Stephen Colbert To Succeed David Letterman

Colbert Letterman

White smoke could be seen rising from CBS Headquarters today. CBS will not be going through the same drama which we saw at NBC when Johnny Carson and Jay Leno left The Tonight Show (twice in the case of Leno). There was no consideration of forcing Letterman out before he was ready. One week after David Letterman announced his planned retirement on his own schedule, CBS has announced that Stephen Colbert will be replacing him. While I think Craig Ferguson does an excellent job following Letterman’s show, it was not expected that Ferguson would receive the 11:35 time slot. I do like Ferguson’s show but, if he leaves CBS, it would not be as significant as David Letterman and later Conan O’Brien leaving NBC. I hope Ferguson does remain where he is, providing a choice between his show and Seth Meyers at 12:35.

Stephen Colbert has already said that (as would be expected) he is not going to do the show in character as on The Colbert Report on Comedy Central show. It has been an excellent run, but I am also confident Colbert can do a fine job hosting as “himself.” I do hope that from time to time Colbert, instead of stupid pet tricks, goes back into his stupid conservative character for a skit.

I suspect that Colbert will tone down politics to some degree with the move to a late night network talk show. His liberal credentials are well known after pointing out that “reality has a well-known liberal bias.” Or maybe not. A study at Ohio State in 2009 found that many conservatives took him seriously and didn’t realize he was mocking them.

Here is a selection of one liners from Stephen Colbert when in character, many of which have been featured here as a Quote of the Day:

“Our president has gotten so desperate that he appeared on this website Funny or Die. By the way, ‘funny or die’ is also the ultimatum you got from Obamacare’s death panels.” –Stephen Colbert

“No one has signed up for Obamacare, give or take 4.2 million people.” — Stephen Colbert

“You know what, folks? I miss George W. Bush. That man knew how to sell a war. Obama has hard evidence of weapons of mass destruction and he can’t even get England to go along with it. Meanwhile, President Bush got an international coalition with nothing more than Colin Powell’s reputation and half a test tube of crystal light.” –Stephen Colbert

“Conservatives like me know that in a budget crisis, everything nonessential has to go — whether it’s food for kids who aren’t mine or some other stuff for people I don’t know.” –Stephen Colbert

“It seems like every single day, President Obama finds a new way to waste our tax dollars. I mean, two daughters? Seems a little redundant.” –Stephen Colbert

“Where did we go wrong? The Republicans had everything going for them – a terrible economy, an unpopular incumbent, and a positive message for the American voter: ‘less than half of you are parasites.’” –Stephen Colbert

“Folks, I’m no fan of ‘Sesame Street.’ They expose our children to dangerous liberal ideas like befriending the homeless, two men sleeping in the same bedroom and counting.” –Stephen Colbert

“This is America. We must defend the principles symbolized by Lady Liberty – unless she’s on the pill, in which case, she is a giant green tramp.” –Stephen Colbert

One of Stephen Colbert’s finest moments outside of his show was at the White House Correspondents’ Dinner in 2006. Here is the video of his tribute to George Bush, with full text under the fold:

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Quote of the Day From Bill Maher on Fox

“Absolutely nothing new has happened with the missing plane. It is astounding how they continue to report ‘news’ even though they have zero information, although, it never stopped Fox News.” –Bill Maher

Bonus Quote:

“Fox News, they may be a little biased. We had an earthquake here on Monday and they reported that the Earth’s crust was emboldened by Obama’s weakness.” –Bill Maher

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SciFi Weekend: Hannibal; Arrow; Continuum; Doctor Who; 12 Monkeys; The Wil Wheaton Project; The Americans; The Big Bang Theory Does Star Wars; How I Met Your Mother Ends In The Darkest Timeline

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With Futamono, we are about half way through the second season of Hannibal, and some people are beginning to suspect that bad things are happening to people around the title character. We know that he will be exposed by the end of the season, but at the moment he is a sort of Superman who is able to outsmart almost everyone and evade detection. He can even manage to get Abel Gideon out of the psychiatric institution in order to have him over for what is probably his last meal. (“You intend me to be my own last supper?”)Fortunately for Gideon, he is insane himself and can be witty while being served his own leg. Bryan Fuller explained why Gideon suffered this type of fate:

 I think part of the reason he meets the horrible fate that he does was the symmetry. Here he is, a guy who claimed to be the Chesapeake Ripper and was the grand pretender to the throne. For him to both become the Chesapeake Ripper and the Chesapeake Ripper’s victim felt like there was a certain poetry that Hannibal would appreciate. We see in episode five, Abel Gideon really goes out of his way to save Hannibal Lecter from Will Graham, but more importantly, save Will Graham from Will Graham by preventing Will from taking a life out of malice. We see that there is a humanity to him and an understanding and even a sympathy for Will Graham and his plight. So as Beverly Katz has carved the path for all of those who believe Will Graham in any capacity, he had to go down the same chute.

It appeared that Jack might obtain some evidence about Hannibal when he finally paid attention to Will’s theories: “If the Ripper is killing, you can bet Hannibal Lecter is having a dinner party. You and I probably sipped wine while swallowing the people who who we were trying to give justice, Jack.” Jack took some food from one of Hannibal’s dinner parties to be tested. Hannibal outsmarted Jack that night as the beef really was wagyu beef (which really is delicious).

While there was not conclusive evidence against Hannibal, there was evidence showing that both the Chesapeake Ripper and the alleged copycat who continued after Will’s incarceration were the same killer, proving it could not be Will. I did not expect to see Will go free until much later in the season. (Can I still wear my Free Will Graham t-shirt?) There was also a piece of rare tree bark which led to the discovery of Miriam Lass, the young FBI agent who figured out Hannibal’s secret in a first season flash back. Surprisingly she is still alive, but is missing an arm.  From the interspersed scenes with Hannibal, I suspect that the discovery of Miriam was a planned move on his part and there is not enough of her mind left after all these years to incriminate him. Coincidentally, Anna Chlumsky returns to Hannibal the same weekend she also returns to television on a new season of Veep.

Hannibal - Season 2

Seeing Hannibal seduce and drug Alana was as chilling as the scenes with Gideon. While her fate (so far) is not as terrible, we have far more invested in her character. For the purposes of this episode, sleeping with Alana provided an alibi for Hannibal capturing Gideon. Television sedatives work wonderfully, with the victim being guaranteed to neither wake up or realize anything was unusual during the night. Next we presumably will see the consequences of a newly freed Will finding that while Jack might now be open to his theories, Alana is almost literally sleeping with the devil.

Dr. Chilton seems to be the smartest one after Will in Hannibal’s circles. He both figured out the rhyme (“They’ll call him Hannibal the Cannibal; he does fit the profile”) and revealed that he only eats salads when dining with Dr. Lecter. He also theorized that Hannibal “is attracted to medical and psychological fields because they offer power over man. Cannibalism…cannibalism is one act of dominance.”

Seeing Hannibal wink at Chilton was enough to suggest he may be doomed, but there would also be some justice in keeping him alive to see Hannibal’s downfall. There has to be someone left to begin treatment of Hannibal once he takes Will’s place in the hospital for the criminally insane. Besides, unlike Miriam Lass and Beverly Katz, Chilton is not likely to allow himself to be alone with Hannibal Lecter.

Arrow Deathstroke

Arrow had yet another strong episode with Deathstroke. It was a key episode for Thea, who is now angry at Oliver after Slade revealed that Oliver was keeping secret the fact that Malcolm Merlyn (John Barrowman) was really her father. I had expected the secret was going to be about Oliver on the island and now being the Arrow. We never saw how Slade also knew about Malcolm Merlyn, but it does not contradict anything we have seen for him to have discovered this on his own.

Poor Oliver, now being blamed by Thea for keeping the same secret which he was now become estranged from his mother over. Speaking of secrets, if she knew the full story, Thea would also have good reason to be angry at Oliver for not warning anyone about how dangerous Slade was. If Oliver had said something when he showed up in their home, Thea might not have gotten into the car with him.  Having released Thea, it no longer appears that Slade has any interest in keeping his actions a secret. It seems like after this week, most of the secrets are out in the open.

Arrow Queen Industries

Not only has Oliver lost Thea, he has also lost control over his company as we learned that Isabel Rochev (Summer Glau),  who he had only planned to make CEO pro tempore, was also working with Slade.This is all part of Slade’s plan to take away everything from Oliver.

The episode ended with yet another cliff hanger. While he didn’t tell the secret I had expected him to tell to Thea, Slade did visit Laurel at the end to tell her that Oliver Queen is the Arrow.  Most likely this will change things, especially as her father’s freedom now depends upon him revealing the Arrow’s identity, but there is no guarantee she will believe Slade. After all, as I pointed out last week, she couldn’t even tell that her own sister was the Black Canary when sitting right next to her. Although common in the comics for a mask to be sufficient to hide one’s identity, the mask did very little to hide her face. If Laurel had encountered Sara at the beach wearing large sunglasses, which would cover as much of her face as the mask, would she be unable to recognize her? Just how much alcohol and drugs did that girl consume?

Continuum minute-by-minute

Continuum season three finally aired in the United States on Syfy with resolution of last season’s cliff hanger, answering some questions and raising new ones. Alec has gone back in time a week in hopes of saving Emily, creating a new timeline. I feel like I’m in yet another time jump, being three weeks ahead of where the show is in the United States by downloading the episodes after airing on Showcase. I will limit spoilers to the episode which aired in the United States and will avoid mentioning events of subsequent episodes which have aired.

Minute By Minute began with action scenes with Kiera (Rachel Nichols) and Garza working together to escape, but things got far more complicated with the timeline collapsing and the Freelancers sending Kiera (who has now joined up with them) to the new timeline created by Alec going back into the past. The episode deals with some of the central questions of the series regarding time travel but hardly settles anything.  If traveling in time creates a new timeline, does this mean that Kiera cannot ever return to the time she left? Perhaps the fact that the Freelancers could send her to the same timeline Alec had created suggests some ability to move between timelines and presents a mechanism by which Kiera could ultimately return to both the same time and timeline she came from.

The episode does suggest that the problems and paradoxes from time travel occur if one encounters another version of the same person. They eliminated one possibility of problems here by having the Kiera of the new timeline get killed, leaving only the problem of two Alecs. The suggestion is that one will lead to the future we saw while the other must be eliminated–not that it appears to be a desirable future. Kiera wants to return to her family, and fails to understand many of the problems of her own time. The Freelancers don’t have any interest in choosing which future is best, only wanting time to run its course as it should, but is there really one correct future timeline from the perspective of people in our time? (Might future Freelancers intervene to correct the timeline in the J.J. Abrams Star Trek movies?)

Possibly actions by people from the future might give some insight into how time travel works if we can assume that they really understood it. Now we know why Kagame made sure he died on the day he was born, understanding the consequences should he ever meet himself. I think the real key is that future Alec Sadler, having his memories of what happened in the past, must have had some master plan in sending both Liber8 and Kiera back in time. Presumably he had some goals based upon changing the conditions he created. However, will this really change the future he lives in, or just create a second and hopefully better timeline?

There are already some key changes in the new timeline with Escher dead, although now any death might not be permanent if there is the possibility of the show moving to yet another timeline. We no longer know Emily’s fate. Can Alec succeed in saving her, or must she be allowed to die to save the future, like Edith Keeler in the classic Star Trek episode, City on the Edge of Forever?  The final scene from last season with Carlos deciding to join Julian will probably never occur.  Hopefully changing timelines doesn’t turn into an easy cosmic reset switch.

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Steven Moffat has sort of given an answer to another time paradox–how the Doctor’s tomb can be on Trenzalore when he escaped his fate and wound up not dying there in The Time of the Doctor:

Moffat replies: “I’ve often wondered about that. Fortunately, late one night, the Doctor turned up in person and explained it to me:

“THE DOCTOR: Changing time is tricky. It’s a bit like a detective story: so as long there isn’t an actual body, you’ve got a certain amount of wiggle room – for instance, if the body has, rather conveniently, been burned on a boat in Utah.

“Here’s the thing: I can change the future so long as the future has not already been established as part of my own past. I can’t rescue Amy and Rory because I already know that I didn’t.

“But what do I know about Trenzalore? There’s a big monument that looks very like my TARDIS. There’s a temporal fissure leading to my timeline. Maybe it’s my grave. Maybe, one day, it’s my burial ground. Maybe it is something else entirely, and we got it all wrong. Don’t know. Don’t plan to find out for as long as possible. The main thing is, Clara still jumped into my time stream, and ended up helping me through all of my life. All that is established, unchanged – but there’s wiggle room!”

There will be additional time travel coming on Syfy. The network has picked up an adaptation of 12 Monkeys:

The cable network on Friday announced that its adaptation of the Brad Pitt and Bruce Willis feature film has been picked up to series with a 13-episode order for a January 2015 premiere.

Nikita’s Aaron Stanford and Suits’ Amanda Schull star in the drama based on Universal Pictures’ Terry Gilliam film. In Plain Sight’s Natalie Chaidez serves as showrunner on the drama about a time traveler from the post-apocalyptic future who appears in the present day on a mission to locate and eradicate the source of a deadly plague that will eventually decimate the human race.

Chris Hardwick's A Celebration Of "The Nerdist Way"

In addition, Syfy has picked up The Wil Wheaton Project:

Syfy has picked up 12 episodes of The Wil Wheaton Project (working title), which the actor-blogger has dubbed “sort of like Talk Soup for geeks.” The half-hour show, hosted by Wheaton, will allow the geek hero to dissect the week’s biggest stories in sci-pop culture with the witty commentary that has made him a social media star.

In his own words, Wheaton describes the show as a “weekly roundup of the things I love on television and on the Internet, with commentary and jokes, and the occasional visit from interesting people who make those things happen.” In a blog post, Wheaton gives a charming behind-the-scenes account of the year-long process that led to the series being greenlit; his enthusiasm for genre entertainment and insider status serve his audience well. ”We discovered that nobody was doing a show like this that was just focused on the genre shows that nerds like us love, and we decided that we’d make that show,” he writes.

The Wil Wheaton Project premieres May 27 at 10 p.m. ET on Syfy.

The Americans Behind the Red Door

The Americans remain on the trail of the murders of the other spy couple in Behind The Red Door.  We learned why this is personal for Claudia, who might have let some information slip out while dating. There’s historical references to Reagan’s actions in Nicaragua. There’s also both discussion of the heroin overdose of John Belushi and a young agent using poisoned heroin to kill the Congressional aide to eliminate the risk of stolen material leading back to her.

The strongest scene of the episode might have been the aftermath of last week’s visit from Elizabeth to Martha. Elizabeth couldn’t get past  Martha’s talk of how wild Clark was in bed and wound up regretting forcing Philip to remain in the Clark role. Initially it seemed that what Martha found wild was the usual for Elizabeth, but then Phillip went further when Elizabeth seemed disappointed.

Meanwhile Oleg is making matters far more complicated for Stan and Nina, trying to turn Stan into a double agent. This week we saw primitive 1980′s technology, a dot matrix printer, used to print out reports. Next week we will see if Nina can fool 1980′s lie detector technology.

Big Bang Star Wars

The Big Bang Theory will be airing a Star Wars themed episode which also includes the return of Bob Newhart as Professor Proton:

CBS’ The Big Bang Theory is teaming with Lucasfilm for an epic Star Wars episode timed to Star Wars Day, The Hollywood Reporter has learned.

In “The Proton Transmogrification” — the episode set to air May 1 and timed to the annual May 4 Star Wars Day — the gang gets together to celebrate the annual geek holiday, while Sheldon (Jim Parsons) is guided by visions of his childhood idol and mentor, Professor Proton (Emmy winner Bob Newhart), who appears to the socially challenged genius as his own Jedi master.

For those not in the know, Star Wars Day is recognized every year on May 4, with the traditional celebratory greeting being “May the fourth be with you” — a play on Star Wars’ famed “May the Force be with you” line. Fans across the globe celebrate the film franchise with screenings and special events.

For the episode, the CBS comedy teamed with a group of special effects technicians from Lucasfilm’s Industrial Light & Magic to re-create Dagobah — the remote world of swamps and forest that served as a refuge for Yoda during his exile — and provide props for the episode, including a light saber. Lucasfilm experts consulted on the episode and visited the Big Bang Theory set to oversee the production, with the final touches completed at its San Francisco headquarters.

Last Forever Part One

How I Met Your Mother was a remarkable sitcom. It was the best ensemble show of young people in New York despite multiple attempts at this theme following the end of Friends. It did a far better job of telling a story by jumping around in time like Lost than any of the more explicit genre attempts to follow Lost. Unfortunately, instead of being, wait for it, legendary, the finale was a huge disappointment to most fans. If this was Community, the series would have ended in the Darkest Timeline.Fortunately the shock of Tracy’s death was made bearable by advance warnings in fan theories which turned out to be true.

We knew that Carter Bays and Craig Thomas would have some twist planned considering how the series began, but hoped they had something tricker planned than having the Mother die leaving Ted free to wind up with Aunt Robin. Upon reading that they had filmed the ending with the children during the second season so that they wouldn’t appear too old when the series ended, I feared that this is how they would end the show, but still held out hope that they understood the changes in their own show and would come up for a better ending.

During the second season, when the scene was filmed, this certainly made sense. For years the show centered around Ted and Robin and during that time I did suspect that the twist at the end of the pilot was a diversion and that the two really did wind up together, even if someone else was the mother of Ted’s children. The final scene, with Ted going over to Robin’s apartment carrying the Blue French Horn, with Robin’s dogs in the window, was a recreation of a scene from the pilot when Ted returned to Robin’s apartment after failing to kiss her goodnight the first time. (He also missed the signs and failed to kiss her whens he returned–but just  rewatch it on Netflix if you don’t remember the details).

himym blue french horn

However, over the course of nine years the characters changed. If they had stayed the same, it would have been fine if they used this ending. It is also fine that the people changed, but that required a different ending for the show. By the end, Ted and Robin were no longer Ross and Rachel.

Sure there were plenty of clues in the final episodes as Robin had moments when she said Ted was the one she should have wound up with while Ted finally looked ready to move on. However the final season was more about the couples of Ted/Tracy and Barney/Robin. The Mother was no longer just a MacGuffin to propel the story of Ted and Robin. Thomas and Bays did too good a job of making the fans fall in love with Tracy (whose name we didn’t learn until the final episode), and see that she was really the perfect girl for Ted. They also made us accept and welcome the implausible marriage of Barney and Robin.

If the show ended a year or more earlier, as expected, and an unknown woman, or perhaps Victoria, had married Ted but died after having their children, we could have accepted that as a plausible ending and might have been happy that Ted wound up with Robin. Killing off Tracy was a totally different matter. Thomas and Bays should have realized that the evolution in their characters required a different ending than had been planned back in the second season.

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Besides being the wrong ending for where the characters had evolved to, the timing for the show now felt wrong. We spent the entire final season seeing the weekend when Robin and Barney got married, and then their marriage fell apart in a quick sequence in the final moments of the finale (which was a huge clue as to where they were going). They left us wanting to see so much more of Tracy and Ted but all too quickly she became sick, and that was that. She pretty much died off screen just as she spent most of her life. If they were going to have her die, she at least deserved a longer exit. It was as if Love Story was all about Ryan O’Neil and past girl friends and then Ali MacGraw appeared in the final five minutes and stole the movie.

Being television, an ending is not necessarily the absolute end. I had thought earlier in the week that if this was the ending they originally filmed, the smarter thing would have been to film a new ending which was consistent with where the show was this season, and then add the original ending as an extra on the season DVD. Instead the went with the wrong ending but reportedly they cut a happier ending to add as a DVD extra. There is also a spin off of the series planned, but I suspect the ending to HIMYM will always haunt Thomas and Bays as fans will now fear that the new series might turn out to be How I Killed Your Dad.

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SciFi Weekend: Hannibal; Sleepy Hollow; Arrow; SHIELD; DC Movie Plans; The Americans; The Blacklist; Scarlett Johansson Gets Superpowers; Groundhog Day;Death of the Rani; How I Met Your Mother Finale

Hannibal Murkozuke

This week’s episode of Hannibal, Mukozuke, had Jack Crawford viewing Beverly’s sliced body. Bryan Fuller described Hannibal breaking her down as being like how Beverly would break down a crime scene. Her murder had major effects on several characters, especially Will Graham who was driven to have Hannibal killed in revenge. He found a clever way to attempt this despite being incarcerated, finding his admirer who killed the bailiff (in an attempt to provide evidence that Will was not the Chesapeake Ripper) using Freddy Lounds.

This was a dangerous move on Will’s part as it could reinforce the idea held by others that Will is the murderer and Hannibal has been the victim of his slurs. I suspect that Will’s vision of dripping blood might represent realization that he was wrong to attempt murder. At least he was unsuccessful and does not actually have blood on his hands. Will didn’t even bother to tell others this week that Hannibal killed Grace, even when viewing her body in the restraints we were more accustomed to seeing Hannibal wearing in Silence of the Lambs,  presumably preferring that they figure it out for themselves. The preview from next week’s episode does suggest that Jack is starting to investigate Hannibal, and we saw in the season premiere how that will turn out.

I wonder if Hannibal will actually have more respect for Will for taking this action, and if he will take pride in being successful in driving Will to attempt murder (even if it had to be by proxy).

I was fearful that having Will in the asylum all season would limit his role, but episodes such as this show how he can remain fully part of the show. Having Abel Gideon as his asylum mate now presents yet another way for Jack to have significant dialog beyond being limited to FBI visitors.

There have been accusations of racism and sexism raised against Bryan Fuller due to the manner in which Beverly Katz was treated as an expendable character. Hetteinne Park, who played Beverly, defended Fuller here.

Sleepy Hollow Cast

News on the second season of Sleepy Hollow from PaleyFest can be found here. Among the news, it sounds like one of the cliff hangers at the end of the first season will not  be settled quickly:

There’s a New Sheriff in Town: Literally Orci teases, “There’s a new sheriff in town. Obviously, Irving has been discredited and now he’s been taken Upstate, so the Sleepy Hollow Police Department still has to be run by somebody and that person may not be as open as Irving was by the end of the season with Abbie and Crane. So somebody may be making their life very difficult.”

Orlando Jones is definitely not down with the new Sheriff, even making his own t-shirt, which said, “Free Frank Irving.” (Yes, he’s the best.)

There will also be fifteen or more episodes next season.

Arrow Birds of Prey

Jessica de Gouw returned as Helena Bertinelli/The Huntress on Arrow, tying up the storyline of the relationship between Helena and her father, leaving the character free to move in other directions. Caity Lotz was a second Bird of Prey as the Black Canary.

It appears that Laurel’s drug use has affected the powers of observation in Katie Cassidy’s character. Despite the two speaking while sitting as closely together as in the picture above, Laurel did not recognize that Black Canary is her sister Sara. It is a theme taken from the comics to have a tiny mask be enough to hide a superhero’s identity, but this was hard to believe in this scene. I also wonder if having the two meet is a first step towards Laurel ultimately becoming the Black Canary as in the comics, or if this something which the comics and television show will always differ on.

The episode also ended with quite a cliff hanger. More here, including why they killed off Helena’s father:

On why they killed Helena’s father:
Guggenheim: We definitely went into this with, “We’ve got to wrap up the whole Helena and her father storyline.” The one thing we were agreed upon in the writer’s room from the get-go was that Frank could not survive the episode. We had to end that story and close that chapter of Helena’s life so we could start a new chapter for her. … We definitely have an idea for a season 3 episode with the Huntress.

De Gouw: I think how this episode ends just puts her into a completely different headspace…and I think it’s opened up a whole new set of possibilities for her because she was so set on one path and now that it has been realized that that’s not what she wanted, it just frees her up for an entirely different life.

On whether The Huntress is redeemable:
De Gouw: I think most people are. And I think the place she’s at at the end of this episode, she’s certainly in a place where she can be redeemed…I think that it will be very interesting to explore her fighting for good or for very different reasons. But I think [she] definitely [is].

Amy Acker SHIELD The Cellist

The addition of Amy Acker as a regular has greatly strengthened Person of Interest, including on this week’s episode. Hopefully her presence, even if more limited, can also help Agents of S.H.I.E.L.D. improve. Acker has been cast as Agent Coulson’s former cellist girlfriend, Audrey.

DC might have the best superhero television series on the air, but is far behind Marvel in big screen success. The New York Times interviewed Warner CEO Kevin Tsujihara, who wants to be more aggressive in taking on Marvel:

The studio has been painfully slow to establish a slate of films based on DC Comics characters like Wonder Woman and the Flash, watching as Disney’s Marvel Entertainment churns out one superhero hit after another…

As for DC Entertainment, cross-studio collaboration to make better use of its comic book characters appears to have accelerated considerably since Mr. Tsujihara took over, in part because he eliminated some management layers. (He has not named a chief operating officer and did not replace Mr. Rosenblum and Mr. Robinov, choosing instead to divide up their duties and assume some himself.) Two new television shows are coming to the CW and Fox, including one based on the Flash and another on a young Batman, and a film series will be announced in the near future, Mr. Tsujihara said. It is expected to include a “Justice League” movie.

Underscoring his aggressive approach to the DC Comics universe, Mr. Tsujihara and Dan Fellman, Warner’s domestic film distribution chief, recently moved the studio’s untitled Batman-Superman movie — a hotly anticipated follow-up to last year’s “Man of Steel” — to a release date in May 2016 previously claimed by Marvel for one of its own films. It created an industry dust-up, and Marvel retaliated with a date change of its own. But the move sent a blunt message: Warner takes a back seat to no one.

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In other notable television moments of the week, Philip seemed really evil on The Americans when he sent the poor physicist home while Elizabeth did a great job smoothing over things with Martha. I do think that Phillip and the Mossad agent did have mutual respect for each other as each did what they knew they would do if in the position of the other.

On The Blacklist I was glad to see that once they revealed to the audience what we already suspected about Tom, they didn’t wait long to have Lizzie also figure out the truth about him.

Lucy

Scarlett Johansson gets superpowers in Lucy. From Entertainment Weekly:

Don’t do drugs, kids…unless said drugs transform your neurological makeup to give you superhero-level mind powers. That’s what happens in Luc Besson’s action thriller 
Lucy (out Aug. 8), starring Scarlett Johansson as a young woman who turns the tables on those exploiting her when experimental drugs give her hyperpowered ass-kicking abilities. “I love to see a woman as a very strong character,” says Besson (The Professional and La Femme Nikita). “It’s like cooking: sugar with a 
 bit of salt, and Lucy definitely can get salty.” Keep your eyes peeled for the trailer, which is scheduled to hit iTunes on April 2.

Groundhog Day

I don’t agree with all of Charles Murray’s Advice For A Happy Life, but I do agree with watching Groundhog Day:

The movie “Groundhog Day” was made more than two decades ago, but it is still smart and funny. It is also a brilliant moral fable that deals with the most fundamental issues of virtue and happiness, done with such subtlety that you really need to watch it several times.

An egocentric TV weatherman played by Bill Murray is sent to Punxsutawney, Pa., to cover Groundhog Day. He hates the assignment, disdains the town and its people, and can’t wait to get back to Pittsburgh. But a snowstorm strikes, he’s stuck in Punxsutawney, and when he wakes up the next morning, it is Groundhog Day again. And again and again and again.

The director and co-writer Harold Ramis, whose death last month was mourned by his many fans, estimated that the movie has to represent at least 30 or 40 years’ worth of days. We see only a few dozen of them, ending when Bill Murray’s character has discovered the secrets of human happiness.

Without the slightest bit of preaching, the movie shows the bumpy, unplanned evolution of his protagonist from a jerk to a fully realized human being—a person who has learned to experience deep, lasting and justified satisfaction with life even though he has only one day to work with.

You could learn the same truths by studying Aristotle’s “Ethics” carefully, but watching “Groundhog Day” repeatedly is a lot more fun.

Kate O’Mara, The Rani, died today. There was no regeneration. Above is a scene from Doctor Who: The Mark of the Rani from 1985. Besides her role on Doctor Who as a renegade Time Lady, she is also known for her roles on Dynasty and Absolutely Fabulous. She has had other cult television appearances on two British shows,  The Avengers and The Saint.

https://www.youtube.com/watch?v=WC8Lmg28DX8

Barney and Robin actually did get married last week and tomorrow we will find out if the fan theories about Ted and the Mother are true. I suspect we are in for a different surprise, which will be legendary. Above is the video of the cast of How I Met Your Mother on Inside The Actors Studio with the series finale airing tomorrow night.

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Quote of the Day

“A new poll found that two-thirds of Americans are following the situation in Ukraine, which is impressive. Usually, you can’t find two-thirds of Americans who are following the situation in America.” –Jimmy Fallon

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Quote of the Day: Jimmy Fallon On Mark Zuckerberg Complaining About NSA Surveillance

“Facebook founder Mark Zuckerberg apparently called President Obama directly to complain about NSA and how it spies on ordinary Americans. That’s right, the guy who runs Facebook got mad at the NSA for spying on people. Talk about the pot unfriending the kettle!” –Jimmy Fallon

“Zuckerberg criticized the NSA and called the government a threat to the Internet. Then he went back to running a website where you list everyone you’ve ever met, every place you’ve been, every place you’re going, what you had eat, your ex-girlfriends and your ex-boyfriends, which bands you like…” –Jimmy Fallon

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SciFi Weekend: Arrow; Hannibal; Orphan Black; Doctor Who; Star Trek; Person of Interest; The Americans; Continuum; Fox vs. Kristen Bell; Mad Men; Lost; Creationists vs. Cosmos

Arrow Suicide Squad

I must admit I was a bit underwhelmed by this week’s episode of Arrow, not because it was a bad episode (it wasn’t) but my expectations had been raised so high by all the hype over the introduction of the Suicide Squad. I did like how they tied it to Dingle and his ex-wife, but beyond them there was little time for anyone else other than Deadshot and Amanda Waller. Of course Shrapnel didn’t last very long. (Are we certain he is really dead–we never saw the body.) They probably could have used more time to flesh out the story further, perhaps as a two-part show. Dingle was definitely able to carry the episode as lead and if limited to one episode it also might have been better to just give him the entire episode. Most of the scenes with Oliver and Felicity, other than the final scene, were pretty much filler anyways. I know it is unconventional to leave out two of the biggest stars, but it would have made a stronger episode.

There were two scenes with Oliver worth noting. I have no idea how Slade could have had video of Shadow from the island and suspect this was a case of the writers going for a more dramatic scene at the expense of reality (even within the parameters of this series). I did like the ending, tying into not only Dingle but Oliver, and having a potential new ally against Slade. While she was introduced to the DC world long after I stopped reading Batman comics, I understand that the cameo by Harley Quinn is a huge deal for many fans. Collider spoke with producer Marc Guggenheim about the series and potential appearances from characters from the Batman universe:

How much of the Batman universe can you plug into this show, especially now with Gotham out there?

GUGGENHEIM:  That’s part of the ongoing relationship and discussions that we have with DC.  Things have not really changed with Gotham.  It’s the same thing that it always is, which is that we have an idea, we go to DC, we talk about it, and we find out where the lines are and which characters are available or not available.  I want to manage expectations with respect to Harley Quinn.  She was always intended to be an Easter egg.  I don’t want people to go in with incorrect expectations and walk away from Episode 16 disappointed.  But there is an element to the Easter egg that was not spoiled by the promo, that I think people will find a lot of fun. 

The Arrow’s secret identity was also discussed:

Question: There are a lot of people who know Oliver’s secret now.  Is that number going to go down, before the end of this season, or are more people going to find out?
MARC GUGGENHEIM:  I would say that that number is going to go up, before the end of the year.  By the finale, more people will know than currently do.

Is that a good thing or a bad thing?

GUGGENHEIM:  We talk in the writers’ room a lot about, are there too many characters that know and does it diminish the secret identity?  Where we have come from is the philosophy that, when members of our cast of characters know, it draws them into Oliver’s world and it draws them into the show more.  So, we tend to get more story out of people knowing than people not knowing.  You could say that too many people know, but we always use The Dark Knight trilogy as our compass, and a lot of people knew that Bruce Wayne was Batman, particularly by the third movie, and it doesn’t diminish my enjoyment of watching those stories unfold.  Obviously, there are different philosophies and different points of view.  For us, as writers, we always go towards whatever gives us more story, and more interesting story.  For now, at least, certain people knowing is more interesting than certain people not knowing. 

Quentin Lance used to be a detective.  How has he not figured out that Oliver is Arrow?

GUGGENHEIM:  Episode 19 pretty definitively answers that question, as far as Lance is concerned.  And the answer to that will surprise you.  It’s not something that you would expect.

I’m happy to hear they are addressing Lance. After a recent episode in which Lance saw Sara with Oliver and with the Arrow in a couple scenes I could not believe that he did not figure out that they were the same person.

More characters from The Flash will also be introduced in episode 19, The Man Under the Hood.

Hannibal Takiawase

Hannibal stressed a couple of themes this week which are pertinent to the series as a whole: death as an escape and unconventional psychiatric therapy. The first involved both the motives of the killer of the week (well played by Amanda Plummer) and a second storyline in which Hannibal was the villain not for committing a murder but for thwarting Bella’s attempt to die on her own terms. If the coin toss went the other way, would he have had Bella for dinner?

For a moment I thought that perhaps Will was going to win over a new ally but instead it is clear that Hannibal is going to have Beverly for dinner. If only she had taken Will’s claims more seriously, refrained from relating any suspicions to Hannibal, had passed on her suspicions to Jack, and had thought to have backup before falling into his trap.

Will might have lost one potential ally, but he is still not powerless despite being locked up, and now better able to play detective with the return of lost memories. As he does every week, Bryan Fuller discussed the episode with AV Club. Here is an excerpt about Will:

AVC: Will is getting his memories back, and you’re filling in some of the gaps in season one. Was that always the plan? Did you have thoughts of what had actually happened when you were writing last season?

BF: There was, once Will says, “The answers are in my head, and I’m going to find them,” I felt like we were obligated to tell that story and to keep peeling back the onion of his memory, or the pomegranate, as it were, peeling back membranes and finding these clusters of bloody seeds that he has to deal with. We did that with the intubation of the ear, and then we did that with the reveal of, on some level of consciousness, he was aware what was going on in Hannibal’s dining room when Gideon was there, and is able to access that it causes him to seek out Chilton, to see if he can help him answer some of the mysteries that are locked away in his mind. It felt like it was a way to keep Will active. He can’t actually go out to investigate things, as much as he can go in and investigate things, so we needed to have some device for him to continue his investigation. To be active while he’s incarcerated and going inside his mind felt like a really strong way to do that.

AVC: Did you struggle with finding ways for Will to be active?

BF: It was always part of the conversations when we were story-breaking. “Okay, Will’s not active enough. Will has to be driving this.” We are telling Will Graham’s story, so it was very important to seek out those ways to keep him active when he’s incarcerated. That was the big thing: We need to get outdoors and see him in his mind palace fishing to give us a sense of the power of his imagination and also the transportive power of imagination in general. I think we hear from survivors of terrible atrocities, and how they survive is their imagination. It’s such a wonderful gift, and there was a line that we cut from an episode where they talk about how imagination is the greatest virtual-reality machine known to man, and it’s between our ears. It’s that kind of, almost, masturbatory transportation where you can go someplace and make it as real as you need it to be in your mind, even though you’re locked in a cage.

Orphan Black insider video with Tatiana Maslany above. We already have a strong set of genre shows airing now with Arrow, Hannibal, Continuum, and The Americans. Orphan Black might be the best of them all.

Mark Gatiss has discussed the return of the Time Lords of Gallifrey to Doctor Who.

Blastr has the first hints about the third Star Trek movie since the J.J. Abrams reboot. I’m still waiting for a movie in which the original Spock recruits the Enterprise crew to fix the time line and save Vulcan.

The Americans had another great episode. Claudia is back, and they are trying to track down the killer from the first episode. I would assume that the couple who intervened in the final scene were involved. Last week Elizabeth used fear to get information from the poor janitor. This week she used other more womanly techniques for interrogation. Paige created problems again, this time by going to church and getting caught reading a Bible. Plus Nina might be in danger because of Oleg, and Martha might place Philip’s identity at risk. Arrow shows what a superhero show should be and The Americans sets a new bar for spy shows. This makes Agents of SHIELD look so weak in both genres.

Person of Interest Root2

I’ve also highly enjoyed the last couple of episodes of Person of Interest. The first was almost entirely flashback, filling in some major holes to date in the back story. It ended with Root in the present, leading into this week’s episode which was more centered around Amy Acker’s character. She can easily carry the show, just as Dingle could carry an episode of Arrow. I was happy to read in this interview that she will probably be in the remaining episodes this season.  It looks like she has her own team to rival Harold’s, with root more connected to the Machine.

In many ways Person of Interest is increasingly reminding me of Fringe. Both started by concentrating more on monster or case of the week episodes, but overtime the mythology of the show took over. The characters have become increasingly compelling as people beyond operatives. Root is by far my favorite to watch, and I enjoy seeing her developing relationship with Shaw (“I love it when you play doctor.”) At least the two get along better than Root gets along with Fusco, who constantly calls her “Cuckoo’s Nest.”

I am trying hard to avoid any major spoilers on the season premiere of Continuum. Alec’s decision to use time travel has major repercussions, and is moving the show in a new direction. There is finally an answer to the central question of the show, as to whether the time line can be changed.

Now Fox (the network which says it might take a long time to find Malaysia Airlines Flight 370 because it took us 2000 years to find Noah’s Arc ) is attacking Kristen Bell for saying rich people should pay more because they can afford it. Incidentally, I received my copy of the script and digital download of the Veronica Mars movie last week after donating to the Kickstarter campaign, but have not had time to watch yet.

mad-men-season-6

Matt Weiner isn’t going to let much out about the upcoming season of Mad Men, but there was a little information at PaleyFest. Here’s what they said about Don Draper:

Don is even more aimless without his job.
Don Draper has had some dark moments, but he’s always had his job to fall back on and obsess over. “His marriage is in trouble, his relationship with his kids is tricky at best, and now work isn’t there,” said Hamm. “Don is trying to process his life and his place in his job, his career, his family, everything.” And he’s made some uncharacteristic mistakes of late, including the disastrous Hershey’s pitch. “That was a completely honest moment for him. He thought, I’m going to try this because it’s a step in the right direction,” said Hamm. “But it was a step in the exact opposite direction.” Don’t dismay, though. Hamm ended on a hopeful note: “There’s one principle to Don: He’s a survivor. He rises to the challenge.”

The Lost show runners discussed the finale at PaleyFest. No, the fan theory which I never believed that they were dead the whole time is not true.

Creationists are angry about Cosmos as Neil deGrasse Tyson isn’t providing them with equal time to deny science. Last week’s episode did an excellent job showing how evolution is the foundation of modern biology. As there is tremendous evidence for evolution and zero for creationism, there is no reason to grant the creationists a moment of time (other than perhaps to further debunk their claims).

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Quote of the Day: Seth Meyers On The Crimean Vote

“New reports show that the Crimean vote to join Russia on Sunday did not include an option for ‘no.’ There were only two boxes on the ballot, one for ‘yes,’ and one for ‘murder my family.’” –Seth Meyers

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SciFi Weekend: Hannibal; The Fall; Crisis; Orphan Black; Continuum; History of Science Fiction; HIMYM; Gotham; Agent Carter; SHIELD; The Americans; Under The Skin; Under The Dome

Hannibal-Season-2-Episode3

Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.

Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will  might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.

Assignment X has an interview with Mads Mikkelsen:

AX: Did you watch any of the earlier incarnations of Hannibal?

MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.

AX: Can you say what you’re bringing to Hannibal?

MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.

AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?

MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.

AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?

MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.

AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?

MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.

Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some  initial reviews being very favorable. Entertainment Weekly has more on the show.

Gillian Anderson had a great response to a question posed on Reddit:

Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?

Gillian Anderson: Something so rich that he’d choke on it and die.

EW Orphan Black

Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:

Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”

I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.

Spoiler TV has information (and video) on a new clone to be introduced in the second season:

A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.

Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.

Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:

From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.

Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.

The four part series will be divided into episodes on Robots, Space, Invasion, and Time.

Continuum - Episode 3.01 - Minute by Minute - Promotional Photos (5)_FULL

Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.

The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new  joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:

http://www.youtube.com/watch?v=wbdOVrqHuCU

The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.

CBS has renewed The Big Bang Theory for three more seasons. Bazinga!

Cristin Milioti has called the theories that her character dies on How I Met Your Mother “some crazy conspiracy theories, which actually just makes me really love the fans more,” but never actually denied the rumors.  The show runners also dodged the question at PaleyFest. I wouldn’t be surprised if this is intentional misdirection, but if there is some other surprise at the end. The cast will also be appearing on Inside The Actors Studio later this month prior to the series finale on March 31.

Gotham

Fox has released more information on their upcoming series, Gotham:

Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.

Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.

Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.

As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).

Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.

captain-america Agent Carater
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel  about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:

  • ABC has the script for the pilot but nothing is greenlit yet.
  • Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
  • Howard Stark would be a recurring character, not a series regular.  This is assuming Dominic Cooper would be willing to continue to play the role.  I’ve spoken to him about this and he seemed very interested.  But this was a few months ago and things change.
  • The show would start in 1946, sort of in the middle of the timeline of the One Shot.  McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast.  We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
  • Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season.  McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome].  Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”

Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.

THE AMERICANS -- The Walk In -- Episode 3 (Airs Wednesday, March 12, 10:00 PM e/p) -- Pictured: (L-R) Keri Russell as Elizabeth Jennings, Matthew Rhys as Philip Jennings -- CR: Patrick Harbron/FX

While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.

The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.

Scarlett Johansson

The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:

It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)

So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.

“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”

The story also touched on other roles, including genre movies such as Captain America and Her.

The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.

john_cho

John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.

Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.

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Quote of the Day: Seth Meyers on Ukraine

“Despite the fact that the Ukraine has been all over the news for the past few weeks, a survey found that 64 percent of U.S. students still couldn’t find Ukraine on a map. Said Vladimir Putin, ‘Soon nobody will.’” –Seth Meyers

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