfriend Bernadette (Melissa Rauch), and it sounds as though Sackhoff and Takei will represent opposing points of view.

“George Takei plays himself, and he’s the other person guiding Wolowitz in his thoughts as he tries to figure out what to do about Bernadette,” Prady said.

Prady won’t disclose the venue for this conversation, but he ruled out a return to Wolowitz’s bathtub, where Sackhoff famously appeared last season. But Sackhoff and Takei do share some dialogue, Prady noted.

“I think they do discuss being typecast in science-fiction shows,” Prady said.

I can forgive Wil Wheaton for Wesley Crusher. After all, he was just a teenage actor reading his lines. If we weren’t told that he’s the evil Wil Wheaton from the Mirror Universe, it would be harder to forgive Wheaton for what he has done to Sheldon and, even worse, breaking up Leonard and Penny. Michael Ausiello has this news on a repeat appearance from the Evil Wil Wheaton.

It looks like Sheldon is climbing back in the ring with his longtime rival, Evil Wil Wheaton.

Big Bang Theory executive producer Bill Prady confirms to me exclusively that he wants to revive the ugly feud this season—possibly in time for November sweeps.

“We started talking about the idea of minor celebrities cutting in line,” Prady says, “and we thought it might be funny to have our [Big Bang] guys waiting in line for a one-time-only midnight screening of something like Raiders of the Lost Ark with restored footage, and Wil Wheaton and his three friends cut the line. When it comes time for our guys to get in, the line stops; Wil took the last four seats and Sheldon is just furious. Because it doesn’t make sense to him. Wil’s celebrity is not applicable here. This is not Star Trek. It’s just wrong.”

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SciFi Weekend: The Big Bang–Doctor Who Reboots The Entire Universe

Amy in the Pandorica, Doctor Who: The Big Bang

It feels like we have learned all the secrets of the universe in the last year or so. We know all about the Cylon final five. We saw how the scenario from the Epitaph One episode of Dollhouse played out in Epitaph Two. We know why the passengers of Oceanic 815 were brought to the island and what the sideways stories meant. We know a little more about FlashForward is about, but might never get a full explanation unless someone else picks up the show. Now we know who was in the Pandorica, and how The Doctor got out. This contains major spoilers in case anyone who plans to has not done so yet.

Like The Pandorica Opens, The Big Bang began with a spectacular introductory segment. The Pandorica was opened in modern times (in an alternative time line where the stars had gone out) but we were surprised to find Amy Pond, and not the Doctor inside. Amy was released by a younger version of herself from the time line without stars (although Amy believed in them as she believed in the Doctor in the original time line). Then things really got complicated.

The Doctor had long ago been released from The Pandorica by Rory and placed a dying Amy inside to help her recover. The manner in which the Doctor escaped is rather controversial, even without consideration of whether or not fez hats are cool. The Doctor simply went back in time to ask Rory to let him out. Since Rory had let him out, he was free in the future to go back in time to ask Rory to let him out. Fortunately for the Doctor the universe has been greatly condensed, allowing the Vortex Manipulator to work much better than in the full universe.

Sure, this is cheating. Time travel stories often cheat. The question is whether the viewer comes out feeling cheated or intrigued by such solutions. When Steven Moffat used a similar device in Blink there were no complaints. A big difference here is that we didn’t know until late in Blink that the timey wimey stuf was a device being used by The Doctor to get out of a predicament. It is a different matter when the season-ending two parter uses a cliff hanger with the Doctor being locked in an inescapable prison and then uses such a trick to get out so easily.

Moffat handled selling this to the audience in a different way than in Blink. A series of quick and amusing moves through time, along with the fez hat, made the sequence so much fun that it is easy to allow Moffat to get away with this. The problem remains that repeated use of such plot devices means that the Doctor is never really in danger as a future version can always come to save him. Making matters worse, that sonic screwdriver is turning into a magic wand which can do almost everything. It might become necessary to retire the sonic screwdriver, similar to how it became necessary to remove K-9 from the original series after he became too powerful.

Escaping from The Pandorica was a trivial manner compared to the real dilemma. The universe was coming to and end. Fortunately, due to proximity to the crack throughout her life, Amy’s subconscious was filled with all the information about the universe, allowing the universe to be recreated after the Tardis created a second big bang. Sure it is hard to believe, but is this really any worse than having the Tardis tow the earth through like in a Russel T. Davies season finale?

Along the way we saw the Doctor’s life be rewound. This included returning to the events of Flesh and Stone, showing that the scene with the Doctor dressed differently was intentional as opposed to a continuity error. Actually Moffat has largely saved himself from being accused of any continuity errors with previous shows by rebooting the entire universe in this manner. If Amy could bring back Rory and her parents in the new universe, other changes could also be present. I am assuming here that the Rory who Amy married is a recreation of the human Rory and not the plastic one.

Amy and Rory Pond Wedding

Amy ultimately was able to bring back the Doctor as the Tardis turned out to be something old, something new, something borrowed, and something blue at her wedding. Despite all the implausible aspects of the episode I have accepted, I cannot resist one nitpick on the wedding scene. If, in this recreated universe, Amy had no memory of the Doctor, she wouldn’t have spent her life speaking of what others thought was her imaginary friend. Therefore when she first mentioned wanting him at the wedding, others would not have responded by questioning Amy bringing him up again as presumably she had no reason to do so yet in this time line.

Many questions remain. River Song remains as big a mystery as she was going into the season, with warnings that the relationship between her and the Doctor might change for the worse in their next meeting. Could this be because she kills the Doctor (or gives the appearance of doing so), leading to her imprisonment? We don’t know who was behind the events of the season finale, including the explosion of the Tardis, the destruction of all the stars, and the warning that “silence will fall.” I suspect that the story of who was behind all of this, along with River Song’s story, is being continued into next season.

Amy Pond Rory Wedding Doctor Who The Big Bang

One change from the episode which definitely will carry into the Christmas special and next season is that for the first time ever the Doctor will have a married couple as his companions. The BBC has posted this wedding album, with some examples on this page. The Christmas special is rumored to include their honeymoon, monsters, and a new take on A Christmas Carol, and guest stars including Michael Gambon (Dumbledore) and Katherine Jenkins. Steven Moffat had these comments on the special:

Oh, we’re going for broke with this one. It’s all your favorite Christmas movies at once, in an hour, with monsters. And the Doctor. And a honeymoon. And … oh, you’ll see. I’ve honestly never been so excited about writing anything. I was laughing madly as I typed along to Christmas songs in April. My neighbors loved it so much they all moved away and set up a website demanding my execution. But I’m fairly sure they did it ironically!”

Between the other news which got squeezed out from Doctor Who dominating SciFi Weekend and all the reports out of San Diego Comic-Con, I will post more science fiction news without waiting for next weekend’s installment. This includes updates on the upcoming season of Torchwood.

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SciFi Weekend: Doctor Who, Canceled Series, The Fringe Alternative Universe, New Star Wars Rides, & RIP Frank Frazetta

BBC America concluded the two part Doctor Who story The Time of Angels and Flesh and Stone. This post will include major spoilers for the episodes which have now aired in the United States with some limited information on future episodes.

Steven Moffat used major components of two of his top stories from past years along with the crack in time from this season. The story began with River Song using an ingenious method to summon The Doctor to rescue her. The two episodes teased us with both the possibilities that River will wind up marrying The Doctor and/or that she winds up being imprisoned for killing him. At least this is the speculation after we found that she was in prison for killing “the best man she ever knew.” As the time lines of the two are crossing in different orders The Doctor does not know what to expect from her.

The episode also had the return of the Weeping Angels from Blink but they were quite different from the Angels in that story. The crack in time is shown to be able to rewrite time, most likely explaining why Amy did not recall the Daleks in Victory of the Daleks. The Angels suggest that The Doctor should know more about the crack in time, and it appears we might learn more when River Song next meets The Doctor when the Pandorica opens–which Prisoner Zero also mentioned earlier this season. This is presumably related to June 26–the wedding date on the alarm clock in Amy’s room and the date the episode is scheduled to air in the U.K.

It appears that the episode will be a major event with the climax of the crack in time story arc from this season. It is also possible that The Doctor goes back in time to the events of Flesh and Stone. At one point in the episode The Doctor is dressed and acts a little differently, raising suspicion it is a future version of him. Playing with time travel in such a manner would be the type of thing Steven Moffat is likely to come up with. There’s also been rumors that the episode will include the return of the younger version of Amelia Pond.

The episode ends with Amy having The Doctor return to earth where she makes a pass at him. This leads into the following two episodes which have aired on the BBC which both lead to Amy choosing between Rory and The Doctor.

There was a lot of news this week regarding the upcoming television season. V and Chuck were both renewed. FlashForward, as expected, was canceled. The show began strong and has been excellent in its closing episodes but did go through a weak mid-season stage when it turned into an overly complex FBI investigation instead of concentrating on the characters involved. Reportedly the final episode was edited so it won’t end with a cliff hanger but the story is not likely to be satisfactorily wrapped up. Originally the producers suggested that it would take two seasons to complete the story behind why the flash forward occurred.

Heroes was also canceled, also coming as no surprise. The show started out strong  first season but in subsequent seasons fell in both quality and ratings. There continues to be talk of a two hour show to conclude the series, which I think is a good idea. The last season ended with Claire revealing the existence of the heroes. Concluding this would provide a different story from past seasons (and hopefully one different from the X Men). I also suspect that many viewers who have abandoned the show after the first season would watch a two or four hour event to definitively conclude the story.

Added to Dollhouse , 24, and Lost this means a large number of genre shows are not returning.  However there are many new ones planned. IO9 presents a run down of seven new genre shows including The Cape staring Summer Glau.

During my reviews of Fringe last year I had mixed feelings about the show. I am certainly happy I stuck with it. An excellent season is ending extremely strong with a two part episode in the alternative universe. This will also probably be the last we see of Leonard Nimoy who says he is retiring and will not return to Fringe or the Star Trek movies. Of course we’ve seen many actors say this but get lured back. Nimoy has also said that when J.J. Abrams calls he does answer the phone.

We know that disastrous things may happen as a result of contact between the two universes but I cannot help but be intrigued by the alternative universe. So far we learned earlier in the season that they had digital cell phones years before us. This week we found that the alternative Olivia is hotter than ours, Peter’s parents appear more sane, and that The West Wing remains on television. On the other hand, the Fringe unit seems paramilitary and I fear we will find other unpleasant things about that universe.

Also this week we learned much more about Jacob and his brother on Lost but the island still feels like a big mystery regardless of how many answers we receive.

TrekMovie.com has pictures of this years Star Trek themed ornaments from Hallmark, including the above which is the first based upon the 2009 movie. Other ornaments include a scene of Kirk and Spock fighting from Amok Time.

Walt Disney World and Disneyland will be having their last trips to the planet Endor as the Star Wars rides are reimagined. The new Star Tours will be a 3-D ride with a  high-speed pod race on Tatooine. It is expected to re-open at both Walt Disney World and Disneyland in May 2011.

The sad news of the week is that legendary comic and pulp fiction artist Frank Frazetta died at age 82.

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SciFi Weekend: Doctor Who, Moral Choices, And Politics (Real Present and Fictional Future)

On Saturday night the BBC aired what very well might turn out to be the first part of this year’s Steven Moffat story to win the Hugo award while in the United States BBC America aired Doctor Who’s second episode of the season. Spoilers will be limited to discussion through the second episode, with comments on the third and fourth episodes limited to general comments which have been widely publicized.

Steven Moffat seemed to use The Beast Below to make as statement that he was not going to radically change Doctor Who. The premise was far more like one Russell T. Davies would have used than what we have seen in the Moffat episodes. The episode had many good ideas but the story did not entirely work. The show is far better enjoyed for the advancement of the relationship between The Doctor and his new companion, Amy Pond. Both Matt Smith and Karen Gillan did an excellent job of supporting the episode regardless of its flaws.

The episode began with The Doctor lecturing Amy about observing everything around her and ended with Amy, instead of The Doctor, figuring out the solution by seeing something which even The Doctor missed. Along the way The Doctor even threatened to take Amy back home. Meanwhile Amy was surprised to see herself listed in the computer (now at age 1306) but disappointed to find that her marital status was “information unavailable.”

The episode did have brief moments of terror with the Smilers which do show one way in which the writing style of Moffat differs from that of Davies.  The Doctor faced a moral dilemma which had him saying he would have to find a new name because he would would not be The Doctor anymore after doing what he thought was the only solution.  Fortunately he is spared by Amy figuring out something he missed, providing a preferable solution. Matt Smith’s Doctor was also able to discuss his past, and the Timelords, without showing the angst of David Tennant’s doctor:

The Doctor: “The computer doesn’t accept me as human.”
Amy: “Why not?” (The Doctor just looks at her.) “Well, you look human.”
The Doctor: “No, you look Time Lord. We came first.”
Amy: “So there are other Time Lords, yeah?”
The Doctor: “No. There were, but there aren’t… Just me now. Long story. It was a bad day. Bad stuff happened. And you know what, I’d love to forget it all, every last bit of it. But I don’t. Not ever.”

The episode even managed to sneak in a comment on the current election campaign in the U.K. Ethically questionable decisions were made by the future U.K. government but there is a perverse manner of achieving the consent of the governed. Inside a voting booth citizens are told the truth, and then given the choice to protest or forget.

This provided Moffat the opportunity to write in the warning,  “Once every five years everyone chooses to forget what they have learned. That’s democracy.” Moffat is not only speaking of the situation on Starship U.K. but of the current political situation where a show source put it more bluntly: “This almost echoes what Labour has been saying about how people should not forget what they learned in the 80s. They think the Tories will drag the country down again and it looks like the Doctor feels the same.”

American viewers can also relate to this as a disturbing number of Americans currently plan to vote Republican this fall, forgetting that the problems they are concerned about were caused by the Republicans not very long ago.

Criticism of conservatives is not unique for either Doctor Who or for Steven Moffat. Moffat had mocked conservatives in his BBC comedy, Coupling. Both Moffat and his predecessor Russell T. Davies have warned against the Tories winning. Former Doctor Who star David Tennant has been backing the Labour Party.

The episode ended with a lead-in to the following weeks episode with Winston Churchill calling The Doctor and previews showing Britain’s new weapon–Daleks. Meanwhile the crack in the universe was shown again. Victory of the Daleks, written by Mark Gatiss, is the only episode to air so far which was not written by Steven Moffat. This week’s episode, The Time of Angels, is the fist of a two part episode written by Steven Moffat. The episode has Moffat returning to two of his additions to the Doctor Who universe, the Wheeping Angels of Blink and River Song, who may or may not some day be The Doctor’s wife.

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SciFi Weekend: Doctor Who, The End of Time Part II

The End of Time Part II will be a classic for the major events of the episode, even if not for the quality of the story. This post contains major spoilers.

Russell T. Davies tend to go over the top with season finales, and it was clear he would do this from Part I which ended with his version of the Master race. Last year had planets moving in space without regard for the scientific impossibilities. This year he only had one planet move but it was not just any planet but Gallifrey appearing next to earth.

The episode managed to remain entertaining despite frequently not making very much sense. The escape with The Doctor tied in a chair was a perfect chase scene for the episode. The return of the Time Lords made little sense, and it was disappointing that they reversed The Master’s act to turn everyone on earth into a copy of himself in a moment. It again made little sense that the Lord President didn’t kill The Doctor while wearing Glove of Rassilon as The Doctor was spinning back and forth between him and The Master.

The episode did explain the tragedy often felt by The Doctor as it revealed why he had to try to destroy or seal in time both the Time Lords and the Daleks. The Time Lords had become as evil as the Daleks.

The show included several scenes reminiscent of Star Wars, following the Imperial Senate scene in Part I. The second episode felt like it was beginning on Death Star, including a killing in which Darth Vader could have filled the role of the Lord President. Later Wilfred Mott was involved in a space battle which also appeared to be out of Star Wars, and there is a brief scene with Captain Jack in a Cantina. The scene in which The Doctor was exposed to the radiation was also reminiscent of Spock’s death in The Wrath of Kahn.

In addition to all these homages to other shows in the Peter Tennant/Russel T. Davies finale, a sit-com airing the same day included a quick homage to Doctor Who.  The fate of obsolete robots at Veridian Dynamics was seen on  Better Off Ted, including a Dalek in the background.

The show teased viewers with The Doctor’s death before he actually did take the lethal dose of radiation to save Wilfred Mott. This then dragged out to the longest death and regeneration scene ever. The Doctor had time to visit many of his former companions and help them live happily every after. Donna had the largest role in the episode but it was mostly pointless. After all the warning that having her memory return would fry her brain we found that there was a safety device which not only prevented any harm to Donna but saved her from a hungry version of The Master.

Finally The Doctor, after declaring he did not want to do go, did regenerate. The episode ends with destruction to the Tardis which will give Steven Moffat an excuse to redecorate. Moffat has also discussed how he will return to many aspects of the original series including, as I suspected in my review of Part I, the return of Gallifrey.  From Airlock Alpha:

Steven Moffat is looking to restore the BBC icon to its classic roots that some are describing as an effort to integrate fans of the original “Doctor Who” series. However, others say it’s more about what Moffat likes.

“Every showrunner has brought their own personal touch to ‘Doctor Who,’ and [Moffat] is someone who just can’t get away from the episodes we all grew up with,” a source, who wished not to be named, told Airlock Alpha. “There is just something to the original show that made it magical, and finding a way to bring that back is something Moffat has been working hard to achieve.”

And Moffat has already done some things that have fans wondering. Changing the look of the Tardis to a more classic appearance, adjusting the “Doctor Who” logo to appear as if it was simply touched up from the 1980s, and even reports that new opening credits have been commissioned that will feature the likeness of the new Doctor, played by Matt Smith, an obvious homage to past opening credits that did the same for many of the actors who played The Doctor over the decades.

But that’s not where it’s stopping.

“The re-introduction of Gallifrey was not just a late-[season] twist,” the source said. “The idea is to create a transition from the RTD version of ‘Doctor Who’ to the Moffat version. And Moffat wants to go back to as close to the original program as possible.”

It’s not that Moffat had any issues with the way Davies brought the show back, or what it become, the source said. Moffat himself wrote some of modern “Doctor Who’s” better episodes including “Blink” and “The Girl in the Fireplace” and “The Doctor Dances.”

However, now that Davies has successfully brought the show back with full network backing, there is an open door to restore “Doctor Who” to much of its original self.

I wonder if one unexplained item, the woman giving Willfred Mott advice, was intentionally left open for Moffat to return to. It appears that it might be The Doctor’s mother but her role is not clear.

This BBC promo for the fifth season shows that Moffat will be returning characters from both shows he has written and classic Who with scenes showing both the weeping angels from Blink and Daleks:

While it is sad to see David Tennant go, I am looking forward to this spring to see what Steven Moffat and Matt Smith do with Doctor Who.

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