You just won the best supporting actor Bafta for playing Moriarty in Shrlxok. Did you find the Baftas fun or terrifying?
Terrifying. I’m shy. I remember at my 21st birthday party, I had to make a speech and was so nervous I sounded like I was giving a eulogy at a funeral. So I did genuinely hope that I didn’t have to get up. But of course there’s a little part of you that wants to win.
We’re you surprised at the colossal success of Sherlock?
I kind of knew- I think we all knew- it was going to be really special. I feel very proud that it’s a Sherlock of our age. I really appreciated being allowed to play Moriarty a little left of centre.
How much freedom did you have?
I experimented daily and there were incredibly supportive of that. That’s what you Rally want as an actor: someone saying, ‘Go for it!’ not ‘What are you doing?’
What makes you angry?
Bland television. I don’t like drama that’s just a version of something we’ve already seen. If you’ve been given money and an opportunity to be in front of an audience, why not say something new and original?
The same site has an interview with Louise Brealey, who plays Molly on Sherlock.
TrekMovie.com interviewed Damon Lindelof on the upcoming Star Trek sequel along with the future of the series:
TrekMovie.com: You talked about the characters, their relationships and conflict. The last film was all about this family coming together, especially with Kirk and Spock starting out hating each other and growing to, if not like each other, respect each other. This new film is four years later in real time, but not sure in movie time. Are we jumping in to a new spot on their character arcs? Or are we picking up where we left off?
Damon Lindelof: That is a very clever way of asking how much time has elapsed between the movies and that is not something we are commenting on at this point. What we can say is that the big difference with the fundamental crew dynamics as they existed in the first movie and as they roll into this one is the promise at the end of the first movie with James T. Kirk in his yellow shirt is now sitting in the captain’s chair. We have not seen Kirk as the captain of the Enterprise yet. We will see him be the captain in this movie and that changes the dynamic.
TrekMovie.com: Two years ago, before you even started scripting, [producer] Bryan Burk told me you guys were going for something larger in scope. Is it right to say this is a bigger movie?
Damon Lindelof: Sometimes I feel that bigger is not necessarily better. You are just saying “Oh my god this movie is just epic in scale and epic in scope and epic, epic, epic.” But at the end of the day I feel that Trek is at its best when it is intimate and human and relatable. And when I say human, that can include aliens too. But all the things that we view as emotional touchstones: love, loss, and courage and all those themes that are the core of Trek. You sometimes when you want to make a movie too big for its own good, it loses some of those essential values. So we didn’t want that to happen. That being said, JJ’s decision to shoot a lot of the movie in IMAX, definitely makes the film seem a lot bigger and definitely the sequences he directed in IMAX I feel have tremendous scale and energy, without sacrificing any of things that I talked about on an emotional level…
TrekMovie.com: When we talked about Prometheus (see my Movies.com interview with Damon) you mentioned that moving forward you want to challenge yourself with doing original stories and away from more sequels, prequels and comic book adaptations. Does that preclude your working on a third Star Trek movie?
Damon Lindelof: It would be very hard to not be involved in Trek moving forward. We certainly don’t feel that a third movie is a foregone conclusion. Hopefully the second movie turns out well and we are really happy about everything so far. So three movies, again not to do everything that Christopher Nolan does, but if you do it right it’s a good model. But that idea, whether you want to call it a trilogy or not, although I reserve the right to when we are talking four years from now to say “this is the third movie in our trilogy,” but it does feel that three movies is the right responsibility for us to have the baton for before we then pass it off to the people who are take Trek to wherever they want to take it. So if this movie turns out well, would I be writing on the third movie? Who knows? But, we did talk a lot in the writing of this movie and during production about what the next movie might be and started getting excited about some of the ideas, so it would be hard to say no to that. This is a once in a lifetime experience…
Now there is even talk of a Spider-Man and Avengers crossover.
It hasn’t been a good year for genre shows on network television, with only six of twelve returning according to the count here. Once Upon A Time was the most successful. Several of the shows which are not returning were flawed but did show promise such as Awake, Terra Nova, and Alcatraz.
Genre has done better on cable than on network television. True Blood returns tonight and reportedly this season will be more satirical. The target will be Vampire fundamentalists who take their bible too seriously, but presumably this is also pointed at their human counterparts.
Following the series finale of Awake I found many sites were interpreting the final scene as meaning that it was all a dream, and the accident did not occur. I posted my disagreement with this interpretation. Subsequently interviews with Kyle Killen (such as here) verified my interpretation and answered additional question. The finale went into a different form of dream after Britten was in jail in one of his realities. In this dream, Britten actually met with his self from the other reality, was followed by both of his psychiatrists, and had an unusual meeting with his wife. It might be argued the Britten in jail was the real Britten, having dreams of solving the crime and being the hero in the other reality, and developing a new dream to cope with the reality of being in jail.
Regardless of whether this was the real Britten or a dream within a dream, the episode ended with Britten speaking with Dr. Evans. She attempted to convince Britten that the world with Hannah was just a dream, but Michael then questioned what the “rules” were. Britten never had been interested in finding which reality was true–his desire was to have both his wife and son back alive. His mind coped with the death of one by creating a second reality in which the other survived. His mind now realized that he could create an even better fantasy in which both his son and wife were alive. The immediate feeling upon watching this episode was that this was a happy ending with Britten getting what he wanted. It is also an ending in which Britten is even more out of touch with reality.
Killen described it this way:
Some fans saw the final scene — Britten (Jason Isaacs) seeing both Rex and Hannah in the house — and mistook it as a copout ending revealing the detective had dreamt the entire 13 episodes. “The idea that we’re saying nothing happened, this is St. Elsewhere, was something we actively fought against. You can still hate the finale, you just can’t say that that’s what it did. It’s just wrong and can actually be disproven watching the last four minutes,” Killen says. The show was always conceived as the way that one particular man dealt with grief that he was completely unprepared to handle. “That’s how the season ended — while he’s able to see his wife and child together, if you take a step back, what it really represents is a further fracturing of his psyche,” he says. “You understand that you don’t see your partner in a penguin suit in any version of reality — that grew directly out of the red world in which Hannah is alive [seemingly] revealing itself to be a dream. He just can’t accept that, and then [in the conversation with Dr. Evans] backs into the idea of, Wait, what if I fell asleep in my cell and then everything that happened after that was a dream? What if for the first time I had dream-like dreams in between being awake and being asleep? Once he does that, it’s almost as if his brain seizes that moment and creates precisely the thing that psychologically he’s dying for — and that is a moment with everyone together.”
One big question all season has been whether one reality was true and the other a dream, if there was some sort of quantum universe explanation in which both were equally valid, or whether there would be a conclusion like on Life on Mars in which nothing was real. Watching week by week I found that the evidence was contradictory as to which reality was real and suspected they were equally valid or both unreal. In interviews leading up to the finale Killan had said that one was real and the other was a fantasy which Britten developed due to the horror of losing either his wife or son. The reason that there was such contradictory evidence now appears to be that Killan and the writers did not have a conclusion in mind which settled this:
The show’s producers all had their own pet theories, but nothing was written in stone. “Most people felt like the red world was more likely to be real, just from a logical basis that the death of a child is something that’s out-of-order with nature and much more difficult to deal with than the death of a spouse. It felt like the death of a child is one that you might create a world to undo. So it felt a little bit like the balance was tipped in the red world’s favor, but we constantly adjusted that. One of the things we talked about was if ultimately the green world with his son was real and the red world was his imagination, was it that he couldn’t let his wife go until he’d psychologically worked out something that was unresolved with Hannah? There were arguments for why he simply could not let go of one or the other. We didn’t feel it was necessary to decide which one was his imagination now. We didn’t have a big sitdown and say, ‘This is what Rosebud means.’ We just didn’t approach it that way.”
Watching the finale I had also wondered whether this was written after Killan knew the show was cancelled and was intended to be the ending, or if this was written previously with plans to move on from this point in a second season. Killan revealed that he planned to pick up the second season from this point if the show was renewed:
The finale was written and filmed before the show’s cancellation. “I don’t know how the show could have gone on if the fundamental thing that made it work was taken away,” Killen says. He believes you can make the argument that the world in which wife Hannah survived — the red world — was the real one with just as much vigor. “Look at the state that Britten is in [there]. He’s lost. The woman who destroyed his family has gotten away with it. He’s in prison and he seems to have no hope of getting out of there. He’s essentially indicted himself with his own behavior. So if ever there were a place where you could reach a low that would cause you to create through a psychic break a world in which you do solve all the problems, and you do get the bad guy, and everything does turn out okay… I would think that would be an argument for the red world actually being real and requiring the green world as a dream to make going on seem possible. We, at least internally, made sure we could argue it both ways because going forward, we didn’t intend to have that mystery sewn up in this episode.”
Killan went on to describe how the second season would have picked up the story:
“The discussion was always that that’s where he finds himself when he woke back up in red world. It would be as if all of the dream-like elements had in fact been a dream, and he’d closed his eyes just before the guard knocked on the door and told him he had a visitor [Harper], and we’d treat it as that was the moment he went to sleep. He would know that he’d caught Harper in the other world and that he seemed unable to do anything in red. Ultimately, he would have relied on Vega to help him extricate himself from that situation.”
At that point the narratives would have proceeded in both realities (or technically one reality and one dream state) we saw in the first season, with the addition of the third state seen at the end of the finale:
“You still would have had red and you still would have had green,” Killen says.”We left ourselves open to the possibility that [producers/writers plotting out season 2] would have had a really interesting pitch for what to do with that third space, and whether there was an ongoing narrative we wanted to tell there or whether we wanted to use it as simply a surreal dream space that we could access when we wanted to and how we wanted to that let us bring other weirder elements into the show that we’d always wanted to try.” He suspects it would have been the latter. “Twin Peaks being a show that was very close to my heart and a seminal thing in my childhood, the third space was sort of our Black Lodge. It was a place where almost anything could have happened. What happened initially was he found himself in his house with his wife and his child, but there were a lot of other places we would have taken that dream space. I don’t know that it would have always been that linear or happy. I think it would have been a place where he had a lot less control than he thought.”
If the show continued, Britten would have also had a relationship with Rex’s tennis coach, Tara, as was hinted at in the first season:
“It always felt too soon and difficult to explain. If it’s about a man overcoming the loss of his wife, he’s only overcoming the loss for 12 hours a day. So most of us deal with that by not needing to get into another relationship. What ultimately was needed to really jump-start the alternate relationship was some sort of fracturing in the Hannah-Britten story. That’s exactly what you see us building to at the end of the season,” Killen says. “Once he’s imprisoned and he’s considered essentially a mad man and there’s not really a clear way out, we would have used that and Dr. Evans to really try to convince him that that was his imagination and there was a psychological reason that he was holding himself there. That would have opened the door enough for us to begin something with Tara. And then by the time the red world resolved itself and he was extricated from prison, without really meaning to, he would have gotten himself in two different relationships. By the time things were repaired with Hannah, he would have already begun a relationship with Tara because he had been leading himself to believe that Hannah wasn’t real and it was something that he needed to get over. By the time that flipped on him, he would have been a man divided. That was something we were really eager to explore in the second season.”
Christopher Eccleston continues to insist he will not appear in a 50th reunion episode. He has previously explained this by saying, “I never bathe in the same river twice.” This never sounded like a satisfactory reason, and he has subsequently elaborated without much detail saying, “I know what went on and the people who were involved know what went on. That’s good enough for me. My conscience is completely clear.” Obviously there were problems which have not been made public.
I literally couldn’t read it without crying … It was the most highly-charged read-through I’ve ever experienced. But I couldn’t have asked for a better exit. I don’t think it’ll be what people expect.’
Gillan leaving means that Jenna-Louise Coleman has started filming. Her initial filming was behind closed doors so we do not yet know how her character will look.
Sign seen in Colorado above. If Daleks were there, it would certainly be good to warn people. Last year the same area had a sign warning “Zombies Ahead.” That would be another important warning. Besides the obvious hazards, there are serious tax implications to a Zombie Apocalypse, as is discussed in this paper, and summarized here.
House concluded last week with House and Wilson being compared to Holmes and Watson. The series ended in a manner similar to how Moffat’s version of Sherlock ended its second season, with both House and Sherlock faking their own deaths. In addition, Moffat’s other show also ended with the Doctor faking his death. Steven Moffat and Mark Gatiss discussed the finale of Sherlock with The Guardian but gave no clues as to how Sherlock survived. Moffat simply says, “He did it cleverly. Very cleverly. And we know, we’re not telling – next!!” I suspect that there will be aspects which were not clear on screen so I have not worked on a full explanation as to how Sherlock survived, but here are my comments after The Reichenbach Fall originally aired on the BBC.
It seems strangely appropriate that the big war scene which this season of The Game of Thrones has been leading up to will be airing this Memorial Day weekend.
The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.
The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”
Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.
Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.
TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:
“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036? J.H. Wyman: Yes.
Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman: Well, let’s say that basically 2036 is extremely important to Season 5.It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.
Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman: At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason. We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are. Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work. Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed. Wyman: They don’t know if anything is over. So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?
Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman: Basically, when Walter was going through the Nanites.From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.
Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.
Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman: You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.
Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman: We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them. Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad. I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.” She said, “I was so wrong.” Wyman: Everything is a possibility on Fringe.
Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman: We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.
Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.
Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman: You’re very perceptive. Let’s just say you will understand the hesitation.
There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker: You will see changes, but you will see things that are familiar, as well. I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.
Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman: We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.
The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.
Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.
Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.
There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.
Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over. Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:
TVLINE | What other drama is going on in Storybrooke outside of the Henry thing? KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling. HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.
TVLINE | How is August doing? Is he flipping through termite control ads? HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.
TVLINE | What is Mr. Gold’s particular take on the Henry situation? KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.
TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own? KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well…. HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]
TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm? HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new. KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?” HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”
TVLINE | Will the finale introduce any new players to the canvas? KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced. HOROWITZ | And there may be some old characters seen in a new way.
TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds? KITSIS |All of them. HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise. KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”
The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960′s, it makes sense to pay what it takes to include the Beatles, considering how important they were to music of the era.
The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.
The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:
In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.
For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.
Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.
“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”
KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.
“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”
Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”
Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.
Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:
Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.
“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”
Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”
This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.
With Doctor Who now filming and the second season of Sherlock premiering in the United States tonight, there has been a lot of news about both shows. For those who have not seen it, Steven Moffat’s version of Sherlock is fantastic, regardless of whether you are a fan of the original Sherlock Holmes stories. It is definitely worth watching for the next three weeks on Masterpiece Mystery on PBS. I think that the second season was even better than the first. While all three episodes were excellent, like the first season the first and third episodes are the most significant.
Steven Moffat was interviewed in the United States by Fresh Air prior to the start of the second season of Sherlock on PBS. The interview was primarily directed towards American audiences who are not familiar with Sherlock and Doctor Who. Several of the questions involved casting, and one item of interest was that Matt Smith had interviews for the role of Watson before being chosen to play the Doctor. Moffat also had this to say about casting Matt Smith:
Everything else about a show, other than casting — however great or admirable or excellent it is — can only sort of really be admired. People don’t really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it. What people fall in love with, oddly enough, is other people. The difference between a beautifully made failure and a beautifully made hit is who you’ve got playing the leads. It really, seriously is. Is a nation going to fall in love with those people and want to see them week after week? And making that decision is tough. But it’s easier if you’ve got a great casting director. … In the case of Matt Smith as The Doctor, I’d be very, very adamant that we have an older Doctor — that he’d be in his 40s. I wasn’t going to have any young Doctors on my watch. And on the very, very first day — the very, very first day — he was the third one through the door. His audition was so perfect, any fool would have cast him. It was dead easy. And I remember asking, ‘What age is he?’ And he was 26 and instantly the perfect Doctor because he does do that thing of combining the old man and a young man. He looks like a young man assembled by old men from memory.”
On the importance of Watson:
“If you look at any good version of Sherlock Holmes, Dr. Watson is every bit as important as Sherlock Holmes, and some would argue more so, because he’s our conduit to Sherlock Holmes. He’s the person to whom, in a way, the story happens. We are more emotionally resonant with Dr. Watson than with Sherlock Holmes because Sherlock Holmes is a hard man to empathize with.”
In contrast, the show is largely from Sherlock’s perspective:
“We always wanted it to be stylish. We didn’t want it to be like other television. We wanted it to have a film sense. Everybody says that about their TV show. Everyone says that. But then my wife got a hold of [director] Paul McGuigan, and he’s the one who brought the tremendous beauty to it. One of the things he said was, ‘You want to think Sherlock Holmes is behind the camera, too.’ You want to see the world as Sherlock Holmes sees it. And that informs his work on an awful lot of the show, to give you the Sherlock’s eye view of the world all the time.”
Moffat had this to say about his childhood:
“I’m a geek. I’m a writer. I spent all of my time in my childhood obsessing about Sherlock Holmes and Doctor Who. I was alone, I was an outsider — what do you expect? I was that bullied kid at the back of the class weeping for loneliness. I don’t think, generally speaking, people become writers because they were the really good, really cool, attractive kid in class. I’ll be honest. This is our revenge for people who were much better looking and more popular than us. I was a bit like that, I suppose.”
Even though Benedict Cumberbatch and Martin Freeman are becoming big stars, Moffat is confident that they will return for future series of Sherlock. The three episode a year formula gives them plenty of time for other projects and, just to be safe, Moffat has their families locked up in his basement. Cumberbatch, now filming on Star Trek, does not share Moffat’s objection to Elementary:
“As we already know with the Downey Jr movie franchise that there’s room enough for two [Sherlock Holmes projects], so why not three?” the actor said at a Q&A session in New York to promote Sherlock series two airing on PBS.
Cumberbatch added that he considers Trainspotting star Miller – with whom he starred in the play Frankenstein at the National Theatre – a “friend”.
“[Elementary will] be different and I don’t think it’ll take away the love for ours, and there’s no reason to be churlish or bitter about them or what they’re trying to do,” he said.
It appears that River (aka Melody Pond) will pose as a gangster named Melody Malone. More pictures (and spoilers) from the upcoming season can be seen here.Doctor Who TV also gathered items of interest from an interview with Steven Moffat in Doctor Who Magazine:
Rory and Amy are no longer regular travelers with the Doctor: “If he thinks he needs them, he just pops in on them,” but, “Each time they’ll get a little older.”
Moffat on killing off companions: “Even if I don’t think I’ll do it…maybe I will do it!”
Moffat ponders, “If we did a UNIT story, would Martha be there?”
The Special Weapons Dalek will definitely appear in the opener
Moffat reiterates that the New Paradigm Daleks are an “officer class”
Can the question “Doctor Who?” be answered? “Wait and see”
We will find out exactly what Trenzalore is all about
“The Fall of the Eleventh” will also be resolved (perhaps not in Series 7 though)
Moffat is very keen that the order of the episodes can be swapped around this time
There will still be a story arc, but it will be “the opposite” of Series 6
Jenna-Louise’s companion will be different to the others and is “going to be a shock”
Filming will continue throughout the rest of 2012 and further into 2013 and beyond
Bond director Sam Mendes compared the James Bond franchise to Doctor Whoin this interview:
The first time I saw the movie, I was like, “You’ve got to be joking! You can’t do that to the poor man!” But it was too…they were playing almost embarrassment, almost apologized for having a new Bond and I thought that was wrong, and I thought what they got right was Casino Royale. There was a kind of “We don’t need Q, we don’t need Moneypenny. We’ve got this character. We’re going right back to basics. He’s real, he’s in a real situation. Let’s start all over again.” I thought that was very refreshing.
That’s why I mentioned the word in the press conference, “regeneration” rather than “evolving,” because I feel it is like, you know, we have Doctor Who…there’s a geek answer…we have Doctor Who and I was brought up on the idea of Doctor Who, who at the end of his final episode, he dissolves and a new actor pops up and he regenerates and it’s a whole other character: sometimes it’s an old man, sometimes it’s a young man, but he just changes. I’ve always loved that idea.
Julian Murphy says that Season 5 of Merlin will be darker. Time will have passed showing the established court of Arthur, and there will be an older Mordred.
Combine Marvel characters and Joss Whedon and we had a formula where The Avengers really did live up to all the hype. An interview with Joss Whedon is above. The movie sets up conditions for further movies centered around Iron Man, Captain America and Thor. Mark Ruffalo did a much better job of playing Bruce Banner than Edward Norton did , and now there are reports that further Hulk movies might be made, possibly along with a movie centered around Scarlett Johansson as the Black Widow. As has been the case with the previous Marvel movies, it is important to stay in the theater during the credits for an extra scene. In this case there are two extra scenes. One during the credits is probably significant in terms of a future threat for Thor and/or The Avengers. The second, at the very end of the credits, is not important but was still fun to watch.
As many watch movies long after the initial release date I tend to avoid saying much about the plot of movies in posts here. Those wanting to avoid even a minor spoiler might want to skip the end of this paragraph. In movies of this type it is necessary to accept a lot which is unrealistic, but I was bothered a little with the inconsistency in the portrayal of the Hulk. The first time Banner became the Hulk he was more destructive and showed less understanding of his situation as compared to his final appearance in the second Hulk movie. Then, when he became the Hulk for a second time, he acted with complete understanding of working as part of the Avengers team.
As usual with Awake, the personal events involving Britten in this week’s episode, Slack Water, were more interesting than the criminal cases. Once again the possible clues as to whether the two different worlds for Britten are both real are also contradictory. In some episodes there is real information obtained in one world which is helpful to solve a crime in the other. Other episodes were more like this week, were the house which is the scene of the crime in one reality was the name of a video game played by a murder victim in another, leading to Britten finding out information which helped solve the crime. Having the house be real in one reality but a video game in the other suggests that only one, or perhaps neither, reality experienced by Britten is real and his mind (or some other source) is supplying this information.
The more important story line came out of the revelation last week that Rex’s girl friend Emma was pregnant, with Emma having a miscarriage in the world where Rex survived the auto crash and continuing to carry Rex’s child in the world where Rex was killed. It was rather obvious that Emma did not agree with the decision of her parents to have a closed adoption, even if only Hannah recognized this during most of the episode. A theme of the show has been for Michael Britten to replace his loses in both realities. Where Hannah died, he keeps the older partner and has a female psychiatrist. In the reality where Rex was killed, Michael has a young male psychiatrist and is given a new, younger male partner. (I did find it strange that the older former partner was not seen at Michael’s going away party in the other reality where Michael was given new partner.) Now things have worked out in the reality where Rex died that Michael not only has the prospect of adopting Rex’s child, but events have also worked out that they have a new teen-aged child in the home.
One implication of this is that Britten is no longer planning to move to Oregon and the person responsible for the earlier attempt on his life is now likely to act again. The back story was further developed as we learned that this involves a heroin shipment, and we learned that the police Captain had been a narcotics cop in the past, providing some explanation as to how she might have become involved.
The previews for next week’s episode suggest that we might learn more about Britten’s situation. For at least part of the episode he ceases to go into the Rex universe. Could this mean that over there he is dead (unlikely), unconsciousness, or perhaps because he has to solve the mystery of his attempted murder in the other universe in order to protect himself in the other before returning. A voice over in the preview has Britten saying, “There was no accident. They were trying to kill me.” Unfortunately Britten is off screen, so we cannot tell if he is wearing the typical white shirt of the Hannah universe or blue shirt of the Rex universe and we cannot be certain if the murder attempt, so far only mentioned in the Rex universe, is now becoming a factor in the Hannah universe.
While there has been suspicion that Leonard Nimoy was going to return to play William Bell on Fringe, they still managed to keep Nimoy’s actual appearance on this week’s episode of Fringe a secret. As an example of the misdirection used, in an interview shortly before the last episode aired, Jeff Pinkner had this to say about the possibility of Nimoy returning: “We basically erected a sign outside of Leonard’s house which said, “Please come back to Fringe,” and we are hoping that by season five he says yes.” In the interview Pinkner also said we will again see the world of 2036 but avoided answering a question as to whether we will see the alternative universe again.
I09 looked at the gratuitous sex and violence on Game of Thrones.
There has been talk this week that Netflix might revive Jericho. It makes sense for Netflix to revive shows which have a strong following (such as with Arrested Development) even if off the air for several years considering they are shows which significant numbers of Netflix subscribers are currently watching. As more companies start to compete with Netflix for streaming older shows, providing new episodes will give subscribers reason to stick with Netflix.
Speaking of streaming providers, there was a major update to the Android versions of HBO Go and Max Go this week so that they finally work with Ice Cream Sandwich.
If Netflix might bring back Jericho, there has been speculation as to other old shows which might return. Damon Lindelof leaves open the idea of more Lost, but is not interested in personally being involved:
Lindelof has no interest in revisiting “Lost” anytime soon.
“It’s been two years (since the series wrapped) and we told the story we wanted to tell,” Lindelof said. But he admits ABC might look for ways to bring back “Lost” in some form. “I do feel like the world has not seen the end of ‘Lost,’ but I’m not going to have any involvement,” he said.
Lindelof isn’t bitter about the idea, however.
“It would be hypocritical for me to say I’m going to do ‘Star Trek’ but I don’t want anyone to touch ‘Lost,’ ” he said.
With only two more episodes of Fringe this season, Worlds Apart made huge advances in this year’s arc. Fortunately the show has been renewed for a thirteen episode season next year, most likely so that there will be more than one-hundred episodes for syndication. Knowing that there are thirteen episodes to go will allow the writers to provide a meaningful ending for the show as opposed to a rushed conclusion added to the end of this season. Here is a promo for the final season:
In Worlds Apart we learned more about David Robert Jones’ plans to create a new world with the collapse of the two earths upon each other. The episode also brought back Nick Lane, who was in the Cortexiphan trials with Olivia. Knowledge of the back stories on Fringe was necessary to appreciate this episode. We’ve seen intermittent flash backs to the days when Walter and William Bell were doing experiments, which were apparently motivated to create soldiers to defend our earth in an anticipated war between the two earths. Shape shifters were developed on the other side with the same motivation. While I am not entirely satisfied with how it happened, this season showed that the use of the machine (also intended by Walternate to destroy our earth) led to a situation in which the alternate earth is healing and there is no longer conflict between the two sides. Jones, however, has now taken advantage of the weapons developed in this preparation for war for his own ends. Presumably Jones remains a threat which will be dealt with in the two-part season finale.
When the initial attempts to stop Jones failed, a decision was made to turn off the machine and sever the connection between the two earths. This raises questions as to whether turning off the machine will leave each side the same except without this means of crossing over, or if there will be other changes. Walter and Walternate questioned if this might make Peter disappear again. I doubt the would make major changes this late in the season, but another possibility might be that everything would return to how it was before the machine was turned on last season, with both earths on the brink of war.
The episode did wrap up a subplot from this season. Lincoln Lee was clearly infatuated with Olivia, and when she reunited with Peter, Lincoln got the opportunity to meet Altlivia. He decided to go to the alternate universe to be with Altlivia, a decision Peter clearly understood. I wonder if we will see the two of them again in the alternate universe. While the Fringe team lost their easy means of getting there, other means of crossing over were present in past episodes, so this might not be the last time we wee the alternate Fringe team. It is also possible to have scenes on the other side without anyone crossing over. I do hope that we do see more of the alternate earth.
Awake is at its weakest as a police procedural show. The two police cases this week on Game Day were not terribly compelling. The importance of the cases was that they showed Britten how there can be slight differences between the two realities leading to different results. In football, a field goal attempt may or may not be successful, leading to different winners (and different crimes). The ramifications of this became important in his personal life. He learned that Rex’s girlfriend Emma got pregnant before the accident killing his wife, and subsequently had a miscarriage. Back in the other world, Britten realized that although Rex was dead, Emma could still be pregnant with his child, and it was possible that there was no miscarriage. Finding that Emma was still pregnant with Rex’s child will certainly change things for the Brittens, most likely ending their plans to move to Oregon.
I hesitate to speculate too much on questions as to whether one or the other reality is actually real as I’m not convinced the writers have a real game plan for the show. Different arguments can be made based upon different episodes. This episode suggests that both realities are equally valid as once again information from one is carried over into the other. On the other hand, there have been episodes in which things occurring before the accident were different in each reality, suggesting that only one could be the real one which Britten had lived in. A Life on Mars type explanation in which noting is real might be the easiest way to settle such contradictions.
If Britten does not move to Oregon, the plans to call off the hit on him by the people responsible for the accident appears to be back on, providing further drama. However, why was this never an issue in the world where Rex remains alive and Britten never planned to move to Oregon? Perhaps the reality in which his life lived is the “real” world in which he was set up for the accident, but he also jumps to another pre-existing reality where some things were different, and perhaps the accident really was an accident.
This picture is not a fake. It appears to show the Doctor (Matt Smith) with the Beatles. Is Matt Smith actually a time traveler? Steven Moffat’s reaction to the picture on Twitter: “Bloody hell!!! Clearly we’re going to make that episode!! Wonder what it will be like.”
How’s this video for mixing up the robots from Doctor Who and Star Wars?
Doctor Who has been filming in New York City this week, including the Doctor running through Central Park (video above).
Karen Gillan got on Twitter last week. When I found about it two hours after she began on Thursday she already had over 27,000 followers and now has over 70,000. According to tweets by Arthur Darvill, Karen failed to adjust her email settings, burning out her phone battery with notifications of all the new followers. Today Karen tweeted a picture with Brent Spinner and below is a picture of her tweeting with Arthur Darvill looking on.
This week Awake failed to move further away from the police procedural as they did with last week’s penguins and other scenes questioning reality, but Ricky’s Taco’s did have its moment. While not as well done as last week’s That’s Not My Penguin, the voice at Ricky’s Tacos was more difficult to explain as Britten hadn’t been drugged before hearing them. Was this just something thrown into the story, is Britten going crazy and hearing things, or are there outside forces at work and communicating with him? The conspiracy which set up the accident has been disliked by fans writing about the show. I don’t mind if they have a subplot involving this, but not if it is just a random scene thrown into an episode as we’ve seen so far. It is interesting that Captain Harper tried to call off the hit on Britten after he resigned with plans to move away to Oregon.
The final episode of Titanic airs tonight, with ABC catching up the United States audience last night. While she did appear in the first two episodes, the third concentrates far more on Jenna-Louise Coleman’s character.
On Fringe, Family Man showed that, like our Walter, alt-Broyles was willing to go to great lengths to try to save his son. Before the change in the time lines his character was killed, and in the new time line he winds up in prison. At least he didn’t go through with the plot by David Robert Jones which might have collapsed both universes. I can’t help but wonder what Jones thinks would happen to him if he succeeded. Next week appears to be another Observer episode, this time in the future.
A sequel (or perhaps prequel) to Sin City is finally going ahead with casting now underway. Above are pictures of Jessica Alba and Alexis Bledel from the original.
Here is a trailer of a Loopers, an upcoming science fiction movie with an interesting premise:
In the futuristic action thriller Looper, time travel will be invented — but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a looper — a hired gun, like Joe — is waiting to mop up. Joe is getting rich and life is good… until the day the mob decides to “close the loop,” sending back Joe’s future self for assassination.
It doesn’t have the potential for a time paradox like going back in time to kill your own self or grand parent–unless Joe’s future self responds to the situation by trying to kill the person trying to kill him (his past self). Could be good, unless it is simply a chase/action movie with a science fiction back story.
Natalie Dormer, who often appeared nude on The Tudors, joins the rampant nudity on Game of Thrones starting tonight. She has certainly demonstrated that she can handle such a role well. But why is there so much nudity on Game of Thrones? Check out this video for an explanation from Saturday Night Live. HBO announced last week that Game of Thrones has been renewed for a third season and I think it is safe to predict it will be around for several years considering the success of the show and the amount of material present in the book series.
Maggie Smith, the Dowager Countess on Downton Abbey, has requested to leave the show after the third season so she can return to movies and the stage. There had already been talk of a funeral for next season and assuming that was written before Smith’s request this might mean a second. Her death would be the most plausible way to write her out of the series.
People who interpret the Mayan calendar as indicating the end of the world in December 2012 are mistaken. It is now clear that the Mayans were just noting the transition from Karen Gillan to Jenna-Louise Coleman on Doctor Who. We have some more information about the process of casting Jenna. Material has been posted on line from part of the audition of Jenna-Louise Coleman for her role as the new companion. The material, taken from Doctor Who Magazine, appears to be Jenna acting out a scene with Matt Smith:
The Doctor and Jasmine are investigating a haunted house.
DOCTOR: So you saw it coming in here? What did it look like?
JASMINE: Grey. Sort of dusty. Like it was made of spider webs.
D: And it came through the wall.
J: Yeah, that wall there.
D: But you don’t think it was a ghost. Why not?
J: Because there’s no such thing as ghosts.
D: You know, a lot of people who saw what you saw wouldn’t still think that.
J: Obviously. Otherwise there wouldn’t be idiots who believe in ghosts.
D: What were you doing here?
J: I love this place. It’s… beautiful.
D: It’s falling apart.
J: It’s old. I love old things, they make me feel sad.
D: What’s good about sad?
J: It’s happy for deep people. You’d know.
D: I’m not sad.
J: Oh, you are though. Under all that talking and leaping about. Takes one to know one.
D: So you come here for… recreational sadness?
J: Yeah. In a way. Okay, why are you looking at me like that?
D: You remind me of an old friend of mine. Someone I lost a long time ago.
J: Down boy. I’m not her.
D: Oh, I know you’re not – I don’t believe in ghosts either.
J: Oh my God, what’s that?
D: Okay, just stay calm.
J: But that’s the thing I saw before.
D: Yep, and it’s coming towards us. I expect you noticed that. Say it with me – I don’t believe in ghosts!
J: I don’t believe in ghosts!
D: Louder! I don’t believe in ghosts!
J: I don’t believe in ghosts!! Will this work?
D: No idea, never met a ghost before.
Whatever this is, Moffat has said that Jasmine won’t be the character’s actual name on the show:
“Two things before you read it. Her name is NOT Jasmine. I don’t like the name Jasmine (sorry all Jasmines, I didn’t mean you) so I knew I’d never use it for real. And also, you might notice there’s a line snuck in from Blink. One of those self-consciously clever, writer-showing-off lines that anyone stuck working with me better get used to.
“So here’s a spoiler from a future that is never going to happen. This is the scene we saw Matt and Jenna perform in a dull little room in the basement of the BBC, which changed the future of Doctor Who. Now remember, this is nonsense, none of this is going to happen, no clues or hints. Think of it as series of hurdles we placed in front of an actress to check her jumping skills.”
After months of rumors (spread by Steven Moffat and Sophia Myles via Twitter), Sophia Myles now says she is not returning to Doctor Who, at least in the near future:
“Steven [Moffat] and I did talk about Doctor Who and I honestly feel – and I think he feels the same – that The Girl in the Fireplace was so special, I really doubt we could do something better together on that show. It was just so perfect and I would rather leave it at that, ” she explains in the latest Doctor Who Magazine.
“If I was to come back to Doctor Who, I don’t think it should be as [Madame de Pompadour]… but it would just ruin it to come back as anything else.”
However, Myles doesn’t completely rule out another role.
“Maybe when I’m old and don’t look anything like her. I’d like to come back in 20 or 30 years’ time as a baddy, and cause some trouble! But as for anything imminently? No. I think that would be inappropriate.
This might be a major spoiler (or perhaps major misdirection) from the first episode of the next season of Doctor Who: Reportedly a prop was seen of divorce papers for Amy and Rory. There are also reports of them getting along well in scenes from episode 3, so if true early-season conflict between the two might get resolved.
The big thing we learned about the alternate universe on Fringe is that they have different superheroes, and no Batman. It was obvious that Agent Lee was interested in Olivia in our universe. Now that she is reunited with Peter, is he heading into a relationship with Fauxlivia?
On Awake, Britten wound up working with Dr. Lee on a police case (although part of their contact was real, and part induced by a drug–or was Britten having hallucinations and losing his mind?). It might have been more interesting if they had Britten run into Dr. Lee in the time line where he sees the other psychiatrist and Dr. Lee doesn’t know that Britten knows him. Of course we’ve seen that sometimes things are quite closely the same in both time lines, and sometimes individual’s lives are quite different, so Dr. Lee may or may not be around as a police psychiatrist in the other time line. From the previews, it looks like next week gets back to the conspiracy around the auto accident which precipitated events.
Las Vegas considered building a full sized replica of the Enterprise in 1992. The story came out last week and can be seen here.
The Hugo Award nominees have been announced. Nominees for Best Dramatic Presentation (Short Form) include three episodes of Doctor Who and one episode of Community.
Best Dramatic Presentation (Short Form) (512 ballots) “The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales) “The Drink Tank‘s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (Renovation) “The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (BBC Wales) “A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (BBC Wales) “Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)
Television shows typically are recognized by the Hugo Awards based upon individual episode. Game of Thrones misses out under that criteria. The entire first season was actually one long story, but it is hard to pick an individual episode. Instead the first season was nominated under Best Dramatic Presentation (Long Form):
Best Dramatic Presentation (Long Form) (592 ballots) Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel) Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO) Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.) Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount) Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)
It is difficult to compare an entire season of a television show to a single movie. Perhaps they should divide into three categories, one for individual episodes of television shows and other short form presentations, one for movies, and a new category for genre television shows.
Marvel Studios isn’t waiting to see how “The Avengers” does in theaters later this year. Following in the footsteps of “Thor,” the studio Friday announced it’s moving forward with a sequel to its 2011 hit “Captain America,” prepping it for a 2014 release.
Keeping the film canon with “The Avengers,” Chris Evans will take on the title role in the present, and not during World War II like the previous film. The events at the end of the first “Captain America” film, along with some storyline in the upcoming “Avengers” movie, bring super soldier Steve Rogers to the present.
The first Captain America film is of increased interest being the film debut of Jenna-Louise Coleman. A picture of her in the movie was previously posted here.
Although not airing in the United States until next weekend, I did get a hold the first two episodes of Titanic. Some of the information posted about the mini-series on line was incorrect. Some reports claimed that Jenna-Louise Coleman doesn’t appear until the third episode but actually she was present in the first two. Perhaps she has a larger role in the third. Some early reviews also described the mini-series as each episode involving different characters, leading up to the ship sinking at the end of each hour. It is correct that each episode leads up to the Titanic sinking, but there is tremendous overlap between the characters. The second episode introduced new characters and didn’t include all the characters from the first episode, but it did provide more information about some of the major characters from the first episode.
The mini-series, written by Julian Fellowes, does have much of the same style as Fellowes’ show Downton Abbey. One difference is that the some among the wealthy are far less sympathetic characters–and in some cases their servants are even nastier.
As for Downton Abbey, there are spoilers for the third season:
What can “Downton Abbey” fans expect when the PBS series starts its third season in January?
“Matthew and Mary do get married,” ”Masterpiece” executive producer Rebecca Eaton said Wednesday at a Winter Park party. She previewed the British drama, which is in production, for supporters of WUCF TV, Central Florida’s new PBS station.
In the new “Downton” season, everyone is waiting for the arrival of the mother of Cora (Elizabeth McGovern), a character played by Oscar-winner Shirley MacLaine. They’re waiting for MacLaine’s character because the British family, especially Violet (Oscar-winner Maggie Smith), needs money again, Eaton said.
“There are some wonderful scenes between Maggie and Shirley MacLaine — Shirley MacLaine being as ditsy as ever,” Eaton said. “And Maggie barely restraining her sneer in having to deal with this American. Maggie Smith is a handful, it’s true. She’s very difficult. She knows her worth, and she’s tricky on the set, but she delivers when the time comes.”
Eaton supplied more teases: “Somebody will be born, and somebody will die, somebody pretty key in the cast, unfortunately not going to make it. It’s the 1920s now.”
The obvious speculation is that the birth will be a child for Matthew and Mary, especially as it is confirmed that they will marry. There are other possibilities. Perhaps Bates makes it out of prison and starts a family with Anna. It is also possible that Lady Sybel might be having a child. Those interested in seeing Jessica Brown Findley in other roles might click here to see her in Albatros. (Beware, the scene is not safe for work, and the Crawley family would really be shocked to see her flashing in this scene).
The cast of Downton Abbey includes Hugh Bonneville, who has appeared on Doctor Who. Alex Kingston has a role on the second season of the remake of Upstairs, Downstairs (coincidentally also playing an archeologist). I was aware that Jean Marsh, who has been on the original and remake of Upstairs, Downstairs, has appeared in Doctor Who and was curious as to whether many other actors have appeared on both shows. I was surprised by the length of the list, which can be seen here.
The second season of Upstairs, Downstairs won’t air in the United States until 2013 and is well worth watching. The season takes place as conflict escalates between Germany and Great Britain just before World War II, giving it a much more modern feel compared to the original, or compared to Downton Abbey.
The first ever official Doctor Who convention took place this weekend, and Steven Moffat discussed the event in the video above. More videos can be found here, here, and here.
The biggest news out of the convention is that the fifth episode next season, which has the final encounter with the Weeping Angels (and final appearance of Amy and Rory) will take place and be filmed in New York City. While in New York, the cast might feel at home in this TARDIS-themed bar which Karen Gillan mentioned in an interview.
Low-quality versions of trailer for the new season, taken while shown at the convention, have also been posted on many sites, as above. Hopefully we will have an official release early next week. Steven Moffat’s promotion of the season: “Amy and Rory leaving, tragedy, heartbreak and a Western, what more do you want out of Television. Come on Downton take that on!”
The biggest Doctor Who news of the week came on Wednesday before the convention with the naming of Jenna-Louise Coleman as the next assistant, beginning with the Christmas 2012 episode. The initial announcement, along with news on the upcoming season, were first posted here. In a follow-up post later in the day I had interviews with Jenna and Steven Moffat. A post on Thursday concentrated on her roles in Captain American and Titanic, along with advice from Matt Smith. On Friday we had the first official BBC picture of Jenna in front of the TARDIS, information on another series she is appearing in, Dancing on the Edge, and a report of links to an alleged sex tape with Jenna-Louise Coleman which actually lead to a malicious site. There’s also a brief video of what Matt Smith might say to people searching for sex tapes of Jenna.
Steven Moffat spoke toRadio Times about Doctor Who and Sherlock. He dismissed internet rumors that Benedict Cumberbatch will be playing the Master and reports that he has not started writing season three of Sherlock yet:
Doctor Who showrunner Steven Moffat has dismissed reports that Benedict Cumberbatch is to play the villainous Master on the sci-fi series.
Speaking to RadioTimes.com at the Royal Television Society awards, Moffat said: “People really do sit in rooms and make that stuff up. Look at the filming schedules for Doctor Who and Sherlock – those two shows tend to shoot at the same time. We’d have a problem and there’s only so much I can arrange.”
But he then added, as a quick afterthought: “But who knows what could happen in the future…”
Moffat also told RadioTimes.com about plans for the forthcoming series of Doctor Who. Asked whether there would be a large story arc running through the episodes, or if we could expect self-contained adventures, he said: “As ever, there’s a bit of both. But this time we’re moving closer to stand-alone stories. At this point, we’re not planning any two-parters. So, every week is going to be like a different mad movie.”
He added: “We went quite ‘arc’ last time and we’re going stand-alone this time around. But that doesn’t mean that there aren’t those things creeping in. You’ve got to find a way to make the last episode special, and by God that worked ratings-wise last year. We don’t want to abandon that idea.”
Asked for any teasers he could offer, the ever-evasive Moffat replied: “Watch out for the title of episode two. I think that’s a belter. It’s one of my favourite titles ever.”
As for his other hit BBC1 series, the detective drama Sherlock, Moffat had this to say about series three: “Mark [Gatiss] and I have planned it out. We haven’t started writing it yet because I’ve got God knows how many episodes of Doctor Who to get sorted first. But the way it works with Sherlock is that we starve you and then we give you a short burst and then we starve you again. It’s worked so far, we’re not going to change it.”
On the scheduling of future episodes, Moffat said: “I don’t actually know. Given that this is a show that I haven’t started writing yet, it’s a bit early to suggest scheduling. Once we hand them over, they’ll be on television quite quickly.”
Emma Stone talked about her initial reluctance to appear in Spider-Man:
“I heard about Spider-Man and I didn’t think it was something I would want to be a part of. I just thought that probably isn’t right for me. Then I [auditioned with Andrew Garfield] and realized that this was a really interesting, fantastic relationship between two people and that I was being really closed-minded,” she said.
The actress, who wore her naturally blonde hair for the part, went on to discuss how her character finally changed her mind about the film: “[I] started learning more about Gwen Stacy and her history and just fell in love with the character and with the fans, too. I started reading forums and getting involved more in the comic book universe and it just became something I really wanted to be a part of, just because of all those elements.”
You went from playing a literary character in The Help who was in a much beloved book with its own kind of following, to a comic book character who’s iconic and has this rabid following. Was there a big difference for you between those characters and how they’re treated by their fans?Well of course the characters themselves are incredible different and there seems to be a different fan base between Spider-Man fans and fans of The Help. There are conventions for Spider-Man fans and there aren’t for The Help fans, although I would love to see a convention of The Help fans. It could be like the big Lebowski Fest. But they’re two tonally different worlds to me even though they both had such a rabid following. There’s a difference just in terms of bringing the material to life. There are different incarnations of Gwen Stacy and of Peter Parker throughout comic book history, all these different storylines to pull from depending on what kind of script you’re going to patch together. With The Help, it was such a distinct story that kind of needed to be matched line for line in a way. It felt different just in terms of becoming part of it and the way the material was adapted. But I’m so excited to be part of a movie with a built-in fan base in that way. You go to Comic-Con and there’s so much passion in one room. Everybody’s so passionate about these characters and how they’ve affected their own loves. It’s a really cool thing as an actor to know that you’re part of something that’s so much bigger than you. You’re not creating it from the ground up, you’re trying to fill the shoes of someone that’s been around a lot longer than you. It’s really exciting. I love that aspect of it.>
Why do you think the producers and writers went with Gwen instead of Mary Jane?Well, Gwen’s story happened before Mary Jane’s, and I think that coming back to their roots, it was interesting to explore the woman who came before Mary Jane. I think she’s such a definitive part of Peter Parker’s relationship with Mary Jane ultimately, who is literally the polar opposite in personality of Gwen Stacy. I think just building that into Peter’s life and seeing that story from the very beginning was really interesting. And of course Gwen’s story is so beautiful and important to that story of Spider-Man that I think they wanted to come from that angle at this time.
There might be less to report about the upcoming Star Trek movie as J.J. Abrams has built a wall around the set for secrecy.
I remain shocked that JJ Abrams destroy Vulcan in his Star Trek movies. That would be like eliminating Gallifrey and most of the Time Lords on Doctor Who.Oh, never mind.
This week’s episode of Fringe, A Short Story About Love, cleared up Peter’s confusion about the meaning of a changed time-line. When Peter began searching for a way to get home, and rejected the Olivia in this time line even when she gained memories of “his” Olivia, I questioned this. Peter was treating the changed time line as if it was another form of alternative universe, but a changed time line would imply that it is the same universe in which things have changed. Olivia would be the same Olivia, but with different experiences due to the changes in the time line. Although I was thinking these things while watching, I also considered the possibility maybe Peter could be right as we really don’t have established rules for dealing with different time lines. Last night we found out that the interpretation I first had was actually correct, and Peter had been wrong. Peter also realized that reuniting with the Olivia in this time line was fine–not like sleeping with the hotter Olivia from the alternative universe (especially as we found out in the previous episode that having a baby with Altlivia led to bad consequences).
Awake didn’t address the show’s mythology this week, but once again showed a character whose life was different in each world even before the accident. Again this rules out the possibility of the universe splitting into two different paths at the time of the accident (unless we really get complex and have time move in both directions, which would be way too confusing).
Mad Men returns tonight. Here are some stories about the show:
Matthew Weiner spoke about Betty Draper’s reduced role and things which fans might hate in an interview with Huffington Post.
Stephanie Newman looked at what Mad Men might look like if it took place today. (Wouldn’t that defeat the whole idea of the show?)
Leonard Nimoy appears on The Big Bang Theory. Hopefully he does more than lend his voice to the toy version of himself (which might be the case considering how he only appeared in cartoon form in his last appearance on Fringe.) Following is an ad for the episode:
And, on the topic of toys based upon science fiction shows:
This week’s episode of Awake, Guilty, did little to progress the mythology of the show, but did address how Michael’s son and wife were coping with the loss of the other in each reality. There was no further mention of the ending from last week regarding the car crash. Things were very similar in both worlds–so much so that Michael could use sleeping pills to go to sleep and find out where a falsely convicted man had a hiding place in the dessert after his counterpart was killed in one realilty. Having things be so similar, including both having hide outs in the same location, was a different situation from last week when the same person was a fertility specialist in one reality and a homeless man in the other. The previews suggest that next week’s episode will again have a character who is different in each reality.
Awake actor Jason Issacs says over the next several episodes, the series will begin to examine some of the implications of Michael’s ability to fall asleep and change from one reality to the next.
That examination will begin with tonight’s episode when something happens to his teenage son in one universe and Michael takes extreme methods to try and go to the other to find clues that may help him get his son back.
Issacs says he came on the idea that Michael could take sleeping pills in order to fall asleep in one universe and wake up in the other.
“That was my idea – “Please let me take a fistful of pills” – and Howard Gordon went, “Great idea.” And there it was on the page next day,” Issacs says. There are not that many stories in the world, so it’s always about execution, and taste, and tone. And you very smartly put your finger on one of the hats that’s in the ring – how many interesting and different ways can we think of to make him pass out and go to sleep? There’s a bunch of people in that writers building that you’d like to be on a desert island with, because they continue to get more and more creative as the series goes on. They spread their wings until they’re just flying.”
Issacs says that idea will extend into next week’s episode and the question of Michael losing consciousness in one reality will shift him to the other.
“Any drop in consciousness. There’s an episode coming up where we play with every permutation of what you can do with this guy. You know that old showbiz maxim, “Nobody buys a ticket to watch the village of the happy people”? We send this guy to hell and back, and one way we play with him is to make him unconscious as often as possible, and we do it in every way you can dream of. Knocked out, getting medicated, being drugged against his will,” Issacs says.
HBO has released the synopses for the first five episodes of Game of Thrones:
Season 2, Episode 1: “The North Remembers” (April 1)
“As Robb Stark and his northern army continue the war against the Lannisters, Tyrion arrives in King’s Landing to counsel Joffrey and temper the young king’s excesses. On the island of Dragonstone, Stannis Baratheon plots an invasion to claim his late brother’s throne, allying himself with the fiery Melisandre, a strange priestess of a stranger god. Across the sea, Daenerys, her three young dragons and khalasar trek through the Red Waste in search of allies, or water. In the North, Bran presides over a threadbare Winterfell, while beyond the Wall, Jon Snow and the Night’s Watch must shelter with a devious wildling.”
Season 2, Episode 2: “The Night Lands” (April 8)
“In the wake of a bloody purge in the capital, Tyrion chastens Cersei for alienating the king’s subjects. On the road north, Arya shares a secret with Gendry, a Night’s Watch recruit. With supplies dwindling, one of Dany’s scouts returns with news of their position. After nine years as a Stark ward, Theon Greyjoy reunites with his father Balon, who wants to restore the ancient Kingdom of the Iron Islands. Davos enlists Salladhor Saan, a pirate, to join forces with Stannis and Melisandre for a naval invasion of King’s Landing.”
Season 2, Episode 3: “What Is Dead May Never Die” (April 15)
“At the Red Keep, Tyrion plots three alliances through the promise of marriage. Catelyn arrives in the Stormlands to forge an alliance of her own. But King Renly, his new wife Margaery and her brother Loras Tyrell have other plans. At Winterfell, Luwin tries to decipher Bran’s dreams.”
Season 2, Episode 4: “Garden of Bones” (April 22)
“Joffrey punishes Sansa for Robb’s victories, while Tyrion and Bronn scramble to temper the king’s cruelty. Catelyn entreats Stannis and Renly to forego their ambitions and unite against the Lannisters. Dany and her exhausted khalasar arrive at the gates of Qarth, a prosperous city with strong walls and rulers who greet her outside them. Tyrion coerces a queen’s man into being his eyes and ears. Arya and Gendry are taken to Harrenhal, where their lives rest in the hands of “The Mountain,” Gregor Clegane. Davos must revert to his old ways and smuggle Melisandre into a secret cove.”
Season 2, Episode 5: “The Ghost of Harrenhal” (April 29)
“The end of the Baratheon rivalry drives Catelyn to flee and Littlefinger to act. At King’s Landing, Tyrion’s source alerts him to Joffrey’s flawed defense plan and a mysterious secret weapon. Theon sails to the Stony Shore to prove he’s worthy to be called Ironborn. In Harrenhal, Arya receives a promise from Jaqen H’ghar, one of three prisoners she saved from the Gold Cloaks. The Night’s Watch arrive at the Fist of the First Men, an ancient fortress where they hope to stem the advance of the wildling army.”
The Fringe Team’s favorite Walterisms, collected at WonderCon in the video above.
Once Upon A Time had a new twist to the Little Red Riding Hood story. The TV Addict interviewed Meghan Ory about the twist in her role:
So how long have you know about the juicy nugget that you’re the big, bad wolf? MEGHAN: I’ve know for a little while. A few episodes in, the boys called me up and said, “Guess what? You’re the wolf!”
When you auditioned to the show, they didn’t say, “Hey, by the way . . . “? MEGHAN: They did not tell me. They did not. I think it might have changed a few things about my audition perhaps. But it was very exciting when I found out.
What did you think when they first told you? Did you think, “Oh no!” or “Oh, cool!”? MEGHAN: I was intrigued. I thought it was a really cool twist and something that most people probably wouldn’t see coming and it was kind of something different for the show too. So I was pretty excited about it.
Did it start informing your performance once you found out? As far as changing the way you were portraying Ruby? MEGHAN: A little bit. But not too much. I had a pretty good idea what I wanted to do with her. And also since we hadn’t seen the wolf in Storybrooke, it was more a Red thing, and we hadn’t seen Red that much.
Have they clued you in on whether Ruby can transform in Storybrooke, or is that part of the curse? That isn’t something she has to worry about? MEGHAN: Well, I think that’s going to be a very interesting story to find out about.
Jennifer Morrison talks about what is coming up on the show here.
In a post at The Guardian which is primarily about Mark Gattis joining Being Human, there are some comments about the cliff hanger to Sherlock (major spoiler for those who have not seen the season two finale:
Earlier this year Steven Moffat suggested that feverish fan theories as to how Holmes had faked his own death had missed one vital clue. So does Gatiss think the truth could now be out there? “There’s some very clever theories, some of them elaborate, and I enjoy them all. But if I were to tell you if someone had worked it out then it wouldn’t be a secret.” Which, of course, isn’t an answer. So I try again. Has somebody somewhere now worked it out? “It may be, sort of, in some of the theories. There’s a lot of very clever people out there … ”
Gatiss points to certain theories beyond his wildest imagination, and admits to being happily shocked by the frenzy that surrounded Holmes’ jump. “I’ve never known something become such a public talking point.” And one that shows little sign of abating. “It’ll be worth the wait,” he promises.
On the planned US Sherlock Holmes update, starring Johnny Lee Miller and Lucy Liu, he pauses for a moment. “All I can say … is no comment.”
According to the BBC’s in-house magazine, Sherlock won’t begin filming until early 2013, meaning that we won’t see a resolution to the cliff hanger until at least spring. We might not have that answer, but if anyone is wondering about Benedict Cumberbatch’s favorite songs, they can check here.
I am sure happy that Community has returned. It is the only sit-com to deal with topics including seven alternative realities, a parody of My Dinner With Andre, and paintball fights–plus in contrast to HBO, no horses were killed during the production of this show. Community remains on the bubble, but the ratings of the show compared to other NBC comedies leaves reason to be optimistic. While it might have benefited by all the hype surrounding its return, as well as not being up against The Big Bang Theory this week, Community has done better than 30 Rock and the first episode back beat most NBC shows:
This season, except all 18 episodes of The Office, all six episodes of Smash (following The Voice), three episodes of Shitney (1.01, 1.02 and 1.03, all after The Office), three episodes of Up All Night (1.01 (after the America’s Got Talent finale), 1.02 (time-period première) and 1.04) and the season premiere of Law & Order : Special Victim Unit, not a single scripted NBC show has done better than last Thursday’s Community episode.
The demographics of the viewers were also quite favorable. Favorable reviews, such as this one from The New York Times, is certainly helpful.
Community has also been picked up for syndication by the Comedy Channel. Another few years worth of episodes should make syndication even more lucrative. Huffington Post has a handy chart of all the relationships on the show.
With Jeff’s ties to both Annie and Britta, will there be any kind of development in either (or both) of those relationships this season?
There’s no romantic development really; there will be little things here and there. But as Dan has always done, he mixes up the couples all the time. It’s like being in a really close group of friends in high school – they keep pairing up in different ways. But because the group has to fend for its life against all these outside pressures–like the air conditioning repair school, Chang’s ascent to power with an army of 13-year-old boys he gets from a Bar Mitzvah, and the group gets expelled–those things have to be resolved first.
How long is the group expelled for?
They’re expelled forever. They all go work at a Jamba Juice together.
This has often been called the darkest season of ‘Community’ – any hints or teasers as to how things get darker in the coming episodes?
A few characters die, in a hilarious way – that’s dark. Troy and Abed get into a pretty big fight. There’s a full-scale blanket fort war. It’s not like it’s become macabre or scary, but it definitely gets darker than usual. But I think that’s where Dan and the other writers operate best. One of the most praised episodes of last season was the Dungeon and Dragons episode (“Advanced Dungeon and Dragons”), which dealt with a guy who was going to commit suicide. So I think the writers are happy to dance around the lasers right now.
Among other genre shows, Once Upon A Time is believed to have an excellent chance for renewal and Person of Interest was officially renewed in the past week. Over at Fox, Terra Nova has officially been cancelled while Alcatraz and Fringe remain in danger.
The movie version of 24 has been delayed, but now there are reports that it will be turned into a trilogy.
The second episode of Awake, The Little Guy, gave more hints as to the direction the show might be moving in. Like last week’s episode, much of the show involved slightly different events in each reality. In one, Hannah (the wife who survived in one reality and died in the other) investigated mail to their dead son and found that Rex had been secretly building a motorcycle with a friend. In the other world, Rex and his friend were still working on the motorcycle without Michael realizing it until Hannah told him about it in the other reality. Hannah of one reality also helped Michael with the information needed to wash Rex’s clothes in the other.
This episode provided clear examples of Michael finding out something in one reality which was pertinent to the other. This could be the case if everything was imaginary in Mikael’s head or if we are dealing with two different realities which split apart at the time of the accident.
There were some key differences between the two worlds. One is in the reaction of the psychiatrist in each to how Michael used information from one to help in the other, including in solving crimes. Dr. Evans was impressed by the manner in which (to her perspective) Michael was using his subconscious to solve problems. In contrast, Dr. Lee saw this as negative, believing the subconscious thoughts were unreliable.
Information from one reality did help Michael solve the murder of fertility specialist Benjamin Mackenzie by a teen (a little guy) who found that Mackenzie impregnated his mother with his own sperm. (Isn’t this always the case when a fertility specialist is seen on a crime show?) . In the other reality (where Dr. Lee questioned the use of the supposedly subconscious information) Mackenzie’s murder was not solved. In this world, Mackenzie had been murdered a month before (by a little guy) but Mackenzie was a homeless drug addict instead of a doctor.
While there are similarities between the two worlds with Mackenzie being murdered in each, it is a major finding that Mackenzie had a different life in each universe which would have begun before the auto accident. This could occur if everything is taking place in Michael Britten’s mind. This could not arise out of a situation where things split into two parallel worlds at the time of the accident as if this was the explanation Mackenzie would be the same in each reality at the time of the accident. Another possibility is that the accident is causing Michael to move back and forth between two parallel universes which were already in existence but where not everything was the same. (Perhaps one even has the twin towers still intact as on Fringe.)
In another major development, Laura Innes, who plays Michael Britton’s superior in the police department, met with another man who was revealed to have been responsible for the car crash which was intended to result in the death of Britton’s entire family. The actual accident was set up by a little man. Beyond revealing that the accident was not really a accident, this answers another question about the show–whether it is possible to have scenes showing events that Britton is unaware of. (This was not the only example, but is by far the most significant to reveal that there is a world beyond Britton’s thoughts). This meeting appears to take place in the Red World where his wife is still alive and the murder of Mackenzie was not solved, but could it possibly be taking place in a different “real world” if the two worlds we see with Michael Britton are both taking place in his mind? The reasons for trying to kill Britton provides another mystery which, while not as interesting as the underlying question of how there are two different realities, is an ongoing mystery which a reasonable story could be written about.
The third episode of the upcoming season of Doctor Who is being filmed in Spain. It is reportedly a western episode in which a “half-human half-robot Terminator-style beast which patrols a Victorian-era western town”. Ben Browder of Farscape will be appearing and there are also unconfirmed rumors that Sophia Myles (also rumored to replace Karen Gillan) appears. (Myles previously appeared in The Girl In The Fireplace, an episode written by Steven Moffat.)
The episode was written by Being Human creator Toby Whithouse and directed by Saul Metzstein of Upstairs Downstairs. There is also another connection between Doctor Who and Upstairs Downstairs. Alex Kingston, in addition to being in the second season of Upstairs Downstairs, plays an archeologist. Seeing “River Song” in pre-World War II England is certainly not implausible.
Two new trailers have been released for The Game of Thrones (videos above).
A long time has passed since we last saw Mad Men. The cast helps us catch up in the above video.
Terra Nova has been officially cancelled by Fox but there are reports that Netflix might be interested in continuing the show. Until Netflix develops a following for original programming, I think it does make sense to try to take advantage of the existing audience of shows which had reasonable ratings but didn’t survive on network television, as it is doing with Arrested Development. While I (and many others) have become accustomed to watching original programing on HBO, Showtime, AMC, and now even Starz, I would be far less likely to click on an original show on Netflix unless I heard a lot of favorable buzz. I think that I, and many other potential viewers, would be far more likely to watch a show we were already in the habit of watching before picked up by Netflix.
If Netflix really is interested, they better act quickly while the cast is still available. Christine Adams has already received a role in a pilot for ABC entitled Americana.
I hope that the announcement of the cancellation of Terra Nova means that this increases the chances that there will be a spot on next year’s schedule for Fringe and Alcatraz. There are reports that Fox might give Fringe a shortened season next year to wrap up the series as a short season would extend the series to at least one-hundred episodes, which is preferred for syndication.
The above video envisions the Benedict Cumberbatch version of Sherlock to the theme of Batman: The Brave and the Bold.
Emily Blunt, who appeared last year in The Adjustment Bureau, passed up on some other genre roles in superhero movies. She was asked about this in an interview in New York Magazine:
At one point, you were up for parts in Iron Man 2 and Captain America, but you passed. Would you ever want to do a superhero movie?
Usually the female parts in a superhero film feel thankless: She’s the pill girlfriend while the guys are whizzing around saving the world. I didn’t do the other ones because the part wasn’t very good or the timing wasn’t right, but I’m open to any kind of genre if the part is great and fun and different and a challenge in some way. I would love to do a comic-book movie or a science-fiction film that would scare the bejesus out of me. Maybe I need to be James Bond! I just did Looper, because it’s so original and breathtakingly cool. The time-travel aspect is just a backdrop to visit this heightened world, where you’re atoning for something and attempting to be more than you’ve been.
Carlton Cuse, show runner from Lost, is joining The Bate’s Motel, a prequel to the Alfred Hitchcock movie Psycho being prepared by A&E.
Stephen Hawking will be appearing on the April 5 episode of The Big Bang Theory. Will Sheldon try to tell Hawking about the physics errors he has made? Community returns this week!!!