SciFi Weekend: Hannibal; Sleepy Hollow; Arrow; SHIELD; DC Movie Plans; The Americans; The Blacklist; Scarlett Johansson Gets Superpowers; Groundhog Day;Death of the Rani; How I Met Your Mother Finale

Hannibal Murkozuke

This week’s episode of Hannibal, Mukozuke, had Jack Crawford viewing Beverly’s sliced body. Bryan Fuller described Hannibal breaking her down as being like how Beverly would break down a crime scene. Her murder had major effects on several characters, especially Will Graham who was driven to have Hannibal killed in revenge. He found a clever way to attempt this despite being incarcerated, finding his admirer who killed the bailiff (in an attempt to provide evidence that Will was not the Chesapeake Ripper) using Freddy Lounds.

This was a dangerous move on Will’s part as it could reinforce the idea held by others that Will is the murderer and Hannibal has been the victim of his slurs. I suspect that Will’s vision of dripping blood might represent realization that he was wrong to attempt murder. At least he was unsuccessful and does not actually have blood on his hands. Will didn’t even bother to tell others this week that Hannibal killed Grace, even when viewing her body in the restraints we were more accustomed to seeing Hannibal wearing in Silence of the Lambs,  presumably preferring that they figure it out for themselves. The preview from next week’s episode does suggest that Jack is starting to investigate Hannibal, and we saw in the season premiere how that will turn out.

I wonder if Hannibal will actually have more respect for Will for taking this action, and if he will take pride in being successful in driving Will to attempt murder (even if it had to be by proxy).

I was fearful that having Will in the asylum all season would limit his role, but episodes such as this show how he can remain fully part of the show. Having Abel Gideon as his asylum mate now presents yet another way for Jack to have significant dialog beyond being limited to FBI visitors.

There have been accusations of racism and sexism raised against Bryan Fuller due to the manner in which Beverly Katz was treated as an expendable character. Hetteinne Park, who played Beverly, defended Fuller here.

Sleepy Hollow Cast

News on the second season of Sleepy Hollow from PaleyFest can be found here. Among the news, it sounds like one of the cliff hangers at the end of the first season will not  be settled quickly:

There’s a New Sheriff in Town: Literally Orci teases, “There’s a new sheriff in town. Obviously, Irving has been discredited and now he’s been taken Upstate, so the Sleepy Hollow Police Department still has to be run by somebody and that person may not be as open as Irving was by the end of the season with Abbie and Crane. So somebody may be making their life very difficult.”

Orlando Jones is definitely not down with the new Sheriff, even making his own t-shirt, which said, “Free Frank Irving.” (Yes, he’s the best.)

There will also be fifteen or more episodes next season.

Arrow Birds of Prey

Jessica de Gouw returned as Helena Bertinelli/The Huntress on Arrow, tying up the storyline of the relationship between Helena and her father, leaving the character free to move in other directions. Caity Lotz was a second Bird of Prey as the Black Canary.

It appears that Laurel’s drug use has affected the powers of observation in Katie Cassidy’s character. Despite the two speaking while sitting as closely together as in the picture above, Laurel did not recognize that Black Canary is her sister Sara. It is a theme taken from the comics to have a tiny mask be enough to hide a superhero’s identity, but this was hard to believe in this scene. I also wonder if having the two meet is a first step towards Laurel ultimately becoming the Black Canary as in the comics, or if this something which the comics and television show will always differ on.

The episode also ended with quite a cliff hanger. More here, including why they killed off Helena’s father:

On why they killed Helena’s father:
Guggenheim: We definitely went into this with, “We’ve got to wrap up the whole Helena and her father storyline.” The one thing we were agreed upon in the writer’s room from the get-go was that Frank could not survive the episode. We had to end that story and close that chapter of Helena’s life so we could start a new chapter for her. … We definitely have an idea for a season 3 episode with the Huntress.

De Gouw: I think how this episode ends just puts her into a completely different headspace…and I think it’s opened up a whole new set of possibilities for her because she was so set on one path and now that it has been realized that that’s not what she wanted, it just frees her up for an entirely different life.

On whether The Huntress is redeemable:
De Gouw: I think most people are. And I think the place she’s at at the end of this episode, she’s certainly in a place where she can be redeemed…I think that it will be very interesting to explore her fighting for good or for very different reasons. But I think [she] definitely [is].

Amy Acker SHIELD The Cellist

The addition of Amy Acker as a regular has greatly strengthened Person of Interest, including on this week’s episode. Hopefully her presence, even if more limited, can also help Agents of S.H.I.E.L.D. improve. Acker has been cast as Agent Coulson’s former cellist girlfriend, Audrey.

DC might have the best superhero television series on the air, but is far behind Marvel in big screen success. The New York Times interviewed Warner CEO Kevin Tsujihara, who wants to be more aggressive in taking on Marvel:

The studio has been painfully slow to establish a slate of films based on DC Comics characters like Wonder Woman and the Flash, watching as Disney’s Marvel Entertainment churns out one superhero hit after another…

As for DC Entertainment, cross-studio collaboration to make better use of its comic book characters appears to have accelerated considerably since Mr. Tsujihara took over, in part because he eliminated some management layers. (He has not named a chief operating officer and did not replace Mr. Rosenblum and Mr. Robinov, choosing instead to divide up their duties and assume some himself.) Two new television shows are coming to the CW and Fox, including one based on the Flash and another on a young Batman, and a film series will be announced in the near future, Mr. Tsujihara said. It is expected to include a “Justice League” movie.

Underscoring his aggressive approach to the DC Comics universe, Mr. Tsujihara and Dan Fellman, Warner’s domestic film distribution chief, recently moved the studio’s untitled Batman-Superman movie — a hotly anticipated follow-up to last year’s “Man of Steel” — to a release date in May 2016 previously claimed by Marvel for one of its own films. It created an industry dust-up, and Marvel retaliated with a date change of its own. But the move sent a blunt message: Warner takes a back seat to no one.

the-americans-2-05-j-and-m

In other notable television moments of the week, Philip seemed really evil on The Americans when he sent the poor physicist home while Elizabeth did a great job smoothing over things with Martha. I do think that Phillip and the Mossad agent did have mutual respect for each other as each did what they knew they would do if in the position of the other.

On The Blacklist I was glad to see that once they revealed to the audience what we already suspected about Tom, they didn’t wait long to have Lizzie also figure out the truth about him.

Lucy

Scarlett Johansson gets superpowers in Lucy. From Entertainment Weekly:

Don’t do drugs, kids…unless said drugs transform your neurological makeup to give you superhero-level mind powers. That’s what happens in Luc Besson’s action thriller 
Lucy (out Aug. 8), starring Scarlett Johansson as a young woman who turns the tables on those exploiting her when experimental drugs give her hyperpowered ass-kicking abilities. “I love to see a woman as a very strong character,” says Besson (The Professional and La Femme Nikita). “It’s like cooking: sugar with a 
 bit of salt, and Lucy definitely can get salty.” Keep your eyes peeled for the trailer, which is scheduled to hit iTunes on April 2.

Groundhog Day

I don’t agree with all of Charles Murray’s Advice For A Happy Life, but I do agree with watching Groundhog Day:

The movie “Groundhog Day” was made more than two decades ago, but it is still smart and funny. It is also a brilliant moral fable that deals with the most fundamental issues of virtue and happiness, done with such subtlety that you really need to watch it several times.

An egocentric TV weatherman played by Bill Murray is sent to Punxsutawney, Pa., to cover Groundhog Day. He hates the assignment, disdains the town and its people, and can’t wait to get back to Pittsburgh. But a snowstorm strikes, he’s stuck in Punxsutawney, and when he wakes up the next morning, it is Groundhog Day again. And again and again and again.

The director and co-writer Harold Ramis, whose death last month was mourned by his many fans, estimated that the movie has to represent at least 30 or 40 years’ worth of days. We see only a few dozen of them, ending when Bill Murray’s character has discovered the secrets of human happiness.

Without the slightest bit of preaching, the movie shows the bumpy, unplanned evolution of his protagonist from a jerk to a fully realized human being—a person who has learned to experience deep, lasting and justified satisfaction with life even though he has only one day to work with.

You could learn the same truths by studying Aristotle’s “Ethics” carefully, but watching “Groundhog Day” repeatedly is a lot more fun.

Kate O’Mara, The Rani, died today. There was no regeneration. Above is a scene from Doctor Who: The Mark of the Rani from 1985. Besides her role on Doctor Who as a renegade Time Lady, she is also known for her roles on Dynasty and Absolutely Fabulous. She has had other cult television appearances on two British shows,  The Avengers and The Saint.

Barney and Robin actually did get married last week and tomorrow we will find out if the fan theories about Ted and the Mother are true. I suspect we are in for a different surprise, which will be legendary. Above is the video of the cast of How I Met Your Mother on Inside The Actors Studio with the series finale airing tomorrow night.

Please Share

Quote of the Day

“A new poll found that two-thirds of Americans are following the situation in Ukraine, which is impressive. Usually, you can’t find two-thirds of Americans who are following the situation in America.” –Jimmy Fallon

Please Share

Quote of the Day: Jimmy Fallon On Mark Zuckerberg Complaining About NSA Surveillance

“Facebook founder Mark Zuckerberg apparently called President Obama directly to complain about NSA and how it spies on ordinary Americans. That’s right, the guy who runs Facebook got mad at the NSA for spying on people. Talk about the pot unfriending the kettle!” –Jimmy Fallon

“Zuckerberg criticized the NSA and called the government a threat to the Internet. Then he went back to running a website where you list everyone you’ve ever met, every place you’ve been, every place you’re going, what you had eat, your ex-girlfriends and your ex-boyfriends, which bands you like…” –Jimmy Fallon

Please Share

SciFi Weekend: Arrow; Hannibal; Orphan Black; Doctor Who; Star Trek; Person of Interest; The Americans; Continuum; Fox vs. Kristen Bell; Mad Men; Lost; Creationists vs. Cosmos

Arrow Suicide Squad

I must admit I was a bit underwhelmed by this week’s episode of Arrow, not because it was a bad episode (it wasn’t) but my expectations had been raised so high by all the hype over the introduction of the Suicide Squad. I did like how they tied it to Dingle and his ex-wife, but beyond them there was little time for anyone else other than Deadshot and Amanda Waller. Of course Shrapnel didn’t last very long. (Are we certain he is really dead–we never saw the body.) They probably could have used more time to flesh out the story further, perhaps as a two-part show. Dingle was definitely able to carry the episode as lead and if limited to one episode it also might have been better to just give him the entire episode. Most of the scenes with Oliver and Felicity, other than the final scene, were pretty much filler anyways. I know it is unconventional to leave out two of the biggest stars, but it would have made a stronger episode.

There were two scenes with Oliver worth noting. I have no idea how Slade could have had video of Shadow from the island and suspect this was a case of the writers going for a more dramatic scene at the expense of reality (even within the parameters of this series). I did like the ending, tying into not only Dingle but Oliver, and having a potential new ally against Slade. While she was introduced to the DC world long after I stopped reading Batman comics, I understand that the cameo by Harley Quinn is a huge deal for many fans. Collider spoke with producer Marc Guggenheim about the series and potential appearances from characters from the Batman universe:

How much of the Batman universe can you plug into this show, especially now with Gotham out there?

GUGGENHEIM:  That’s part of the ongoing relationship and discussions that we have with DC.  Things have not really changed with Gotham.  It’s the same thing that it always is, which is that we have an idea, we go to DC, we talk about it, and we find out where the lines are and which characters are available or not available.  I want to manage expectations with respect to Harley Quinn.  She was always intended to be an Easter egg.  I don’t want people to go in with incorrect expectations and walk away from Episode 16 disappointed.  But there is an element to the Easter egg that was not spoiled by the promo, that I think people will find a lot of fun. 

The Arrow’s secret identity was also discussed:

Question: There are a lot of people who know Oliver’s secret now.  Is that number going to go down, before the end of this season, or are more people going to find out?
MARC GUGGENHEIM:  I would say that that number is going to go up, before the end of the year.  By the finale, more people will know than currently do.

Is that a good thing or a bad thing?

GUGGENHEIM:  We talk in the writers’ room a lot about, are there too many characters that know and does it diminish the secret identity?  Where we have come from is the philosophy that, when members of our cast of characters know, it draws them into Oliver’s world and it draws them into the show more.  So, we tend to get more story out of people knowing than people not knowing.  You could say that too many people know, but we always use The Dark Knight trilogy as our compass, and a lot of people knew that Bruce Wayne was Batman, particularly by the third movie, and it doesn’t diminish my enjoyment of watching those stories unfold.  Obviously, there are different philosophies and different points of view.  For us, as writers, we always go towards whatever gives us more story, and more interesting story.  For now, at least, certain people knowing is more interesting than certain people not knowing. 

Quentin Lance used to be a detective.  How has he not figured out that Oliver is Arrow?

GUGGENHEIM:  Episode 19 pretty definitively answers that question, as far as Lance is concerned.  And the answer to that will surprise you.  It’s not something that you would expect.

I’m happy to hear they are addressing Lance. After a recent episode in which Lance saw Sara with Oliver and with the Arrow in a couple scenes I could not believe that he did not figure out that they were the same person.

More characters from The Flash will also be introduced in episode 19, The Man Under the Hood.

Hannibal Takiawase

Hannibal stressed a couple of themes this week which are pertinent to the series as a whole: death as an escape and unconventional psychiatric therapy. The first involved both the motives of the killer of the week (well played by Amanda Plummer) and a second storyline in which Hannibal was the villain not for committing a murder but for thwarting Bella’s attempt to die on her own terms. If the coin toss went the other way, would he have had Bella for dinner?

For a moment I thought that perhaps Will was going to win over a new ally but instead it is clear that Hannibal is going to have Beverly for dinner. If only she had taken Will’s claims more seriously, refrained from relating any suspicions to Hannibal, had passed on her suspicions to Jack, and had thought to have backup before falling into his trap.

Will might have lost one potential ally, but he is still not powerless despite being locked up, and now better able to play detective with the return of lost memories. As he does every week, Bryan Fuller discussed the episode with AV Club. Here is an excerpt about Will:

AVC: Will is getting his memories back, and you’re filling in some of the gaps in season one. Was that always the plan? Did you have thoughts of what had actually happened when you were writing last season?

BF: There was, once Will says, “The answers are in my head, and I’m going to find them,” I felt like we were obligated to tell that story and to keep peeling back the onion of his memory, or the pomegranate, as it were, peeling back membranes and finding these clusters of bloody seeds that he has to deal with. We did that with the intubation of the ear, and then we did that with the reveal of, on some level of consciousness, he was aware what was going on in Hannibal’s dining room when Gideon was there, and is able to access that it causes him to seek out Chilton, to see if he can help him answer some of the mysteries that are locked away in his mind. It felt like it was a way to keep Will active. He can’t actually go out to investigate things, as much as he can go in and investigate things, so we needed to have some device for him to continue his investigation. To be active while he’s incarcerated and going inside his mind felt like a really strong way to do that.

AVC: Did you struggle with finding ways for Will to be active?

BF: It was always part of the conversations when we were story-breaking. “Okay, Will’s not active enough. Will has to be driving this.” We are telling Will Graham’s story, so it was very important to seek out those ways to keep him active when he’s incarcerated. That was the big thing: We need to get outdoors and see him in his mind palace fishing to give us a sense of the power of his imagination and also the transportive power of imagination in general. I think we hear from survivors of terrible atrocities, and how they survive is their imagination. It’s such a wonderful gift, and there was a line that we cut from an episode where they talk about how imagination is the greatest virtual-reality machine known to man, and it’s between our ears. It’s that kind of, almost, masturbatory transportation where you can go someplace and make it as real as you need it to be in your mind, even though you’re locked in a cage.

Orphan Black insider video with Tatiana Maslany above. We already have a strong set of genre shows airing now with Arrow, Hannibal, Continuum, and The Americans. Orphan Black might be the best of them all.

Mark Gatiss has discussed the return of the Time Lords of Gallifrey to Doctor Who.

Blastr has the first hints about the third Star Trek movie since the J.J. Abrams reboot. I’m still waiting for a movie in which the original Spock recruits the Enterprise crew to fix the time line and save Vulcan.

The Americans had another great episode. Claudia is back, and they are trying to track down the killer from the first episode. I would assume that the couple who intervened in the final scene were involved. Last week Elizabeth used fear to get information from the poor janitor. This week she used other more womanly techniques for interrogation. Paige created problems again, this time by going to church and getting caught reading a Bible. Plus Nina might be in danger because of Oleg, and Martha might place Philip’s identity at risk. Arrow shows what a superhero show should be and The Americans sets a new bar for spy shows. This makes Agents of SHIELD look so weak in both genres.

Person of Interest Root2

I’ve also highly enjoyed the last couple of episodes of Person of Interest. The first was almost entirely flashback, filling in some major holes to date in the back story. It ended with Root in the present, leading into this week’s episode which was more centered around Amy Acker’s character. She can easily carry the show, just as Dingle could carry an episode of Arrow. I was happy to read in this interview that she will probably be in the remaining episodes this season.  It looks like she has her own team to rival Harold’s, with root more connected to the Machine.

In many ways Person of Interest is increasingly reminding me of Fringe. Both started by concentrating more on monster or case of the week episodes, but overtime the mythology of the show took over. The characters have become increasingly compelling as people beyond operatives. Root is by far my favorite to watch, and I enjoy seeing her developing relationship with Shaw (“I love it when you play doctor.”) At least the two get along better than Root gets along with Fusco, who constantly calls her “Cuckoo’s Nest.”

I am trying hard to avoid any major spoilers on the season premiere of Continuum. Alec’s decision to use time travel has major repercussions, and is moving the show in a new direction. There is finally an answer to the central question of the show, as to whether the time line can be changed.

Now Fox (the network which says it might take a long time to find Malaysia Airlines Flight 370 because it took us 2000 years to find Noah’s Arc ) is attacking Kristen Bell for saying rich people should pay more because they can afford it. Incidentally, I received my copy of the script and digital download of the Veronica Mars movie last week after donating to the Kickstarter campaign, but have not had time to watch yet.

mad-men-season-6

Matt Weiner isn’t going to let much out about the upcoming season of Mad Men, but there was a little information at PaleyFest. Here’s what they said about Don Draper:

Don is even more aimless without his job.
Don Draper has had some dark moments, but he’s always had his job to fall back on and obsess over. “His marriage is in trouble, his relationship with his kids is tricky at best, and now work isn’t there,” said Hamm. “Don is trying to process his life and his place in his job, his career, his family, everything.” And he’s made some uncharacteristic mistakes of late, including the disastrous Hershey’s pitch. “That was a completely honest moment for him. He thought, I’m going to try this because it’s a step in the right direction,” said Hamm. “But it was a step in the exact opposite direction.” Don’t dismay, though. Hamm ended on a hopeful note: “There’s one principle to Don: He’s a survivor. He rises to the challenge.”

The Lost show runners discussed the finale at PaleyFest. No, the fan theory which I never believed that they were dead the whole time is not true.

Creationists are angry about Cosmos as Neil deGrasse Tyson isn’t providing them with equal time to deny science. Last week’s episode did an excellent job showing how evolution is the foundation of modern biology. As there is tremendous evidence for evolution and zero for creationism, there is no reason to grant the creationists a moment of time (other than perhaps to further debunk their claims).

Please Share

Quote of the Day: Seth Meyers On The Crimean Vote

“New reports show that the Crimean vote to join Russia on Sunday did not include an option for ‘no.’ There were only two boxes on the ballot, one for ‘yes,’ and one for ‘murder my family.’” –Seth Meyers

Please Share

SciFi Weekend: Hannibal; The Fall; Crisis; Orphan Black; Continuum; History of Science Fiction; HIMYM; Gotham; Agent Carter; SHIELD; The Americans; Under The Skin; Under The Dome

Hannibal-Season-2-Episode3

Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.

Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will  might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.

Assignment X has an interview with Mads Mikkelsen:

AX: Did you watch any of the earlier incarnations of Hannibal?

MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.

AX: Can you say what you’re bringing to Hannibal?

MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.

AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?

MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.

AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?

MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.

AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?

MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.

Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some  initial reviews being very favorable. Entertainment Weekly has more on the show.

Gillian Anderson had a great response to a question posed on Reddit:

Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?

Gillian Anderson: Something so rich that he’d choke on it and die.

EW Orphan Black

Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:

Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”

I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.

Spoiler TV has information (and video) on a new clone to be introduced in the second season:

A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.

Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.

Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:

From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.

Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.

The four part series will be divided into episodes on Robots, Space, Invasion, and Time.

Continuum - Episode 3.01 - Minute by Minute - Promotional Photos (5)_FULL

Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.

The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new  joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:

The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.

CBS has renewed The Big Bang Theory for three more seasons. Bazinga!

Cristin Milioti has called the theories that her character dies on How I Met Your Mother “some crazy conspiracy theories, which actually just makes me really love the fans more,” but never actually denied the rumors.  The show runners also dodged the question at PaleyFest. I wouldn’t be surprised if this is intentional misdirection, but if there is some other surprise at the end. The cast will also be appearing on Inside The Actors Studio later this month prior to the series finale on March 31.

Gotham

Fox has released more information on their upcoming series, Gotham:

Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.

Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.

Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.

As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).

Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.

captain-america Agent Carater
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel  about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:

  • ABC has the script for the pilot but nothing is greenlit yet.
  • Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
  • Howard Stark would be a recurring character, not a series regular.  This is assuming Dominic Cooper would be willing to continue to play the role.  I’ve spoken to him about this and he seemed very interested.  But this was a few months ago and things change.
  • The show would start in 1946, sort of in the middle of the timeline of the One Shot.  McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast.  We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
  • Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season.  McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome].  Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”

Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.

THE AMERICANS -- The Walk In -- Episode 3 (Airs Wednesday, March 12, 10:00 PM e/p) -- Pictured: (L-R) Keri Russell as Elizabeth Jennings, Matthew Rhys as Philip Jennings -- CR: Patrick Harbron/FX

While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.

The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.

Scarlett Johansson

The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:

It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)

So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.

“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”

The story also touched on other roles, including genre movies such as Captain America and Her.

The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.

john_cho

John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.

Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.

Please Share

Quote of the Day: Seth Meyers on Ukraine

“Despite the fact that the Ukraine has been all over the news for the past few weeks, a survey found that 64 percent of U.S. students still couldn’t find Ukraine on a map. Said Vladimir Putin, ‘Soon nobody will.’” –Seth Meyers

Please Share

Cosmos For Creationists

)

A Fox affiliate in Oklahoma cut the only reference to evolution by cutting out fifteen seconds of the premiere episode of Cosmos. Reportedly this was accidental, just like the eighteen minute gap in the Watergate tapes. The above video shows further editing of Cosmos to appeal to the anti-science right.

Please Share

SciFi Weekend: Hannibal; Arrow; Revolution; SHIELD; The Americans; Almost Human; Does Ted’s Wife Die On How I Met Your Mother?; Continuum; Cosmos; Captain America; 24; Karen Gillan; Mad Men

Hannibal - Season 2

Sakizuki, the second episode this season of Hannibal, did an excellent job of blending a serial killer of the week story with the overall mythology of the show. Hannibal did track down the killer the FBI was hunting, but finished the killer’s job before the FBI got there. Only Hannibal could look so fashionable in a plastic suit, or convince the killer to become a part of his own work. Will Graham is doing an expert job of playing a cat and mouse game with Hannibal. He purposely looked beaten when saying, “I am the unreliable narrator of my own story” and asking for Hannibal’s help, but looks far stronger when alone, contemplating his next step.

The biggest tension of the show involved Hannibal and his psychiatrist, Dr. Bedelia Du Maurier played by Gillian Anderson. There were moments when it was not clear if she would come out alive, with this tension increased by the knowledge that Anderson is involved in two other shows this season. Instead the episode made it plausible for Dr. Du Maurier to disappear for a while (or have a reduced) role without winding up visiting Hannibal for dinner. I suspect she will return towards the end of the season and be involved in Hannibal’s downfall, as foreshadowed by the start of last week’s episode, especially with her telling Will she believes him at the end of this week’s episode.

Bryan Fuller discussed the episode with A.V. Club. An excerpt:

AVC: Bedelia leaves town at the end. Obviously, you had limited time with the character because Gillian Anderson has another show…

BF: Another couple of shows!

AVC: What did you want to do with bringing her back, and how much of her backstory with Hannibal do you, as writers, know?

BF: There was a much bigger, broader, longer story to be had with Bedelia that I’m hoping we get to play out in some form in the future, but because of Gillian’s schedule, we were only able to get her for a couple of episodes at the beginning of the season, and we’re desperately trying to figure out how to get her to navigate her schedule and get her back to wrap up her story. Though we want the audience to think when they see the trailer for episode two that she’s going to get killed at the end. The idea would be to get her back. There’s so much cool stuff with her backstory and her relationship with Hannibal and how closely it parallels Will’s relationship with Hannibal, which would be explored in an episode toward the end of the season if we can figure out schedules.

AVC: She also tells Will that she believes his story. How important was it to you to give Will an unquestioning ally at this point?

BF: I think he needed it, because there was so much despair, and everybody was just assuming he was guilty of all of these crimes. I think he needed someone to say simply, “I believe you.” When I was writing that scene I teared up, because something so simple as someone saying, “I understand you, and I believe you,” when you’re in a dark, lonely place is such a beacon of hope. I love Gillian Anderson as a human being and as an actress. And I love Hugh Dancy as a human being and as an actor, so I was excited to get them in a scene together, especially one that was so still and eerie and wrought. I’ve always been inspired by this line from Damaged that Juliette Binoche says, which is, “Damaged people are dangerous, because they know they can survive,” and I paraphrased that in the last scene with Dr. Du Maurier and Will Graham, where there is a camaraderie in the damaged. You may feel you are alone in your damage, because it is such an interior experience to be damaged in that way, and then to have somebody come along who you know can know you in that way, it’s a beautiful thing. It’s a glimmer of hope. So I was really excited about that moment, writing it, and even more excited when I saw the actors perform it, because I do think that there is a bond between Will and Bedelia that I hope we get to explore.

arrow-season-2-the-promise-still-01

Arrow picked up in The Promise where it left off last week with Slade in the Queen Mansion, but Team Arrow came to the rescue. The bulk of the episode, reversing the usual pattern, took place back on the island. Once again the show has greatly surpassed  most other attempts at bringing superheroes to the screen. The manner in which the back story is fleshed out on the island makes comic book scenarios in the present seem plausible, taking far less suspension of disbelief than is generally necessary to accept the conventions of superhero series. The scenes on the island also showed the first time Oliver ever put on his hood and Slade ever put on the Deathstroke mask in their attack on Ivo’s freighter. I wonder if we will see more of Dr. Ivo.

Revoloution Dreamcatcher

Dreamcatcher was a fun episode of Revolution, with the nanobots putting Aaron in the Matrix. Aaron was back in a world with electricity, seeing people he knows but who initially do not know him. Some took active roles in the story while Giancarlo Esposito was seen as a sleazy insurance salesman on billboards and television commercials. Although fun, the episode could have been much better if not for so many plot holes and being so predictable.

The premise was that the nanobots were trying to trick Aaron into solving a formula which would allow them to survive. As viewers we know they must survive as the destruction of the nanobots would mean they would not be around to eat all the electricity, ending the show (which might not be a bad thing). Just as we must suspend disbelief in the premise of nanobots which eat electricity which powers devices while ignoring the electricity in our nervous systems, we must grant the premise that the nanobots can mess around in Aaron’s brain but could not just force him to solve the equation or extract the information they needed.

Aaron’s mind fought back, first in the form of Charlie. Seeing her shot in the head was one of the highlights of the episode. After being chased by Horn, who represented Aaron’s greatest fears, he managed to wind up with Rachel, Miles, and Monroe. Aaron gave the nanobots the information they needed to manipulate him by telling Rachel he would never harm her. At first Rachel, Miles, and Monroe did not recognize Aaron, creating some drama, but then suddenly they knew everything. It was too easy. They came up with the idea that if Aaron fell in this “dream” he would wake up, unconcerned about horror stories in which death in one’s dreams results in death in the real world.

From here it was so predictable. Aaron appeared to wake up. Rachel was placed in danger, and Aaron gave in and solved the equation. Then (coming as no surprise) it was revealed that he was still in the Matrix. I would have expected Aaron to have seen enough science fiction to see that one coming.

SHIELD TAHATI

T.A.H.I.T.I. was revealed on this week’s Agents of S.H.I.E.L.D. to be not the Island where Agent Coulson was rehabilitated after being brought back from the death but a room with possibly alien science which was used to save him. The show is certainly more fun to watch than in the early episodes, but remains a disappointment. Ignoring the superhero and science fiction elements, the show just remains impossible to believe. Among other problems, there are no consequences as would be expected in an agency of this nature. In a previous episode, Simmons knocked out a superior with no repercussions. It appears that this was totally consistent with the world in which Agents of S.H.I.E.L.D. operates.

The show opened with faux drama in having Bill Paxton as Agent Garrett coming to board Coulson’s plane for disobeying orders in keeping custody of Ian Quinn. False drama and no consequences once again as Paxton and Coulson worked things out. The handling of Quinn made me wonder if S.H.I.E.L.D. is really supposed to be the good guys or a parody of our worst fears of the Bush administration. It is understandable that Coulson would place a high priority on saving Skye’s life, but absurd to expect that he would attack a base, and kill those working there, when the base had to either be part of S.H.I.E.L.D. or another facility they were working with. Then more false drama when Coulson suddenly decided they should not inject Skye with the drug, followed by the drug magically healing her wounds.

The-Americans-Season-2-Episode-2

Fortunately The Americans presented a spy story which seems much more grounded in reality as it continued to deal with the repercussions of another undercover family being killed last week. Philip went to check if they guy in the drop knew anything but things didn’t go well between Philip and Fred at first. Philip’s efforts to gain Fred’s trust was far more compelling to watch than the relationship between Phil Coulson and Agent Garrett on SHIELD.  I loved seeing Elizabeth’s fear as the construction truck pulled up outside of their home, along with her side trip to help out another agent. What will Paige walk in on next?  Once again, there are so many story lines being expertly intertwined.

I was a little puzzled by Nina telling Stan about the walk-in at the Soviet Embassy. Certainly her handlers would realize that the embassy was being watched and the FBI would figure out who it was. Did the Russians have no real interest in Bruce Dameran? Did they just make a mistake allowing Nina to mention this, was it a mistake on Nina’s part, or on some level did Nina still want to help Stan?

Almost Human - Episode 1.13 - Straw Man - Promotional Photos (4)_FULL

One problem that Almost Human faced is that episodes were aired out of order. While there was no major continuing story line which required viewing the episodes in order, the most enjoyable aspect of the series was the relationship between John and Dorian. Seeing them out of order led to a couple of recent episodes which lacked this dynamic which had been filmed earlier. Fortunately the final two episodes of the season were done later when this relationship was better established.

It is unfortunate that, despite hints of developing an ongoing storyline, little came of this and the final two episodes were again essentially stand alone cases of the week. The season finale did concentrate on the dynamic between John and Dorian, with Dorian’s performance review. I had feared that they might run a cheap cliff hanger of having Dorian fail and be scheduled to be removed as John’s partner, only to have this reversed next season. Fortunately they did not succumb to a feeling they had to do a cliff hanger as far too many shows do. With or without a cliff hanger, this show was entertaining enough to return to next season. I just hope they do more to expand on some plot lines they hinted at this season, such as what really happened in the ambush at the start of the season and what is beyond the wall.

HIMYM MomA

How I Met Your Mother is winding down and this week’s episode, Vesuvius, did a lot to promote a fan theory which has been going around that the Mother had died before Ted began his stories, possibly with Ted actually winding up with Aunt Robin. The first episode of the series had viewers expecting it was a typical love story about Ted meeting Robin and eventually marrying her until the ending, That’s how I met your Aunt Robin.

There have been scenes suggesting that the Mother might not remain alive, but all have alternative explanations and are far from definitive. The most compelling was in The Time Travelers in which Ted was outside his future wife’s apartment and said,  “Exactly 45 days from now, you and I are going to meet. I want those extra 45 days with you. I want each one of them.” If the two were really to meet in 45 days and live a long life together, there would be little reason for Ted to be so concerned about getting those 45 extra days together.

In a fifth season episode, How I Met Everyone Else, Ted, Marshall, and Lily are seen at a reunion in 2020 and it was awkward when Ted asked, “Where is my wife?”

There are pictures of Neil Patrick Harris on the set of the final episode in regular clothes. Barney has said that the one time he doesn’t wear a suit is to funerals. Could he have been filming a scene of the Mother’s funeral?

All of these items, along with suspicious answers by the cast about the finale, could be explained in other ways. Vesuvius keeps theories that the Mother will die alive. Throughout the episode there is a sense of sadness in the way Ted looks at his wife in scenes of the two from 2024. The most suspicious scene of all was when there was mention of the present when Robin’s mother made it to the wedding. The big question, with tears filling both of their eyes was, “What kind of mother would miss her daughter’s wedding?” Were these tears of happiness for Robin as they thought back on her wedding day, or tears of sadness as the two realized that Ted’s wife was dying and would never see her daughter’s wedding? Was she dying in 2024, or worse was Future Ted revising the Inn with the ghost of his wife?

It wouldn’t be at all surprising if Barney and Robin either wind up not getting married or if their marriage doesn’t last. In the final twist of the series, it could turn out that Ted and Aunt Robin are married. Then it would not matter as much that Robin could not have her own children as she might wind up eventually becoming the mother to Ted’s children. The series could easily be seen as an explanation to the children why Robin was the one he was meant to be with if their mother could no longer be with them.

This plan would have made a lot of sense when the series was first developed and fans rooted for Ted and Robin to get together. Now fans are strongly hoping it is not the case. Too much has changed. As absurd as the pairing of Barney and Robin was at first, fans now want them to succeed together. More importantly, fans have fallen in love with Cristin Milioti’s still unnamed character this season and having her die would be far too sad a way to end the series.

Another possible explanation for the scene in Vesuvius is that Carter Bays and Craig Thomas want to make us believe the Mother does have a serious illness in 2024, but in the end she survives. Perhaps they even changed their original plans after seeing  how this season has played out.

Moving on to another series involving time travel, Rachel Nichols and the cast of Continuum discuss season 3 in the video above.

An updating of Cosmos was already a big event. We know so much more than when Carl Sagan first aired the show. As an example of how important this show is in an age of such tremendous misunderstanding and denial of science, the show is going to be introduced by Barack Obama.

Extended clip above of Captain America and Black Widow from Captain America: The Winter Soldier

Trailer for 24: Live Another Day

Clip of Karen Gillan in Oculus

As usual, previews of Mad Men tell us very little.

Please Share

SciFi Weekend: Hannibal; The Americans; Arrow; Revolution; Orphan Black; Heroes; Farscape; Firefly; Better Call Saul; Doctor Who; Sherlock; The Crazy Ones; Mixology

Hannibal season 2

With the Olympics over many weekly series have  returned and two of the best shows from last season which aired in the spring or winter have started their second seasons. Hannibal and The Americans both began their second seasons. Hannibal began with an extended fight scene between Hannibal and Jack Crawford which foreshadows what we know must eventually occur before moving backwards twelve weeks in the narrative. The brutality of the fight indicates it is not a simple temporary falling out between friends, such as Watson being angry at Sherlock for pretending to be dead.  Jack must have found out the truth about Hannibal. As the series is part of a seven year plan (should it last that long) to retell the Hannibal novels (with some variations), we know that eventually everyone will know that Hannibal, and not Will, is the serial killer. (More on Bryan Fuller’s seven year plan for Hannibal here.)

After the fight scene we go back to just after the first season ended, with Will in jail for the murders committed by Hannibal. So far only Will, and some of Hannibal’s victims who did not live to tell what they know, really suspected the truth about Hannibal. Now that Will is healthy and no longer suffering from encephalitis, he can begin what will probably be a season-long cat and mouse game with Hannibal to reveal the truth. Hannibal has essentially taken over Will’s role in advising the FBI in serial murder cases, but we know he will not be able to resist Will’s request for Hannibal’s therapeutic help. Hannibal might even realize what Will is up to, but based upon his relationship with Will in the first season, this will be irresistible for Hannibal. We know where everything is leading and have already seen how the season ends. The suspense will be in seeing how we reach that point.

The Americans s02eo1

The Americans returns to 1982 with two Soviet spies living undercover as an American couple. Elizabeth has returned home two months after she was shot in the first season finale, claiming to have been caring for a sick aunt. We immediately see that 1) not everything works out perfectly for spies and 2) even the spy we have been led to root for (even if from an enemy nation) can be a cold blooded killer when there is an innocent witness around. While the first season centered around the relationship between Philip and Elizabeth, the second season will deal more with the entire family.

Elizabeth and Philip have tried to keep their children safe from their activities and we saw how important this is as another undercover couple were killed, along with their daughter. We know Paige is suspicious, but so far instead of learning the truth about her parents she caught them having sex. It is not certain which revelation will ultimately be more shocking.

The Americans did an excellent job of working all of this into the season premiere, along with returning to other subplots. We saw the fake marriage between Martha and Phillip (or Clarke as she knows him) in order to spy on the Americans. Their FBI agent neighbor Stan continues to use Nina, unaware that she is now really using him. The nature of Stan’s relationship with Nina came up as they watched a pirated copy of The French Lieutenant’s Woman before Stan went to see the same movie with his wife and a friend. We also learned that Claudia has remained in the United States and she will have an influence on the season.

Arrow Time of Death

Arrow, yet another excellent genre show in its second season, returned after the Olympic hiatus with Time of Death. With Sara now making out with Oliver in the Arrow-Cave, it was time for Felicity to more firmly establish her importance. (“You’ll always be my girl, Felicity.”) The episode introduced another worthy opponent, The Clock King. It also brought the present day and island stories together further in the final scene where Moira brought Oliver in to introduce her son to the man she was meeting with–Slade. The first photo has also been released of Barry Allen in costume as The Flash in the planned spin off.

Yet another sophomore show, Revolution, is well below the quality of the other shows discussed above. They do try to keep coming up with new things to keep the show fresh, but in the end they just wind up without anything really compelling happening. The supposedly upcoming battle to the death between Monroe and his son sounds guaranteed to disappoint. Having Aaron wake up in an alternative reality in 2014 with the power on after trying tying to upload a virus into his nano-bot children (or are they now Gods?) made for a good final scene, but will anything significant really come from this? At least it sounds it might make for a good episode. In this alternate reality, Giancarlo Esposito will be back in his old life as a sleazy insurance salesman. If they were really creative, the episode would take place in a different alternative universe where instead he runs the Los Pollos Hermanos restaurant chain.

Hannibal, The Americans, and Arrow were all excellent new series which began last year, but the best of all the series to premiere last year was Orphan Black. BBC America has released the above sneak peaks, with the show returning on April 19. More news on season two here.

Aaron Paul has again expressed interest in appearing in the Breaking Bad spin off, Better Call Saul. Bryan Cranston and Jonathan Banks have also expressed interest. Dean Norris is not interested, failing to understand that one episode of anything by Vince Gilligan is far more significant than an entire season of Under the Dome. (The series finale of Breaking Bad was reviewed here.)

Disney has always excelled at their synergy in using each of their holdings to make money for others. ABC will be running a documentary (extended commercial?) March 18 on Marvel Studios: Assembling a Universe.

Heroes is coming back for a thirteen episode miniseries, possibly with some of the original cast “popping back in.”

“The enormous impact ‘Heroes’ had on the television landscape when it first launched in 2006 was eye-opening,” said NBC Entertainment President Jennifer Salke. “Shows with that kind of resonance don’t come around often and we thought it was time for another installment. We’re thrilled that visionary creator Tim Kring was as excited about jumping back into this show as we were and we look forward to all the new textures and layers Tim plans to add to his original concept. Until we get closer to air in 2015, the show will be appropriately shrouded in secrecy, but we won’t rule out the possibility of some of the show’s original cast members popping back in.”

I don’t care either way about Heroes but am happy to see that an American network is getting away from the usual season format. Heroes itself would have been much better as a miniseries rather than continuing it beyond the point where Tim Kring seemed to know what to do with the show. Note that almost all of the shows I mentioned above were aired for short seasons, generally on cable, which I think helps make a better quality show. Fox is also doing something similar with 24.

While I don’t  care whether Heroes returns, I am looking forward to the return of Farscape. A movie is planned:

Set to follow the awesome comics written by our favorite Keith R.A. DeCandido, the film would follow John and Aeryn’s son, D’Argo (or Little D, as we will always refer to him). Because their baby was exhibiting a set of interesting powers that made him a magnet for galactic villains, we find that John and Aeryn hide their son on Earth to grow up. Now the kid is 19 and ready to go into space with his parents.

There has also been recent talk about a limited series reboot of Firefly.

coupling

Last week I questioned making US versions of British shows as opposed to airing the same shows here. Steven Moffat has had experience with cases where that did not work. His excellent sit-com Coupling flopped when an American version was aired, but I would highly recommend watching the original on Netflix. It is sort of a combination of Seinfeld, Friends, and Sex in the City with just a little bit of The Big Bang Theory thrown in. Moffat wisely says it would be insane to make an American version of his current shows, Sherlock and Doctor Who:

Not just popular on a worldwide level, it’s so distinctively local in outlook that a remake of any sort would destroy what makes it work in the first place.

Doctor Who’s everywhere,” he said. “You can bump in to the Doctor anywhere,” adding that the series has, “probably penetrated enough that it’s no longer regarded as an import, it’s just that show.”

Sherlock and Doctor Who are both doing rather well but they couldn’t be more definitively British. They’re obtusely British. They’re about as British as it gets. You shouldn’t be afraid of being British because that’s what you’re selling.”

And of course, if a remake were to be proposed and the Doctor were no longer British in demeanor (albeit British via Gallifrey), would he even be the Doctor?

“If anyone were to ask me, I’d say it’s an absolutely insane idea. You couldn’t have more than one Doctor Who in the world. It would just be dreadful.”

CBS did approach Moffat about making a US version of Sherlock and when turned down developed Elementary.

The.Crazy.Ones.S01E16

This has not been a good season for new sit-coms, especially for NBC but last week’s episode of The Crazy Ones (on CBS) was its best episode of the season. The cast put on both a Bar Mitzvah and a musical. While far from a great series, Robin Williams has kept the show amusing through a lot of otherwise weak scripts. I actually don’t mind that the new NBC sit-coms were flops. It just increases the chances that Community will be renewed.

Mixology premiered last week, showing some promise even if the premise is far-fetched. Personally I’ve always found the prospect of successfully meeting anyone in that type of bar to be less realistic than most of the shows discussed in this post. Besides, if I can spend the entire final season of How I Met Your Mother showing a weekend at the inn where Robin and Barney’s wedding is taking  place, I can try a series taking place all in one night in this bar. It will be interesting to watch to see if the idea works or turns into a flop.

Please Share