“A new CNN poll shows that Donald Trump is within six points of Hillary Clinton. It’s the closest Trump has ever gotten to a woman over 40.”–Seth Meyers
The Wrath of the Lamb, the series finale for Hannibal on NBC, contained a lot of material to provide a satisfactory ending should this be the last we see of these versions of the Hannibal Lecter characters. First there was the dramatic sequence in which Francis Dolarhyde pretended to kill himself, which certainly would have been an unsatisfactory ending if it was real. This led to something we have seen various versions of throughout the series–a plan to capture a serial killer which was doomed to fail.
The episode did finally end with the probable death of Dolarhyde, but the Red Dragon arc as part of the entire series was more about the transformation of Will Graham than it was about Dolarhyde’s transformation into the Red Dragon, or his ultimate fate. The series also provided a sense of closure for Alana and for Chilton should this be the last we see of these characters.
The climax of the episode took place in Hannibal’s home on a cliff where he previously kept some of his victims. Yes, an actual cliff was involved in the series cliff hanger, or at least ambiguous scenes. The scenes there primarily involved Hannibal and Will, until interrupted by Dolarhyde and culminating in as many as three deaths. There are a couple of questions raised by the cliff scene, perhaps foreshadowed by Hannibal’s admission, “My compassion towards you is inconvenient.”
The first question is what was on Will’s mind. Most likely he knew he was becoming a monster like Hannibal, unable to simply return to his new family, and saw the death of both of them to be the best outcome. It remains uncertain as to their actual fate. If watching this episode alone, the assumption would be that they died, but we know much more. We know that the previous season also ended with the apparent deaths of characters who survived. It was not known at the time the episode was written that this would be the series finale, and Bryan Fuller is still trying to keep the show alive in some form. Fans would be no more surprised to see Hannibal and Will survive the fall than they were that Sherlock survived his fall, or that Moriarty might still be alive. We also know from the novels that Hannibal did not die then, but Fuller has already changed elements of the novel so this in itself does not provide an answer.
Then there was that post-credits scene with Bedelia, foreshadowed both by earlier events of the season and possibly by a comment earlier in the episode that “Meat’s back on the menu.” Was she off screen the entire time, waiting for Hannibal to return to attempt start eating her? Is the third chair set for Will, who is now a willing party to Hannibal’s cannibalism? Or does the scene take place in the future, indicating that Hannibal, and perhaps Will, survived?
Fortunately after I started to wonder about these questions Bryan Fuller gave several interviews. While he does not completely answer all of these questions, there is major insight into the season finale and the questions raised.
Bryan Fuller’s interview at TV Guide has more on the relationship between Hannibal and Will which led to that climatic scene:
Hannibal is usually the smartest person in the room. He guessed Will had sold him out to Dolarhyde, so did he not suspect Will might push them off the cliff?
I think he is surprised as he’s tipping back over the edge, but the center of gravity has already betrayed him. He’s falling, and there’s a certain surrender to that. At the same time, he probably acknowledges a certain beauty that Will is falling with him to his death and they’re holding on to each other until impact.
So even in “death,” Hannibal feels like he won the battle?
Absoutely. In that final moment, the murder of Francis Dolarhyde, Hannibal proved himself right about Will. And there’s something very antagonistic about Will saying I’m not going to give you that for very long.
A romantic love between Will and Hannibal was always more of a subtext in earlier seasons, but became actual text in certain conversations this season. Do you think of this ultimately as a love story?
It was a love story from the very beginning – it was romantic horror. One of the reasons that I really wanted to do the project is I really wanted to investigate the depths of male friendships — the intimacy and the power and the loss of self you experience in a brotherhood camaraderie. That was the thing that fascinated me the most and was the root of the story that I wanted to tell.
And yet Hannibal’s love for Will was his fatal flaw.
His compassion for Will always hinged on Will’s ability to understand him in a way that he feels like he has never been understood. I think that is the same gift that Will has received from Hannibal. The core of their attraction to each other is that they truly see other for who they are. Hannibal is glamoured by that. If he wasn’t, he probably would have killed and eaten Will a long time ago.
More on the final scene at Vulture, along with how his version of Hannibal Lecter might be remembered:
How should the viewer read Will and Hannibal falling off the cliff together? Is it a double suicide?
No, I think it’s a murder/suicide. And then of course coming back in and seeing that someone has cut off Bedelia’s leg and is serving it, and she grabs a fork and hides it under her napkin to stab the neck of the person who’s going to come into the room next suggests that either Uncle Robertus and Lady Murasaki are going down Hannibal’s enemies list and checking them off, or that Hannibal may have survived that fall.
Some people have told me that their interpretation of it is that she sawed it off herself, cooked it up, and is waiting for him to come home like, “Honey, I made dinner!” [laughs], which is hilarious…
You’ve said that you wanted Mads Mikkelsen’s Hannibal to be the definitive one. Do you feel like he accomplished that?
I think for certain portions of the audience, he did. And for those who watch the show regularly, there’s 39 hours of Mads Mikkelsen as Hannibal Lecter as opposed to six of Anthony Hopkins. But it all depends on who’s speaking to you generationally as that character. Who would you say is your definitive Hannibal Lecter? Still Anthony Hopkins?
It remains to be seen whether Mads Mikkelsen can surpass Anthony Hopkins as the definitive Hannibal Lecter, but he will also have additional roles to shape his career. He is currently in talks to play the villain in Doctor Strange.
TV Line discussed Dolarhyde, and then Bedelia:
TVLINE | Circling back to the Will/Hannibal/Dolarhyde showdown — I felt like we didn’t really know 100 percent what way it was going to go. Will actually says to Hannibal that he intends to see him “changed” by Dolarhyde. And then, at one point, when Hannibal is looking at Will pulling out the knife, I wondered, is he signaling to Dolarhyde with his eyes or is he signaling Will? How did you view the scene? Do you feel like Will and Hannibal were always planning to end the Red Dragon, or was it unclear even to them?
I feel like Will was going there knowing that he very likely would not be able to finish Hannibal himself, because of his feelings for him, and that he needed Francis Dolarhyde to do it for him. And he knew that he may not survive it; it’s something he says several times through the episode. Bedelia says early in the scene with Will, “You can’t live with him, you can’t live without him.” That’s exactly what this is about. Will can’t live without Hannibal, and he knows that in that moment, once they’d experienced a murder together — a vicious, brutal murder where they hack a guy up with a knife and a hatchet — he’s like, “That was kind of fun. That was a good time. In fact, it was beautiful.” There’s a realization of his mind being able to process that experience as a thing of beauty. With that, he knows there is very little chance of him being able to return to humanity, so off they go.
Later in the interview regarding Bedelia:
TVLINE | You gave Bedelia resolution, of sorts, at the dinner table — where her leg is what’s for dinner. Knowing while you edited the hour that it was a real possibility this might be the series finale, was that absolutely where you wanted to end? And why put it after the credits?
Well, you know, I love post-credits sequence. I mean, you see Sherlock and Moriarty go over Reichenbach Falls, and you don’t know what fate befell those characters. By coming back in and seeing Bedelia at a dinner table being served her own leg, grabbing a fork and hiding it under the table and preparing to stab it in the neck of the next person who comes into the room, that’s a great way to tell the audience, “Yes, we have told you completion to this story, but who is serving Bedelia that leg? Is it Hannibal? Did he survive? Is it Uncle Robert is, and is David Bowie behind that curtain? Who’s serving her the leg?”
The longest interview was at Hitflix.com. Here are some highlights:
At what point in the season did you realize that this is how you were going to end it?
Bryan Fuller: Probably about halfway through the season. We’re always looking for a way to end a season in a way we could end the series. We never knew we were coming back. At the beginning of season 3, NBC was talking to me about new development, and that was a pretty big indicator to me that they weren’t planning on picking up a season 4. So I wanted to be sure we had an ending for the story we were telling, but also leave room for a continuation of the tale of Hannibal Lecter and Will Graham should we get the option to tell more of it.
So you have an idea in mind in the event of something more where this is not the end of the story?
Bryan Fuller: Right. In my mind, the most interesting chapter of Will Graham’s story has yet to be told.
Once NBC made their decision official and you couldn’t find a buyer elsewhere for a fourth season, were you at peace with the idea that this is it?
Bryan Fuller: I knew the writing was on the wall. I knew that we had gotten ridiculously preferential treatment on this show by the network. The fact that they allowed us to tell the tales we were telling, and in a manner that was much more suited to a cable audience than a broadcast network audience. They were bending over backwards to accommodate us, and I knew they could only bend so far with ratings as bad as we had! (laughs)
Where do things stand now? What are the options?
Bryan Fuller: Martha De Laurentiis is looking into financing for a feature film. The season 4 that we were going to tell is such a restart and reimagining that I still hope in some way that we get to tell a version of that, if not “Silence of the Lambs” itself, as a miniseries. I would love to return this cast to the big screen from whence they came, and Hannibal Lecter to the big screen, from whence he came. It seems perfectly symmetrical.
Last time we talked, you put the odds on a fourth season at 50-50. What would you say the odds are now for any kind of filmed continuation?
Bryan Fuller: Oh, God. I have no idea. I think they’re less than 50/50, and not in our favor. But I’m curious to see how folks respond to the finale, and then also if that satisfies them? If that feels like “We got a conclusion to our story and it’s wrapped up in a bow, and we don’t need anymore,” then the audience will dictate. But if the audience is still there for the show and still wants a continuation of that story, I’ll continue looking for ways to give it to them.
Why does Will, to your mind, pull Hannibal off the cliff. Is it what Bedelia said about how he can’t live with him or without him, so they have to go down together?
Bryan Fuller: Essentially, the conclusion of the season really started very early in the Italian chapter of the story, where Will is admitting if he doesn’t kill Hannibal Lecter, he has the potential to become him. Then he escapes that trajectory with Hannibal being institutionalized, and finding a family, and once being exposed to the heroin needle again, as it were, he’s realizing how much of an addict he actually is, but is aware enough to know, and to start making moves toward his previous goal of ending Hannibal. And he’s willing to do what it takes. Bedelia says, “Can’t live with him, can’t live without him.” It’s not necessary for him to survive this, in order to accomplish what he needs to accomplish. There’s something so fated about that final act of Will’s. And also, the awareness of this is perhaps the best solution for both of them.
Hannibal looks so happy when Will is embracing him. Does he know what’s going to happen next, or is he thrown for a loop when they go over the cliff?
Bryan Fuller: I think Hannibal is thrown for a loop when they go over. In that final scene between them, it was Hugh Dancy and I talking about what those last moments that we see of Hannibal and Will in the series on NBC, how they need to connect, and yet Will can’t totally surrender to Hannibal, because he’s still Will Graham and still a human being, but he also knows that it’s going to be very difficult to go back to his family life, seeing his wife murdered over and over again in his mind every time that he looks at her. Any possibility of a relationship that could save him from Hannibal Lecter seems dimmer and dimmer in his mind, that it is acceptable to him that he not survive…
She seems as if she is throwing a dinner party.
Bryan Fuller: (laughs) No, that’s our little nod to the audience that perhaps Hanibal could have survived that cliff dive. She’s sitting at the table with her leg on the table and she’s looking absolutely terrified, and she grabs the fork and hides it under her napkin and waits for whoever’s going to return. This woman still has some fight in her. We don’t know if Hannibal is indeed serving her her leg, or is it Hannibal’s uncle Robertus, or Lady Murasaki, or is it Will Graham?…
Bryan Fuller: That was the original intention. No, somebody has got her, and will she or will she not survive. And what’s so fun is that on the song that Siouxsie Sioux wrote, we hear her say, “I will survive, I will survive,” as we’re pushing in on Bedelia, and that could mean she’s singing from Hannibal’s perspective and it means he has survived and will eat this woman now, or Bedelia’s point of view that it’s like, “You may have cut off this leg, but I’ve got this fork and I’m gonna do some damage before it’s done.”
“The previously filmed season finale of ‘Mr. Robot’ contains a graphic scene similar in nature to today’s tragic events in Virginia. Out of respect to the victims, their families and colleagues, and our viewers, we are postponing tonight’s episode. Our thoughts go out to all those affected during this difficult time.”
Defiance ended its third, and strongest, season on Friday. After wrapping up the arc which dominated the season, the Omec arc, which had also been simmering all season, became the focus of the show. The Omec threat might have been handled too easily, but it brought about what might be the most exciting moment of the series. There is little doubt that Nolan and Doc Yewll will ultimately return to earth, but we can wonder upon the circumstances, and what will occur out in space before this happens.
The scheduled season finale of Mr. Robot was postponed a week due to similarities to killings taking place in Virginia earlier the same day. Considering how much other violence takes place both in the real world and on television, I’m not sure how much this matters. If nothing else, this gave more people a chance to get caught up with the series before its finale. For those who missed it, it is definitely a show worth catching up on.
Two other new shows from this summer which I recommend are Humans and Sense8 (which I reviewed here). As I was watching the uncut British episodes before episodes aired in the US, I did not review episodes of Humans as they aired here. The show typically moved at a fast pace with major revelations every week, slowing down a bit in the finale after resolving the problem of everyone being captured the week before. The finale resolved this, in case the show was not renewed, and then ended with a major revelation in the final moments which will probably drive season 2.
A description was released for the third season of Agents of SHIELD which does tell quite a lot about the plans for the upcoming season. A new poster is also above, complete with Coulson’s robot hand. The show returns on Tuesday September 29.
“Marvel’s Agents of S.H.I.E.L.D.” returns for an action-packed third season, with Director Phil Coulson (Clark Gregg) and Agent Daisy Johnson (Chloe Bennet) leading the charge as S.H.I.E.L.D. searches the world for more powered people in the aftermath of their epic battle with Jiaying and her army of Inhumans. However, Coulson and the team soon find out that they are not the only group looking for these new Inhumans.
Many months after their war with a rogue group of Inhumans, the team is still reeling. Coulson is again trying to put the pieces of his once revered organization back together while also dealing with the loss of his hand. His confidante and second in command, Agent Melinda May (Ming-Na Wen), has yet to return from an impromptu vacation with ex-husband Andrew (Blair Underwood); deadly superspy Agent Bobbi Morse (Adrianne Palicki) is recovering from her traumatic torture at the hands of Grant Ward (Brett Dalton); Fitz (Iain De Caestecker) is obsessed with discovering the truth behind the mysterious disappearance of Simmons (Elizabeth Henstridge); and all are on high-alert for the next move from Ward and Hydra.
Ever since the existence of Super Heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Coulson assembled a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.
But bigger threats loom ahead, setting the stakes even higher for the Agents, including the spread of Terrigen, an alien substance that unlocks superhuman abilities in select individuals; the emergence of new Inhumans who cannot yet control nor understand their powers; the rise of a new government organization that will go toe-to-toe with S.H.I.E.L.D.; the unknown properties of the massive alien Kree monolith, which has taken one of their own; and the constant threat of a rebuilt Hydra terrorist organization under S.H.I.E.L.D. traitor Grant Ward, who is making it his personal mission to take down Coulson and S.H.I.E.L.D.
New faces, both friend and foe, will join the series, including the no-nonsense, highly-skilled and somewhat mysterious leader (Constance Zimmer) of the ATCU (Advanced Threat Containment Unit), her intimidating partner, Banks (Andrew Howard), Lash (Matthew Willig), a monstrous Inhuman whose loyalties remain ambiguous, and new Inhuman Joey (Juan Pablo Raba), who is struggling to harness his newfound abilities, among other surprising characters.
Coulson, with the help of Daisy and Mack (Henry Simmons), will work to slowly assemble a team that is stronger than ever before, combining the highly skilled Agents of S.H.I.E.L.D. with powered individuals in the hopes of protecting the innocent in a world where the balance of power is ever-shifting, and new dangers are constantly emerging.”
Amazon is working on a television series based upon Galaxy Quest.
Entertainment Weekly has some news (spoilers) about season two of Outlander, including how it might vary from the second book.
George R.R. Martin might have provided a spoiler for season six of Game of Thrones regarding whether Stannis survived. As we didn’t see him actually get killed, I would assume even without looking at spoilers that this remains a strong possibility.
Variety reports that a web series will bridge the gap between The Walking Dead and Fear The Walking Dead
We have already seen Joss Whedon turn to Shakespeare, using many of his frequent stars in Much Ado About Nothing. Now Russel T. Davies is turning to Shakespeare with a production of A Midsummer’s Night Dream with the Doctor Who team.
Oliver Sacks, a neurologist who wrote about the brain in a way that showed that science fact can sometimes be stranger than science fiction, died at age 82. From The New York Times:
Oliver Sacks, the neurologist and acclaimed author who explored some of the brain’s strangest pathways in best-selling case histories like “The Man Who Mistook His Wife for a Hat,” using his patients’ disorders as starting points for eloquent meditations on consciousness and the human condition, died on Sunday at his home in Manhattan. He was 82.
The cause was cancer, said Kate Edgar, his longtime personal assistant.
Dr. Sacks announced in February, in an Op-Ed essay in The New York Times, that an earlier melanoma in his eye had spread to his liver and that he was in the late stages of terminal cancer.
As a medical doctor and a writer, Dr. Sacks achieved a level of popular renown rare among scientists. More than a million copies of his books are in print in the United States, his work was adapted for film and stage, and he received about 10,000 letters a year. (“I invariably reply to people under 10, over 90 or in prison,” he once said.)
Dr. Sacks variously described his books and essays as case histories, pathographies, clinical tales or “neurological novels.” His subjects included Madeleine J., a blind woman who perceived her hands only as useless “lumps of dough”; Jimmie G., a submarine radio operator whose amnesia stranded him for more than three decades in 1945; and Dr. P. — the man who mistook his wife for a hat — whose brain lost the ability to decipher what his eyes were seeing.
Update: Wes Craven has died at 76. From The Hollywood Reporter:
Wes Craven, the famed maestro of horror known for the Nightmare on Elm Street and Scream franchises, died Sunday after a battle with brain cancer. He was 76…Craven claimed to have gotten the idea for Elm Street from living next to a cemetery on a street of that name in the suburbs of Cleveland. The five Nightmare on Elm Street films were released from 1984-89 and drew big crowds.
Similarly, Craven’s Scream series was a box-office sensation. In those scare-’em-ups, he spoofed the teen horror genre and frequently referenced other horror movies.
Craven’s first feature film was The Last House on the Left, which he wrote, directed and edited in 1972. A rape-revenge movie, it appalled some viewers but generated big box office. Next came another film he wrote and helmed, The Hills Have Eyes (1977).
Jimmy Kimmel Live! presents their take on Donald Trump’s first ad will be, making fun of the fact that we really don’t know what Trump plans to do as president other than building that wall.
The biggest problem I see with Trump building a wall on the border is that it might get in the way of people trying to escape a United States under the rule of Donald Trump.
Maybe we will learn more about Trump’s ideas. Sarah Palin is interviewing Donald Trump tonight. I can imagine the first two question:
Question #1. Why are you so awesome?
Question #2. Will I be able to see the wall from my house?
And coming soon, something big from Donald Trump and Ted Cruz.
Republican presidential candidate Donald Trump announced on Thursday that he and Senator Ted Cruz (R-Texas), also a GOP candidate, are joining forces to do “something very big over the next two weeks in Washington.”
Speaking to reporters following a campaign rally in South Carolina, Trump said the event will essentially be a “protest” of the Obama administration’s “totally incompetent” nuclear deal with Iran. He also called Cruz a “friend of mine” and a good guy.”
Those who believe “it can’t happen here” have never heard of Donald Trump, Ted Cruz, or Sarah Palin.
Mr. Robot continued with the revelations started last week. Once again, there are major spoilers for anyone who might be behind on the series. At the start of Mirroring, it was revealed that Elliot’s father did work as Mr. Robot, repairing 1990’s era computers. In a flashback to 1994, Elliot stole money from a customer. His father decided against punishing him saying, “Even though what you did was wrong, you’re still a good kid. And that guy was a prick. Sometimes that matters more.” This appears to have influenced Elliot’s moral code, providing justification for his current activities.
The story jumped ahead to present, and appeared to center around Elliot and his father. At the end, in a common television trope, Elliot wound up at his father’s grave. He was confronted by both Angela and Darlene, and was forced to confront the truth. “You’re going to make me say it aren’t you? I am Mr. Robot.”
It was confirmed that his father really had died years previously, as previously stated on the show. Elliot and his sister Darlene had formed FSociety. Apparently at some point Elliot as seen in the show had forgotten all of this and created Mr. Robot in his head, looking like his dead father. The scenes in which Elliot interacted with Mr. Robot were all taking place in Elliot’s head. It would now be interesting to go back to the rare scenes showing Mr. Robot actually interacting with others, most notably his recent conversation with Tyrell. Most likely this was Elliott speaking with Tyrell, but not having memory of this when seen as Elliott. I also wonder if some of the scenes with Tyrell, possibly including his conversation with Mr. Robot, were actually things imagined by Elliott.
The episode also included more on Angela and Tyrell, but it was Tyrell’s story which was more interesting. Tyrell has now lost his job, and at the end really is working with Elliot, but not how it was suggested at the start of the season.
Nerdist interviewed Carly Chaikin (Darlene) after it was revealed that she was Elliot’s sister.
Nerdist: Speaking of controlled vision: the reveal in “White Rose” had everyone I know going “wait whaaaaaaaa—”!
Carly Chaikin: Well I knew from the beginning that I was his sister. From the very, very beginning Rami [Malek, who plays Elliot] and I both knew—Christian [Slater], Portia [Doubleday] and I all knew, pretty much. All I knew, though, was that Sam [told me], “Yeah he tries to kiss you and then you’re like, ‘I’m your sister.’” So I didn’t know how that was going to play out, or any details or anything, so I’d been waiting for episode 8 to see how it happened. It was exciting to see it, for real, in the script. There’s so much craziness that happens and it’s so hard to keep it in. Especially with something like that. People would say to me, “OK how do you fit into the show? Why are you so weird?” and all I could say was, “Well, you’ll see.”
Nerdist: Was it hard to navigate that—leaving clues but not projecting that you knew the twist—while still bringing a fully realized Darlene to the scene?
CC: Really, the way I played it is like he’s my brother and he knows it. Because how could he not know it, you know? It was just a natural brother/sister relationship. Like in episode two when we’re on the subway and Elliot says, “How do you know where I live?” And I gave him a look like, “Why wouldn’t I know where you live?” But because nobody knew and were seeing it through a different set of eyes, it wasn’t something that necessarily read as that.
Now that we sort of know what is going on, there is one more episode this seasons to see what becomes of it. Fortunately the show was already renewed for a second season.
The Number of the Beast is leading towards the finale of the Red Dragon arc on Hannibal, and possibly the end of the series. As of now, next week’s episode is the series finale on NBC, with some speculation of the show continuing on a more irregular basis elsewhere. It was not a good week for Frederick Chilton, with Bedelia probably being right in telling Will, “Maybe you wanted to put Chilton at risk.” While the arc is showing the transformation of Francis Dolarhyde, Will Graham has been slowly undergoing a transformation of his own for the entire series.
Alana and Jack think they are in control when they devise the plan involving Chilton, Graham, and Freddie Lounds, but once again it is Hannibal who is really in control. This includes Hannibal getting Dolarhyde to burn Chilton’s body in the same way that Freddie Lounds’ body was apparently burned in a previous attempt to trap Hannibal.
The manner in which scenes were edited helped emphasize the message of the episode. Will asked Alana, as they devised their plan, “Are you volunteering?” Alana replied, “No, I’d have to be a fool.” Then they cut to Chilton. We know the series is not ending well for Chilton, but I suspect that not many characters will come out in good shape after next week’s finale.
Yvonne Craig, best known as Batgirl on the 1960’s Batman series, died last week of metastatic breast cancer. She also played an Orion slave girl on the Star Trek episode, Whom Gods Destroy.
Alfre Woodard has been cast in a major role on the upcoming Netflix series Luke Cage:
Woodard will play a lead character listed on the breakdown as Minetta, a powerful woman in local politics who will have an impact on Luke Cage’s life. No one is commenting, but I hear she may actually be playing a version of Marvel villain Black Mariah, a nemesis to Luke Cage as well as Iron Fist. In the comics, she is a professional criminal and a drug dealer.
The Manhattan season two trailer has been released by WGN. For those who have not seen the series, I recommend binging on the first season before the second starts in October, but do not watch the above trailer or continue reading here. For those who have watched the first season of this excellent series, the trailer does show a little of what becomes of Frank Winter after the season one finale. He is shown in prison, and this has me wondering if when he set himself up to be arrested he also left some contradictory evidence and had a plan to ultimately get out.
Molly’s carnival dream scenes in last week’s episode of Extant rank among the low points of the series. I’m really not sure why I continue to watch this show.
Last year there were reports of an Agents of SHIELD spinoff staring Adrianne Palicki to be shown in the midst of the season like Agent Carter last year. Instead ABC renewed Agent Carter and this show was put on hold. Variety reports that it is back on:
Despite putting a halt on the “Marvel’s Agents of SHIELD” spinoff, which was proposed earlier this year, ABC is closing in on a deal to order a pilot for a project centered around Mockingbird, Variety has learned exclusively.
Titled “Marvel’s Most Wanted,” the drama will focus on popular “SHIELD” characters Adrianne Palicki‘s Bobbi Morse (also known as Mockingbird) and Nick Blood’s Lance Hunter. The two actors will topline the pilot and prospective series.
“SHIELD” producers Jeffrey Bell and Paul Zbyszewski co-created the project for Marvel and ABC Studios, co-writing the pilot. They will serve as showrunners and exec producers together with Marvel’s head of television Jeph Loeb also exec producing.
Insiders say the series is not a spinoff, per se, but rather an entirely new project solely focused on the two characters to continue their story. Though plot details are scarce at this point, “Marvel’s Most Wanted” will follow the pair and their adventures together.
The 2015 Hugo Awards have been announced. The Three Body Problem by Cixin Liu won as best novel. Guardians of the Galaxy won for Best Dramatic Presentation, Long Form. An episode of Orphan Black, By Means Which Have Never Yet Been Tried, won for Best Dramatic Presentation, Short Form. The Orphan Black episode which won was the second season finale which I discussed here. This included the classic clone dance party scene (above).
There has been considerable controversy surrounding the Hugo Awards this year. Wired reports:
But in recent years, as sci-fi has expanded to include storytellers who are women, gays and lesbians, and people of color, the Hugos have changed, too. At the presentation each August, the Gods with the rockets in their hands have been joined by Goddesses and those of other ethnicities and genders and sexual orientations, many of whom want to tell stories about more than just spaceships.
Early this year, that shift sparked a backlash: a campaign, organized by three white, male authors, that resulted in a final Hugo ballot dominated by mostly white, mostly male nominees. While the leaders of this two-pronged movement—one faction calls itself the Sad Puppies and the other the Rabid Puppies—broke no rules, many sci-fi writers and fans felt they had played dirty, taking advantage of a loophole in an arcane voting process that enables a relatively few number of voters to dominate. Motivated by Puppygate, meanwhile, a record 11,300-plus people bought memberships to the 73rd World Science Fiction Convention in Spokane, Washington, where the Hugo winners were announced Saturday night.
Just before 8 PM, in a vast auditorium packed with “trufans” dressed in wizard garb, corsets, chain mail and the like, one question was on most everybody’s minds: Would the Puppies prevail?
Though voted upon by fans, this year’s Hugo Awards were no mere popularity contest. After the Puppies released their slates in February, recommending finalists in 15 of the Hugos’ 16 categories (plus the John W. Campbell Award for Best New Writer), the balloting had become a referendum on the future of the genre. Would sci-fi focus, as it has for much of its history, largely on brave white male engineers with ray guns fighting either a) hideous aliens or b) hideous governments who don’t want them to mine asteroids in space? Or would it continue its embrace of a broader sci-fi: stories about non-traditionally gendered explorers and post-singularity, post-ethnic characters who are sometimes not men and often even have feelings?
The Guardian also notes that this dispute led to a record five categories with no awards.
Jack and Alana showed again that they do not really understand Hannibal, thinking he would assist them in tracking a call to Dolarhyde. Hannibal played with them, and then tipped off Dolarhyde with the warning that they were listening. Hannibal had previously given Alana the ominous warning, “I always keep my promises.” Now it was Alana’s turn: “You’re not the only one who keeps their promises, Hannibal.” In response to this latest betrayal. She had all the amenities removed which kept Hannibal so comfortable, “The toilet, too.” As these were removed from the cell, the mask was placed on Hannibal for the safety of those in there.
On Mr. Robot, Elliot had a brief meeting with the time-obsessed White Rose, but it was the meetings and surprise interactions between older characters on the show which were of greater interest. There is a major spoiler ahead for those who have not seen this episode yet.
The first big surprise was that Angela and Darlene not only knew each other, but at yoga class both talked about Elliot, showing concern for him. Later there was the meeting between Tyrell Wellick and Mr. Robot, with the two apparently working together, even if not entirely comfortably. This seems to confirm that Mr. Robot is real, but raises major questions, especially for those who think that Mr. Robot and Elliot are the same person.
The biggest scene was when Darlene told Elliot that she loves him, Elliot kissed her, and Darlene recoiled in horror asking, “Did you forget who I am?” Soon it was revealed that Darlene is Elliot’s sister. It was as if Luke had kissed Lea, but is Mr. Robot now Darth Vader?
This led to memories flooding into Elliot’s head. Going meta, Elliot looked at the camera and asked us viewers, “Were you in on this the whole time?” and then“Were you?” Maybe to some degree we are in on it, but we are also quite confused at the moment, also looking for answers.
There was the suggestion that Mr. Robot is Elliot’s father, previously said to be dead. This has been interpreted differently by fans who think that Mr. Robot and Elliot are different manifestations of the same person, and those who think he is a separate and real individual. Mr. Robot showed up at Elliot’s apartment to supposedly explain, so maybe we will learn the answer next week. I wonder if the show will move onto a quite different path as it heads toward its second season.
Indiewire reports that Jessica Jones will be a psychological thriller, reporting statements from executive producer Jeph Loeb and showrunner Melissa Rosenberg at the TCA Press Tour. They also discussed a major role for David Tennant:
“When we first sat down and started talking about ‘Daredevil,’ what we said was, for all intents and purposes, it was a crime drama first and a superhero show second,” Loeb told the room. “One of the things we’ve talked a lot about is that ‘Jessica’ is in many ways a psychological thriller first and then a superhero show second.”
…Loeb then went on to say that Tennant’s role in the show would be a key part of what differentiates “Jessica Jones” from other superhero series: “What you get out of ‘Jessica’ is a sort of hold-your-breath tension as to what’s going to happen. When you see the dynamic between Krysten Ritter and David Tennant… that question of ‘What’s going to happen next?’ and ‘What could happen next?’ and how that’s driven by character is something that is so important to not just the scripts but also the way the show is shot, and the way that everyone reacts, and the way those two react with each other.”
Elsewhere in the Marvel universe, Professor X (Patrick Stuart) will have a substantial role in the third Wolverine movie.
Moving on to DC, next season we will see the return of Sarah Lance on Arrow. Ausiello discussed how Lance responds to the return of Sarah:
Frankly, it could be the last thing Sara’s family needs! “Thanks to Laurel helping him see the light at the end of last season, Lance is back on the wagon for now, trying to keep on the straight and narrow,” Paul Blackthorne previews. “But that will of course be tested when Sara comes back from the dead. Because I think when your daughter’s coming back from the dead, she may not necessarily come back as quite the same person. Yeah, that’s going to be an issue for the family to deal with!’
Her return will also be in an episode with a cross over from Constantine, who assists with her return to life, which in turn leads into the origins of Legends of Tomorrow.
Despite previous reports to the contrary, CBS is now saying there will not be crossovers between Supergirl and Arrow or The Flash. Reportedly they are in the same universe, so this might be open to reconsideration if the right story is presented.
Disney has always provided synergy between their films, theme parks, and merchandise. Therefore it was no surprise to find that, with Star Wars expected to be a huge blockbuster film this December, there will be a fourteen acre expansion based upon Star Wars at Walt Disney World and Disneyland.
TNT has renewed The Last ship for a third season.
Sarah Shahi is returning to Person of Interest following her maternity leave. She will return early in the season and be present for eight or nine episodes of the upcoming thirteen episode season.
The firth season of Homeland sounds like it might be expanding its story lines, dealing with Edward Snowden, Putin, and ISIS.
Mr. Robot began with a flashback showing how Elliot first met the character who was killed last week, but overall the episode concentrated more on the other characters. (The initial scene did have me puzzled for a moment until I realized it was a flashback.) Angela is proceeding with her plan, but now must face the fact that it will put her friends out of work. Tyrell is increasingly looking like he is a far more warped character than Elliot, as one more character, although a minor one who was only introduced recently, has been violently removed from the cast.
Earlier in the season there was a fan theory, suggested in the pilot, that Mr. Robot is an imaginary character, present only in Elliot’s head. Some have suggested that nobody was interacting with him other than Elliot, but more recent scenes have cast doubt on that theory. Another theory is that he is “real” but another manifestation of Elliot. For example, Alan Sepenwall noted:
Both of Mr. Robot’s scenes take place independently of Elliot, which can be read as a clear sign that he’s meant to be an independent character, or just more examples where we’re seeing Mr. Robot as an Elliot stand-in. And when Darlene and Trenton discuss what motivates the other members of the group, they don’t mention either Elliot or Mr. Robot, which makes more sense if they’re meant to be the same person — and the group’s leader — than if Elliot is just another guy recruited to fulfill Mr. Robot’s anarchic vision.
Hannibal continues the Red Dragon storyline, and returned Bedelia (Gillian Anderson) to the mix. During …And the Woman Clothed in the Sun, Will met with both her and Hannibal, and even had a chance encounter with Dolarhyde. While the Tooth Fairy doesn’t eat people as Hannibal does, he did show a strange appetite of his own. Hannibal is still locked up, but this is not enough to keep him with interacting with the outside world. Bedalia also was shown with a former patient of Dr. Lecter, played by Zachary Quinto, showing us the true story of the patient who died under her care. Plus there was a tiger–and we saw inside its mouth.
The Flash‘s new costume was displayed at Comic Com, and there is further news about the second season. Both Wally West and Jay Garrick have been cast, with Jay Garrick’s Flash foreshadowed in the first season finale. Entertainment Weekly also reports that we will not only see the Earth 2 Flash, but also see glimpses of the alternate Earth:
Well, it sounds like that singularity leads to a pretty familiar place. In speaking about the great care they took with making their version of time travel both easy to digest and complex enough to be exciting for the diehard fans in season 1, executive producer Andrew Kreisberg says, “We’re trying to do the same thing this year with Earth 2 and the concept of the multiverse and the concept of dopplegangers. We’ve been having a lot of fun with that and getting glimpses of Earth 2 probably sooner than people would’ve thought.”
Netflix finally announced that they are renewing Sense8 for a second season last week, which provides a good excuse to write a bit about the show. I’ll try to avoid significant spoilers, but those who want to go into the show without knowing anything about it might look away.
The story does develop slowly, with the first few episodes primarily being devoted to introducing the characters and setting matters up. The story centers around eight people from different part of the world: Nomi (Jamie Clayton) a transgender character played by the transgender actress, Will, a Chicago cop (Brian J. Smith), Lito, a telenovela star who is secretly gay (Miguel Ángel Silvestre), Icelandic DJ Riley, who started out the series living in London (Tuppence Middleton), Korean business executive Sun (Bae Doona), Indian pharmacist Kala (Tina Desai) who is engaged to her boss, German safecracker Wolfgang (Max Riemelt), and Nairobi bus driver Capheus (Aml Ameen).
What is remarkable about the series is that each character has a life of their own, with supporting cast, and their scenes are actually filmed where they are said to occur. This includes former Doctor Who companion Freema Agyeman in rather explicit lesbian love scenes with Jamie Clayton, and a rather fun threesome in Mexico City. Plus there is ultimately an orgy involving most of the cast. Did I forget to mention that this is an R-rated series?
The combination of all these characters gets even more complicated as the characters find they are tied to each other and can interact with other Sensates in other parts of the world. A character involved in a fight might be helped out by another who is a better fighter, along with taking advantage of other skills processed by others. After watching the final episode it is worth watching the show on Netflix as to how the series was filmed. (I watched this immediately after watching the final episode as I was not ready to leave this world or these characters.) Rather than filming the show chronologically, the entire cast traveled together around the world.When a scene involved a connection between characters in two (or more ) parts of the world, the scene was filmed at separate times in each location and later put together as viewed.
The plotline might be simplified to a group of people with a special power who wind up being chased by an evil group. While this has done many times before, it has never been done like this. The show goes far beyond this concept in the development of each character and location. Instead of superpowers, the characters have normal abilities, other than their ability to connect with other Sensates. While sometimes slow, I found this to be definitely worth watching. If anyone is tempted to give up midway through because of some episodes which deal more with explanation than action, the action does pick up tremendously in the last few episodes.
Just prior to the renewal news, J. Michael Straczynski was interviewed about plans for the second season, and working with the Wachowski brothers:
On whether the characters will take on each other’s abilities…
J. Michael Straczynski: Yeah, we’re looking at expanding that as far as logic goes. What’s kind of fun about the characters is that what they’re sharing are not necessarily superpowers. They have ordinary abilities, and we’re trying to say that there is value and merit and power whether you’re an actor or you are a martial arts person or a bus driver. You have something to contribute. Some of the hardest parts of making that process work visually was in choreographing this entire thing. So, for instance, in the scenes with Sun, we had to stage her fights both in Korea and in Nairobi twice. She would literally start a punch in Korea and then finish that punch in Nairobi. That process of really making that work visually was very involved, very detailed, but sells the illusion of it…
On whether, if they are renewed for another season, there is a five-year plan for the show…
JMS: The way that the Wachowskis and I tend to work, as we created the show together, wrote it together, we are long-game kind of people. We look down the road to say, “Okay. We’re setting this up now. Where is this going to go?” That doesn’t guarantee we’re going to go five seasons, but for ourselves, for the writing process, we need to, kind of, know where we’re going, where this all pays off, what this means. So season 1 is like the origin story. Season 2 has its own particular arc. And we’ve figured it out from there. But to spoil that here would not be in the best interest of the surprises we have in mind.
On collaborating with the Wachowskis…
JMS: If they have their strengths, first it’s action and character, then plot and structure. I think they would agree that’s kind of their dynamic. I’m a structure demon, so I’m really focused on keeping the story going from here to here to here so it all makes sense in the end. Light on action, decent on plot. So the good thing is that you lay our two skills over one another, and it’s a perfect fit. So the collaboration process was a great deal of fun for all of us. We learned from each other’s strengths and compensated for each other’s weaknesses.
The full post includes also questions for some of the cast members.
Fox brought in a record 24 million viewers for the first Republican debate on Thursday night , and nobody doubts it was because of Donald Trump. CNN explained what this number means:
For perspective, the first GOP primary debate four years ago, also on Fox, attracted 3.2 million viewers.
The most-watched primary debate that year, broadcast by ABC, reached 7.6 million.
Thursday’s debate audience more than tripled that one.
The audience easily exceeded pretty much everything that’s been on American television this year, from the finale of “The Walking Dead” to the final episode of David Letterman’s “Late Show.”
The debate was bigger than all of this year’s NBA Finals and MLB World Series games, and most of the year’s NFL match-ups.
It also trumped Jon Stewart’s Thursday night’s sign-off from “The Daily Show,” which averaged 3.5 million viewers.
Trump is a known ratings magnet. His reality show “The Celebrity Apprentice” used to reach 20 million viewers a week. But it has slipped over the years, averaging 6 to 8 million viewers for recent seasons.
The debate, as well as most of the talk afterwards, was about Donald Trump. They might as well have named it Presidential Apprentice. By the end, many viewers might have been expecting to go to the boardroom to see who Trump would fire. Hint–it might not have been one of the candidates considering what he has been saying about Megyn Kelley and the other Fox correspondents. Among the most crude:
— Donald J. Trump (@realDonaldTrump) August 7, 2015
Trump was the center of attention from the start when the very first question was a show of hands as to “who is unwilling tonight to pledge your support to the eventual nominee of the Republican party and pledge to not run an independent campaign against that person.” Only Donald Trump raised his hand. (Full transcript of the debate can be found here).
Donald Trump did make a great case for campaign finance reform:
I will tell you that our system is broken. I gave to many people, before this, before two months ago, I was a businessman. I give to everybody. When they call, I give.
And do you know what?
When I need something from them two years later, three years later, I call them, they are there for me.
QUESTION: So what did you get?
TRUMP: And that’s a broken system.
QUESTION: What did you get from Hillary Clinton and Nancy Pelosi?
TRUMP: Well, I’ll tell you what, with Hillary Clinton, I said be at my wedding and she came to my wedding.
You know why?
She didn’t have a choice because I gave. I gave to a foundation that, frankly, that foundation is supposed to do good. I didn’t know her money would be used on private jets going all over the world. It was.
Trump also restated his opposition to the Iraq war but flip-flopped on his previous support for a single payer system. Trump could have been the best candidate in the room if he hadn’t turned into a Tea Party clown.
There were some other moments when Republican candidates deserved credit. This includes Rand Paul criticizing both his fellow Republican candidates and Hillary Clinton for their policies which on sending more arms to middle east:
I’ve been fighting amidst a lot of opposition from both Hillary Clinton, as well as some Republicans who wanted to send arms to the allies of ISIS. ISIS rides around in a billion dollars worth of U.S. Humvees. It’s a disgrace. We’ve got to stop — we shouldn’t fund our enemies, for goodness sakes.
This was followed by John Kasich defending taking funds for the Medicaid expansion under Obamacare:
First of all, Megyn, you should know that — that President Reagan expanded Medicaid three or four times.
Secondly, I had an opportunity to bring resources back to Ohio to do what?
To treat the mentally ill. Ten thousand of them sit in our prisons. It costs $22,500 a year to keep them in prison. I’d rather get them their medication so they could lead a decent life.
Rand Paul made a another good point when he argued with Chris Christie over NSA surveillance:
The Fourth Amendment was what we fought the Revolution over! John Adams said it was the spark that led to our war for independence, and I’m proud of standing for the Bill of Rights, and I will continue to stand for the Bill of Rights.
Beyond this, we primarily learned from the debates that Republicans hate Barack Obama, Hillary Clinton, Obamacare, and Planned Parenthood.
I am looking forward to seeing Bernie Sanders debate Hillary Clinton on foreign military intervention and suppression of civil liberties. Clinton’s record on these topics does fit well in the GOP mainstream.
I am hesitant to write about winners because we have learned that the winner of a debate is not based upon the debate itself, but the perception of the candidates after people have listened to the talking heads in the days following the debate. This is further complicated with the Republican Party as most of their voters receive their thoughts from Fox. Criticism from the Fox commentators could make Donald Trump look like a loser, but so far he has managed to survive better than the pundits have predicted, and it is not looking like Fox will be successful against him.
From my perspective, which could be quite different from that of Fox, the winners were John Kasich and Marco Rubio. Kasich barely squeaked into the prime time debate, and the two debates did show that Kasich really did deserve to be there more than Rick Perry, who was excluded, possibly by fudging the results of the polls. Kasich and Jeb Bush looked the most stable in the group. Bush already has his position as top contender after Trump, but now Kasich might replace Scott Walker as the leading challenger to Bush and move into the top tier.
I also downgraded Bush for his discussion of his brother’s policies. It wasn’t faulty intelligence which got us in Iraq as he claimed, but his brother twisting the intelligence to justify the war he wanted to start. Jeb! also seemed oblivious to the fact that ISIS and the other problems now occurring in Iraq are due to his brother destabilizing the region. They all seemed oblivious, when talking about the deficit, to the fact that the deficit is a consequence of George W. Bush both fighting the war on credit and cutting taxes on the wealthy.
The other Republican who looked good, if you ignore his actual views, was Marco Rubio. He could make a good candidate in a television-based campaign. The entry of Trump into the race made it hard for candidates like Rubio to get attention, but he did get a shot at being noticed Thursday.
On the other hand, it seemed a battle throughout the evening between Mike Huckabee and Ted Cruz to be the most bat-shit candidate on stage, which was impressive considering that Donald Trump was on the same stage. I was edging towards awarding this to Huckabee, with lines such as, “The purpose of the military is kill people and break things,” until Cruz gave his closing statement, and clinched the title:
If I’m elected president, let me tell you about my first day in office. The first thing I intend to do is to rescind every illegal and unconstitutional executive action taken by Barack Obama.
The next thing I intend to do is instruct the Department of Justice to open an investigation into these videos and to prosecute Planned Parenthood for any criminal violations.
The next thing I intend to do is instruct the Department of Justice and the IRS to start (sic) persecuting religious liberty, and then intend to cancel the Iran deal, and finally move the U.S. embassy in Israel to Jerusalem.
I will keep my word. My father fled Cuba, and I will fight to defend liberty because my family knows what it’s like to lose it.
In contrast, Huckabee went for the laugh as opposed to Cruz’s tirade:
It seems like this election has been a whole lot about a person who’s very high in the polls, that doesn’t have a clue about how to govern.
A person who has been filled with scandals, and who could not lead, and, of course, I’m talking about Hillary Clinton.
So, in conclusion, Trump wins for continuing to totally dominate the discussion, Kasich and Rubio had smaller victories which might improve their position if the race should return to be about the more conventional candidates, and Cruz edged Huckabee for the scariest Republican in the room. Hillary Clinton and Bernie Sanders must really have felt happy seeing this debate and the caliber of candidate they might come up against in the general election.
The Hannibal episode this week, And The Woman Clothed With The Sun…, continued with the Red Dragon storyline, and like last week, family was important. The family was the extended family which the main characters of the series have become, even including a Verger baby.
The episode included the “family reunion” between Will and Hannibal. When he surrendered, Hannibal made sure that he would always be where Will could find him. For Will the reunion was about getting Hannibal’s input into the Tooth Fairy. “I’m more comfortable the less personal we are,” said Will. Hannibal got more personal: “You came here to have a look at me, to get that old scent again. Why don’t you just smell yourself?” Before Will left he added, “You’re family.”
The episode also included flashbacks to the events leading to the season finale, filling in the gaps as to what happened with Abigail. Even this considered family:
Abigail: “How would you have killed me?”
Hannibal: “I would have cut your throat. Like your father did.”
Abigail was complicit in Hannibal making it appear she was killed, even asking, “Can I push the button?” I couldn’t help but wonder if Dexter Morgan would have been fooled by the spray of blood used to fake her death.
Hannibal is now following Red Dragon fairly faithfully, meaning that the structure of the series has changed, with each episode being more a piece of a book. This might leave less to say after each episode, but does not mean the show is any weaker.
The success of Daredevil has many Marvel fans anxiously awaiting Jessica Jones. Executive Melissa Rosenberg told Entertainment Weekly that Jessica Jones will be different from Daredevil:
“Jessica Jones is a very, very different show than Daredevil,” Rosenberg said. “We exist in a cinematic universe, [and] the mythology of the universe is connected, but they look very different, tonally they’re very different… That was my one concern coming in: Am I going to have to fit into Daredevil or what’s come before? And the answer is no.”
But the contrasts don’t stop with tone. “My show’s called Jessica Jones,” Rosenberg said, noting that Cox may get a break during stunts. “There is no mask. Krysten Ritter is the hardest working woman in show biz.”
Jessica Jones is expected to be released in the fourth quarter. Netflix CCO Ted Sarandos discussed the plans for releasing the Marvel-based shows:
“I think ideally there will be a rhythm of about every six months you’ll get a new season or a new series from the Defenders group. And then they’ll crossover into a combined [Defenders] season once we’ve launched the first season of each of the four characters.”
He also said, “Some will selectively have multiple seasons as they come out of the gate. So they’ll probably be two launches a year.” It was previously announced that Daredevil has been renewed for a second season.
Humans completed the first season in the U.K. tonight and is a couple of weeks behind in the U.S. I am holding off until I complete this post to watch the finale, but the show remained strong through the penultimate episode which I downloaded last Sunday. Channel 4 has announced that they are renewing the series for a second season, and AMC plans to once again show it in the United States.
I am also waiting to watch Friday’s episode of Defiance, but must note that last week’s episode, My Name Is Datak Tarr and I Have Come to Kill You, ended one storyline on a very strong point. At first I was a little disappointed in how they suddenly came up with a relatively easy way to destroy General Tahk’s camp, even if it probably involved a suicide mission for one character. I then became willing to overlook this in light of how well this tied into Datak’s story. I was really wondering what would happen as they showed flashbacks of Datak as a child. This often foreshadows a character’s death on television. Instead of killing him, or have him betray the plan to save himself, Datak managed to find a way, even if extreme, to both carry out the plan and save himself. I am now wondering if the loss of his arm will be a serious problem, or something easily replaced. Regardless, it was an unforgeable scene.
Mr. Robot had one of the stronger episodes of the season on Wednesday. The episode also had real consequences, and at the end spent quite a long time showing Elliot’s reaction.
Under the Dome continues to have serious flaws, but somehow remains interesting. Lately they have shifted into an Invasion of the Body Snatchers storyline, and appear to have shown the destruction of the world outside of the dome in an attempt to make it look like the random bits from the first season, like talk of pink stars falling, were actually part of a grand plan. Earlier in the season they hit a big resit switch, and I wouldn’t be surprised if this is done again. The statement from “Junior” about the “destruction of our homeworld” does confirm alien involvement, but does not exclude the possibility that what we see outside the dome is either a trick, or not necessarily characteristic of what is happening in the rest of the world.
The final season of Continuum starts September 11 on Syfy and one week earlier on Space (which like so many foreign-made shows, will complicate covering it here.) The above trailer has been released.
Deadline reports that the planned remake of Utopia on HBO might not make it due to budget issues. I remain unclear as to why it is necessary to remake shows recently shown in the U.K. as opposed to running the originals here.
The third season of Hannibal was initially to be about Hannibal Lecter as a fugitive in Europe, mirroring the Hannibal novel. With Bryan Fuller realizing that this would probably be the final season of Hannibal on NBC, with its future after that still unknown, he reduced this to about half the season so he could move on to Red Dragon. That has probably worked out for the better as the first half of this season was the weakest in the show’s run, and I don’t know if they could have stretched this out for an entire season.
The Great Red Dragon skips ahead three years, and doesn’t have a recipe as its title. Hannibal is locked up in the psychiatric hospital, which is seen as a sort of victory for him as, at least in the mythology of the show, Hannibal Lecter is not insane. He is a monster who operates under his own moral code. He is shown to be living in his mind-palace, continuing to share meals with those visiting him. He is even allowed to make desserts, although presumably without human ingredients. He is open about the meals he previously served, as in this exchange after Hannibal asked Alana if she still drinks beer.
Alana: “I stopped drinking been when I found out what you were putting in mine.”
Will now has a family, which is important as it was the manner in which the Tooth Fairy kills regular families, as Will now has, which led to Will rejoining the FBI. (And yes, I’m sure that Hannibal is right that he does not like to be called the Tooth Fairy). Once Will is back investigating the Tooth Fairy’s murders, the series feels much more like the first season, even with Hannibal having surrendered, and no longer fooling anyone.
Richard Armitage was introduced as the Tooth Fairy, or Red Dragon. Unlike so many characters who were notable for their intellectual banter, the Tooth Fairy is capable of saying very little. Richard Armitage discussed the role with TV Line:
TVLINE | The first impression we get of Francis is someone who is completely tortured and conflicted. Even in the moment where he’s exiting the crime scene covered in blood, the horror in his own eyes is palpable. How did you come to play him in that way?
It was an organic process. We always had the novel to refer to, so everything that I found really came from Thomas Harris’ books, Bryan [Fuller] and my own interpretation. One of the things in my first episode that I found so interesting is that this man is so alone in the world, so isolated. There was a rejection in his childhood because of his disfigurement and because his character was orphaned; he was raised by his grandmother and abused by step-siblings.
But when we find him in this world, he works in a very isolated environment in the film-processing laboratory, and he lives alone. Thomas Harris describes him as having only set foot in two other people’s houses in his entire life — and certainly no one has ever come into his world. But for someone that is so alone, his mind is so busy and full of things. He has the subject matter of the films that he’s studying. He has voices in his head. He’s haunted by so many different things, like his mind is so far from silent, and that to me was something which was fascinating.
TVLINE | Your first episode is essentially wordless — which means much of what we learn about Dolarhyde is in the initial sequence of him doing physical exercises and contorting his body. There’s a sense he’s transforming into something else in that moment. Walk me through all that.
Yes, it’s really interesting the way it takes a long time before you hear Francis speak. He’s a man who is so uncomfortable in his skin, who is somehow at odds with his outer body and is almost outgrowing his physical form. So you see that conversation happening physically before you hear it verbally. And actually, for someone that has such trouble speaking and forming words, the first time we hear him speak is in Episode 9, and it’s a struggle. It’s really like baby steps when he speaks. And as an audience, we see him before we hear him, so we have a real sense of who he is or who he’s becoming and what it is that he’s pressing against or running away from.
TVLINE | What did you have to do to transform your own physique and your own way of moving your body to get in touch with the character?
Obviously, I read the book, and he’s described as a bodybuilder. So, before I got up to Toronto, I was in the gym doing intense workout sessions, since we needed to fill him out in the way that Harris wanted. But I also found something in the book where he’s described as moving in a very stylized way. Harris describes him as a Balinese dancer, so when he’s committing his crimes, I understood to be something of a performance for himself, that he’s trying to somehow be theatrical in his approach.
I couldn’t work out what that was, but then I stumbled on a Japanese form of a physical expression, an artistic art form called Butoh, which is sometimes called the Dance of Death. It’s a biological observation of the body in extremis, which I thought was perfect for this scenario. And so I used a lot of that. I also used some stress positions that I’d been working with previously on The Crucible, because I felt like the character was putting himself through something rather than changing himself for vanity sake. He’s wanting to torture his own body.
What you see in the opening exercise sequence, though, I put a metronome on in the room and just worked for 20 to 30 minutes, distorting my body and doing these exercises, and the crew just kept on filming.
TVLINE | In this episode, we get to see Dolarhyde after his second murder, out in the snow, covered in blood splatter. And there’s also that twisted but sort of artful scene where your character gets wrapped up in a film reel and is in this intense state of panic. How much of those moments were actually filmed organically versus post-production manipulation?
The filming in the snow was actually one of my first shots in the entire series, and it was about 17 below outside, a very cold night shoot. Very little of that is post-production. They used a sugar blood that stains black and thankfully, they heated it beforehand.
The scene with the celluloid wrapped around Dolarhyde’s head is a combination of digital work and some practical stuff. They did create a fake head. And they also wrapped celluloid around my head and we filmed it again. It was a bit of an exploration of literally, physically getting tangled up in his world of celluloid. It’s Bryan’s imagination at work in the best way, you know.
TVLINE | Looking forward to the coming weeks, how freaky-scary should we expect this arc to get? And knowing Francis is about to embark on a romance of sorts with a character played by True Blood’s Rutina Wesley, how will that work? What can you tease?
You know what, we really do honor the book, and so you see the full extent of that tragic love story. To me, really, the crimes aside — and remember, I never actually had to portray any of the crimes, so I suppose I compartmentalized them — Dolarhyde and Reba represent a tragic, romantic love story, which really doesn’t end well and escalates into a Shakespearian opera of the proportions that Thomas Harris really explores in the novel.
In other summer genre shows, Mr. Robot was better this week after its one-episode slide when it spent far too much time on Elliot’s drug trips last week. Remember, Mr. Robot is the show which has no robots–its entire cast is human. The other top new genre show of the summer, Humans, is about robots. This is by far has been the best of the genre shows of the summer (although Hannibal might compete now that it is moving onto the Red Dragon storyline).
Humans is highly recommended but I am not writing about the episodes to avoid any risk of spoiling the story. I am watching by downloading the episodes from the U.K. where the show is ahead of the US episodes. So much is revealed every week and I do not want to discuss episodes airing in the US with my knowledge of what is revealed in subsequent episodes.
Jonathan Strange and Mr. Norrell is in the same situation as I completed the series a couple of weeks ago from downloading UK episodes. It is also recommended.
The same issue is present for shows on Netflex, which different people watch at different times. I held off on starting Sense8 due to variable reviews of the early episodes, but I did begin to watch after reliable sources advised that the first couple of episodes start slowly to introduce the characters, but the show becomes much more interesting once you get into it. I am quite intrigued by the story, which reminds me of the early episodes of Orphan Black, when viewers initially did not know what was going on at all. As I still have several episodes to go, I still wonder if they will satisfactorily explain what is happening.
The show was created and written by The Wachowskis and J. Michael Straczynski. Both have created excellent work with the first Matrix movie and Babylon 5. However after the initial setup, the two sequels to The Matrix were awful, and the explanation behind Babylon 5 was not entirely satisfactory. Complicating matters further, the show has a planned five year arc, and it is not known if Netflix will continue the show that long. At least there is a far better chance that Netflix will continue the show as long as there is interest than a network would.