SciFi Weekend: Stephen Hawking, Scientist & Genre Star; The 100; Martin Freeman on Sherlock; Alexis Bledel on A Handmaid’s Tale; Double Renewal For Eric McCormack–Will & Grace & Travelers; The Americans; Nathan Fillian To Reprise Firefly Role; Saturn Award Nominees

Stephen Hawking died last week leading to recognition not only from the scientific community, tributes from many in actors due to his many appearances on genre television. He was the only historical figure to play himself on Star Trek. In the video above from Star Trek: The Next Generation, Hawking played cards with  Isaac Newton, Albert Einstein, and Data in the holodeck. Syfy Wire has several tributes to Hawking from the cast of multiple versions of Star Trek. More at TrekMovie.com.

Sheldon Cooper met Stephen Hawking on The Big Bang Theory in the clip above. TV Line has tributes from the cast of The Big Bang Theory. IO9 has additional television cameos.

The 100 ended last season with major changes, and a quick glance of the future. An extended trailer for the the fifth season has been released, showing a new enemy to contend with. The 100 returns on April 24.

It has been a huge question as to whether Sherlock would return considering how the careers of both stars have taken off. It does not sound encouraging that Martin Freeman will want to return after he said that it wasn’t fun anymore in a recent interview:

In a new interview in The Telegraph, the Black Panther actor was asked if there were any talks about a fifth season of the BBC fan favorite.

“Not massively,” the Dr. Watson actor said. “Um… I think after series four [it] felt like a pause. I think we felt we’d done it for a bit now. And part of it, speaking for myself is [due to] the reception of it.”

Martin, the article explained, was referring to 2017’s fourth season which seemed to struggle to continue building on fans’ expectations of previous outings.

“To be absolutely honest, it [was] kind of impossible,” he explained. “Sherlock became the animal that it became immediately. Whereas even with [the U.K. version of] The Office, it was a slow burn. But Sherlock was frankly notably high quality from the outset. And when you start [that high] it’s pretty hard to maintain that.

“Being in that show, it is a mini-Beatles thing,” he concluded. “People’s expectations, some of it’s not fun anymore. It’s not a thing to be enjoyed, it’s a thing of: ‘You better f—ing do this, otherwise, you’re a c—.’ That’s not fun anymore.”

The Handmaid’s Tale returns to Hulu on April 25. Entertainment Weekly interviewed Alexis Bledel:

This season, we get to learn a lot about Emily’s life from Before. Was her backstory something you’d thought about before this episode?
Yes, I loved filming Emily’s flashbacks. [Executive producer] Bruce Miller and I had talked about what her pre-Gilead life might have been like even before I started working on the first season. I think much of her worldview is informed by her previous life as a professor of cellular biology. Life in the Colonies is a last stop. Emily does not have a great deal of hope for a future there; she knows her days are numbered.

Marisa Tomei costars with you in the second episode. What was that like?
It was amazing to work with her; she’s someone whose work I admire. We had these incredibly dark, dramatic moments to play out that she brought so much depth to.

I keep thinking/wondering what’s worse: life as a Handmaid or living in the Colonies?
Being forced to exist in either Gilead or the Colonies threatens to destroy a person’s soul in different ways. Handmaids are forced to follow an extremely limiting set of rules to comply with the mandates of the Gileadean regime, including the horrific monthly ceremony. Anyone in Gilead would be terrified to be sent to the Colonies. Everything from the soil the unwomen turn over to the water they use to wash is toxic in the Colonies, so a person’s health begins to rapidly deteriorate as soon as they get there. They know they will die there, all the while forced to do hard labor without decent food to eat or clean living conditions.

We are going to be seeing more of Eric McCormack on television next year. NBC has renewed the Will & Grace revival for a second season, and is extending it to eighteen episodes. Fewer people might be aware that Eric McCormack also stars in an excellent Canadian science fiction series called Travelers. The first two seasons were broadcast on Showcase and later shown on Netflix–although once I discovered this show I wound up downloading episodes rather than waiting for it to be available on Netflix.

Travelers has been renewed for a third season, and McCormack will be directing the first episode. However, instead of airing first on Showcase, the show will be shown exclusively on Netflix. I wonder if this was a case of Netflix saving the show if Showcase was not going to continue it, or (I suspect more likely) Netflix has business reasons and the power to take it over.

Travelers is technically a time travel show but the series takes place entirely in the present, with people from the future taking over the consciousness of people at the moments they were to have died. The characters must deal with not only their mission to save the earth , but also must deal with the personal lives of the bodies they take over. I won’t give specifics for those who have not seen it, but the second season ended with major changes for everyone, making fans eager to see a third season.

The Americans returns for its sixth and final season on March 28. FX has released the above official trailer.

Earlier in the week I had this post regarding a social credit system in China which sounds like something out of Black Mirror. It is also reminiscent of Majority Rule, an episode of The Orville.

Storing the contents of one’s brain provided for a fascinating story on Altered Carbon. A company is claiming that they can store the contents of your brain, but there is a huge catch.

Nathan Fillian is going play himself on an upcoming episode of American Housewife, and will be suiting up as Captain Malcolm Reynolds of Firefly.

(more…)

SciFi Weekend: Star Trek Discovery Season Finale; Sex Ed On The Magicians; Roswell; Constantine on Legends of Tomorrow; Black Panther

Star Trek: Discovery had the best first season for a Star Trek sequel/prequel series, but the season finale, Will You Take My Hand, was somewhat of a disappointment. Some aspects of the episode did work, but it was an overly simple and unrealistic ending for a season-long arc. While many individual episodes of other Star Trek series have relied on similarly simplistic endings, I had hoped for more with Discovery. On the other hand, Star Trek does have  a history of disappointing conclusions of arcs, such as with the finale of Deep Space Nine.  I wonder if the loss of Bryan Fuller resulted in setting up the season long story line, but if he left before the ending was totally fleshed out.

Last week they set up the ruse that Georgiou was the Prime Georgiou, despite it being unrealistic that the crew of the Discovery would be fooled. This was immediately abandoned this episode when Mirror Georgiou did not act like a Federation officer. It was also unnecessary for the plan initiated in the finale for her to have tried to fool anyone.

While weakly plotted, the scenes on  Qo’noS had multiple treats for fans, including a fourth role for Clint Howard going back to The Corbomite Maneuver. There were Orions, and we learned more about the Klingon penis in a season which previously showed Klingon breasts. (If everything, including the penis, is duplicated in Klingons, shouldn’t they have four breasts?) By the time they revealed that the package was really a bomb and the plan was to destroy or cause major destruction to  Qo’noS, I assume that most viewers had already caught on.

While a rather simplistic conclusion for the Klingon war, this provide the opportunity for Burhnam to raise the issue of sticking to Star Fleet principles, and give her reason to mutiny for a second time. The parallels to the start of the season were obvious. Besides returning to the theme from the start of the season, this season was unique in both starting and ending without the main ship’s captain being present.

Burnham came up with a solution preferable to mutiny, but I don’t see how she sold Star Fleet on her plan and returned before Georgiou had time to set off the bomb. Although it was established that L’Rell’s main goal was Klingon unification, there was hardly good reason to be so certain that L’Rell wouldn’t have tried to accomplish this by leading the Klingons to victory after taking over. It is also questionable that Klingons would have believed she could blow up the planet and very likely would have decided to attack her first and think about matters later (if at all).

Even if L’Rell could get the Klingons in the room to give her the power, I also found it unrealistic that Klingon ships on the verge of attacking earth would have turned around. It would have been more realistic that the Klingons would have abandoned the war if, instead of being on the verge of victory, they were engaged in a space version of trench warfare from World War I with no victory in sight for either side. Having the Klingons be so dominant at this stage of the war also makes it less believable that the Federation seemed so dominant again by the time of the original show. Perhaps the resurgence of the Federation will be dealt with over the next few years on Discovery.

With the war over, there was time for a family reunion and an awards ceremony. Many questions already remained open. How will they deal with the spore drive, which now seems fully functional, but which needs to be forgotten within the next ten years? What is the meaning of the spore which landed on Tilly? Georgiou, L’Rell, and Tyler are all around in this universe, providing possibilities for a return. The Prime Lorca and perhaps the Mirror Burnham could also turn out to be alive.

After leaving the awards ceremony, the next question raised was the identity of the new captain. While the captain would be picked up on Vulcan, this may or may not mean that the person will be a Vulcan.

Then came the big surprise. The Discovery encountered another ship. The call letters began NCC17…

By then most fans probably knew what was coming next. They certainly could not tease this and then show the NCC1776, The USS Independence Day, or some other starship. It was NCC 1701, the original USS Enterprise, the flagship of Star Fleet, currently under the command of Captain Pike.

The episode then went into a new rendition of the original Star Trek end credits music, and we will have to wait until next season to see what happens with the Enterprise. This is the type of a cliff hanger I prefer for a series which will not return for months. Conclude the main story arc of the season, and then tease something from the upcoming season, as opposed to leaving the main arc unfinished.

For all but purists, the ship we saw did look like the Enterprise, regardless if there were slight changes. Matters will be more difficult if they show the interior, or the uniforms, considering how much Discovery has been updated. It would be an easy matter to recast Captain Pike, and most of the crew are unknown to us with one notable exception–Spock. While it would be amazing if Zachary Quinto were to play Spock, I doubt this is likely.

There are other difficulties. If Spock and Burnham interact, it would be a little more difficult to believe that Spock never mentioned his half-sister. There would be an even greater contradiction if Sarek and Spock see each other considering that, as established in Journey to Babel, the two were estranged for eighteen years. Of course it is possible that the two could avoid any contact with each other as they are estranged, or Spock could be elsewhere.

TVLine  discussed the episode with  Discovery executive producers Gretchen J. Berg and Aaron Harberts

TVLINE | Let’s start at the end, with the Enterprise reveal. What kind of storytelling avenues does that open up for you in Season 2?
AARON HARBERTS
 | I think one of the biggest things it’s going to allow us to do is start to develop how Discovery fits into canon. One of the big things that’s been polarizing for fans is, “We’ve never heard about Discovery! How does it fit? She’s related to Spock?” All those things. And what it’ll allow us to do is hit that straight-on. We see it as an exciting opportunity to say, “This is exactly how Discovery fits into the timeline. This is exactly how we can reconcile the choices we have made.” Because at this period in time, the Discovery and the Enterprise are the crown jewels in the fleet, so they should be face-to-face.

TVLINE | So does that mean Christopher Pike is a full-fledged character next season? Because we don’t know a lot about him, outside of “The Cage” and “The Menagerie.”
GRETCHEN J. BERG | Yeah, we can’t talk about specifics too much, but I think that because we are in canon, we look at things we know, and things we don’t know… and then there are the things we don’t know about the things we know! And there, often, you’ll find great opportunities for storytelling. But it is intriguing. It’s one of the fun things about playing within this box that is the timeline where we are.

HARBERTS | If there ever were to be a captain from canon that one could explore… Christopher Pike would certainly be that one.

TVLINE | So I guess you can’t tell us if we’ll see a ten-years-younger Spock next season, then?
BERG | [Laughs] No, we can’t!

HARBERTS | I can tell you: All you have to do is look at Michael Burnham and Sarek, and the look they exchange at the end of the show, and ask yourself what that could be about.

TVLINE | Maybe it’s safe to ask you about this: How great did it feel to lay down the old-school theme song over the closing credits?
HARBERTS | That was [executive producer] Akiva Goldsman’s idea. He is a huge Trek fan, and from the very beginning of his involvement in the show, he’s always been the guy who’s like, “And then the Discovery and the Enterprise will meet up!” And we’re like, “OK, Akiva, yes, yes…” [Laughs] It was his ultimate fanboy geekgasm… and it was a great idea. And then it was his idea to do the old theme at the end of the episode. I was at the scoring session, watching [composer] Jeff Russo lay that down. Tons of people were there, and you could have just heard a pin drop, and then there were smiles on everyone’s faces. It was very cool.

TVLINE | Oh, so that was totally re-recorded? That wasn’t just the original theme replayed?
HARBERTS
 | Oh yes, that was re-recorded. We had a vocalist come in. They had a bongo player in an isolation booth to play the bongo part. [Laughs] It was legit…

TVLINE | There’s always a chance she could run into Tyler and Georgiou again, right? It’s a big universe, but not that big.
HARBERTS | Oh yeah. One of our goals was: We wanted to create a universe, and play in that universe. And it’s only fun if you’ve got a cast of characters who can continue to come and go…

TVLINE | You did leave us hanging on who the next captain of the Discovery will be. What kind of personality type are you looking for to fill that spot?
BERG | Well, I don’t think we could bring back a Lorca [type] again, just because he was a captain perfect for wartime. I think the crew would be suspicious of that again. [Laughs] Discussing who’s next in that chair is a big topic in the writers’ room, and we certainly have landed somewhere… but I think we’d like you to stick around and watch and find out who it is, and why.

ET Online also interviewed them:

ET: Why did you want to introduce the USS Enterprise now on Star Trek: Discovery?

Gretchen J. Berg: From the beginning, it was something that we knew that folks who are fans of Star Trek know the Enterprise is out there and it was kind of the elephant in the room. We knew eventually that we would want to address that and deal with it. Even though it’s a giant, giant universe, it’s something that’s on everybody’s minds. So we were glad to be able to take the whole season to get to know our crew because the storytelling is going to be told from the point of view from Michael Burnham and Discovery. Let everybody get to know our characters and our show and what we were doing before we brought in the Enterprise. We knew it would be exciting and provocative, for sure.

Aaron Harberts: We also knew that we couldn’t hold off on this because there are so many questions about Burnham in regards to the notion of Sarek and Spock’s family, which is not to say that we’re introducing Spock at the moment. We don’t want to spoil anything. But it’s certainly time to get the audience understanding that we fully intend to respect the original series and respect where Discoveryfalls in that. To do that, we have to show the Enterprise and at least have these ships cross paths.

What is your intention with establishing the Enterprise in this way? What are you comfortable saying with regards to its place in season two?

Berg: Usually, we like to say sit back and enjoy the ride because it’s one of those things… You know, as a writer, you work on something and work on something, and you’re always like, but wait! We’re working on it and we’re going to show it to you and you’ll see. We’re certainly acknowledging that they exist in the same time. But always, always, always, the story on Discovery will be told from the point of view of Disco and our Disco crew. I think it’s fair to expect something, but we probably couldn’t go too much into detail about what it is.

Harberts: More than anything, it is about what new stories does this provide for our crew, for Michael Burnham, for Saru, for Tilly. Our main interest is Discovery. However, if the presence of the Enterprise can show us new things about our crew, the better.

It’s notable that it’s Captain Pike who sent the distress signal for the Enterprise. Is he a character we could meet in season two, along with Enterprise crew members?

Harberts: The thing to consider about Captain Pike is, from an audience and writer’s point of view, there is something very exciting about a key character from [Star Trek: The Original Series] who’s only been explored in two episodes of the original series — three if you consider how [the rejected pilot for the original series] “The Cage” works into the puzzle in TOS. When we think about the idea of Captain Pike, it opens up some large possibilities. We will never say never to exploring him a little bit more…

Are you suggesting that the nine-month period in Prime during which Michael and crew were stuck in Mirror Universe won’t be revisited?

Harberts: To be honest, Episode 14 [“The War Without, the War Within”] was all about what had happened. With the destruction that was wrought by the Klingons and the Federation during those nine months, we tried to paint the picture of that. I think what’s exciting about moving into season two is we’ve got a fresh new palette. We’ve put the war behind us and we’re excited to move on into some things that Trek fans have been longing for, which is more exploration, more diplomacy, more planets, more away missions. We’re focused on serving up some new stuff.

What does this mean for the future of Jason Isaacs, whose Mirror Lorca was killed but the whereabouts of Prime Lorca are still unclear, or Michelle Yeoh, whose Mirror Philippa is still roaming the galaxy?

Berg: If they’re out there, the possibilities are endless. Never say never. That’s the great thing about this universe: there are so many more different ways to go. I can’t confirm or deny anything, but…

Harberts: If we find Prime Lorca, I sort of want to find him making artisan sourdough bread in a bakery in San Francisco. That’s how that storyline could start and we’d just build from there. (Laughter.)

Because it seems the Mirror Universe isn’t a destination you’ll go back to anytime soon, what about Paul Stamets and Hugh Culber’s future? Wilson Cruz told us recently that their story isn’t over.

Berg: Wilson’s correct. We have just begun to tell the love story between Culber and Stamets, so I would just say hold tight.

Harberts: Stamets has got a lot to process that he hasn’t had time to process yet, in terms of not being in charge of the spore drive and having lost Culber. We’ve got to take Stamets on a journey as well and then we’ll see. But Culber is a character who is part of this Star Trek world, no doubt.

You’re already knee-deep on season two planning. What are you looking to achieve thematically and creatively?

Harberts: Chapter 1 of this novel was war, and right now, we’re thinking about Chapter 2. One of the themes we continue kicking around is the conflict between science and spirituality, and that’s something that we’re very interested, particularly after you finish a war. How do you rebuild yourself? What’s required for that? What we’re most excited to do is to continue thematic exploration and philosophical exploration and debate, and these characters are perfectly primed to carry storylines like that. That’s one thing that we’re thinking about. We have a few things up our sleeve, but we’d be lying if we knew everything, because that’s the fun of it is as well. You go into it, you see what’s working and you see what’s interesting, and you build from there.

Berg: The joy is in the journey for us as well in creating it.

This week’s episode of The Magicians was significant for introducing Poppy Kline, played by Felicia Day, but regular Summer Bishil (Margo) certainly held her own. Margo wound up in an undesired marriage to young Fomar, and turned to her version of sex ed to attempt to turn him off to the idea. While she pulled out a thick volume which contained female anatomy, her suggestion of the presence of teeth provided the title for the episode.

As usual, The Magicians did an excellent job of combining such amusement with advancing the plot. While Fumar was knocked out (later to be told he did great), Eliot and Margo found a massive field of the Fairy Queen’s mushrooms, which turned out to be fairy incubators to grow a fairy army. It will be interesting to see what happens now that Margo has taken hostages.

More also happened in this episode, including a look at depression with Felicia Day’s story. Inside The Magicians video below:

The CW Network rivals Syfy in the number of genre shows. They have announced that they will be expanding their programming to six nights a week, adding Sunday. This should increase the chance of their bubble shows returning and provides room for new shows. Next season this includes remakes of Charmed and Roswell.  Jeanine Mason (Grey’s Anatomy) has been cast a the lead for the Roswell reboot.

The highlight of the past week on CW was an appearance by Constantine on Legends of Tomorrow. It has been confirmed that Constantine will return later in March.

The biggest genre news of the week was the record smashing opening weekend of Black Panther.

SciFi Weekend: Captain America; Agents of Shield; Legends of Tomorrow & The Justice Society of America; DC Four-Way Crossover; Star Trek; Mr Robot; Limitless

captain-america-civil-war

Captain America: Civil War, like the previous movie in the series, made major changes in the Marvel Cinematic Universe which also extend to Agents of SHIELD on television. Spoilers ahead for both the movie and television series. Civil War showed a continuation of what was seen in Captain America: Winter Soldier, which led to moving SHIELD underground. It ends not with Captain America being killed as in the comics, but with both giving up his shield and going underground. Other members of the Avengers are in similar situations. Collider summarizes how the MCU has changed, with major spoilers for those who have not seen the movie and recent episodes of Agents of SHIELD.

It did seem strange that Nick Fury was not involved, and his role since the changes in SHIELD remain unclear. Civil War writers Christopher Markus and Stephen McFeely were asked about this by The Los Angeles Times:

I’m curious. Where was Fury? 

Stephen McFeely: I’m curious too!

Christopher Markus: We called him, but he let the line blink. Primarily it felt like one too many possible opinions. We didn’t want him to take one side or the other, because that’s not his place in the universe. And then we didn’t want another, “Is he still with the government? Is he opposed to the government but supporting the government?” It got to be the potential for a lot more polemic discussion that the movie did not have room for.

He’s the guy who put it together. He’s been the sort of parent figure to the Avengers. Let the parent go away, and see if the kids can handle this. See if the kids can be who they’re supposed to be without that governing voice. Um… and they didn’t do that good of a job.

Are we going to see him in “Infinity Wars?”

McFeely: I would think.

Markus: It’s probably all hands on deck.

McFeely: Don’t you assume you’ll see everybody in the “Infinity Wars?”

You heard it here first: Everybody is in “Infinity Wars.” Hopefully that includes Sam Rockwell’s Justin Hammer and Whiplash’s bird.

Captain America: Civil War acted as the origin story for Black Panther, and introduced Spider-Man to the rest of the MCU. Iron Man will be appearing in Spider-Man’s upcoming solo movie, Spider-Man: Homecoming. There is also speculation that there is yet another connection, with “homecoming” being one of the trigger words used by Hydra in brainwashing Bucky Barnes.

Deadline has a long interview with  Kevin Feige. One of the many items discussed included the possibility of  Black Widow getting a solo movie in the future:

DEADLINE: You’ve got a bunch of characters in this movie from Falcon and War Machine and Black Widow and Hawkeye, who have so far guest starred in movies with another characters title above the fold. Is there one destined to get a solo movie down the line?
FEIGE: We’ve announced the next nine movies, 10 counting Civil War, through the end of 2019. Where we go beyond that are ongoing discussions that we’ll focus on in the next few years because we have a lot to do before then. Of the characters that you’ve just mentioned I would say certainly the one creatively and emotionally that we are most committing to doing is Black Widow.

DEADLINE: Why?
FEIGE: We think she’s an amazing character. We think Scarlett Johansson’s portrayal of her is amazing. She’s a lead Avenger and has amazing stories in her own right to tell that we think would be fun to turn into a stand-alone franchise.

Agents-of-SHIELD-Cover-04272016

Agents of SHIELD also worked in the Sokovia Accords, the movie version of the Superhero Registration Act, and ended the season with some deaths. Even Daisy now appears to be on the run, and who is this new Director of SHIELD? There was a second death for a Brett Walton villain, first Grant Ward, and now Hive. It looks like he might finally be finished with the series.  Jed Whedon and Maurissa Tancharoen spoke with Comic Book Resources about the finale.

CBR News: How difficult was it to say goodbye to Brett Dalton and Lincoln Mitchell?

Maurissa Tancharoen: It was so, so hard. There were many tears. It was very emotional. Even in the process of developing their arcs and breaking the season, it was a decision we struggled to finalize. We knew that we had to, though. We had to close a chapter with Ward. To sustain an antagonist for this long or to go beyond three seasons — we just didn’t want it to lose any steam. At our wrap party, there were several emotional speeches being made for both of those guys.

Jed Whedon: One of the things about television is that it’s fluid. You always have to generate a lot of different stories. Sometimes you eliminate a character and it’s easy, because you either don’t like the person or you don’t like the character. This was a situation where we didn’t have that. Both of these actors are just great guys, they’re great to work with and are pros. It was a very emotional end of the season for everybody.

Tancharoen: A week before we wrapped, we were here at home. I was thinking of Brett and Luke. They are such great people, and so talented and so handsome. “Oh, my God. What have we done?”

After watching Ward evolve from a member of S.H.I.E.L.D., to Hydra agent, to Hive, why did it feel that this was the time to let him go?

Whedon: One of the reasons we closed that chapter was to start a very different, very new chapter next year. We’re very excited about it, but that’s as specific we can get.

Now that viewers have seen the finale, what were the most important aspects, to you, about the send-off you gave Ward/Hive?

Whedon: Hive revealed his motivation: “I want a connection.” That’s a fitting end to his story. Also, to Ward’s story, he wanted that with Skye. Now, here he is, sitting with Lincoln, the one person who had that with Skye/Daisy. There’s some poetry to the simplicity and the quietness in that moment that we loved. It was a fitting end for someone with [goals of] world domination, and to our buddy Grant Ward, who we managed to maintain as an antagonist for three seasons, which is a lot for one character.

While some themes from the movies are reflected in Agents of SHIELD, the two are also disconnected, especially with Coulson being alive in the television show but still considered dead in the movies. It is also strange that nobody from The Avengers got caught up in the battle against Hive. Chloe Bennet talked about this last week. When asked if she would like to show up in the movie universe she replied, “The Marvel Cinematic Universe loves to pretend that everything is connected, but then they don’t acknowledge our show at all. So, I would love to do that, but they don’t seem to keen on that idea.”

legends_of_tomorrow_s01e16_still

The Berlanti shows on CBS and the CW Network are almost completed for the season, with Arrow and The Flash presumably to complete their story lines related to Zoom and Damian Dahrk next week. Legends of Tomorrow remains the weakest of the four, but did improve in its final episodes. The good news was that it got more timey wimey. The bad news is that it handled their rules of time travel much more poorly than other genre shows such as Continuum and 12 Monkeys. As time travel does not really exist (which I assume as I have never received a list of winning lottery winners from my future self), a show can get away with their own rules, but they should be internally consistent and make sense. Screen Rant has more on the plot holes. More spoilers ahead.

It should help the show in the future to have Vandal Savage defeated. Having them spend the season getting close to him but not killing him led to many unsatisfactory episodes. Some old members of the cast will be gone. Ciara Renée is leaving as a series regular, but the manner in which Hawkgirl and Hawkman flew off certainly leaves open for the possibility of their return, even without using time travel. Wentworth Miller’s character Leonard Snart (Captain Cold) sacrificed his life on Legends of Tomorrow. In the Berlanti universe, death is not a permanent change (except for the Earth 1 Laurel Lance), and Miller will be a recurring character in various shows in the universe. Presumably time travel or effects from the destruction of the Oculus will  provide the explanation.

While some characters are gone, the ending suggested the introduction of the Justice Society of America. Collider has background information on this. Marc Guggenhein also discussed this with The Hollywood Reporter:

The CW’s Legends of Tomorrow used Thursday’s season one finale to reveal that Rex Tyler aka Hourman (Patrick J. Adams), along with the JSA, would be a major part of the Arrow/Flash spinoff’s sophomore run. He arrived on a Waverider as the Legends team intended to take off as Time Masters, warning them that they would all die if they did.

“With his final words in the finale, he planted a pretty deep flag about where we’re headed in season two, which is not just introducing Hourman but introducing his teammates in the Justice Society of America,” executive producer Marc Guggenheim tells The Hollywood Reporter. “For comic book fans, everyone knows the Justice Society is really the precursor to the Justice League, so it’s a pretty big move in our DC universe here on TV.”

Although the DC Comics franchise keeps its film and television projects separate (unlike rival Marvel, which connects its film and TV projects in one shared universe), it’s interesting to note that it’s the newest — rather than the highest-rated DC show (Flash) — that is going to be the one introducing the iconic superhero team…

The introduction of Hourman and the JSA won’t be the only reason Legends of Tomorrow will look different in season two. Along with some casting shakeups, the elimination of the Time Council and the set timeline takes away a huge part of the story and the rules that were established all season long.”One of the other big things we’ve done in the season finale is we planted another flag in the form of Rip’s [Arthur Darvil] statement. Because the Time Masters are essentially gone and the Legends have destroyed the Oculus, that all means that someone else has to do the job of the Time Masters,” Guggenheim says. “Our Legends take that on as their new responsibility. It’s sort of like, you break it, you buy it.”

“That’s really exciting to us, that our team of Legends, our misfits, are going to be responsible for the preservation of the timeline and protection of history,” he adds. “As we’ve seen, our team, our guys are not always the most responsible people around so maybe time has got some new troubles. But it will provide a lot of fodder, a lot of fun story for season two.”

With Supergirl getting picked up by the CW Network, they didn’t waste any time in announcing  plans for a four way crossover with Arrow, The Flash, and Legends of Tomorrow. This is facilitated by all four now being on the same network and all being filed in Vancouver starting next season. These matters are far more important then the logistics of getting Supergirl involved with characters who are on a different earth.

Above is a trailer for the movie Star Trek Beyond. It also looks like Paramount has been convinced that it is not a good idea to sue fans over copyright infringements in fan-made movies. JJ Abrams made this announcement:

A few months back there was a fan movie, Axanar that was being fan made, and there was this lawsuit between the studio and these fans. And Justin was sort of outraged by this as a longtime fan. And, we started talking about it and realized this was not an appropriate way to deal with the fans. The fans should be celebrating this thing, we all [as] fans are part of this world. So he went to the studio and pushed them to stop this lawsuit and now within the last few weeks it will be announced that this is going away and the fans will be able to [continue] their productions.

Hopefully they realize that it has been the fans who have kept interest in Star Trek alive, enabling them to make money from continued movies and soon a new television series.

CBS also released the above teaser for the upcoming Star Trek television series, which does not really provide any information. There has been some speculation that the statement of “new crews” in pleural might suggest more than one crew, possibly taking place in different eras.

The above trailer was released for season two of Mr. Robot which begins on July 13. We see that Christian Slater’s character is still around, and don’t know how much of anything else is real or in someone’s head.

With it doubtful that CBS will renew Limitless (but no cancellation announcement either), there is now talk of trying to sell it to another network. I don’t know if the finances would work, but it seems like it might be a good fit at USA Network. Supergirl has already moved from CBS to the CW Network, and I’m still hoping attempts to keep Person of Interest alive at anther network are successful.

Moving from science fiction to science, Mars is appearing as it biggest in over a decade:

Mars comes into opposition — the point when Mars and the Sun are on directly opposite sides of the Earth — once every two years.

But on Sunday night, as the Red Planet edged towards its closest point to Earth in 11 years, it appeared much bigger and brighter in the night sky than usual.

Amateur astronomer Dr Ian Musgrave, from the University of Adelaide, said it would trump Venus as the brightest object in the sky, aside from the Sun and the Moon.