SciFi Weekend: Doctor Who News; Fringe; Emilie de Ravin; Spider-Man; Star Trek; Game of Thrones; The Newsroom; Rory Gilmore; Cards and Cake

Caroline John, who played Liz Shaw, died at age 71 last week. Liz Shaw was a companion to the third Doctor, played by Jon Pertwee during the seventh season of Doctor Who in 1970. Here are some clips from her first appearance when she was recruited by U.N.I.T.

Additional clips can be found here.

Did Matt Smith give away a hint as to Amy Pond’s fate:

There’s something coming up in the final days of the Ponds that was in The Eleventh Hour,” he said. “There’s a shot in that. [Moffat’s] been thinking about it that long. He always knew how she was going to… I’m saying too much already.”

Entertainment Weekly interviewed John Noble about Fringe:

ENTERTAINMENT WEEKLY: Let’s talk about some of your favorites.
JOHN NOBLE: I had some favorites. I loved the “Letters of Transit” episode, which was the one where we went into the future. I thought that was really a beautiful looking episode, beautifully told. I very much liked “Return to Westfield” because it was the first time that really the old team had got back together again — Walter and Olivia (Anna Torv) and Peter (Joshua Jackson). It was a very interesting story for all sorts of reasons. Those two stand out.

Episode 20, where the two worlds were bridged was also a fan favorite.
I loved the final conversation between Walter and Walternate where they’re in the corridor together. I waited a long time to see how that would be handled, and I thought the writers really handled it beautifully and eloquently. I loved doing that scene.

Tell me what it was like filming that.
I think I was so ready for it. For me, I realized there needed to be a payoff between the fellows. And I’ve always seen them as two shades of the one man. You know, he’s the same man, but circumstances took him in a different direction. So it was like a personal reconciliation for Walter, Walternate. I was really touched by the way they were able to be so kind to each other. I found that encouraging, and it was the way that I would have wanted it to happen. There had been plenty of abuse flying around, previously. But it was just like a human being finally coming to some sort of resting point in their life and saying, “OK, let’s stop fighting.Let’s just agree on what we can agree on.” So, on a much larger scale, I thought it was beautiful. The whole sequence was beautiful. Looking back on it now, it was really sad that separation of the two worlds. No one kind of expected it to be because I have to tell you, they’re brutal to film, those doppleganger sequences. They are really demanding, and they take forever and ever and ever and ever. But I loved that scene.

Was it hard for you to say goodbye to that character?
I always had a soft spot for Walternate. I always figured that if my world was in trouble — I mean, really in trouble — he’d be the one I’d want to be in charge. And obviously he was painted as the baddie, initially. But I never personally took it that way. I took it as a man with a job to do and a huge burden and very good reason to be incredibly angry and vengeful should he choose to go that way. But he never did take that these actions; he just wanted to save his world. And then I got the chance — I think it was maybe last season– to humanize him a bit.
Look, Walter…Walternate, I don’t really think he’s gone. I think he’s just one suit away — just put another $2000 dollar suit…

Well, let’s keep you away from suits, then — for the good of the universe.
[Laughs]

Peter and Walter had an amazing scene in the finale, right after he shot Olivia and he was working to save her. Did you actually slap Josh?
There is a little story to that. When we were doing it, it was very complicated. What Josh had realized was that his girl was lying there dead — hurt — and then [Walter] had just come trying to reason with him. There was just no way he would have done anything except strangle Walter really. So I said to [Josh], “We need [him] to snap on this one.” And we’d never done it; there’d never been any physical contact between the men. So I said, “How about if I slap you?” And he said, “Yes, that’s what it needs.” So we put that in. And it did; it was very powerful. When a person’s in distress, sometimes they slap them. So we put that in, and it was terrific. It was effective. And it was dramatically right for what we needed to do.

It appeared from the season finale of Once Upon A Time that it only made sense for Emilie de Ravin’s version of Belle to reappear frequently next season. Her pilot for ABC, Americana, didn’t get picked up, leaving the former Lost actress free to become a regular on Once Upon A Time.

The Amazing Spider-Man will be out soon. Links to early reviews can be found here. Emma Stone discussed how scary the Lizard was.

While Star Trek‘s greatness really came from the television series, it lives on in the movies. Geek Tyrant notes that with the release of the movie currently in production, Star Trek will tie (with the Friday the 13th movies) for second in number of movies made.  Both series will have twelve movies but they have a long way to go to catch up with James Bond who is going on twenty-four. As I pointed out several weeks ago, Bond director Sam Mendes has compared the James Bond franchise to Doctor Who.

What if there were SuperPAC ads in Kings Landing like those we have here? See one example above, and more here.

The Newsroom premiers tonight and most of the ads are negative. It doesn’t matter to me. If it is written by Aaron Sorkin I’ll watch every episode and enjoy them, just like Studio 60. (I probably agree with every criticism of Studio 60 out there, but still enjoyed the show.)

Seeing Rory Gilmore lower herself to having an affair with Pete Campbell on Mad Men before undergoing the Eternal Sunshine of the Spotless Mind treatment makes me nostalgic for Rory before she became corrupted. This is how Rory should be remembered: The Rory Gilmore Reading Challenge. And how did Amy Sherman-Palladino manage to get a young clone of Rory for Bunheads?

I don’t think that the flaws in the science will affect whether audiences enjoy the recently released movie, Seeking a Friend For the End of the World.

Last week was Father’s Day. Here’s a couple of kids out shopping for a card for their famous but evil father.

Or if you are in need for a birthday cake, this recipe can be found here. Extermi-cake?

SciFi Weekend: Doctor Who; Star Trek; Bush’s Decapitated Head (Game of Thrones); Sane Republicans Only Found In Science Fiction; Mad Men Finale

Steven Moffat give some hints (or perhaps misleads) about Jenna-Louise Coleman’s role as the new companion on Doctor Who during a recent radio interview:

The new companion will, again, be a human from contemporary earth. This is necessary for audience identification and a ‘jumping on’ point for new viewers

How the companion gets where she is and what that means for the character is what will make her utterly different and fascinating

The new companion will not have any links to any previous characters

Her ‘journey’ will be shocking and intriguing. The Doctor has never met anyone quite like her before

Her very presence in the TARDIS will change the Doctor and there’s something different about her that will have a knock-on effect for the Doctor/companion dynamic

Or how about Jon Luc Picard as a companion? Above is from the comic miniseries  Star Trek: The Next Generation and Doctor Who: Assimilation².

The two greatest science-fiction properties of all time cross over for the first time in history, in STAR TREK: THE NEXT GENERATION/DOCTOR WHO: ASSIMILATION²! Captain Jean-Luc Picard faces one of the most difficult decisions of his life, but the fate of the galaxy may depend on it! Can the Doctor convince him to make the correct choice?

Another example of cover art from the miniseries can be seen here.

There was controversy this week when it was revealed on the DVD extras that one of the heads used on Game of Thrones during the first season was that of George Bush. It sounds like it was just a matter of using  materials which were handy and nobody would have noticed if this was not mentioned during the commentary. From the DVD commentary:

“The last head on the left is George Bush. George Bush’s head appears in a couple of beheading scenes. It’s not a choice, it’s not a political statement. We just had to use whatever head we had around.”

The full scene is above.

This was an interesting bit of trivia about the show which apparently nobody noticed when it aired,  but once revealed HBO really had no choice but to have this edited out. In a nation split near 50:50 it is understandable that a media company would not want to alienate a large percentage of the country in such a manner. The season finale was taken down and DVD sales stopped to allow for digital removal of Bush’s head–which would create a problem for those desiring to watch the first season. I just checked HBO GO and found that the episode is back up. The scene with Bush’s head is unchanged except that there is now hair digitally inserted over much of the face making it unrecognizable.

One of the biggest puzzles about the first season of Once Upon A Time is why they didn’t use Meghan Ory more often. The producers apparently agreed and are making her a regular for the second season, along with adding new characters.

The two top writers of rapid-paced dialogue are back on the air this summer–Aaron Sorkin with The Newsroom and Amy Sherman-Paladino with Bunheads. Sorkin discussed his work in an interview here–but I would give higher grades to Sorkin’s previous shows than he gives himself. Another interview with Sorkin  touches on science fiction as well as politics:

In one episode of Newsroom, we hear Will say, “I’m a registered Republican—I only seem liberal because I believe that hurricanes are caused by high ­barometric pressure and not by gay marriage.” So—

Your question is “Are hurricanes caused by high barometric pressure or low barometric pressure?” The answer is both. Hurricanes are caused when a high-pressure system surrounds a low-pressure system. That wasn’t your question, though. Your question is, why is Will a Republican?

No. My question is, if he really is a ­Republican with moderate-to-liberal beliefs, when did you become interested in science fiction?

You’ve answered the question I thought you were asking, which is, why is he a Republican? There are several reasons, but the biggest is: I haven’t seen this guy on TV.

Or anywhere, lately.

For the last year or so, but really since Obama got elected, I’ve found the most interesting op-ed political writing to be from Republicans who are looking at the extreme right and saying, “Those guys aren’t with us. I don’t know what happened here, but they’ve kind of co-opted our brand name. But these aren’t Republican values.” Guys like David Frum, Mark McKinnon, Andrew Sullivan. Even George Will. I hadn’t seen that guy on television. There’s CNN, which tries very, very hard either to not be anything or to be both things. And then, of course, there’s Fox and there’s MSNBC, on either side.

Amy Sherman-Paladino’s new show Bunheads premiered last week, with many similarities to Gilmore Girls. Inevitably interviews about the new show led to questions about Gilmore Girls, including the mysterious four words which she had intended to conclude the series with:

You always said you knew the four words that were going to end the last Gilmore Girls episode, and you obviously never got to have them said. Any chance you’d share them now?
To me, because I didn’t have control of that last year and [whispers] I still haven’t seen the last year … Here’s the deal. All the people who ran the last year, David Rosenthal, I hired him, he’s good people, he’s a good writer, I really like him. I don’t think he thought Dan and I were going to leave. We didn’t think we were going to leave. Everyone was caught unaware. It was literally a situation of bad negotiating. Our interests were in staying and keeping the show going. Once the CW bought it, we called Warner Bros. and said the CW is going to need this show to launch new product for the next couple of years. You don’t want the show to go down this year. We instigated that. When the negotiations got so crazy we thought, Maybe we’re high? Maybe they don’t want it for the next couple of years. But by not having control of that, it shifts the focus of what my last words would have been. I was also holding on to it for a long time because I was thinking if we did do a movie, I would be able to use it there. I don’t think that’s ever going to happen so, I don’t know. Maybe I’ll eventually say the four words. I feel like now I’ll let people down because it’s been so built up. “Really? That’s what we waited all these twelve years for? Well, thanks so much.”

Maybe the four final words were, “Rory, you were adopted.”  Doubtful, but amusing speculation.

Alexis Bledel’s appearance on Mad Men this season also came up:

I’m sure you know a very grown-up Alexis Bledel was on Mad Men a few weeks ago.
We have a place in Brooklyn and she lives right around the corner from us. I have to say she is taking a very thoughtful, interesting approach to her career post-Gilmore. She’s being very particular. I think it’s very smart. She’s not rushing. I applaud it. She did have her shirt open, however, and her boobs hanging out. I was behind. I’m behind on everything that’s not Game of Thrones. And then I read some headline that said, “Most Boring Mad Men Ever Except for Rory Gilmore Getting Naked!” I thought, Holy shit, is she naked? She wasn’t. She had a fur and some underwear. When you’re young and your boobs look like that? Why not?

Speaking of Mad Men, I noticed that critics were generally dissatisfied with the season finale last week. I disagree. Certainly there was more drama in the previous episode in which Lane committed suicide, but the finale did an excellent job of tying up some loose ends and presumably setting the stage for next season. They might have saved the suicide for the finale, but handling it this way allowed viewers to see the aftermath of the act.

The finale included Pete Campbell getting punched, not once but twice, making this twice as good as the previous episode in which this occurred. Pete seemed to becoming too successful at SCDP, but we learned of his dissatisfaction with his life during his visit to the hospital. Perhaps he was demonstrating even more self-understanding when he told the conductor, “I’m president of the Howdy Doody Circus Army.” There was an Eternal Sunshine Of Spotless Mind conclusion to the Rory Gilmore storyline. We saw that SCDP has become a successful firm, suggesting an end to the new company struggling to survive story lines which can become tedious. Most importantly, we may have seen the beginning of the end of Don and Megan. The episode contained clues, such as Don telling Peggy, “That’s what happens when you help someone. They succeed and move on.”  Don warned Megan against taking  help from him, telling her she would be better off being “someone’s discovery than someone’s wife.” Don might now believe that Megan will move on as Peggy did. Now that Don has helped Megan get the role in the ad, she has become too much like Betty when they met, and might ultimately suffer the same fate.  The episode ended with what might be the old Don Draper going into the bar to order a highball. We don’t know how he answered the question, “are you alone” but things will never be the same between Don and Megan.

The Avengers ended with the heroes going out to a shawarma restaurant after saving New York. When watching this scene (at the end of the credits) did you wonder where Loki was? The answer is above.

SciFi Weekend: Fringe; Awake; Lost-Style Reset on Once Upon A Time?; Mad Men, The Beatles, and Rory Gilmore; Damage to Manhattan from The Avengers; Why Companions on Doctor Who Are Usually Young Women

The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.

The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”

Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.

Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.

TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:

“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036?
J.H. Wyman: Yes.

Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman:
Well, let’s say that basically 2036 is extremely important to Season 5. It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.

Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman:
At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason.  We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are.
Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work.  Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed.
Wyman: They don’t know if anything is over.  So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?

Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman:
Basically, when Walter was going through the Nanites. From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.

Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.

Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman:
You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.

Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman:
We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them.
Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad.  I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.”  She said, “I was so wrong.”
Wyman: Everything is a possibility on Fringe.

Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman:
We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.

Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.

Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman:
You’re very perceptive. Let’s just say you will understand the hesitation.

There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker:
You will see changes, but you will see things that are familiar, as well.  I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.

Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman:
We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.

The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.

Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.

Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.

There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.

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Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over.  Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:

TVLINE | What other drama is going on in Storybrooke outside of the Henry thing?
KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling.
HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.

TVLINE | How is August doing? Is he flipping through termite control ads?
HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.

TVLINE | What is Mr. Gold’s particular take on the Henry situation?
KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.

TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own?
KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well….
HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]

TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm?
HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new.
KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?”
HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”

TVLINE | Will the finale introduce any new players to the canvas?
KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced.
HOROWITZ | And there may be some old characters seen in a new way.

TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds?
KITSIS |All of them.
HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise.
KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”

The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960’s, it makes sense to pay what it takes to include the Beatles, considering  how important they were to music of the era.

The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.

The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:

In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.

For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.

Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.

“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”

KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.

“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”

Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”

Despite the damage, The Avengers has helped in the sale of one type of food–Schwarma. If you saw the movie and do not understand this, you failed to stay for both scenes during the credits.

http://www.youtube.com/watch?feature=player_embedded&v=EgB6IVsuc0A#!

Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.

Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:

Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.

“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”

Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”

This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.

SciFi Weekend: Doctor Who in New York and Karen Gillan on Twitter; Awake; Fringe; Sin City; Loopers; Natalie Dormer and Nudity On Game of Thrones; Maggie Smith Leaving Downton Abbey

Doctor Who has been filming in New York City this week, including the Doctor running through Central Park (video above).

Karen Gillan got on Twitter last week. When I found about it two hours after she began on Thursday she already had over 27,000 followers and now has over 70,000. According to tweets by Arthur Darvill, Karen failed to adjust her email settings, burning out her phone battery with notifications of all the new followers. Today Karen tweeted a picture with Brent Spinner and below is a picture of her tweeting with Arthur Darvill looking on.

Karen Gillan Arthur Darvill Tweeting

This week Awake failed to move further away from the police procedural as they did with last week’s penguins and other scenes questioning reality, but Ricky’s Taco’s did have its moment. While not as well done as last week’s That’s Not My Penguin, the voice at Ricky’s Tacos was more difficult to explain as Britten hadn’t been drugged before hearing them. Was this just something thrown into the story, is Britten going crazy and hearing things, or are there outside forces at  work and communicating with him? The conspiracy which set up the accident has been disliked by fans writing about the show. I don’t mind if they have a subplot involving this, but not if it is just a random scene thrown into an episode as we’ve seen so far. It is interesting that Captain Harper tried to call off the hit on Britten after he resigned with plans to move away to Oregon.

The final episode of Titanic airs tonight, with ABC catching up the United States audience last night. While she did appear in the first two episodes, the third concentrates far more on Jenna-Louise Coleman’s character.

On Fringe Family Man showed that, like our Walter, alt-Broyles was willing to go to great lengths to try to save his son. Before the change in the time lines his character was killed, and in the new time line he winds up in prison. At least he didn’t go through with the plot by David Robert Jones which might have collapsed both universes. I can’t help but wonder what Jones thinks would happen to him if he succeeded. Next week appears to be another Observer episode, this time in the future.

A sequel (or perhaps prequel) to Sin City is finally going ahead with casting now underway. Above are pictures of Jessica Alba and Alexis Bledel from the original.

http://www.youtube.com/watch?feature=player_embedded&v=xlS7ktUI5Iw

Here is a trailer of a Loopers, an upcoming science fiction movie with an interesting premise:

In the futuristic action thriller Looper, time travel will be invented — but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a looper — a hired gun, like Joe — is waiting to mop up. Joe is getting rich and life is good… until the day the mob decides to “close the loop,” sending back Joe’s future self for assassination.

It doesn’t have the potential for a time paradox like going back in time to kill your own self or grand parent–unless Joe’s future self responds to the situation by trying to kill the person trying to kill him (his past self). Could be good, unless it is simply a chase/action movie with a science fiction back story.

Natalie Dormer, who often appeared nude on The Tudors, joins the rampant nudity on Game of Thrones starting tonight. She has certainly demonstrated that she can handle such a role well. But why is there so much nudity on Game of Thrones? Check out this video for an explanation from Saturday Night Live. HBO announced last week that Game of Thrones has been renewed for a third season and I think it is safe to predict it will be around for several years considering the success of the show and the amount of material present in the book series.

Maggie Smith, the Dowager Countess on Downton Abbey, has requested to leave the show after the third season so she can return to movies and the stage. There had already been talk of a funeral for next season and assuming that was written before Smith’s request this might mean a second. Her death would be the most plausible way to write her out of the series.

Amy-Sherman Palladino Leaves Door Open on Gilmore Girls Movie

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One of the most heavily visited old posts on the blog is about the possibility of Amy Sherman-Palladino returning to do a movie of The Gilmore Girls and possibly reveal the four final words she intended for the series. Sherman-Palladino had stated long before the end of the show that she already had the final four words in mind but wound up leaving for the final season, leaving the show to go a different route.

For those who have been wondering what the final word were, they were: “Rory, you were adopted.” No, just kidding. Ausiello continues to try to get the final words out of her:

My ongoing mission to get Amy Sherman-Palladino to cough up those elusive final four Gilmore Girl words is finally starting to bear some juicy fruit. Not that particular plum, no, but at least for the first time, she’s revealing details about what the series finale would’ve involved, had she stuck with the show. Hey, it’s a freaking start.

“I wanted different things for Rory,” confesses AS-P. “I wanted her to follow a different sort of path… [go] off on her own adventure, which I guess she sort of did. I haven’t [actually] seen the last season, but I heard about it from other people.”

Although Sherman-Palladino declines to detail her intended journey for Rory, suffice it to say it would not have involved her joining Obama on the campaign trail. And while she’s also mum on what she had in store for the rest of the Gilmore gang, she does hint that she “had planned different paths” for them, too. “I don’t want to totally say [what my ideas were], because if there is a movie in the making, I’m going to be basically delving back into where I left off, and then I’m kind of [screwed].”

Yep, you read that correctly. AS-P, who’s currently hard at work on a new dramedy for HBO, is not giving up on the possibility of a Gilmore movie. “Anything can happen,” she insists. “I’m in touch with [Lauren Graham and Alexis Bledel]. If there’s a story to tell, then absolutely I think we’re all going to want to tell it. That’s the bottom line.

“If I thought it was definitely not going to happen, I would say, ‘No, it’s definitely not going to happen,’” she adds. “I would do that for you, my friend. But I don’t want to say that. Because I think that the beauty of Gilmore, and the beauty of family relationship shows is, you never really run out of story. You’re going to battle your family until you’re all in the ground. Those things never resolve, doesn’t matter how much therapy you get. Ten years later, there’s still going to be [material] there to mine and to delve into.”

Unfortunately there is not much real news here. All he reveals is that Amy Sherman-Palladino had plans for Rory which, not unexpectedly, were different form what was aired by a different writer. The possibility of a movie remains open but this is hardly an announcement. At least they are not closing the door on this and perhaps it is encouraging that Amy S-P does not want to ruin the chances of a movie delving back to where she left off.

Amy Sherman-Palladino To Do Show For HBO

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According to The Hollywood Reporter, Amy-Sherman Palladino creator of Gilmore Girls, will be doing a show for HBO. Like her previous show, it will deal with mother-daughter relations:

Sherman-Palladino will write and executive produce the untitled drama, which chronicles the complicated relationship between three adult sisters, all writers sharing the same upper east side apartment building, and their mother, a domineering literary lioness who reserves most of her affections for their ne’er-do-well brother.

“It’s a story of love, hate, family — and finding the perfect opening line,” Sherman-Palladino said.

I’m glad she is concentrating on opening lines. She reportedly had the final four words to Gilmore Girls in mind for years, and then never had the opportunity to use her closing lines as she left the series in its final season.

While her last series, The Return of Jezebel James, was a flop, I’m hoping that cable allows her to match and possibly surpass her work on Gilmore Girls. The show featured rapid fire dialogue similar to that of Aaron Sorkin with frequent pop culture references. While Palladino’s work was not as overtly political as that of Sorkin, she did throw in political comment from time to time. I previously posted some examples here.

I noted a few days ago that Gilmore Girls star Lauren Graham will be returning to network television this winter in Parenthood, in which she will once again play a single mother. Alexis Bledel appeared in the final episode of E.R. last season and has had several movie roles.

SciFi Weekend: Abrams On The Next Star Trek Movie; Wil Wheton on Big Bang Theory; Shocking Finale for Dexter; Lauren Graham; Olivia Wilde; Kristen Bell; and the PB & J Wedding

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J.J. Abrams has talked more about the sequel to his Star Trek movie in an interview with Cinematical:

Since you were able to wipe the slate clean with your prequel, do you plan to come up with something completely original, or is there a possibility you will reference some of the existing creatures or races in the next installment?

Abrams: The fun of this movie series is that we will have the opportunity, given its alternate timeline, to cross paths with any of the experiences, places and characters that existed in the original series. We have to be really careful, obviously, doing that. I don’t want to do something that is so inside that only die-hard fans will appreciate.

Will the first film’s alternate timeline affect what you can leave in and what can’t be a part of subsequent films?

Abrams: The trick in doing any movie, but especially something like this that involves some weird alternate reality-time travel thing is that you don’t want to not explain it, but you don’t want to explain everything. I think you have as much fun with the missing pieces as you do with the pieces you get. So, for me, not knowing every detail, allows me to get inside of the story and start to fill in the blanks. When everything is spoon-fed, typically I feel like you’re being pandered to, or it’s too expositional. It’s always a balance.

You managed to contemporize what was an aging franchise, with your work on Star Trek, and you talked about including more current events in the sequel. Do you think that Star Trek is evergreen, or is it something that needs to be continuously updated for each generation?

Abrams: It’s hard to give a blanket answer to that question. I do think that, whether it’s Star Trek or anything, whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It’s not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it’s a period piece. You need to consider what context that film, that story and those characters are being seen in. But, having said that, with Star Trek, it’s not like we’re looking to make the second movie some kind of heavy political allegory. I think that it’s important that there is a metaphor to what we know and that there is relevance, and I think allegory is the thing that made shows like The Twilight Zone and Star Trek resonate and still be vital today.

But, because the first movie was so much about introducing these people, and it was very much a premise movie about how to bring these people together, it made it difficult to also have the film go as deep as it could, about certain conflict, certain relationships and the heart of who some of these characters are. I think it was successful in what it needed to do, to introduce these people, but I feel like, now that we’ve done that, it is the job of the next film to go a little bit deeper. It shouldn’t be any less fun or take itself too seriously, but consider who these people are now and grow with them, and just examine them a little more closer, now that we’ve gotten through the pleasantries and introductions.

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Wil Wheton will be guest staring on the October 19 episode of The Big Bang Theory. Sheldon holds the role of Wesley Crusher on Star Trek: The Next Generation against Wheton. TV Fanatic reports:

“As much as Sheldon loves Star Trek, Wil Wheaton is the only person associated with the franchise whom Sheldon has sworn eternal enmity toward,” the actor said when asked about by TV Guide Magazine about his role.

So, why does Sheldon have such animosity for Wheaton? The character apparently did not enjoy an autograph experience with Wil many years ago.

“The Wil I play in the Big Bang universe is not such a nice person,” Wheaton said. “But in real life, I go out of my way to be kind and patient. My motto is: ‘Don’t be a d—!’”

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The BBC has released the new logo for the upcoming season of Doctor Who, including the use of DW in the shape of a Tardis.

Julie Benz Dexter

Julie Benz, in an interview with CinemaBlend, has revealed that a real shock is planned for the season finale of Dexter:

Your character has really developed into a pivotal part of the show. What can we expect from Rita this season?
Wow, this season. Obviously at the beginning of the season we see Rita has it all. I mean, she has everything she’s ever wanted. She has the perfect husband, the great kids, the new baby, the dream house in the suburbs but you know, just like anything, nothing great lasts forever. We have an amazingly shocking ending this season. I mean, it’s so shocking that – it’s just shocking is all I can say. It shocked the whole cast.

So you’ve already filmed the last episode?
We are in the middle of filming it right now.

Any chance Dexter will let her in on his secret?
Oh! I don’t know about that. I don’t want to give away any spoilers but you know, you definitely see worlds collide; everybody’s world collides in this season.

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So far I haven’t been very excited about the new television season. At present the only new shows I’m watching are Flash Forward, Modern Family, and Glee.  There are some new shows to come including remakes of V and The PrisonerParenthood, based upon the Ron Howard movie, has been delayed due to Maura Tierney developing medical problems. She is to be replaced by Lauren Graham, who will play the part of a single mother. She is well prepared for this role after staring in Gilmore Girls. Any chance they can get Alexis Bledel to quest star on an episode and reunite the pair?

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Ausiello reports that “Olivia Wilde and Peter Jacobson’s trailers have not been emptied out” and predicts that they will reappear on House.

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Kristen Bell has been busy since leaving Veronica Mars and Heroes. Couples Retreat has just been released and she has now been signed to star along with Christina Aguilera in Burlesque:

The story follows a young small-town girl (Aguilera) as she ventures into the city in the hopes of becoming a star. Soon she discovers an L.A. burlesque bar, where the men are fast and the women faster. She quickly uses her amazing voice and burlesque dancing to become the joint’s new star.

Bell plays the club’s big-shot dancer who doesn’t take a liking to the new girl’s sudden success. Also starring are Cher, as the nightclub’s experienced owner, and Stanley Tucci as the man who helps Aguilera find her moves.

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Heroes is still struggling to recover, this week resorting to a lesbian kiss between Hayden Panettiere and Madeline Zima. While this has created some buzz for the show, it is doubtful that it will do anything to help the show get back on track. Zima is better known recently for her role along with David Duchovny in Californication.

CALIFORNICATION

The big television event of the season so far has been the wedding of Pam and Jim on The Office. While hour long episodes of The Office have often not worked very well, feeling like two stories merged together, this episode worked very well. The episode included take offs of a couple of popular You Tube videos. I’ve previously posted the video of the JK Wedding Entrance Dance which inspired the entrance at the wedding ceremony. The episode also showed Dwight wearing a Three Wolf Moon t-shirt:

SciFi Weekend: Enterprise; The Plan; Landing in LA; Hugo Awards; Rory Gilmore All Grown Up (with Matt Saracen); and Racy Pics of Doctor Who Companions

TrekMovie.com reports on a panel held by Manny Coto and Brannon Braga at the annual Star Trek Las Vegas Convention. While I think there were far more problems with Enterprise to worry about than this, some fans were upset with the way the show ended. The final episode was intended as an homage to the previous shows involving the Enterprise and ended with Will Ryker and Deanna Troi looking back at the events of  Archer’s Enterprise on the holodeck. Braga took the blame for this:

I will take full blame for that episode, for those that didn’t like it. In retrospect, it was a very cool idea, that in the end was a mistake. The concept was was to have Manny do a final two-part finale, but then have a final final episode send a valentine to all of Star Trek over the last eighteen years. We just thought it would be a cool concept to show the Next Generation’s crew looking back, though the holodeck, at Archer’s crew. It is a high concept, but I am not sure it came together.

While the show had many faults, it was finally staring to show some promise in its fourth season when Coto took over as show runner. The show was at its best when it had episodes foreshadowing events of the earlier Star Trek series (which took place after the events of this prequel series).  There was talk of what was planned if the series had survived for a fifth season:

  • Coto wanted to revisit the Mirror Universe on a regular basis with four or five episodes spread through the season as a “mini-series within a series.” Mike Sussman and Coto had discussed places to go with it and it was “big regret” not getting chance
  • The two main things they wanted to do with S5 was the “origins of the Federation” and the “begin whispers of the Romulan War”, and tying those two together
  • No other major villains were planned to be introduced, the Romulans were going to be the big villain, but would have new ones within new ‘mini-arcs’
  • Rick and Brannon thought Future Guy was “probably going to be a Romulan” and would tie into the Romulan War with a future Romulan trying to “instigate” things
  • They wanted to make Shran a regular character

I think spending so much time in the Mirror Universe would have been a mistake unless they had some really fantastic stories for this, but I do like the idea of tying the show into the Romulan war which has often been mentioned as past history in other Star Trek series.  It would have been best to stay away from the temporal cold war, but a brief arc tying it into the Romulan war would have at least provided some rational for that aspect of the series. Of course we’ve now seen another major Star Trek story involving a Romulan changing history in the latest Star Trek movie.

I always hate it when a few days following a major television event a DVD is released with an expanded version. It’s not that I mind paying for the DVD but that after watching a show once there is far too much to do for me to be likely to watch an expanded version of the same show soon afterward. They are doing it the right way with Battlestar Galactica: The Plan. The episode will premier on DVD and Blu Ray on October 27, 2009 including “some great footage that we are not able to show on TV.” The pilot for Caprica has been released on DVD with scenes which definitely cannot be shown on TV. I’m sure hoping that the scenes from The Plan which cannot be shown on television involve Six (Tricia Helfer). An added plus is that, as I do not receive the SyFy Channel in high definition, I’ll be able to watch the show in Blu Ray without waiting until after it is aired for an HD version.

There has been considerable speculation that the bomb which was detonated in the season finale of Lost did work, changing the timeline. In theory if the bomb did work Oceanic 815 would not have crashed and the flight would have landed in Los Angeles. TV Guide reports that Greg Grunberg (of Heroes), who pilot Seth Norris of Oceanic flight 815 in the first episode, has been asked to return to the show. Grunberg’s character did not survive, but would still be around if the plane did not crash. Grunberg says he was given no information as to what they are planning for his character.

There are also unconfirmed rumors that the title of the two hour season premier is LA X. This presumably refers to landing in Los Angeles, but there also might be significance to placing the space between LA and X.

The 2009 Hugo Award winners have been announced:

  • Best Novel: The Graveyard Book, Neil Gaiman (HarperCollins; Bloomsbury UK)
  • Best Novella: “The Erdmann Nexus”, Nancy Kress (Asimov’s Oct/Nov 2008)
  • Best Novelette: “Shoggoths in Bloom”, Elizabeth Bear (Asimov’s Mar 2008)
  • Best Short Story: “Exhalation”, Ted Chiang (Eclipse Two)
  • Best Related Book: Your Hate Mail Will Be Graded: A Decade of Whatever, 1998-2008, John Scalzi (Subterranean Press)
  • Best Graphic Story: Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones, Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
  • Best Dramatic Presentation, Long Form: WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)
  • Best Dramatic Presentation, Short Form: Doctor Horrible’s Sing-Along Blog, Joss Whedon, & Zack Whedon, & Jed Whedon, & Maurissa Tancharoen, writers; Joss Whedon, director (Mutant Enemy)
  • Best Editor Short Form: Ellen Datlow
  • Best Editor Long Form: David G. Hartwell
  • Best Professional Artist: Donato Giancola
  • Best Semiprozine: Weird Tales, edited by Ann VanderMeer & Stephen H. Segal
  • Best Fan Writer: Cheryl Morgan
  • Best Fanzine: Electric Velocipede edited by John Klima
  • Best Fan Artist: Frank Wu

The above trailer is out for Post Grad, which is most notable for combining Alexis Bledel (Gilmore Girls and Sin City) with Zach Gilford (Matt Saracen of Friday Night Lights–what would Julie say?) Rory Gilmore has sure grown up. Besides appearing as a doctor in the series finale of ER, she is on the cover of WWD:

Old posts about Gilmore Girls continue to receive attention, with many wondering what Amy Sherman-Palladino had planned for her final four words to the series if she had not left for the final season.  Here’s one report as to the final four words: “Rory, you were adopted.”

No, don’t freak out. Amy Sherman-Palladino was just joking about this possibility.

Besides the sort of couple of Rory Gilmore and Matt Saracen, there is another couple of interest on television tonight. It took a while to recognize her, but Jemma, Ray’s love interest on Hung, is played by Natalie Zea. She recently played Karen Darling on Dirty Sexy Money. I guess things didn’t work out with Nick (Peter Krause).

Besides Hung, there are two even more significant shows on television tonight. True Blood has been fantastic all season creating a tough choice between this show and Alan Ball’s previous series, Six Feet Under (with cast including Peter Krause) for best show ever on television. The really big even of the night is the start of the third season of Mad Men.

Looking back on the shows mentioned shows how things have changed for broadcast television. It is common for shows on HBO and Showtime to surpass network shows in quality and any list of the best shows in recent years would be dominated by pay cable. Even basic cable is often beating out network television in quality with recent shows including  Mad Men, Battlestar Galactica, the various Star Trek series, and Gilmore Girls. Even Friday Night Lights, often considered the best written network series couple seasons, has had to work out a deal with a satelite network to survive.

Since I posted pictures of Karen Gillan, the next companion on Doctor Who, in a bikini last week more scantily clad pictures of Gillan have surfaced on the internet, such as the almost topless one above. Finding on line pictures of The Doctor’s companions is a way in which following the show has changed from the early days of the show when there was no internet. I guess it is only appropriate that this has become commonplace with Steven Moffat taking over as show runner. Steven Taylor, Moffat’s alter ego on Coupling, has noted how the internet was formed to become the world’s largest repository for porn. If someone had a real Tardis the could really create excitement by posting some of the pictures of Billie Piper (Rose Tylor) in her role as Hannah/Belle on Secret Diary of a Call Girl after she left Doctor Who (especially if going beyond the very tame ones in the examples below).

SciFi Weekend: Locke Returns From The Dead; Echo Conspires; STTNG Cast Reunites; And Gilmore Girl Becomes a Doctor

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This week’s episode of Lost, The Life and Death of Jeremy Bentham, filled in more pieces of the story off the island as we saw Locke’s story. We saw his story  from when he left the island, was killed by Ben, and then returned to life after getting back to the island. We already knew the island had awesome powers, but to bring Locke back to life when he was clearly dead takes this to a new level. Previously I assumed that we were seeing some sort of ghosts of dead people. Perhaps Christian Sheppard is also really alive on the island.  Along the way we saw Charles Widmore try to convince Locke that he was the good and honest one. I don’t think we can trust either Ben or Whidmore.

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Dollhouse continues to show potential. In Stage Fright the most important part of the episode might be Echo’s acts in just a couple of scenes. Echo and Sierra come to an agreement to help each other, which appears to transcend their mind wipes between missions. While the dolls seem child like between receiving memories for a mission, Echo even managed to signal Sierra to keep their relationship hidden from their handlers. Meanwhile there’s been a lot of speculation in the blogoshere as to the identity of Alpha with Josh Wheden dropping hints that we might first meet Alpha under another identity.

Life on Mars is most interesting when it goes beyond a regular police story to deal with Sam’s life in two times. In this week’s episode Sam stops a killer due to recognizing him from a case before he went back to the 1970’s. While I liked the connection to Sam’s previous life,  I would have preferred that they pursued some of the story lines in previous episodes. This included hints of a secret organization and someone else who seems to have come back in time.

The cast of Star Trek: The Next Generation will be reunited on an episode of Family Guy which will air next month. The episode includes the voices of Patrick Stewart, Levar Burton, Gates McFadden, Michael Dorn, Wil Wheaton, Denise Crosby, Marina Sirtis, Brent Spiner and Jonathan Frakes. There are also reports that the characters of Star Trek: The Next Generation will be involved in the start of the upcoming Star Trek movie, but the validity of this rumor is doubtful.

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When we last saw Rory Gilmore she was going off to cover Barack Obama before the Iowa primary. Since then Alexis Bledel has gotten involved with some traveling pants, and now she has become a doctor. Alexis Bledel will be appearing in the series finale of ER as new intern Dr. Julia Wise. Lorelei must be very proud of her.

Amy Sherman-Palladino And The Real Ending To Gilmore Girls

Amy Sherman-Palladino isn’t revealing her planned ending, and four final words, for The Gilmore Girls yet. If this is true, it will be worth waiting to find out what those words are. Michael Ausiello reports in Wednesday’s column that she is looking at making a two-hour movie to properly tie up the series. From the column:

OK, here’s the deal: Yes, I tracked her down, but, no, she did not cough up those elusive four words. But wait — there’s more. And it’s good. No, amazing. No, un-frakkin’-believable. Amazing, even. Wait, did I say that already? Well, it’s true. Because just as I was about to brand her a big ol’ promise-breaker right there in front of all those industry types, Amy explained why she couldn’t divulge her long-ago-planned Gilmore ending. (Gilmore fanatics: This is the time in Sprockets when you either lean on a heavy object or just sit down.) In the next year or two, she hopes to make — wait for it — a two-hour Gilmore Girls TV-movie that ties up all those loose threads! I nearly fell over when she said it — especially given what she told me back in December. (BTW, lest you think Amy was pulling my leg, her partner in life and in showbiz, Dan Palladino, confirmed that a GG reunion pic is something they’re interested in pursuing.) And I wasn’t the only one floored by this development. “She said what?” gasped Scott Patterson after I relayed the information to him over the phone. “I didn’t think she would be interested in doing something like that. But if she says she is, I would seriously consider it.” Alexis Bledel was equally stunned. “A Gilmore Girls reunion?” she said with a laugh. “That’s certainly not something I had thought of doing. That’s really funny, I have no idea how I would feel in a few years. I don’t know, I’m sure the script Amy would write would be great, but I guess I’d have to read it and see how I felt at the time.” Last but not least, Lauren Graham e-mailed me late last night to say, “Could be a fun idea if everyone wanted to do it. I would do it just to get the four final words out of Amy. They torture me.”

Update: One possibility for the final four words is posted here.

Update II: The status of a possible movie and Amy Sherman Palladino’s vague comments on taking Rory on a different path (November 2009).