Today, Carly Fiorina was announced as Ted Cruz’s running mate. Fiorina said it’s always been her lifelong dream to lose twice in the same election. –Jimmy Fallon
Earlier today, despite losing five primaries, Ted Cruz stunned everybody by announcing his vice presidential candidate is Carly Fiorina. This means Fiorina is now just a heartbeat away from never being president. –Conan O’Brien
The next companion has been introduced in the video above to replace Jenna Coleman on Doctor Who. Pearl Mackie will play a character named Bill, who clearly has not encountered the Daleks in the past. The Guardian has a little more information on her:
Capaldi said it was “a genuine delight” to welcome Mackie to Doctor Who. “A fine, fine actress with a wonderful zest and charm, she’s a refreshing addition to the Tardis and will bring a universe of exciting new possibilities to the Doctor’s adventures.”
Steven Moffat, outgoing lead writer and executive producer, said: “A new face in the Tardis, a new voyage about to begin: welcome aboard, the amazing Pearl Mackie! This is where the story really starts.”
Mackie trained as an actor at Bristol Old Vic Theatre School, graduating in 2010. Since drama school, she has worked across theatre, film, radio and television. Her acting credits include Svengali, a British film released in 2013, and she is currently appearing in the stage production of The Curious Incident of the Dog in the Night-Time at the Gielgud Theatre in London.
Among other actors who had been thought to be in the running for the role were Coronation Street’s Michelle Keegan, Rakhee Thakrar, who impressed many with her performance as Shabnam Masood in EastEnders, and Maisie Williams, who plays Arya Stark in Game of Thrones and guest-starred in the last season of the sci-fi show.
Supergirl ended the season well. While the two part season finale had its plot holes, they did end many of the plot thread of the season, while leaving one major one for next season (the search for Jeremiah Danvers) and ended the episode with a cliff hanger. Prior to the last second cliff hanger, there was a feel-good moment for the cast. Plus there is the question (as of now undecided by the writers) as to exactly Kara’s new job will be.
Entertainment Weekly interviewed Andrew Kreisberg about the finale. Here are a couple of excerpts:
ENTERTAINMENT WEEKLY: Let’s start off with the reveal that someone else has landed on Earth. What can you tease of who this is? Are they friend or foe?
ANDREW KREISBERG: Obviously it’s our big cliffhanger of the season, so I’m not fully inclined to let everyone know who shot J.R. It’s an important character, and they’ll play an important role in season 2.
Is this a character we may have seen in the comics before?
Again, I don’t want to give too much away, but it’ll be cool. The fans are going to be excited. It’s going to definitely shake things up for season 2.
Especially with something like Project Cadmus in the ether, the first person I think of is Superboy.
Moving on, Kara was willing to risk her life for the world. How does that change her in season 2?
This whole season has been about her embracing being Supergirl. In a way, this was her graduation episode. She hadn’t fully figured out how to integrate being Supergirl into her life. This whole season has been a learning experience for her. At the end of this episode, she’s fully Supergirl. Next season, you’re going to see a Supergirl who is more mature, and a bit more of a cohesive character. She’s taken the identity of Kara and the identity of Supergirl and merged them in a better way. You’re just going to see a more confident, stronger Supergirl than we’ve ever seen before.
Is it safe to say the world is now on her side?
Oh yeah. You don’t save the world without dispelling all doubters…
Even though Fort Rozz is gone, are the prisoners who were once inside it still an ever-present threat?
I think so.
What can you say of the fates of Non and Brainiac?
If you’re a fan of the comic books, you know that Kara’s heat vision took away Non’s — lobotomized Non. How and when we see him again, he’ll probably be very different. I think Indigo is probably the hardest person in the world to kill given that she’s a living computer, so I wouldn’t be surprised if she pops up again.
What would you say was your point of pride for the first season?
I’m so proud of the show. As much expectation there was for the show, there was also a lot of like, “Yeah, prove it!” [Laughs.] I think the show really works. Melissa is a star. Like any first season show, there were missteps and not every episode was as strong as the others, but I can point to a whole bunch of episodes, like “Red Faced,” like “Human for a Day,” like the crossover, like “Falling” as being some of my favorite episodes that I’ve gotten to do over the course of all the series that Greg [Berlanti] and I work on together. I’m just super proud of the show. We’ve proven that there’s an audience for a female superhero. Hopefully there will be many more years to come.
Syfy has ordered a pilot for a Superman prequel Krypton, set on the planet two generations before its destruction. The idea reminds me of Gotham, and even more of Caprica. Hopefully it is more successful than the later.
The trailer is out for The Girl On The Train. The mystery novel, often compared to Gone Girl, should make a good movie, and does have a strong cast.
The cast and crew of Person of Interest haven’t given up on saving the show, which CBS is ending after the upcoming season which will air this spring. From TV Guide:
A potential reboot doesn’t mean, however, that the June 21 series finale will lack closure. “We had to hurry up and end it. They had 13 episodes to turn a very large, slow-moving boat,” Emerson says. “But I think the idea that we had to do it in 13 was actually a plus rather than a minus. I think it allowed the writers’ room to set aside their need to create palatable side stories or a murder-of-the-week or whatever, and really just get focused on wrapping up the loose ends of this thing.”
Adds executive producer Jonathan Nolan: “I would have loved to have kept making this thing for a long, long time, but you don’t want the show to become creatively moribund. We saw the writing on the wall before this season started, but we had the incredible luxury of having 13 episodes to really finish our story. And so, as much as I would have loved to have kept working on the show … I’m very proud of what we’ve made here for the final season, and I’m very glad that we had a chance to finish telling our story, an opportunity that’s denied to so many great network TV shows. So I’m very satisfied with the way we’ve told our story, and I certainly hope our fans are.”
After evolving from a CBS procedural to a true genre show, I certainly can see reason to keep it going if any other networks are interested.
Mr. Robot will be returning on July 13. Presumably we will be seeing the aftermath of the first season finale, unless Elliot just imagined it all.
Some additional brief thoughts on the past week which will be kept brief due to limited time this week:
Better Call Saul had a great second season, but certainly left a lot hanging in its season finale.
Cape May was an unusual episode of The Blacklist. I’m still not certain if Lizzie is really dead, but it is looking less likely that Reddington faked her death. If she is alive, Reddington does not appear to be aware of it.
The Night Manager’s premier was excellent. As soon as time permits I will probably be downloading the remainder of the season rather than waiting for it to finish its run here.
Speaking of shows from the UK, Amazon recently released the second season of Catastrophe, which is well worth watching. The show is much like You’re The Worst in tone with a somewhat older couple. Like You’re The Worst, Catastrophe got a little more serious in its second season, but it did so without any drop in quality or humor.
“Hillary Clinton said on ‘Meet the Press’ yesterday that the FBI has not reached out to schedule an interview with her regarding her private email server. When asked how she’d respond to such a request, Hillary said, ‘Oh, I’d delete it.'” –Jimmy Fallon
“Democratic National Committee head Debbie Wasserman Schultz today denied accusations that she is taking sides in the primary election season, and said, ‘There is no shred of evidence to suggest that I’m favoring Hillary Clinton over Bernie Socialist — I mean Bernie Sanders.'” –Seth Meyers
“The big New York primary, which happens next Tuesday, is looking pretty good for Hillary Clinton. In fact, website FiveThirtyEight says Hillary has a 99 percent chance of winning the primary for New York. When he heard, Bernie Sanders said, ‘My God, I’ve become part of the 1 percent!'” –Jimmy Fallon
We knew from the preview I posted last week that Orphan Black would begin with a flash back, but it was a surprise that almost the entire episode dealt with Beth Childers and other clones prior to when the series began. Seeing Beth gave a better feel for why she jumped in front of a train in the first episode. Beside seeing her drug problem, we saw far more than we previously knew about her troubles with Mark and how close she was to Art. It was also interesting to see some of the other clones in their younger, more innocent days. Beth, whose primary role appears to be to handle the money for the clones and supply Beth with pills, has not yet shot a gun, and Cosima’s biggest concern is finding a place to live while going to school.
The most important aspect of the episode was probably the introduction of another clone, M.K., who was both more knowledgeable than the other clones about the situation, and (probably justifiably) more paranoid. She says she is only alive because they think she is dead. We don’t get until the present until the end of the episode when M.K calls Sarah, now hiding in Iceland, with the warning: “Neolution knows where you are. They’re coming for Kendall Malone….You need to run. Right now.”
Felix even had a cameo, presumably never looking up to see a clone of Sarah in the police station. Buddy TV has an interview with Jordan Gavaris which reveals that Felix’s relationship with Sarah is strained, and he has more time with the other clones.
Game of Thrones enters new territory this season, going beyond the books, and might be wrapping up sooner than many have predicted. Variety reports:
In an exclusive interview with Variety, showrunners David Benioff and D.B. Weiss said they are weighing wrapping up the Emmy-winning saga of Westeros and the battle for the Iron Throne with just 13 more episodes once this sixth season is over: seven episodes for season 7; six for the eighth and potential final season.
“I think we’re down to our final 13 episodes after this season. We’re heading into the final lap,” said Benioff. “That’s the guess, though nothing is yet set in stone, but that’s what we’re looking at.”
Sources later clarified those exact numbers were premature, given that the showrunners are now just beginning to outline their plans, but said that any upcoming seasons may be shorter than the full 10 episodes of seasons past.
Trailer for the upcoming season is also above.
I’ve looked at a lot of deaths on genre shows the last few weeks, but the most unbelievable was on The Blacklist. (Major spoiler ahead). Even more so than on Sleepy Hollow, the female lead is too important a character to have die without a major change in the series. Possibly they do plan on a major reboot of the series, which is always possible as long as they have James Spader, but I am quite suspicious that in this case they are faking Lizzy’s death as part of a plan to keep her safe. Perhaps they will use a need for Lizzy to appear dead as a means to prevent her from being with Tom and her baby, which might have limited her actions.
Blastr has an interview with the cast and crew of 12 Monkeys and their planned 17-season arc. Here is the start of the interview:
You managed to build a layered, compelling story in the first season, which also featured quite a lot of world-building. Now that you’ve laid that creative groundwork, can you talk about what’s it like to really get to play in this sandbox you’ve built for Season 2?
Terry Matalas: It’s a lot more fun. In a lot of ways, it’s almost like Season 1 is the prequel to Season 2. Things really starts to get going, and we’re moving through time in ways we weren’t able to in Season 1. We’re able to mix and match characters and really try new things. The stakes are higher, and it’s a lot more fun. The show really finds itself in Season 2.
In the early parts of Season 2, Cassie really seems to start taking point in regards to the mission that drives the narrative of the show. In a way, she feels more like the Season 1-era Cole than the character of Cole does now. Can you talk about that change in Cassie, and how her time stranded in the future has affected her?
Amanda Schull: I think it was a slow burn to build this person, but you’re right. Her time in 2044 is what solidifies that very dramatic shift. She had only ever heard of this life that Cole was grappling with, then when she’s forced to live in it, herself, she realizes that intelligence doesn’t necessarily accomplish goals in every scenario, and it won’t help you survive every scenario. She really becomes a product of that world.
There has been a lot of speculation that Luke or possibly Leia and Han are Rey’s parents in Star Wars The Force Awakens. I would not entirely trust anything J.J. Abrams says about character identities after he denied that Benedict Cumberbatch would be playing Kahn in Star Trek Into Darkness, but he gave the impression that these theories about Rey might not be true when he said this about Rey: “Rey’s parents are not in Episode VII. So I can’t possibly in this moment tell you who they are. This is all I will say: It’s something that Rey thinks about too.”
Abrams has since clarified the issue saying: “What I meant was that she doesn’t discover them in Episode VII. Not that they may not already be in her world.” In other words, Luke could still be her father, but she doesn’t learn that in the next movie. Or perhaps she does, and he doesn’t want to give it away.
“[‘The Force Awakens’] was a bridge and a kind of reminder; the audience needed to be reminded what ‘Star Wars’ is, but it needed to be established with something familiar, with a sense of where we are going to new lands, which is very much what 8 and 9 do. The weird thing about that movie is that it had been so long since the last one. Obviously the prequels had existed in between and we wanted to, sort of, reclaim the story. So we very consciously — and I know it is derided for this — we very consciously tried to borrow familiar beats so the rest of the movie could hang on something that we knew was ‘Star Wars.’”
The BBC has announced the cast of the Doctor Who spinoff, Class, which takes place at Coal Hill School. Stephen Moffat had this to say about the series:
There’s nothing more exciting than meeting stars that nobody’s heard of yet. We had the read through of the first few episodes last week, and there was a whole row of them. Coal Hill School has been part of Doctor Who since the very first shoot in 1963, but this new show is anything but history. Class is dark and sexy and right now. I’ve always wondered if there could be a British Buffy – it’s taken the brilliant Patrick Ness to figure out how to make it happen.
I wonder what he means by a British Buffy. Is it just a matter of having a cast in this age range, or will there be other similarities?
It’s come out that President Obama has been allowed to see special advance episodes of the new season of ‘Game of Thrones.’ Obama says he watches ‘Game of Thrones’ to remember what it’s like to have reasonably sane people compete for leadership –Conan O’Brien
It’s being reported that the Democrats have a plan to “shatter the Republican Party.” When he heard, Donald Trump said, “Beat you to it!” –Conan O’ Brian
A farm in Ohio has the words “NO TRUMP” written so large in cow manure that it can be seen by overhead planes. The craziest part — no one asked the cow to do that. –Seth Meyers
“Donald Trump told The Washington Post that he’ll be able to get the United States completely out of debt in eight years. When asked how, Trump was like, ‘Easy, declare bankruptcy and start fresh! It’s fantastic. I’ve done it already. It’s amazing.'” –Jimmy Fallon
Donald Trump’s daughter, Ivanka, just gave birth last week and she’s already back on the campaign trail for her dad. Ivanka’s friends were like, “Shouldn’t you be with the baby?” And Ivanka was like, “Yeah, I’m campaigning for him.” –Jimmy Fallon
After losing in Wisconsin, there has been a big shake-up in the Trump campaign staff. In fact, the guy in charge of racist comments is now in charge of sexist comments. –Conan O’Brien
People on Wall Street are worried about the negative effects of a Donald Trump presidency. Also worried, people on every street. All the streets. –Seth Meyers
In less than three minutes, a comedy routine between Hillary Clinton and Mayor Bill de Blasio of New York managed to cause a storm of controversy over a racially charged joke.
It happened on Saturday night when Mrs. Clinton made a surprise visit to the Inner Circle dinner, an annual black-tie event that brings together the city’s press corps, lobbyists and lawmakers. She strode on stage with Mr. de Blasio and Leslie Odom Jr., the actor who plays Aaron Burr in the hit musical “Hamilton.”
“Thanks for the endorsement, Bill,” Mrs. Clinton said to Mr. de Blasio, a former aide to Mrs. Clinton when she was a senator from New York who nonetheless dallied in supporting her. “Took you long enough.”
“Sorry, Hillary,” Mr. de Blasio said. “I was running on C.P. time,” a reference to the stereotype “Colored People Time” that drew some cringes from the audience.
Mr. Odom, who is black and appeared to be in on the joke, interrupted: “That’s not — I don’t like jokes like that, Bill.”
Mrs. Clinton jumped in. “Cautious politician time. I’ve been there,” she said.
The joke quickly made its way around social media as both Mrs. Clinton and Senator Bernie Sanders work to woo black voters ahead of the April 19 primary in New York. Both Mr. de Blasio and Mrs. Clinton have a reputation for running late, but the expression struck some as inappropriate…
Speaking on CNN on Monday evening, Mr. de Blasio said that the exchange was part of a scripted event and that all parties were in on the joke, with “cautious politician” being the intended punchline.
While Hillary Clinton was not very funny, Saturday Night Live did have a funny cold open skit at her expense (video above). The skit mocks both her losing streak in the recent primaries and her difficulties with the New York subway. The video of her actual attempt to get on the subway is included in the linked post.
It looks like many shows think that they can duplicate the success of Game of Thrones and The Walking Dead by killing off characters. There are more major spoilers this week. Recent posts have already dealt with character deaths, and there were more to look at this week. Some were handled better than others.
We knew for quite a while that there would be a death on Arrow this season, but none of the discussion I’ve seen predicted that it would be such a major death, even though major characters have been killed on this show since the beginning. It does make sense to kill Laurel as they never really knew what to do with her beyond the first season when the ex-girlfriend role made sense. They have varied so much from the comics that it is not necessary to keep her, especially as it appears, despite their current troubles, that Oliver is fated to wind up with Felicity and not Laurel.
Marc Guggenheim and Wendy Mericle, and Paul Blackthorne (Detective Lance) discussed the episode with Entertainment Weekly. Here are some of the questions:
But seriously, why Laurel?
“Obviously Arrow is always a show that’s evolving,” Guggenheim says. “It’s always a show where every character, arguably except for the Arrow, is fair game. We started off this year with the promise of a death and when we worked our way through our various different creative choices, we realized that the thing that will give us the most pop going into the end of the season and into next season unfortunately would be Laurel.”
Was she killed because some of the fanbase doesn’t like Laurel?
“When I say it gives us a lot of pop I don’t mean on the Internet or publicity, I mean creatively for the show,” Guggenheim says. “Every time we’ve killed off a character on the show, it’s really been for the effect it has on all the characters left behind. I don’t want to spoil the end of season 4 or what we have planned for season 5, which we’re already in the room working on, but the way we always describe it is the creative math. How divisive Laurel is as a character on Twitter is not a factor. Truth be told, Twitter is a very specific sub-segment. The number of people who don’t like Laurel is probably an infinitesimally small group, so it’s not, as they say, statistically relevant.”
But shouldn’t Oliver and Laurel be endgame?
“One of the things we knew people would think was, ‘Oh, well, in the season where Oliver and Felicity get engaged and Laurel dies, that’s clearly making a choice about who’s going to end up with who,” Guggenheim says. “Truth be told, we told the Laurel-Oliver romance story in season 1. We told that story. We never really thought about going back to it. The ‘shipping thing was not an element, it was not a factor to us. We recognize that that upsets a lot of fans, particularly the comic book fans.”
Yeah! Oliver and Laurel end up together in the comics! What gives?
“In the comics, Dinah Lance and Oliver Queen, depending on which version of the character you like, are in a romance together in various iterations,” Guggenheim says. “That, to some people, is considered canonical and iconic, and we respect that, but at the same time we’ve always made no bones about the fact that we are telling our own version of the Green Arrow mythos. The Green Arrow has had so many different interpretations, and Black Canary has had so many different interpretations over the years, that we never felt beholden to one particular interpretation. This is our interpretation, like it or not, and I recognize there are plenty of people up and down my Twitter feed who do not like it. I totally respect that. But it made the most creative sense for us going forward despite the fact that we love Katie, absolutely love Katie.”
So could Laurel come back to life?
“Not getting a chance to work with Katie day in and day out is tempered by the fact that we now live in a universe where there’s resurrection, parallel earths, time travel, flashbacks — we have all these different ways of keeping Katie in the Arrow-verse family,” Guggenheim says. “In fact, you will see her on an episode of Flash playing the Earth-2 version of Laurel Lance. Katie is reprising her role as Laurel of Earth-1 to be in Vixen season 2. Death does not mean goodbye on any of these shows, but we made a creative choice and we’re sticking to it. We’re recognizing that Black Canary and Laurel have an incredibly loyal fanbase, and Katie has an incredibly loyal fanbase, but the show has never been just about the comic book history, it’s never been just about one or two different particular fanbases. We make the creative choices we feel benefit the show as a whole and the story that we’re telling overall.”
But by bringing her back on other shows, doesn’t that cheapen Laurel’s death?
“We definitely recognize across all three shows that when we kill off a character, it means something different now,” Guggenheim says. “I’m not going to put a qualitative judgment on whether it’s more or less impactful. I’ll leave that to the audience, but certainly we acknowledge there’s a difference. Arrow, much more so than Flash or Legends, it traffics in death. We started off the series of the apparent death of Sara Lance and the actual death of Robert Queen and a hero who murdered people. For better or for worse, death is part of the show. What we’re finding is that death now, as it should by the way, when you start to get where we are pushing into season 5, the show has to evolve, it has to change. The concept of death on this show is evolving and changing as we’ve already seen with Sara Lance, and with seeing Laurel in a parallel universe. There’s a world where we do an episode where Oliver Queen meets the Laurel Lance of Earth-2. That’s now on the table. Time travel is now on the table. As the show has evolved, so has death.”
The interview also dealt with reactions from the other characters, and revealed that we will not find out what Laurel said to Oliver before she died until next season, showing that the death of Laurel will be impacting the show for some time. As noted in the interview, Katie Cassidy will appear as an Earth-2 version of Laurel on The Flash. Her sister will also get a chance to react to her death on Legends of Tomorrow. Additional interviews from cast and crew can be seen here.
In other Arrow news, Echo Kellum (Curtis) has been promoted to a series regular for season 5, and presumably will be an active part of Team Arrow. I also would not be surprised to see Felicity getting back with the team, whether or not it takes time for her to get back with Oliver.
The Americans had the death of a major character at a strange time. (More spoilers here). It would have made more sense to end Nina’s story at the end of last season rather than continuing it so briefly this year, but many of the plot thread from last season were left to continue this year. It also provided an interesting look at how such executions were handled, with Nina being shot only three seconds after being told her appeal was denied and her death sentence would be carried out shortly.
TVLINE | When was she originally supposed to die? JOEL FIELDS | We went back and forth a little bit. There was a point at which we thought she might go at the end of Season 3. Then we fussed around with different episodes in Season 4. So yeah, there was a little bit of elasticity to it.
TVLINE | Why, ultimately, the decision to kill off Nina now? FIELDS | It was really all about how the story laid out and how it fit in with other stories. … You do get very attached to these characters. As writers, you get very attached to them, and as actors, you fuse with them in a certain way. So it feels like a real loss.
TVLINE | So poor Nina was always doomed? FIELDS | Well, not from the very beginning. And frankly, you’ve got to define “doomed.” The truth is, this character transformed in a way that has great meaning, and she could have maybe found a way to continue on as somebody who would do anything to survive. But instead, she grew. And she grew into a character who was willing to take a risk to do the right thing for someone else. Although she paid the ultimate price for it, she grew into a much fuller person. Yes, she made her choices, and in all seriousness, we have a lot of respect for her choices.
TVLINE | The method of her death was so brutal and quick. How did you land on that? WEISBERG | That’s how they actually executed traitors. We learned about it from a book written by our consultant, Sergei Kostin. His book came out after the end of the Cold War, and we tried to follow it beat by beat in our script. Our director followed it beat by beat [and] beautifully shot it. As soon as we read it, we thought, “This is the way to do it.” It was so dramatic and so powerful and, interestingly enough, so humane. Because the reason they came up with that system was to spare the person being shot any foreknowledge about what was going to happen so they wouldn’t suffer and be afraid.
TVLINE | Nina has been separated from much of the main cast for a while now. Will her death reverberate for the rest of the characters somehow? WEISBERG | I think it’s safe to say that Oleg’s father is very highly placed in the Soviet government, so he could easily find out what happened. I don’t think we ever saw that story as separated as maybe some people did. Even though the role was not as interconnected in the way that things are interconnected today with the internet and communications, it was still an interconnected role at the heart.
TVLINE | Did Oleg’s dad try to reach out to help her? WEISBERG | He did try, but he just wasn’t successful.
Spoiler TV has an interview with Annet Mahendru who played Nina, and also appeared in The X-Files revival this year:
Could you talk a bit about Nina’s motivations for helping Anton [Baklanov], what her mindset is and how you dealt with the change in her this season?
Annet Mahendru: I think last season we see it goes on for a while, she’s figuring him out, she’s always about the other – she’s kind of a reactor to things – and she doesn’t quite know what to do with Anton and she sees a human being for the first time and it brings that out of her. And she’s exhausted, she’s been in this hamster wheel over and over buying her life out, walking this thin line and you know, every decision, every step, it’s life or death for her and she’s exhausted and she’s falling and she can’t do this anymore. And he moves something in her. For the first time it’s something very direct: he has a son, and she’s given all that up when she entered this profession and she finds joy in his world and his letters and love and for the first time I think we see her happy and she literally gives up everything for that moment of happiness and that’s her freedom from that tragic life that she has chosen and has been dealing with [since we met] her. So I think for joy and for just she lives for the first time and that’s what she needs to do to live and sometimes you need to change in order to survive and that’s what she does.
Nina seemed quite resigned when reading the statement from Baklanov. Do you think she’s at peace with her fate now?
Annet Mahendru: I think she’s content, she is, she’s very much settled and she’s ok now because she did something for the first time that allowed her to be who she is and something that she saw, you know she has done everything to secure the future of the Soviet Union, this cause, this great cause that is so far-fetched and to hear something so direct – there’s a boy that needs to know that his dad loves him and she did that and that’s the greatest thing she’s ever done.
What was your reaction like when you got the script for this episode? Did [creators] Joel [Fields] and Joe [Weisberg] give you some heads up or did you find out as you were reading?
Annet Mahendru: (Laughs) Goodness no, I got the first script and then I got a phone call and you kind of wait for that phone call from the get-go – everytime they call you, that might be the phone call. It finally came and I played it really cool because you’d think you’d be prepared for it but you absolutely are not. I was angry at them, I loved them, I felt every single thing you could possibly feel and I remember my mom was like “it’s not you dying, it’s Nina, it’s Nina” because it just felt like a part of me that I was so lucky to be able to tap into and that I had to also say goodbye to. And the weird thing is I felt like in the 2nd episode I’m getting to know Nina, she’s meeting her husband, she finally has her own mission, her transformation that she desperately needed and I felt like I had just gotten a taste of her and that’s it and then like an episode later she’s dead. So that little bit of joy, that little bit of her that I finally got, it was so fleeting and it was over before I could really embrace it and it was really sad. We’ve all been, since the beginning, treasuring her and fighting for her – it’s really been a fight – and it just made me realise that it’s just such a tragic life and that it’s real, you know, this happens out there and it made me really angry.
Could you compare working on a show like this to working on a show like The X-Files?
Annet Mahendru: You know, it was really ironic, it was like a double death for my characters this year. It was a lot of death but Sveta died for the reopening of the X-Files and Nina died for starting something very important for an individual. It was a really difficult season and also the greatest season at the same time. The X-Files was a real treat and it was another special story that I got to tell.
From a mass audience perspective the death on the season (and perhaps series) finale of Sleepy Hollow was the biggest, but as I was also giving up on the show it mattered the least to me. (More spoilers ahead). The she had already lost its way after the first season, when it centered around the relationship between Ichabod and Abbie. There is no news yet as to whether the series will be renewed. While this was also not a very satisfactory way to end the series, it would probably be best to end it now, unless someone can go back in time and end it after the first season.
TV Line discussed the episode with showrunner Clifton Campbell:
TVLINE | I’m going to jump in with the big question first: Is Abbie really dead? Is this the last we’ll see of her?
The character of Abbie Mills makes the supreme sacrifice to save the world, and her character dies in the season finale, yes. To answer the second part of that question, she will not return to the show as Abbie Mills. There’s certainly the possibility, given our really good relationship with Nicole and how much she’s help build us these past three seasons, that reflections of her will be around and that the idea of her will be around is certainly something we’ve all talked about, but not as the character of Abbie Mills.
TVLINE | So is Nicole Beharie no longer with the show?
Nicole Beharie as Abbie Mills is no longer with the show. The character is dead. But we’ve had a terrific run with her. She’s been an absolute delight. She helped build out the mythology of the show, and we’ve had a tremendous run with her. The character is gone and, like I said, in Sleepy Hollow it’s always surprising to see how the reflections of one character or another can influence the show moving forward.
TVLINE | Ichabod’s grief over what happens is palpable, but I was struck by how Tom Mison played it contained. Did you think about Ichabod having a big emotional moment after he realizes she’s gone? Did you shoot any takes like that?
Listen, Tom has really created this character from the bottom up. His instincts are without parallel. His fearless creation of this character in all of these moments, particularly as they pertain to his relationship with Abbie Mills, is not something any of us would second guess. You picked up on that contained emotion — I think this is such a big moment, and a huge loss in his life and his world that he needs to process. At a point where we have that opportunity in the finale, he hasn’t quite reached that point yet.
TVLINE | Having Abbie sacrifice herself twice in the same season — fans might think, “Well, you brought her back last time…” What’s the fundamental difference between her going into the tree and her willingly entering Pandora’s box?
Well, she knew she wasn’t coming out of the box in the finale. She knew, because of what they learned in the catacombs, that the box was missing its hope, which is at the center of darkness and gave it context, gave it form. She knew she was giving herself to the box… that that meant she would not be coming back.
At the midseason break this year, it was more immediate. The Shard of Anubis was going to blow; her sister and Crane and everybody in close proximity could suffer catastrophic loss. Abbie knows she’s giving her life up at the end of Season 3 to save the world. The difference is, from the audience’s perspective, is [at the midseason break] she had fallen into a realm that we didn’t know about. She didn’t die.
Hulu completed 11.23.63 last week with the series clearly being about whether one person, John Kennedy, would die. While I noted some negative reviews when the show first started, with some suggesting that viewers skip ahead to the final episode, I did find it enjoyable throughout the entire season. The finale did flow well from what was shown before. (More spoilers ahead).
The series began by including a cosmic reset switch when introducing its rules for time travel. Whenever anyone went back in time, everything they did in a previous visit was reset and they could start all over again. Knowing about this reset switch from the start, the most obvious outcome was that Jake would be successful in preventing the assassination of John F. Kennedy, but things would be worse because of him doing so and he would have to go back in time to reset this.
The show was not very clear as to why things were so awful when Jake returned to the present, leading me to quickly skim the ending of the book. In the book the issue comes down to matters of destruction because of making changes in time itself, as opposed to a result of Kennedy’s actions after remaining alive.
It was clear several episodes before the end that the real story was about what would happen between Jake and Sadie, a woman Jake fell in love with after going back in time. When he spoke about bringing her back to the present with him, my first thought was that we have seen people go back in time, but never forward in time from their timeline. Whether or not it was possible for Sadie to go forward in time, Jake had to sacrifice the relationship in order for her to live to have a happy life. Over the course of the finale, John Kennedy and Sadie were both killed and not killed on different trips back in time.
Orphan Black returns on April 14 on BBC America. The first four minutes are above. Here is the synopsis, which does not even mention the events of the flashback with Beth Childs.
After two months of respite, Sarah’s hard-won refuge in Iceland is shattered by a Neolution attack. Once again forced to flee, she realizes no matter how far her family runs it will never be far enough.
For those interested in still more television deaths, Geeks of Doom reviews the season finale of The Walking Dead.
Filming has begun on Season 4 of Sherlock, with Steven Moffat being vague in his comments on where the season goes.
Last week I noted how economic considerations, including pressure from Disney and other studios, led to a veto of a “religious liberties” law in Georgia. North Carolina has passed a similar discriminatory law, and now they have seen the first economic consequences of this:
Bruce Springsteen canceled Sunday’s concert at the Greensboro Coliseum because of House Bill 2, saying in a statement that he and his band would show solidarity for North Carolinians working to oppose the law.
“Some things are more important than a rock show and this fight against prejudice and bigotry — which is happening as I write — is one of them,” the singer wrote on his website. “It is the strongest means I have for raising my voice in opposition to those who continue to push us backwards instead of forwards.”
…HB 2, passed quickly by the General Assembly in a one-day special session last month, prevents cities and counties from passing anti-discrimination ordinances to protect lesbian, gay and transgender residents. Legislators passed the bill in response to an ordinance adopted in Charlotte that would have allowed transgender people to use the bathroom of the gender they identify with, a provision overturned by the new law.
Dozens of businesses, including American Airlines, Dow Chemical, BioGen and Labcorp, have spoken out against the law. PayPal canceled a planned $3.6 million expansion in Charlotte that would have created 400 jobs, and dozens of people have canceled attendance at the semiannual furniture market in High Point that starts next weekend.
Cancellation of the Springsteen concert is the first major economic blow to Greensboro as a result of the law.
“I believe that religious institutions ought to be protected and be able to be in a position of where they can live out their deeply held religious purposes,” Kasich, who’s running for the Republican presidential nomination, told host John Dickerson in an interview for Sunday’s “Face the Nation.” “But when you get beyond that it gets to be a tricky issue. And tricky is not the right word, but it can become a contentious issue.”
“An opening speaker at a campaign event for Hillary Clinton yesterday asked the attendees in the audience to welcome Clinton by chanting her campaign slogan with enthusiasm. And the crowd immediately started chanting, ‘It’s! My! Turn! It’s! My! Turn!'” –Seth Meyers
When I was younger and reading comics in the 1960’s, World’s Finest featured a team up between Superman and Batman in every issue, and at other times in its history it included other DC superheroes. While Superman and Batman are together in the same movie this month, television teamed up Supergirl and The Flash instead. Lacking the rights to Superman, ideas from the comics are often adapted to Supergirl (as Batman story lines have been adapted for Arrow).
I also clearly recalled the classic Superman cover with Superman racing The Flash. Supergirl used a similar poster to promote the show, and TV Addict has put the two together in the graphic above.
Melissa Benoist and Grant Gustin had terrific chemistry together in this Glee reunion. I don’t know if them having worked together in the past helped, and it certainly helped that both characters are similarly light. I doubt we would have seen the same chemistry with an Arrow/Supergirl crossover, unless Supergirl became a Felicity-substitute for Oliver.
Their awkward meeting can be seen in the video above.
The premise was actually explained further on Tuesday’s episode of The Flash in which Barry traveled back in time to seek ways to become faster to fight Zoom. Fortunately the show kept technobabble to a minimum and concentrated on the chemistry between the characters–although I do wonder how Barry would be able to get back to his original earth. I can envision this as a Barry from yet another earth who is spending years traveling from one earth to another in search of home. While there was a brief discussion of parallel earths, it was pretty much limited to Winn’s “That’s cool.”
The show had many other great lines. Supergirl was still trying to regain the support of the people of National City after the episode in which she was exposed to red kryptonite and briefly became a menace. She expressed her frustration and the drastic measures she was utilizing: “I saw that winning the people back wasn’t going so well. I have tried everything I can think of. Last night, I helped a family assemble their IKEA table!” The Flash demonstrated his super speed to Supergirl by quickly running out for ice cream. Supergirl’s response was perfect: “That’s cool.”
Cat might have been fooled by Supergirl’s secret identity (although now that she knows there is a shape shifter around, I’d would expect her to figure out how she was tricked). She had no difficulty figuring out that Barry was the new speedster in town, but she did not like the name of The Flash: “The Flash sounds like someone whose only super-power is jumping out of an alley in a trench coat.”
There was a reference to CW, which The Flash is on: “All four of you, standing there, doing nothing. You look like the attractive yet non-threatening, racially diverse cast of a CW show.”
While I could have easily spent the hour just watching Supergirl and The Flash hanging out together, there was even a plot to the story. If there were two superheroes, there had to be too super villains working together, Siobhan (Italia Ricci) and Livewire (Brit Morgan):
Siobhan: “You want to kill Cat Grant and Supergirl, and I want to kill Cat’s assistant, who’s protected by them both. Figured we could team up.”
Livewire: “Like an evil Taylor Swift squad?”
Nerdist has information from Greg Berlanti and Andrew Kreisberg on the repercussions of the cross over episode:
“We always wanted to do it,” says Berlanti of the crossover. “From the day we cast Melissa [Benoist], the notion of her in scenes with Grant [Gustin] or someday maybe, in the best of all worlds, with Stephen [Amell] as well…it’s exciting to think of them on screen together. And there was a similar tonality to the shows. But a few things had to go right. We were introducing this notion of Earth-2 and the Multiverse on Flash, and that had to work for us. We always said very openly that Flash and Arrow exist in a universe where there’s no Superman, or you would have heard about him. They would have had at least one conversation about him, and certainly Supergirl as well. And he exists on this show.”
But the multiverse would prove the easier hurdle of the two shows converging—even though they live on different networks (CW for The Flash and CBS for Supergirl. “It was more challenging in that way because it’s not so convenient. It’s two separate cites that they shoot in. You wanted the show to work and stand on its own, and CBS has its own audience. We thought we might wait until the second season,” explained Berlanti. “But after Christmas we came back and we were planning out the final third of the year and we saw a way that we thought we could do it; and it felt like the right time for him to enter her world and help her out. So it all came together. We went to all the powers that be and said, ‘I think we had indicated maybe we’d wait a little longer. But we’d really like to do this now.’”
…But will there ever come a day where Kara returns the favor and visit Barry on The Flash”
“We would love that,” said Berlanti. “Just like we love this and are excited about this. I think we want to wait and see the audience reaction to something like this. But just as storytellers and fans of the actors, obviously. We love it when we can figure out a way to do it creatively and hopefully everybody enjoys it.”
Of course, the Multiverse does add a tiny wrinkle to this: wouldn’t that mean a Kara already exists on Barry’s Earth? And if so, what might a version of her look like there?
“I would think that any Kara that exists on Earth-1 would also have to have been an alien,” explained Kreisberg. “There can’t just be Kara Danvers from Poughkeepsie. That’s the fun of the Multiverse. We have a really exciting, fun doppelgänger coming up on the penultimate episode of The Flash that we haven’t announced yet. That’s just another one of those ‘Oh, that would be really cool…’ It’s surprisingly easy to justify any of these decisions. Usually when we’re in the writers room, and arguing the merits of doing something or not doing something, it really comes down to ‘Is it cool? Is it fun?’ The logic of how we get to it we find we can make work, especially if you don’t dwell too much on it. Because at the end of the day the audience wants to see the fun thing, they want to see the Flash and Supergirl together. So getting them across—he ran a little too fast with his tachyon drive—it wasn’t a lot of shoe leather to make it happen. Then you get forty-two minutes of the fun stuff.”
As a lifelong fan of the DCU, we posited the idea of Melissa Benoist appearing on The Flash as the Power Girl of Earth-2 to Kreisberg. His thoughts? “Sure,” he laughs. “[It’s] a different costume, but sure!”
As for why the two iconic heroes are first meeting on Supergirl as opposed to The Flash, Berlanti explained that it was “because it was his capacity to come this way,” adding that they “never really considered it the other way” and that “it’s maybe a little bit more fun at first to bring the veteran from that show to the chemistry of a new show.”
As for whether or not the time-traveling heroes of the Flash spinoff Legends of Tomorrow could appear on Supergirl via their ship the Waverider, Kreisberg got our hopes way up, saying that, “The Waverider can go anywhere.”
That last line also explains how Rip Hunter once said, “I’ve seen Men of Steel die and Dark Knights fall. Your entire 21st century world will suffer.” Superman and Batman apparently do not exist in the Arrow/Flash world but did exist in Rip’s past. Does this mean that the characters picked up by Rip are actually working to save a different earth?
More at TV Line, including some comments related to what I wrote above about Supergirl’s secret identity:
In discussing this crossover’s genesis, Berlanti also hints at the idea of Supergirl and Green Arrow interacting, saying, “From the day we cast Melissa [Benoist], the notion of her in scenes with Grant [Gustin] – or someday maybe in the best of all worlds with [Arrow star] Stephen [Amell], as well – it’s exciting to think of them on screen together.”
…If Cat was so easily able to decipher that Barry is The Flash, then how can she still be in the dark about her assistant’s secret identity? “There’s a number of people that assume that she does know and just doesn’t say anything,” Berlanti notes. “Both are safe bets. We haven’t firmed up if and when we [will] clarify that point. I think it’s kind of enjoyable to appreciate the show both ways.”
When watching most television shows and a character’s life is in danger, the assumption is that they will survive. (Spoilers ahead). The opposite is true on The 100–especially when the character is played by an actor who has a role lined up on another television show, such as with Ricky Whittle. This is the second major death in a short time. Lincoln’s death has not been met with as much controversy as Lexa’s, but there has been some protests over how he died.
Amy Sherman-Palladino never got the chance to use the four final word she planned for The Gilmore Girls as she left the show in its final season due to a contract dispute. She kept them secret in case she ever had a chance to use them, and it has been verified they will be used in the Netflix revival. There are many possibilities from, “Luke, I love you” to “Mother, you are insane” to “Rory, you were adopted.”
I recently posted on how Marvel Studios and others protested the “religious liberties” bill in Georgia. The loss of potential income to the state appears to have been more important than appeasing the religious right as Governor Deal has vetoed the measure.
Dave Schilling gave his ideas on who different television characters would vote for at The Guardian. For example:
Mulder & Scully
Mulder’s naturally rebellious, so he’d have to be for Bernie Sanders. All the revolutionary rhetoric would appeal to his lack of trust in government. Scully, on the other hand, is highly religious and less prone to seditious behavior. Still, I don’t think she’d ever vote for any of the Republicans because of their denial of climate change science and anti-choice policies. I’m going to guess Hillary on this one.
Bernie Sanders played Wheel of News on The Late Show with Stephen Colbert on Friday. The segment ended with Sanders shooting the T-shirt cannon. Video above.
After the Michigan and Missouri primaries, Donald Trump put on an infomercial and talked about all the products with his name on them, even if not very truthfully. Now there is a new product to add to the Donald Trump line, Donald Trump Heroin. Mediaite reports:
A New Hampshire woman was arrested a few days ago for selling heroin with the name of none other than Donald Trump branded on the bags.
According to the Union Leader Correspondent, Darcie Hall was busted after a confidential informant managed to organize two heroin buys––one at a McDonald’s, another at a mini-mart. She had been under investigation by the police and the state attorney general’s drug task force.
And the detective who saw the heroin bundles wrote in his affidavit, “I also observed that each wax bag was stamped with a ‘Donald Trump’ logo.” (Make Heroin Great Again was probably too on-the-nose.)
Plus The New York Post reports on women who not only support Donald Trump, but are stripping down or him. Pictures included.