Steven Moffat give some hints (or perhaps misleads) about Jenna-Louise Coleman’s role as the new companion on Doctor Who during a recent radio interview:
The new companion will, again, be a human from contemporary earth. This is necessary for audience identification and a ‘jumping on’ point for new viewers
How the companion gets where she is and what that means for the character is what will make her utterly different and fascinating
The new companion will not have any links to any previous characters
Her ‘journey’ will be shocking and intriguing. The Doctor has never met anyone quite like her before
Her very presence in the TARDIS will change the Doctor and there’s something different about her that will have a knock-on effect for the Doctor/companion dynamic
Or how about Jon Luc Picard as a companion? Above is from the comic miniseries Star Trek: The Next Generation and Doctor Who: Assimilation².
The two greatest science-fiction properties of all time cross over for the first time in history, in STAR TREK: THE NEXT GENERATION/DOCTOR WHO: ASSIMILATION²! Captain Jean-Luc Picard faces one of the most difficult decisions of his life, but the fate of the galaxy may depend on it! Can the Doctor convince him to make the correct choice?
Another example of cover art from the miniseries can be seen here.
There was controversy this week when it was revealed on the DVD extras that one of the heads used on Game of Thrones during the first season was that of George Bush. It sounds like it was just a matter of using materials which were handy and nobody would have noticed if this was not mentioned during the commentary. From the DVD commentary:
“The last head on the left is George Bush. George Bush’s head appears in a couple of beheading scenes. It’s not a choice, it’s not a political statement. We just had to use whatever head we had around.”
The full scene is above.
This was an interesting bit of trivia about the show which apparently nobody noticed when it aired, but once revealed HBO really had no choice but to have this edited out. In a nation split near 50:50 it is understandable that a media company would not want to alienate a large percentage of the country in such a manner. The season finale was taken down and DVD sales stopped to allow for digital removal of Bush’s head–which would create a problem for those desiring to watch the first season. I just checked HBO GO and found that the episode is back up. The scene with Bush’s head is unchanged except that there is now hair digitally inserted over much of the face making it unrecognizable.
One of the biggest puzzles about the first season of Once Upon A Time is why they didn’t use Meghan Ory more often. The producers apparently agreed and are making her a regular for the second season, along with adding new characters.
The two top writers of rapid-paced dialogue are back on the air this summer–Aaron Sorkin with The Newsroom and Amy Sherman-Paladino with Bunheads. Sorkin discussed his work in an interview here–but I would give higher grades to Sorkin’s previous shows than he gives himself. Another interview with Sorkin touches on science fiction as well as politics:
In one episode of Newsroom, we hear Will say, “I’m a registered Republican—I only seem liberal because I believe that hurricanes are caused by high barometric pressure and not by gay marriage.” So—
Your question is “Are hurricanes caused by high barometric pressure or low barometric pressure?” The answer is both. Hurricanes are caused when a high-pressure system surrounds a low-pressure system. That wasn’t your question, though. Your question is, why is Will a Republican?
No. My question is, if he really is a Republican with moderate-to-liberal beliefs, when did you become interested in science fiction?
You’ve answered the question I thought you were asking, which is, why is he a Republican? There are several reasons, but the biggest is: I haven’t seen this guy on TV.
Or anywhere, lately.
For the last year or so, but really since Obama got elected, I’ve found the most interesting op-ed political writing to be from Republicans who are looking at the extreme right and saying, “Those guys aren’t with us. I don’t know what happened here, but they’ve kind of co-opted our brand name. But these aren’t Republican values.” Guys like David Frum, Mark McKinnon, Andrew Sullivan. Even George Will. I hadn’t seen that guy on television. There’s CNN, which tries very, very hard either to not be anything or to be both things. And then, of course, there’s Fox and there’s MSNBC, on either side.
Amy Sherman-Paladino’s new show Bunheads premiered last week, with many similarities to Gilmore Girls. Inevitably interviews about the new show led to questions about Gilmore Girls, including the mysterious four words which she had intended to conclude the series with:
You always said you knew the four words that were going to end the last Gilmore Girls episode, and you obviously never got to have them said. Any chance you’d share them now? To me, because I didn’t have control of that last year and [whispers]I still haven’t seen the last year … Here’s the deal. All the people who ran the last year, David Rosenthal, I hired him, he’s good people, he’s a good writer, I really like him. I don’t think he thought Dan and I were going to leave. We didn’t think we were going to leave. Everyone was caught unaware. It was literally a situation of bad negotiating. Our interests were in staying and keeping the show going. Once the CW bought it, we called Warner Bros. and said the CW is going to need this show to launch new product for the next couple of years. You don’t want the show to go down this year. We instigated that. When the negotiations got so crazy we thought, Maybe we’re high? Maybe they don’t want it for the next couple of years. But by not having control of that, it shifts the focus of what my last words would have been. I was also holding on to it for a long time because I was thinking if we did do a movie, I would be able to use it there. I don’t think that’s ever going to happen so, I don’t know. Maybe I’ll eventually say the four words. I feel like now I’ll let people down because it’s been so built up. “Really? That’s what we waited all these twelve years for? Well, thanks so much.”
Maybe the four final words were, “Rory, you were adopted.” Doubtful, but amusing speculation.
Alexis Bledel’s appearance on Mad Men this season also came up:
I’m sure you know a very grown-up Alexis Bledel was on Mad Men a few weeks ago. We have a place in Brooklyn and she lives right around the corner from us. I have to say she is taking a very thoughtful, interesting approach to her career post-Gilmore. She’s being very particular. I think it’s very smart. She’s not rushing. I applaud it. She did have her shirt open, however, and her boobs hanging out. I was behind. I’m behind on everything that’s not Game of Thrones. And then I read some headline that said, “Most Boring Mad Men Ever Except for Rory Gilmore Getting Naked!” I thought, Holy shit, is she naked? She wasn’t. She had a fur and some underwear. When you’re young and your boobs look like that? Why not?
Speaking of Mad Men, I noticed that critics were generally dissatisfied with the season finale last week. I disagree. Certainly there was more drama in the previous episode in which Lane committed suicide, but the finale did an excellent job of tying up some loose ends and presumably setting the stage for next season. They might have saved the suicide for the finale, but handling it this way allowed viewers to see the aftermath of the act.
The finale included Pete Campbell getting punched, not once but twice, making this twice as good as the previous episode in which this occurred. Pete seemed to becoming too successful at SCDP, but we learned of his dissatisfaction with his life during his visit to the hospital. Perhaps he was demonstrating even more self-understanding when he told the conductor, “I’m president of the Howdy Doody Circus Army.” There was an Eternal Sunshine Of Spotless Mind conclusion to the Rory Gilmore storyline. We saw that SCDP has become a successful firm, suggesting an end to the new company struggling to survive story lines which can become tedious. Most importantly, we may have seen the beginning of the end of Don and Megan. The episode contained clues, such as Don telling Peggy, “That’s what happens when you help someone. They succeed and move on.” Don warned Megan against taking help from him, telling her she would be better off being “someone’s discovery than someone’s wife.” Don might now believe that Megan will move on as Peggy did. Now that Don has helped Megan get the role in the ad, she has become too much like Betty when they met, and might ultimately suffer the same fate. The episode ended with what might be the old Don Draper going into the bar to order a highball. We don’t know how he answered the question, “are you alone” but things will never be the same between Don and Megan.
The Avengers ended with the heroes going out to a shawarma restaurant after saving New York. When watching this scene (at the end of the credits) did you wonder where Loki was? The answer is above.
Above is the Doctor Who mini-episode, Good as Gold.
Pictures have been spread on line of filming for season seven of Doctor Who. Unconfirmed but apparently reliable reports claim Jenna-Louise Coleman’s character will be named Clara. Steven Moffat has said in a recent interview that he hasn’t completed the script for the Christmas episode which Jenna’s character first appears in. Presumably the reports of filming are of episodes from later in the season.
Steven Moffat continues to object to Elementary copying his idea of a television show based upon a modern day version of Sherlock Holmes.
A remake of Room at the Top has been sitting on the BBC’s shelf for a while but perhaps now that Jeanna-Louise Coleman has become a major actress throughout space and time there are finally plans for BBC4 to air the show. Jenna plans Susan Brown in the dramatization of the novel. Apparently the release has been delayed due to contractual problems.
DC comics are relaunching the concept of an Earth 2 with the original versions of its super heroes, but with some changes. Alan Scott, the original Green Lantern, will be gay. I wonder if the new origin story will include a scene where Mitt Romney pins Alan Scott down and tries to cut off his ring.
Above is a new trailer for The Amazing Spider-Man
A common storyline in science fiction has time travelers change the past. I09 considers the question as to how we know whether our own past has been changed.
Kathryn Joosten, who has died at least three times on television (Mrs. Landingham on West Wing and Mrs. McCluskey on Desperate Housewives and on Scrubs) actually died on June 2 of lung cancer.
Following the series finale of Awake I found many sites were interpreting the final scene as meaning that it was all a dream, and the accident did not occur. I posted my disagreement with this interpretation. Subsequently interviews with Kyle Killen (such as here) verified my interpretation and answered additional question. The finale went into a different form of dream after Britten was in jail in one of his realities. In this dream, Britten actually met with his self from the other reality, was followed by both of his psychiatrists, and had an unusual meeting with his wife. It might be argued the Britten in jail was the real Britten, having dreams of solving the crime and being the hero in the other reality, and developing a new dream to cope with the reality of being in jail.
Regardless of whether this was the real Britten or a dream within a dream, the episode ended with Britten speaking with Dr. Evans. She attempted to convince Britten that the world with Hannah was just a dream, but Michael then questioned what the “rules” were. Britten never had been interested in finding which reality was true–his desire was to have both his wife and son back alive. His mind coped with the death of one by creating a second reality in which the other survived. His mind now realized that he could create an even better fantasy in which both his son and wife were alive. The immediate feeling upon watching this episode was that this was a happy ending with Britten getting what he wanted. It is also an ending in which Britten is even more out of touch with reality.
Killen described it this way:
Some fans saw the final scene — Britten (Jason Isaacs) seeing both Rex and Hannah in the house — and mistook it as a copout ending revealing the detective had dreamt the entire 13 episodes. “The idea that we’re saying nothing happened, this is St. Elsewhere, was something we actively fought against. You can still hate the finale, you just can’t say that that’s what it did. It’s just wrong and can actually be disproven watching the last four minutes,” Killen says. The show was always conceived as the way that one particular man dealt with grief that he was completely unprepared to handle. “That’s how the season ended — while he’s able to see his wife and child together, if you take a step back, what it really represents is a further fracturing of his psyche,” he says. “You understand that you don’t see your partner in a penguin suit in any version of reality — that grew directly out of the red world in which Hannah is alive [seemingly] revealing itself to be a dream. He just can’t accept that, and then [in the conversation with Dr. Evans] backs into the idea of, Wait, what if I fell asleep in my cell and then everything that happened after that was a dream? What if for the first time I had dream-like dreams in between being awake and being asleep? Once he does that, it’s almost as if his brain seizes that moment and creates precisely the thing that psychologically he’s dying for — and that is a moment with everyone together.”
One big question all season has been whether one reality was true and the other a dream, if there was some sort of quantum universe explanation in which both were equally valid, or whether there would be a conclusion like on Life on Mars in which nothing was real. Watching week by week I found that the evidence was contradictory as to which reality was real and suspected they were equally valid or both unreal. In interviews leading up to the finale Killan had said that one was real and the other was a fantasy which Britten developed due to the horror of losing either his wife or son. The reason that there was such contradictory evidence now appears to be that Killan and the writers did not have a conclusion in mind which settled this:
The show’s producers all had their own pet theories, but nothing was written in stone. “Most people felt like the red world was more likely to be real, just from a logical basis that the death of a child is something that’s out-of-order with nature and much more difficult to deal with than the death of a spouse. It felt like the death of a child is one that you might create a world to undo. So it felt a little bit like the balance was tipped in the red world’s favor, but we constantly adjusted that. One of the things we talked about was if ultimately the green world with his son was real and the red world was his imagination, was it that he couldn’t let his wife go until he’d psychologically worked out something that was unresolved with Hannah? There were arguments for why he simply could not let go of one or the other. We didn’t feel it was necessary to decide which one was his imagination now. We didn’t have a big sitdown and say, ‘This is what Rosebud means.’ We just didn’t approach it that way.”
Watching the finale I had also wondered whether this was written after Killan knew the show was cancelled and was intended to be the ending, or if this was written previously with plans to move on from this point in a second season. Killan revealed that he planned to pick up the second season from this point if the show was renewed:
The finale was written and filmed before the show’s cancellation. “I don’t know how the show could have gone on if the fundamental thing that made it work was taken away,” Killen says. He believes you can make the argument that the world in which wife Hannah survived — the red world — was the real one with just as much vigor. “Look at the state that Britten is in [there]. He’s lost. The woman who destroyed his family has gotten away with it. He’s in prison and he seems to have no hope of getting out of there. He’s essentially indicted himself with his own behavior. So if ever there were a place where you could reach a low that would cause you to create through a psychic break a world in which you do solve all the problems, and you do get the bad guy, and everything does turn out okay… I would think that would be an argument for the red world actually being real and requiring the green world as a dream to make going on seem possible. We, at least internally, made sure we could argue it both ways because going forward, we didn’t intend to have that mystery sewn up in this episode.”
Killan went on to describe how the second season would have picked up the story:
“The discussion was always that that’s where he finds himself when he woke back up in red world. It would be as if all of the dream-like elements had in fact been a dream, and he’d closed his eyes just before the guard knocked on the door and told him he had a visitor [Harper], and we’d treat it as that was the moment he went to sleep. He would know that he’d caught Harper in the other world and that he seemed unable to do anything in red. Ultimately, he would have relied on Vega to help him extricate himself from that situation.”
At that point the narratives would have proceeded in both realities (or technically one reality and one dream state) we saw in the first season, with the addition of the third state seen at the end of the finale:
“You still would have had red and you still would have had green,” Killen says.”We left ourselves open to the possibility that [producers/writers plotting out season 2] would have had a really interesting pitch for what to do with that third space, and whether there was an ongoing narrative we wanted to tell there or whether we wanted to use it as simply a surreal dream space that we could access when we wanted to and how we wanted to that let us bring other weirder elements into the show that we’d always wanted to try.” He suspects it would have been the latter. “Twin Peaks being a show that was very close to my heart and a seminal thing in my childhood, the third space was sort of our Black Lodge. It was a place where almost anything could have happened. What happened initially was he found himself in his house with his wife and his child, but there were a lot of other places we would have taken that dream space. I don’t know that it would have always been that linear or happy. I think it would have been a place where he had a lot less control than he thought.”
If the show continued, Britten would have also had a relationship with Rex’s tennis coach, Tara, as was hinted at in the first season:
“It always felt too soon and difficult to explain. If it’s about a man overcoming the loss of his wife, he’s only overcoming the loss for 12 hours a day. So most of us deal with that by not needing to get into another relationship. What ultimately was needed to really jump-start the alternate relationship was some sort of fracturing in the Hannah-Britten story. That’s exactly what you see us building to at the end of the season,” Killen says. “Once he’s imprisoned and he’s considered essentially a mad man and there’s not really a clear way out, we would have used that and Dr. Evans to really try to convince him that that was his imagination and there was a psychological reason that he was holding himself there. That would have opened the door enough for us to begin something with Tara. And then by the time the red world resolved itself and he was extricated from prison, without really meaning to, he would have gotten himself in two different relationships. By the time things were repaired with Hannah, he would have already begun a relationship with Tara because he had been leading himself to believe that Hannah wasn’t real and it was something that he needed to get over. By the time that flipped on him, he would have been a man divided. That was something we were really eager to explore in the second season.”
Christopher Eccleston continues to insist he will not appear in a 50th reunion episode. He has previously explained this by saying, “I never bathe in the same river twice.” This never sounded like a satisfactory reason, and he has subsequently elaborated without much detail saying, “I know what went on and the people who were involved know what went on. That’s good enough for me. My conscience is completely clear.” Obviously there were problems which have not been made public.
I literally couldn’t read it without crying … It was the most highly-charged read-through I’ve ever experienced. But I couldn’t have asked for a better exit. I don’t think it’ll be what people expect.’
Gillan leaving means that Jenna-Louise Coleman has started filming. Her initial filming was behind closed doors so we do not yet know how her character will look.
Sign seen in Colorado above. If Daleks were there, it would certainly be good to warn people. Last year the same area had a sign warning “Zombies Ahead.” That would be another important warning. Besides the obvious hazards, there are serious tax implications to a Zombie Apocalypse, as is discussed in this paper, and summarized here.
House concluded last week with House and Wilson being compared to Holmes and Watson. The series ended in a manner similar to how Moffat’s version of Sherlock ended its second season, with both House and Sherlock faking their own deaths. In addition, Moffat’s other show also ended with the Doctor faking his death. Steven Moffat and Mark Gatiss discussed the finale of Sherlock with The Guardian but gave no clues as to how Sherlock survived. Moffat simply says, “He did it cleverly. Very cleverly. And we know, we’re not telling – next!!” I suspect that there will be aspects which were not clear on screen so I have not worked on a full explanation as to how Sherlock survived, but here are my comments after The Reichenbach Fall originally aired on the BBC.
It seems strangely appropriate that the big war scene which this season of The Game of Thrones has been leading up to will be airing this Memorial Day weekend.
It’s the early hours of May 26, 2012 and when the sun rises across Cardiff Bay there’s already a huge crowd gathered to greet the morning and Matt Smith.
Because today, Matt Smith has the honour of being the lead runner in the Olympic Torch relay, carrying the world’s most famous Flame for part of its journey from the Temple of Hera to London.
Matt’s used to early starts and is in high spirits when he arrives at the Norwegian Church Arts Centre. His mood is further bolstered by the masses of people who have come along to enjoy the occasion and lend their support. It’s great to see so many well-wishers and the whole team is very grateful to everyone who has managed to make it to the event. As he walks towards the Church which will be the mini-base for the morning, he greets the crowds. ‘What are you doing up so early?’ he jokes.
First things first! Matt meets the press and enthuses about the Torch Relay. He also finds time to talk to us. So, how’s he feeling?
‘I’m very excited about the run,’ he reveals. ‘It’s a huge privilege. A once in a lifetime thing.’ A slight pause and a grin. ‘Let’s hope I don’t trip over!’
Matt clearly can’t wait to get going and his time with the Torch quickly arrives. He begins his run at 6.29am in sight of BBC Wales’ Roath Lock studios where Doctor Who is filmed. (‘It’s nice to be doing it in the Bay,’ he comments). The atmosphere is as sunny as the weather, but there’s also an awareness that this is part of a historic tradition. Matt takes the Torch with pride, running to the Senedd whilst being cheered on by the frankly fantastic crowd.
The Flame is then passed to the next runner – eventually it will reach the Olympic Stadium where it will light a cauldron symbolising the start of the Games. But for today, Matt’s job is done and he has played his part.
Of course, his leg of the relay was a short one, but this has been about symbolism and people joining in. ‘I love the whole sense of the Olympics,’ Matt reflects. ‘I mean it’s so early in the morning but there are so many people here with bunting and there’s a great atmosphere and everything’s so celebratory…’ He looks across the crowds. ‘I’m excited to be part of it!’ And his over-riding emotion? ‘Thrilled,’ he tells us. ‘Really thrilled.’
Exactly five years ago today an episode called Human Nature saw the Doctor, in the guise of John Smith, comment that ‘Mankind doesn’t need warfare and bloodshed to prove itself.’ In fact for almost fifty years Doctor Who has depicted a Time Lord from the planet Gallifrey uncovering and celebrating humanity’s very best traits. Endeavour, co-operation and a sense of striving towards better ways. Carrying a torch into the darkness.
And this morning the message of the show and the reality merged into one as Matt Smith – our brilliant Doctor – held the Olympic Flame aloft and cheered on by an amazing crowd, blazed a trail towards the Games that epitomise those qualities.
For a few minutes in the Cardiff sunshine, the hope of the Olympic Games and the spirit of Doctor Who seemed to burn strong and bright. Moving. Magical. Indomitable!
J.J. Abrams has been highly successful in keeping shows interesting by rebooting them over time so that each season isn’t a rehash of the exact same format as previous seasons, and viewers cannot assume that fundamental changes cannot occur. This worked with Lost and Alias in the past. It worked a little less well on Fringe, with the fourth season failing to maintain the quality of the second and third seasons (with the show still worth watching). If Alcatraz survived, it was clear from the finale that it would also have been a different show. I had concerns as to whether Once Upon A Time could be successful over multiple seasons if left with a situation where Emma must always fail to break the spell. As was rumored before airing, Once Upon A Time had a major reboot, with Emma breaking the spell, followed by Rumpelstiltskin bringing back magic. The highlight of the week was the appearance of Amy Acker on Person of Interest, also shaking up this show.
Amy Acker’s character, who turned out to be the hacker Root, surprised Finch and Reese, and from reviews it appears also fooled most viewers. While this was the second time that the person they were protecting turned out to be far different from what the person seemed, the set up was done so well that we were fooled again. The series began with a simple format of the machine giving Social Security numbers. A simpler show would have continued the format, failing to raise the underlying questions of what it would mean to have such a powerful computer. The episode ended with Finch in danger and a phone call to Reese which just might be the machine, making it likely that the machine will be more significant next season. I hope that Amy Acker’s character also becomes a recurring character next season. Seeing how this show has evolved, it would most likely be as a protagonist to Reese and Finch, but not being sure of Root’s agenda, she could also turn into an ally over time.
Awake is in the midst of a two-part series finale so I will wait until it is completed before saying much about the show, but what is the deal with Britten visiting Britten in the preview? I do hope they end this series with a satisfying explanation as to what has been happening with the two realities.
If seeing Amy Acker on Person of Interest was the network television highlight of the week, the low point was the firing of Dan Harmon as show runner of Community. Producing a season of Community without Dan Harmon as show runner is like doing West Wing without Aaron Sorkin or Gilmore Girls without Amy Sherman-Paladino. Neither show was as good as when their creators ran the show, but in this case the consequences will be far worse. Those who took over West Wing and Gilmore Girls still attempted to do a similar show without breaking from the past. In this case I fear that the goal is to make Community a more traditional sit-com about a group of people going to school together. The show has an excellent cast and might still be an above-average sit-com, but it will not be the same without Harmon’s variations from the normal sit-com formula.
As is usually done in such situations. Harmon was given a title, but it is doubtful he will have any further influence on the show. He explained how he learned about being fired after getting off a plane and turning on his phone, without any previous discussion with Sony.
Apparently great show runners are treated better Great Britain than here. Steven Moffat is to receive as special Bafta award for “outstanding creative writing contribution to television.” One of Moffat’s current shows, Sherlock, is now running in the United States while Doctor Who recently filmed the final scene with Karen Gillan and Arthur Darvill. Gillan is seen in the picture above taken at Cannes, and will soon start filming Not Another Happy Ending, a movie about an eccentric author with writer’s block. She did manage to steal something before leaving the TARDIS for the last time.
An episode of Doctor Who, The Doctor’s Wife, was awarded the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebula Awards. That was quite a major accomplishment, beating Midnight in Paris, Hugo, Captain America, Source Code, and The Adjustment Bureau for the award. Among Others by, Jo Walton won the Award for Best Novel.
The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.
The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”
Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.
Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.
TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:
“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036? J.H. Wyman: Yes.
Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman: Well, let’s say that basically 2036 is extremely important to Season 5.It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.
Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman: At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason. We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are. Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work. Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed. Wyman: They don’t know if anything is over. So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?
Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman: Basically, when Walter was going through the Nanites.From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.
Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.
Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman: You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.
Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman: We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them. Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad. I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.” She said, “I was so wrong.” Wyman: Everything is a possibility on Fringe.
Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman: We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.
Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.
Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman: You’re very perceptive. Let’s just say you will understand the hesitation.
There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker: You will see changes, but you will see things that are familiar, as well. I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.
Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman: We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.
The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.
Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.
Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.
There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.
Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over. Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:
TVLINE | What other drama is going on in Storybrooke outside of the Henry thing? KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling. HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.
TVLINE | How is August doing? Is he flipping through termite control ads? HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.
TVLINE | What is Mr. Gold’s particular take on the Henry situation? KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.
TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own? KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well…. HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]
TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm? HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new. KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?” HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”
TVLINE | Will the finale introduce any new players to the canvas? KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced. HOROWITZ | And there may be some old characters seen in a new way.
TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds? KITSIS |All of them. HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise. KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”
The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960′s, it makes sense to pay what it takes to include the Beatles, considering how important they were to music of the era.
The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.
The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:
In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.
For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.
Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.
“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”
KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.
“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”
Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”
Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.
Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:
Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.
“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”
Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”
This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.
With Doctor Who now filming and the second season of Sherlock premiering in the United States tonight, there has been a lot of news about both shows. For those who have not seen it, Steven Moffat’s version of Sherlock is fantastic, regardless of whether you are a fan of the original Sherlock Holmes stories. It is definitely worth watching for the next three weeks on Masterpiece Mystery on PBS. I think that the second season was even better than the first. While all three episodes were excellent, like the first season the first and third episodes are the most significant.
Steven Moffat was interviewed in the United States by Fresh Air prior to the start of the second season of Sherlock on PBS. The interview was primarily directed towards American audiences who are not familiar with Sherlock and Doctor Who. Several of the questions involved casting, and one item of interest was that Matt Smith had interviews for the role of Watson before being chosen to play the Doctor. Moffat also had this to say about casting Matt Smith:
Everything else about a show, other than casting — however great or admirable or excellent it is — can only sort of really be admired. People don’t really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it. What people fall in love with, oddly enough, is other people. The difference between a beautifully made failure and a beautifully made hit is who you’ve got playing the leads. It really, seriously is. Is a nation going to fall in love with those people and want to see them week after week? And making that decision is tough. But it’s easier if you’ve got a great casting director. … In the case of Matt Smith as The Doctor, I’d be very, very adamant that we have an older Doctor — that he’d be in his 40s. I wasn’t going to have any young Doctors on my watch. And on the very, very first day — the very, very first day — he was the third one through the door. His audition was so perfect, any fool would have cast him. It was dead easy. And I remember asking, ‘What age is he?’ And he was 26 and instantly the perfect Doctor because he does do that thing of combining the old man and a young man. He looks like a young man assembled by old men from memory.”
On the importance of Watson:
“If you look at any good version of Sherlock Holmes, Dr. Watson is every bit as important as Sherlock Holmes, and some would argue more so, because he’s our conduit to Sherlock Holmes. He’s the person to whom, in a way, the story happens. We are more emotionally resonant with Dr. Watson than with Sherlock Holmes because Sherlock Holmes is a hard man to empathize with.”
In contrast, the show is largely from Sherlock’s perspective:
“We always wanted it to be stylish. We didn’t want it to be like other television. We wanted it to have a film sense. Everybody says that about their TV show. Everyone says that. But then my wife got a hold of [director] Paul McGuigan, and he’s the one who brought the tremendous beauty to it. One of the things he said was, ‘You want to think Sherlock Holmes is behind the camera, too.’ You want to see the world as Sherlock Holmes sees it. And that informs his work on an awful lot of the show, to give you the Sherlock’s eye view of the world all the time.”
Moffat had this to say about his childhood:
“I’m a geek. I’m a writer. I spent all of my time in my childhood obsessing about Sherlock Holmes and Doctor Who. I was alone, I was an outsider — what do you expect? I was that bullied kid at the back of the class weeping for loneliness. I don’t think, generally speaking, people become writers because they were the really good, really cool, attractive kid in class. I’ll be honest. This is our revenge for people who were much better looking and more popular than us. I was a bit like that, I suppose.”
Even though Benedict Cumberbatch and Martin Freeman are becoming big stars, Moffat is confident that they will return for future series of Sherlock. The three episode a year formula gives them plenty of time for other projects and, just to be safe, Moffat has their families locked up in his basement. Cumberbatch, now filming on Star Trek, does not share Moffat’s objection to Elementary:
“As we already know with the Downey Jr movie franchise that there’s room enough for two [Sherlock Holmes projects], so why not three?” the actor said at a Q&A session in New York to promote Sherlock series two airing on PBS.
Cumberbatch added that he considers Trainspotting star Miller – with whom he starred in the play Frankenstein at the National Theatre – a “friend”.
“[Elementary will] be different and I don’t think it’ll take away the love for ours, and there’s no reason to be churlish or bitter about them or what they’re trying to do,” he said.
It appears that River (aka Melody Pond) will pose as a gangster named Melody Malone. More pictures (and spoilers) from the upcoming season can be seen here.Doctor Who TV also gathered items of interest from an interview with Steven Moffat in Doctor Who Magazine:
Rory and Amy are no longer regular travelers with the Doctor: “If he thinks he needs them, he just pops in on them,” but, “Each time they’ll get a little older.”
Moffat on killing off companions: “Even if I don’t think I’ll do it…maybe I will do it!”
Moffat ponders, “If we did a UNIT story, would Martha be there?”
The Special Weapons Dalek will definitely appear in the opener
Moffat reiterates that the New Paradigm Daleks are an “officer class”
Can the question “Doctor Who?” be answered? “Wait and see”
We will find out exactly what Trenzalore is all about
“The Fall of the Eleventh” will also be resolved (perhaps not in Series 7 though)
Moffat is very keen that the order of the episodes can be swapped around this time
There will still be a story arc, but it will be “the opposite” of Series 6
Jenna-Louise’s companion will be different to the others and is “going to be a shock”
Filming will continue throughout the rest of 2012 and further into 2013 and beyond
Bond director Sam Mendes compared the James Bond franchise to Doctor Whoin this interview:
The first time I saw the movie, I was like, “You’ve got to be joking! You can’t do that to the poor man!” But it was too…they were playing almost embarrassment, almost apologized for having a new Bond and I thought that was wrong, and I thought what they got right was Casino Royale. There was a kind of “We don’t need Q, we don’t need Moneypenny. We’ve got this character. We’re going right back to basics. He’s real, he’s in a real situation. Let’s start all over again.” I thought that was very refreshing.
That’s why I mentioned the word in the press conference, “regeneration” rather than “evolving,” because I feel it is like, you know, we have Doctor Who…there’s a geek answer…we have Doctor Who and I was brought up on the idea of Doctor Who, who at the end of his final episode, he dissolves and a new actor pops up and he regenerates and it’s a whole other character: sometimes it’s an old man, sometimes it’s a young man, but he just changes. I’ve always loved that idea.
Julian Murphy says that Season 5 of Merlin will be darker. Time will have passed showing the established court of Arthur, and there will be an older Mordred.
Combine Marvel characters and Joss Whedon and we had a formula where The Avengers really did live up to all the hype. An interview with Joss Whedon is above. The movie sets up conditions for further movies centered around Iron Man, Captain America and Thor. Mark Ruffalo did a much better job of playing Bruce Banner than Edward Norton did , and now there are reports that further Hulk movies might be made, possibly along with a movie centered around Scarlett Johansson as the Black Widow. As has been the case with the previous Marvel movies, it is important to stay in the theater during the credits for an extra scene. In this case there are two extra scenes. One during the credits is probably significant in terms of a future threat for Thor and/or The Avengers. The second, at the very end of the credits, is not important but was still fun to watch.
As many watch movies long after the initial release date I tend to avoid saying much about the plot of movies in posts here. Those wanting to avoid even a minor spoiler might want to skip the end of this paragraph. In movies of this type it is necessary to accept a lot which is unrealistic, but I was bothered a little with the inconsistency in the portrayal of the Hulk. The first time Banner became the Hulk he was more destructive and showed less understanding of his situation as compared to his final appearance in the second Hulk movie. Then, when he became the Hulk for a second time, he acted with complete understanding of working as part of the Avengers team.
As usual with Awake, the personal events involving Britten in this week’s episode, Slack Water, were more interesting than the criminal cases. Once again the possible clues as to whether the two different worlds for Britten are both real are also contradictory. In some episodes there is real information obtained in one world which is helpful to solve a crime in the other. Other episodes were more like this week, were the house which is the scene of the crime in one reality was the name of a video game played by a murder victim in another, leading to Britten finding out information which helped solve the crime. Having the house be real in one reality but a video game in the other suggests that only one, or perhaps neither, reality experienced by Britten is real and his mind (or some other source) is supplying this information.
The more important story line came out of the revelation last week that Rex’s girl friend Emma was pregnant, with Emma having a miscarriage in the world where Rex survived the auto crash and continuing to carry Rex’s child in the world where Rex was killed. It was rather obvious that Emma did not agree with the decision of her parents to have a closed adoption, even if only Hannah recognized this during most of the episode. A theme of the show has been for Michael Britten to replace his loses in both realities. Where Hannah died, he keeps the older partner and has a female psychiatrist. In the reality where Rex was killed, Michael has a young male psychiatrist and is given a new, younger male partner. (I did find it strange that the older former partner was not seen at Michael’s going away party in the other reality where Michael was given new partner.) Now things have worked out in the reality where Rex died that Michael not only has the prospect of adopting Rex’s child, but events have also worked out that they have a new teen-aged child in the home.
One implication of this is that Britten is no longer planning to move to Oregon and the person responsible for the earlier attempt on his life is now likely to act again. The back story was further developed as we learned that this involves a heroin shipment, and we learned that the police Captain had been a narcotics cop in the past, providing some explanation as to how she might have become involved.
The previews for next week’s episode suggest that we might learn more about Britten’s situation. For at least part of the episode he ceases to go into the Rex universe. Could this mean that over there he is dead (unlikely), unconsciousness, or perhaps because he has to solve the mystery of his attempted murder in the other universe in order to protect himself in the other before returning. A voice over in the preview has Britten saying, “There was no accident. They were trying to kill me.” Unfortunately Britten is off screen, so we cannot tell if he is wearing the typical white shirt of the Hannah universe or blue shirt of the Rex universe and we cannot be certain if the murder attempt, so far only mentioned in the Rex universe, is now becoming a factor in the Hannah universe.
While there has been suspicion that Leonard Nimoy was going to return to play William Bell on Fringe, they still managed to keep Nimoy’s actual appearance on this week’s episode of Fringe a secret. As an example of the misdirection used, in an interview shortly before the last episode aired, Jeff Pinkner had this to say about the possibility of Nimoy returning: “We basically erected a sign outside of Leonard’s house which said, “Please come back to Fringe,” and we are hoping that by season five he says yes.” In the interview Pinkner also said we will again see the world of 2036 but avoided answering a question as to whether we will see the alternative universe again.
I09 looked at the gratuitous sex and violence on Game of Thrones.
There has been talk this week that Netflix might revive Jericho. It makes sense for Netflix to revive shows which have a strong following (such as with Arrested Development) even if off the air for several years considering they are shows which significant numbers of Netflix subscribers are currently watching. As more companies start to compete with Netflix for streaming older shows, providing new episodes will give subscribers reason to stick with Netflix.
Speaking of streaming providers, there was a major update to the Android versions of HBO Go and Max Go this week so that they finally work with Ice Cream Sandwich.
If Netflix might bring back Jericho, there has been speculation as to other old shows which might return. Damon Lindelof leaves open the idea of more Lost, but is not interested in personally being involved:
Lindelof has no interest in revisiting “Lost” anytime soon.
“It’s been two years (since the series wrapped) and we told the story we wanted to tell,” Lindelof said. But he admits ABC might look for ways to bring back “Lost” in some form. “I do feel like the world has not seen the end of ‘Lost,’ but I’m not going to have any involvement,” he said.
Lindelof isn’t bitter about the idea, however.
“It would be hypocritical for me to say I’m going to do ‘Star Trek’ but I don’t want anyone to touch ‘Lost,’ ” he said.
With only two more episodes of Fringe this season, Worlds Apart made huge advances in this year’s arc. Fortunately the show has been renewed for a thirteen episode season next year, most likely so that there will be more than one-hundred episodes for syndication. Knowing that there are thirteen episodes to go will allow the writers to provide a meaningful ending for the show as opposed to a rushed conclusion added to the end of this season. Here is a promo for the final season:
In Worlds Apart we learned more about David Robert Jones’ plans to create a new world with the collapse of the two earths upon each other. The episode also brought back Nick Lane, who was in the Cortexiphan trials with Olivia. Knowledge of the back stories on Fringe was necessary to appreciate this episode. We’ve seen intermittent flash backs to the days when Walter and William Bell were doing experiments, which were apparently motivated to create soldiers to defend our earth in an anticipated war between the two earths. Shape shifters were developed on the other side with the same motivation. While I am not entirely satisfied with how it happened, this season showed that the use of the machine (also intended by Walternate to destroy our earth) led to a situation in which the alternate earth is healing and there is no longer conflict between the two sides. Jones, however, has now taken advantage of the weapons developed in this preparation for war for his own ends. Presumably Jones remains a threat which will be dealt with in the two-part season finale.
When the initial attempts to stop Jones failed, a decision was made to turn off the machine and sever the connection between the two earths. This raises questions as to whether turning off the machine will leave each side the same except without this means of crossing over, or if there will be other changes. Walter and Walternate questioned if this might make Peter disappear again. I doubt the would make major changes this late in the season, but another possibility might be that everything would return to how it was before the machine was turned on last season, with both earths on the brink of war.
The episode did wrap up a subplot from this season. Lincoln Lee was clearly infatuated with Olivia, and when she reunited with Peter, Lincoln got the opportunity to meet Altlivia. He decided to go to the alternate universe to be with Altlivia, a decision Peter clearly understood. I wonder if we will see the two of them again in the alternate universe. While the Fringe team lost their easy means of getting there, other means of crossing over were present in past episodes, so this might not be the last time we wee the alternate Fringe team. It is also possible to have scenes on the other side without anyone crossing over. I do hope that we do see more of the alternate earth.
Awake is at its weakest as a police procedural show. The two police cases this week on Game Day were not terribly compelling. The importance of the cases was that they showed Britten how there can be slight differences between the two realities leading to different results. In football, a field goal attempt may or may not be successful, leading to different winners (and different crimes). The ramifications of this became important in his personal life. He learned that Rex’s girlfriend Emma got pregnant before the accident killing his wife, and subsequently had a miscarriage. Back in the other world, Britten realized that although Rex was dead, Emma could still be pregnant with his child, and it was possible that there was no miscarriage. Finding that Emma was still pregnant with Rex’s child will certainly change things for the Brittens, most likely ending their plans to move to Oregon.
I hesitate to speculate too much on questions as to whether one or the other reality is actually real as I’m not convinced the writers have a real game plan for the show. Different arguments can be made based upon different episodes. This episode suggests that both realities are equally valid as once again information from one is carried over into the other. On the other hand, there have been episodes in which things occurring before the accident were different in each reality, suggesting that only one could be the real one which Britten had lived in. A Life on Mars type explanation in which noting is real might be the easiest way to settle such contradictions.
If Britten does not move to Oregon, the plans to call off the hit on him by the people responsible for the accident appears to be back on, providing further drama. However, why was this never an issue in the world where Rex remains alive and Britten never planned to move to Oregon? Perhaps the reality in which his life lived is the “real” world in which he was set up for the accident, but he also jumps to another pre-existing reality where some things were different, and perhaps the accident really was an accident.
This picture is not a fake. It appears to show the Doctor (Matt Smith) with the Beatles. Is Matt Smith actually a time traveler? Steven Moffat’s reaction to the picture on Twitter: “Bloody hell!!! Clearly we’re going to make that episode!! Wonder what it will be like.”
How’s this video for mixing up the robots from Doctor Who and Star Wars?
It has become a tradition for the nineteenth episode of Fringe to break from the usual narrative, but this one could be a real game changer. Letters of Transit takes place in a future in which the Observers have taken over, the Fringe division officially exists to police the natives, and some Fringe agents are secretly involved in a rebellion. The episode raises questions as to whether this is the direction Fringe is moving in or if this is just one of many possible futures.Have the Observers been actually working to set this up, or maybe was this a previously unintended response to their meddling. The ending raises a number of more specific questions. Where was Olivia? Presumably she had died previously per the previous warnings. Why was William Bell, who we have been led to believe was also dead in the changed timeline, also in the Amber and exactly why did Walter respond to him as he did? We previously learned of the negative consequences of Peter and Altlivia having a child. What about the daughter? Presumably Etta is resistant to mind reading by the Observers due to inherited abilities from her mother. It was a fantastic episode to watch, and could be enjoyed by those who are not following the series regularly, but it remains to be seen as to how it fits into the series.
Many more pictures from Doctor Who in New York are on line, along with spoilers as to what occurs. There have been rumors that Rory is sent back in time by the Weeping Angels and is not found until he is an old man, and we see him die. Does Amy go back to be with him? There have been reports of the Doctor yelling at someone not to do something while filming. The cast has returned to Cardiff where the location of the filming might be related to these rumors:
Doctor Who and Sherlock have inspired a lot of fan art. A couple examples are above and far more are posted here.
TV Guide interviewed Natalie Dormer about her role as Margaery on Game of Thrones:
You’re best known in the U.S. as Ann Boleyn on The Tudors. You’ve become quite the go-to girl for period drama on cable!
Natalie Dormer: [Laughs] My range does exchange beyond that. But I hear it’s a commonality to jump between HBO and Showtime and vice versa, so I take it as a compliment really.
How would you describe your character Margaery?
Dormer: She’s very genuine, she’s old beyond her age. Through her family, she’s always been educated and trained to be a political operator and play the cards for her family the best that she can for their ambition. There are comparisons you could make with my experience playing Ann Boleyn in that regard. The big difference between playing Margaery and the machinations and politics of court in playing Ann Boleyn is that Margaery a lot more of a genuine, sincere, straight-playing woman. As compared to Cersei, there’s quite a Machiavellian element to her. Margaery has a pure heart. She’s trying to do the best she can for her brother, for her house and for the good of the people, what she thinks is best for the realm.
The same is true for Loras, the Knight of Flowers, that sort of optimistic, liberal feel from the South. Michelle Fairley as Catelyn says “They’re the Knights of Summer, and winter is coming.” She feels sorry for them because they do come from a more positive, liberal attitude, environment and culture as they do in King’s Landing. I think it’ll be very interesting when the cultures collide.
In the last episode, you have a scene where you have to try to seduce your husband Renly…
Dormer: That was the first scene I shot. I was having a good laugh with the creators of the show, David [Benioff] and Dan [Weiss], that it was a nice initiation to Game of Thrones. It was a bit cruel that they had to schedule it that way, but they denied all knowledge of the scheduling. I hadn’t met Gethin Anthony before, and obviously his being a veteran from the last season, he was very generous, very welcoming. The family spirit on the show is quite amazing considering the sheer number of cast [members]… You’re a new character, and there are lots of new characters for the second season. There’s this ethos on the show that starts with David and Dan and it works its way down. I was made to feel very welcome immediately, which was much appreciated on quite a delicate scene to begin with.
What can you tell us about a scene you have with Littlefinger (Aidan Gillen) in the upcoming Sunday’s episode?
Dormer: I knew Aidan before joining Thrones and I think he’s an absolutely incredible actor. His creation of Littlefinger is exciting and impressive. It’s a testament to Aidan’s skill as an actor that he has managed to create this fascinating character that viewers just adore to watch how he operates. I was very excited to begin Margaery’s relationship with Littlefinger because even though she is a woman and even though she is so very young, because of the way she was brought up and the world she comes from, she’s an old spirit. Littlefinger would make a mistake in underestimating such a young, innocent woman in the game of thrones. So it was very interesting to raise my bar as an actress to play opposite an actor such as Aidan the way Margaery knows she’s going to have to raise her skills and her bar in being able to interact with Littlefinger. Maybe there’s a little bit of life imitating art there.
Were you familiar with the books and Margaery before auditioning for the part?
Dormer: I wasn’t familiar with the books… I think every actor on the show makes the decision whether to [read them] or not. Even though the first season was incredibly accurate to the book, there’s the suggestion that in the future, because of the enormity of the scope of the books and the characters we already have in place on the show, that it might not be easy to be 100 percent so faithful to the books in the future. Not necessarily in the character story lines but in what we’re able to see. I had the advantage of not really knowing who Margaery was previous to going in, so I did my interpretation on how the creators saw her…
Did the costumers want you to be cold as possible? That neckline plunged to your navel!
Dormer: Oh man, yes, absolutely. It was freezing. It’s a shame. I think it was on the back of your Hurricane Irene or something, but the tail end of it came across The Atlantic and it hit the north coast of Ireland so hard. It was scheduled to happen earlier in the month when it was slightly sunnier, but because of problems with the weather, we had pushed shooting that scene. So it was really probably about fall by the time we shot it. In an ideal world, we should have been where Emilia [Clarke, who plays Daenerys] was in Croatia. That tournament scene was just unfortunate. From my experience of shooting Tudors on the island of Ireland, you cannot predict the weather. I had a lot of costume girls running over to me with hot water bottles and blankets. They were very dutiful and took great care of me.
What would best represent you on your own personal sigil?
Dormer: It’s funny you should say that because I could answer that straightaway. It’s a twist of fate. When I was a little girl, my grandfather who I was very close to used to grow yellow roses. He had yellow roses growing all the way up his drive. I remember watching him [raise] them when I was a little girl. I always used to joke when I was playing Ann Boleyn — the Tudor roses are white and red because they’re the amalgamation of the two houses during the civil war in England — I used to say, “The roses are in my life because of The Tudors, but I love yellow roses.” And it was just a twist of fate that the Tyrell’s sigil is the yellow rose. I took it as a sign at the time that I was destined to play Margaery because I’ve always had a thing for yellow roses. Now I actually have one as a sigil. It was a twist of fate.
If you sat on the Iron Throne, what would be your first edict? Dormer: Worldwide emancipation for women, equality for the sexes in all areas.
On Community, Annie entered the Dreamatorium with Abed and became Temporary Constable Geneva to Inspector Spacetime. Video clip above.