SciFi Weekend: Doctor Who, SHIELD, Arrow, Big Bang Theory & Other Sitcoms, Orphan Black, Star Trek, X-Files, Horror Shows, and SNL On Gravity & The Shutdown

Nine lost episodes of Doctor Who have been found in Nigeria.

The episodes come from two multi-part serials for which only one episode each was known to exist: “The Enemy Of The World” and “The Web Of Fear.” As a result of this discovery, “The Enemy Of The World” serial can now be watched whole in the UK for the first time since it was originally broadcast, and for the first time ever in the United States. Episode 3 of “The Web Of Fear” serial is still missing even after this discovery, but a reconstruction from stills and program audio is included to complete the story. All 11 episodes from the two serials exist on film and were digitally restored prior for this release.

Trailer for The Enemy of the World above. Mark Gatiss has said that Web of Fear has inspired the first episode of the third season of Sherlock.

Dr.-Hall

The third episode of Agents of SHIELD was better than last week but still left a lot to be desired. Regardless of the show’s (lack of) quality, it has been picked up for a full 22 episode run. That is no real surprise considering how it helps promote the Marvel movies, and I’m sure Disney will also find other ways to profit from the show. I’m still hoping that everyone other than Agent Coulson gets furloughed during the government shutdown, especially Fitz and Simmons. Skye could conceivably be a good character if she was able to be more convincing as someone both working with SHIELD and a hacker group.

Arrow Oliver Summer Glau Felicity

Despite being limited to minor DC characters and being on CW, so far Arrow has been a much better show than Agents of SHIELD. As a plus, beyond the connection to DC, there is also a strong Doctor Who connection with recurring characters including John Barrowman and Alex Kingston. The producers are Doctor Who fans who are hoping to get Matt Smith to guest star.

The second season premier was a little uneven. There were great scenes, including a shoot out which seemed to be from Gotham City and the return to the island, but the show was hindered with some scenes to bring things up to date after a six month jump. This included the prison visits to Moira and the obligatory scene between Oliver and Laurel to place their romance on hold once again. It was good to see Summer Glau, but her character seemed to be even more of a robot than the robot she played on Sarah Connor Chronicles.

I have another nitpick with last week’s episode. When Oliver met with Summer Glau’s character, he was accompanied by John Diggle and Felicity. These two are his sidekicks when he does the vigilante thing, but they do not have comparable roles at Queen Consolidated. While I understand they want to place their main cast into as many scenes as possible, the business meeting should have been held with extras in suits who presumably have been running the country for the past six months while Oliver was gone and Moira was in prison. Despite the flaws of the first episode, I remain optimistic for an entertaining second season. Of course the major change is that Oliver now wants to be a hero instead of vigilante, going under a new name.

the-big-bang-theory-raiders-of-the-lost-ark

The new NBC comedies have been doing terribly in the ratings, making me hope that Community will return sooner than planned. Parks and Recreation is worth watching, even including an occasional genre reference. The rest of the shows have serious problems.  Unfortunately Parks and Recreation has to go up against The Big Bang Theory. They had an excellent episode with genre discussion last week. Amy destroyed Raiders of the Lost Arc for Sheldon by making an observation I had not thought of before. The story would have played out pretty much the same way if Indiana Jones wasn’t involved, with the Nazis taking the Arc, opening it, and suffering the same fate. Sheldon tried to retaliate by showing flaws in things which Amy liked. He pointed out things on Little House on the Prairie which didn’t belong in the era and said, “If I knew this show was about time travel, I would have watched it much sooner.” He also knocked Garfield: “Your precious Garfield has no reason to hate Mondays. He’s a cat. He has no job.” Meanwhile Leonard wanted to watch the full Blu-ray extended version of “The Hobbit” with long commentary instead of watching sports with Penny’s friends who he has little in common with : “It’s like they never even heard of Quidditch.” Plus there was an appearance by Leonard’s mother, played by Christine Baranski.

In a related item, here is a reference to all of Sheldon Cooper’s t-shirts.

I was pessimistic from the start that a US network would pull off an adaption of Gavin and Stacey, fearing it would be a flop as with the attempt at a US version of Steven Moffat’s fantastic sit-com Coupling. I was going to give Us & Them, the US adaptation, a chance due to staring Alexis Bledel. Fox has already given up on the show before it has aired, not planning to produce further episodes. I’ve seen conflicting reports saying that either six or seven have been filmed. Regardless of the number, there will be no more.

Joanna Page, the original Stacey, is appearing in The Day of the Doctor. She discussed the show in an interview posted here.

With a lack of successful comedies, NBC is looking at everything from a new sitcom staring Meg Ryan to a sitcom reboot of Remington Steele.

There have been a lot of stories over the past week about Robert Orci speaking with CBS about the possibility of a new Star Trek television series. I would love to see it happen. Star Trek belongs on television far more than in movies (not that the two are mutually exclusive). If anything, the talks are at a very early stage. Orci has now posted: “I THINK MY COMMENT HAS BEEN BLOWN OUT OF PROPORTION. Someone asked about Star Trek TV, and I said we had inquired about the rights. Doesn’t mean a show is imminent nor do we assume CBS would want us to do that at this time. I refer you to the Roddenberry podcast for context.”

Gillian Anderson and  David Duchovny Revisit the Origins of ‘The X-Files’

There have been a number of cast announcements for the second season of Orphan Black and for Fargo, a ten-episode series to run on FX. The most interesting pick is the addition of Bob Odenkirk (Saul from Braking Bad) to the cast of Fargo.

There’s a Twitter feud between the writers of Elementary and Sleepy Hollow. Both shows have something in common as far as I’m concerned.  Both have episodes still sitting on my DVR as shows which I haven’t found good enough to keep up with. I still might give Sleepy Hollow another chance as time allows, primarily because of knowing that John Noble will be appearing. Fake Sherlock is a poor substitute for the “real” thing.

With Walking Dead returning, Oh No They Don’t took a look at How Horror Took Over Hollywood.

Saturday Night Live showed the impact of the government shutdown on Gravity.

SciFi Weekend: Doctor Who Searching For Clara Oswald; The Bells of St. John; Revolution: Mad Men Returns; Rory Gilmore Engaged to Pete Campbell

A prequel has been released for The Bells of Saint John, next week’s episode of Doctor Who (video above). I bet pretty much everyone guessed how it would end pretty early in the clip, remembering how the Doctor also first met Amelia Pond as a young child.  The Doctor is searching for Clara but I’ve already found her in a couple places:

Here she is on the Titanic.

She has also been sighted in the United States during World War II, going out with Steve Rogers (before he became Captain America).

As can be seen in the above trailer, the Doctor does find Clara. We still do not know who she is, and are unlikely to guess according to Doctor Who Producer Marcus Wilson:

What’s lovely this year is that we’ve also got a thread running through these eight very different, very exciting stories – the mystery of Clara. She’s the impossible girl. The Doctor has met her twice before and both times she died. This time he’s determined to keep her alive and to discover who or what she really is. It’s a riddle that won’t easily be cracked. I defy anybody to guess it. Steven Moffat has found a way to lead everybody down the garden path and then knock them over with surprise at the end.

Above Jenna-Louise Coleman interviews Matt Smith

There’s also talk of revealing the Doctor’s greatest secret, and of a love triangle involving Clara and River Song.

Jenna-Louise Coleman appeared on Craig Ferguson’s show last week (video above).

Doctor Who first made the cover of Entertainment Weekly in July 2012 in a cover story about cult television. Now he is on the cover twice more with two different versions of the cover for this week’s edition on the 50th anniversary. (I was happy to find that my home and office waiting room copies each had the different cover). Here are the two covers:

Doctor WhoEntertainementWeekly1

DoctorWhoEntertainmentWeeklyCover2

But what happens after the anniversary? There’s another round of rumors that Matt Smith will leave the show after the Christmas Special, along with Jenna-Louise Coleman saying there may be a delay until the next season due to Steven Moffat being busy writing the 50th anniversary episode and Sherlock.

Revolution returns on Monday–view the first eight minutes above. Between the action scenes Aaron questions what Elizabeth knows. Now that Elizabeth has been reunited with her family it would not make any sense for her not to explain what is happening. We will see everything revealed in the thirteenth episode, to air April 8. Executive Producer Eric Kripke says this will open the door to new mysteries:

On revealing why the power went out

Kripke: In episode 13 Rachel reveals pretty much every single thing there is to know about why the blackout happened and every time I watch that scene– and she’s brilliant in it — but that scene’s a hard swallow every time because you’re like wow we’re just saying it. And it goes against many of your baked-in sure-weather instincts are not to have the scene that reveals every single thing in three minutes. And so we reveal really why the blackout happened but the card I think we have up our sleeve is I think the explanation really opens the door to much greater story possibility.

On Rachel’s role going forward

So Rachel’s quest is specific and she’s incredibly proactive. She’s making a straight line towards what it is that she needs to do. And the fun part that, you know, Eric had talked about before is that she also unloads everything; the entire secret, the entire history in one crazy conversation in Episode 13.

So I think that people will enjoy the fact that she has a lot to say and that her admonition or her quest is very powerful and proactive which I love in a character. It’s always nice to see women, people, anyone – your protagonist going after what she wants full force. So I think that’s going to be fun.

On what comes after that secret is revealed

Kripke: I don’t think we box ourselves in a corner. I think we open a door to a whole new world. And then we ask more questions. Because for me the story was never about what caused the blackout. I think it’s for me it’s like the show isn’t just based on one particular mystery, it’s based on these characters and this world and this kind of transformed landscape that they have these adventures in.

One of the more disappointing plot lines so far on Revolution was seeing how Aaron left his wife, feeling she would be safer without him. Kripke answered a question on this at PaleyFest2013:

Zac Orth wasn’t in the house, but his character Aaron was a hot topic nonetheless. When an audience member told the panel that he wasn’t a fan of how Aaron abandoned his wife so quickly, Kripke promised that that plotline would be addressed. ”He sees her again, and they’re able to work out their issues, and they do have a face-to-face,” he says. “She’s in the present day and you catch up with what she’s been doing for the past decade or so.”

Mad Men is also returning with a two-hour season premiere on April 7.  Promo above.

Last season  Vincent Kartheiser (Pete Campbell)  and Alexis Bledel (better known as Rory Gilmore) had an affair. Now the two are engaged in real life.  With Bledel’s character undergoing the Eternal Sunshine of the Spotless Mind treatment it is doubtful that their  affair will resume on the show. Plus Alexis Bledel is in a new pilot based upon the excellent UK sitcom, Gavin and Stacey, in which she will be dating Jason Ritter of The Event. Ritter was dating Lauren Graham (who previously played Rory Gilmore’s mother) last season on Parenthood. Meanwhile Pete Campbell’s wife on Mad Men, played by Alison Brie, is back on Community with an unknown future.

SciFI Weekend II: Doctor Who; Game of Thrones; Revolution; Princesses; Rory Gilmore; Lena Dunham and Seth MacFarlane Parodies

Doctor Who Return Motorbike

Doctor Who returns on March 30 to BBC1 and BBC America:

Following a record-breaking year, fan favorite Doctor Who returns with a modern day urban thriller, The Bells of St. John, written by lead writer and executive producer Steven Moffat (Sherlock).  Set in London against the backdrop of new and old iconic landmarks – The Shard and Westminster Bridge – The Bells of St. John introduces a new nemesis, the Spoonheads, who battle the Doctor as he discovers something sinister is lurking in the Wi-Fi. The premiere will be followed by seven epic episodes written by Steven Moffat, acclaimed writer Neil Gaiman (Coraline, Beowulf), Mark Gatiss (Sherlock), Neil Cross (Luther) and Stephen Thompson (Sherlock).

The Doctor (Matt Smith) is joined by his new companion Clara (Jenna-Louise Coleman) for the latest set of incredible adventures through space and time. The duo finds new adversaries and familiar friends around every corner as they journey from the bottom of the ocean in a submarine to the center of the TARDIS and beyond. The Cybermen make a thunderous return and the Ice Warrior arrives in an unexpected place.

Steven Moffat, executive producer and lead writer, said, “It’s the 50th year of Doctor Who and look what’s going on! We’re up in the sky and under the sea! We’re running round the rings of an alien world and then a haunted house. There’s new Cybermen, new Ice Warriors and a never before attempted journey to the centre of the TARDIS. And in the finale, the Doctor’s greatest secret will at last be revealed!  If this wasn’t already our most exciting year it would be anyway!”

Also appearing this season are guest stars Dougray Scott (Desperate Housewives, Mission: Impossible II), Warwick Davis (Life’s Too Short, Harry Potter), Celia Imrie (The Best Exotic Marigold Hotel), Richard E Grant (Iron Lady, Dracula), Jessica Raine (Call the Midwife) and Tamzin Outhwaite (EastEnders, Law & Order: UK).  Additionally, mother and daughter Dame Diana Rigg (Game of Thrones, On Her Majesty’s Secret Service) and Rachael Stirling (Tipping the Velvet) will appear on screen together for the first time. Doctor Who premieres Saturday, March 30, 8:00pm ET as part of Supernatural Saturday.

The Ice Warriors are to return to Doctor Who but two episodes of the original serial The Ice Warriors from 1967 are missing. There are now plans to make animated episodes to complete the story for DVD release.

It looks like John Barrowman might  be appearing in the 50th anniversary episode, or maybe not. He also says he has “moved on” from Torchwood.

There is also talk about Arthur Darvill returning for the 50th anniversary, but they would have to be careful with that. Perhaps they could meet up with Rory before he was sent back in time by the Weeping Angels. Otherwise it would be hard to explain bringing back Rory without Amy Pond. Even that might violate some time laws, but those rules have always been inconsistent.

Game of Thrones Season 3 extended trailer above. The series returns on March 31.

Revolution returns on March 25. A five part web series is being posted prior to its return. Series Creator Eric Kripke is comparing his show to Game of Thrones:

“We’ve seen personal relationship struggles and personal revolutions happen, but we haven’t seen how this particular power outage has affected the whole world. We’re about to,” Esposito teases. With the revolution finally beginning, everyone has their own role to play, roles that will take them outside of the Monroe Republic. “We’ll see the Georgia Federation this season, we’ll see the Plains Nation this season — and they’re wildly different nations … We really want this to evolve into kind of an American Game of Thrones.” Kripke says. But with the world expanding, don’t expect our recently reunited gang of misfits to stay together too long.

It would take a considerable about of improvement to see Revolution enter the same league as Game of Thrones but it is not a bad things that Kripke aspires to such quality.

Variety reports that Emma Watson is in early talks to play Cinderella in a Disney live-action adaptation.

Zoe Saldana, taking up the Star Trek/Star Wars crossover of Part I of today’s SciFi Weekend, also wants to be a princess. The actress who plays Uhura wants to be a princess in Star Wars VII.

Robin is dead, but  Superhero deaths have become meaningless.

gavin and stacey cast

Gavin and Stacey is one British television series which I would highly recommend watching. It has become easily available in the United States, including on Netflix. However, when I first heard of plans for an American version of the show I was wary as to  how well it would work. Some adaptations of British shows have done well, while others have been flops. The flops include Coupling, a fantastic British sit-com written by Steven Moffat. The show was about a group of friends who hung out a a bar and felt like a combination of Seinfeld and Sex and the City, with occasional references to Daleks. NBC tried to use an American adaptation to replace their show about Friends who hung out in a coffee shop, but the adaptation didn’t work in the United States.

Gavin and Stacey also had a couple of connections to Doctor Who. Several years ago the internet went wild over rumors that Joanna Paige (Stacey) was going to appear on Doctor Who as a Time Lady or relative of the Doctor. James Corden, who has appeared in episodes of Doctor Who including The Lodger, was creator and co-writer of Gavin and Stacey and appeared in the show as Gavin’s friend Smithy. Joanna Paige might be best known in the United States for her role in the British romantic comedy Love Actually as the sex-scene body double who spent much of the movie nude and having sex.

I have questioned the change from a relationship between a boy from near London and a girl from Wales to an American story. In the American adaptation,  Friends and Family, the role analogous to Stacey is moved from Wales to rural Pennsylvania. I had little interest in this show until the cast for the pilot was released: Alexis Bledel and Jason Ritter.

Alexis Bledel is best known as Rory Gilmore from Gilmore Girls. She also appeared in Sin City and recently appeared on Mad Men. With Alexis Bledel on the show I will definitely check it out. It is also amusing that Jason Ritter recently was involved with Lauren Graham (who played Rory’s mother on Gilmore Girls) on  Parenthood. Ritter also stared on The Event.

This impersonation of Lena Dunham auditioning for Zero Dark Thirty really nails her charter from Girls.

This is for female readers who were offended by Seth MacFarlane’s We Saw Your Boobs number at the Oscars (video above) not because it was tasteless and crude but because it only pandered to the prurient interests of male viewers–We Saw Your Junk:

SciFi Weekend: Doctor Who News; Fringe; Emilie de Ravin; Spider-Man; Star Trek; Game of Thrones; The Newsroom; Rory Gilmore; Cards and Cake

Caroline John, who played Liz Shaw, died at age 71 last week. Liz Shaw was a companion to the third Doctor, played by Jon Pertwee during the seventh season of Doctor Who in 1970. Here are some clips from her first appearance when she was recruited by U.N.I.T.

Additional clips can be found here.

Did Matt Smith give away a hint as to Amy Pond’s fate:

There’s something coming up in the final days of the Ponds that was in The Eleventh Hour,” he said. “There’s a shot in that. [Moffat’s] been thinking about it that long. He always knew how she was going to… I’m saying too much already.”

Entertainment Weekly interviewed John Noble about Fringe:

ENTERTAINMENT WEEKLY: Let’s talk about some of your favorites.
JOHN NOBLE: I had some favorites. I loved the “Letters of Transit” episode, which was the one where we went into the future. I thought that was really a beautiful looking episode, beautifully told. I very much liked “Return to Westfield” because it was the first time that really the old team had got back together again — Walter and Olivia (Anna Torv) and Peter (Joshua Jackson). It was a very interesting story for all sorts of reasons. Those two stand out.

Episode 20, where the two worlds were bridged was also a fan favorite.
I loved the final conversation between Walter and Walternate where they’re in the corridor together. I waited a long time to see how that would be handled, and I thought the writers really handled it beautifully and eloquently. I loved doing that scene.

Tell me what it was like filming that.
I think I was so ready for it. For me, I realized there needed to be a payoff between the fellows. And I’ve always seen them as two shades of the one man. You know, he’s the same man, but circumstances took him in a different direction. So it was like a personal reconciliation for Walter, Walternate. I was really touched by the way they were able to be so kind to each other. I found that encouraging, and it was the way that I would have wanted it to happen. There had been plenty of abuse flying around, previously. But it was just like a human being finally coming to some sort of resting point in their life and saying, “OK, let’s stop fighting.Let’s just agree on what we can agree on.” So, on a much larger scale, I thought it was beautiful. The whole sequence was beautiful. Looking back on it now, it was really sad that separation of the two worlds. No one kind of expected it to be because I have to tell you, they’re brutal to film, those doppleganger sequences. They are really demanding, and they take forever and ever and ever and ever. But I loved that scene.

Was it hard for you to say goodbye to that character?
I always had a soft spot for Walternate. I always figured that if my world was in trouble — I mean, really in trouble — he’d be the one I’d want to be in charge. And obviously he was painted as the baddie, initially. But I never personally took it that way. I took it as a man with a job to do and a huge burden and very good reason to be incredibly angry and vengeful should he choose to go that way. But he never did take that these actions; he just wanted to save his world. And then I got the chance — I think it was maybe last season– to humanize him a bit.
Look, Walter…Walternate, I don’t really think he’s gone. I think he’s just one suit away — just put another $2000 dollar suit…

Well, let’s keep you away from suits, then — for the good of the universe.
[Laughs]

Peter and Walter had an amazing scene in the finale, right after he shot Olivia and he was working to save her. Did you actually slap Josh?
There is a little story to that. When we were doing it, it was very complicated. What Josh had realized was that his girl was lying there dead — hurt — and then [Walter] had just come trying to reason with him. There was just no way he would have done anything except strangle Walter really. So I said to [Josh], “We need [him] to snap on this one.” And we’d never done it; there’d never been any physical contact between the men. So I said, “How about if I slap you?” And he said, “Yes, that’s what it needs.” So we put that in. And it did; it was very powerful. When a person’s in distress, sometimes they slap them. So we put that in, and it was terrific. It was effective. And it was dramatically right for what we needed to do.

It appeared from the season finale of Once Upon A Time that it only made sense for Emilie de Ravin’s version of Belle to reappear frequently next season. Her pilot for ABC, Americana, didn’t get picked up, leaving the former Lost actress free to become a regular on Once Upon A Time.

The Amazing Spider-Man will be out soon. Links to early reviews can be found here. Emma Stone discussed how scary the Lizard was.

While Star Trek‘s greatness really came from the television series, it lives on in the movies. Geek Tyrant notes that with the release of the movie currently in production, Star Trek will tie (with the Friday the 13th movies) for second in number of movies made.  Both series will have twelve movies but they have a long way to go to catch up with James Bond who is going on twenty-four. As I pointed out several weeks ago, Bond director Sam Mendes has compared the James Bond franchise to Doctor Who.

What if there were SuperPAC ads in Kings Landing like those we have here? See one example above, and more here.

The Newsroom premiers tonight and most of the ads are negative. It doesn’t matter to me. If it is written by Aaron Sorkin I’ll watch every episode and enjoy them, just like Studio 60. (I probably agree with every criticism of Studio 60 out there, but still enjoyed the show.)

Seeing Rory Gilmore lower herself to having an affair with Pete Campbell on Mad Men before undergoing the Eternal Sunshine of the Spotless Mind treatment makes me nostalgic for Rory before she became corrupted. This is how Rory should be remembered: The Rory Gilmore Reading Challenge. And how did Amy Sherman-Palladino manage to get a young clone of Rory for Bunheads?

I don’t think that the flaws in the science will affect whether audiences enjoy the recently released movie, Seeking a Friend For the End of the World.

Last week was Father’s Day. Here’s a couple of kids out shopping for a card for their famous but evil father.

Or if you are in need for a birthday cake, this recipe can be found here. Extermi-cake?

SciFi Weekend: Doctor Who; Star Trek; Bush’s Decapitated Head (Game of Thrones); Sane Republicans Only Found In Science Fiction; Mad Men Finale

Steven Moffat give some hints (or perhaps misleads) about Jenna-Louise Coleman’s role as the new companion on Doctor Who during a recent radio interview:

The new companion will, again, be a human from contemporary earth. This is necessary for audience identification and a ‘jumping on’ point for new viewers

How the companion gets where she is and what that means for the character is what will make her utterly different and fascinating

The new companion will not have any links to any previous characters

Her ‘journey’ will be shocking and intriguing. The Doctor has never met anyone quite like her before

Her very presence in the TARDIS will change the Doctor and there’s something different about her that will have a knock-on effect for the Doctor/companion dynamic

Or how about Jon Luc Picard as a companion? Above is from the comic miniseries  Star Trek: The Next Generation and Doctor Who: Assimilation².

The two greatest science-fiction properties of all time cross over for the first time in history, in STAR TREK: THE NEXT GENERATION/DOCTOR WHO: ASSIMILATION²! Captain Jean-Luc Picard faces one of the most difficult decisions of his life, but the fate of the galaxy may depend on it! Can the Doctor convince him to make the correct choice?

Another example of cover art from the miniseries can be seen here.

There was controversy this week when it was revealed on the DVD extras that one of the heads used on Game of Thrones during the first season was that of George Bush. It sounds like it was just a matter of using  materials which were handy and nobody would have noticed if this was not mentioned during the commentary. From the DVD commentary:

“The last head on the left is George Bush. George Bush’s head appears in a couple of beheading scenes. It’s not a choice, it’s not a political statement. We just had to use whatever head we had around.”

The full scene is above.

This was an interesting bit of trivia about the show which apparently nobody noticed when it aired,  but once revealed HBO really had no choice but to have this edited out. In a nation split near 50:50 it is understandable that a media company would not want to alienate a large percentage of the country in such a manner. The season finale was taken down and DVD sales stopped to allow for digital removal of Bush’s head–which would create a problem for those desiring to watch the first season. I just checked HBO GO and found that the episode is back up. The scene with Bush’s head is unchanged except that there is now hair digitally inserted over much of the face making it unrecognizable.

One of the biggest puzzles about the first season of Once Upon A Time is why they didn’t use Meghan Ory more often. The producers apparently agreed and are making her a regular for the second season, along with adding new characters.

The two top writers of rapid-paced dialogue are back on the air this summer–Aaron Sorkin with The Newsroom and Amy Sherman-Paladino with Bunheads. Sorkin discussed his work in an interview here–but I would give higher grades to Sorkin’s previous shows than he gives himself. Another interview with Sorkin  touches on science fiction as well as politics:

In one episode of Newsroom, we hear Will say, “I’m a registered Republican—I only seem liberal because I believe that hurricanes are caused by high ­barometric pressure and not by gay marriage.” So—

Your question is “Are hurricanes caused by high barometric pressure or low barometric pressure?” The answer is both. Hurricanes are caused when a high-pressure system surrounds a low-pressure system. That wasn’t your question, though. Your question is, why is Will a Republican?

No. My question is, if he really is a ­Republican with moderate-to-liberal beliefs, when did you become interested in science fiction?

You’ve answered the question I thought you were asking, which is, why is he a Republican? There are several reasons, but the biggest is: I haven’t seen this guy on TV.

Or anywhere, lately.

For the last year or so, but really since Obama got elected, I’ve found the most interesting op-ed political writing to be from Republicans who are looking at the extreme right and saying, “Those guys aren’t with us. I don’t know what happened here, but they’ve kind of co-opted our brand name. But these aren’t Republican values.” Guys like David Frum, Mark McKinnon, Andrew Sullivan. Even George Will. I hadn’t seen that guy on television. There’s CNN, which tries very, very hard either to not be anything or to be both things. And then, of course, there’s Fox and there’s MSNBC, on either side.

Amy Sherman-Paladino’s new show Bunheads premiered last week, with many similarities to Gilmore Girls. Inevitably interviews about the new show led to questions about Gilmore Girls, including the mysterious four words which she had intended to conclude the series with:

You always said you knew the four words that were going to end the last Gilmore Girls episode, and you obviously never got to have them said. Any chance you’d share them now?
To me, because I didn’t have control of that last year and [whispers] I still haven’t seen the last year … Here’s the deal. All the people who ran the last year, David Rosenthal, I hired him, he’s good people, he’s a good writer, I really like him. I don’t think he thought Dan and I were going to leave. We didn’t think we were going to leave. Everyone was caught unaware. It was literally a situation of bad negotiating. Our interests were in staying and keeping the show going. Once the CW bought it, we called Warner Bros. and said the CW is going to need this show to launch new product for the next couple of years. You don’t want the show to go down this year. We instigated that. When the negotiations got so crazy we thought, Maybe we’re high? Maybe they don’t want it for the next couple of years. But by not having control of that, it shifts the focus of what my last words would have been. I was also holding on to it for a long time because I was thinking if we did do a movie, I would be able to use it there. I don’t think that’s ever going to happen so, I don’t know. Maybe I’ll eventually say the four words. I feel like now I’ll let people down because it’s been so built up. “Really? That’s what we waited all these twelve years for? Well, thanks so much.”

Maybe the four final words were, “Rory, you were adopted.”  Doubtful, but amusing speculation.

Alexis Bledel’s appearance on Mad Men this season also came up:

I’m sure you know a very grown-up Alexis Bledel was on Mad Men a few weeks ago.
We have a place in Brooklyn and she lives right around the corner from us. I have to say she is taking a very thoughtful, interesting approach to her career post-Gilmore. She’s being very particular. I think it’s very smart. She’s not rushing. I applaud it. She did have her shirt open, however, and her boobs hanging out. I was behind. I’m behind on everything that’s not Game of Thrones. And then I read some headline that said, “Most Boring Mad Men Ever Except for Rory Gilmore Getting Naked!” I thought, Holy shit, is she naked? She wasn’t. She had a fur and some underwear. When you’re young and your boobs look like that? Why not?

Speaking of Mad Men, I noticed that critics were generally dissatisfied with the season finale last week. I disagree. Certainly there was more drama in the previous episode in which Lane committed suicide, but the finale did an excellent job of tying up some loose ends and presumably setting the stage for next season. They might have saved the suicide for the finale, but handling it this way allowed viewers to see the aftermath of the act.

The finale included Pete Campbell getting punched, not once but twice, making this twice as good as the previous episode in which this occurred. Pete seemed to becoming too successful at SCDP, but we learned of his dissatisfaction with his life during his visit to the hospital. Perhaps he was demonstrating even more self-understanding when he told the conductor, “I’m president of the Howdy Doody Circus Army.” There was an Eternal Sunshine Of Spotless Mind conclusion to the Rory Gilmore storyline. We saw that SCDP has become a successful firm, suggesting an end to the new company struggling to survive story lines which can become tedious. Most importantly, we may have seen the beginning of the end of Don and Megan. The episode contained clues, such as Don telling Peggy, “That’s what happens when you help someone. They succeed and move on.”  Don warned Megan against taking  help from him, telling her she would be better off being “someone’s discovery than someone’s wife.” Don might now believe that Megan will move on as Peggy did. Now that Don has helped Megan get the role in the ad, she has become too much like Betty when they met, and might ultimately suffer the same fate.  The episode ended with what might be the old Don Draper going into the bar to order a highball. We don’t know how he answered the question, “are you alone” but things will never be the same between Don and Megan.

The Avengers ended with the heroes going out to a shawarma restaurant after saving New York. When watching this scene (at the end of the credits) did you wonder where Loki was? The answer is above.

SciFi Weekend: Fringe; Awake; Lost-Style Reset on Once Upon A Time?; Mad Men, The Beatles, and Rory Gilmore; Damage to Manhattan from The Avengers; Why Companions on Doctor Who Are Usually Young Women

The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.

The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”

Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.

Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.

TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:

“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036?
J.H. Wyman: Yes.

Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman:
Well, let’s say that basically 2036 is extremely important to Season 5. It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.

Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman:
At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason.  We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are.
Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work.  Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed.
Wyman: They don’t know if anything is over.  So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?

Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman:
Basically, when Walter was going through the Nanites. From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.

Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.

Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman:
You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.

Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman:
We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them.
Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad.  I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.”  She said, “I was so wrong.”
Wyman: Everything is a possibility on Fringe.

Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman:
We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.

Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.

Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman:
You’re very perceptive. Let’s just say you will understand the hesitation.

There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker:
You will see changes, but you will see things that are familiar, as well.  I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.

Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman:
We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.

The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.

Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.

Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.

There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.

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Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over.  Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:

TVLINE | What other drama is going on in Storybrooke outside of the Henry thing?
KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling.
HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.

TVLINE | How is August doing? Is he flipping through termite control ads?
HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.

TVLINE | What is Mr. Gold’s particular take on the Henry situation?
KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.

TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own?
KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well….
HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]

TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm?
HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new.
KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?”
HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”

TVLINE | Will the finale introduce any new players to the canvas?
KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced.
HOROWITZ | And there may be some old characters seen in a new way.

TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds?
KITSIS |All of them.
HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise.
KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”

The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960’s, it makes sense to pay what it takes to include the Beatles, considering  how important they were to music of the era.

The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.

The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:

In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.

For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.

Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.

“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”

KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.

“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”

Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”

Despite the damage, The Avengers has helped in the sale of one type of food–Schwarma. If you saw the movie and do not understand this, you failed to stay for both scenes during the credits.

http://www.youtube.com/watch?feature=player_embedded&v=EgB6IVsuc0A#!

Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.

Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:

Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.

“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”

Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”

This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.

SciFi Weekend: Doctor Who in New York and Karen Gillan on Twitter; Awake; Fringe; Sin City; Loopers; Natalie Dormer and Nudity On Game of Thrones; Maggie Smith Leaving Downton Abbey

Doctor Who has been filming in New York City this week, including the Doctor running through Central Park (video above).

Karen Gillan got on Twitter last week. When I found about it two hours after she began on Thursday she already had over 27,000 followers and now has over 70,000. According to tweets by Arthur Darvill, Karen failed to adjust her email settings, burning out her phone battery with notifications of all the new followers. Today Karen tweeted a picture with Brent Spinner and below is a picture of her tweeting with Arthur Darvill looking on.

Karen Gillan Arthur Darvill Tweeting

This week Awake failed to move further away from the police procedural as they did with last week’s penguins and other scenes questioning reality, but Ricky’s Taco’s did have its moment. While not as well done as last week’s That’s Not My Penguin, the voice at Ricky’s Tacos was more difficult to explain as Britten hadn’t been drugged before hearing them. Was this just something thrown into the story, is Britten going crazy and hearing things, or are there outside forces at  work and communicating with him? The conspiracy which set up the accident has been disliked by fans writing about the show. I don’t mind if they have a subplot involving this, but not if it is just a random scene thrown into an episode as we’ve seen so far. It is interesting that Captain Harper tried to call off the hit on Britten after he resigned with plans to move away to Oregon.

The final episode of Titanic airs tonight, with ABC catching up the United States audience last night. While she did appear in the first two episodes, the third concentrates far more on Jenna-Louise Coleman’s character.

On Fringe Family Man showed that, like our Walter, alt-Broyles was willing to go to great lengths to try to save his son. Before the change in the time lines his character was killed, and in the new time line he winds up in prison. At least he didn’t go through with the plot by David Robert Jones which might have collapsed both universes. I can’t help but wonder what Jones thinks would happen to him if he succeeded. Next week appears to be another Observer episode, this time in the future.

A sequel (or perhaps prequel) to Sin City is finally going ahead with casting now underway. Above are pictures of Jessica Alba and Alexis Bledel from the original.

http://www.youtube.com/watch?feature=player_embedded&v=xlS7ktUI5Iw

Here is a trailer of a Loopers, an upcoming science fiction movie with an interesting premise:

In the futuristic action thriller Looper, time travel will be invented — but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a looper — a hired gun, like Joe — is waiting to mop up. Joe is getting rich and life is good… until the day the mob decides to “close the loop,” sending back Joe’s future self for assassination.

It doesn’t have the potential for a time paradox like going back in time to kill your own self or grand parent–unless Joe’s future self responds to the situation by trying to kill the person trying to kill him (his past self). Could be good, unless it is simply a chase/action movie with a science fiction back story.

Natalie Dormer, who often appeared nude on The Tudors, joins the rampant nudity on Game of Thrones starting tonight. She has certainly demonstrated that she can handle such a role well. But why is there so much nudity on Game of Thrones? Check out this video for an explanation from Saturday Night Live. HBO announced last week that Game of Thrones has been renewed for a third season and I think it is safe to predict it will be around for several years considering the success of the show and the amount of material present in the book series.

Maggie Smith, the Dowager Countess on Downton Abbey, has requested to leave the show after the third season so she can return to movies and the stage. There had already been talk of a funeral for next season and assuming that was written before Smith’s request this might mean a second. Her death would be the most plausible way to write her out of the series.

Amy-Sherman Palladino Leaves Door Open on Gilmore Girls Movie

gilmoregirls

One of the most heavily visited old posts on the blog is about the possibility of Amy Sherman-Palladino returning to do a movie of The Gilmore Girls and possibly reveal the four final words she intended for the series. Sherman-Palladino had stated long before the end of the show that she already had the final four words in mind but wound up leaving for the final season, leaving the show to go a different route.

For those who have been wondering what the final word were, they were: “Rory, you were adopted.” No, just kidding. Ausiello continues to try to get the final words out of her:

My ongoing mission to get Amy Sherman-Palladino to cough up those elusive final four Gilmore Girl words is finally starting to bear some juicy fruit. Not that particular plum, no, but at least for the first time, she’s revealing details about what the series finale would’ve involved, had she stuck with the show. Hey, it’s a freaking start.

“I wanted different things for Rory,” confesses AS-P. “I wanted her to follow a different sort of path… [go] off on her own adventure, which I guess she sort of did. I haven’t [actually] seen the last season, but I heard about it from other people.”

Although Sherman-Palladino declines to detail her intended journey for Rory, suffice it to say it would not have involved her joining Obama on the campaign trail. And while she’s also mum on what she had in store for the rest of the Gilmore gang, she does hint that she “had planned different paths” for them, too. “I don’t want to totally say [what my ideas were], because if there is a movie in the making, I’m going to be basically delving back into where I left off, and then I’m kind of [screwed].”

Yep, you read that correctly. AS-P, who’s currently hard at work on a new dramedy for HBO, is not giving up on the possibility of a Gilmore movie. “Anything can happen,” she insists. “I’m in touch with [Lauren Graham and Alexis Bledel]. If there’s a story to tell, then absolutely I think we’re all going to want to tell it. That’s the bottom line.

“If I thought it was definitely not going to happen, I would say, ‘No, it’s definitely not going to happen,’” she adds. “I would do that for you, my friend. But I don’t want to say that. Because I think that the beauty of Gilmore, and the beauty of family relationship shows is, you never really run out of story. You’re going to battle your family until you’re all in the ground. Those things never resolve, doesn’t matter how much therapy you get. Ten years later, there’s still going to be [material] there to mine and to delve into.”

Unfortunately there is not much real news here. All he reveals is that Amy Sherman-Palladino had plans for Rory which, not unexpectedly, were different form what was aired by a different writer. The possibility of a movie remains open but this is hardly an announcement. At least they are not closing the door on this and perhaps it is encouraging that Amy S-P does not want to ruin the chances of a movie delving back to where she left off.

Amy Sherman-Palladino To Do Show For HBO

gilmore-girls

According to The Hollywood Reporter, Amy-Sherman Palladino creator of Gilmore Girls, will be doing a show for HBO. Like her previous show, it will deal with mother-daughter relations:

Sherman-Palladino will write and executive produce the untitled drama, which chronicles the complicated relationship between three adult sisters, all writers sharing the same upper east side apartment building, and their mother, a domineering literary lioness who reserves most of her affections for their ne’er-do-well brother.

“It’s a story of love, hate, family — and finding the perfect opening line,” Sherman-Palladino said.

I’m glad she is concentrating on opening lines. She reportedly had the final four words to Gilmore Girls in mind for years, and then never had the opportunity to use her closing lines as she left the series in its final season.

While her last series, The Return of Jezebel James, was a flop, I’m hoping that cable allows her to match and possibly surpass her work on Gilmore Girls. The show featured rapid fire dialogue similar to that of Aaron Sorkin with frequent pop culture references. While Palladino’s work was not as overtly political as that of Sorkin, she did throw in political comment from time to time. I previously posted some examples here.

I noted a few days ago that Gilmore Girls star Lauren Graham will be returning to network television this winter in Parenthood, in which she will once again play a single mother. Alexis Bledel appeared in the final episode of E.R. last season and has had several movie roles.

SciFi Weekend: Abrams On The Next Star Trek Movie; Wil Wheton on Big Bang Theory; Shocking Finale for Dexter; Lauren Graham; Olivia Wilde; Kristen Bell; and the PB & J Wedding

trek1

J.J. Abrams has talked more about the sequel to his Star Trek movie in an interview with Cinematical:

Since you were able to wipe the slate clean with your prequel, do you plan to come up with something completely original, or is there a possibility you will reference some of the existing creatures or races in the next installment?

Abrams: The fun of this movie series is that we will have the opportunity, given its alternate timeline, to cross paths with any of the experiences, places and characters that existed in the original series. We have to be really careful, obviously, doing that. I don’t want to do something that is so inside that only die-hard fans will appreciate.

Will the first film’s alternate timeline affect what you can leave in and what can’t be a part of subsequent films?

Abrams: The trick in doing any movie, but especially something like this that involves some weird alternate reality-time travel thing is that you don’t want to not explain it, but you don’t want to explain everything. I think you have as much fun with the missing pieces as you do with the pieces you get. So, for me, not knowing every detail, allows me to get inside of the story and start to fill in the blanks. When everything is spoon-fed, typically I feel like you’re being pandered to, or it’s too expositional. It’s always a balance.

You managed to contemporize what was an aging franchise, with your work on Star Trek, and you talked about including more current events in the sequel. Do you think that Star Trek is evergreen, or is it something that needs to be continuously updated for each generation?

Abrams: It’s hard to give a blanket answer to that question. I do think that, whether it’s Star Trek or anything, whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It’s not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it’s a period piece. You need to consider what context that film, that story and those characters are being seen in. But, having said that, with Star Trek, it’s not like we’re looking to make the second movie some kind of heavy political allegory. I think that it’s important that there is a metaphor to what we know and that there is relevance, and I think allegory is the thing that made shows like The Twilight Zone and Star Trek resonate and still be vital today.

But, because the first movie was so much about introducing these people, and it was very much a premise movie about how to bring these people together, it made it difficult to also have the film go as deep as it could, about certain conflict, certain relationships and the heart of who some of these characters are. I think it was successful in what it needed to do, to introduce these people, but I feel like, now that we’ve done that, it is the job of the next film to go a little bit deeper. It shouldn’t be any less fun or take itself too seriously, but consider who these people are now and grow with them, and just examine them a little more closer, now that we’ve gotten through the pleasantries and introductions.

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Wil Wheton will be guest staring on the October 19 episode of The Big Bang Theory. Sheldon holds the role of Wesley Crusher on Star Trek: The Next Generation against Wheton. TV Fanatic reports:

“As much as Sheldon loves Star Trek, Wil Wheaton is the only person associated with the franchise whom Sheldon has sworn eternal enmity toward,” the actor said when asked about by TV Guide Magazine about his role.

So, why does Sheldon have such animosity for Wheaton? The character apparently did not enjoy an autograph experience with Wil many years ago.

“The Wil I play in the Big Bang universe is not such a nice person,” Wheaton said. “But in real life, I go out of my way to be kind and patient. My motto is: ‘Don’t be a d—!’”

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The BBC has released the new logo for the upcoming season of Doctor Who, including the use of DW in the shape of a Tardis.

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Julie Benz, in an interview with CinemaBlend, has revealed that a real shock is planned for the season finale of Dexter:

Your character has really developed into a pivotal part of the show. What can we expect from Rita this season?
Wow, this season. Obviously at the beginning of the season we see Rita has it all. I mean, she has everything she’s ever wanted. She has the perfect husband, the great kids, the new baby, the dream house in the suburbs but you know, just like anything, nothing great lasts forever. We have an amazingly shocking ending this season. I mean, it’s so shocking that – it’s just shocking is all I can say. It shocked the whole cast.

So you’ve already filmed the last episode?
We are in the middle of filming it right now.

Any chance Dexter will let her in on his secret?
Oh! I don’t know about that. I don’t want to give away any spoilers but you know, you definitely see worlds collide; everybody’s world collides in this season.

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So far I haven’t been very excited about the new television season. At present the only new shows I’m watching are Flash Forward, Modern Family, and Glee.  There are some new shows to come including remakes of V and The PrisonerParenthood, based upon the Ron Howard movie, has been delayed due to Maura Tierney developing medical problems. She is to be replaced by Lauren Graham, who will play the part of a single mother. She is well prepared for this role after staring in Gilmore Girls. Any chance they can get Alexis Bledel to quest star on an episode and reunite the pair?

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Ausiello reports that “Olivia Wilde and Peter Jacobson’s trailers have not been emptied out” and predicts that they will reappear on House.

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Kristen Bell has been busy since leaving Veronica Mars and Heroes. Couples Retreat has just been released and she has now been signed to star along with Christina Aguilera in Burlesque:

The story follows a young small-town girl (Aguilera) as she ventures into the city in the hopes of becoming a star. Soon she discovers an L.A. burlesque bar, where the men are fast and the women faster. She quickly uses her amazing voice and burlesque dancing to become the joint’s new star.

Bell plays the club’s big-shot dancer who doesn’t take a liking to the new girl’s sudden success. Also starring are Cher, as the nightclub’s experienced owner, and Stanley Tucci as the man who helps Aguilera find her moves.

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Heroes is still struggling to recover, this week resorting to a lesbian kiss between Hayden Panettiere and Madeline Zima. While this has created some buzz for the show, it is doubtful that it will do anything to help the show get back on track. Zima is better known recently for her role along with David Duchovny in Californication.

CALIFORNICATION

The big television event of the season so far has been the wedding of Pam and Jim on The Office. While hour long episodes of The Office have often not worked very well, feeling like two stories merged together, this episode worked very well. The episode included take offs of a couple of popular You Tube videos. I’ve previously posted the video of the JK Wedding Entrance Dance which inspired the entrance at the wedding ceremony. The episode also showed Dwight wearing a Three Wolf Moon t-shirt: