“Starbucks announced that it’s now selling a mini version of its Frappuccino, which holds two ounces less than its small size. Tom Brady tried one and swears nothing is different. You can’t even notice it.”–Jimmy Fallon
Conan O’Brien visited David Letterman on May 17. Neither like Jay Leno. Letterman’s final show airs tonight.
I was surprised to see Arrow ending its third season in a way much like one of the possible endings I see for Mad Men. Although Don Draper doesn’t currently have a comparable woman in his life, I can easily see him ending the series starting over with a new life in California. As for Oliver Queen, there is little doubt that a new threat to Starling City will bring him back. The best line of the finale was Lance not being surprise that the cite was in grave danger because it is May, showing awareness of how each season of the show has turned out.
Mark Guggenheim appears to have given away the direction, and big bad, for next season in an interview in Variety:
What can you tease about the trajectory of season four — will HIVE still play a major role?
We’re kind of doing a lot more in terms of the big bad for next year than we have in previous season finales. We first heard about Damien Darhk in episode 321 and there’s a pivotal sequence that surrounds Damien Darhk in the season three finale, so that’s exciting. It feels like we’re pulling a “True Blood” or a “Sons of Anarchy” where the big bad for the following year is teed up in the season finale of this year, so that’s kind of exciting for me because that’s something we’ve never seen before.
As for Mad Men ending with a comparable ending with Don Draper driving in California, this is one of many possibilities. He did look the about the happiest he has ever looked at the end of last night’s episode, just sitting on the bench at the bus stop, having divested himself of almost everything in his life. It would be even more plausible that Don would never return to New York if not for the events of last week, but it is also possible that he will pick up the kids after Betty dies and settle into a new life with them in California or elsewhere. There has been some talk recently that the show could end with Don jumping out of the building as in the opening titles. I see the story very likely ending figuratively along such lines–not with Don actually jumping but with him giving up everything about his life as Don Draper except possibly his kids.
There is little doubt that the finale will center around Don, but there is much more in question as to whether we will see more of other characters. Pete somehow looks like he will be the one to end up living happily ever after after last week’s episode, but it remains possible that something will still change things in the finale. After we saw Betty in a previous episode with both a happy family life and going to school, it looked like this might be the end of her story. In retrospect her lung cancer was certainly foreshadowed, between Betty smoking so frequently and all the episodes dealing with cigarettes and lung cancer. Joan could live happily ever after with her financial settlement, and possibly with her new love interest, and we may or may not see her again. I do hope we find out whether Peggy is successful in being treated as a professional, but if we don’t see her again the manner in which she walked into McCann Erickson the last time we say her would be a satisfactory ending. I’m not sure what Roger will do there, but I was also never sure of what he actually did previously.
Whether or not Oliver Queen or Don Draper wind up in California, it looks like Peggy Carter will when Agent Carter returns. The synopsis to the second season:
Marvel’s Agent Carter returns for a second season of adventure and intrigue, starring Hayley Atwell in the titular role of the unstoppable secret agent for the SSR (Strategic Scientific Reserve). Dedicated to the fight against new atomic age threats in the wake of World War II, Peggy must now journey from New York City to Los Angeles for her most dangerous assignment yet. But even as she discovers new friends, a new home — and perhaps even a new love — she’s about to find out that the bright lights of the post-war Hollywood mask a more sinister threat to everyone she is sworn to protect.
The season finale of Agents of SHIELD tied up the Inhuman plot but left them as potential future enemies. The whole question of a second SHIELD appears resolved, but we don’t know if Coulson will lead SHIELD as a one-armed man (or whether Dr. Ricard Kimble will be chasing after him). Hopefully Simmons will be saved and Fitz will have happiness. We got some clues as to where next season could be heading. From Entertainment Weekly:
And here’s where the show sets up the now-official season three: a one-handed Coulson decides to put together a new team, centered around people with powers, led by Skye, under the promise that everyone on the team will be kept anonymous. An Inhumans team! Ah! It’s all happening!!!
But even Coulson and Skye don’t realize just how important and necessary their powered team is now, since the crate of crystals Skye sunk in the ocean breaks open, infecting all the fish, who are then caught by fishing ships and chopped up into fish oil pills sent to supermarkets and pharmacies everywhere. The world is about to become overrun with unsuspecting Inhumans! Jiaying’s plan succeeded, even if she did survive to see it happen.
More from executive producer Jeffery Bell at IGN:
IGN: Coulson wants Skye to form a new, super-powered and anonymous team. Is this heading towards the Marvel Cinematic Universe take on Secret Warriors?
Jeffrey Bell: Well, Daisy Johnson certainly has a big part in Secret Warriors and having a team like that. If you’ll notice, Coulson says right now she is the only person in what might be this new outfit. But you know, the idea of a team of powered people is something we’ve seen in the show, and I think there’s a world down the road where we do our version. We do our version of all these things so they may not be Secret Warriors but there’s a whole lot of super-powered people fighting super-powered people. That’s not really what we do or what we can even do on a weekly series. But tipping our hats to that direction I think is something we’re suggesting there in the new season.
IGN: Another new team looks like it could be forming under Ward as he moves into a leadership role in Hydra. What’s ahead for him?
Bell: Ward has been a lot of fun. He’s gone through several changes over the course of last two seasons – going from boy scout, to Hydra foot soldier who’s loyal to people above him, to someone who’s been off on his own, and coming to a place where he’s at peace with himself. But after these events at the end of these last two episodes — finally he has a personal vendetta against Coulson and his team in a way he didn’t before because he can now point to them as the reason, whether rightly or wrongly, that he killed the woman he loved. By saying he wants to get closure – and we’ve seen what that’s meant in the past — I think in many ways that means he’s going to be a much more terrifying person…
IGN: What can you tease about whatever the Kree monolith did to Jemma?
Bell: As you go down your list, you’re always looking at what would generate the most story and what would tell interesting, compelling stories. And her character has changed so much in the course of a year. With Fitz, in just in a more obvious way with the head trauma and PTSD with what happened to him, but we did see her go through a lot of changes as well. They’ve each kind of become their own — in the first season we referred to them as FitzSimmons, one word almost as if they were two halves of the same person. This season we’ve split them into two whole people. They went their separate ways, and now that just as they were coming back together, it just seemed like there was an opportunity to twist that story a little bit.
And now that she’s dead — [laughs] no, I’m just kidding — or lost somewhere. Who knows what happened to her? But it seemed like too good of an opportunity not to explore. We love Elizabeth as an actress, and we look forward to seeing what happens to her and how she deals with it.
Person of Interest has only been picked up for thirteen episodes, but that could be a good thing as the show has moved from a procedural to a more science fiction show about artificial intelligence and surveillance. Thirteen episodes will allow them to deal more with the mythology and less with the number of the week–especially when the machine might not even be able to shoot out more numbers. It is not know if there will be further seasons after the fifty. If they end it with a good thirteen episode arc like on Fringe that wouldn’t necessarily be a bad thing.
Co–showrunner Greg Plageman has discussed plans for the fifth season:
How much do you have planned about season 5 at this point?
Greg Plageman: We’ve actually got a lot mapped out. It’s really kind of cool. We gathered our writers at the end of the year — and obviously we left on quite a cliffhanger in terms of Team Machine being engaged in a firefight. [Laughs] We really wanted to know where we were headed. What does it mean with the Machine being in an impenetrable case, and what that’s going to entail for the first couple of episodes, and what the larger arc of the season was. Some really great things emerged from that, and [PERSON OF INTEREST creator] Jonah [Nolan] and I both feel great about the blueprint going forward.
Will you be picking up next season in the immediate aftermath of that epic gunfight? Or will there be a time jump?
GP: We discussed a couple of options, and we feel the most honest and satisfactory way to go would be to pick up in real time. Clearly, Team Machine is carrying a pretty valuable football. The case seems pretty impenetrable; I certainly hope it can float.
Will they be able to return to their subway sanctuary? Or is that off-limits now?
GP: The subway is still okay, as well is, interestingly enough, the cover identities of the guys hasn’t been blown in terms of Samaritan’s point of view. The problem comes when members of Samaritan recognize our crew out in the street, and know who they are, or they engage in anomalous behavior that alerts Samaritan. We feel like some of the fun we had [with the cover identities] is an unexplored arena we’d like to get into a little bit more in the next season.
Do you anticipate going back into the numbers of it all as soon as possible next season? Or does the Machine being compressed give you an opportunity to step away from that for a bit?
GP: It’s going to take some doing [to get back to normal], obviously. We imagine if the Machine knew its demise was imminent, it may have also known of a number of premeditated murders and plotted — before it was compressed into a Kevlar case — to let our guys know that there are some people they should keep an eye on until the Machine is able to regain some of its faculties.
Although not science fiction, The Blacklist ended the season in a way analogous to Person of Interest. The show started out as primarily a vehicle for James Spader and frequently concentrated on the case of the week. Lizzie Boone was often a weak character who could only succeed by getting key information from Reddington. The season finale blew that up, and should make Lizzie more interesting as a character. I have some question about the finale as I don’t really think Lizzie would take the step of shooting the Attorney General, ensuring that she would be a fugitive. However for the purpose of advancing the show, I will accept that in a moment of extreme stress, with everyone she knows being threatened, she might take such an extreme action.
Morena Baccarin has been promoted to a series regular for the second season of Gotham.
Orphan Black has hit a relatively slow point the last couple of weeks, with one or another clone captured, along with some DNA talk, so I will hold off on detailed reviews. Among the more memorable scenes was Helena killing the “lab rat.” I was surprised to see her leave Sarah behind, as previously she said she did not believe the claims that Sarah had betrayed her. Helena is never predictable.
There were questions as to whether David Lynch was going to go through with the revival of Twin Peaks. It looks like it is back on again.
Saturday Night Live mocked Hillary Clinton once again. Video via Crooks & Liars:
“I can hardly wait until Donald Trump announces his celebrity cabinet.” –David Letterman
The Last Man on Earth started out strong (my initial review here) but it was apparent in the early episodes that the story would have to evolve over time. The initial stories with just Will Forte (Phil), and even those with the edition of Kristen Schaal (Carol), could not go on for very long. Unfortunately the series got bogged down way too long with a variation on a simple sit-com scenario. Will married Carol as, even though they thought at the time that they were the only ones left alive on earth, Carol insisted upon marriage before she would have sex with Phil. Soon after the marriage January Jones turned up, followed by others. Several episodes were centered around Phil trying to have sex with January Jones, or later additional women who appeared, despite his hasty marriage to Carol. Plus Phil repeatedly tried too hard to make himself look good, and various forms of deception were repeatedly exposed.
In the finale, things got progressively worse for Phil, who even lost his name as a newcomer was also named Phil Miller, leading to the original Phil being called by his middle name, Tandy. With all the lies he told all season, he couldn’t think of a cooler middle name? Tandy/Phil found that Carol was even having sex with the new Phil, explaining that she insisted upon marriage initially as the plan was to repopulate the earth, but she had no problems with casual sex with the new Phil. Of course casual sex is exactly what Phil wanted.Later Tandy/Phil was literally driven out of town after it was revealed that he contemplated driving the new Phil out of down and abandoning him. He had tried the same with an earlier arrival, but he couldn’t go through with it and turned around and brought him back. Tandy/Phil was left with two days worth of food, which could have lasted until he made it to the next city. Phil ate it all in twenty minutes, but Carol anticipated this and showed up with additional food. After Phil convinced her that he now actually cared for her, and even wrote a song for her, Carol decided she would rather stick with the guy who didn’t have the heart to go through with abandoning someone in the desert, as opposed to the man who actually did this. The show nearly ends with the two going off together, leaving it open as to whether they will go off somewhere else or ever return to Tuscon. As if this didn’t leave things open enough, at the end we saw Phil’s brother, an astronaut stranded in space played by Jason Sudekis. This left the question of whether he would return to earth, which is certainly possible on this show considering how fast and loose the show plays with science.Will Forte discussed the finale with Entertainment Weekly and the short answer is that he and the other writers don’t really know exactly where they plan to go with these scenarios:
Where on Earth are Phil and Carol headed? And what does this mean for all of those other characters that joined the show later in the season? Forte cautions that the plotting of season 2 is in the embryonic stages, though he notes, “I have one idea that would be a really fun first episode. It is fair to say that you haven’t seen the last of the old new gang, despite Phil’s banishment. “Obviously we’re not going to not show Mary Steenburgen or Cleopatra [Coleman] or Mel [Rodriguez] or January [Jones] or Boris,” he says. “They’re so important to the show. There’s a lot of room for play and it opens us up to having some time where the characters are once again in a very desolate situation. We really want to open up the world and look at the starting up of a society again with just a small group of people and basic rules…. Phil is not allowed on the cul-de-sac right now. It is entirely possible that Phil and Carol could be living somewhere else for the whole season, and we’re checking in on the different people. But I would think that they would somehow rendez-vous at some point earlier in the season.”
Is Phil truly going to try this time to make a relationship with Carol work? “Is this just a situation of you want what you can’t have, or is he truly in love with her?” Forte asks right back. “That’s how we go into season 2. They’re still totally different people and they have such different world views, we still think it’s going to be really fun to see how they act as a couple. Not in any way would I ever compare it to this, but an Archie-and-Edith type situation, or Sam and Diane—that’s what you shoot for, these two different people who just somehow are together.”
When did Carol decide to stay with Tandy? While you might be wondering if she had a change of heart before she left the cul-de-sac— as she told him in the desert, “I don’t want to be with a man who can leave someone in the desert to die; I want to be with the man who doesn’t have the heart to go through with it”— that was not her intention when driving out to meet him in the middle of nowhere, according to Forte. “In our minds, Carol came out to the desert just to give him supplies,” he says. “She had no clue that she would be ending up with him and it just kind of hits her after the song. When he told her about the song, she didn’t believe him immediately. He’s told her a million things. We edited the show a million different ways, and it used to be edited in a way that you really didn’t believe that he had written a song, so we put a lot on that song. You can tell that Phil actually took the time to write this song and was feeling very real feelings toward Carol. [Click here to read more about the song, which was written by cast member Mary Steenburgen.] It’s an impulsive decision that she makes and Phil even says, ‘I think you’re making a really bad decision here.’ But she’s willing to take the chance and Phil really appreciates that.”
Forte said that what happens with Will’s brother comes down to whether Jason Sudekis is available. He left it open as to whether there will be new characters and whether much is said about the virus which killed almost everyone:
Will we learn more in season 2 about the virus that wiped out almost every single person on the planet? The short answer: Possibly. The longer answer: ”We’ve purposely avoided the virus stuff because we didn’t think that it was important,” says Forte. “And it’s tricky to handle virus stuff and how real should it be. What happens if a real virus becomes a problem around the world? There were a lot of pitfalls. We’ve always had this general idea of the type of virus that it was. We’ve said that it’s a virus that is potent enough to sweep across the world in a matter of months but one that is slow moving enough that allows people to safely crawl into their beds and die very neatly in their own homes. (laughs)… At some point in the pilot, we showed a dead body. There was a lot of back and forth, and it was decided that we shouldn’t show the dead body. We’ve always wanted to address that, so I really do feel like there will come a point where we address the virus. Even if it’s just an indirect addressing. When we still were going to have flashbacks in the pilot, one of the ideas we had was just a regular dramatic scene between two people wearing surgical masks and everybody around them is wearing surgical masks. They don’t ever talk about the virus—it’s just happening. I would love to flesh out the virus with little scenelettes like that, although they would have to be in flashbacks, because obviously everyone who was not immune to the virus has died.”
In other finales last week, Gotham appears to have gotten rid of some characters, most likely to open up room for more spectacular Batman-style villains. Fish Mooney appears to have drown, but there is talk that Jada Pinkett Smith might return. The big reveal at the end of the episode was a stairway which we know leads to the Batcave. Presumably next season we will learn what Bruce’s father did with it, and what Bruce will do there as he is years away from becoming Batman.
Person of Interest ended with the situation looking bleak, but at least the Machine was saved for now. The Big Bang Theory ended with major changes for two couples. Arrow, The Flash, and Agents of SHIELD are heading towards big season finales next week, plus there are only two episodes left of Mad Men.
Entertainment Weekly has an interview with Joss Whedon and other producers on the tie-in between Agents of SHIELD and Avengers: Age of Ultron. The movie will also have an extended cut on Blu-Ray with an alternate ending.
Emily Van Kamp might have lost her job on Revenge, but she will be reprising her role as Agent 13 (Sharon Carter) in Captain America: Civil War. It actually sounds like most of the Marvel universe will be taking part. The movie will then set up the two part Avengers: Infinity War.
AKA Jessica Jones staring Krysten Ritter will be the next Marvel series on Netflix. A synopsis has been released:
Ever since her short-lived stint as a Super Hero ended in tragedy, Jessica Jones has been rebuilding her personal life and career as a hot-tempered, sardonic, badass private detective in Hell’s Kitchen, New York City. Plagued by self-loathing, and a wicked case of PTSD, Jessica battles demons from within and without, using her extraordinary abilities as an unlikely champion for those in need… especially if they’re willing to cut her a check. In this new collectible volume, go behind the scenes into the world that brings the story of Jessica Jones to life. Packed with stunning production photography, as well as exclusive interviews, this deluxe companion reveals the details of the set and script of Marvel’s AKA Jessica Jones through the eyes of its makers.
There has been a lot of news this week on renewals and cancellations. I fear that the DC shows on CW and now CBS (which owns CW) might be growing exponentially. First there was Arrow. Then the number doubled with the addition of The Flash. Next year this will double again as CBS has picked up Supergirl, and CW will have the Arrow/Flash spin-off, now named DC’s Legends of Tomorrow. Will we have to find room for eight or sixteen shows the following year?
A synopsis has been released for DC’s Legends of Tomorrow, which will be premiering in January:
When heroes alone are not enough … the world needs legends. Having seen the future, one he will desperately try to prevent from happening, time-traveling rogue Rip Hunter is tasked with assembling a disparate group of both heroes and villains to confront an unstoppable threat — one in which not only is the planet at stake, but all of time itself. Can this ragtag team defeat an immortal threat unlike anything they have ever known?
I wonder if the time travel element will provide a way for Caity Lotz to return as the original Black Canary, or if she will play a different role. Incidentally time travel might be allowing for the return of a popular Doctor Who character who apparently died last season–Ingrid Oliver as Osgood.
The Marvel television universe is not growing as much as it originally appeared. Instead of the rumored spin-off of Agents of SHIELD, they will stick with this and Agent Carter will get a second season. I hope they do it the same way, putting Agent Carter in SHIELD‘s time slot temporarily, as opposed to adding yet another hour. Maybe CW will also begin to stagger their shows.
Constantine was canceled by NBC but there is speculation that it might be picked up elsewhere. The Mindy Project was also cancelled, with talk that it might be picked up by Hulu. Among other genre shows, Resurrection and Forever are both cancelled, and most likley neither will be resurrected and both are gone forever.
Fox has picked up some new genre shows including Minority Report and Lucifer.
Orphan Black and iZombie were among the genre shows which recently received official renewals. Being busy this Sunday, I will hold of on discussing this week’s episode of Orphan Black until next week.
Grace and Frankie were released by Netflix on Friday. The handful of episodes I watched did look promising, and at this point I would rank it above Kimmy Schmidt, which received much more buzz. An incidental benefit of ent Carter, Agents of SHIELD, Arrow, Avengers, Batman, Big Bang Theory, Black Canary, Captain America, Constantine, Doctor Who, Frankie and Grace, Gotham, iZombie, Jessica Jones, Joss Whedon, Krysten Ritter, Legends of Tomorrow, Lucifer, Mad Men, Minority Report, Orphan Bla Grace and Frankie is that the major cast members have all been on Aaron Sorkin shows.
“Hillary Clinton is making income inequality a central theme in her campaign. Yeah, for example, today she pointed out that her husband makes $300 million a year. She has to get by on $200 million a year, and that’s not fair.” –Conan O’Brien
“Recently a guy was having trouble with his computer. So he unplugs it, takes it out in the alley, pulls out a gun, and shoots it eight times. Coincidentally, that’s how Hillary got rid of her emails.” –David Letterman
Avengers: Age of Ultron opened with the second highest box office receipts of all time, trailing only The Avengers 2012 opening. I would rank the first Avengers movie, along with the better Iron Man and Captain America movies, above Age of Ultron, but it was still a very enjoyable movie, falling in the middle of the recent Marvel releases. My discussion here is primarily as to how it fits into the rest of the Marvel universe and I avoided major spoilers of plot points, but those who want to totally avoid any information about the movie before seeing might want to jump down to the next section. Some of the linked articles have even more significant spoilers.
There is an attempt at continuity between the Marvel television universe and cinematic universe, but it is largely one way. The movie definitely takes place after the events of Captain America: The Winter Soldier with SHIELD broken up. The members of the Avengers are working out their own hierarchy, no longer taking orders from SHIELD. Agents of SHIELD did have a lead-in for the movie in last week’s episode, including the search for Loki’s scepter, but as far as the movie series goes, Coulson is dead. While Nick Fury and Maria Hill appeared in the movie, there was no sign of Coulson, even at a party where it seemed everyone who ever appeared in a Marvel movie was invited. For those who primarily watch the movies, they avoided having to explain how he is alive, and viewers of the show could just assume he was too busy hiding from HYDRA and the other SHIELD to attend. Joss Whedon discussed the conflict between the television and movie people, including a reference to the ending of St. Elsewhere:
“Yeah he’s dead. The entire television series is just a fever dream. It’s a Jacob’s Ladder moment he’s having at the point of death, but we don’t give that away until after season seven. And there’s a snow globe. Now I’ve given it away. Bollocks!
“It’s a weird little yes and no. As far as I’m concerned in the films, yes he’s dead. In terms of the narrative of these guys [The Avengers] his loss was very important. When I created the television show, it was sort of on the understanding that this can work and we can do it with integrity, but these Avengers movies are for people to see the Avengers movies and nothing else. And it would neither make sense nor be useful to say ‘Oh and by the way remember me? I died!’”
The Agents of SHIELD show runners discussed the tie in to the movie with Variety. Note that it is not necessary for understanding of the television show to have seen the movie to make sense of its references in last week’s episode. We will see how the events tie into future shows, but my bet is that the movie and television show are sufficiently self-contained so that it won’t necessary to have seen the movie.
One limitation of Avengers movies is that there are too many characters to spend much time on each individually. They did throw in a new romance, and we learned much more about Hawkeye and about The Black Widow. The most significant opportunity for characters to be seen as individuals occurred when Scarlet Witch caused them to have dream sequences. These sequences told more about the motivations and thoughts of the characters, and are discussed further at Slate.
It shouldn’t come as a spoiler to note that the Avengers win in the end. The ending shows some of the original Avengers leaving the group, although we know they will be seen again in Captain America: Civil War. The ending did suggest that newer superheroes would be replacing some of them, but I would not be surprised if more of the original Avengers also play a role in the future. It looks like the Avengers will primarily consist of Captain America, Black Widow, Falcon, War Machine, and two introduced in this movie: Scarlet Witch and Vision. More on this here , here, and here. There was not a scene at the end of the credits, but there was a brief scene during the credits which also ties the movie to Guardians of the Galaxy. Discussion of that scene can be found here. Of course there was the obligatory Stan Lee cameo.
Orphan Black got back to Mark and the Prolethean storyline, and had a big revelation about the Castor clones (I am your sister). In watching it is hard to tell to what degree the writers had a long range plan and to what degree they are making things up as they go along. This is most apparent in how they retcon Paul’s role to fit into whatever is happening each season. This season they have him working with Team Castor, and therefore retroactively came up with the explanation the he had previously infiltrated Dyad. There is an even more retcon with Mark. Ari Millen was originally intended to only play Prolethean Mark, but at the end of the season it was decided to have him play the line of male clones. I had wondered how they would reconcile Mark’s character with the other clones. Now the explanation is that he was only with the Proletheans to retrieve material from Henrik. The change in each character seems even less plausible when considering the scene last season where Mark and Paul met in a bar and gave no indication that they were both on Team Castor. While they should have recognized each other, I imagine this scene could be explained away as each engaging in meaningless banter to avoid giving themselves away to anyone who might have been around them.
The Hollywood Reporter discussed the episode with Graeme Manson and John Fawcett, who pretend this was their plan all along:
Though the male line of clones was only introduced in the second season finale, it took just three episodes of season three for a key piece of the puzzle to fall into place: The clones from Project Castor (the males, played by Ari Millen) and Project Leda (the females, played by Tatiana Maslany) are biological siblings.
“There’s no doubt that’s been a plan of ours for a long time,” Orphan Black co-creator Graeme Manson tells The Hollywood Reporter. “It does shape the season going forward. We wanted a big revelation about these male clones, and the revelations are going to keep on coming.”
Cosima (Maslany) shared the truth with Sarah (Maslany), and then Sarah informed Mark (Millen) of their connection. And while Sarah has fiercely embraced protecting her new sisterhood, the discovery will lead to her own mixed feelings on the matter.
“It certainly adds a massive layer of complexity for Sarah, especially,” says series co-creator John Fawcett. “She’s just coming to grips with the fact that it really wasn’t that long ago where she was basically running away from her own daughter. Shunning her responsibilities of her immediate, biological family. Sarah’s done a lot of growing up in the past; going from street urchin, running around, avoiding the fact that she’s a mother to changing her life, wanting [her daughter] back, wanting to be a mother, going, ‘Oh my God, I have clones running around.’ There’s been a lot of acceptance and discovery for Sarah through this journey. There’s this other brain-numbing facet that Sarah has to take on board. It’s a big part of the mystery going forward.”
“Bearing in mind, none of these ‘brothers’ are acting very much like siblings,” added Manson. “So, we are also raising questions in terms of family of, ‘What makes family?’ Does biology make family? Do you choose your family? Sarah, like John said, has grown up a lot. She’s choosing her clone family. Are they going to choose the males or not?”
The above trailer for the television adaptation of Jonathan Strange & Mr Norrell has been released.
Looking to the week ahead, both Gotham and Person of Interest have each set up a high stakes battle for their season finales, and the end games for The Flash and Arrow appear near. I will wait until these stories have played out more to discuss them further. I have not been thrilled by the last couple of episodes of Outlander, but those who have read the book do say that big things are happening in the remaining episodes of the season.
Syfy has canceled Helix after its second season.
With twenty-eight minute episodes. Dan Harmon can get into more into an episode of Community now that it is on Yahoo! instead of NBC. This week’s episode, Intro to Recycled Cinema, mocked commercials, Chris Pratt, and movie-making. It amusingly ripped off Star Wars, including the Cantina and garbage chute scenes. Chang was briefly a star, Jeff was the Mayor of Outer Space, Abed did his thing, and Annie was a pleasure droid-turned-bounty-hunter Scorpio 9, who sometimes reached into her shirt and pulled out a laser bomb.
In an act of mercy killing, ABC is canceling Revenge. This is a perfect example of the problem with the US model for television series. It was a fine escapist show the first season, but continued long after there was any reason to drag out the story. While the BBC or cable might have ended the series at a natural point, even if only after a season or two, the American networks don’t work that way. The final straw was, after the rational for the show was seeking revenge for the false imprisonment and death of David Clarke, he suddenly turned up alive.
Scarlett Johansson was guest host on Saturday Night Live this week, and in this video showed how Marvel would make a girl superhero movie:
The White House Correspondents’ Dinner has turned into a major event in recent years, and Barack Obama did a fine job. Among his jokes:
“For many Americans, this is still a time of deep uncertainty. I have one friend, just weeks ago, she was making millions of dollars a year, and she’s now living out of a van in Iowa.”
“Michele Bachmann predicted I would bring about the biblical end of days. Now that’s big. … Lincoln, Washington — they didn’t do that.”
On Bernie Sanders: “Apparently people really want to see a pot-smoking socialist in the White House. We could get a third Obama term after all.”
On Dick Cheney: “He thinks I’m the worst president of his lifetime, which is interesting because I think Dick Cheney is the worst president of my lifetime.”
Cecily Strong, while not as good a comedian, as Barack Obama, did better in this situation than as anchor on SNL’s Weekend Update. She had a number of jokes about the media, from the number of prison documentaries on MSNBC to the nature of Fox’s audience: “Fox News has been losing a lot of viewers lately, and may they rest in peace.”
She was clearly backing Hillary Clinton but she did mention the email scandal: “Hillary Clinton said that she used her private email because she didn’t want to use more than two devices. Now if that sounds familiar, it’s because it’s also one of the rules of the sex contract of ‘Fifty Shades of Grey.'”
Obama’s expression of political views has received far more attention than Strong’s. On climate change: “Look at what’s happening right now. Every serious scientist says we need to act. The Pentagon says it’s a national security risk. Miami floods on a sunny day, and instead of doing anything about it, we’ve got elected officials throwing snowballs in the Senate! It is crazy! What about our kids?! What kind of stupid, short-sighted, irresponsible…”
Both conservative liberal blogs agreed that Obama was expressing liberal views in such jokes, but the spin was quite different. Power Line’s headline was Our Mean-Spirited President Cuts Loose. Ezra Klein put it differently (and more accurately): The joke was that Obama wasn’t joking.
The season finale of The Americans felt more like a mid-season break, consistent with the earlier statements from the producers that they were carrying the plot threads from the third season into the fourth. This makes good sense as shows such as Homeland have shown how easy it might be to use up the story lines which really propel a show and then have to search for a reason to continue.
There were at least two major plot lines addressed in this episode, with one providing a major cliff hanger. Taking Paige to meet her Russian grandmother only served to make her more upset about her identity, leading to the final scene when she called Pastor Tim and told him that her parents are Russian spies.
There are many conceivable ways that this can go. Will Pastor Tim, assuming he believes the story, feel obligated to preserve her secret? Assuming that Elizabeth and Philip find out, will they make sure that Pastor Tim does not survive to tell anyone? There is also speculation among some fans that Pastor Tim is also a spy, but that might be a too convenient way to resolve the issue.
While this is the major cliff hanger of the season, the Martha story line also remains more fascinating after last week’s revelation. This week we learned that Martha is still alive, and that Philip covered for her by framing an FBI tech person for planting the bug. We still don’t know what cover story he is now telling Martha. Does Martha now know he is a Russian spy, or maybe she thinks he is working for a more secret US organization. Martha clearly knows that the person was framed, and should be able to figure out that his suicide was actually a murder. There is a lot for Martha to consider here. This all has Philip questioning his life as he searches for answers at the EST meetings, while Elizabeth has no doubts, especially while listening to Ronald Reagan call her home the evil empire.
Producers Joe Weisberg and Joel Fields discussed the cliff hanger with The Hollywood Reporter:
Why did you decide to leave it on a cliffhanger?
Fields We’re glad to hear you say it’s a cliffhanger. We talked about that in the room actually, whether or not it should be called a cliffhanger. I suppose it’s a cliffhanger in the show in the sense that one really wants to find out what’s going to happen next, and that’s a good thing. But, to us, it’s all about the characters. What’s most interesting to us is what’s going to happen to these people next, and what personal dramas will they go through next. That’s always more interesting to us than someone kicking in the door with a gun in their hand.
Weisberg We’re also used to drama where a cliffhanger means that somebody is or isn’t going to die or something like that. So the idea that the real question is: Is this guy who got a phone call going to make another phone call? We were really debating if that would count as a cliffhanger.
Fields More like a telephone-hanger. (Laughs.)
And why did you choose for the cliffhanger to be Paige telling Pastor Tim the truth about her parents?
Fields We knew Paige was going to tell Pastor Tim for quite some time, but we just didn’t know exactly where it would fall in the drama — just like we knew that Philip and Elizabeth were going to tell Paige, but we didn’t know exactly where that would fall into the drama. This family is truly a family, and as such loves each other in its own way. Yet, at the same time, their family has blind spots. The idea that these parents had thought that they had gotten through a rough patch with their daughter and thought that things were on an even keel while missing entirely what was going on, it just rings very true. Somebody just said in our writers’ room today, “What’s really going on is that Philip and Elizabeth have an adolescent.”
For all we knew, Paige could have turned into her own KGB agent this episode. When did you know the story wasn’t going in that direction?
Fields Toward the last third of the season.
Weisberg We considered the possibility of her making that phone call the night that they told her, and then we decided that we definitely didn’t want to do that. So then it became a question of whether or not she would tell them this season or next season, and the finale seemed like the perfect point. What’s most moving in a way is how much pain she’s in there after she comes back from her trip with her mother, and how she expresses that pain and what it drives her to do. For us, it was really moving just to see her crying there in bed when her parents are in the next room not really able to connect with her or fully comprehend how much she’s suffering. Then we have her call Pastor Tim and so openly and clearly express the pain she’s in, which is something her parents are not able to do.
TV Line has information from Marc Guggenheim on what happens the rest of this season on Arrow now that Oliver has remained with the League of Assassins following his deal to save Thea:
With Oliver choosing to stay behind in Nanda Parbat, “the character journey of [Episode] 321 is how the hell Team Arrow moves forward without Oliver,” Guggenheim previews. Whereas last time the group thought he was dead, “knowing that he’s out there and alive, but a member of the League of Assassins, that’s a whole lot harder” for Team Arrow to handle, the EP adds.
“There is a real trinity formed between Laurel, Diggle and Felicity,” Guggenheim says. “They’re all leaning on each other. They’re processing things in different ways. Laurel is throwing herself into her work saving the city. Felicity is struggling with heartbreak and grief. She really goes through the seven stages of grief with Oliver. And Diggle, something happens in [Episode] 21 that really upends Diggle’s world, certainly vis-à-vis Oliver. That’s something that will have repercussions for the remainder of the season.”
The EP adds that next week’s hour is “one of our most emotional episodes” because it’s a baddie-of-the-week installment in which “the villain of the week is Oliver.”
So with the hero giving in to the darker nature of the League, what does his future hold?
“The last three episodes spend a lot of time addressing the question of: ‘Is there hope for Oliver?’” the EP says. “And: ‘Is there hope for Oliver in Felicity’s mind?’ [Episodes] 21 and 22 have some very specific things to say about that and Felicity’s coming to grips with the conclusion of Episode 20.”
The second episode of Orphan Black this season included the return of Sarah pretending to be Beth Childs, and for a second episode Tatiana Maslany also provided the voice of another character, the scorpion. Something is clearly wrong with the Castor clones, and finding the original clone lines might provide the clue, or at least propel more episodes this season.
Logic tests might be useful to evaluate the neurological status of some clones, but Helena sure messed that up in dwelling on finding the mangoes and discussing the issue with the scorpion. Plus we know more about Cal, we saw Allison and Donnie as drug dealers, and it is time for Kira to leave for a while to get away from too many stories about having to save her.
Buddy TV discussed the episode with the show’s creators Graeme Manson and John Fawcett:
What went into the decision to have Seth’s death happen the way it did and to start the episode off with that crazy threesome?
Manson: “First on the crazy threesome. The crazy threesome was just something that we – you know…I guess what it was was when we looked at those characters, it seemed like they would potentially, because they grew up together, that they share, because they’re brothers. They share and I think that they’re of a very different kind of upbringing than our girls, and so that because they’re brothers and they share…I don’t know, it just seemed like there was a natural kind of sharing, that sexual exploits would be part of that.
But the further answer to that question is that we just thought it was kind of something that we hadn’t seen before, but it would be kind of a really terrifying way to begin the episode, to discover actually there’s a second person in the room with you. From this woman’s point of view, it’s very scary to realize that the other person in the room is a twin.”
Fawcett: “It’s also a transgression and a crime that we do not take lightly throughout the season.”
Manson: “And then in regards to the termination of Seth at the end, what’s different about this is that that is very much a mercy killing, and it is meant to be a very emotional moment. The fact that these boys have this potential terminal illness is a really horrifying kind of thing that they all have to come to grips with, and I think it’s an emotional moment between Rudy and Seth there that we wanted to explore.”
Is the glitching from the Castor clones equivalent to the illness we see with the Leda clones?
Manson: “It’s part of our scientific mystery, and discovering what ails them, it sort of parallels our Ledas searching for what their own disease is, so that is indeed part of the story, part of the mystery we’re unfolding and part of our scientific mystery.”
Is that what Project Castor is testing for, with the questions Paul asks Seth and Rudy and Helena’s being asked?
Manson: “Again, as part of the mystery of what is biologically with the Castor clones, that’s just kind of the tip of the iceberg to some degree. The thing that we do know after watching episode 2 is we do know that the Castor clones, whatever’s wrong with them, whatever’s potentially causing this, is neurological, and so I think that that’s where these tests come from, and it’s our little tip-of-the-hat homage to Blade Runner.”
Digital Spy has eleven spoilers from Bryan Fuller on the third season of Hannibal.
Netflix has renewed Daredevil for a second season.