Now that the series has completed in the United States, I can discuss season three of Sherlock without spoiling it for American viewers who did not download it when the series first aired. There are major spoilers for those who have not seen season three yet.
The season was far more meta and fannish compared to the first two seasons. The first episode, The Empty Hearse, played with fan reaction to the cliffhanger by showing various possible solutions as to how Sherlock survived the fall. The episode also concentrated on how a world in which this Sherlock is real would react to Sherlock’s apparent death and rumors that he has survived.
Apparently Sherlock did fool Moriarty’s people who were watching to see if Sherlock went through with jumping. Unfortunately the explanation concentrated on fooling Watson, but the more contrived it was to fool Watson, the greater the chance that one of Moriarty’s men should have seen something to tip them off that Sherlock was faking his death.
The relationship between Sherlock and Watson, along with their relationships with women, was also a major theme of the season. Sherlock sure misjudged how Watson would react to seeing him alive. Although Mrs. Hudson, in one of many amusing scenes in the episode, was surprised to see that Watson’s fiancé was a woman, there was very good chemistry between John and Mary. This was partially due to Mary being played by Martin Freeman’s wife Amanda Abbington. We learned later in the season that Mary is not exactly what she seems, but in the end that actually makes her a better partner for a Watson who is spending time fighting crime with Sherlock (once we move beyond awkward events such as Mary shooting Sherlock later in the season).
The Sign of Three was again more about relationships than a classic Sherlock Holmes story. Sherlock faced one of the hardest tasks of his life–writing the best man’s toast at Watson’s wedding. Sherlock often looked awkward, and at times I felt like I was watching Sheldon Cooper. Besides the talk about John as a friend, Sherlock brought up past cases, some of which were unsolved. In the end this was all tied together as there was an attempted murder at the wedding, and a previous unsolved case provided the information to figure out how to stop it. Unfortunately the method of the attempted murder was not very realistic.
His Last Vow was the best episode of the season, and many have called it the best of the series. It was the most like a conventional episode, but relationships between both Sherlock and Holmes with women played a key part. Sherlock’s relationship was established to obtain information, and we learned the truth about Mary’s past with the CIA. Lars Mikkelsen did as wonderful a job playing Magnussen as his brother does playing Hannibal.
I found the ending with Magnussen to be somewhat disappointing. Sherlock could not get the evidence to convict Magnussen, or stop him using conventional means as the information was all in his head, so he had no solution but to shoot him. Besides not being an entirely satisfactory ending, I find it hard to believe that Magnussen would have allowed Sherlock into his home without checking for a gun. There were other situations solved too simply this season, such as Sherlock stopping a bomb by hitting the off switch (after playing with Watson).
As punishment for murdering Magnussen, Sherlock was sent on a mission to East Europe which was predicted to result in his death in six months. This sentence was changed when Moriarty’s face showed up on screens all over England with the question, “Miss Me?”
Fans will be speculating over this cliff hanger just as they did over the cliff hanger over how Sherlock survived the fall. There are many possibilities, but we might not find out the answer for two years.
I always found it questionable that Moriarty would devise a plan to kill Sherlock in which he would not survive to enjoy seeing this, or anything else. Moffat has claimed in interviews that Moriarty is really dead, but we know Moffat lies, or that Mark Gattis might have different ideas. Maybe we are to take this on face value and Moriarty really did fake his death. Moriarty and Sherlock are often parallels of each other. In that way it might fit to have the question between one season be how Sherlock faked his death, and then move on to how Moriarty faked his death.
There is another variation on this which I like. At one point in The Reichenbach Fall, the Moriarty character claimed to really be an actor named Rich Brook and that Sherlock invented Moriarty. What if he was partially telling the truth. Maybe the person we saw kill himself really was an actor, perhaps really named Rich Brook except one working for Moriarty, and was coerced by the real Moriarty into killing himself. I can more easily see Moriarty coercing someone else into pretending to be Moriarty and killing himself than I can see the actual Moriarty committing suicide.
It is also possible that the suggestion that Moriarty is alive was a complete hoax. Perhaps another villain, or one of Moriarty’s men, arranged this and plan to commit future crimes in Moriarty’s name.
Sherlock might have arranged this as a backup plan in case his initial plans to get the evidence against Magnussen failed and he wound up getting arrested. A more likely possibility is that Mycroft Holmes was responsible. It has been established that he has considerable technological abilities. It was also established earlier in the episode that he did not want to see his brother go to his death in Eastern Europe. This could have been his way of ensuring that Sherlock would be brought back home.
Sherlock returned last week. I won’t say much to avoid major spoilers until the show returns in the United States. It should be safe to reveal that Sherlock lives. The episode shows how he survived the fall, but it was more interesting to see Mark Gatiss make fun of all the fan theories. A full review of the episode can be found here. Q&A with cast and show runners here.
The second episode, The Sign of Three, airs tonight on BBC One. A spoiler-free review can be found here.
Helix premieres on Friday. The fifteen minutes can be viewed above. Press release follows:
Helix is an intense thriller about a team of scientists from the Centers for Disease Control who travel to the high-tech research facility, Arctic Biosystems, to investigate a possible disease outbreak, only to find themselves pulled into a terrifying life-and-death struggle that may hold the key to mankind’s salvation or total annihilation. However, the lethal threat is just the tip of the iceberg, and as the virus evolves, the chilling truth begins to unravel.
Executive produced by Ronald D. Moore (Battlestar Galactica), Steven Maeda (Lost) who is also showrunner, and Lynda Obst (Contact), the 13-episode drama stars Billy Campbell (The Killing, Killing Lincoln) and Hiroyuki Sanada (The Wolverine, 47 Ronin).
Campbell stars as Dr. Alan Farragut, leader of the Centers for Disease Control outbreak field team called upon to investigate and control a potential outbreak. Sanada also stars as Dr. Hiroshi Hatake, director of Arctic Biosystems and its mysterious viral research program. Helix also stars Kyra Zagorsky (Supernatural) as Dr. Julia Walker, Mark Ghanimé (Emily Owens, M.D.) as Major Sergio Balleseros, Jordan Hayes (House at the End of the Street) as Dr. Sarah Jordan, Meegwun Fairbrother as Daniel Aerov, Catherine Lemieux (White House Down) as Dr. Doreen Boyle and Neil Napier (Riddick) as Dr. Peter Farragut.
Helix is produced by Tall Ship Productions, Kaji Productions and Lynda Obst Productions in association with Sony Pictures Television. Prolific director and producer Jeffrey Reiner (Friday Night Lights) directed the first episode of Helix, which was written by creator and co-executive producer, Cameron Porsandeh.
The trailer for the Veronica Mars movie was released last week. Video above.
David Lynch is filming new material in preparation for the Blu-Ray release of Twin Peaks.
After Disney purchased the rights to Star Wars, it comes as no surprise that Star Wars comics will be returning to Marvel, which Disney also owns.
The Walt Disney Company’s Lucasfilm Ltd. and Marvel Entertainment are joining forces to bring new Star Wars adventures to readers across the galaxy, with Marvel granted exclusive rights to create and publish Star Wars comics and graphic novels beginning in 2015.
The agreement marks a homecoming for the Star Wars comic books. Marvel Comics published the first Star Wars comic book, STAR WARS #1, in March 1977, which went on to sell more than 1 million copies. Marvel Comics published its STAR WARS series for nine years. In 1991, Dark Horse Comics took over the license, publishing fan-favorite titles like Dark Empire and Star Wars: Legacy. Last year, Dark Horse released The Star Wars #1, an adaptation of George Lucas’ original rough-draft screenplay for the film, garnering rave reviews and national media attention and ranking among the top-selling Star Wars comics of all time.
“Dark Horse Comics published exceptional Star Wars comics for over 20 years, and we will always be grateful for their enormous contributions to the mythos, and the terrific partnership that we had,” said Carol Roeder, director of Lucasfilm franchise publishing, Disney Publishing Worldwide. “In 2015, the cosmic adventures of Luke, Han, Leia and Chewbacca will make the lightspeed jump back to Marvel, to begin a new age of adventures within the Star Wars universe.
Entertainment Weekly discussed both Breaking Bad and Better Call Saul with Vince Gilligan. A portion of the interview:
What has been the big challenge in formulating Better Call Saul? And can you clarify how much of the show will be a prequel and whether we might see scenes that take place after the events of Breaking Bad? Are we going to hop around in time a little?
Peter Gould is a wonderful writer and producer and director who worked on Breaking Bad with me from the first season, and he created the character of Saul Goodman (Bob Odenkirk). He and I have been turning that over in our heads quite a bit. We think, by and large, this show will be a prequel, but the wonderful thing about the fractured chronology we employed on Breaking Bad for many years is the audience will not be thrown by us jumping around in time. So it’s possible that we may indeed do that, and we’ll see the past and perhaps the future. Nothing is written in stone yet, we’re still figuring it out, but the thing we realize is tricky with the character is that Saul Goodman is very comfortable in his own skin. He seems to be a character who is pretty happy with himself, especially when we first meet him. He seems to be a pretty happy-go-lucky guy, and that makes him everything that Walter White is not. And that also makes for tricky drama. When I say drama, even in a comedy, you want drama, you want tension and conflict, and a character that at heart seems at peace with himself is intrinsically undramatic. [Laughs] So we’ve been thinking about how to address that issue.
Could some of the action be set in the Breaking Bad era as well?
It could. That’s why I love the possibilities of the show so much. Anything is possible, and I can’t make any promises that we will indeed see that kind of stuff, but I can tell you from a writer’s point of view, it’s very freeing and emboldening to have those opportunities available to you.
How many characters from Breaking Bad might pop up or even have an extended role?
The character that springs to mind would be Mike (Jonathan Banks). That would be a great deal of fun. I would say the sky’s the limit, at least theoretically speaking. Realistically speaking, we’ve got a whole lot of actors, and the world is now well-aware of their wonderful talents and abilities, and therefore Breaking Bad has probably made it tougher for Peter and I to get some of these folks pinned down for another TV show. They’re off making big movies and doing Broadway plays and whatnot, and that’s exactly the way it should be. That is a high-class problem that we will have to contend with as we go forward with Better Call Saul, if we do indeed want to touch base with some of these characters… Better Call Saul could be The Love Boat of its generation, where instead of Milton Berle showing up in a sailor’s cap, hopefully it could be Aaron Paul, also in a sailor’s cap. [Laughs]
I would suggest using a lot of Jonathan Banks in order to add drama which might not be found in Bob Odenkirk’s character. Incidentally, we have already seen Jonathan Banks on Community and Vince Gilligan will also be making an appearance.
Community returned with two episodes, Reboot and Introduction to Teaching. Dan Harmon returned and did successfully reboot the show, putting the changes from last season behind. Reboot was the weaker of the two as Harmon did have to spend time setting up the scenario of having everyone back again at Greendale. I would have been satisfied if they simply said the fourth season was a dream and picked up from where season three left off but there was the obvious need to continue the narrative where the show left off last season. I bet that after this, repilot and gas leak year will enter the general vocabulary to describe future shows in similar situations which have a down year under the wrong creative team and then reboot afterwards.
The surprising thing about the episode was the cameo from Chevy Chase. Dan Harmon explained in this interview with IGN:
IGN: Chevy’s cameo was a very nice surprise. How did that come about, and how did you decide upon the specific way it happened in the episode?
Dan Harmon: Well, there’s always the point in every story when a character that’s gone down a certain path needs to have a reason to turn. One of the easiest things to do is have a moment with a mentor, a kind of Obi-Wan figure. I was really just considering what the story needed in the moment where Jeff is walking away with the power to destroy or save Greendale in his hands. What the story needed was someone to turn him, and I did picture Pierce immediately because if he was still on the show, that’s exactly how we would use him, and it’s a greater fact that he was always at his best as this sort of hapless Obi-Wan or a cautionary tale or unintentional mentor – trying to be a mentor in one way, but actually inspiring in a different way. It just seemed like one of those big moments where it was like, “Man, I really miss having that Pierce character,” and I literally pictured him in my head like this Industrial Light & Magic ghost that would appear in front of Jeff and say, “Don’t do this. Go back.” Then I thought, “Okay, then how do we actually make that happen, logically?” The answer was, “Well, actually what you’re describing could just be a hologram, because it doesn’t need to be having a conversation with Jeff. He just needs to say something. He just needs to be a vision.” He can’t be a literal ghost, but he could be a hologram, because Pierce has money, and that seems like the kind of thing you associate with Pierce — that whole Baby Boomer/Sharper Image kind of technology for its own sake kind of thing. And actually, that would work perfectly, because it would allow Chevy to come back to the show without panicking Sony legal, because he wouldn’t be on the set.
I wasn’t there when Chevy departed, but I know he had a specific agreement with Sony in which the terms of his departure were contractual and there was an agreement on both sides. I don’t really know more details than that except to say that simply bringing him back would be a contractual issue. So I was able to say to the studio, “What if we weren’t bringing him back? What if we were shooting him on a separate stage with no other actors around. Would that be allowable?” And they said, “Yes.” So it became this idea. I knew Chevy would be on-board because he’s an arch character, but I know that at the end of it all he always loved doing the show and would be more than willing to come back. He’s very passionate about making people laugh. So I texted him, and he said, “Absolutely, I’ll do it.” And then there was the weird thing of, we really didn’t want that to leak too early because it’s such an easy thing to spoil, and it really does spoil it, I think. So we wanted to see if it was possible to keep it under wraps until it aired. We actually kept it a secret from as much of the crew as possible, other than there were some people we needed to shoot Chevy, but we didn’t tell anybody that we didn’t have to tell. At the table read for the episode, we wrote a fake scene where Jeff is turned by Star-Burns. [Laughs] That’s actually, unfortunately, a really funny scene that the actors got really excited about, because it’s the reveal that Star-Burns is alive and that he’d been hiding on campus and faking his death to avoid death charges. The question is, why would he pick the campus to hide on? It’s the dumbest hiding place in the world, and he doesn’t know why, there’s just something special about the campus, like it was home or something. And that’s what turns Jeff.
There is new conflict coming up on The Big Bang Theory next week as Bernadette goes to a rival comic book store to purchase something for Howard in the picture above.
The Night of the Doctor, a prequel video for The Day of the Doctor was released during the past week, showing a regeneration from Paul McMann’s Doctor to John Hurt’s. There is a difference in the nature of Hurt’s Doctor which we will undoubtedly learn more about in the 50th anniversary episode. Despite what we learn in this video, Steven Moffat says that the numbering of the Doctors will remain the same.
A clip from The Day of the Doctor played at Children in Need above showing when Matt Smith and David Tennant met is above.
The Hub was one of the better episodes of Agents of SHIELD so far, but still remained weak. Last week Simmons was in danger but fans were disappointed to see her survive. Fitz came out looking much better in this week’s episode which was centered around placing him in danger. On the other hand, Simmons came out looking like an even weaker character than before, if that was possible. Once again we were teased with the possibility of being rid of her. One would think that Simmons would be history after shooting a superior officer, but nothing really happened. They advanced the mystery of the season about Coulson returning after being killed when Coulson found that the file about his time in “Magical Tahiti” is being kept from him. Speculation ranges from there really being magic involved to Coulson being a robot. More credence was given to the robot theory when Sky said during the episode that “He’s acting like a robot version of himself right now.” Considering the weak level of writing in this series, that might be intended to foreshadow the end result.
While this episode involved Russia and Georgia, Arrow (the far better of the two superhero series) also had its characters travel to Russia. Summer Glau’s character was a little less robotic as she wound up going to bed with Oliver in a scene which was primarily designed to frustrate the fans who have been rooting for Felicity and Oliver to get together since last season. (Yes, while this is a fun genre show, it is also a CW show.)
We have to wait until January 2, but a lot of photos from Community have been posted on line. In the picture above, Jonathan Banks of Breaking Bad appears as Professor Nichols. We don’t know the circumstances or his position (student or faculty), but Jeff is definitely back at Greendale Community College.
CBS is going ahead with a sequel to How I Met Your Mother entitled How I Met Your Father which will presumably be the same format from a woman’s point of view. I am glad that Carter Bays and Craig Thomas will be doing another sitcom but question whether network television can manage to be a little more original as opposed to doing the same thing over again. It was amusing when the original pilot, in which viewers expected to see how Ted met his wife, instead said it was how he met “Aunt Robin.” The actual answer as to how Ted met his wife took nine years and once seems to be enough to for that idea. At least the format is quite loose and does leave open the possibility of having unique aspects in the new show. There have been a lot of shows about a group of friends in New York since Friends left the air, and How I Met Your Mother was the best of them which I have seen.
What Culture! has five reasons that Big Bang Theory is good for nerds. This includes the many prominent guest stars, such as Stan Lee in the photo above.
Garry Trudeau’s political comedy Alpha House has been released on Amazon video. Review at The New York Times.
They can’t kill The Killing. Itwill receive a fourth season, this time on Netflix.
Almost Human premiers on Fox tonight. Trailer above.
The trailer for the 50th anniversary episode of Doctor Who, The Day of the Doctor, has been released with video above. Discussion and breakdown of the frames from the trailer here and here.
There’s been more news out about Matt Smith and David Tennant working together, including confirmation that Matt Smith’s is bigger than David Tennant’s:
“Mine’s bigger” confirms Smith. “I won… on that one”. “His is much bigger!” laughs Tennant. Everyone’s since 1963 is bigger than mine! Well, maybe I just don’t have as much to compensate so much; maybe I’m very happy with my sonic’s length. And it does everything it needs to.”
Celebration of the anniversary includes additional events including a TV movie on BBC 2 about the development of the series, An Adventure In Space And Time. Five pictures have been released here, including one with Jessica Raine (of Call the Midwife) as producer Verity Lambert:
Steven Moffat has been teasing the regeneration in recent interviews. From a statement in Doctor Who Magazine, it appears that Matt Smith’s regeneration into Peter Capaldi will occur in the TARDIS:
“Pretty soon [Peter] will arrive and he’ll be whisked off to begin the trip of a lifetime, probably wondering what it will be like, where it will take him, and how long it will last. And about then, Matt Smith will be standing in his TARDIS for the very last time, with his eyes on the studio door – because about to step through is a Scottish actor, dressed as him.”
Moffat discussed the twelve-regeneration limit in an interview with Radio Times:
The fact that the Doctor could be close to using up his apparent limit of 12 regenerations is one that hasn’t passed Doctor Who fans by. What will happen when his time is finally up we don’t know but there’s an assumption that whoever’s in charge of the show will find a way.
After all, there is a precedent here. The Doctor’s Time Lord adversary the Master used up his entire allocation but was handed a new regenerative cycle after taking possession of a non-Time Lord body and later having it restructured (it’s a long story).
However, Steven Moffat today confirmed of the Doctor, “He can only regenerate 12 times”, while simultaneously suggesting there has been a miscalculation of how many regenerations he has actually been through.
“I think you should go back to your DVDs and count correctly this time,” said Moffat, “there’s something you’ve all missed.”
What can it all mean? If we were attempting to explain how the Doctor might already have had more than his fair share of regenerations, we could do it. John Hurt’s newly introduced dark Doctor would presumably add one, making Peter Capaldi the 13th and final incarnation. If we then followed the argument that David Tennant’s tenth Doctor used up a whole dose of regenerative energy when he re-grew his lost hand almost immediately after having transformed from the ninth Doctor, that would give us an illegal 14 versions of the Doctor. Whether the new hand counts as a full regeneration is very much up for debate, of course, but either way these are both arguments for adding not subtracting regenerations.
On the other hand (pardon the pun), we didn’t witness Paul McGann regenerating into either John Hurt’s ninth(?) Doctor or Christopher Eccleston’s ninth/tenth Doctor. If somehow neither of those counted as regenerations we would have one fewer than we’d previously thought – Matt Smith would be the tenth Doctor and Peter Capaldi would be the 11th. But how could the Doctor have changed bodies without regenerating?
Needless to say, there has been a lot of speculation regarding this on various blogs.
It seems that in recent years there have been more genre shows and movies which attract female following–not that these shows are for women only. I had almost skipped Once Upon A Time in Wonderland until I read good reviews of the first episode, and thought the second episode was even better. In this version, Alice is an older action figure, not a small girl, and she is in love with a different version of the Genie from Aladin. Besides the new impressions of classic Disney characters, the magic in Wonderland reminds me of the fun in the early Harry Potter movies. The original version of Once Upon A Time, is spending the season in Neverland. The creators of the shows, who previously worked on Lost, discussed the two shows, and explained why the made Peter Pan evil in this interview.
Arrow, which is also fun even if sometimes feeling too much like a soap opera, ended with quite a cliff hanger. Earlier in the episode, Oliver Queen acknowledged the same issue I brought up last week and made Felicity his executive assistant (over her objections) to explain why he spends his days as well as nights with her. (“And I love spending the night with you.”) Laurel tried to explain why she suddenly hates the vigilante so much but it is hard to accept her arguments as to why he is to blame for Tommy’s death. This leads to the cliff hanger and brings up two more of my ongoing complaints about the series (or two reasons why it is best to just enjoy the show and not to think much about it). We have seen repeated examples of predictable crimes with little done to prevent them. With medical supplies being stolen, you would think that guarding the trucks carrying them would be a top priority for police. That didn’t happen as it turns out that Laurel had all the well-armed police officers on stand-by for the next time the vigilante encountered her. In the past, Oliver has escaped such traps with far too little difficulty. With all the guns aimed at him, I hope they come up with a more creative and plausible way for him to escape.
Steve Buscemi of Boardwalk Empire hopes people remember the shutdown in the next election:
“I think the shutdown is ridiculous. I think the Republicans in Congress are holding the country hostage. I think it’s criminal. I don’t see why they’re allowed to do it.” Buscemi on politics livens up. “The Tea Party faction of the Republican party are holding the Republican party hostage. They’ve hijacked it. I don’t understand their philosophy. I think that in their own hearts and minds there’s a reason why they feel they’re doing good. But I certainly don’t agree with it. And I hope the shutdown effects change. I hope people remember this in the next cycle of elections.”
The assassination of the Vice President on Homeland was not only plausible, but a scenario which Dick Cheney’s doctor had taken precautions against several years previously.
BBC America has greenlit Intruders, an eight-episode original series based on Michael Marshall Smith’s 2007 novel The Intruders. Glen Morgan (The X-Files, Those Who Kill) is the writer and executive producer on the series that’s about a secret society devoted to chasing immortality by seeking refuge in the bodies of others. BBC Worldwide Prods is producing, with production to begin in early spring 2014. Jane Tranter and Julie Gardner are exec producing, and BBC Worldwide is handling global distribution. The Intruders joins BBC America’s breakout original drama Orphan Black.
Community is returning to Thursday nights on January 2. Unfortunately, in terms of ratings, it goes up against The Big Bang Theory again. That’s why we have DVR’s.
This week’s episode of The Big Bang Theory included a break-out event for Sheldon Cooper. He was relieved to learn that the old adage about not defecating where you eat does not mean he shouldn’t use the men’s room at the Cheesecake Factory: “Not as relieved as I’m about to be. It’s a brave new world, little lady.” Amy saw a bright spot in Sheldon’s incessant knocking: “I don’t mind. I’m hoping to put his love of repetition to use someday.” Meanwhile Raj got it right while watching Howard digging himself into quite a hole when talking to Bernadette: “His only options here are to fake a heart attack or have a real one.” She didn’t fall for it, especially when he chose the wrong arm.
I have often randomly pulled up old episodes of The Big Bang Theory to rewatch. It might be easier to choose which episode the next fifteen times I do this if I follow this guide to the top fifteen episodes. I may or may not wind up agreeing as to whether they are the fifteen best, but I’m sure they will all be excellent.
Also on last Thursday’s sit-coms, Tatiana Maslany of Orphan Black added comedy to the many roles she plays on Parks and Recreation. She will return next week.
The episodes come from two multi-part serials for which only one episode each was known to exist: “The Enemy Of The World” and “The Web Of Fear.” As a result of this discovery, “The Enemy Of The World” serial can now be watched whole in the UK for the first time since it was originally broadcast, and for the first time ever in the United States. Episode 3 of “The Web Of Fear” serial is still missing even after this discovery, but a reconstruction from stills and program audio is included to complete the story. All 11 episodes from the two serials exist on film and were digitally restored prior for this release.
Trailer for The Enemy of the World above. Mark Gatiss has said that Web of Fear has inspired the first episode of the third season of Sherlock.
The third episode of Agents of SHIELD was better than last week but still left a lot to be desired. Regardless of the show’s (lack of) quality, it has been picked up for a full 22 episode run. That is no real surprise considering how it helps promote the Marvel movies, and I’m sure Disney will also find other ways to profit from the show. I’m still hoping that everyone other than Agent Coulson gets furloughed during the government shutdown, especially Fitz and Simmons. Skye could conceivably be a good character if she was able to be more convincing as someone both working with SHIELD and a hacker group.
Despite being limited to minor DC characters and being on CW, so far Arrow has been a much better show than Agents of SHIELD. As a plus, beyond the connection to DC, there is also a strong Doctor Who connection with recurring characters including John Barrowman and Alex Kingston. The producers are Doctor Who fans who are hoping to get Matt Smith to guest star.
The second season premier was a little uneven. There were great scenes, including a shoot out which seemed to be from Gotham City and the return to the island, but the show was hindered with some scenes to bring things up to date after a six month jump. This included the prison visits to Moira and the obligatory scene between Oliver and Laurel to place their romance on hold once again. It was good to see Summer Glau, but her character seemed to be even more of a robot than the robot she played on Sarah Connor Chronicles.
I have another nitpick with last week’s episode. When Oliver met with Summer Glau’s character, he was accompanied by John Diggle and Felicity. These two are his sidekicks when he does the vigilante thing, but they do not have comparable roles at Queen Consolidated. While I understand they want to place their main cast into as many scenes as possible, the business meeting should have been held with extras in suits who presumably have been running the country for the past six months while Oliver was gone and Moira was in prison. Despite the flaws of the first episode, I remain optimistic for an entertaining second season. Of course the major change is that Oliver now wants to be a hero instead of vigilante, going under a new name.
The new NBC comedies have been doing terribly in the ratings, making me hope that Community will return sooner than planned. Parks and Recreation is worth watching, even including an occasional genre reference. The rest of the shows have serious problems. Unfortunately Parks and Recreation has to go up against The Big Bang Theory. They had an excellent episode with genre discussion last week. Amy destroyed Raiders of the Lost Arc for Sheldon by making an observation I had not thought of before. The story would have played out pretty much the same way if Indiana Jones wasn’t involved, with the Nazis taking the Arc, opening it, and suffering the same fate. Sheldon tried to retaliate by showing flaws in things which Amy liked. He pointed out things on Little House on the Prairie which didn’t belong in the era and said, “If I knew this show was about time travel, I would have watched it much sooner.” He also knocked Garfield: “Your precious Garfield has no reason to hate Mondays. He’s a cat. He has no job.” Meanwhile Leonard wanted to watch the full Blu-ray extended version of “The Hobbit” with long commentary instead of watching sports with Penny’s friends who he has little in common with : “It’s like they never even heard of Quidditch.” Plus there was an appearance by Leonard’s mother, played by Christine Baranski.
I was pessimistic from the start that a US network would pull off an adaption of Gavin and Stacey, fearing it would be a flop as with the attempt at a US version of Steven Moffat’s fantastic sit-com Coupling. I was going to give Us & Them, the US adaptation, a chance due to staring Alexis Bledel. Fox has already given up on the show before it has aired, not planning to produce further episodes. I’ve seen conflicting reports saying that either six or seven have been filmed. Regardless of the number, there will be no more.
Joanna Page, the original Stacey, is appearing in The Day of the Doctor. She discussed the show in an interview posted here.
With a lack of successful comedies, NBC is looking at everything from a new sitcom staring Meg Ryan to a sitcom reboot of Remington Steele.
There have been a lot of stories over the past week about Robert Orci speaking with CBS about the possibility of a new Star Trek television series. I would love to see it happen. Star Trek belongs on television far more than in movies (not that the two are mutually exclusive). If anything, the talks are at a very early stage. Orci has now posted: “I THINK MY COMMENT HAS BEEN BLOWN OUT OF PROPORTION. Someone asked about Star Trek TV, and I said we had inquired about the rights. Doesn’t mean a show is imminent nor do we assume CBS would want us to do that at this time. I refer you to the Roddenberry podcast for context.”
There have been a number of cast announcements for the second season of Orphan Black and for Fargo, a ten-episode series to run on FX. The most interesting pick is the addition of Bob Odenkirk (Saul from Braking Bad) to the cast of Fargo.
There’s a Twitter feud between the writers of Elementary and Sleepy Hollow. Both shows have something in common as far as I’m concerned. Both have episodes still sitting on my DVR as shows which I haven’t found good enough to keep up with. I still might give Sleepy Hollow another chance as time allows, primarily because of knowing that John Noble will be appearing. Fake Sherlock is a poor substitute for the “real” thing.
With Walking Dead returning, Oh No They Don’t took a look at How Horror Took Over Hollywood.
Saturday Night Live showed the impact of the government shutdown on Gravity.
Journey to the Centre of the TARDIS was being hyped as the first blockbuster episode of the spring season of DoctorWho but failed to deliver. It’s not that I didn’t like it, but my exceptions were just too high for what turned out to be a bottle episode. One problem was that there were just too many plot contrivances. To start with the TARDIS was placed in basic mode so that it could be captured. Then how do we explain how the Doctor winds up outside and Clara is lost in the corridors? I might forgive these as necessary to set up the story, but similar problems plagued the entire episode.
The Doctor said not to touch anyone or else time will reassert itself. I have no idea what that means, and feel they are going too far in making up rules for time as they go along. I can forgive contradictions as to whether the Doctor can change events or meet up with his former selves on rare occasions in order to provide for a good story. I didn’t buy Moffat’s explanation as to why the Doctor couldn’t travel back in time to somewhere other than New York and meet up with Amy and Rory, but I’ll let that pass as we know the real point was a farewell episode for the two. Throwing out a new concept of time asserting itself based upon who is touched seemed like pointless and arbitrary timey whimey stuff. I might have accepted a cosmic reset button to resolve the episode if the explanation and story were executed better but entire existence of the Big Friendly Button was rather weak. There were so many other questions, such as why did future burnt Clara attack everyone, and how did getting burnt make little Clara strong enough to take on larger men?
The highlight of the episode was Clara running through the TARDIS. The scene of the TARDIS swimming pool would have been more exciting if we didn’t already know it was coming. This created expectations of more than a quick glimpse. I did like the TARDIS library but The History Of The Time War with The Doctor’s real name sitting out makes it implausible that none of the previous companions other that River Song knew this. This did serve to foreshadow the mystery of the season finale, The Name of the Doctor: “You call yourself ‘Doctor? Why do you do that? You have a name. I’ve seen it.”
I also wonder who would have the knowledge to write this book. Besides reading this secret, Clara also heard the story of her two other deaths. The memory should be gone after the cosmic reset, but we also saw that from the Van Baalen brothers that not all memories were extinguished. I won’t even get into the nonsense of convincing one of the brothers that he is an android.
As has been common in episodes leading up to the 50th Anniversary, there were references to previous episodes. This included past sounds echoing through the TARDIS. Clara also found the Doctor’s cot from A Good Man Goes To War and the model TARDIS Amy and Mel were playing with in Let’s Kill Hitler. There were other things we have seen before, including a crack in time and (almost) an exploding TARDIS.
Quote of the Episode: “Don’t get into a spaceship with a madman: didn’t anyone teach you that?”
Above is the Behind The Scenes video
Next week, Strax, Vastra and Jenny return in The Crimson Horror. Dianna Rigg, whose roles range from The Avengers ( 1960′s BBC series) to Game of Thrones, guest stars. Here is an interview with her. A spoiler-free review is posted here.
The BBC has released the official synopsis for Neil Gaiman’s upcoming episode, Nightmare in Silver:
Hedgewick’s World of Wonders was once the greatest theme park in the galaxy, but it’s now the dilapidated home to a shabby showman, a chess-playing dwarf and a dysfunctional army platoon. When the Doctor, Clara, Artie and Angie arrive, the last thing they expect is the re-emergence of one of the Doctor’s oldest foes. The Cybermen are back!
Gaiman also did a far better job of revealing TARDIS secrets back in The Doctor’s Wife.
Clark Gregg has revealed how Agent Coulson will be brought back in Agents of S.H.I.E.L.D.
“In the pilot, it’s revealed Nick Fury (Samuel L. Jackson), the ultimate super spy, faked Agent Coulson’s death on purpose to motivate The Avengers. Some S.H.I.E.L.D. members were in on it (including, possibly, Maria Hill played by Cobie Smulders) but The Avengers were not. Their security clearance wasn’t high enough. Coulson was forced to hold his breath as part of the ruse and that’s a point of contention among his colleagues After the fact, Fury moved him to a remote location until things died down, and then he was reinserted into duty at the time of the show.”
I was hoping that we’d see Black Widow get in the shower and find Agent Coulson there, Bobby Ewing style.
Mayim Bialik of The Big Bang Theory will be joining the cast of the Untitled Web Series About A Space Traveler Who Can Also Travel Through Time. This is the web version of Inspector Spacetime with name removed to avoid copyright infringement against Community. Incidentally, Community had its best post-Dan Harmon episode this week with a Freaky Friday storyline. The episode was written by Jim Rash, who plays the Dean and shows he picked up a few things about how the show should be done during the time he has spent appearing on it. Rash is interviewed about writing the episode here.
The White House Correspondents’ Dinner showed the above parody of House of Cards, coincidentally the same week in which I completed watching the series on Netflix. The release of all thirteen episodes of the first season provided the advantage of allowing for binge watching. The disadvantage was the inability for blogs to discuss this on a weekly basis coinciding with most people watching as is the case with most television shows. Events became far more compelling in the final several episodes and I did wind up binging on the show this Friday night. Events in the slower-moving earlier episodes do become much more important. On the other hand, the shows leaves open much to talk about and it would have been interesting to read the views of others as the events unfolded.
MAJOR SPOILERS ABOUT HOUSE OF CARDS FOLLOW.
DO NOT READ THE NEXT SECTION UNTIL YOU COMPLETE THE FIRST 13 EPISODES
House of Cards might be seen as a completed story if seen as Frank Underwood going from being bypassed for the Secretary of State appointment to being chosen to become the next Vice President, which Frank wants to use as a stepping stone to the presidency. With filming beginning on a second set of thirteen, many things are still hanging which could jeopardize Frank’s appointment and perhaps lead to even worse consequences. The most serious would be revelations as to how he manipulated Peter, especially if the murder is revealed. Claire’s legal problems could also create enough of a problem to prevent the appointment, even if the complaint was fabricated. I suspect that ultimately the season will seem more like the first half of a novel.
Initially the series seemed like a more cerebral, political version of Revenge. Later Underwood’s real plan becomes clear. When Underwood first set up Russo’s fall, I assumed it was in retaliation for Peter acting independent of Underwood, threatening to expose past manipulations. Presumably Underwood had planned this from the start, with Peter’s disloyalty just providing the reason to put the final stages into motion at the time. When Underwood started to wipe his fingerprints off of Peter’s steering wheel I predicted what he would do next, but did it really make sense to murder Peter where security cameras might have shown him come in? Having Peter permanently silenced would be of benefit, but Peter no longer had the same ability to cause harm to Underwood.
My biggest nitpick about the show was the manner in which alliances changed so easily. Frank’s wife betrayed him and then quickly became loyal to their joint goals after returning home (a second way in which Peter’s death was of benefit to Underwood as long as everyone continues to consider it a suicide). More implausible was the degree of loyalty to Underwood showed by the President’s chief of staff in later episodes. I could easily see her performing a few favors for Underwood, even floating his name as Vice President, in return for his favor. It went too far with her actually scheming with Underwood and allowing the release of the secret schedule.
Other changes in loyalties were easier to accept. Backstabbing by underlings such as Remy didn’t come as much of a surprise. Zoe is far more interesting as a reporter digging into what happened as opposed to the slut who got her stories by sleeping with sources. Best of all was seeing Zoe convince Christina to help find out what really drove Peter to suicide. There is no doubt that this House of Cards will start to collapse around Frank Underwood when the series returns now that his earlier actions are becoming uncovered.
END OF SPOILERS
The Americans started in a more conventional, weekly format on FX at about the same time as House of Cards was placed on Netflix. The finale airs this Wednesday, with a preview of the episode here. It is my favorite new series of this season, centering around two Russian spies who pose as as a married couple during the Reagan era. Their neighbor across the street happens to be an FBI agent. I won’t say more, recommending that those who have not seen the series pick it up from the beginning.
Finally, here are Conan O’Brien and Barack Obama at the White House Correspondents’ Dinner:
Pictures from the Doctor Who Christmas Special have been released and two videos of consequence were presented at Children in Need. First there is a prequel episode, The Great Detective, in which we find that the Doctor has retired. Secondly there is the trailer for the Christmas episode in which the Doctor’s retirement on screen is a brief as we would expect.
‘The Snowmen’ has been revealed as the title for this year’s movie-scale Doctor Who Christmas special, and the episode that will introduce the new companion, a new look for the Doctor and a new monster that will have families shivering behind their sofas.
Starring Matt Smith as the Doctor, and introducing Jenna-Louise Coleman as new companion Clara, The Snowmen will follow their adventures as they embark on a mission to save Christmas from the villainous Doctor Simeon (Richard E Grant) and his army of icy snowmen.
Fans also got a sneak peak at a new costume for the Doctor, revealed in an exclusive trailer on Children in Need, while a special prequel showed the impact of the loss of the Ponds, with old friends Vastra, Strax and Jenny trying to persuade the Doctor not to give up on adventures.
Steven Moffat, Lead Writer and Executive Producer, said: “The Doctor at Christmas is one of my favourite things – but this year it’s different. He’s lost Amy and Rory to the Weeping Angels, and he’s not in a good place: in fact, he’s Scrooge. He’s withdrawn from the world and no longer cares what happens to it. So when all of humanity hangs in the balance, can anyone persuade a tired and heartbroken Doctor that it’s time to return to the good fight? Enter Jenna-Louise Coleman…”
Matt Smith, who plays the Doctor, commented: “For this year’s Christmas special we have the wonderfully villainous Richard E Grant as Doctor Simeon – as well as lizards, Victorian assassins and deranged warriors from the future, who all return to convince the Doctor that he should board the TARDIS again and save the world. Add to that Jenna-Louise Coleman, and so begins the Christmas Special 2012. I hope everyone enjoys it!”
The BBC Cymru Wales produced drama will return to BBC One in December, with a further eight epic episodes in spring next year.
Doctor Who TV previews an episode for the second half of the season, to air this spring:
Writer Stephen Thompson speaks about his upcoming episode for Series 7: Part 2 in the latest issue of Doctor Who Magazine(#454 out today.)
He confirms the story is titled Journey to the Centre of the TARDIS and explains how the episode came to be: “My first meeting was last October. I went along with a pocketful of dream-episodes. (Still trying to work out a way to shoehorn the Krynoids in. Might yet happen.) This initial meeting is fairly predictable. Before I even open my mouth and pitch to the room, Steven goes ‘I want you to do x.’ And his idea is so wonderful, and so much more clever and interesting than anything mere mortals like myself could come up with, you end up saying ‘Yes’ and the meeting’s over in record time. Or at least the same time it took last year. And so it was. ‘Would you do one where we see the centre of the TARDIS?’ ‘Er, yeah. Okay.’ Conversation took nine seconds. And then I’m chained to a laptop on and off for the next six months, basically.”
“Actually Steven had two ancillary reasons for bringing that idea to the table. One: he admits to being haunted by The Invasion of Time – the story from 1978 set on board the TARDIS, where the sets were cobbled together at the last minute. Unfortunately a TV strike meant that studio sets were not built, and as a result our only glimpse of the TARDIS interior has been a disused hospital in Surrey with bin-bags stuck to the windows. Two: Steven knows; that I’m a pure mathematician and anything involving multi-dimensional geometry gets me excited. (There’s my geek credentials.) So – that was the brief. What’s in the middle? Plus the title. And then I’m sent off to fill in all the blanks.”
He adds: “[With The Curse of the Black Spot] my brief from Steven was very different – he said a lot of the [Series 6] episodes were dark and complex, and he needed me to write something light. This year got to indulge my inner fan. (And I got to ask my kids what rooms in the TARDIS they’ve always wanted to find.)
“This episode will be different in many ways, not least because the star won’t necessarily be the usual person. You might not even see the star, it might be the guy at the drawing board. It just might be the designer…”
Fringe is now about putting things into or taking things out of the brainstem and brain, and the consequences of such action. On Fringe, greater intellectual power tends to have dangerous trade offs, if not being outright evil. We continue to see Peter developing his Observer powers after implanting Observer technology in his neck, with Olivia now aware of what Peter has done. There is parallel story going on with Walter and Nina with Walter wanting Nina to remove the parts of his brain which William Bell removed and which were later restored.
There are so many questions leading into the final episodes of the series. I wonder if Peter might wind up being the first Observer, setting everything else in motion, and providing an explanation as to why so much has centered around Peter. Will we be better or worse off with Peter becoming more like the Observers and with Walter more like his old self? Will Peter lose all his hair? Will Walter perform a lobotomy on himself if Nina does not help him? Will the Observers continue to allow pictures of Etta to go up all over as the face of the resistance? Will Peter defeat the Observers and pull a cosmic reset switch, returning to the park with Olivia and Etta? We will have to wait three weeks to find out anything more, with the next episode featuring Peter vs. Windmark.
I have previously presented opinions on the election from people in show business. In case have not seen it, the one which you really should not miss was from Joss Whedon on how Mitt Romney’s policies would set up the conditions needed for a Zombie Apocalypse. The same issues remain even if Romney has become a toxic-asset which even Republicans now want to be rid of. Almost everyone seems to have turned on Mitt Romney for his view on the 47 percent and takers after the election, including Republicans who defended Romney on this view during the campaign. I previously commented on this post-election Romney gaffe when speaking to donors here and here. Bill Prady, creator of Big Bang Theory, weighed in on Romney’s flawed view on his Facebook page. A portion follows:
I number among my friends many who, like myself, voted for the President. Not one of them gets “free stuff” from the government (unless you count Social Security and Medicare, I suppose). My friends are hard working moms and camera operators. They are teachers and gardeners and maids. They are writers and actors. People with jobs. Two jobs, some of them. They didn’t vote to get free stuff.
Me, I created a television show. I didn’t vote to get free stuff.
We voted for the President because we share his vision for America. We believe in a country where people are treated with respect no matter who they are. We believe in the freedom to love whom you love — and to marry the person you love. We believe that no family should go bankrupt because their child becomes sick.
We believe that women can make their healthcare decisions for themselves in consultation with their doctor and their god and that they don’t need a politician to tell them what to do. We also believe they should be paid the same if they do the same work.
We believe that lowering taxes on the wealthy isn’t an economic policy and it doesn’t lead to prosperity and higher employment. The experts believe that, too — it’s in the report the Senate recently suppressed. We also believe that because we lived through it — it lead to the worst economic disaster in our lifetimes.
We believe that the men and women who wear the uniform of our nation deserve our highest respect, and we believe that when we send them to fight unnecessary wars and then don’t care for them when they return we have betrayed that respect. We also believe that if we ask them to leave their jobs and fight for us, we should make sure they can get jobs when they return.
We believe that asking people like me to pay a little more — just what we paid during the Clinton administration (one of the greatest periods of growth in modern history) — isn’t communism. It isn’t socialism. It’s fair.
We believe the infrastructure of this nation is crumbling and that we must invest in the repair of our roads, bridges and schools. And we believe that in those schools, our children — our most precious resource — should be getting the best education whether they live in Chevy Chase or Harlem.
We are hard working people who worked hard for this victory.
The Big Bang Theory get into genre (including recent references to Doctor Who) far more than politics, as would be expected on a network television show seeking to appeal to a mass audience, but there have been a number of amusing swipes at the religious right on past episodes such as here and in the clip below.
There were major events this week on Fringe (MAJOR SPOILERS). It was revealed that one important aspect of Etta’s position in the resistance is her ability to not only block the Observers from reading her thoughts but the ability to teach others. This answered questions as to whether Etta had a unique ability inherited from her mother (although this could be why she was the first to succeed at this). One of the people she taught was Broyles, who we learned is working with the resistance. It is a good thing that Etta has passed her skills on to at least one other person as she did not survive the episode. At least she managed to wipe out several Observers with anti-matter.
ENTERTAINMENT WEEKLY: We’re not sure where to start. But I guess walk us through how much you knew before you got the script and then your reaction after you read it. HAIG: It’s funny — going into it, I didn’t know exactly what was going to happen. When I got the call that I’d be doing the fifth season, I was excited, but I didn’t know the trajectory of the character or even how many episodes I was doing. It’s so secretive even for us! [Laughs] Then I got a call from Joel [Wyman] and he took me through the four episodes and what was going to happen and I was blown away. I was really moved and also I was — I thought it was really brave to take such an emotional leap for all the characters at that point in the story. I just thought it was a really brave thing to do with the story.
Especially because I think there’s a sector of fans who really grew to love Etta in such a short time. What was that reception like for you?
I think I’m lucky because I entered as part of the family straight away. And because Fringe is like a family — literally and metaphorically — the fans sort of embrace you if the world of Fringe has embraced you, if you know what I mean. There was definitely an immediate response as soon as it was worked out that I was the daughter, they were invested. And I don’t think they needed all that much time to invest in me because the relationships were so intense from the get-go.
Last week you had a great scene with Olivia in a car. I think that definitely threw me off the scent of this twist in the story because it seemed like they were really into progressing the mother-daughter relationship. What’s your take on that?
I know! We felt like that the whole time; they were setting it up to knock it down. As an actor I felt the same thing. I was so invested and loving being there knowing I was going to die. Being there in Vancouver and being part of this show was so reflective of what my character had to go through — you left all these great people behind. But I’m just amazed. So much has to happen on Fringe in terms of the plot and the saving the world stuff and the other characters, they’re able to make so much of these moments. That moment in the car happened so quickly and carried so much weight in amongst all the action. But that’s what the show does really well — balancing out the action with these incredible poignant moments.
You had quite a few of those moments in this episode, too, with the bullet necklace. With that exchange, do you think, as a whole, Olivia and Etta had reached a point of resolution in terms of their relationship? I’m curious to get your perspective on where their relationship ended
I think it’s really sad because, of course, a million things weren’t resolved. They got to that point where it had moved from uncomfortable to slightly more comfortable in this dynamic of being reunited. But I think she could see the strain between her parents and there was still so much she couldn’t say and was still learning so much about herself. And her own world — her perspective of right and wrong [versus] Olivia’s. In episode two we explored that quite a lot. There was so much left unsaid. But in four, I think what is resolved is the love and strength between them. But if it was my choice I wouldn’t have died and played out the family drama. [Laughs] There was a lot to explore, but there’s [also] a lot for the writers to explore with me dying and the characters dealing with that. What happens next will, I’m sure, be very interesting — not that I have any idea what that is.
Which was my last question. What do you know?
I know a little bit, but even the little bit I know is kind of vague. They don’t give too much away because they probably know we will be asked. [Laughs] But it’s going to be awesome.
Well, there are a lot of returns on Fringe. Any chance of you being a part of it in some way? Any hopes of a return?
It’s so funny because I was all emotional, and everybody was just like, ‘Ugh, whatever, Georgina, you’ll just be back. It’s Fringe. Everybody dies about four times.” And I was like, “Yeah, but I’ve been obliterated into millions of pieces!” [Laughs] It wasn’t just a death, it was a mega-death. It was a death with a full stop. So I don’t know. Anything is possible.
Anything is possible, especially on Fringe. We have already seen two parallel worlds and alternative time lines. Presumably the series will end with the defeat of the Observers. Will this be limited to the world of fifteen years from now, or will victory mean changing the timeline so that Earth was never conquered by the Observers? Somehow a plot by the Observers to go back in time to conquer their ancestors and change the world to make inhabitable to their human ancestors does seem a lot like the classic science fiction plot of going back in time and killing your grandfather. If the timeline is changed, perhaps we will return to that day in the park without any Observers arriving to take Etta, and perhaps see a future where Olivia, Peter, and Etta are a happy family.
The question of whether Etta returns was also asked in an interview from Huffington Post:
Is Etta really, truly dead, though — no time travel, no sneaky switcheroos?
Oh, man, I know. I was having a great time in Vancouver, you know? I would stay! I had my last day and I was really upset, obviously … just like, “Oh God. That was final. I could learn to ski if I stayed!” Everyone’s like, “Oh, Georgina, it’s ‘Fringe,’ you never know what could happen.” They were so nonplussed. They’re just like, “Whatever, it’s Fringe.” Whereas I was like, “No. I’ve been obliterated into a million pieces. I haven’t just died, I was like self-combobulated or whatever it was. It’s done.” And then they’re like, “But it’s ‘Fringe.’” So who knows? I feel like these guys can get around any corner but I don’t know. I don’t know what’s going to happen.
Unfortunately Huffington Post ran this interview right after the show ended with the headline: ‘Fringe’ Season 5: Georgina Haig On Etta’s Shocking Death And Where The Team Goes From Here. Do they understand that many of us record Friday night shows and watch later in the weekend? There was a spoiler warning beneath this headline, but by this time it was too late. Spoilers of this nature should never be included in headlines with many people recording shows to watch at a later time. Normally I go through my RSS reader and save stories about genre shows I have not seen yet. Anyone using a RSS reader, or looking at headlines directly on the site, would have been tipped off about Etta’s death.
Doctor Who was mentioned once again on Big Bang Theory (video above). Previous references to Doctor Who on Big Bang Theory have been collected here.
Another Spoiler: Later in the episode Leonard and Penny had sex in the TARDIS at Stewart’s Halloween Party. While Doctor Who is technically a children’s show and presumably will not show sex on the TARDIS, Topless Robot found this porn parody trailer, Doctor Screw:
I think I prefer the clean but more amusing Inspector Spacetime parody from Community.
The BBC will once again include Doctor Who in their annual Children in Need special:
Doctor Who, featuring Matt Smith, will also bring viewers an extra special ‘prequel’ to its Christmas special, with a bespoke storyline made for Children in Need, and an exclusive preview trailer of the Christmas special including the first glimpse of the Doctor with his new companion. There will also be an exclusive preview of the Call The Midwife Christmas special.
The full Iron Man 3 trailer came out this week, showing why superheroes need to have a secret identity. Discussion of the scenes can be found here and here.
“Listen, a couple of months ago, we were a lot like most of you, just huge fans of the show who thought it was one of the most special things on television,” Guarascio said. “The only thing we care about is keeping it this weird, wonderful gem … That’s not gonna change.”
“Like no other show, the fans influence what [gets on the show],” he continued. “So, thank you, it’s been a beacon.”
Added Port: “It’s not us coming in and taking it on by ourselves. It’s the best cast on television.” “We could be really, really crappy and this would still be a great show,” Guarascio said.
To that end, here’s what the pair has already planned for Community’s fourth season: a visit to Pierce’s mansion (“We’ll get to see the twisted world where he lives,” Guarascio said), a trip to the Inspector Space Time convention, and, yes, more inventive animation is on the way.
As for graduation? It will definitely happen, and it will definitely be emotional. “We’ll explore some new relationships, some real significant relationships. One might involve the dean and Jeff,” Guarascio said. “And the show will keep going, even if they’re not all at the school at the same time. They’ve become this real family that will exist no matter what happens.”
Inspector Space Time convention? It still sucks that Harmon got fired, but I am certainly interested in seeing the upcoming season. #sixseasonsandamovie
Then, all our suspicions about the show were confirmed when executive producer Russ Krasnoff said, “When Dan Harmson first talked to us about a show, he pitched time travelers and aliens from space, and then this one . . . but we didn’t know he would put it all in Community.” So even the execs have figured out that Community is basically a science fiction show.
McHale also dropped a hint about his father. “Eddie Murphy will be playing Jeff’s father,” he joked. “Pluto Nash himself.” Was he joking? You never know.
Howard and Bernadette
Astronaut Howard “Fruit Loops” Wolowitz will spend the first few episodes in space, exec producer Bill Prady says, noting that his living arrangements with new bride Bernadette will come up relatively quickly upon his return to Earth. “All of those things that we thought might happen at the end of Season 5 are happening in Season 6,” he says. Exec producer Steve Molaro noted that the issue — whether the couple will continue to live at home with the nagging Mrs. Wolowitz or find a place of their own — won’t be resolved quickly. “He’s torn between two really powerful, strong women who both adore him,” Prady says, noting that he doesn’t want to disappoint his mother or let his new bride down. Says Helberg: “He’s going to piss someone off a lot, whether it’s his wife or his mother. He’s got growing up to do. … Either way there’s going to be someone yelling at him from another room.”
As for his outer space experience, it won’t all be smooth sailing for the Mama’s Boy. “Howard learns that even though he makes it all the way to space, all the issues of life that plague him won’t stay on Earth and have a way of following him all the way up to the space station,” Molaro warns. Meanwhile, Helberg notes that Howard will encounter some rough space travels as he’ll bear the brunt of the jokes on his mission — both from his fellow astronauts as well as from home. In terms of what will happen once he does return home? Expect a boosted ego from the former leader of the wolf pack. “I don’t think he’s going to burry [that he was in space] and it sounds like he’s going to be bullied in space,” Helberg says. “He’s definitely going to hype [having gone to space] … he’s going to wear the NASA shirt to take the trash out.”
So could kids be something that comes next for the new Mr. and Mrs. Wolowitz? Melissa Rauch said the union could make for some noisy offspring. “With the vocal tone of Bernadette and the Wolowitz family, that baby’s cry would break glass,” she said with a laugh.
Leonard and Penny
“They have a complicated road,” Prady warns of what’s to come for the fan-favorite couple following Leonard’s spur-of-the-moment proposal. “If Sheldon and Amy’s relationship is baffling and Howard and Bernadette’s is traditional, Leonard and Penny’s is rocky,” he says. “They adore each other as people and friends and it keeps drawing them together and when they get together, they keep being unsure how to proceed there.” Adds Cuoco: “I hope down the line, at the end of the show, that they’re together but right now it’s probably not right.”
For his part, Galecki says timing continues to be a problem for Leonard, with Penny facing an entirely different issue. “I don’t know that emotional maturity is Penny’s strong suit right now; she seems to run away right now to any kind of proposal — like when Leonard professed his love for her and she shut it down,” he notes.
Sheldon and Amy
“A lot of the Sheldon-Amy relationship has to revolve around Sheldon, so in terms of [their relationship] expanding, that has to foster from Sheldon; whether that means he’ll learn new things about himself, learn new limits to his boundaries or new boundaries, it’s unclear. But I love the sparring that Amy and Sheldon have and the non-romantic elements of their relationship,” Bialik. “There’s never been any mention of Amy’s attractiveness — or lack of attractiveness — to him; he likes her as she is, it’s irrelevant to him and he’s truly in love with her mind.”
Raj, the Odd Man Out
Executive producer Chuck Lorre teased that there would be a new romance for Raj during Friday’s Comic-Con panel in Hall H, but that was news to his portrayer, Kunal Nayyar. “That was the first time I heard it at the panel,” he told THR. “He did say, ‘Excited to see it,’ so I don’t know if it is the person or thing he’s going to fall in love with or the actual relationship.” Raj always used Howard as his crutch and he’s going to have to lean on something, so whether he actually goes out there and risks his heart on some love, we’ll see. As for who he’d like to see as his potential love interest, it’s a short list: former Big Bang Theory guest stars Danica McKellar and Summer Glau or any “geek icon” since “Mayim Bialik is taken,” he joked.
No confirmation from the BBC yet, but Matt Smith said at ComicCon today that Doctor Who will resume airing in August. A Doctor Who cast interviews can be seen above, the second interview conducted by John Barrowman.
The plot begins 10 years after a horrifying family incident left two young children orphans. Although authorities charged the brother with murder, his sister, Kaylie, believed that the true culprit was a haunted antique mirror. Now rehabilitated and in his 20s, the brother is ready to move on but Kaylie is determined to prove that the mirror was responsible for destroying their family.
Last week we learned that Diana Rigg will be appearing in Doctor Who. She is also to have a role in Game of Thrones. She play Olenna Redwyne, the Queen of Thorns, the grandmother of Margaery Tyrell. More on the Game of Thrones panel here.
“New” Big Bad: Another Trinity killer is on the loose! Not exactly. In Season 7, Dexter is stalking a killer who “ritually murders on New Year’s Eve.” Whatever happened to resolutions like joining the gym?
A Little Help From a Friend: Strahovski is guesting as Hannah McKay, “a woman of mystery with a dark past,” explained the beautiful Aussie actress explained. “She meets Dexter and helps him with an investigation in an old murder mystery” – presumably the NYE killer. “She’s not working with the police,” Strahovski clarified to Zap2it at a Showtime party following the panel. “This is why the role was so enticing to me. The last five years I’ve played a CIA agent on ‘Chuck — it’s the complete opposite.”
No Seconds Wasted: Season 7 picks up immediately from last year’s shocking finale: Deb discovering her brother murdering Travis (Colin Hanks). Dexter tries to justify it as an act of self-defense, but considering Travis is “wrapped in plastic on an altar,” he has some splaining to do to his incredulous sister.
Incest Is Best:[Why!!!!!!] Sorry, it doesn’t look like “Dexter” producers have any plans to course-correct the show’s new controversial storyline: Deb realizing she has romantic feelings for Dexter. “There was certainly a fascination that I thought Deb had with Dexter, so it didn’t feel like it was so bizarre to play that last season,” Carpenter reasoned, before adding, “I think him stabbing somebody trumps those thoughts.” [I hope so].
Daddy Dearest: Dexter’s son, Harrison, is still “in the picture” this season, Hall confirmed. (And “very cute,” Carpenter piped in.) Being a serial killer parent to a growing boy “becomes a dicier proposition every day,” said Hall. “As someone who is also Harrison’s guardian, Deb now has a sense of what she’s dealing with her brother that changes things as well. He has someone encouraging him to face what he is trying to pull off as a parent.
“Dexter’s powers of denial are pretty strong, but he would be hard pressed to really argue that being a serial killer is an ideal hobby for a parent,” Hall concluded drily.
Neil Gaiman announced he is doing a Sandman prequel in the video above:
Twenty-five years after The Sandman, Neil Gaiman’s critically acclaimed series of graphic novels, first appeared, the award-winning author is returning to the books that helped make his name.
The very first Sandman comic, published in 1988, tells the story of how Morpheus, or Dream, is captured and imprisoned by an occultist. Gaiman stopped writing the popular and award-winning books more than 10 years ago, but announced yesterday at San Diego Comic-Con that, in 2013, a new mini-series will tell the story of Morpheus before he was captured. JH Williams, who has worked on Batwoman and Promethea, will illustrate the new stories, which will be published by DC Comics’ imprint Vertigo.
“When I finished writing The Sandman, there was one tale still untold – the story of what had happened to Morpheus to allow him to be so easily captured in The Sandman No 1, and why he was returned from far away, exhausted beyond imagining, and dressed for war. It was a story that we discussed telling for Sandman’s 20th anniversary … but the time got away from us. And now, with Sandman’s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told,” said Gaiman.
Joss Wheden is uncertain as to whether he will return for the sequel to The Avengers. More from the Firefly panel here. More on Marvel super hero movies here. Iron-Man news here. A movie is also to be made of ♦–info here.