SciFi Weekend: Music On Supergirl, The Flash, And Legends of Tomorrow; Legion; The Magicians; 12 Monkeys; Doctor Who; Agents of HYDRA; The Matrix Reboot; Westworld

The musical cross over of Supergirl and The Flash (and the Glee Reunion) entitled Duet will begin on Supergirl, with most of the story taking place on The Flash. The two are placed in a dream-like state by the Music Meister (Darren Criss). ScreenerTV reports that, “Kara and Barry wake up without their powers in an alternate reality where life is like a musical and the only way to escape is by following the script, complete with singing and dancing, to the end.”

Variety adds this information from Candice Patton (Iris West):

“You’ll see two versions of Iris in the episode,” she said. “The Iris that we know and love, and a person they [Barry and Kara (Melissa Benoist)] think is Iris but is actually a completely different character named Millie. She’s the sassy daughter of two gangsters — played Victor Garber and Jessie Martin — and she’s madly in love with Mon-El’s character (‘Supergirl’s’ Chris Wood), whose name is Tommy. They’re fighting for their love, because both of their families do not want them to be together.”

Writers of the music for the episode include Benj Pasek and Justin Paul, who also wrote for La La Land.

Supergirl isn’t the only show in the Berlantiverse to feature music this month. On Legends of Tomorrow, Dr. Stein (Victor Garber) along with Heat Wave (Dominic Purcell) had infiltrated NASA during the flight of Apollo 13 and had to distract those there from seeing superheroes on the moon. They do it by singing Day-O in the video above.

Time travel shows typically have rules as to what can be done, and then frequently break the rules. Legends of Tomorrow has been fairly lax with their rules, but they will break the little that has been established for the season finale. Here is the official synopsis:

Aruba” — (8:00-9:00 p.m. ET) (Content Rating TBD) (HDTV) SEASON FINALE — As the Legends are about to take off for their next destination, a massive timequake rocks the ship. In order to try and fix what has happened, they are forced to break the one cardinal rule of time travel. But if they are able to destroy the spear, they will face the ultimate consequence. Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Dominic Purcell, Franz Drameh, Nick Zano and Maisie Richardson-Sellers. Rob Seidenglanz directed the episode written by Phil Klemmer & Marc Guggenheim (#217). Original airdate 4/4/2017.

Next season The Flash will break with its usual tradition of having the Flash’s life be dominated by others with super speed. The big bad next season will not be a speedster.

Legion, which has now been renewed for a second season, has been very strange recently, with Aubrey Plaza doing a fantastic job as “Dr. Lenny” last week. It makes a little more sense to those who know about the X-Men comic universe. I0-9 discusses the identity of the bad bad which has been inhabiting David’s mind:

A new promo for the show’s next episode, “Chapter 7,” sees the brainy half of the Loudermilk duo, Cary, confirm that Amahl Farouk—better known as the Shadow King—is the villain that’s been plaguing David as the yellow-eyed demon throughout the show.

It’s not exactly a huge surprise that Yellow-Eyed Demon, or Y.E.D., is actually the Shadow King. This has been hinted at for weeks. Over the course of the first season, Y.E.D. has been lurking in David’s mind, changing David’s memories and making him forget about every encounter they’ve had to keep his identity secret. Lately, Y.E.D. has taken on the form of Lenny (Aubrey Plaza), David’s friend from the mental hospital who was killed in the first episode—but when David was a child he pretended to be his dog, not-so-subtly named King. The Shadow King has actually been inside David for decades. David’s father (Professor X?) sent him away when he was a baby to protect him, but Farouk couldn’t be stopped.

 So, who is Farouk in the comics? First introduced in Uncanny X-Men #117 by Chris Claremont and John Byrne, Farouk is the latest human host of the pure psychic energy being known as the Shadow King. The Shadow King has existed for centuries, feeding on the enslaved bodies of telepathic hosts from the dawn of humanity. Farouk has spent his life working in the shadows, first as a Nazi ally and later a crime boss in Egypt, before encountering Charles Xavier in ‘70s Cairo…

There is a large but finite number of ideas in science fiction and fantasy, and on Wednesdays we are seeing that with two excellent genre shows having a similar situation. While David on Legion appears to have a second consciousness in him since childhood, Quenton has Niffin Alice in him at present on The Magicians. While there is a similarity in the idea of two consciousnesses in one person, this is a more recent development on The Magicians, and perhaps Penny discovering this last week is a step towards resolving this problem. If not, who knows how much damage Alice can do with control of Quenton’s body for even a brief period every day.

Syfy plans to air all ten episodes of season three of 12 Monkeys over three days in May, between May 19 and 21. This sounds like the sort of thing a network might to do to quickly get rid of the episodes of a series it plans to cancel, but they have also renewed the series for a final fourth season. Perhaps this is their response to the trend towards binging shows, such as on Netflix.

While Syfy has renewed 12 Monkeys and The Expanse, there is no word yet on The Magicians. The Magicians is also impacted by streaming in a different manner. The episodes seem to be prepared for streaming, with an uncensored version of season one with limited commercial cuts made available after the first season aired. Besides all the f-bombs, the show is made without fading to commercials like a typical show, and instead have the commercials appear abruptly, making the episodes work better when repeated with reduced commercial breaks (or none when on Netflix). I would love to see The Magicians return for a third season on Netflix instead of Syfy so that we can see it this way from the start.

There is also news on the third time travel series to be discussed this week. Digital Spy reports that Doctor Who will have a three part episode involving The Monks, with Missy also appearing:

It’s been a while, but Doctor Who is resurrecting the three-parter for Peter Capaldi’s final series aboard the TARDIS.

New monsters The Monks were previously confirmed to be appearing in several episodes across series 10 – now Digital Spy can confirm that a trio of adventures (episodes 6-8) in the new series are linked.

Toby Whithouse, who’s written the concluding chapter, revealed: “Mine is the third part of a three-parter – Steven [Moffat]’s done the first one, Peter Harness did the second and I’ve done the third.

“It’s set modern-day… and I think anything more than that and Steven will come round and kick me in the shin!”

Sacha Dhawan, who played Jimmy Dillon on Mr. Selfridge, and has also appeared in Sherlock, Iron Fist, and An Adventure in Space and Time is among the names being discusses as a possible replacement for Peter Capaldi. Radio Times reports he is very interested in the role:

“Oh my God, I’d absolutely love to,” Dhawan told RadioTimes.com when asked if he was interested in the part. “I SO would love to.

“I’ve worked with [frequent Doctor Who writer Mark Gatiss] quite a lot, and I think I’d bring something really exciting to it. It’d be incredibly nerve-wracking to do to be honest. It’s quite a lot of pressure.

“When the list came out, I was so honoured really that I was even considered,” he went on. “And that alone was kind of good enough. But who wouldn’t want to do it? It’s Doctor Who.”

The posters advertising the return of Agents of SHIELD reminds us that they are now in The Framework with a different reality. For those not watching, it is sort of like being in The Matrix.

There is also talk about rebooting The Matrix. The remake will apparently tell other stories in the same universe. If they go ahead, I hope they do a better job than they did in the two attempts to make a sequel to the original movie.

Den of Geek summarizes what is known so far about season 2 of Westworld.

SciFi Weekend: Months of Doctor Who Speculation To Come; The 100 Returns; Gotham; Star Trek Discovery Starts Production; Renewals; Supergirl; Powerless; 12 Monkeys

Just as we struggle to get used to the transition in Washington, there is another huge transition to look forward to. As I posted earlier in the week, the big news is that Peter Capaldi has announced that he will leave as the Doctor, with his last appearance on Doctor Who to be in the 2017 Christmas special. There might be speculation for many months as to the next Doctor, with reports that incoming show runner  Chris Chibnall will be waiting until next fall to chose a replacement as he is currently busy with completing the third and final season of Broadchurch, and then plans a vacation. There are also reports that he will not start filming Doctor Who until early 2018, with the show not airing until fall, giving us another long gap between seasons.

The speculation regarding the next actor to play the Doctor appears to be concentrating even more on having the first woman or non-white Doctor than in the past. Digital Spy looked at some of the top female contenders for the part.  David Tennant backs his costar on Broadchurch, Olivia Coleman. Peter Capaldi suggests Frances de la Tour. Billie Piper is also calling for a woman to receive the role (but has no interest in doing it herself).

Just to be clear, my opposition to Hillary Clinton replacing Peter Capaldi is not sexist and does not indicate an opposition to having the first female Doctor. My opposition is just to that woman. Hillary Clinton is terrible at acting. Look at what happened when she tried to act like a progressive. There are plenty of far more qualified choices being discussed, such as Hayley Atwell or Lara Pulver, along with those mentioned above. Jill Stein would be a far better choice, and is even a real doctor. I would chose to have Barack Obama be the first black Doctor before picking Clinton. Joe Biden would also be an excellent choice, having a similar look to Jon Pertwee. I disagree with those who say that Bernie Sanders would be too old or too far left for the role, although I see him more as a Jedi Knight than a Time Lord. Of course, #NeverTrump. However, if they decide to have a regeneration of the War Doctor after the recent death of John Hurt, then Hillary Clinton (aka The Queen of Chaos) should be a top choice.

Season 4 of The 100 began just after where season 3 left off. If anyone hoped that ALIE was lying about the nuclear reactors melting down, the episode graphically demonstrated that the survivors of the first apocalypse are now facing a second one. Eliza Taylor discussed Clarke’s role in the upcoming season:

“We’re picking up directly where we left off,” Taylor told us on set in Vancouver. “We’ve just discovered that the world’s going to end, again. Just another day on the ground. This whole season’s mostly based around how we’re going to deal with fighting an enemy that we can’t go to war with, so it’s going to prove very interesting.”

As of now, Clarke is the only one with the knowledge that the world is going to end … again. The rest of Skaikru and the Grounders have no idea, and as season four begins they’re all going to have their hands full with picking up the pieces of their respective civilizations after ALIE took over their minds and convinced so many people, both Skaikru and Grounders alike, to kill themselves and their loved ones all in the name of the now-destroyed “City of Light.” Will Clarke tell everyone about ALIE’s warning, or will she keep this revelation to herself?

“It’s something that she has to be really careful about because she’s just taken all these people out of a beautiful city that they were happy [in] and brought them back into a world that’s about to end,” Taylor said. “She has to be very careful about how she goes about telling people without starting a riot. You will see more of her relying on her friends and family, which is good because it’s kind of like the old crew being back together again. It feels like season one again, which is awesome.”

While Clarke has always been the de facto leader of the 100 juvenile delinquents sent down to Earth, with help from Bellamy (Bob Morley), when the rest of the Ark came down from space, the adults didn’t listen to Clarke’s guidance. They thought they knew how to lead better, and they’ve been proven wrong time and time again. With Chancellor Pike (Mike Beach) murdered by Octavia (Marie Avgeropolous) and Jaha (Isaiah Washington) officially fallen from grace after he helped ALIE take over, Clarke will finally take the leadership position that is rightfully hers.

“She’s definitely stepping up more and accepting herself as the leader, which is really great,” Taylor said with a smile. “It’s really fun to feel like she’s asserting herself and not taking any s-t from people who don’t know as much as she does exactly what’s going on.”

Jason Rothenberg also discussed plans for Clarke, plus other characters, in an interview with Nerdist.

Gotham is going on hiatus and (spoiler alert), having left with Jerome being pushed in the river after being shot. He has already returned from the dead once, and it seems commonplace for characters to survive being dropped in that river. The original plan was for Jerome to just be a precursor of the Joker, but it now appears that he is actually being considered as the Joker. Cameron Monaghan, who plays Jerome, discussed how the original plan was to kill him off even earlier in the season:

But according to Monaghan, that wasn’t the original ending the Gotham showrunners had planned for this episode and his character—in fact, Jerome wasn’t supposed to survive the winter finale at all.

“I don’t think the producers will mind me saying that initially Jerome wasn’t going to live,” Monaghan told Nerdist. “He wasn’t originally going to make it through this confrontation. He was going to be beheaded and that was going to be it for him. Ultimately they decided that instead, we’ll go the opposite way and really embrace the idea of the character being involved in the Joker mythos. They decided not to dance around it but instead embrace it and bring the audience on the roller coaster ride of the episode, allowing it to be open-ended, playing into whatever they decide to do with that stuff later down the line.”

He continued, “The first time I read that final scene, I didn’t even really know about that or think about it or care about it because I was just so excited about everything else that was going on in the script. But now the fact that I am able to return in the fourth season or whenever they want to bring me back is really exciting.”

When Monaghan first debuted on Gotham back in season one, the showrunners didn’t officially call him the Joker, explaining instead that his character was the earliest inspiration for the Joker, who would come later. But now, it looks like the show is finally coming out and saying that Jerome is the Joker, at least for the DC Comics TV universe.

CBS announced that Star Trek: Discovery has started production. Air date is still unknown, with the previously announced date already having been moved back twice. There was also additional casting news, with Emily Coutts as the helmsman.

I recently noted that, following the inauguration of Donald Trump, 1984 had moved up to be the number six best selling book on Amazon. It is currently at number two, and had made it up to number one recently. As it was sold out for a while, this might possibly account for its slip to number two. Some other books to consider following the inauguration of Donald Trump, both alternate histories, were discussed here.

We will see the outcome of that huge plot twist on The Good Place, as the show has been renewed for a second season. Mozart in the Jungle has been renewed for a fourth season by Amazon. TNT has renewed The Librarians.

Supergirl has already used a number of actors who have played characters in the Superman universe. Teri Hatcher, who played Lois Lane in Lois & Clark, has been cast to play a villain later this season. Aftermath has been cancelled.

Over in another corner of the DC universe, Powerless debuted. It is too early to evaluate the show and I want to see more of it. Screen Rant lists sixteen DC Easter eggs and other references.

12 Monkeys will have its cast reunite in the 1980’s when it returns.

SciFi Weekend: Doctor Who; Sherlock; Sense8; The OA; Travelers; Westworld In Chronological Order; Carrie Fisher; Father Of The Bride

While waiting for the Christmas Special, The Return of Doctor Mysterio, we have The 12 Doctors of Christmas video above.

This will lead us into the upcoming season, to start in April 2017, which will be Steven Moffat’s last as show runner. He talked to Digital Spy about his plans:

If you’re expecting a grand finale to the Steven Moffat era of Doctor Who, then you might want to think again.

Moffat told press including Digital Spy that his final episodes of the BBC series will be about “pushing forward” – not bringing anything to a close.

“With Doctor Who, you never want to have finished the story – I’m not going to do that,” he insisted. “I want Chris [Chibnall, the new showrunner] to come in and have a brilliant time, so I’m not going to wrap it all up.

“So no… it’ll still be pushing forward. The thing is, people don’t really care about me or Chris, that’s the absolute truth. It’s heartbreaking, but it’s true – so the departure of a showrunner and the arrival of another one doesn’t really matter very much, ’cause no-one’s ever heard of us!”

Whether Peter Capaldi remains after Moffat stays might depend upon negotiations over pay, as the BBC has cut its fees in recent years.

Steven Moffat also has an interview with the BBC over the upcoming season of Sherlock, to premiere on New Year’s Day:

What do you mean when you say ghosts of the past are coming back?

By ghosts of the past we mean consequences. There are consequences to the kind of mad cap in-the-moment fun lives that Sherlock and John and Mary lead. There are things that have happened, there are enemies that they have made, there is damage that has been done and some of that is coming back to visit them. There will be surprises and when some of those surprises happen you’ll think “ah I should have seen that coming”.

How have the main characters developed in this series?

That’s the whole story of this series, so I’m not talking about that! Events get out of their control for a while and we see them in their darkest hours and in their highest moments.

How does Sherlock feel about John and Mary’s new addition?

The thing about Sherlock Holmes is that he is a grown-up. We always like to pretend he’s an absolute lunatic but he does things well and he straightforwardly adores John and Mary, they’re his best friends. So he behaves probably better than most young men behave when their best mates are having babies. He’s pretty good at all that.

Netflix released the Sense8 Christmas Special on December 23. At first it seemed an unlikely show to have a Christmas Special, but in retrospect it made a lot of sense. This provided a way to get reacquainted with the characters during the two year hiatus between the first and second season. The slow pace of the show worked well here. Not all that much happened to advance the story lines of the characters, giving plenty of time for holiday celebrations and the obligatory orgy scene.

Netflix also released two genre shows around the holidays, The OA and Travelers. I have not had time to see either, but The OA has been receiving a fair about of buzz since released. More information at Variety, Vox, and The Atlantic. The Travelers (trailer above) has an overall plot line similar to many science fiction shows including 12 Monkeys, Legends of Tomorrow, and Continuum in which time travelers from the future try to prevent a catastrophe in their era. This differs in that the travelers do not physically travel through time. Instead their consciousness takes over the bodies of others at the moment of their death. Here is the official synopsis:

Hundreds of years from now, the last surviving humans discover the means of sending consciousness back through time, directly into people in the 21st century. These “travelers” assume the lives of seemingly random people, while secretly working as teams to perform missions in order to save humanity from a terrible future. These travelers are: FBI Special Agent Grant MacLaren (Eric McCormack), the team’s leader; Marcy (Mackenzie Porter), a young, intellectually disabled woman in the care of her social worker, David (Patrick Gilmore); Trevor (Jared Paul Abrahamson), a high school quarterback; Carly (Nesta Marlee Cooper), a single mom in an abusive relationship; and Philip (Reilly Dolman), a heroin-addicted college student. Armed only with their knowledge of history and an archive of social media profiles, the travelers discover that 21st century lives and relationships are as much a challenge as their high-stakes missions.

Westworld is one show which in which things would be much clearer if viewed a second time. While watching the season finale I was thinking it would be even clearer if recut in chronological order, as some have done with a work by creator Jonathan Nolan’s brother–Christopher Nolan’s Memento. Of course it would be much harder to rewatch the entire season of Westworld as opposed to a movie such as Memento. These issues have been solved at The Outline where there is a recut version of Westworld season one in chronological order in which what they call the “normal” parts are sped up. This reduces the video to only ninety minutes.

As of time of writing this on Saturday, Carrie Fisher remain in intensive care after suffering a heart attack on Friday while flying from London to Los Angeles. She survived thanks to passengers on the plan initiating CPR. Hopefully she has a full recovery. We do need Princess Leia back to lead the rebellion against the evil empire when Donald Trump takes over in January.

For the last few months Father of the Bride has been the movie which means the most to me personally, still recalling watching it on ancient video tape when my daughter was a long way away from this point in her life. Therefore it caught my attention when I was scanning entertainment news for this post and saw that E! News had an article on the movie entitled How Realistic Is Father of the Bride? Fact-Checking the Classic 25 Years Later.  572 guests!!! I’m going to have nightmares tonight contemplating that.

After the show received quite a bit of controversy, A&E has cancelled Escaping The KKK.

Update: Carrie Fisher Dies At 60, May The Force Be With Her Always

SciFi Weekend: Time Travel; Legends of Tomorrow; The Flash; Supergirl; Arrow; SHIELD; Doctor Strange; 12 Monkeys; Timeless; Class; Doctor Who

This season has become a huge season for time travel, and this is reflected in most of the items today. One time travel series,  Legends of Tomorrow has been rebooted, and the second episode was much more fun with the addition of The Justice Society of America. I had an introduction to its members last week. Marc Guggenheim discussed the meeting between the Legends and Justice Society in the video above.

Another aspect of the episode was the elevation of Sara Lance to the leader of the group, at least while Rip Hunter (Arthur Darvill) is missing. Marc Guggenheim spoke with Entertainment Weekly about how she handles her new role, along with some teasers about Rip:

“As you start to see her become more and more comfortable in being the leader of this rag-tag group, it’s so much fun to watch her,” EP Marc Guggenheim says. “The character’s embodying the role of a leader, Caity’s performance really embraces it. It turns out to be one of the most successful things we’ve done in season 2.” However, the next mission under her command won’t necessarily be to hunt down Rip Hunter. “That’s going to be something that’s always going on in the background, and in some cases the foreground, of the various episodes,” Guggenheim says. “To a certain extent, we don’t want to change the mission statement from fixing aberrations to going and saving Rip. The bat has been taken out of their hands because there’s no way to find Rip, so what would they do? You will find out [what happened to Rip] before the Legends do.”

The Flash began the season with Flashpoint based upon ramifications of Barry going back in time to save his mother. Todd Helbing, executive producer of The Flash, explained why Flashpoint was only in one episode when it was a much bigger story in the comics:

“I think anytime you do a story like Flashpoint, something as iconic as that, with the character restrictions that we had, it’s going ot be different than everybody expected,” executive producer Todd Helbing told ComicBook.com. “I think for us from a story point, when we talked about it originally it was going to be more episodes but what happens more often than not is that when you break the story you find that it would be a lot better and a lot more satisfying if you pulled up a lot of that information and put it in that first episode….It just became a much stronger episode if we just made it one as opposed to four or five, and then we could really kickstart the rest of the season after that. But Flashpoint or not, there are consequences going forward for Barry for what he did and those ripples he’s going to explore throughout the third season.”

Andrew Kreisberg has more on what is upcoming on Supergirl.

The first cross over of the season was having Oliver Queen appear on the season premiere of Legends of Tomorrow, but a much bigger cross over is coming up. Marc Guggenheim has more information. The villain will be aliens called The Dominators. As for how Supergirl gets involved in events in our universe:

“Last year, Supergirl established that Flash was able to make his way to what I call Earth-CBS, and it stands to reason that, with the proper breach technology, the reverse can happen,” executive producer Marc Guggenheim told reporters Tuesday following a screening of this week’s Arrow and Legends of Tomorrow.

In the crossover, the heroes will team up to fight against the Dominators, who in the comics were a technologically advanced alien race that wanted to invade Earth and eliminate the threat posed by unpredictable metahumans — and they have similar motivations during the crossover. “Once the heroes realize that they’re up against aliens, they decide that they need an alien on their side,” Guggenheim says. “Fortunately, Barry knows a really nice one. I don’t think it’s a big shock that between Barry and Cisco, and all their experiences with Earth-2 and the multi-verse, that they can pluck her from Earth-CBS.”

Guggenheim also revealed that the crossover will actually kick off at the end of an episode of Supergirl, where Cisco (Carlos Valdes) and Barry (Grant Gustin) basically enlist Kara’s help. “Some people call it a four-way crossover because it involves four shows; my ulcer requires me to call it a three-part crossover,” Guggenheim explains. “The story that’s being told has a beginning, middle, and end: a beginning in Flash, a middle in Arrow, and an end in Legends. But Supergirl is very much a part of the whole thing, so we are crossing over four shows — four shows in three parts.”

shield-ghostrider

Agents of SHIELD this year has combined the supernatural, the Inhumans, artificial intelligence, and the public reemergence if SHIELD. It looks like it would be helpful to be up to date on the comics to keep straight how this all fits together, especially with Doctor Strange to be released soon. Screen Rant explained how The Darkhold/Book of Sins fits into the Marvel Cinematic Universe.

Benedict Cumberbatch has also teased how Doctor Strange will fit into the MCU.

When Cumberbatch was asked how he saw Doctor Strange fitting into the largest Marvel Cinematic Universe, the actor strayed away from talking specifics to avoid any undue spoilers. However, he did say the sorcerer would be “all over the place.”

“There’s a lot going on this story [Doctor Strange] that will lead you to understand why he’ll play a key role in the next phase,” Cumberbatch explained.

The actor also talked about how he felt now playing Doctor Strange. Cumberbatch said, “Obviously, you want to bring the character to life and tell this really incredible story.”

He continued and stressed that the character’s story is only started in Doctor Strange. “It’s only be the end of the film that you go, ‘Oh my god, this is the beginning.’ It’s an origin story of a superhero that’s going to be part of all of [the MCU].”

Nerdist has some more, with potential spoilers.

christopher-lloyd

12 Monkeys was one of the top time travel shows of the past two seasons, and will add a real veteran of the time travel genre for its third season. Back to the Future star Christopher Lloyd will play the Pallid Man’s father. Showrunner Terry Matalas has more information on the upcoming season in an interview with Blastr:

What can you tell us about how Season 3 is coming along? Logistically how’s it going (as far as shooting, etc.), and creatively what are some things you’re looking to explore?

Matalas: We’ve just started production – right now, I’m surrounded by a small army of incredible cast and crew – but creatively, conceptually, thematically the season’s all there. Last season we really wanted to explore the biology — the psychology – of Time. We wanted to tell a big, ambitious, sprawling time-travel story that ended with a very intimate, heart-wrenching reveal. This season, it’s about going inward.

The stakes are deeply, deeply personal for Cassie and Cole. It’s really the a real time travel dilemma, the fundamental question: “If you knew that your child would one day grow to be the Devil, would you – could you – kill him?” Or is there another way? And what that struggle does to our characters as a team – to Cole and Cassie as a couple – how it divides and unites them – is going to make for some remarkable drama. In some ways it’s a more linear season, and in others, it’s more complex than ever.

What can you tell us about the opportunity to land Lloyd for this new role? Why is he the man for the job?

Matalas: The fantastic thing about this character is that it’s not even remotely stunt casting.  Certainly, when you make a time-travel show, you carry an obvious list of influences – Back to the Future, Doc Brown, Marty McFly – but when you cast that show, you never want the actor to distract from the moment. It’s difficult to tell a story or create an emotion if you’re constantly winking at the audience. We aim for levity, sure, but we never put the bullseye on “meta.”

So when we came to this particular character – with this particular set of traits – with this particular heritage – Christopher Lloyd was not only an inspired choice, he was the right choice. Put a photo of Lloyd against a picture of Tom Noonan and there’s zero difficulty imagining them as father and son.

TIMELESS -- "Pilot" width=

I finally had a chance to check out one of the new time travel series, Timeless, over the weekend. It is certainly not hard science fiction, but it was fun. After watching the first, I did want to immediately watch the other two episodes available. The explanation of how they travel through time was probably under a minute, mainly showing them folding over a sheet of paper as an illustration  of how they move from one point to another. They showed by the end of the first episode that events in the past can be changed, and that this can and will impact events in the present. A small ship, which is no bigger on the inside than it is on the outside, holds a three person crew. They quickly dispensed with the idea of going back a few minutes earlier if their first attempt at fixing events in the past didn’t work with ominous warnings of severe consequences if they run into themselves. No mention if a different set of time travelers could go back if they don’t get it right the first time. So far the people in charge haven’t minded the minor changes (from their perspective) from the trips back in time.

Producers Eric Kripke (Supernatural, Revolution) and Shawn Ryan (The Shield),discussed the rules of time travel and other aspects of the show with (including a spoiler for those who have not seen the pilot) with Film:

Is there a butterfly effect every time they go back? Maybe not as drastic as in the pilot, but just being there changes things.

Ryan: Hopefully a lot of times our heroes will be successful and there won’t be any discernible effect. Sometimes there will be. One of our rules is whenever we can, if there’s a change, can it be specific and personal? The best example of that is the pilot when Lucy’s sister vanishes from the timeline. But we also can use it for comedic effect. I won’t give away too much but I think there’s a change in history after the German WWII episode that tickles my funny bone a lot.

We talk a lot about what the changes are going to be. The thing you have to remember is the only people that are truly aware of these changes are the three people that have this institutional knowledge that go away and then come back and find things are different. For everyone living in that world, that’s just the way the world is. For all we know, we know the world the way we know it but somebody could come right now and say, “This isn’t the way it’s supposed to be, guys.” For the audience, our heroes’ job is to preserve a recognizable reality. Things aren’t going to get too crazy and too weird if our heroes do their job. That said, there are going to be times where they can’t control everything and Flynn’s going to do some damage. They’ll come back and something will be different. But the goal is for our heroes to make sure the world stays recognizable.

You don’t have to go that far back to find time periods that aren’t good for black people or women. Is it different in every time they go back to? 100 years and it’s before women’s suffrage, further and it’s still during slavery.

Kripke: Yeah, we are not going to shy away from the reality of what it was like to be African-American or a woman in those time periods. It’s the truth of who these characters are and we don’t want to stylize it or sugarcoat it. One of the goals of the show is to present history as accurately as we can. That said, an incredible amount of history is from the perspective of rich white dudes. There were entire communities of African-Americans throughout all of history. There’s going to be certain doors that our two white characters cannot go through and Rufus can. We’re interested in illuminating some corners and stories in history that haven’t been told, some peoples’ history. Same for women before the suffragette movement and they had incredible challenges but they also had an incredibly sophisticated world of interpersonal relations that in a lot of ways wasn’t recorded by mainstream history. There’s aspects and corners of that world that we can explore too. So I don’t think it’s going to be a one-trick pony of every episode, Rufus confronts racism and Lucy confronts male chauvinism. I think the tapestry is a lot more complicated than that and we have every intention of depicting that.

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The Doctor Who spin-off Class premiered on BBC 3 yesterday and will be on BBC America this spring. Peter Capaldi appeared in the first episode. Screen Rant has a spoiler free review of the premiere. They have more on the show, with mild spoilers, here. Plus here are seven reasons to watch Class.

We still have a long wait for the main show. Cultbox summarizes everything we know so far about the upcoming season of Doctor Who with quite an extensive list of links.

Nerdophiles has news from the New York Comic Con on the second season of The Man In The High Castle.

SciFi Weekend: Supergirl, Legends of Tomorrow, Westworld, 12 Monkeys, Doctor Who

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Entertainment Weekly interviewed Andrew Kreisberg about the second season of Supergirl, which returns this week on CW along with DC’S Legends of Tomorrow. He revealed that Supergirl will travel from her dimension to “our” dimension where The Flash, Arrow, and Legends live, but the universes are not combined. More excerpts from the interview:

What’s going on with Kara personally and professionally this season?
For this season, she’s feeling really good about herself as Supergirl. She spent a lot of time last year doubting herself, learning, training, getting stronger and getting better at it. Then, at the end of the year, Superman got taken out and she saved the world all by herself, so we come into season 2 and she feels like she’s got a handle on being Supergirl — it’s everybody else in her life that she feels like, “How can I be a girlfriend? What am I supposed to do with my career? How can I be there for my sister?” So it’s all the Kara stuff that’s really the tough stuff early on, and that’s where Clark comes in. We say it’s like becoming a parent, where when you were a kid, your parents knew everything and then you become an adult and you’re like, “I’m lost, I don’t know what to do.” You realize that neither did your parents; they were making it up as they went, they just presented themselves as knowing it all even if they were dying inside. That’s one of things that Kara says, like, “I know how to be Supergirl, but I don’t know how to do any of this other stuff. But Clark, he makes it look easy, he’s Superman, he’s a great reporter, he’s a great boyfriend. How does he do it?” And Clark says, “I’m making it up as I go, too. It’s all about balancing it and it’s all a day-to-day thing. Just because I make it look easy, doesn’t mean that it is.” So Kara is really growing up this season, that’s really her journey.

What brings Superman to National City?
The two of them actually show up to the same crisis. It wasn’t a turf war, they just both heard about the same tragedy on the news and both flew into action. But they haven’t really gotten a chance to spend time together, especially since she’s come out as Supergirl, and they both want that. Both of them have a bit of sadness about them, they both have that sense of feeling alone, they both have that sense of feeling different, and both of them remark that that loneliness, that alienation, that isolation goes away when they are together. Part of what these episodes explore is that they don’t get that because of the machinations of the plot and of the actions of Project Cadmus, the villains; they both have homes to defend and they have to defend their own turf.

What brings Mon-El (Chris Wood) to Earth?
He’s brought to Earth because he’s from Daxam, just as in the comics, which was a sister world to Krypton. The destruction of Krypton also resulted in a very bad day for Daxam. That’s how he escaped that cataclysm and came to Earth. What’s interesting about it is that Kara has always had mentors, whether it was Laura [Benanti], or it was the Danvers, or whether it was Cat, or Clark, but now she has somebody to take care of, she has somebody to mentor. He’s fresh off the boat — as far as he’s concerned. He got into a pod on Daxam and then the next day was on Earth. She says to somebody in one of the early episodes that she wasn’t sent to Earth to be Supergirl, she was sent to Earth to watch Clark, take care of him and to be a protector. In a way, Mon-El coming here, she’s finally now getting to fill that original mission..

Talk about Project Cadmus and whether it’s the big bad this season.
They’re the big bad of the first part of the year — a second big bad will emerge later in the year — but they’re dedicated to eradicating alien life on Earth. They’re fanatics, they’re true believers. What’s interesting about them is it’s this collection of scientists, it’s this collection of very bright, patriotic people who truly believe what they’re saying. That makes them even more dangerous, because they believe they have a point, that ever since these aliens started coming here, the Earth has become this free for all, and human beings are about to get knocked off the food chain. They don’t care that you’re wearing a cape one day, what happens when you turn around and decide I don’t want people cheering for me anymore, I want people bowing before me? So their goal is to eliminate the J’onns and the Supermans and the Supergirls of the world along with all the other evil aliens that are out there — they don’t make that distinction, which creates an interesting problem for our good guys.

TV Guide has some more information on the second season of Supergirl.

Collider has some information on the second season of Legends of Tomorrow (extended trailer above. The original trailer posted is no longer available so the replacement might not correspond entirely with the article).

Legends seems poised in Season 2 to bring some interesting things to the table. Firstly there’s a shakeup among the core team, which has added a historian (played by Nick Zano) as well as a whole new host of heroes — who don’t just bumble their way through space and time like a wrecking ball — with the Justice Society of America. Even more promising, perhaps, is the Legion of Doom, which will take villains Damien Darhk, Eobard Thawne, and others in a super-villain team-up that could be a lot of fun. And fun is really the key word with Legends. At this summer’s TCA press tour, I spoke briefly with EP Phil Klemmer about how Season 2 might be different than what we’ve seen before, and he assured me that the emphasis is just going to be on having fun.

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So far with two episodes of West World available (the second streaming ahead of its usual showing on HBO tonight) the series looks promising. Of course with Anthony Hopkins (who also played Hannibal Lecter) in charge, you have to be suspicious that something is up. SciFi Now interviewed Anthony Hopkins:

You play Dr Robert Ford, the creator of Westworld and another mysterious character. What is it that draws you to these roles?
I knew what scares people when I was a kid – that’s the art of the control freak. I’m not a control freak in my life, I’m the opposite. But they keep casting me as control freak nuts. I always make an attempt to go the opposite of what an audience would expect.

Elia Kazan once had to play a gangster, and met one of Al Capone’s buddies. This guy said – “you don’t have to holler. They know who you are. If you’re playing a killer be very quiet.”

What was it about Westworld that intrigued you?
Artificial intelligence is very interesting. I was on holiday recently up in Ohio and I was having lunch, this young guy sitting at the table opposite me. He worked at MIT in artificial intelligence. I told him about Westworld. He said it’s very unlikely we’ll ever be able to create a living cell. He didn’t think we’d ever create Westworld robots.

I saw the original years ago, and then my agent said that Jonah wanted to cast me and would I read the script. We met, and I was intrigued by it, and so I said yes.

Eternal Sunshine of the Spotless Mind is yet another genre movie to be turned into a television series, according to The Hollywood Reporter. I have no idea how it will work as an ongoing television series (as I also wonder with Westworld) but it was an excellent movie.

Things don’t look very good in 2163 in the above season 3 trailer for 12 Monkeys which was shown at New York Comic Con.

The above first look at the Doctor Who Christmas Special, episode entitled The Return of Doctor Mysterio, was shown at the New York Comic Con. As promised, it does include a superhero. Radio Times also points out that it looks like the sonic screwdriver makes a comeback. More on the Christmas Special at The Telegraph and below.

Video of the full Doctor Who panel at New York Comic Con is above. Mashable has the following key points:

  • Showrunner Steven Moffat says Mackie’s Bill “starts her journey with the Doctor in a surprising way,” and promises that the reveals will keep coming over the course of the new companion’s journey in Season 10, but declined to give further details about her introduction — except to say, “I can promise you it’s really quite different.”
  • Capaldi notes that Bill “refreshes” the show, since she “comes from the real world; she doesn’t come from the world of Doctor Who, so she has to be introduced” to the Doctor’s way of doing things. Moffat adds, “you’re getting to see the Doctor for the first time all over again through a new pair of eyes,” thanks to the new companion.
  • On that note, Moffat says that Season 10 will be a great starting point for new viewers, since they took the opportunity to reset things with Bill’s introduction. “If I can give you a tone word for the season, it’s ‘brand new’ … episode 1 really is episode 1, it explains the entire mythos of Doctor Who, and you can start there,” he promises.
  • Bill won’t appear in the Christmas special, which is titled “The Return of Doctor Mysterio,” but Lucas’ Nardole will be back for the festive installment. “Just as I was thinking it would be great if the Doctor had some kind of valet or butler who wouldn’t be very polite or obedient, Matt said he wanted to come back,” Moffat says of bringing Lucas back to the fold. “He just kept volunteering to do more. It’s working better than we could’ve expected.”
  • Nardole will be “a little different” from the last time we saw him — both a bit more grounded and, at times, even “sinister,” per Moffat: “There are lots of layers to him.”
  • The Christmas special is inspired by Moffat’s love of Superman — specifically Clark Kent, who the showrunner describes as “awesome — he goes around pretending he’s not a god; he doesn’t tell the woman he loves that he’s the person she’s in love with — it’s a love triangle with two people.” He says he’s always wanted to write Clark Kent’s journey, which is fitting, because Capaldi compares the tone of the special to the original Christopher Reeve Superman film, calling it, “a new, ironic, good-hearted superhero movie.”

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Screen Rant has more on the panel.

The Doctor also appears in the above trailer for the spin off series Class. There is a crack in space and time, reminiscent of the crack in Amy Pond’s wall.

SciFi Weekend: 12 Monkeys; San Diego Comic Com Top News; Batman v. Superman; Torchwood

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The second season of 12 Monkeys concluded last week. The series demonstrated a problem with many series which start out with a good story which can be told in a season or two, but the economics of American television demand that they try to find a way to extend the series longer. The initial story line of going back in time to stop the plague would have made a great story if it could have been concluded over one or two years, but it could not be dragged out indefinitely. Continuum had a similar structure with characters who went back in time to change their future, but managed to keep it fresh every season while sticking to the same overall structure.  12 Monkeys instead changed the focus of the series.

While there were good moments, I just could not find the story this season to be as compelling as the first season. The finale did wrap up some of the events of the season, while leaving other matters open. After seeing such division between the main characters over two different strategies, both failed leaiving most of the characters either dead or stranded in the past going into the finale. It took another means of traveling through time to repair the damage, followed by the revelation of the identity of The Witness. It was also fun to see Madeline Stowe, who was in the movie version, have a significant role in the finale.

12 MONKEYS -- "Memory of Tomorrow" Episode 213 -- Pictured: (l-r) Madeleine Stowe as Dr. Kathryn Railly, Aaron Stanford as James Cole -- (Photo by: Steve Wilkie/Syfy)

Show runner Terry  Matalas discussed the finale with Blastr. Here is the start of the interview, which begins with a major spoiler if you anyone intends to watch this in the future:

Let’s start with the elephant in the room: We now know the identity of The Witness, and it’s the child of Cole and Cassie. What can you tell us about the big reveal? 

Matalas: I knew from the outset that this is where our characters were heading – that the reveal of The Witness shouldn’t be just a surprising narrative revelation, but a hugely emotional one. We easily could have put a familiar face behind that mask and the moment might’ve been shocking – maybe even satisfying – but it ultimately would’ve felt like plot. Mind-blowing is fantastic, but it also needed to be heart-breaking; it needed to really challenge Cassie and Cole and pose these massive, emotional questions for Season 3.

How long have you been setting up this Witness reveal, and what hints might we have missed along the way? Was this the plan all along from the start of Season 1?

Matalas: Yes.  In many ways, the biggest hint from the start is that Cassie and Cole are continually left alive. The Army of the 12 Monkeys – Pallid Man, Olivia, The Messengers –they’ve made no secret that these two characters are important in the grander cycle. Time and again, they’ve opted not to kill them – even when the opportunity was painfully clear.

Speaking a bit more thematically, if you look closely at Season One, it’s very much about fatherhood. Season Two is equally about motherhood. Season Three, it stands to reason, will focus on the children.

You obviously can’t give us the play-by-play for Season 3, but what can you tell us about how this reveal will inform the next chapter of the series for Cole and Cassie?

Matalas: If you knew that your child was destined to become the Destroyer of Worlds – that the gentle, loving child in your arms would one day murder billions – what would you really do? Or not do? The “Kill Hitler” scenario becomes much more complicated when you’re Hitler’s mom or dad. So a major part of Season Three for Cassie and Cole is that central question, the weight and responsibility of it all.

But Season 3 will also be a “Sympathy for the Devil” tale. What if you met The Witness, heard his story and actually understood why he’s done what he’s done? Maybe even agreed with it?

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More questions are answered in the full interview, and in an interview with Entertainment Weekly. Plus Entertainment Weekly also  interviewed Amanda Schull:

ENTERTAINMENT WEEKLY: How did you feel when you found out that Cassie was not only pregnant, but their child was the Witness?
AMANDA SCHULL: [Executive producer Terry Matalas] told me fairly early on. I hadn’t had all of the moments with the Witness — understanding the gravity of how upset and just how violated she feels by the Witness — so it didn’t have the gravitas when he told me initially. Then, as we progressed throughout the season, every single interaction with the Witness, realizing how much she despises and how much it makes her despise herself for what she’s done and everything about it, that’s what is upsetting. It’s much more impactful knowing later on after having been able to reenact those scenarios from the page.

Then [with] the pregnancy [reveal], I don’t have a child, I’ve never been pregnant and I really loved being able to have the moment. We don’t say it, it’s all done through looks. I really liked the challenge. I really like having that interaction with Aaron. I work really comfortably with Aaron. I really enjoy everything that we get to do together. We shot those moments the final week of season 2, and it was just us in this tiny little set and we kind of had a skeleton crew. It was really special and I think they chose an even less emotional take of mine, because we did his coverage first and I just kept crying every time he opened the card. I’ve never told anybody that I’m pregnant, so I’ve never had that opportunity to tell somebody that. And his reaction, just everything that they’ve gone through up until that point really moved me.

What do you think that internal struggle will be like for Cassie between wanting to protect her child and considering other possibilities?
My initial reaction to that when we were talking about it was very un-[politically correct]. It was basically, “Get it out of me at any cost.” But then in thinking about that, it becomes a question of nature versus nurture: Is there a possibility that she could change it? She could rewrite history if she were able to undo this. If she’s never going to see Cole again, is she going to hang on to the very last bits of his DNA that she has and try to salvage the upbringing of this child in a way that isn’t destructive to all human kind? It is really a fascinating battle and I think will largely have to do with the certain circumstances in which she is being kept in the future with the Army.

We know that Cole is headed toward the future to try and save Cassie. With the concept of nature versus nurture in mind, do you think her choices about the Witness might put her at odds with Cole?
I think it will be really interesting and I think that it could perhaps put them at odds, but the fact is they seem to end up coming around to the same page. Of anyone’s partnership on this show, they seem to have the understanding of one another for whatever reason. They were sort of meant for each other. I think they would have an understanding. They might be at odds at first, but I have no idea how Terry and his evil genius brain wants to play that out.

There was a tremendous amount of news out of San Diego Comic Con over the past weekend. The above trailer both gives a better idea of how Flashpoint will be handled on The Flash and confirms earlier reports that Wally West will be seen as Kid Flash.

In other DC news, despite her character getting killed on Arrow, Katie Cassidy has become the latest to be made a regular across the entire line of DC shows on the CW Network.

Also on CW, there was news on the upcoming season of The 100:

“The Earth strikes back in season four—it is an unbeatable foe,” creator Jason Rothenberg teased regarding next season. “It quickly becomes about not how to stop it, because stopping it is not possible, but about: How do we survive? There aren’t enough lifeboats, so who gets to choose who lives?”

With total nuclear destruction on the way, getting her people to safety is something Clarke (Eliza Taylor) will have to deal with. In the exclusive clip shown off during the panel, we hear Clarke’s ominous narration: “Our enemy isn’t something that can be fought. It can’t be reasoned with. It can’t be killed. When all is lost, can hope survive? can we survive? After everything we’ve done, do we deserve to?”

After losing major characters like Lexa, Lincoln, and Pike last season, facing the impending apocalypse will be difficult for everyone. Octavia, for instance, will be traveling down a much darker road, channeling her inner assassin. She explained, “Octavia will take a really dark turn. She’s going to do what she does best, which is killing people. She really found her home within herself in becoming a warrior, and that’s thanks to Lincoln and Indra.”

More was seen of the future of DC’s cinematic universe with the above trailers for Wonder Woman and Justice League.

Batman v. Superman: Dawn of Justice came out on Blu-ray and DVD last week, also making this a good time for the above video of Easter Eggs in the movie.

An Honest Trailer was also released for Comic Con.

In other news, it has been confirmed that Daredevil will be back for a third season. While it was a complete story, a lot of personal matters for the characters were left hanging at the end of the second season.

Star Trek Beyond came out Friday and there was news at Comic Con on the upcoming television series. While the movie still had some of the flaws seen since revived by J.J. Abrams, it did feel the most like true Star Trek. I discuss both the movie and what we know about the television show together, and will hold off until next week to give more people a chance to see the movie.

Benedict Cumberbatch of Sherlock is involved in yet another franchise. A trailer for Doctor Strange is above.

In other potential big news in the Doctor Who universe, John Barrowman said he is working hard to bring Torchwood back, and he has a big telephone call related to this scheduled for Monday. Hopefully we will have some real news afterwards.

SciFi Weekend: Game of Thrones Finale; Flashpoint And The Berlantiverse; 12 Monkeys; Tom Baker Interview

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While in many past years it often seemed that we were waiting forever despite warnings that “winter is coming,” this season ended with some clear advances in the story–with only two seasons and around thirteen to fifteen episodes to go.  The most dramatic change was to see Cercei get revenge over pretty much everyone who has been opposing her in Westeros. She lost her last remaining child in the process, but got to sit upon the Iron Throne in then end. I’m not certain if this is because of clear lines of succession or if it is because, after seeing what she did to her opponents, everyone is afraid to stand up to her.

I did think that Margaery deserved a better ending, but Natalie Dormer sounds satisfied. Via E!

Natalie Dormer, who played Margaery, sounded off to Harper’s Bazaar about her death.

“It seemed an exciting, fitting way to depart,” she told the magazine. “Margaery’s been battling Cersei for the last however many years and she ends up dying on the show not because she didn’t beat Cersei, but because she trusted that someone else—the Sparrow—was handling her. She had the reins taken away from her, from being in control of the situation; the High Sparrow took the reins and it proves that he underestimated Cersei in a way that Margaery never would have. There’s a moment before Margaery and the High Sparrow die when they look at each other and Margaery realizes that Cersei has outplayed him and she’s gonna die because of that. There’s this moment that Jonathan Pryce gives as well; this look on his face when he realizes he’s been outplayed by Cersei. Margaery is a fatality of the High Sparrow underestimating Cersei.”

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While Cercei has consolidated power in the capital, she faces many other threats.

Jon Snow is now King of the North, and hopefully will have a better fate than Robb Stark. At least he ended this season in a far better condition than last season.

I found the structure of the episode of interest in how first John received his title based upon his own actions, and only afterwards it was revealed that he has dragon’s blood with a Targaryen grandmother. If this becomes known, it should greatly increase his claim to the throne. How soon will Bran join Jon and Sansa and tell what he has seen?

How will it affect matters that there is some potential conflict between Jon and Sansa, and Littlefinger is in the background?

Arya has become quite an assassin. Will she continue this, or join up with Jon and Sansa? Plus there is Bran. After so many tragedies, the Starks are looking stronger.

If the reunited Starks aren’t enough for Cersei to worry about, she has Daenerys Targaryen and her dragons also heading towards Westoros. Dani is being advised by Tyrion, who has spoken with her about keeping open the possibility of a strategic marriage. Will that be to Jon Snow, even if it turns out she is actually his aunt, or one of many other possibilities?

If the prophesies comes true, Cersei also will be killed by a little brother. That seems to fit Tyrion, but we also don’t know how Jaime will react to Cersei’s actions, including unleashing the wildfire to kill her enemies.

More on the finale in the Inside the Episode video above.

Screenrant has a useful relationship infographic from HBO showing how the characters are all interrelated, followed by a guide to all the factions.

 

Grant Gusten has confirmed that the next season of The Flash will be based upon Flashpoint, in which the Flash finds his future dramatically altered after he went back in time to save his mother. Barry has impacted Arrow in major ways, once helped Supergirl, and events on The Flash set up some of the characters on Legends of Tomorrow. If The Flash does Flashpoint, will this be a limited story line which is then reset, or will it affect the other shows, either temporarily or permanently? Stephen Amell seems to have confirmed that Flashpoint will impact Arrow. He also had some additional comments on next season:

Addressing Season 5 as a whole, Amell said this weekend that “the villain that we are introducing is a direct result of things that Oliver has done in Star City [and] calls back to a lot of things that happened in the first season of the show.” In doing so, “It really grounds the show and really focuses on its core value, which is the battle to save Star City” — an appreciably quaint notion, Amell acknowledged, given the multiple Earths and time travel taking place on Arrow‘s sister series. “The first two episodes [of Season 5] refocuses us on what the core mission of the show should be, and that to me is very exciting,” he effused. “Plus? Russia,” as in the setting of the next cycle of flashbacks.

Supergirl has made a point of using actors who have been involved in related shows in the past in the new series, such as haven Helen Slater and Dean Kane play her parents. Now they are bringing back Wonder Woman, this time with Lynda Carter playing the president.

12 Monkeys Renewal

12 Monkeys still has the backstory regarding the plague, but this season has concentrated more on saving time itself. In general I haven’t liked this season as much as the first season but the most recent episode, Resurrection, was excellent, hopefully providing the set up for similar quality in the final two episodes. They are skipping a week due to the holiday, and then will return on July 11 and 18. They will also return next year, with Syfy having renewed the show for a ten episode season.

Blastr has an interview with showrunner Terry Matalas:

The show’s mythology has grown tremendously since Season 1, from a fairly straightforward mission to stop a plague to a battle for the fate of time, itself. Can you talk about the challenges of building that mythology, while also staying true to what attracted viewers to the show in the first place?

Matalas: I had always known this had to be more than a plague show. Running around from lab to lab killing scientists would get old real quick. So, when fleshing out an antagonist for our time travelers, the answer was clear: They had to be travelers as well in some way.  But why would they want to create a plague? Why destroy the world? Why destroy the nature of time?  So, the mythology was built organically around those questions. And we hope to go deeper into all that in later seasons.

What can you tell us about the season finale, itself? Death? Destruction? Cliffhangers? Tell us as much as you can without spoiling it!

Matalas: I’m really proud of the last three episodes. So much pay-off for the characters, relationships, mythology. I think audiences will be surprised where we take everyone. The ending is huge! And maybe – just maybe – it might be a little controversial for some of our hardcore fans. It’s a cliffhanger for sure, with a time travel twist. But once you sit with it and think about it, for a moment…you go, “Oh, yeah. Of course. That makes sense.” Then that surprised grin will turn to horror and you’ll say, “But that means…Oh, no. No, no, no.” The finale takes us deeper into our the lives of our main characters for future seasons and sets up a major, major conflict that just can’t end well.

Doctor Who Magazine Tom Baker

The latest issue of Doctor Who Magazine features what Tom Baker calls his last interview. The Gallifrey Times has this excerpt:

“Life is too short to be dull. Be interesting. Because not very much else matters does it? In large areas of our lives, hardly anything matters at all. I mean, nothing can beat being with loving friends, and a few wines, and a few beers, and a few lies, and a few yarns. And to still be adored after 40-odd years… yeah that’s the life. Maybe I’m the longest-serving actor, in the whole history of actors, who’s actually still, 40-odd years later, adored for the same part and enjoying it in the same way. When I get sent messages from middle-aged men… or from the wives of middle-aged men, who say, ‘Tell Mr Baker he cannot imagine how important he was to my beloved husband when he was a boy’… it moves me deeply to think about it. I was just going to work. I didn’t know, to begin with, how far-reaching this role would be. I was aware of the excitement, and the generosity, and the affection of the fans, but how could I ever have dreamed of all this?”

SciFi Weekend: Captain America; Agents of Shield; Legends of Tomorrow & The Justice Society of America; DC Four-Way Crossover; Star Trek; Mr Robot; Limitless

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Captain America: Civil War, like the previous movie in the series, made major changes in the Marvel Cinematic Universe which also extend to Agents of SHIELD on television. Spoilers ahead for both the movie and television series. Civil War showed a continuation of what was seen in Captain America: Winter Soldier, which led to moving SHIELD underground. It ends not with Captain America being killed as in the comics, but with both giving up his shield and going underground. Other members of the Avengers are in similar situations. Collider summarizes how the MCU has changed, with major spoilers for those who have not seen the movie and recent episodes of Agents of SHIELD.

It did seem strange that Nick Fury was not involved, and his role since the changes in SHIELD remain unclear. Civil War writers Christopher Markus and Stephen McFeely were asked about this by The Los Angeles Times:

I’m curious. Where was Fury? 

Stephen McFeely: I’m curious too!

Christopher Markus: We called him, but he let the line blink. Primarily it felt like one too many possible opinions. We didn’t want him to take one side or the other, because that’s not his place in the universe. And then we didn’t want another, “Is he still with the government? Is he opposed to the government but supporting the government?” It got to be the potential for a lot more polemic discussion that the movie did not have room for.

He’s the guy who put it together. He’s been the sort of parent figure to the Avengers. Let the parent go away, and see if the kids can handle this. See if the kids can be who they’re supposed to be without that governing voice. Um… and they didn’t do that good of a job.

Are we going to see him in “Infinity Wars?”

McFeely: I would think.

Markus: It’s probably all hands on deck.

McFeely: Don’t you assume you’ll see everybody in the “Infinity Wars?”

You heard it here first: Everybody is in “Infinity Wars.” Hopefully that includes Sam Rockwell’s Justin Hammer and Whiplash’s bird.

Captain America: Civil War acted as the origin story for Black Panther, and introduced Spider-Man to the rest of the MCU. Iron Man will be appearing in Spider-Man’s upcoming solo movie, Spider-Man: Homecoming. There is also speculation that there is yet another connection, with “homecoming” being one of the trigger words used by Hydra in brainwashing Bucky Barnes.

Deadline has a long interview with  Kevin Feige. One of the many items discussed included the possibility of  Black Widow getting a solo movie in the future:

DEADLINE: You’ve got a bunch of characters in this movie from Falcon and War Machine and Black Widow and Hawkeye, who have so far guest starred in movies with another characters title above the fold. Is there one destined to get a solo movie down the line?
FEIGE: We’ve announced the next nine movies, 10 counting Civil War, through the end of 2019. Where we go beyond that are ongoing discussions that we’ll focus on in the next few years because we have a lot to do before then. Of the characters that you’ve just mentioned I would say certainly the one creatively and emotionally that we are most committing to doing is Black Widow.

DEADLINE: Why?
FEIGE: We think she’s an amazing character. We think Scarlett Johansson’s portrayal of her is amazing. She’s a lead Avenger and has amazing stories in her own right to tell that we think would be fun to turn into a stand-alone franchise.

Agents-of-SHIELD-Cover-04272016

Agents of SHIELD also worked in the Sokovia Accords, the movie version of the Superhero Registration Act, and ended the season with some deaths. Even Daisy now appears to be on the run, and who is this new Director of SHIELD? There was a second death for a Brett Walton villain, first Grant Ward, and now Hive. It looks like he might finally be finished with the series.  Jed Whedon and Maurissa Tancharoen spoke with Comic Book Resources about the finale.

CBR News: How difficult was it to say goodbye to Brett Dalton and Lincoln Mitchell?

Maurissa Tancharoen: It was so, so hard. There were many tears. It was very emotional. Even in the process of developing their arcs and breaking the season, it was a decision we struggled to finalize. We knew that we had to, though. We had to close a chapter with Ward. To sustain an antagonist for this long or to go beyond three seasons — we just didn’t want it to lose any steam. At our wrap party, there were several emotional speeches being made for both of those guys.

Jed Whedon: One of the things about television is that it’s fluid. You always have to generate a lot of different stories. Sometimes you eliminate a character and it’s easy, because you either don’t like the person or you don’t like the character. This was a situation where we didn’t have that. Both of these actors are just great guys, they’re great to work with and are pros. It was a very emotional end of the season for everybody.

Tancharoen: A week before we wrapped, we were here at home. I was thinking of Brett and Luke. They are such great people, and so talented and so handsome. “Oh, my God. What have we done?”

After watching Ward evolve from a member of S.H.I.E.L.D., to Hydra agent, to Hive, why did it feel that this was the time to let him go?

Whedon: One of the reasons we closed that chapter was to start a very different, very new chapter next year. We’re very excited about it, but that’s as specific we can get.

Now that viewers have seen the finale, what were the most important aspects, to you, about the send-off you gave Ward/Hive?

Whedon: Hive revealed his motivation: “I want a connection.” That’s a fitting end to his story. Also, to Ward’s story, he wanted that with Skye. Now, here he is, sitting with Lincoln, the one person who had that with Skye/Daisy. There’s some poetry to the simplicity and the quietness in that moment that we loved. It was a fitting end for someone with [goals of] world domination, and to our buddy Grant Ward, who we managed to maintain as an antagonist for three seasons, which is a lot for one character.

While some themes from the movies are reflected in Agents of SHIELD, the two are also disconnected, especially with Coulson being alive in the television show but still considered dead in the movies. It is also strange that nobody from The Avengers got caught up in the battle against Hive. Chloe Bennet talked about this last week. When asked if she would like to show up in the movie universe she replied, “The Marvel Cinematic Universe loves to pretend that everything is connected, but then they don’t acknowledge our show at all. So, I would love to do that, but they don’t seem to keen on that idea.”

legends_of_tomorrow_s01e16_still

The Berlanti shows on CBS and the CW Network are almost completed for the season, with Arrow and The Flash presumably to complete their story lines related to Zoom and Damian Dahrk next week. Legends of Tomorrow remains the weakest of the four, but did improve in its final episodes. The good news was that it got more timey wimey. The bad news is that it handled their rules of time travel much more poorly than other genre shows such as Continuum and 12 Monkeys. As time travel does not really exist (which I assume as I have never received a list of winning lottery winners from my future self), a show can get away with their own rules, but they should be internally consistent and make sense. Screen Rant has more on the plot holes. More spoilers ahead.

It should help the show in the future to have Vandal Savage defeated. Having them spend the season getting close to him but not killing him led to many unsatisfactory episodes. Some old members of the cast will be gone. Ciara Renée is leaving as a series regular, but the manner in which Hawkgirl and Hawkman flew off certainly leaves open for the possibility of their return, even without using time travel. Wentworth Miller’s character Leonard Snart (Captain Cold) sacrificed his life on Legends of Tomorrow. In the Berlanti universe, death is not a permanent change (except for the Earth 1 Laurel Lance), and Miller will be a recurring character in various shows in the universe. Presumably time travel or effects from the destruction of the Oculus will  provide the explanation.

While some characters are gone, the ending suggested the introduction of the Justice Society of America. Collider has background information on this. Marc Guggenhein also discussed this with The Hollywood Reporter:

The CW’s Legends of Tomorrow used Thursday’s season one finale to reveal that Rex Tyler aka Hourman (Patrick J. Adams), along with the JSA, would be a major part of the Arrow/Flash spinoff’s sophomore run. He arrived on a Waverider as the Legends team intended to take off as Time Masters, warning them that they would all die if they did.

“With his final words in the finale, he planted a pretty deep flag about where we’re headed in season two, which is not just introducing Hourman but introducing his teammates in the Justice Society of America,” executive producer Marc Guggenheim tells The Hollywood Reporter. “For comic book fans, everyone knows the Justice Society is really the precursor to the Justice League, so it’s a pretty big move in our DC universe here on TV.”

Although the DC Comics franchise keeps its film and television projects separate (unlike rival Marvel, which connects its film and TV projects in one shared universe), it’s interesting to note that it’s the newest — rather than the highest-rated DC show (Flash) — that is going to be the one introducing the iconic superhero team…

The introduction of Hourman and the JSA won’t be the only reason Legends of Tomorrow will look different in season two. Along with some casting shakeups, the elimination of the Time Council and the set timeline takes away a huge part of the story and the rules that were established all season long.”One of the other big things we’ve done in the season finale is we planted another flag in the form of Rip’s [Arthur Darvil] statement. Because the Time Masters are essentially gone and the Legends have destroyed the Oculus, that all means that someone else has to do the job of the Time Masters,” Guggenheim says. “Our Legends take that on as their new responsibility. It’s sort of like, you break it, you buy it.”

“That’s really exciting to us, that our team of Legends, our misfits, are going to be responsible for the preservation of the timeline and protection of history,” he adds. “As we’ve seen, our team, our guys are not always the most responsible people around so maybe time has got some new troubles. But it will provide a lot of fodder, a lot of fun story for season two.”

With Supergirl getting picked up by the CW Network, they didn’t waste any time in announcing  plans for a four way crossover with Arrow, The Flash, and Legends of Tomorrow. This is facilitated by all four now being on the same network and all being filed in Vancouver starting next season. These matters are far more important then the logistics of getting Supergirl involved with characters who are on a different earth.

Above is a trailer for the movie Star Trek Beyond. It also looks like Paramount has been convinced that it is not a good idea to sue fans over copyright infringements in fan-made movies. JJ Abrams made this announcement:

A few months back there was a fan movie, Axanar that was being fan made, and there was this lawsuit between the studio and these fans. And Justin was sort of outraged by this as a longtime fan. And, we started talking about it and realized this was not an appropriate way to deal with the fans. The fans should be celebrating this thing, we all [as] fans are part of this world. So he went to the studio and pushed them to stop this lawsuit and now within the last few weeks it will be announced that this is going away and the fans will be able to [continue] their productions.

Hopefully they realize that it has been the fans who have kept interest in Star Trek alive, enabling them to make money from continued movies and soon a new television series.

CBS also released the above teaser for the upcoming Star Trek television series, which does not really provide any information. There has been some speculation that the statement of “new crews” in pleural might suggest more than one crew, possibly taking place in different eras.

The above trailer was released for season two of Mr. Robot which begins on July 13. We see that Christian Slater’s character is still around, and don’t know how much of anything else is real or in someone’s head.

With it doubtful that CBS will renew Limitless (but no cancellation announcement either), there is now talk of trying to sell it to another network. I don’t know if the finances would work, but it seems like it might be a good fit at USA Network. Supergirl has already moved from CBS to the CW Network, and I’m still hoping attempts to keep Person of Interest alive at anther network are successful.

Moving from science fiction to science, Mars is appearing as it biggest in over a decade:

Mars comes into opposition — the point when Mars and the Sun are on directly opposite sides of the Earth — once every two years.

But on Sunday night, as the Red Planet edged towards its closest point to Earth in 11 years, it appeared much bigger and brighter in the night sky than usual.

Amateur astronomer Dr Ian Musgrave, from the University of Adelaide, said it would trump Venus as the brightest object in the sky, aside from the Sun and the Moon.

SciFi Weekend: Orphan Black; Game of Thrones; The Blacklist; 12 Monkeys; Star Wars The Force Awakens; Doctor Who Spinoff Class; Suicide Squad

Beth (TATIANA MASLANY)

We knew from the preview I posted last week that Orphan Black would begin with a flash back, but it was a surprise that almost the entire episode dealt with Beth Childers and other clones prior to when the series began. Seeing Beth gave a better feel for why she jumped in front of a train in the first episode. Beside seeing her drug problem, we saw far more than we previously knew about her troubles with Mark and how close she was to Art. It was also interesting to see some of the other clones in their younger, more innocent days. Beth, whose primary role appears to be to handle the money for the clones and supply Beth with pills, has not yet shot a gun, and Cosima’s biggest concern is finding a place to live while going to school.

The most important aspect of the episode was probably the introduction of another clone, M.K., who was both more knowledgeable than the other clones about the situation, and (probably justifiably) more paranoid. She says she is only alive because they think she is dead. We don’t get until the present until the end of the episode when M.K calls Sarah, now hiding in Iceland, with the warning: “Neolution knows where you are. They’re coming for Kendall Malone….You need to run. Right now.”

Felix even had a cameo, presumably never looking up to see a clone of Sarah in the police station. Buddy TV has an interview with Jordan Gavaris which reveals that Felix’s relationship with Sarah is strained, and he has more time with the other clones.

Game of Thrones enters new territory this season, going beyond the books, and might be wrapping up sooner than many have predicted. Variety reports:

In an exclusive interview with Variety, showrunners David Benioff and D.B. Weiss said they are weighing wrapping up the Emmy-winning saga of Westeros and the battle for the Iron Throne with just 13 more episodes once this sixth season is over: seven episodes for season 7; six for the eighth and potential final season.

“I think we’re down to our final 13 episodes after this season. We’re heading into the final lap,” said Benioff. “That’s the guess, though nothing is yet set in stone, but that’s what we’re looking at.”

Sources later clarified those exact numbers were premature, given that the showrunners are now just beginning to outline their plans, but said that any upcoming seasons may be shorter than the full 10 episodes of seasons past.

Trailer for the upcoming season is also above.

Blacklist wedding day

I’ve looked at a lot of deaths on genre shows the last few weeks, but the most unbelievable was on The Blacklist. (Major spoiler ahead). Even more so than on Sleepy Hollow, the female lead is too important a character to have die without a major change in the series. Possibly they do plan on a major reboot of the series, which is always possible as long as they have James Spader, but I am quite suspicious that in this case they are faking Lizzy’s death as part of a plan to keep her safe. Perhaps they will use a need for Lizzy to appear dead as a means to prevent her from being with Tom and her baby, which might have limited her actions.

12 Monkeys

Blastr has an interview with the cast and crew of 12 Monkeys and their planned 17-season arc. Here is the start of the interview:

You managed to build a layered, compelling story in the first season, which also featured quite a lot of world-building. Now that you’ve laid that creative groundwork, can you talk about what’s it like to really get to play in this sandbox you’ve built for Season 2?

Terry Matalas: It’s a lot more fun. In a lot of ways, it’s almost like Season 1 is the prequel to Season 2. Things really starts to get going, and we’re moving through time in ways we weren’t able to in Season 1. We’re able to mix and match characters and really try new things. The stakes are higher, and it’s a lot more fun. The show really finds itself in Season 2.

In the early parts of Season 2, Cassie really seems to start taking point in regards to the mission that drives the narrative of the show. In a way, she feels more like the Season 1-era Cole than the character of Cole does now. Can you talk about that change in Cassie, and how her time stranded in the future has affected her?

Amanda Schull: I think it was a slow burn to build this person, but you’re right. Her time in 2044 is what solidifies that very dramatic shift. She had only ever heard of this life that Cole was grappling with, then when she’s forced to live in it, herself, she realizes that intelligence doesn’t necessarily accomplish goals in every scenario, and it won’t help you survive every scenario. She really becomes a product of that world.

Star Wars Rey

There has been a lot of speculation that Luke or possibly Leia and Han are Rey’s parents in Star Wars The Force Awakens. I would not entirely trust anything J.J. Abrams says about character identities after he denied that Benedict Cumberbatch would be playing Kahn in Star Trek Into Darkness, but he gave the impression that these theories about Rey might not be true when he said this about Rey: “Rey’s parents are not in Episode VII. So I can’t possibly in this moment tell you who they are. This is all I will say: It’s something that Rey thinks about too.”

Abrams has since clarified the issue saying: “What I meant was that she doesn’t discover them in Episode VII. Not that they may not already be in her world.” In other words, Luke could still be her father, but she doesn’t learn that in the next movie. Or perhaps she does, and he doesn’t want to give it away.

Abrams has also discussed, once again, the similarities between The Force Awakens and A New Hope:

“[‘The Force Awakens’] was a bridge and a kind of reminder; the audience needed to be reminded what ‘Star Wars’ is, but it needed to be established with something familiar, with a sense of where we are going to new lands, which is very much what 8 and 9 do. The weird thing about that movie is that it had been so long since the last one. Obviously the prequels had existed in between and we wanted to, sort of, reclaim the story. So we very consciously — and I know it is derided for this — we very consciously tried to borrow familiar beats so the rest of the movie could hang on something that we knew was ‘Star Wars.’”

Class cast

The BBC has announced the cast of the Doctor Who spinoff, Class, which takes place at Coal Hill School. Stephen Moffat had this to say about the series:

There’s nothing more exciting than meeting stars that nobody’s heard of yet. We had the read through of the first few episodes last week, and there was a whole row of them. Coal Hill School has been part of Doctor Who since the very first shoot in 1963, but this new show is anything but history. Class is dark and sexy and right now. I’ve always wondered if there could be a British Buffy – it’s taken the brilliant Patrick Ness to figure out how to make it happen.

I wonder what he means by a British Buffy. Is it just a matter of having a cast in this age range, or will there be other similarities?

Suicide Squad

The upcoming Suicide Squad movie will apparently have a lot of Batman, which should increase interest in the movie. There are also reports that the sequel might be R-rated. Deadpool has already done well with an R-rating, and the same is planned with Wolverine 3.

SciFi Weekend: Controversy Over Death Of Lesbian Character On The 100; Orphan Black; Daredevil; 12 Monkeys; The Americans; Put A Bird On It

The 100 Clarke Lexa Kiss

Jason Rothenberg’s decision to kill a prominent LGBT character on The 100, and the manner in which she died, has made many fans of the show upset. At the time I first watched and reviewed the show, while I expected some disappointment and protest, I had no idea how serious a matter this would be to the LGBT community. Reviewing the discussion from those who did take it very personally, along with the views of television critics such as Maureen Ryan who is quoted below, help to understand the importance of this issue. After missing the significance of this in my original review, I hope to make up for it by providing this overview today.

I will start by allowing Rothenberg to explain his viewpoint. He was interviewed by TV Insider. Here are the first few questions, with much more in the full interview:

OK, so you had to be aware of the uproar that would come from killing Lexa, right? This was something that you guys had to realize you’d be walking into.
Yes and no. First of all, I think I should start by saying that for the last two weeks, I’ve pretty much thought about nothing else except for this. It’s taken me some time to process everything, and I’ve been listening, reading everything I could. I took my voice out of it on Twitter because I didn’t want to inflame the situation, and I felt like I didn’t want to shape the conversation. I just wanted to listen and try to understand. I mean, we were a little surprised by it—obviously not that people were upset; you’re right in the sense that we kind of knew that that would happen. The story that we’re telling is a tragedy. Lexa was a meaningful character to our fans, especially LGBTQ fans, and so I knew it would be emotional, of course. What was unexpected was the level of outrage that it’s generated from some people, but I do think I have come to understand that.

We’ve seen this with shows with strong social media bases: The louder the outrage, the more disturbing it can get.
Yeah. Lexa’s death triggered real emotional trauma for some people, you know? It tapped into the real world, it tapped into their lives, and as a straight white male, I obviously didn’t anticipate how deeply it would affect certain people. I look at it now and I realize that if somebody had that kind of a reaction and then were to look back at the way I behaved on Twitter leading up to it, which was celebrating this relationship that then crushed them, I can understand why they would find that reprehensible. I hope that people understand that.

Since there is no winning on Twitter, what do you want to say to the fans now?
I would say, first of all, that it’s taken me a while to get perspective on it myself and to put myself in the position of somebody who was hurt like that. And I hope that eventually they can start to put themselves in our position and understand that we would never want to hurt anybody like that. We would never want to hurt our fans. We love them, we owe them everything, we owe them the fact that we just got a Season 4 to them. We want to take them for a ride, we don’t want to hurt them. And because we didn’t anticipate this sort of level of pain over this fictional death, we were doing what we always do on Twitter, which was celebrating work that we’re proud of. In hindsight, knowing what I know now and sort of realizing the things that I’ve realized, we should have done less of that. We should have done less buildup knowing where this was going to end up and knowing how this was going to affect people.

But it wouldn’t have changed the story you’re telling.
No, absolutely not. We would have told the same story. I stand behind the story; I just don’t think I would have gone out of my way to say ‘This is the best episode we’ve ever done!’ Nobody really anticipated that this would happen so now that we’ve seen it, the idea for me as the showrunner going forward is to learn lessons from it, you know? This is a show where characters die. That’s another reason we were so surprised..it’s a post-apocalyptic world set 100 years later in which anyone can die.

The 100 Lexa Clark

Rothenberg also posted a statement on line a few days ago. Here are some excerpts, but those interested in the controversy should read his full statement:

For many fans of The 100, the relationship between Clarke and Lexa was a positive step of inclusion. I take enormous pride in that, as I do in the fact that our show is heading into its 4th season with a bisexual lead and a very diverse cast. The honesty, integrity and vulnerability Eliza Taylor and Alycia Debnam-Carey brought to their characters served as an inspiration for many of our fans. Their relationship held greater importance than even I realized. And that very important representation was taken away by one stray bullet…

In the show-world, no one is safe, and anyone, even a beloved character, can die, at any time. My favorite shows in this genre embrace a similar sense of heightened urgency. There are several reasons why this particular episode played out the way it did: practical (an actress was leaving the show), creative (it’s a story about reincarnation) and thematic (it’s a show about survival). Despite my reasons, I still write and produce television for the real world where negative and hurtful tropes exist. And I am very sorry for not recognizing this as fully as I should have. Knowing everything I know now, Lexa’s death would have played out differently.

The 100 is a post-apocalyptic tragedy set 130 years in the future. It’s a constant life and death struggle. In our show, all relationships start with one question: ‘Can you help me survive today?’ It doesn’t matter what color you are, what gender identity you are, or whether you’re gay, bi or straight. The things that divide us as global citizens today don’t matter in this show. And that’s the beauty of science-fiction. We can make a point without preaching. We can say that race, sexuality, gender and disability should not divide us. We can elevate our thinking and take you on a helluva ride at the same time.

But I’ve been powerfully reminded that the audience takes that ride in the real world — where LGBTQ teens face repeated discrimination, often suffer from depression and commit suicide at a rate far higher than their straight peers. Where people still face discrimination because of the color of their skin. Where, in too many places, women are not given the same opportunities as men, especially LGBTQ women who face even tougher odds. And where television characters are still not fully representative of the diverse lives of our audience. Not even close.

The 100 Clarke Lexa Thirteen

Maureen Ryan wrote about What TV Can Learn From The ‘100 Mess’ at Variety and helps explain why many fans are upset. Again, these are just excerpts and the full article is worth reading.

The response of the showrunner has, outside of a few unenlightening interviews, has been disappointing. Rothenberg live-tweeted the March 10 episode of the show as if thinkpieces and damning critiques were not still being churned out. In the limited array of interviews he did in conjunction with the March 3 episode, he has given little indication that he understands the depth of the sense of betrayal or the multitude of reasonable objections to the death story line. Since March 3, it has fallen to co-executive producer Javier Grillo-Marxuach, who wrote the episode, to engage with fans in any significant and meaningful way, but his compassionate and committed response has only highlighted Rothenberg’s abdication of responsibility...

So here’s the nitty-gritty: The character who died, Lexa (Alycia Debnam-Carey), happened to be one of the few well-developed and complex lesbians on TV, and it’s an unfortunate but enduring TV cliche that lesbians rarely, if ever, live happily ever after. In the March 3 episode, “The 100,” which had touted its commitment to quality LGBTQ storytelling, invoked one of TV’s oldest gay cliches by killing her off mere seconds after she consummated her relationship with another woman, Clarke (Eliza Taylor).

Many fans, regardless of sexual orientation, were left shaking their heads in disbelief.

On a story and thematic level, Lexa’s death (despite being well-performed by the actors) had little resonance and almost no meaning. But all things considered, the blithe manipulation LGBTQ fans and the show’s willingness to deploy harmful cliches about gay characters remain the things that rankle most…

Adding to the sense of betrayal was the manner of Lexa’s death. She was felled by a stray bullet from an angry male servant, mere seconds after she and Clarke had sex for the first time. The servant, Titus, disapproved of Lexa’s relationship with Clarke, whom he tried to kill, but Lexa caught the bullet. This woman — the most fearsome warrior in the show’s history — didn’t die defending Clarke; she just happened to be in the bullet’s path. And by following her only moment of bliss with her lover, the Grounder queen’s death followed a time-worn and disturbing TV pattern.

Autostraddle came up with a list of more than 130 lesbian and bisexual women who have been killed off on TV shows, and it’s a damning roster. Whatever progress you think TV has made on the front of LGBTQ representation, the sheer number of dead women on the list is profoundly troubling, to say the least. If nothing else, it shows that the Bury Your Gays trope is alive and well on TV, and fictional lesbian and bisexual women in particular have a very small chance of leading long and productive lives.

Critic Nicola Choi wrote that when they spot a lesbian or bisexual woman on TV, many LGBTQ fans simply resign themselves to the fact that the character will die.

The 100 Thirteen Lexa

Dany Roth tried to explain the matter to a conservative-leaning readership at blastr:

If you’re not part of the queer community, an ally of said same, or if you were never a fan of The 100, why should you care? If we’re boiling this down to the most selfish of reasons, it is because next time it might be you. And maybe it already has been you. Forget social justice for a second (as I know many of you often try to, anyway) — think about this as simply acting in the interest of fairness…

The reason Lexa’s death was so upsetting isn’t just because her face was a recognizable one for so many queer people, it’s also because she made the LGBT community feel more visible, more relatable. And it made them feel like they were being listened to. Every time someone tweets about why Lexa matters, each time someone challenges the “Bury Your Gays” trope and demands that writers and showrunners do better, someone who hasn’t thought about any of this hears why representation in stories matters for the first time. Even in death, Lexa is making LGBT people more visible.

Orphan Black Train

There is often much to think about and discuss after an episode of Orphan Black. This was especially true in the early episodes, when we had very little understanding of what was going on. Entertainment Weekly has good news on both of these points. BBC America will be starting a show, After the Black, to discuss each episode. Plus it sounds like next season might recreate some of the mystery of the first season, including going back to when Sarah first saw Beth jump in front of the train.

Taking a tip from AMC, BBC America has announced After the Black, a companion show that will air weekly following Orphan Black.

Hosted by Innerspace’s Ajay Fry, Morgan Hoffman, and Teddy Wilson, After the Black is a 30-minute after show that will feature various cast, crew, and special guest stars chatting about the plot, twists, and theories on future episodes. Other segments will include behind-the-scene footage from the set and an exclusive first look at the following episode.

The format is very similar to AMC’s Talking Dead, which airs weekly following The Walking Dead and Fear the Walking Dead.

The first post-game, which will air Thursday, April 14 at 11 p.m. ET following the season 4 premiere of Orphan Black, will include stars Tatiana Maslany and Kevin Hanchard.

As for the fourth season, executive producers John Fawcett and Graeme Manson revealed at WonderCon on Saturday that they’ll be going back to basics in a lot of ways by delving into a particular mystery from the pilot. “We really wanted to look at the first season this year,” Manson said. “We wanted to go back to that moment on the tracks with Beth and Sarah and go, ‘What did Sarah miss?’ There’s more story there.”

“We wanted to get that feel back, that feel of season 1 where you don’t know who the bad guy is, you don’t know who you’re speaking to,” Fawcett added. “That was the goal of season 4.”

Above is a trailer for season 4 of Orphan Black. There will also be new characters introduced:

Also this season, viewers are introduced to brand new characters that prove to be pivotal to the clones’ saga. Season 4 introduces Joel Thomas Hynes (REPUBLIC OF DOYLE) in the role of “Dizzy”, an edgy, self-reliant hacker who doesn’t conform to group mentality; Jessalyn Wanlim (Alex Cross) as Evie Cho, a powerful, seductively articulate bioengineer who believes great discoveries require casualties; Lauren Hammersley (MR. D) as Adele, a shameless, brazen, and wickedly intelligent lawyer who outwits opponents even when heavily intoxicated; and Gord Rand (Maps To The Stars) as Detective Duko, who on the surface appears to be unassuming and slightly nebbish, but has used his underlying angst to nastily claw his way to the top.

I will hold off on saying much about season 2 of Daredevil different  people are at different points with the Netflix model. Entertainment Weekly has the above interview with Charlie Cox which helps set up the season after the arrest of Wilson Fisk at the end of the first season:

“What we’ve done this year with the show is we don’t really have so much a Big Bad, but we have characters that enter Matt’s life,” Cox tells EW in a recent interview, viewable above. “They force him to look at himself and look at his actions in a way that no one else has done in the past.”

Those characters are, naturally, The Punisher (Jon Bernthal) and Elektra (Elodie Yung). The first, as trailers have hinted, comes to Hell’s Kitchen with almost a similar purpose as Daredevil but with a much different modus operandi. And his methodology involves a lot more killing, which puts the entire city on edge shortly after coming to appreciate Daredevil’s work.

“It’s through Daredevil’s actions that someone like Frank Castle has been able to show up and do what he does,” Cox explains.

Yet putting a stop to The Punisher’s bloodlust isn’t the only obstacle thrown at Matt this season. Elektra, the “Greek girl” from college that Foggy Nelson (Elden Henson) mentioned last season returns to New York. As portrayed by Yung, Elektra complicates Matt’s life both while he’s in and out of his crime-fighting costume, particularly when it comes to his burgeoning romance with Karen Page (Deborah Ann Woll).

“… Matt is completely authentic with both characters, but that authenticity is different with each character,” Cox said, calling this love triangle “one of the most enjoyable things for me to do as an actor this season.”

12 Monkeys returns on April 18. If we didn’t have the “problem” of so much good television, including genre television, now available thanks to cable and streaming, it might be tempting to rewatch the first season to review all the twists which occurred. While some hardcore fans are doing so, many of us just do not have the time. Syfy has posted the above seven minute recap to help the rest of us to catch up. It is certainly not enough for new viewers to start watching the show, but it is helpful for those of us who watched the first season.

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The Americans, which very well might be the best ongoing drama now on television (separating it from shows such as Fargo which have a different story each year) is off to an excellent start for its fourth season. There is so much which can be said about the quality of the story, but I figure those who are watching understand this and those who are not will not be interested in a play by play.

Besides all the big things, the show gets the little things better than most television shows. While many shows do a terrible job of working in children and home life (such as with Brody’s daughter on previous seasons of Homeland), Paige’s teenage angst, exacerbated by learning that her parents are Russian spies, has been a huge plus in driving the plot this season. Television story lines are often driven by misunderstandings, such as Stan thinking that Philip was sleeping with his wife. While that is a standard television trope, I really appreciated it when Phillip immediately explained the situation to Elizabeth and told her about going to the EST meetings, as opposed to dragging this out and creating further misunderstandings with her–as so many television shows would have done.

Plus so many interesting characters have been developed beyond the main characters. When The Americans inevitably ends, I’m looking forward to one spinoff based upon Nina Krilova in Russia, and another (or perhaps work in into a single show) in which Stan Beeman and Oleg Burov find some reason to team up after the Cold War ends. If Napoleon Solo can team up with Russian Illya Kuryakin on The Man From UNCLE, why not Stan and Oleg?

With all the talk the last few days about the bird at the Bernie Sanders rally in Oregon, prior to his big three-state sweep yesterday, above is a clip from the episode of Portlandia which started the slogan, “Put A Bird On It.”

To conclude by tying this in with the previous story on Daredevil, above is Rosario Dawson (Daredevil, Jessica Jones) speaking in support of Bernie Sanders.