Steven Moffat discussed the 50th Anniversary of Doctor Who in a recent interview. Doctor Who returns March 30 with the final eight episodes of the season. Next fall we will have the 50th Anniversary episode (which will also be in 3D and released at movie theaters). In addition there will be the usual Christmas episode and An Adventure in Space and Time about the making of Doctor Who. This would still leave us with less Doctor Who than last fall, but Moffat does say there will be even more than these shows.
Ray Cusick who designed the look of the Daleks in 1963, died at last week at age 84.
The video above has an interview with Jenna-Louise Coleman on The Last Leg.
Last week’s episode of Community featured a trip to an Inspector Spacetime convention and ended with how an American version of this Doctor Who parody would appear, after the producers received advice from Pierce. Here’s another take on how an American version of Doctor Who might have turned out.
Angela Taratuta has re-imagined Sherlock as a cartoon series with pictures such as the one above.
Revolution returns on March 25. NBC is launching a prequel web series tomorrow which starts eleven years after the blackout:
In this webseries, premiering Feb. 25 on NBC.com, we flashback to 11 years after the blackout and the night Miles (Billy Burke) first tried to assassinate Gen. Monroe (David Lyons). The story will follow Capt. Neville (Giancarlo Esposito) on a mission to hunt down and kill and those who had a hand in the attempt to assassinate Monroe. While on his journey, however, Neville will apparently stumble “upon an even greater conspiracy that could change the course of the Republic forever,” according to a description.
Person of Interest had an excellent episode, Relevance, in which we saw the machine used as intended. There was another team receiving numbers from the machine to fight actual terrorist threats, but they believed the information came from more conventional sources. They went after people found by the machine to be relevant, as opposed to the cases investigated by Finch and Reese not involving terrorism, and therefore considered irrelevant. One member of the team started to get too close to what is actually going on so both were set up to be killed. The female member of the team, Shaw, survived, with a little help from Reese after Shaw and her partner came up as the new numbers for Finch and Reese.
Shaw is quite a fighter on her own, and stated she has an “Axis II personality disorder,” meaning she “doesn’t really feel anything” when she kills people. Her best moment was when she showed she was still a loyal soldier in fighting terrorism and also remained determined to avenge the killing of her partner. “A good soldier does both.” She initially refused to take Finch’s card, but later agreed after they saved her from poisoning, leaving her old superiors believing she was dead.
Shaw will make a welcome addition to the reoccurring cast of Person of Interest (assuming this as she was too good a character to only use once). Making the episode even better, Amy Acker returned to reprise her role as Root (actually starting in the final moments of last week’s episode). Now, besides the team of Finch and Reese, we have the group involved in using the machine to fight terrorism as part of the show, with these people portrayed as both being engaged in an important task and as being somewhat evil. Having them infiltrated by Root will make matters even more interesting.
FX has renewed The Americans for a second season. The series is about Soviet spies embedded in the United States during the Reagan years. Last week was their best episode to date, taking place at the time of the assassination attempt on Ronald Reagan. The Russians were worried about whether the attempt would be pinned on the KGB. Some of the Russians also were concerned that generals led by Alexander Haig were carrying out a coup following Haig’s “I am in control” statement.
Utopia completed its first season last week, and hopefully will receive a second season. While not reducing my recommendations to watch the entire series or my hope for a second season, the first season finale was not up to the level of previous episodes. It was probably harder to write this episode because it had less mystery many of the secrets of the first season already revealed but also having to keep some things unresolved for second season. Major spoiler in the rest of this paragraph: I did have one problem with the explanations in the finale. If the manuscript didn’t really matter and the search was all to get Jessica out in the open, what were they doing with the interrogation of Grant and what did that chemical diagram mean? Perhaps the explanation to Jessica wasn’t entirely honest and there was information on recreating Janus to be found in case Jessica wasn’t captured.
The BBC has canceled The Hour after its second season. Hypable explains why you should watch the show despite being cancelled.
As expected following the Christmas episode of Downton Abbey, Lily James will become a regular member of the cast next season. With two members of the cast dying last season, her addition serves much the same purpose of Lesley Anne-Down joining Upstairs Downstairs as Miss Georgina. Vulture gave several reasons why ITV and PBS won’t both broadcast the show at the same time. I was especially interested in this point:
Editing episodes for PBS more quickly would also be more costly.
The version of Downton that airs in the U.K. is slightly different than the one that airs in the U.S. ITV is a commercial network that ran season three over eight installments, while commercial-free PBS ran the same season in just six. That requires some “stitching together and filling out” for the American version, Hoppe says. And because the editing is done entirely by the creative team in the U.K., “what it would mean in order for us to go simultaneously with them is that we’d have to have two editing rooms going at the same time during postproduction, one for our version and one for theirs,” Hoppe says. “It’s not one of the main factors in the decision, but it’s not an insignificant financial implication.”
I downloaded the series when it first aired on ITV and then, based upon following media stories, the series seemed to go by much faster when aired on PBS. This explains that it really did go by faster, with fewer episodes in the US. I wonder if some things were taken out of the US version. For example, there hasn’t been much discussion in the United States about the arc involving the Dalek invasion of Downton.
The Saturn Award nominations have been released–full list here.
Something I wish I’d said more clearly the first itme I wrote about DC’s decision to hire Card to write Superman is that calls to fire him don’t appeal to me that strongly because it separates out his hiring from DC’s other hiring practices, which among other things, have produced a staff with very few women and no lead African-American writers on any comics titles. A decision by comics stores not to stock the title, demonstrating that Card’s values turn them off from a product that otherwise might have been profitable for them, makes more sense. And what would be most interesting to me is an explanation from DC about what process lead to Card’s selection. What made his pitches’ stronger than other writers? How did they weigh the likely publicity challenges from his employment against what appears to be a larger institutional imperative to modernize the brand by telling stories about committed gay couples? If DC Comics wants its image to be gay-friendly, then it should have been expected to be evaluated for consistency. More same-sex engagements doesn’t eliminate the appearance of a glaring contradiction in DC’s image.
If all DC wants is our money, rather than our social approval, that’s fine. But it needs to recognize that fishing for money on the grounds that it’s producing progressive and game-changing content is going to be a more difficult task if there’s a disconnect between what the content is, and who the money spent on it ends up going to.
The next Captain America movie, The Winter Soldier, will differ from the first, and from The Avengers, in being more of a political thriller according to Kevin Feige of Marvel Studios:
The challenge is not the number of projects but rather making sure that each is a fresh take on the genre. Being able to populate the films with rich, three-dimensional characters and employing a wealth of storylines that have been developed over the decades in print makes it much easier to pull off, Feige says.
And when it all comes together, the results are boffo: “The Avengers” was one of 2012’s most popular pics, according to Rottentomatoes.com, and with more than $620 million in ticket sales it was the year’s box office champ by a large margin.
As long as Marvel stays on its game, Feige believes its pics will continue to do well in a genre that is far from a passing trend.
“If it is a fad, it’s one that lasts 30 to 40 years, as the Western did, because each one is so different,” he says. “There’s an opportunity to graft almost sub-genres onto them. Our first Captain America film was a World War II picture, and the next is a political thriller. They all have their own textures and patinas, and that’s what is exciting about it.”