The Emmy nominations came out this week, and I think they did a much better job than most years. The full list of nominees can be found here. Common problems in previous years included failing to recognize new shows, snubbing genre, and keeping old favorites in the nominations even when shows were beyond their prime. Last year they finally made up for snubbing Tatiana Maslany for Lead Actress in a Drama Series and she was nominated again this year. The biggest correction this year was finally recognizing The Americans–not only for Outstanding Drama Series, but also recognizing its stars Matthew Rhys and Keri Russell.
While it took four years for the academy to give The Americans the recognition it deserves, another good surprise was that Mr. Robot received nominations, including for the series and for star Rami Malek. As with Tatiana Maslany on Orphan Black, it is hard to picture Mr. Robot working without Rami Malek. On the other hand, they did snub Christian Slater, who won a Golden Globe for Best Supporting Actor for his work on the series. Perhaps the Emmy Awards don’t recognize characters who are a figment of another character’s imagination.
It was also a pleasant surprise that Master of None received nominations including for the series and for star Aziz Ansari. Ansari might have benefited from his work on 30 Rock, while another 30 Rock alumni, Ellie Kemper (Unbreakable Kimmy Schmidt) missed out her first year but was nominated this year.
Beyond the additions of The Americans and Mr. Robot, the Outstanding Drama Series category was fairly predictable, including Homeland and Downton Abbey remaining beyond their best years. Of course the Emmy’s have also been more likely to include a show or star when they are in their final year, so I was not surprised that Downton Abbey was included. If they must include a show which Damian Lewis was at one time connected with, I would have chosen Billions over Homeland this year. The biggest snub this year of a show which deserved to be included was Jessica Jones. Similarly, Krysten Ritter and David Tennant deserved nominations for Best Actress and Supporting Actor. The series was nominated for some minor awards but it is hard for genre shows other than Game of Thrones to receive the major nominations.
The Outstanding Comedy Series category includes several worthy shows, along with continuing to nominate Modern Family out of inertia. I would have included Catastrophe and You’re The Worst before Modern Family.
Fargo deserves another nomination for Outstanding Limited Series, but this year I would give the award to The Night Manager, which also received nominations in additional categories. A miniseries was the best way to handle a John le Carré novel. While the same can also be said of other novels, whenever I have seen a movie based upon one of his novels which I have read I would feel disappointed by how much had to be left out.
Mr. Robot returned with two episodes last week. One question when watching is how much is true and how much is Eliot imagining. I noticed that when the episode showed his routine, whenever he was by a television Barack Obama was on live, throughout the day. That aspect was obviously imagined, even if he really saw Obama at one point. How much of the rest of the day, or where he is living, was imagined?
TV Guide looked at one theory that everything was imagined, noticing how much his room looked like a cell in containing only a bed and a small table, his mother seemed like a guard, his meals with the same person could have been taking place in a prison cafeteria, his meeting across the table with Gideon looked like a prison visit, and the use of a wall phone as opposed to a cell phone looked like a prisoner talking on a prison phone. These, and other examples, could mean that Elliot was in prison, or perhaps a mental hospital. The knock on his door at the end of season one could have been when he was apprehended. However, there were also suggestions that the FBI is pursuing Elliot, which might argue against him already being in prison, unless he is relating events out of order.
Dan Harmon says a Community movie will still happen, although from this report it sure doesn’t sound like we will see it anytime soon (if ever).
With Benedict Cumberbatch and Martin Freeman both becoming such big stars, Steven Moffat wonders if he will be able to continue Sherlock beyond the fourth season.
Channel 4 has renewed Catastrophe for seasons three and four. Amazon will stream them in the United States. Amazon didn’t stream previous seasons until after they were on Channel 4 so I bet I will wind up downloading them as opposed to waiting.
I would watch season three of Fargo even if it stared all unknown actors, but the addition of Carrie Coon (Leftovers) is a huge plus.
In follow up of my review last week of the season finale of Outlander, Vulture has some spoilers as to what to expect in the third season.
Digital Spy looks at the rumors of Matt Smith returning to Doctor Who and gives reasons why they do not believe they are true.
Next week we will have a miniseries of the absurd, The Republican Convention. The schedule of people you don’t really want to see speak is listed here.
We knew from the preview I posted last week that Orphan Black would begin with a flash back, but it was a surprise that almost the entire episode dealt with Beth Childers and other clones prior to when the series began. Seeing Beth gave a better feel for why she jumped in front of a train in the first episode. Beside seeing her drug problem, we saw far more than we previously knew about her troubles with Mark and how close she was to Art. It was also interesting to see some of the other clones in their younger, more innocent days. Beth, whose primary role appears to be to handle the money for the clones and supply Beth with pills, has not yet shot a gun, and Cosima’s biggest concern is finding a place to live while going to school.
The most important aspect of the episode was probably the introduction of another clone, M.K., who was both more knowledgeable than the other clones about the situation, and (probably justifiably) more paranoid. She says she is only alive because they think she is dead. We don’t get until the present until the end of the episode when M.K calls Sarah, now hiding in Iceland, with the warning: “Neolution knows where you are. They’re coming for Kendall Malone….You need to run. Right now.”
Felix even had a cameo, presumably never looking up to see a clone of Sarah in the police station. Buddy TV has an interview with Jordan Gavaris which reveals that Felix’s relationship with Sarah is strained, and he has more time with the other clones.
Game of Thrones enters new territory this season, going beyond the books, and might be wrapping up sooner than many have predicted. Variety reports:
In an exclusive interview with Variety, showrunners David Benioff and D.B. Weiss said they are weighing wrapping up the Emmy-winning saga of Westeros and the battle for the Iron Throne with just 13 more episodes once this sixth season is over: seven episodes for season 7; six for the eighth and potential final season.
“I think we’re down to our final 13 episodes after this season. We’re heading into the final lap,” said Benioff. “That’s the guess, though nothing is yet set in stone, but that’s what we’re looking at.”
Sources later clarified those exact numbers were premature, given that the showrunners are now just beginning to outline their plans, but said that any upcoming seasons may be shorter than the full 10 episodes of seasons past.
Trailer for the upcoming season is also above.
I’ve looked at a lot of deaths on genre shows the last few weeks, but the most unbelievable was on The Blacklist. (Major spoiler ahead). Even more so than on Sleepy Hollow, the female lead is too important a character to have die without a major change in the series. Possibly they do plan on a major reboot of the series, which is always possible as long as they have James Spader, but I am quite suspicious that in this case they are faking Lizzy’s death as part of a plan to keep her safe. Perhaps they will use a need for Lizzy to appear dead as a means to prevent her from being with Tom and her baby, which might have limited her actions.
Blastr has an interview with the cast and crew of 12 Monkeys and their planned 17-season arc. Here is the start of the interview:
You managed to build a layered, compelling story in the first season, which also featured quite a lot of world-building. Now that you’ve laid that creative groundwork, can you talk about what’s it like to really get to play in this sandbox you’ve built for Season 2?
Terry Matalas: It’s a lot more fun. In a lot of ways, it’s almost like Season 1 is the prequel to Season 2. Things really starts to get going, and we’re moving through time in ways we weren’t able to in Season 1. We’re able to mix and match characters and really try new things. The stakes are higher, and it’s a lot more fun. The show really finds itself in Season 2.
In the early parts of Season 2, Cassie really seems to start taking point in regards to the mission that drives the narrative of the show. In a way, she feels more like the Season 1-era Cole than the character of Cole does now. Can you talk about that change in Cassie, and how her time stranded in the future has affected her?
Amanda Schull: I think it was a slow burn to build this person, but you’re right. Her time in 2044 is what solidifies that very dramatic shift. She had only ever heard of this life that Cole was grappling with, then when she’s forced to live in it, herself, she realizes that intelligence doesn’t necessarily accomplish goals in every scenario, and it won’t help you survive every scenario. She really becomes a product of that world.
There has been a lot of speculation that Luke or possibly Leia and Han are Rey’s parents in Star Wars The Force Awakens. I would not entirely trust anything J.J. Abrams says about character identities after he denied that Benedict Cumberbatch would be playing Kahn in Star Trek Into Darkness, but he gave the impression that these theories about Rey might not be true when he said this about Rey: “Rey’s parents are not in Episode VII. So I can’t possibly in this moment tell you who they are. This is all I will say: It’s something that Rey thinks about too.”
Abrams has since clarified the issue saying: “What I meant was that she doesn’t discover them in Episode VII. Not that they may not already be in her world.” In other words, Luke could still be her father, but she doesn’t learn that in the next movie. Or perhaps she does, and he doesn’t want to give it away.
“[‘The Force Awakens’] was a bridge and a kind of reminder; the audience needed to be reminded what ‘Star Wars’ is, but it needed to be established with something familiar, with a sense of where we are going to new lands, which is very much what 8 and 9 do. The weird thing about that movie is that it had been so long since the last one. Obviously the prequels had existed in between and we wanted to, sort of, reclaim the story. So we very consciously — and I know it is derided for this — we very consciously tried to borrow familiar beats so the rest of the movie could hang on something that we knew was ‘Star Wars.’”
The BBC has announced the cast of the Doctor Who spinoff, Class, which takes place at Coal Hill School. Stephen Moffat had this to say about the series:
There’s nothing more exciting than meeting stars that nobody’s heard of yet. We had the read through of the first few episodes last week, and there was a whole row of them. Coal Hill School has been part of Doctor Who since the very first shoot in 1963, but this new show is anything but history. Class is dark and sexy and right now. I’ve always wondered if there could be a British Buffy – it’s taken the brilliant Patrick Ness to figure out how to make it happen.
I wonder what he means by a British Buffy. Is it just a matter of having a cast in this age range, or will there be other similarities?
The networks have avoided new episodes around the holidays for a while, but they seem to be more formally dividing the seasons in recent years, including making the midseason finales a major event. Sleepy Hollow ended the fall season with major changes. This included the death of Frank Irving and Henry killing Moloch. This leads to questions as to whether we will see Irving again in some form and whether this suggests redemption for Henry, or will he now become the major big bad?
Variety interviewed executive producer Len Wiseman:
So, you just killed the show’s Big Bad halfway through the second season, which is a pretty bold move. Talk me through what went into that decision.
We were always leading up to wanting to [see how] Henry comes into his own. Henry has devoted his life to Moloch; he has served Moloch; and then to find out that he is just a servant, that another will take his place, and to see that he doesn’t have an importance to Moloch, is a big deal. We were always leading up to that fight within Henry. So where do we go from there, what happens? We also really wanted to present the idea that it’s not all about Moloch, and that’s why we decided that Moloch doesn’t die at the very end of the season, he dies at the midseason finale, because he’s not the endgame.
Obviously Ichabod (Tom Mison) and Katrina both want Henry to be redeemed, and killing Moloch seems like a step in the right direction, but is it as simple as that for Henry, or are there other motivations at play?
To your point, “is it?” That’s really the question: who is he doing that for, who is he trying to protect? Is he trying to protect his mother? Maybe. Is he trying to save himself? Maybe. What is the reason why he killed Moloch, ultimately? That’s what we’ll find out in terms of Henry in the rest of the season. And [that’s] what our characters are going to question. It’s not going to be clear to them why that move was made and how he benefits from killing Moloch.
The episode also said farewell to Frank Irving — what was the impetus behind that decision from a storytelling standpoint?
That decision, in terms of an ultimate sacrifice… He is controlled and he had sold his soul to evil, so that’s the one last power that he has — the fact that his soul is already taken — in having the power to wield the Sword of Methuselah. It gives him a strength and a power because he’s spent so much time regretting that choice that he made when he was tricked into selling his soul. He wants to be able to use that trick on Henry.
Since Henry was holding Frank’s soul, now that he’s dead, does that mean he can be raised by Henry in some way, or is he actually free?
It’s a pure sacrifice, it’s a soul for a soul, so it is a real sacrifice. He’s free, and where his soul goes may be something that we will find out and our characters will search out, but it’s definitely a sacrifice and he knows it is — it’s not a trick.
How does the second half of the season differ from the first 11 episodes, now that Moloch is gone?
What really takes a different turn is between Katrina and Crane, as well. There’s a lot of curiosity about why Katrina is struggling with her powers and her place in this war, and I’ve heard people say is her character underutilized — I would say there’s a difference between underutilized and not realized. When she discovers her full potential, things really get out of control.
Other fall finales coming up include Skye meeting her father on Agents of SHIELD and The Flash meeting Reverse Flash (will it be Harrison Wells?)
When we last saw Deathstroke on Arrow, he was locked up in Oliver’s island prison. He will be returning later this season.
Sneak peak of Better Call Saul, in which Saul meets Mike in the video above. The Breaking Bad spin-off starts February 8.
Krysten Ritter, who also appeared in Breaking Bad, has been cast to star in Jessica Jones:
The Jessica Jones drama is one of four shows centering on Marvel heroes that Netflix has picked up straight to series. The streaming service has committed to a minimum of four 13-episode series, which will begin rolling out in 2015 and are slated to culminate in a miniseries about The Defenders, comprised of a dream team of heroic characters.
Ritter will play Jessica Jones, the cynical, sardonic and tough-as-nails, but innately cool and sexy, title character. Jones is described as a superhero suffering with post-traumatic stress disorder that leads to her hanging up her costume and opening up her own detective agency, where she ends up helping people and assisting other superheroes.
Netflix has also announced that the third season of House of Cards will become available February 27.
The final season of Parks and Recreation will start on January 13 and the series will conclude on February 24.
January Jones has already landed a post-Mad Men role in The Last Man On Earth, a post-apocalyptic comedy on Fox.
Benedict Cumberbatch, already having major genre roles in Star Trek Into Darkness and Sherlock, now enters the Marvel universe as Doctor Strange. The looks like a good move. Doctor Strange does not have as large a following as many of the other Marvel characters, and with the large number of comics-based movies being planned, a big star such as Cumberbatch will help to keep this from getting lost among bigger name movies.
Robert Orci was called in to direct the upcoming Star Trek movie after J.J. Abrams left for Star Wars. It has been announced that Orci is no longer directing. Edgar Wright’s name is coming up the most often as probable replacement but some fans are pushing for Jonathan Frakes. Frakes might be a great choice as someone who (as opposed to Abrams) understands Gene Roddenberry’s vision for Star Trek.
Stephen Colbert explains why the new style lightsabers in the next Star Wars movie are a good idea in the video above. It might take you two weeks to understand.
Allison Williams said we could not hate-watch Peter Pan Live, but what about snark-watching? The play was so much more fun to watch while following on Twitter. Some reviewers have said that NBC should have used actors more accustomed to acting in plays. Both these critics and Allison Williams missed the point. Sure we made fun of her at times, but that does not mean we wanted a better stage actress in the role or like Allison Williams any less even though she wasn’t perfect in the role. The point was the fun of the evening, including watching Allison Williams live out her childhood dream of playing Peter Pan, not to see a top notch Broadway-quality play on television.
There is only one actress I would have wanted to play Peter Pan other than Allison Williams, Jane Krakowski. Here is her leaked audition tape:
The highlight of the play was when Peter began to fight the pirates and declared himself to be an Avenger. I hope that most people did not turn off the show before the credits were over and miss the scene with Peter and Tony Stark going out for schwarma. My only complaint about the play was that, in order to be more topical, the “dead maid” in the closet should have shouted out, “I can’t breathe.” I also don’t understand how Wendy grew up to be Minnie Driver and didn’t look a day older.
Anna Kendrick was among the most prolific, and amusing, celebrities tweeting during Peter Pan Live. There is symmetry here as the play began with Wendy reading Cinderella to her younger brothers and Anna Kendrick is playing Cinderella in the movie version of the Broadway play, Into The Woods. The movie doesn’t come out until December 25 but Disney has released the audio below of Anna Kendrick singing a modified version of the Broadway version of On the Steps of the Palace. Audio below:
Black Water is so far likely to be the most memorable episode of this season of Doctor Who, but any such judgment will be influenced by the second part of the story, Death in Heaven. It is difficult to review the first episode of a two-part story as when an interesting idea in genre is raised we never know how well the story will play out. Of course this could also be said of both individual stories and entire series (such as Lost and The X-Files.)
The episode demonstrated how much the Doctor cared for Clara: “Do you think I care for you so little that betraying me would make a difference?” Fortunately the betrayal was in a dream sequence. Before realizing it was a dream I expected that the Doctor would either pull out a spare key or show that he can still get into his TARDIS even without a key. Clara pointed out a common issue on the the series in which the Doctor is inconsistent as to whether he can change time. Such inconsistencies are unavoidable on a long running time travel series and actually seem less objectionable when openly acknowledged by a character.
Danny Pink appears to have died, but it isn’t clear if it is final. After all, the idea of the episode is that death is not what we think it is, although it is not clear if we were told the truth or if it was entirely lies coming from Missy. We were told, “This isn’t really an afterlife. It’s just more life than you were ever expecting.” With rumors that Jenna Coleman might be leaving the series, it is possible that he really is dead, but also possible that he can be rescued from the Nethersphere for further adventures. The previews of Death in Heaven suggest that Clara might have never existed, but previews are often misleading.
The biggest danger to Danny might not be that he appears to be dead, but that he might delete his emotions and voluntarily become what was hidden away in the black water, which hides all not-organic material. Even though it was well known that the finale involved the Cybermen, and it might not have made sense keeping all of them stored in water, the scene revealing what they were as the water drained away still had considerable impact.
If we can believe what we heard, the dead are still conscious and feel what their body feels–making “don’t cremate me” a crucial plea and avoiding being studied for science also an important goal. One reason we cannot be certain of anything we were told was the reveal as to the identity of Missy: “Try to keep up. I’m Missy. Short for Mistress. Well, couldn’t very well keep calling myself the Master, could I?”
Although there was widespread speculation that Missy was the Master, we were kept guessing until the end, including with a claim earlier in the episode that she was just a droid. Now that we know that Missy is the Master, the question remains as to whether she really was the one who gave Clara the Doctor’s phone number in The Bells of St. John, and if so what the purpose was. We can be certain that her use of the Cybermen is not a good thing,
Having the Master regenerate as a woman has been received with excitement by a lot of fans who have been hoping for a female doctor. While this establishes that it is possible for a Time Lord to regenerate in the opposite sex, having this be possible and actually doing it are quite different things. I suspect that for now this might have been done to placate fans calling for a female doctor with no current plans to actually do so.
The Doctor Who Extra for Black Water is above.
Benedict Cumberbatch discussed Sherlock and sex in an interview with the UK edition of Elle.
ELLE UK: What do you think Sherlock would be like in bed? How would you play a love scene as Sherlock?
BC: Oooh… You know I’d get the, I’d probably test the latex, if it involved prophylactics, beforehand.
BC: I’d do a little experiment to do with durability, length, girth, and um, strength. And um, I would probably take a lot of vitamin supplements to make sure that I could perform, and had had my sleep, and probably not had many cigarettes. Or drink, for that matter. Not that he does drink.
ELLE UK: You see. Proficient, but lacking enthusiasm.
BC: Yeah, no wait for it. I would probably watch a lot of porn…
Cumberbatch is currently in negotiations to star in Doctor Strange but perhaps he should also be signed for a guest appearance on Masters of Sex.
SHIELD could really use better security. We figured that Ward wasn’t going to spend the entire season in Coulson’s basement, but I would think that they would have taken even more precautions to transport him. Brett Dalton discussed his character with Entertainment Weekly.
It is too early to judge Gotham as they are busy building their pre-Batman universe. Screen Rant looks at Arkham Asylum. Of course any discussion of Arkham leads to the Joker, and the post also mentions the fan theory that Oswald Cobblepot actually turns out to be the Joker, not the Penguin.
It has been announced that Morena Baccarin (Homeland, Firefly, V) will be playing Dr. Leslie Thompkins:
She will play Dr. Leslie Thompkins, a gifted and dedicated physician who was a friend of Bruce Wayne’s parents, Thomas and Martha. She is determined to use her skills to aid Gotham’s most in need, which currently means working at the newly opened Arkham Asylum’s Home for the Criminally Insane. In addition to her medical skills, her coolness under pressure will serve her well as she finds herself drawn close to James Gordon and into more and more dangerous waters.
Blastr looked at Christopher Nolan’s original ideas for the Dark Knight trilogy, which were changed with the death of Heath Ledger (the Joker).
At this point CW is doing the better job of bringing the DC universe to television, and Gotham has a long way to go to compete with Arrow as the best television adaptation of Batman. Last week Felicity visited The Flash and the next episode of Arrow features her in The Secret Origin of Felicity Smoak. The synopsis for the episode reads:
When a cyber attack brings Starling City to its knees, Oliver and Felicity are pushed to their limits to contain the destruction. Life gets even more complicated for Felicity when her mother, Donna (guest star Charlotte Ross), stops by for a surprise visit. Meanwhile, Ted Grant (guest star JR Ramirez) questions Laurel’s motives, and Thea buys an apartment with Malcolm’s “estate””money, which infuriates Oliver.
We’ve heard so much in recent weeks about Marvel and DC announcing so many comic book movies over the next few years. Are you ready for a Green Arrow movie? I am completely indifferent. First of all, wanting a movie undersells the idea that making 23 episodes a year isn’t a huge achievement. It is and I would put that degree of difficulty up against any feature film that has ever been made… except “Lord of the Rings” and that gigantic Peter Jackson-led undertaking… and maybe “Titanic.” But, other than those two movies, I’d put making 23 hours of interesting content in a TV season up against anything on the film side. It is difficult to me to want or envision an “Arrow” movie when we are shooting the 10th episode of our third season with 13 more episodes to go and in all likelihood 3 more seasons on the other side of that. I’m interested in keeping that content fresh. Once we get to the end of that road, maybe then I’ll shift my focus. There was some talk and controversy about the fact that Grant Gustin is doing the “Flash” TV show but was not named the Flash for the “Flash” movie. If Green Arrow was going to be on screen, do you feel like it should be you? Yeah. Of course. And I feel like it should be Grant doing the movie. But the important thing to remember is just because Grant Gustin plays the part of Barry Allen doesn’t mean Ezra Miller can’t also play Barry Allen. There can be different interpretations of the character. Anyone who is a fan of the comics knows the Flash character is one of the forces that leads to parallel universes. And who knows, they might find a fantastic actor to play Oliver Queen on the feature side who has a different take on the character. I’m certainly a departure from the typical Oliver Queen from the comic books. I just think that everybody needs to be patient with the whole thing. The fact that DC and Warner have announced all these comic book features is nothing but good for business.
Syfy has released the above extended footage for their upcoming series (based on the movie) 12 Monkeys.
Last season CBS killed Cristin Milioti in the series finale of How I Met Your Mother. Now NBC has killed her on A to Z, or for now turned her into a zombie. She is currently walking dead, not unlike Brady Hoke as Michigan’s football coach. The series will complete its initial thirteen episodes but end at that point. Unless the thirteenth episode is rewritten we will never learn about what happens in that final hour of her eight-month, three-week, five-day, and one-hour relationship. I would expect that viewership will fall even further now that we know the show will not be on much longer. I have already deleted it from my DVR’s schedule.
NBC also canceled Bad Judge along with A to Z. NBC still has Marry Me for now but, having watched the pilot only, it hardly seems worth watching. Seeing these shows leads to the inevitable question–why did NBC cancel Community to make room for these? (Fortunately it has been saved by Yahoo!)
It has not been a good year for romantic comedies, with ABC having already canceled Manhattan Love Story. At the moment, the only new network sitcoms I’m watching are Blackish and Selfie. Weak romantic comedies seem even lamer than most years after watching You’re The Worstwhich premiered last summer.
Billy Bob Thornton was largely responsible for the success of Fargo. Late in the series he impersonated a dentist, and last week he went on to portray a doctor on The Big Bang Theory. The Hollywood Reporter interviewed showrunner Steve Molaro about his memorable appearance (which hopefully will be repeated). Billy Bob Thornton is a big fan of the show, and he is the one who pitched the idea of playing a doctor who tries to steal Penny away from Leonard. Molaro also states that “a major move forward in the Sheldon-Amy relationship occurs” in next week’s episode.
It was a real tragedy when Virgin Galactic’s SpaceShipTwo experimental space plane crashed on Friday. While a huge setback, hopefully this is not the end of the idea of commercial spaceflight:
For now, the future of the New Mexico spaceport intended as the hub and central customer for Virgin Galactic’s operations seems uncertain.
And for Scaled Composites and Virgin Galactic, Messier says, “it’s obviously a massive setback.
“I’m hesitant to try to make predictions this soon after the accident,” he says. “They’ve been working on SpaceShipTwo for ten years now. If the engine blew, they may have to go back to the drawing board.”
Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.
While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.
Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.
There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:
Best Dramatic Presentation, Short Form
Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)
Gravity won for long form among these nominees:
Best Dramatic Presentation, Long Form
Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)
The full list of nominees can be found here, with the winners listed here.
While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:
Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.
In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.
Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.
“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”
Moffat spoke of the surge of Emmy recognition the show has received in its third year.
“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”
He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”
Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”
I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.
I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.
Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:
A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”
“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”
The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”
“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”
This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.
The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.
Falling Skies showrunner David Eick answered questions on the season four finale.
The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.
The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.
I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.
Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.
Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)
Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).
What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.
The video above provides a synopsis of last season of Person of Interest.
I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.
…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.
The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?
Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.
We now have a new regeneration of the Doctor, a redecorated TARDIS, and a new title sequence on Doctor Who. Unfortunately the plot of Deep Breath was not very good. There was the return of the droids from The Girl in the Fireplace. Unlike the challenge of not blinking in Blink and other stories with the Weeping Angels, the challenge in this episode was seeing how long you could hold your breath. There was plenty of humor between the confusion of the Doctor post-regeneration, along with cultural misunderstandings and the usual Strax humor. In addition, Moffat’s inner teenager came out wigh having a dinosaur and multiple allusions to Clara either removing her clothes or having sex. The Doctor did do some flirting, but only with the female dinosaur and not Clara, plus there was a human/lizard lesbian kiss. There was even the reported cameo by Matt Smith, telephoning Clara from his past.
While this episode was far from one of the better post-regeneration episodes, the episode did leave me confident that Peter Capaldi will make an excellent 0ld school style Doctor, and of course Jenna Coleman remains an excellent companion, even if there is no flirting or actual removal of her clothing. There are some vague clues of things to come. While we know that the reason the Doctor has seen his face before is because Peter Capaldi has appeared on Doctor Who in other roles, it appears that the reason for the same face will be given an explanation within the story in future episodes. The end of this episode left open the possibility that this could be the start of a new arc, with Missy apparently having had key roles in the past, such as giving Clara the Doctor’s phone number in The Bells of St. John. Capaldi presented what could also be a theme for the season: “I’m the Doctor, I’ve lived for over 2,000 years, and not all of them were good; I’ve made many mistakes, and it’s about time I did something about that.”
There are alternative versions of Doctor Who. For example, check out the above video celebrating fifty years of American Doctor Who. IO9 looked at a porn parody of Doctor Who which can be viewed at Woodrocket.com.
Matt Smith has taken the Ice Bucket Challenge to raise money for research on ALS (amyotrophic lateral sclerosis). Benedict Cumberbatch of Sherlock went even further, including getting naked in the shower for a repeat exposure. Contributions to the ALS Association can be sent through their web site.
Last week I noted that the pilot for A to Z is available on line. A sit-com pilot with an even stronger genre connection was released this week–Selfie staring Karen Gillan.
A four-part You Tube series with background on Gotham has been released. The first part is above.
True Blood finally reaches the true end tonight. Does anyone even care anymore whether Bill really goes through with true death or if the show end with true love? At least there were some humorous moments in the final few episodes, such as Ginger finally getting to have sex with Eric. The scene is discussed more here.
My theory as to how the series ends is that Sookie will decide to become a vampire to convince Bill that the two of them can spend eternity happily ever after. Bill refuses to turn her into a vampire so she goes to Eric. By the time Sookie gets out of the ground she finds that Bill has already died from Hepatitis V. Meanwhile Pam, thinking Eric turned Sookie into a vampire for herself, kills Sookie. Jessica (Deborah Ann Woll) then leaves the show for a role on Daredevil. We will find out later tonight if my prediction comes through.
Steven Spielberg is developing a television series based upon the movie Minority Report.
The big law suit this week stemming from television is Jessie Nizewitz suing Viacom for $10 million because not everything was obscured in the airing of Dating Naked. This led to many web sites (including here) posting the uncensored picture. I do not think a model should film a television show entirely naked if she has any qualms about pictures of her crotch getting out. Plus I would bet that far more people have now seen her nude pictures following the publicity from this law suit.
Now that the series has completed in the United States, I can discuss season three of Sherlock without spoiling it for American viewers who did not download it when the series first aired. There are major spoilers for those who have not seen season three yet.
The season was far more meta and fannish compared to the first two seasons. The first episode, The Empty Hearse, played with fan reaction to the cliffhanger by showing various possible solutions as to how Sherlock survived the fall. The episode also concentrated on how a world in which this Sherlock is real would react to Sherlock’s apparent death and rumors that he has survived.
Apparently Sherlock did fool Moriarty’s people who were watching to see if Sherlock went through with jumping. Unfortunately the explanation concentrated on fooling Watson, but the more contrived it was to fool Watson, the greater the chance that one of Moriarty’s men should have seen something to tip them off that Sherlock was faking his death.
The relationship between Sherlock and Watson, along with their relationships with women, was also a major theme of the season. Sherlock sure misjudged how Watson would react to seeing him alive. Although Mrs. Hudson, in one of many amusing scenes in the episode, was surprised to see that Watson’s fiancé was a woman, there was very good chemistry between John and Mary. This was partially due to Mary being played by Martin Freeman’s wife Amanda Abbington. We learned later in the season that Mary is not exactly what she seems, but in the end that actually makes her a better partner for a Watson who is spending time fighting crime with Sherlock (once we move beyond awkward events such as Mary shooting Sherlock later in the season).
The Sign of Three was again more about relationships than a classic Sherlock Holmes story. Sherlock faced one of the hardest tasks of his life–writing the best man’s toast at Watson’s wedding. Sherlock often looked awkward, and at times I felt like I was watching Sheldon Cooper. Besides the talk about John as a friend, Sherlock brought up past cases, some of which were unsolved. In the end this was all tied together as there was an attempted murder at the wedding, and a previous unsolved case provided the information to figure out how to stop it. Unfortunately the method of the attempted murder was not very realistic.
His Last Vow was the best episode of the season, and many have called it the best of the series. It was the most like a conventional episode, but relationships between both Sherlock and Holmes with women played a key part. Sherlock’s relationship was established to obtain information, and we learned the truth about Mary’s past with the CIA. Lars Mikkelsen did as wonderful a job playing Magnussen as his brother does playing Hannibal.
I found the ending with Magnussen to be somewhat disappointing. Sherlock could not get the evidence to convict Magnussen, or stop him using conventional means as the information was all in his head, so he had no solution but to shoot him. Besides not being an entirely satisfactory ending, I find it hard to believe that Magnussen would have allowed Sherlock into his home without checking for a gun. There were other situations solved too simply this season, such as Sherlock stopping a bomb by hitting the off switch (after playing with Watson).
As punishment for murdering Magnussen, Sherlock was sent on a mission to East Europe which was predicted to result in his death in six months. This sentence was changed when Moriarty’s face showed up on screens all over England with the question, “Miss Me?”
Fans will be speculating over this cliff hanger just as they did over the cliff hanger over how Sherlock survived the fall. There are many possibilities, but we might not find out the answer for two years.
I always found it questionable that Moriarty would devise a plan to kill Sherlock in which he would not survive to enjoy seeing this, or anything else. Moffat has claimed in interviews that Moriarty is really dead, but we know Moffat lies, or that Mark Gattis might have different ideas. Maybe we are to take this on face value and Moriarty really did fake his death. Moriarty and Sherlock are often parallels of each other. In that way it might fit to have the question between one season be how Sherlock faked his death, and then move on to how Moriarty faked his death.
There is another variation on this which I like. At one point in The Reichenbach Fall, the Moriarty character claimed to really be an actor named Rich Brook and that Sherlock invented Moriarty. What if he was partially telling the truth. Maybe the person we saw kill himself really was an actor, perhaps really named Rich Brook except one working for Moriarty, and was coerced by the real Moriarty into killing himself. I can more easily see Moriarty coercing someone else into pretending to be Moriarty and killing himself than I can see the actual Moriarty committing suicide.
It is also possible that the suggestion that Moriarty is alive was a complete hoax. Perhaps another villain, or one of Moriarty’s men, arranged this and plan to commit future crimes in Moriarty’s name.
Sherlock might have arranged this as a backup plan in case his initial plans to get the evidence against Magnussen failed and he wound up getting arrested. A more likely possibility is that Mycroft Holmes was responsible. It has been established that he has considerable technological abilities. It was also established earlier in the episode that he did not want to see his brother go to his death in Eastern Europe. This could have been his way of ensuring that Sherlock would be brought back home.
Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.
This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard. The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.
An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.
Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!
Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.
The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:
This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.
Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”
Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”
Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.
There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.
Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.
BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.
Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:
“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”
He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.
“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”
Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.
I don’t know if this is the official final storyline, but this synopsis (spoiler) of the Fantastic Four reboot leaked out from casting calls:
“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”
I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.
A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.
Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.
HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.
Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:
Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.
“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”
In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.
“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”
Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.
Parks and Recreationhas been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.
Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.
Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.
Sherlock returned last week. I won’t say much to avoid major spoilers until the show returns in the United States. It should be safe to reveal that Sherlock lives. The episode shows how he survived the fall, but it was more interesting to see Mark Gatiss make fun of all the fan theories. A full review of the episode can be found here. Q&A with cast and show runners here.
The second episode, The Sign of Three, airs tonight on BBC One. A spoiler-free review can be found here.
Helix premieres on Friday. The fifteen minutes can be viewed above. Press release follows:
Helix is an intense thriller about a team of scientists from the Centers for Disease Control who travel to the high-tech research facility, Arctic Biosystems, to investigate a possible disease outbreak, only to find themselves pulled into a terrifying life-and-death struggle that may hold the key to mankind’s salvation or total annihilation. However, the lethal threat is just the tip of the iceberg, and as the virus evolves, the chilling truth begins to unravel.
Executive produced by Ronald D. Moore (Battlestar Galactica), Steven Maeda (Lost) who is also showrunner, and Lynda Obst (Contact), the 13-episode drama stars Billy Campbell (The Killing, Killing Lincoln) and Hiroyuki Sanada (The Wolverine, 47 Ronin).
Campbell stars as Dr. Alan Farragut, leader of the Centers for Disease Control outbreak field team called upon to investigate and control a potential outbreak. Sanada also stars as Dr. Hiroshi Hatake, director of Arctic Biosystems and its mysterious viral research program. Helix also stars Kyra Zagorsky (Supernatural) as Dr. Julia Walker, Mark Ghanimé (Emily Owens, M.D.) as Major Sergio Balleseros, Jordan Hayes (House at the End of the Street) as Dr. Sarah Jordan, Meegwun Fairbrother as Daniel Aerov, Catherine Lemieux (White House Down) as Dr. Doreen Boyle and Neil Napier (Riddick) as Dr. Peter Farragut.
Helix is produced by Tall Ship Productions, Kaji Productions and Lynda Obst Productions in association with Sony Pictures Television. Prolific director and producer Jeffrey Reiner (Friday Night Lights) directed the first episode of Helix, which was written by creator and co-executive producer, Cameron Porsandeh.
The trailer for the Veronica Mars movie was released last week. Video above.
David Lynch is filming new material in preparation for the Blu-Ray release of Twin Peaks.
After Disney purchased the rights to Star Wars, it comes as no surprise that Star Wars comics will be returning to Marvel, which Disney also owns.
The Walt Disney Company’s Lucasfilm Ltd. and Marvel Entertainment are joining forces to bring new Star Wars adventures to readers across the galaxy, with Marvel granted exclusive rights to create and publish Star Wars comics and graphic novels beginning in 2015.
The agreement marks a homecoming for the Star Wars comic books. Marvel Comics published the first Star Wars comic book, STAR WARS #1, in March 1977, which went on to sell more than 1 million copies. Marvel Comics published its STAR WARS series for nine years. In 1991, Dark Horse Comics took over the license, publishing fan-favorite titles like Dark Empire and Star Wars: Legacy. Last year, Dark Horse released The Star Wars #1, an adaptation of George Lucas’ original rough-draft screenplay for the film, garnering rave reviews and national media attention and ranking among the top-selling Star Wars comics of all time.
“Dark Horse Comics published exceptional Star Wars comics for over 20 years, and we will always be grateful for their enormous contributions to the mythos, and the terrific partnership that we had,” said Carol Roeder, director of Lucasfilm franchise publishing, Disney Publishing Worldwide. “In 2015, the cosmic adventures of Luke, Han, Leia and Chewbacca will make the lightspeed jump back to Marvel, to begin a new age of adventures within the Star Wars universe.
Entertainment Weekly discussed both Breaking Bad and Better Call Saul with Vince Gilligan. A portion of the interview:
What has been the big challenge in formulating Better Call Saul? And can you clarify how much of the show will be a prequel and whether we might see scenes that take place after the events of Breaking Bad? Are we going to hop around in time a little?
Peter Gould is a wonderful writer and producer and director who worked on Breaking Bad with me from the first season, and he created the character of Saul Goodman (Bob Odenkirk). He and I have been turning that over in our heads quite a bit. We think, by and large, this show will be a prequel, but the wonderful thing about the fractured chronology we employed on Breaking Bad for many years is the audience will not be thrown by us jumping around in time. So it’s possible that we may indeed do that, and we’ll see the past and perhaps the future. Nothing is written in stone yet, we’re still figuring it out, but the thing we realize is tricky with the character is that Saul Goodman is very comfortable in his own skin. He seems to be a character who is pretty happy with himself, especially when we first meet him. He seems to be a pretty happy-go-lucky guy, and that makes him everything that Walter White is not. And that also makes for tricky drama. When I say drama, even in a comedy, you want drama, you want tension and conflict, and a character that at heart seems at peace with himself is intrinsically undramatic. [Laughs] So we’ve been thinking about how to address that issue.
Could some of the action be set in the Breaking Bad era as well?
It could. That’s why I love the possibilities of the show so much. Anything is possible, and I can’t make any promises that we will indeed see that kind of stuff, but I can tell you from a writer’s point of view, it’s very freeing and emboldening to have those opportunities available to you.
How many characters from Breaking Bad might pop up or even have an extended role?
The character that springs to mind would be Mike (Jonathan Banks). That would be a great deal of fun. I would say the sky’s the limit, at least theoretically speaking. Realistically speaking, we’ve got a whole lot of actors, and the world is now well-aware of their wonderful talents and abilities, and therefore Breaking Bad has probably made it tougher for Peter and I to get some of these folks pinned down for another TV show. They’re off making big movies and doing Broadway plays and whatnot, and that’s exactly the way it should be. That is a high-class problem that we will have to contend with as we go forward with Better Call Saul, if we do indeed want to touch base with some of these characters… Better Call Saul could be The Love Boat of its generation, where instead of Milton Berle showing up in a sailor’s cap, hopefully it could be Aaron Paul, also in a sailor’s cap. [Laughs]
I would suggest using a lot of Jonathan Banks in order to add drama which might not be found in Bob Odenkirk’s character. Incidentally, we have already seen Jonathan Banks on Community and Vince Gilligan will also be making an appearance.
Community returned with two episodes, Reboot and Introduction to Teaching. Dan Harmon returned and did successfully reboot the show, putting the changes from last season behind. Reboot was the weaker of the two as Harmon did have to spend time setting up the scenario of having everyone back again at Greendale. I would have been satisfied if they simply said the fourth season was a dream and picked up from where season three left off but there was the obvious need to continue the narrative where the show left off last season. I bet that after this, repilot and gas leak year will enter the general vocabulary to describe future shows in similar situations which have a down year under the wrong creative team and then reboot afterwards.
The surprising thing about the episode was the cameo from Chevy Chase. Dan Harmon explained in this interview with IGN:
IGN: Chevy’s cameo was a very nice surprise. How did that come about, and how did you decide upon the specific way it happened in the episode?
Dan Harmon: Well, there’s always the point in every story when a character that’s gone down a certain path needs to have a reason to turn. One of the easiest things to do is have a moment with a mentor, a kind of Obi-Wan figure. I was really just considering what the story needed in the moment where Jeff is walking away with the power to destroy or save Greendale in his hands. What the story needed was someone to turn him, and I did picture Pierce immediately because if he was still on the show, that’s exactly how we would use him, and it’s a greater fact that he was always at his best as this sort of hapless Obi-Wan or a cautionary tale or unintentional mentor – trying to be a mentor in one way, but actually inspiring in a different way. It just seemed like one of those big moments where it was like, “Man, I really miss having that Pierce character,” and I literally pictured him in my head like this Industrial Light & Magic ghost that would appear in front of Jeff and say, “Don’t do this. Go back.” Then I thought, “Okay, then how do we actually make that happen, logically?” The answer was, “Well, actually what you’re describing could just be a hologram, because it doesn’t need to be having a conversation with Jeff. He just needs to say something. He just needs to be a vision.” He can’t be a literal ghost, but he could be a hologram, because Pierce has money, and that seems like the kind of thing you associate with Pierce — that whole Baby Boomer/Sharper Image kind of technology for its own sake kind of thing. And actually, that would work perfectly, because it would allow Chevy to come back to the show without panicking Sony legal, because he wouldn’t be on the set.
I wasn’t there when Chevy departed, but I know he had a specific agreement with Sony in which the terms of his departure were contractual and there was an agreement on both sides. I don’t really know more details than that except to say that simply bringing him back would be a contractual issue. So I was able to say to the studio, “What if we weren’t bringing him back? What if we were shooting him on a separate stage with no other actors around. Would that be allowable?” And they said, “Yes.” So it became this idea. I knew Chevy would be on-board because he’s an arch character, but I know that at the end of it all he always loved doing the show and would be more than willing to come back. He’s very passionate about making people laugh. So I texted him, and he said, “Absolutely, I’ll do it.” And then there was the weird thing of, we really didn’t want that to leak too early because it’s such an easy thing to spoil, and it really does spoil it, I think. So we wanted to see if it was possible to keep it under wraps until it aired. We actually kept it a secret from as much of the crew as possible, other than there were some people we needed to shoot Chevy, but we didn’t tell anybody that we didn’t have to tell. At the table read for the episode, we wrote a fake scene where Jeff is turned by Star-Burns. [Laughs] That’s actually, unfortunately, a really funny scene that the actors got really excited about, because it’s the reveal that Star-Burns is alive and that he’d been hiding on campus and faking his death to avoid death charges. The question is, why would he pick the campus to hide on? It’s the dumbest hiding place in the world, and he doesn’t know why, there’s just something special about the campus, like it was home or something. And that’s what turns Jeff.
There is new conflict coming up on The Big Bang Theory next week as Bernadette goes to a rival comic book store to purchase something for Howard in the picture above.
The sixth season of True Blood, while not without faults, was the best season in several years. The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again. Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.
There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.
If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:
Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner: It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.
If vampires and humans are now working together, where does the tension come from?
Buckner: I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.
Can you talk about the threat of the mutated Hep-V?
Buckner: That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.
Have vampires essentially overrun the world at this point?
Buckner: It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.
Presumably that means Season 7 picks up right where we left off?
Buckner: That’s a fair presumption.
Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner: In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!
Pretty sure he broke the internet after going full-frontal.
Buckner: It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”
People thought it might be a body double.
Buckner: Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.
Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner: Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.
The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:
TVLINE | How do you explain the fact that some of those infected — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.
TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.
I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.
In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.
This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling
WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show? MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].
WS: Was it ever intimidating, being responsible for such an iconic television franchise? MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.
WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre? MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.
WS: Why did you want to put Sherlock Holmes in a modern-day setting? MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.
Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.
Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.
Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.
There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.
Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:
“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”
I will be looking forward to watching this in another 50 years.
Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil. Twitter responses to the choice here and here.
The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.
The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.
Who will be the monarch on Under the Dome? From SpoilerTV:
So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”
The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.
Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.
New trailer for Agents of SHIELD above.
Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.
All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:
“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they’re] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night”team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.
“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”