SciFi Weekend: Star Wars at Disney World; Lost Doctor Who Stories; Game of Thrones; Obama Cut From One Genre Show And Influenced Another; Emma Watson; Mad Men; True Blood; Dexter; Hannibal; Man of Steel


Disney makes it profits by using each of its holdings to promote its business. The theme parks promote the television shows, movies, and merchandise and vice versa. Disney has long  had an arrangement with Lucasfilms  with Star Tours at the Walt Disney Studios at Walt Disney World. Now that Disney owns the rights to the upcoming Star Wars movies, it is likely that there will be even more promotion in the parks. The latest rumors are of the addition of a Star Wars Land:

The logical places for that expansion would be on either side of the existing Star Tours ride. From what I’ve heard, it appears that the expansion would take out the area between Star Tours and the auto stunt show stadium, including the Muppet theater and Honey, I Shrunk the Kids play area. But I’ve also heard of consideration of going in the opposite direction, which would place the new land on the site of the Backlot Express restaurant and Indiana Jones stunt show theater. Given that the Indy theater’s used for several other events throughout the year, and that both the Muppets and Honey I Shrunk the Kids attractions long ago passed the height of their popularity, I’m hearing more forceful arguments for the first option.

This appears to be a five-year project, putting completion in 2018, though Disney could choose to throw money at it and accelerate it by a year.

I wonder if they will really disrupt much of what is already there as opposed to mixing more Star Wars throughout the park. It is common for Disney to mix up different things from different movies throughout their parks. Will they really get rid of Muppet Vision 3D and the Honey I Shrunk the Kids park? While perhaps not as major as The Great Movie Ride or Tower of Terror, I’ve always seen Muppet Vision 3D as one of the icons of the park. Besides, Disney still has plans for those Muppets, such as a live stage show. We are long past the prime for the movie version of Honey I Shrunk the Kids and I could see them remove this exhibit, but it is the best item at the Walt Disney Studios Park for small children.

A Star Wars Cantina would probably be the major addition, but this could be added at various places if there is not room near Star Tours. Increased character involvement in parades and character meets would not require removal of older attractions.  Increased use of Star Wars might not even be limited to Disney Studios.  I wouldn’t put it past Disney to create an exhibit at Animal Kingdom with creatures from the Star Wars Universe or turn Spaceship Earth at Epcot into a replica of the Death Star in time for the release of Star Wars VII. There’s little doubt that the monorail will be used to promote the movies.

In case you are wondering why characters from the Marvel movies are not flooding the Disney theme parks, Universal still owns the theme park rights to these characters. In addition, the movie rights to some Marvel comic characters, such as Spiderman, are owned by other studios. Of course we sort of got to see Iron Man at Epcot in Iron Man 2. The Stark Expo was clearly built in the image of Epcot and the film of Tony’s father looked considerably like old footage of Walt Disney discussing his idea for Epcot.

Joss Whedon isn’t “going Nolan” with Avengers 2.

Bleeding Cool reports on rumors of more lost Doctor Who stories which have been found–an added surprise for the 50th anniversary. This might include the lost first regeneration story. (Update: This may be a hoax. Awaiting further information).

Den of Geek gives a round up of this week Matt Smith replacement rumors.

Jaime Graphic

Now that Game of Thrones has concluded its third season, here are some amusing info-graphics to help explain what is going on. One example above.

Here’s an update to the relationship chart from Person of Interest. While I was initially fearful the show would just use the Machine as a gimmick for a crime of the week show, they have certainly developed a complicated mythology over time.


An adaptation of Steven King’s novel, Under the Dome, sounds like it might be the biggest genre television show of the summer. Barack Obama was initially heard on the first episode but the scene was cut. They had used a clip from Obama’s speech following Hurricane Sandy but decided against using real life events:

President Obama has been left on the cutting room floor of CBS’ new summer series “Under the Dome.”

An audio clip of the president that was in the first hour of the series that CBS sent to critics earlier this month will be cut from the episode that will ultimately air, a CBS spokesman said. The show, based on a Stephen King book, is about a small town that for mysterious reasons becomes enclosed under a huge transparent dome.

In the scene, which comes at the end of the first hour, Obama is heard amid a slew of fake reports talking about what is going in the town. The audio of the president is actually from his remarks following Hurricane Sandy when he said the nation feels “profoundly for all the families whose lives have been upended. The most important message I have for them is that America is with you. We are standing behind you and we are going to do everything we can…”

Although the standards and practices department at CBS had approved the use, a decision was made to cut it anyway on Thursday. While use of audio from actual news events for a fictional TV show is not unusual, the network and producer Amblin Television decided that having these remarks from a real tragedy inserted in an entertainment show was inappropriate.

Emma Watson at the premiere of The Bling Ring in Los Angeles

 Emma Watson returns to fantasy movies, and Barack Obama’s name comes up once again:

Harry Potter star Emma Watson is returning to fantasy cinema after signing on to play the lead in “Game of Thrones-style” saga Queen of the Tearling, reports Variety.

Watson will play 19-year-old idealistic princess Kelsea Glynn, created by Erika Johansen after the author heard a 2007 speech by a pre-presidential Barack Obama. Johansen signed a seven-book deal in February and the first novel in the series is due next year. It is set three centuries after an environmental catastrophe, when a malevolent Red Queen reigns over the kingdom of the Tearling. Glynn must defeat the monarch to reclaim her deceased mother’s crown, and publishers have compared the tone of the series with that of George RR Martin’s A Song of Ice and Fire saga, which is being adapted by US network HBO as Game of Thrones.

Despite the comparisons between Megan Draper and Sharon Tate, Matthew Weiner says that Megan will not die this season. After last week’s episode, the question has now become whether/when Megan will find out what Sally saw and how she will react.

True Blood returns tonight with a new show runner. This might be better because the show really needed a change in direction. On the other hand, we might wind up with the same show but with a show runner who isn’t as good as Alan Ball and have an even worse show.

Dexter returns June 30 and we meet the woman who helped Harry develop The Code. Will bringing in someone who could figure out what Dexter has been up to lead to his end?

Just one more episode to go this season on Hannibal. Lase week we saw how a comb could be turned into a murder weapon, and the murder of another recurring character looks likely. For those who haven’t been watching from the start, it was a very good show for binge watching and highly recommended.

Da Vinci’s Demons is less compelling but I have now made it through the second from last episode and will try to catch the finale this week. I might give up on Defiance after four episodes. Even though SyFy had hoped this would be the next big thing after Battlestar Galactica,  there is little in the show so far to promote any long term interest in what happens to the new town. Moving beyond genre, I just finished the first season of Mr. Selfridge from ITV, also broadcast by PBS on Masterpiece Classic. It is more soap opera than serious historical fiction and fans of Downton Abbey should enjoy it. The show was light and entertaining to watch, and did an excellent job of utilizing plot threads from throughout the season to set up its finale.

I couldn’t make it to Man of Steel this weekend and will limit coverage to this link on the movie (which also gets back to Chris Nolan’s Batman, as in one of the links above).

Have a Happy Captain Picard Day

SciFi Weekend: The Lodger, Torchwood Filming News; A New Series From Alan Ball; and Another Recreation of Princess Leia as Slave Girl

Matt Smith Nude Scene

This week BBC America broadcast The Lodger, the last episode of Doctor Who before the two-part season finale. Spoilers are included for this episode only as I impatiently wait for BBC America to get caught up so I can write about the season finale and fez hats.

This was unfortunately an Amy Pond-lite episode, but still an entertaining one. The Doctor was stranded on earth and had to figure out what was messing with time to save Amy from being lost in the Tardis forever. Fitting in was not easy for the Doctor, but he did turn out to be a fantastic soccer player (with the episode airing just before World Cup coverage on the BBC).

The episode was largely a stand alone episode but it did include references to other evens of the season. The house where the Doctor rented a room had a card for the Vincent van Gogh exhibition at the Musée d’Orsay on the refrigerator. Many reviewers have noted that a crack on the wall was shown at the end. While it was shown most prominently at the end of the episode, I also noted that it was shown briefly earlier. The most significant event was that Amy, while searching for a pen, found the engagement ring from Rory. Clearly this story line did not conclude with Rory being pulled into the crack and disappearing from time.

Matt Smith had one of the rare nude scenes in Doctor Who history, appearing dressed in only a towel, creating some controversy Ironically Smith has previously appeared on television undressed in such a manner, and it happened to be in a scene with a former companion of an earlier Doctor. Smith played one of Billy Piper’s clients in Secret Diary of a Call Girl, also dressed only in a towel.

Van Gough Card in Doctor Who: The Lodger

The Doctor In The Tardis has some limited news, and a bit of speculation, on the filming of the next season of Torchwood:

It has been confirmed by Gavin Barker Associates that John Barrowman will only be filming Torchwood in the US from January to June. That’s roughly about 16 weeks worth of filming, before coming back to the UK.

Assuming Eve Myles was correct in her statement earlier this week about a 7 and a half month shoot, it could mean that the other 3 and a half months shooting will be taking place in the UK, especially as John Barrowman has previously stated he will be appearing in all episodes of the new series.

Alan Ball already is responsible for two of the greatest television shows of all time, Six Feet Under and True Blood. Both deal with death, and if HBO wants another series on this topic Ball is obviously the person to turn to. Deadline Hollywood reports that HBO has ordered another pilot from Alan Ball:

HBO has greenlighted a pilot for All Signs of Death, a dark comedic drama based on Charlie Huston’s 2009 crime noir novel The Mystic Arts of Erasing All Signs of Death. Ball is executive producing and directing the pilot, which was written by Huston. The project, which is now casting for an August production start date in Los Angeles, centers on an inveterate twenty-something slacker who stumbles into a career as a crime scene cleaner, only to find himself entangled with a murder mystery, a femme fatale and the loose ends of his own past. “It’s not so much about the crime, it’s about the personal story of the central character and his journey back to being fully connected with his life after some very traumatic things,” Ball said.

As a director, Ball will experiment with smaller, portable cameras for a cinema verite style. “The show is about contemporary Los Angeles, but not the glamorous LA, it’s about the dirty underbelly of LA,” Ball said. “We’re going to try to go against the grain, away from the overlit, stylized noir for a more frantic, contemporary, naturalistic style.” Ball is executive producing All Signs of Death through his company, Your Face Goes Here Entertainment, under his overall deal at HBO. Huston is co-executive producing, with Your Face executives Christina Jokanovich and Peter Macdissi also producing.

Kelly Brook dresses in the Princess Leia slave girl outfit

Many actresses have dressed in versions of the Princess Leia slave outfit from Star Wars: Return of the Jedi, including Kristin Bell and Olivia Munn. Pictures of these two can be seen here, and a picture of the original is here. Kelly Brook has created several Princess Leia poses for Total Film, including the Leia slave girl pictured above.

SciFi Weekend: Flashforward; V; Returning Shows and Shows in Trouble; Sookie’s Future; The Plan


FlashForward didn’t continued to advance the mythology of the series with Dominic Monaghan becoming a series regular. While there are many gaps to fill in, we find that he knows Lloyd Simcoe and the nature of their relationship is hinted at when Lloyd says to Simon (Monaghan): “Our experiment killed 20 million people, Simon.”

Lloyd’s involvement with Olivia and her family took a major move forward as his autistic son, unable to separate future memories from the flash forward with past memories, remembers that Olivia’s home is his home too, and shows up there. It now is pretty clear that Charlie’s flash forward took place in the house where she saw both Simcoe and his son. She also saw something that makes her believe that “D. Gibbons is a bad man.” If she picked this up from Lloyd Simcoe during her flash forward it is not even certain if this is an accurate fact.

The meeting in their house, along with Oliva’s knowlege that Mark is drinking in his flash forward, exacerbated the conflict between the two and might be moving them towards the situation in their visions of the future.

In other developments, Janis survives so we don’t yet have a definite case of a vision not coming true. The blue hands of Mark’s board make an appearance. There was even another sighting of the kangaroo.


The remake of V starts this week and reviews are coming out. Variety writes:

At least initially, the real breakout here is Baccarin, who might be TV’s coolest alien since the invention of the Vulcan nerve pinch. The idea, moreover, that extraterrestrials would come wrapped in an attractive package and shrewdly manipulate the media feels especially eerie given the state of our media today (though there is one unfortunately clunky line of dialogue about “universal health care”).

For the most part, though, writer Scott Peters and company — updating Kenneth Johnson’s original — have assembled an appealing and diverse cast that highlights the “We’re all in this together” aspect of dealing with such a fantastic threat. And the idea of being unsure who to trust deftly taps into the same vein of malevolent foes and “sleeper cells” hiding in plain sight that “Battlestar Galactica” mined.

The best science fiction always has something to say about the present, and the show does that without skimping on the soapy or dramatic elements. Whether the serialized storytelling can be sustained is potentially another matter (witness the growing pains experienced by ABC’s “FlashForward”), but at least in terms of the acrobatics that go into a polished launch, “V” sticks the landing.

The Hollywood Reporter writes:

This latest update, with a teleplay by Scott Peters, preserves the original framework but shifts the atmosphere to accommodate contemporary concerns. Based on the pilot, the militaristic notes will be more subdued. Instead, there will be more of a post-Sept. 11 emphasis on questions of trust and terror.

“V” is short for Visitors, which is what the aliens call themselves. They announce their presence while simultaneously hovering in huge unassailable spaceships above 29 of Earth’s major cities, including New York, where the series is set.

Alien leader Anna (Morena Baccarin), the very picture of sweetness and innocence, promises to share advanced technology and live in peace. Many Earthlings are eager to believe her, including young adults who sign up for the Peace Ambassador program (analogous to Hitler Youth).

But there are skeptics. These include FBI agent Erica Evans (Elizabeth Mitchell), whose son joins the Ambassador program, and Father Jack (Joel Gretsch). Complicating things is the wave of Visitors who came to Earth years earlier and are working incognito. At the same time, though, other secret Visitors have become disillusioned and join the resistance.

Somewhere in between is news anchor Chad Decker (Scott Wolf). In exchange for exclusive interviews with Anna, he makes an uncomfortable bargain to ask only softball questions.

It could be complicated, but Peters’ tightly written teleplay makes it easy to follow. In addition, the pilot raises provocative issues without getting didactic. That, combined with mythology less dense than, say, ABC’s “Lost,” should make this an attractive viewing option.

Kenneth Johnson, creator of the original series, sees the remake as a way to profit from his own movie version of the show.


A couple of shows are coming back in December. Scrubs returns December 1 with hopes of  phasing into a new cast, which is generally risky for an established show. Better off Ted returns on December 8. In a move guaranteed to promote file sharing sites, The Waters of Mars, the next Doctor Who special, will air on the BBC on November 15. It will not air on BBC America until December 19. The two part final episode with David Tennant will probably air on the BBC on Christmas Day and sometime around New Year’s Day. Those wanting to see more of David Tennant can also see him on The Wedding of Sarah Jane Smith.

A couple more genre shows appear to be in trouble. I’ve already expressed skepticism whether Dollhouse will be picked up beyond thirteen episodes. Now NBC is telling the producers of Heroes to think about wrapping up the series. It might actually be better for the show to have an end point to work towards. Heroes would have been remembered far more fondly if the first season was produced as the complete series. The current season has been mixed. I am looking forwards to tomorrow night’s episode to see if Hiro can save Charlie, but it is not a good sign when they have to rely upon revisiting past events to keep the show interesting.

Fringe is also on the bubble according to TV Guide.


Alan Ball was interviewed about upcoming plans for True Blood:

Bon Temps is going to be very crowded for True Blood’s third season, what with all the new vampires walking around. Executive producer Alan Ball, and several of True Blood’s writers and producers, sat down with fans of the show Wednesday at the Paley Center for Media to discuss the new residents of Bon Temps, Bill and Sookie’s future and a naked Alexander Skårsgard.

So where does the action pick up at the beginning of Season 3? “I believe [Eric] appears without most of his clothes in the very first episode,” jokes Ball. (But seriously, he says, fans of Eric’s amnesia story line from the books will have to wait until Season 4.)

“Sookie [Anna Paquin] is going to go off in search of Bill [Stephen Moyer], and she will find him,” Ball tells But Sookie is in search of much more than just Bill. “There will be more conjecture about what she is and she will be more driven to discover what she is,” said Ball. “She will get closer to the answer.”

Will her brother Jason (Ryan Kwanten) help her? Not likely, as Ball explains that he doesn’t share his sister’s magical gifts. “It’s a DNA thing, it’s a genetic thing and skips some people and gets in some others,” he says. “Jason has vestiges of it, in that he’s such a fantastic athlete and he’s a perfect shot, but he’s still human, whereas Sookie is definitely a half-human, half-something else that we’re waiting to reveal.”

Good news for Bill fans: He won’t be going away for an extended period of time, as he does in Charlaine Harris’ Sookie Stackhouse novels. Ball reports that the TV series won’t be telling the same story. “Stephen Moyer will not be marginalized. Bill and Sookie may go through some rough patches that last maybe a little longer than Team Bill fans might like, but Bill and Sookie have a connection that will never die.”

So what about Bill’s big secret, that he only went to Bon Temps and became close to Sookie on the orders of Queen Sophie-Anne? Will that ever be revealed? Ball says yes. “I can’t say when it will be discovered, but it definitely will be,” he says. “We are definitely aware of that as we’re breaking the stories, and have been from the beginning of the show.”

Ball says that marital bliss is not in the cards for Sookie and Bill. “There is somebody who wants a wedding, but it’s not who you think it is,” teases Ball. “I don’t think you’ll see that wedding actually happen.”

What you will see is another human-vampire romance, when Tara meets the still-to-be-cast Franklin Mott. Their relationship will be unlike any other on the show. “I don’t even think they’re in the same ballpark,” producer Raelle Tucker tells us. “He’s more dangerous than any of those other [vampires]. She’s definitely playing with something that’s a lot more deadly.”

And Mott won’t be alone. “You’ll find a range of vampires,” supervising producer Alexander Woo says. “The vampire world really opens up. You’ll see that there’s as much of a variety and diversity among vampires as there is among human beings. There’s going to be extremely cruel and extremely kind. I think you’ll see there isn’t one archetype; there is a panorama.”

We don’t know how long Sookie’s adventures will continue on HBO but they might come to an end in the novels. while promoting a current book of short stories, Charlaine Harris has said that her Sookie Stackhouse series might come to and end after three additional novels. This would make for a total of a dozen books.

Dexter Rita

I’ve already reported that Julie Benz, who play’s Dexter’s television wife, has warned about a shocking end for the season. Jennifer Carpenter, Michael C. Hall’s wife in real life (and sister on the show) has more:

Dexter fans should stop crying over the shocking October 18 death of Frank Lundy (Keith Carradine) and brace themselves for something far worse. “Everything changes at the end of this season,” Jennifer Carpenter (Deb) said at the 2009 Scream Awards. “Dexter will never be the same.”

The actress told me the Showtime series was so protective of its top-secret December 13 season finale that she had to sneak on set to witness the gruesome climax of John Lithgow’s bloody reign of terror as the Trinity Killer. “I was so curious that I showed up at 1:30 in the morning to see what they were shooting, so I know!” says Jennifer (who probably could have wrangled the secret out of her real-life husband and Dexter star, Michael C. Hall). “Let’s just say maybe all of our trailers won’t be there next year.”

The obvious speculation is over whether Rita, who does get in Dexter’s way this season, will be John Lithgow’s final victim this season.


Edward James Olmos was interviewed by Io9 and about The Plan and discussed other questions which might be addressed in future Battlestar Galactica movies:

Simple questions, like what happened to the [final] five during this period of time? Where were they coming from 2,000 years ago? How could they be around for 2,000 years, and yet the understanding of Caprica is that the robotic trend on Caprica was started 57 years ago? How did that work? That question comes into play, and I would love to see how they answered it. That, to me, would be explosively unbelievable. I would love to have that question answered. I would also love to know what is going to happen to the people on the Earth. What is going to happen to Adama and all the different people? What happened to the Raptor that got them to the point of finding their dream space? That, to me, is just two simple ones I can think of off the top of my head…. To me, there’s still a lot of beautiful story that’s waiting to be unleashed in this world.

Olmos expressed displeasure about the degree to which The Plan was downloaded once it leaked out on line during the week before its release on DVD:

People don’t understand that if they want to see this universe again, they have to participate by voting, by casting their dollars. If they don’t cast their dollars, they won’t see any more of these.

That is understandable, but I also think that sales would be much better, regardless of whether copies were downloaded, if the product was better.  Many of those hard core fans who couldn’t wait to see the show would still purchase copies if this was a better product. Instead, many of us who viewed the episode early, both from downloads and early purchases, have been advising that there is really no need to get a copy now as opposed to waiting until it airs on television. I reviewed The Plan here. Unless they can do a better job, I would prefer to remember Battlestar Galactica for what has been done as opposed to having more second rate DVD and television movies.

SciFi Weekend: Dollhouse and FlashForward Picked Up For Season; Deaths on Heroes and True Blood; Trician Helfer, Grace Park, and Ashley Green


One frustrating thing about getting involved in a show on network television is that genre shows often do not do well in the ratings leading to early cancellation.  There was news this week about two shows which will at very least remain around for the season. Dollhouse, which almost was canceled after its first season, will have at least thirteen episodes aired this season. Any decision as to whether to renew the show or purchase more than thirteen episodes this year will not be made until after the first thirteen air.

Reached by phone, Joss Whedon (who has a terrible-sounding cold — feel better!) said he’s writing the 13th hour to give fans a degree of closure.

“We’ll definitely have closure, but will leave some doors open,” said Whedon, who’s currently shooting the eighth episode. “When we got our first numbers, which were bad, the first thing [Fox president of entertainment] Kevin Reilly said was, ‘You’ll have all 13,’ which was great. They’re not going to pull the rug out from under us.”

Beckman said DVR results have played a role in the show’s fate, though wasn’t surprised by today’s results.

“It’s one of the reasons that we brought it back; we knew it was DVR friendly,” Beckman said. “We expected to see this, and hopefully we’ll see [the overnight ratings] increase from week to week … with some shows, you have to look at the bigger picture.”

Beckman also humorously characterized deciding the show’s fate as a bit of no-win situation when it comes to dealing with Whedon’s passionate fans.

“If you cancel it, you’re an asshole; if you renew it and then don’t put it back on, you’re an asshole,” he said. “I’m still paying for ‘Terminator.’ ‘Dollhouse’ has a small rabid fan base that in the world of social media seems bigger than it is. We gave them another season knowing full well we were going to burn in hell if we pulled it.”


Things are looking even better for FlashForward with ABC deciding pick up the series for the full season.

TV Guide interviewed Sonya Walger, who has roles on both Lost and FlashForward. She doesn’t have clue as to when or if she will be in the final episode of Lost. She had this comment on her role on Flashforward: We haven’t seen all of Olivia’s flash-forward. What can you tease about what we haven’t seen?
In the flash-forward, the bit that you have seen is that Lloyd [Jack Davenport] gets up from the bed and gets a text message from someone. The person he gets a text message from is very, very unexpected. Can Mark and Olivia’s marriage survive this flash-forward?
Who knows? I think it’s completely fascinating that just the ghost of this might be what undoes their marriage, or it might be what strengthens them and keeps them together. It might be the tension of it alone [that] drives Mark to drink. It’s such an interesting idea that just the threat of something might be what leads you towards it. It may well be that they get to a breaking point and then say, ‘No, this isn’t happening to us. We’re going to make this work.’ Do you have any personal belief in fate?
I don’t really. The word fate doesn’t really mean much to me in some ways. I think we make our own. Minute by minute you decide who you are and who you’re likely to be. You make the choices hour by hour, just in the present. I don’t believe there’s some roadmap laid out that we’re headed towards. Give us a nice tease for what’s coming up for Olivia.
She’s going to be forced quite soon to deal with whether or not you can change the future. She keeps being reminded — evidence keeps being presented all around her — that you can’t change it. Every time she thinks she’s seen the last of Lloyd and that she’s managed to avoid it, he keeps coming back.


Watch With Kristin reports that there will be a major death on Heroes. It will involve a male who was part of the original cast, and may or may not be one of the four in the picture above.


True Blood has been picked up for a third season:

While the rollercoaster relationship of Sookie Stackhouse (Anna Paquin) and Bill Compton (Stephen Moyer) remains front and center, Ball revealed that several supporting characters will be sharing even more of the spotlight. “Definitely Eric has broken out and is a big important character now. Jessica and Hoyt are still trying to deal with everything that happened to them, and Arlene and Terry are going to have a little bit more of a life and more of a presence on the show.”

There’s also room for guest stars, like Evan Rachel Wood’s vampire queen of Louisiana. “She’ll be back,” promised Ball. “Maybe Zeljko Ivanek, who played the Magister in Season 1 – he might be back. And we do have a lot of fun new characters.”

Sam Trammell, who plays the hapless but heroic bar owner/changeling Sam Merlotte, added that Season 3 is “going to explore my relatives and the sort of sketchy, shapeshifter-y people in my family, and that’s going to be more torture for Sam. I’m sure they’re not going to be good people.” But will Sam’s still-burning torch for Sookie also be a source of torment? “Well, I hope he still has a shot with Sookie, but who knows? Probably not.”

Alan Ball has also told TV Guide that at least one character will die next season, which is hardly surprising considering the nature of the show.


Tricia Helfer and Grace park are on the cover of Maxim prior to the upcoming release of the Battlestar Galactica movie, The Plan. With the movie being released on DVD prior to its showing on television it will be possible to have more explicit scenes as was done in the DVD release of Caprica. Rumor has it that the main nude scenes involve extras in a shower scene. Tricia Helfer will also be appearing in an upcoming episode of Two And A Half Men.


There seems to be a lot of actresses from genre television shows in movies in magazines this month in addition to the above. For example, Ashley Green of Twilight has a photo shoot in Men’s Fitness.

SciFi Weekend: Doctor Who Movie, Return of Sarah Connor, Premiers of Fringe and True Blood

Considering how rare it has been for me to get this out on Fridays since the political campaign has heated up, I’ve retitled this SciFi Weekend in place of SciFi Friday. Still I’ll begin with a story on a show from SciFi Channel’s SciFi Friday line up–Doctor Who.

So far David Tennant is only committed to return as The Doctor for some specials scheduled for next season, being too busy appearing in Hamlet to do a full season. Tennant has desired to continue to perform on the stage and to do movies, leading to fears he will not return for another full season. The BBC is now trying to entice him to return for a full fifth season of Doctor Who in 2010 by also adding a Doctor Who movie to the deal. Russell T. Davies said he would like Catherine Zeta Jones to play The Doctor’s companion in the movie.

Terminator: The Sarah Connor Chronicles returned for a second season last week creating questions as to whether Cameron can be trusted. Changes in Cameron will only be one aspect of the upcoming season. SciFi Wire has an interview with Josh Friedman, the creator and executive producer of the show, which reveals we will see more of the post-apocalyptic future and time travel will be used in again on the show. He discussed how using time travel helps the show:

One, is people can sit around and talk about it. Two, you can see future war stuff, and three, you can bring people back. … Last season, for a lot of people, I think, it really took off when Brian [as Derek Reese] came back. I think that’s, one, due to the fact that Brian was fantastic when he came back. … Two, the character that he’s playing, in terms of being a Reese and that kind of thing. But I also think that what he represents is he’s an embodiment of Judgment Day, of the war. And I think he comes back kind of traumatized in a way that really brings the future to the present in a really visceral way, makes people care about the stakes.

I think you see it on somebody. He’s a war veteran; you see it. So I think that it’s an important part of the show to bring people back sometimes, whether it’s another person or a Terminator. … You have to get used to the fact. It’s not a revolving door, but it definitely … opens more often than people are used to in the movies. But the movie only got to send two people back, and they were rolling around for two hours. I think our per-minute sending people back is actually much lower than the movies.

Two new genre shows premiered last week. In Fringe J.J. Abrams gives us a combination of Lost, The X-Files, and Alias. I wasn’t very impressed by the pilot but I’ve learned to give shows like this a little longer. For whatever it is worth, I stopped watching Alias soon after it started and ignored X-Files. Later I had go back and catch up on them after I found that as they developed there was far more to each than was apparent at the start. (Actually the conclusion of X-Files showed I might have been right about it at the start.) Fringe provides suggestions of lots of unusual things going on and, as with Lost, the success of the show will depend upon how well they create mysteries to keep viewers hooked while providing enough information to keep them satisfied. TV Guide provides some answers to questions viewers might have about the show while Popular Mechanics looks at the science.

Alan Ball, creator of Six Feet Under , has returned to HBO with True Blood and I quickly became more hooked on this one than Fringe. The premise, based upon the novels by Charlaine Harris, is that the Japenese have developed a synthetic blood which satisfies all the nutritional needs of vampires, allowing them to live out in the open. We see a vampire rights advocate being interviewed by Bill Maher and in the second episode there was a magazine cover announcing that Angelina is adopting a vampire baby.

The actual storyline centers around a waitress, Sookie Stackhouse (Anna Paquin) who becomes involved with vampire Bill Compton (Stephen Moyer). Sookie can read minds, which is one reason she is attracted to Bill. Being that she can read minds, she has trouble dating because she quickly realized what every guy around her is thinking (just as you are thinking as you view the picture of her above). She is unable to read Bill’s mind, which is far more peacful than overhearing the thoughts of everyone around her.