On Tuesday Fox & Friends asked Twitter users to post things they were over with the hashtag #OverIt2014. They started with Fake Journalist Barbie tweeting, “I’m over attacks against Christianity.” This worked out about how you might expect. Gawker reported some of the snarky responses, and far more are now up:
Hillary Clinton continues to look like a strong favorite to win the 2016 Democratic nomination, but there continues to be many Democrats who hope that the party decides upon a liberal nominee. This includes the techies who helped Obama to beat her in 2008. Politico reports:
Scores of the Democratic techies who helped Barack Obama defeat Hillary Clinton for the 2008 presidential nomination are now seeking alternatives to Clinton in 2016. Some are even promising the same kind of digital throw-down to sink her presumptive front-runner campaign as they did in 2008.
Clinton is still expected to be able to field a formidable tech team. But her troubles in grabbing many of the party’s young campaign innovators have a good deal to do with Elizabeth Warren, the Massachusetts Democrat who insists she’s not running for president but who has quickly become an appealing pick for Obama alumni who built his two campaigns’ data and digital infrastructure. Earlier this month, more than 300 of Obama’s former campaign staffers, including his chief information officer and senior aides who handled email, online fundraising and field efforts, released a letter begging Warren to jump into the race.
“What we were trying to do is send a signal to the larger country but also to Sen. Warren herself to say a lot of this institutional knowledge and power that’s been built up over the last couple of years actually is with you,” Christopher Hass, an Obama 2008 and 2012 digital campaign aide, said in an interview.
“We’re not robots,” added Catherine Bracy, who led Obama’s San Francisco field office in 2012. “I think people are going to choose the candidate who inspires them the most. And for many of us that’s Elizabeth Warren.”
While Clinton’s other potential 2016 rivals will be widely outmatched on the financial front, they are hardly tech neophytes and each brings his own digital skill sets to compete on the social media battlefield and for critical early votes in Iowa and New Hampshire. After all, Bernie Sanders is arguably Congress’ biggest social media powerhouse; Martin O’Malley has governed both Baltimore and Maryland with an obsessive eye on statistics; and Jim Webb has a proven track record as a candidate willing to use progressive bloggers and viral videos to exploit his opponents’ weaknesses for advantage.
“I’d not be surprised if [Sanders] or one of the others get several bumps over the next six months,” said a senior Democratic source, noting the Vermont senator’s ability to make waves on Facebook and Twitter while Clinton at the same time would be working to define her own new narrative. “I think she’s got an enormous challenge reintroducing a brand that’s been around this long and getting people excited about it. It’s going to be tricky.”
Despite this “enormous challenge,” I doubt that very many Democrats who oppose her nomination doubt that she also has enormous advantages going into the primary race (as she did in 2008).
There have been other expressions of opposition to Clinton winning the nomination. The November issue of Harper’s ran a cover story entitled, Stop Hillary! Vote no to a Clinton dynasty. As I received it just before the 2014 primaries, I decided to hold off on discussion of the 2016 election, but it is worth quoting some portions of this article. Doug Henwood began:
What is the case for Hillary (whose quasi-official website identifies her, in bold blue letters, by her first name only, as do millions upon millions of voters)? It boils down to this: She has experience, she’s a woman, and it’s her turn. It’s hard to find any substantive political argument in her favor. She has, in the past, been associated with women’s issues, with children’s issues — but she also encouraged her husband to sign the 1996 bill that put an end to the Aid to Families with Dependent Children program (AFDC), which had been in effect since 1935. Indeed, longtime Clinton adviser Dick Morris, who has now morphed into a right-wing pundit, credits Hillary for backing both of Bill’s most important moves to the center: the balanced budget and welfare reform. And during her subsequent career as New York’s junior senator and as secretary of state, she has scarcely budged from the centrist sweet spot, and has become increasingly hawkish on foreign policy.
The purpose of the article was a response to those who see her as a liberal by looking at her career. Henwood wrote, “despite the widespread liberal fantasy of her as a progressive paragon, who will follow through exactly as Barack Obama did not. In fact, a close look at her life and career is perhaps the best antidote to all these great expectations.” He has considerable detail on her career. He wrote this on health care:
Hillary was given responsibility for running the health-care reform agenda. It was very much a New Democrat scheme. Rejecting a Canadian-style single-payer system, Hillary and her team came up with an impossibly complex arrangement called “managed competition.” Employers would be encouraged to provide health care to their workers, individuals would be assembled into cooperatives with some bargaining power, and competition among providers would keep costs down. But it was done in total secrecy, with no attempt to cultivate support in Congress or among the public for what would be a massive piece of legislation — and one vehemently opposed by the medical-industrial complex.
At a meeting with Democratic leaders in April 1993, Senator Bill Bradley suggested that she might need to compromise to get a bill passed. Hillary would have none of it: the White House would “demonize” any legislators who stood in her way. Bradley was stunned. Years later, he told Bernstein:
That was it for me in terms of Hillary Clinton. You don’t tell members of the Senate you are going to demonize them. It was obviously so basic to who she is. The arrogance. . . . The disdain.
Health-care reform was a conspicuous failure, and most of the blame has to fall on Hillary.
Hillary got Bill to agree to veto any compromise as opposed to HillaryCare in full. The result was forcing us to wait another generation before we had health care reform.
Henwood discussed the scandals which surrounded Clinton, pointing out how she responded “with lies, half-truths, and secrecy.” He described aspects of her Senate career, including her prayer breakfasts with Republicans and her support for the Iraq war:
She buddied up to John McCain and attended prayer breakfasts with right-wingers like Sam Brownback of Kansas. She befriended Republicans who had served as floor managers of her husband’s impeachment. Even Newt Gingrich has good things to say about her.
Oh, and she voted for the Iraq war, and continued to defend it long after others had thrown in the towel. She cast that vote without having read the full National Intelligence Estimate, which was far more skeptical about Iraq’s armaments than the bowdlerized version that was made public — strange behavior for someone as disciplined and thorough as Hillary. She also accused Saddam Hussein of having ties to Al Qaeda, which was closer to the Bush line than even many pro-war Democrats were willing to go. Alas, of all her senatorial accomplishments, this one arguably had the biggest impact. The rest were the legislative equivalent of being against breast cancer.
Her tenure as Secretary of State was just as hawkish:
For her own part, Hillary was less of a diplomat and more of a hawk, who had made a campaign-trail promise in 2008 to “totally obliterate” Iran in the event of an attack on Israel. Part of this may have been pure temperament, or an impulse to prove that she was tougher than a man. But she may also have been reacting against public perception of the job itself. As the feminist scholar Cynthia Enloe, who specializes in gender and militarism, told me in a 2004 interview, there’s a “long history of trying to feminize the State Department in American inner circles.” Diplomats are caricatured as upper-class pansies instead of manly warriors. Bush, Cheney, and Rumsfeld even attempted to feminize Colin Powell, she argued, “which is pretty hard to do with somebody who has been a general.”
But the problem becomes particularly acute with a female secretary of state — and Hillary countered it with a macho eagerness to call in the U.S. Cavalry. She backed an escalation of the Afghanistan war, lobbied on behalf of a continuing military presence in Iraq, urged Obama to bomb Syria, and supported the intervention in Libya. As Michael Crowley wrote in Time, “On at least three crucial issues — Afghanistan, Libya, and the bin Laden raid — Clinton took a more aggressive line than [Defense Secretary Robert] Gates, a Bush-appointed Republican.”
Fortunately, as one diplomat put it, Obama “brought her into the administration, put her in a bubble, and ignored her.” That would also be good advice for Democrats as we go into the battle for the 2016 nomination.
Arrow, The Flash, and Agents of SHIELD all had major revelations in the midseason finales aired last week. Needless to say, there are major spoilers following. Besides revealing who killed the Black Canary, Arrow had the biggest cliffhanger, except the lead character actually was shown falling off the cliff after getting killed by Ra’s al Ghul. Stephen Amell even played along with comments on Facebook and Twitter such as, “It was a good run.” The most common belief among fans is that Oliver might have really been killed, but he doesn’t stay dead. The most likely explanation is the Lazarus Pit, which is sort of the Genesis Planet for DC comics. I also noted that a drug used for mind control played a major part in the episode and wonder if this could also somehow plays a part in how Oliver ultimately survives if he had managed to drug Ra’s al Ghul and influence his behavior and perception of the fight.
Oliver’s death, even if temporary, does provide an opportunity to highlight the show’s strong supporting cast. However Oliver won’t be gone long. Episode 13 is entitled The Return, but Marc Guggenheim has said this does not refer to either Oliver or Slade Wilson (who will be returning at some point). This leaves open the question of who does return, which could be significant considering the large number of characters who have come and gone from the series. Set photos have appeared on line showing that the Arrow is back in that episode.
The revelation that Thea Queen (while drugged) killed the Black Canary was a bit of s surprise, but it did seem obvious that she was killed by someone we knew. I just wouldn’t have guessed Thea. Most likely she was about the last person most would have guessed, which is why the writers did make her the Canary’s killer.
Emily Bett Rickards engaged in bathroom therapy and answered questions about Arrow in a video filmed in her bathtub. (She is fully dressed, but really is in a bathtub in her video tweet.)
The Flash revealed the identity of Reverse Flash as Harrison Wells, as I predicted last week, but there remains much more to discover. It appears that Wells might not be described simply in terms of good or evil with his actions, presumably including killing Barry’s mother so that he becomes the Flash, and later protecting Barry, being motivated by doing what he thinks needs to be done for history to play out as it should.
Variety interviewed Andy Mientus about playing the openly gay villain Pied Piper in an episode airing January 27:
“With the gay thing, I feel like I’m representing a whole community,” Mientus, 28, told Variety at the “Into the Woods” premiere in New York on Monday night. “People are excited to see this character, so it is a lot of pressure. But I’m glad they are introducing the character to the show. It’s a huge step forward, and I’m thrilled to help make that happen. It’s awesome.”
Mientus, who is engaged to actor Michael Arden, admits he’s more nervous about pleasing the comicbook’s avid fans than addressing his character’s sexuality.
Marvel.com: So I’m sure many fans are wondering what exactly that ending means for the future of the series?
Jed Whedon: We’ve dropped her name and it’s the origin of the new version of her.
Maurissa Tancharoen: Or the origin of the true version of herself, which is Daisy Johnson.
Marvel.com: When you were breaking these characters and first developing them, was this a discussion you had at the very beginning?
Jed Whedon: It was somewhat of a moving target early on, in that we knew Skye would be an orphan and would uncover secrets about her past. We had an idea of what we wanted some of those to be that found their ways into the storyline, but exactly who she was we landed on early last season, or midway through last season. We started setting it up early in the beginning of last season.
Marvel.com: We also get the reveal of her dad as Mister Hyde, or Cal. What does bringing him into the series give you guys?
Maurissa Tancharoen: As we always do, we pulled from what exists in the Marvel Universe and put our own spin on it. We had always had our eyes on Daisy Johnson, and therefore her father and her whole history. We sort of planted that throughout the first season and a half. You knew the story of her parents and the havoc they caused, the massacre in the Hunan province in China. We lay in things like that, and over time you put the pieces together. But of course Daisy’s powers aren’t really activated until that moment you see in the Winter Finale.
Jed Whedon: There are parts of it that move away from the story in the comics, but partially that’s because we’d invented our own way [of getting there]. We also wanted it to be a surprise to the people who are familiar with the comics, but [it’s] also because we’re tying it to a larger world. [It’s] not just her origin story, it’s the origin story of a bigger, other world.
Marvel.com: And that is a somewhat “inhuman” world, you could say?
Jed Whedon: It’s safe to say that.
Marvel.com: When did you hit upon the idea of introducing that Inhuman element into the Marvel Cinematic Universe for the first time?
Maurissa Tancharoen: It’s been a property in the Marvel Universe that we’ve been interested in since the beginning. Our tagline when we began the show was “not all heroes are super,” and we wanted to focus on that and highlight that for the first season. Now as we move forward we’re diving deeper into the Marvel Universe, and it’s our way of exploring a whole new world that may be comprised of people who have special abilities. We think that’s going to open everything up for us.
Jed Whedon: Not all heroes are super, but what happens to a hero when they become super?
Maurissa Tancharoen: Essentially what we’ve built since the beginning of the show is an extended origin story, and we’ll dive into that in the back half of Season 2.
There is a long hiatus until Agents of SHIELD returns, which will be filled with Agent Carter. The first two episodes of Agent Carter will air on January 6, with a clip from the series above. Here is the series description:
It’s 1946 and peace has dealt Agent Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field, putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers – a.k.a. Captain America. When old acquaintance Howard Stark finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy — the only person he can trust — to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis, to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for selling these weapons of mass destruction. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison – or worse.
The synopsis of the first episode:
“Peggy is contacted by old acquaintance Howard Stark when he is framed for unleashing his deadliest weapons and can trust no one else. To help Peggy clear Stark’s name, he insists his butler, Edwin Jarvis, be at her beck and call–whether she likes it or not. But the risk is great: If caught, Agent Carter could be targeted as a traitor and spend the rest of her days in prison…or worse.”
And the second episode:
“Howard Stark’s deadliest weapon has fallen into enemy hands, and only Agent Carter can recover it. But can she do so before her undercover mission is discovered by SSR Chief Dooley and Agent Thompson?”
There have been reports that Sony, who owns the rights to Spider-Man, has denied requests to allow the use of Spider-Man in the next Captain America movie, which was desired because Spider-Man did have a role in the storyline taken from the comics. There was also talk of Marvel Studies doing the next Spider-Man trilogy with Sony retaining “creative control, marketing and distribution.” Despite the last movie being a flop, Sony is looking at plans at continued use of the character, most likely as yet another reboot as opposed to a conclusion of a trilogy following the last two movies. Screen Rant looks at many of the ideas floating around. While I really don’t care if they do it with Spider-Man as a teenager or adult, I do agree with the idea of just jumping into a good story and not bothering with yet another origin movie. More at IGN and The Daily Beast.
Gotham shows life before Batman. Smallville showed Clark Kent’s earlier life. Now Syfy is going back even further with a planned show aboutKrypton.
Continuum was renewed by Showcase for a shortened six-episode final season. Rachel Nichols responded, “All great stories deserve an end. I am excited and grateful to finish Continuum with the riveting conclusion it deserves … this series finale is dedicated to the devoted fans who have loyally supported us since day one.” Indiewire discussed the ending of the series with Simon Berry. Here are some of the questions and answers:
What went into the decision to make the fourth season the final season?
I’m obviously not privy to the conversations that happen inside the network, but I think from their perspective… whether it was an issue of internal profits or the money that gets recycled back into the broadcaster, to cover what they’re paying out or whether we’re simply making a creative decision, I think ultimately we were probably on the bubble in terms of how we were bringing money back in for the Canadian broadcaster. In terms of their decision-making process, we probably received the benefit of the doubt in terms of not being canceled, which a lot of shows are when they’re not performing to expectations. They wisely recognized there was an opportunity to service the fans, and also to make more of an event around this final season. It seemed like a lot of things lined up in our favor in that sense. Obviously, I’m speculating, because you never get to hear the inside information.
You seemed pretty confident, back in October, about the show getting picked up.
We definitely had indications early on. When there’s a delay and there’s no cancellation, you know people are working on finding a solution. That’s pretty clear. The delay is usually because somebody is working hard to find a solution that isn’t cancellation. The longer it went, the more I felt we had momentum, and I certainly started hearing things early on in terms of getting prepared for ideas and getting ready to present plans for Season 4, which gave me the indication that we had a final chance. But a lot of that has to do with how everything comes together, because we still have to do our jobs as producers to put together the mechanism by which the show gets made, which is the right people and the right budget, things like that that everyone has to agree on.
Every season on “Continuum,” we’ve had less money. One of the reasons we have less money is because when a show succeeds in its first season, usually the first season is the gamble season to launch it — much like opening a business. You put a lot of effort and a lot of energy and a lot of money into having a strong launch, then you kind of hope that the longer you last the more you can claw back that investment and the show can generate revenue in a positive sense.
It’s so hard to make time travel work narratively in just a two hour movie. For you, hitting Season 3 and going into Season 4, how do you handle every complication that you’ve created?It’s a good question. There was probably a time where we went into the show feeling like time travel had to be something that was touched on all the time. But we realized in the beginning, that once we’d set up the time travel event there was a ton of stuff to mine before we did time travel again. Really, for me, the challenge was how much of this story can we really exploit before I use this time travel trope, or that time travel device — I mean time travel device, literally and figuratively — to create more drama.We had an idea, at the beginning of Season 2, that we wanted to have another time travel event in the show, just as a component of our experience. The goal after Season 1 was let’s work toward a travel time moment, because we knew we hadn’t done it. We had really kind of avoided using time travel, because it does kind of get you in a ton of trouble. As you know, out of Season 2 and Season 3 that this one decision for Alec (Erik Knudsen) to go back in time reverberated in so many ways. I’m really glad we didn’t do more time travel. [laughs] Because it’s been so complicated dealing with that one end-of-Season-2 moment. Season 3 was incredibly complex as a result.
We had a great dramatic moment at the end of Season 2 with Alec going away, but I don’t think we appreciated, when we wrote that, all of the things we would have to deal with in Season 3. Season 3 became a really hard lesson — not a hard lesson in the sense that it was difficult, but a hard lesson in that we felt an obligation to pay off the results of that time travel choice. It was much more impactful than I realized, in terms of how it would affect the drama, how it would affect the characters. They were great opportunities, dramatically, but I think with the complexity of people trying to track it and follow it, we didn’t anticipate how hard it would be.
Did you always have, in your head, an idea for the series finale?
I’ve always known how the show ends, from day one. It was the first conversation I had with the writers — “Here’s how the show will end” — just so everyone knew where we were heading and that we understood that we couldn’t violate certain rules to get to that point. It wasn’t necessarily just how the show would end, it was like: “Here are the rules of time travel that I’m adhering to in the philosophy of time travel,” so that everyone kind of understood what we could hint at.
How close is what you’re planning for the finale to what you initially had planned?
Well, it’s certainly a shortcut to the original idea we had. I think we’re definitely staying true to the plan. We’ve had to adjust a little bit as to where we left off and where the story needs to go, so we’ve built a story bridge, if you will, to link the ending we wanted to where we left off. So I feel very good about how these things are connecting.
When you say shortcut, how many seasons were you expecting the show would last initially?
I always expected it to be cancelled every year! So it was less about what I expected and more about what I was hoping for. I was hoping we could get seven years to tell the full story and all the various chapters. There were certainly opportunities to tell half a dozen specific, episodic stories — we had chatted about it internally, but ultimately it’s still a linear story and I don’t think we’re compromising anything by getting to the ending in four seasons as opposed to seven. It’s maybe some other stories that won’t get told, but those, at the end of the day, didn’t make a difference as to how the show would end or not.
Given how complicated things got in Season 3, will Season 4 be scaling back or will it take all those threads and take them to the next level?
It’s hard to sort of qualify “complicated.” We’re definitely building off of Season 3 because that’s the natural evolution of storytelling. You’re always building off what you just did. But I would say that because we’re now dealing with a shorter season in six episodes, it’s also an opportunity to not deal with the reality of thirteen, which is to tend to want to have more layers of storytelling and multiple threads. Now with six, we’re actually more focused on one clear story, which means the show could be closer to more of a limited series than a traditional 13-episode series.
How different is the rhythm of a six-episode season?
Well, it’s naturally different because it’s shorter. But it also provides opportunities that the longer seasons don’t. I’m actually excited for the shorter number, in the sense that it allows for a different style of storytelling, which is more appropriate for finishing the story, rather than trying to service the balancing act of 13 hours, which tends to balance more serial and episodic.
Of course I wouldn’t expect him to say anything different about being able to finish the series in six episodes, but I can’t help but think it will result in a lesser story than planned. Individual seasons very well might have been better if shorter, but suddenly shortening the 4th season should be more difficult. They not only have to show the story planned for the season after the major changes shown in the third season finale, but also have to tie up the entire series in such a short amount of time. At least it is much better than having no conclusion at all.
Martin Freeman was guest host on Saturday Night Live last night. He appeared in the above skit as Bilbo Baggins in which an episode of The Office took place in Middle Earth.
The second season of Broadchurch starts on ITV on January 5. The US adaptation, Gracepoint, did have a different ending for the first season. The Guardian did think that the change in the ending was the one thing the US adaptation got right.
Tonight is the series finale of The Newsroom as yet another Aaron Sorkin television series ends way too early. (Yes, I know that The West Wing lasted seven seasons. For me, even that wasn’t long enough.) It looks like the death of Charlie Skinner might be just one sign that ACN will end as we know it, plus Jim and Maggie look like they are finally getting together. Sorkin has discussed the recent rape storyline.
If you gave up on watching Homeland during the weak episodes to start the season, the show has become much better the last couple of weeks. Best line from Homeland: “It can’t be my belt.” It was also interesting to see the Ambassador’s reaction when her husband did not go through with his suicide plans.
Tony Stark is literally Iron Man in the parody video above.
Last week I expressed interest in the fan movement to bring in Jonathan Frakes to direct the next Star Trek movie. Reportedly Frakes is interested and has contacted JJ Abrams regarding this.
Kirsten Dunst and Jesse Plemons were the latest announced additions to the cast of the second season of Fargo.
Bill Cosby was asked about the recent rape accusations in a phone conversation with a reporter from The New York Post. He refused to respond to specifics and said, “Let me say this. I only expect the black media to uphold the standards of excellence in journalism and when you do that you have to go in with a neutral mind.”
Read between the lines- this is not so much just Hillary boosterism as it is an attempt to strangle an O’Malley run in the crib- “We’re in your back yard, bitch.” Which is yet another reason I am not ready for Hillary. I’m not ready for the re-emergence of uber scumbags like Davis, Penn, and the rest of that wretched hive of scum and villainy. I’m not willing to embrace the PUMA crowd and I am not ready to look past their racist bullshit in 2008. I’m not ready to forgive and forget, I’m not ready to deal with four-eight years of serial obfuscation and triangulation and overall hawkishness, etc.And this doesn’t even get into the fact that on every issue in which Obama has not been as good as I wanted, Hillary will be far, far worse. Has she even spoken out about the torture report since it was released? You’d think she’d have some feelings about it, considering she voted for the war, was in the Senate while it and the torture were happening, and she was on the Armed Services Committee.
Yesterday evening I found that going to this blog led to being redirected to advertisements. Doing a Google search on the topic I found that many blogs have been experiencing this over the last several months and solved the problem by removing SiteMeter. The problem here was fixed immediately with removal of SiteMeter.
I don’t know if the specifics are true, but some have states that SiteMeter went bankrupt a while back and a hacker group took over their demain. Regardless of the validity of this, there does appear to be a vulnerability in SiteMeter which does allow web sites to be hijacked. I would suggest that those using it consider removing it. At very least, keep this in mind should you experience such problems in the future. I do currently have StatCounter running with no problems.
The networks have avoided new episodes around the holidays for a while, but they seem to be more formally dividing the seasons in recent years, including making the midseason finales a major event. Sleepy Hollow ended the fall season with major changes. This included the death of Frank Irving and Henry killing Moloch. This leads to questions as to whether we will see Irving again in some form and whether this suggests redemption for Henry, or will he now become the major big bad?
Variety interviewed executive producer Len Wiseman:
So, you just killed the show’s Big Bad halfway through the second season, which is a pretty bold move. Talk me through what went into that decision.
We were always leading up to wanting to [see how] Henry comes into his own. Henry has devoted his life to Moloch; he has served Moloch; and then to find out that he is just a servant, that another will take his place, and to see that he doesn’t have an importance to Moloch, is a big deal. We were always leading up to that fight within Henry. So where do we go from there, what happens? We also really wanted to present the idea that it’s not all about Moloch, and that’s why we decided that Moloch doesn’t die at the very end of the season, he dies at the midseason finale, because he’s not the endgame.
Obviously Ichabod (Tom Mison) and Katrina both want Henry to be redeemed, and killing Moloch seems like a step in the right direction, but is it as simple as that for Henry, or are there other motivations at play?
To your point, “is it?” That’s really the question: who is he doing that for, who is he trying to protect? Is he trying to protect his mother? Maybe. Is he trying to save himself? Maybe. What is the reason why he killed Moloch, ultimately? That’s what we’ll find out in terms of Henry in the rest of the season. And [that’s] what our characters are going to question. It’s not going to be clear to them why that move was made and how he benefits from killing Moloch.
The episode also said farewell to Frank Irving — what was the impetus behind that decision from a storytelling standpoint?
That decision, in terms of an ultimate sacrifice… He is controlled and he had sold his soul to evil, so that’s the one last power that he has — the fact that his soul is already taken — in having the power to wield the Sword of Methuselah. It gives him a strength and a power because he’s spent so much time regretting that choice that he made when he was tricked into selling his soul. He wants to be able to use that trick on Henry.
Since Henry was holding Frank’s soul, now that he’s dead, does that mean he can be raised by Henry in some way, or is he actually free?
It’s a pure sacrifice, it’s a soul for a soul, so it is a real sacrifice. He’s free, and where his soul goes may be something that we will find out and our characters will search out, but it’s definitely a sacrifice and he knows it is — it’s not a trick.
How does the second half of the season differ from the first 11 episodes, now that Moloch is gone?
What really takes a different turn is between Katrina and Crane, as well. There’s a lot of curiosity about why Katrina is struggling with her powers and her place in this war, and I’ve heard people say is her character underutilized — I would say there’s a difference between underutilized and not realized. When she discovers her full potential, things really get out of control.
Other fall finales coming up include Skye meeting her father on Agents of SHIELD and The Flash meeting Reverse Flash (will it be Harrison Wells?)
When we last saw Deathstroke on Arrow, he was locked up in Oliver’s island prison. He will be returning later this season.
Sneak peak of Better Call Saul, in which Saul meets Mike in the video above. The Breaking Bad spin-off starts February 8.
Krysten Ritter, who also appeared in Breaking Bad, has been cast to star in Jessica Jones:
The Jessica Jones drama is one of four shows centering on Marvel heroes that Netflix has picked up straight to series. The streaming service has committed to a minimum of four 13-episode series, which will begin rolling out in 2015 and are slated to culminate in a miniseries about The Defenders, comprised of a dream team of heroic characters.
Ritter will play Jessica Jones, the cynical, sardonic and tough-as-nails, but innately cool and sexy, title character. Jones is described as a superhero suffering with post-traumatic stress disorder that leads to her hanging up her costume and opening up her own detective agency, where she ends up helping people and assisting other superheroes.
Netflix has also announced that the third season of House of Cards will become available February 27.
The final season of Parks and Recreation will start on January 13 and the series will conclude on February 24.
January Jones has already landed a post-Mad Men role in The Last Man On Earth, a post-apocalyptic comedy on Fox.
Benedict Cumberbatch, already having major genre roles in Star Trek Into Darkness and Sherlock, now enters the Marvel universe as Doctor Strange. The looks like a good move. Doctor Strange does not have as large a following as many of the other Marvel characters, and with the large number of comics-based movies being planned, a big star such as Cumberbatch will help to keep this from getting lost among bigger name movies.
Robert Orci was called in to direct the upcoming Star Trek movie after J.J. Abrams left for Star Wars. It has been announced that Orci is no longer directing. Edgar Wright’s name is coming up the most often as probable replacement but some fans are pushing for Jonathan Frakes. Frakes might be a great choice as someone who (as opposed to Abrams) understands Gene Roddenberry’s vision for Star Trek.
Stephen Colbert explains why the new style lightsabers in the next Star Wars movie are a good idea in the video above. It might take you two weeks to understand.
Allison Williams said we could not hate-watch Peter Pan Live, but what about snark-watching? The play was so much more fun to watch while following on Twitter. Some reviewers have said that NBC should have used actors more accustomed to acting in plays. Both these critics and Allison Williams missed the point. Sure we made fun of her at times, but that does not mean we wanted a better stage actress in the role or like Allison Williams any less even though she wasn’t perfect in the role. The point was the fun of the evening, including watching Allison Williams live out her childhood dream of playing Peter Pan, not to see a top notch Broadway-quality play on television.
There is only one actress I would have wanted to play Peter Pan other than Allison Williams, Jane Krakowski. Here is her leaked audition tape:
The highlight of the play was when Peter began to fight the pirates and declared himself to be an Avenger. I hope that most people did not turn off the show before the credits were over and miss the scene with Peter and Tony Stark going out for schwarma. My only complaint about the play was that, in order to be more topical, the “dead maid” in the closet should have shouted out, “I can’t breathe.” I also don’t understand how Wendy grew up to be Minnie Driver and didn’t look a day older.
Anna Kendrick was among the most prolific, and amusing, celebrities tweeting during Peter Pan Live. There is symmetry here as the play began with Wendy reading Cinderella to her younger brothers and Anna Kendrick is playing Cinderella in the movie version of the Broadway play, Into The Woods. The movie doesn’t come out until December 25 but Disney has released the audio below of Anna Kendrick singing a modified version of the Broadway version of On the Steps of the Palace. Audio below:
This case is something completely different yet fits in with the previous two posts (here and here) which deal with abuse of police powers. A man from Wisconsin is filing suit alleging that he was arrested for comments posted on Facebook accusing policemen of racism. The StarTribune reports:
A man who got arrested after he posted Facebook comments calling a southwestern Wisconsin police department racist has filed a federal lawsuit alleging one of the agency’s officers violated his constitutional rights.
Thomas G. Smith posted profanity-laced comments on Facebook that called police officers in Arena racists in July 2012. He posted the remarks in response to a police Facebook posting several days earlier thanking community members for helping detain two black juveniles who were fleeing officers.
According to the lawsuit filed Monday, an officer named Nicholas Stroik saw Smith’s comments and deleted them, along with comments from two other people who accused police of targeting black people.
Police then called Smith, who was living in Arena at the time, and asked if he had posted the remarks attributed to him. He told officers he wrote the comments and he meant them. Later that night officers arrested him at his home and took him to jail, the lawsuit said.
Prosecutors later charged him with disorderly conduct and unlawful use of computerized communications. They contended his comments amounted to fighting words, defined by the U.S. Supreme Court as utterances that have nothing to do with the exchange of ideas and can incite an immediate breach of the peace.
A jury convicted him and he was sentenced to probation and community service. A state appellate judge, however, tossed his convictions out in July, ruling that the fighting words doctrine doesn’t apply when the speaker and listener aren’t in close physical proximity and that Smith’s comments amounted to protected free speech under the U.S. Constitution.
The suit seeks unspecified damages and attorney fees from Nicholas Stroik and from the Village of Arena for failing to properly train Stroik on the U.S. Constitution.
CNN reported this week that the Republicans used coded messages in Twitter accounts to get around campaign finance laws which prohibit coordination between campaigns and outside groups such as Super-PAC’s. Information in fake Twitter accounts allegedly contained internal polling data.
Republican officials deny knowing abut this. Considering the wide range of things which Republican officials know nothing about, including science, math, economics, ethics, the workings of a democratic nation, and most human knowledge acquired since the enlightenment, Republican claims of not knowing something are very difficult to dispute.
The screen grab from one Twitter account used, which has since been deleted, was under the name of Bruno Gianelli. Bruno Ginnelli worked as Jed Bartlet’s campaign manager in 2002. It shouldn’t be too surprising that Gianelli is now working with the Republicans as he did work as a consult to Arnold Vinick’s GOP presidential campaign in 2006. Some might find it surprising that Republicans did watch The West Wing. I’m sure they draw the line at watching MSNBC.
By now most fans must have figured out that Katie Cassidy’s character is training to replace her sister Sara as the Black Canary, so there is no point in keeping this a secret. Publicity pictures have been released of Cassidy as the Black Canary. Marc Guggenheim has answered questions about when we will find out who killed Sara and has shot down another fan theory in a recent interview. The mystery over Sara’s killer won’t be dragged out over the entire season, but he is not telling exactly when we will find out.
The CW Network has released the synopsis of the cross over episodes of The Flash and Arrow, which will air on December 2 and 3.
Part 1: “Flash vs. Arrow”
“Barry is thrilled when Oliver, Felicity and Diggle come to Central City to investigate a case involving a deadly boomerang. Excited about teaming up with his friend, Barry asks Oliver if he’d like to help him stop Ray Bivolo (guest star Patrick Sabongui), the meta-human Barry is currently tracking. Bivolo causes people to lose control of their emotions and has been using that skill to rob banks. Unfortunately, the superhero partnership doesn’t go as smoothly as Barry expected. When Oliver tells Barry he still has a lot to learn, Barry sets out to prove him wrong by attempting to stop Bivolo alone. However, when Bivolo infects Barry and sets him on a rage rampage, everyone is in danger, and the only one who can stop him is the Arrow. Meanwhile, Iris is furious when Eddie tries to get a task force to stop The Flash, Joe and Dr. Wells agree the Arrow is a bad influence on Barry, and Caitlin and Cisco deal with a new team in S.T.A.R. Labs.”
Part 2: “The Brave and The Bold”
“Oliver, Arsenal and Diggle track down the location of a boomerang-wielding killer named Digger Harkness (guest star Nick Tarabay) but are surprised when they come face to face with an A.R.G.U.S. team. Diggle asks Lyla why A.R.G.U.S. is involved but she defers until Harkness attacks the building, killing several agents and targeting Lyla. The Arrow joins the fight and gets help from an old friend – The Flash. Harkness manages to get away and Oliver teams up with Barry again to find him before he can get to Lyla. When Harkness plants five bombs in the city that are timed to explode at the same time, both teams must come together to save the city.”
The above clip from this year’s upcoming Doctor Who Christmas special was played at Friday’s Children in Need special. Jenna Coleman is shown appearing again as Clara, and we do not know if this means whether Clara is continuing with the show next season or exiting the series as previously rumored.
Steven Moffat has discussed the past season of Doctor Who. With it uncertain as to whether there will be a new companion coming, there has been a lot of attention paid to his discussion of “changing it up with the companion.”
We actually have changed it up quite a lot, look how different those girls have been. Wait and see.
What we have is probably the most enduring form of the show and I think will always tend back to it for whatever reason, but there’s no reason you couldn’t tend away from it and there’s no diktat or special rule book left by Verity Lambert or something.
We absolutely could vary it. The times they’ve varied it, it makes them work hard – you can see them struggling with Leela. She was a great character but they had to civilize her fast because it was getting hard to fit her into stories – but it’s not a hard and fast rule at all.
Some of the bloggers at The Mary Sue disagree that they have changed it up all that much. Comments included, ” I know! Amy’s hair was red, and Clara’s was dark brown! So different“followed by, “And they were played by different women and it wasn’t the same actress in a wig so, right there.” Other comments included, ““And one wasn’t in love with the Doctor” followed by “Yes. One of them only flirted with the doctor. The others flirted and had feelings!” Maybe we’ll see “something really, really different” such as “curly hair.” On the other hand, the current formula works, so why be concerned about changing anything up?
The past season has received mixed reviews from fans, with more criticism of the plot holes in Moffat stories. What Culture has compiled a list of their top “face palm” moments in Doctor Who. While some fans are swearing that Moffat is destroying the show, to be fair to Moffat there were plenty of plot holes in stories before he took over. Examples can be found here, here, and here. Similarly, plot holes can be found during any typical evening of watching television. The nature of the show increases the risk of some plot holes on a show such as Doctor Who, but I also think the number is increased because Moffat often throws far too many clever ideas into some episodes, as he did in Death in Heaven. I feel he did a better job on episodes such as Blink in which he devoted the episode to just one clever idea and fully developed the story around it.
Michelle Gomez is hinting she will return to Doctor Who next season. She did too good a job as Missy to not consider using her again.
The Fall has started its second season, receiving excellent reviews, and Gillian Anderson hints there might be a third season. Netflix, which has the first season of this British series, will release all six episodes of the second season on January 16. The trailer is above.
There seems to be quite a few genre novels being turned into television series. Jonathan Nolan, creator of Person if Interest, is doing an adaptation of Isaac Asimov’s Foundation series for HBO. I could see this working as either adaptations of the books or as stories set in the universe Asimov created. Amazon has announced their planned pilots for 2015 and the list includes a series based upon The Man in the High Castle by Philip K. Dick. The alternative history creates a world twenty years after World War II in which the allies have lost. This could be another example of a series which might work by either adapting the novel or writing original stories in the universe created by the novel.
Ascension, a three night mini-series starting on Syfy on December 15 sounds like it could be awesome. Trailer above. From what I’ve read at various sources, the premise is that during the Kennedy years there were fears that humanity would not survive so an interstellar life boat was sent into space with a wide variety of people. The series takes place in the present, but the culture has not changed from the 1960’s, sort of giving us Mad Men in space. The mini-series reportedly deals with problems ranging from a murder to reaching the point of no return and having to decide whether to go on or to return to earth. Cast includes Tricia Helfer of Battlestar Galactica as the scheming wife of the Captain.
Community finally starts production next week and will be adding two new cast members following the loss of some regulars over the years. The new members of the cast will be Paget Brewster (above) and Keith David.
Carol Ann Susi, who provided the voice of Mrs. Wolowitz on The Big Bang Theory, died last Tuesday. No word yet as to how this will be handled on the show.
Karen Gillan’s new series Selfie has apparently not received enough “likes” and has been canceled by ABC. CBS has canceled The Millers, which means that Margo Martindale might now have more time to reprise her role as Claudia on The Americans.
If you heard the rumors last week about Spider-Man’s Aunt May getting her own movie, they aren’t true. The biggest problem with the rumored concept was that the movie was going to take place when she was younger. If the concept had any chance of succeeding, they’d be better sticking with Sally Field, who just might be able to pull it off.
…three adult actresses — Alex Chance, Mercedes Carrera, and Nadia Styles — explain what it would mean if the FCC passes compromised neutrality rules.
“Without net neutrality, Internet service providers could create special fast lanes for content providers willing to pay more,” says Carrera.
Adds Chance, “That means slow streaming, slow social networking, and yes, slow porn.”
Ms. Styles slam neutrality critic, Sen. Ted Cruz from Texas, saying he “doesn’t want me to get naked for you.”
She also points out that the anti-neutrality drive is being led by wealthy older men and says that doesn’t make any sense since, “Old rich guys watch the weirdest porn.”
Ms. Chance compares the current, neutral state of the Internet to “a giant sex party where everyone gets to have sex with anyone they want,” but Ms. Carrera contends that, “Without net neutrality, that sex party is only for rich people.”
Over the last several weeks, decade-old, discredited allegations against Mr. Cosby have resurfaced. The fact that they are being repeated does not make them true. Mr. Cosby does not intend to dignify these allegations with any comment. He would like to thank all his fans for the outpouring of support and assure them that, at age 77, he is doing his best work. There will be no further statement from Mr. Cosby or any of his representatives.
“Cosby settled a lawsuit in 2006 filed by a woman who claimed the comedian drugged and raped her in 2004, and he has never been charged with any crime connected to the allegations. Yet from comedian Hannibal Buress, who straight up called him “a rapist,” to countless slings and arrows on Twitter, there’s a sense that Cosby won’t emerge from this mess unscathed…
“Howard Bragman, a longtime celebrity public relations consultant, insisted on CNN that Cosby has “got to be willing to go on the air and go on the record, and say ‘These charges are not true, this is nothing I would do.’â€Š” So far, Cosby has done no such thing, perhaps already realizing his reputation is a lost cause.”
Once again we see that conservatives will quickly latch onto a headline which reinforces their biases, and then get so excited that they don’t bother to see if there is any substance. Some conservatives also seem to spend a lot of time looking for that big “gotcha” moment, again not caring whether it really means anything.
For the last couple of days multiple conservative blogs have been been excited about a video of Jonathan Gruber, an economics professor at MIT who was involved in the writing of both Mitt Romney’s health care plan and the Affordable Care Act. The key portion they quote from a panel held last year is:
“You can’t do it political, you just literally cannot do it. Transparent financing and also transparent spending. I mean, this bill was written in a tortured way to make sure CBO did not score the mandate as taxes. If CBO scored the mandate as taxes the bill dies. Okay? So it’s written to do that,” Gruber said. “In terms of risk rated subsidies, if you had a law which said that healthy people are going to pay in, you made explicit healthy people pay in and sick people get money, it would not have passed. Lack of transparency is a huge political advantage. And basically, call it the stupidity of the American voter or whatever, but basically that was really really critical to get for the thing to pass. Look, I wish Mark was right that we could make it all transparent, but I’d rather have this law than not.”
Conservatives are excited by his words “lack of transparency” and “stupidity of the American voter” but once you actually read his statement there isn’t anything there. Of course these words might sound totally different if we heard what was said before, but regardless this doesn’t mean what conservatives think it means.
First we see that the law was written to avoid calling the mandate a tax. No surprise considering the current political atmosphere where talking about taxes is toxic, even if for something beneficial. Politicians of both parties have gotten in the habit of finding ways to raise revenue without calling it a tax. Besides, the Supreme Court has already called this a tax, so if conservatives think they have something by finding evidence that this is secretly a tax, they are way behind. (Update: To be more precise, the Supreme Court did not call this a tax, but said that the penalties were constitutional because they were an exercise of Congress’s taxing authority.)
The other point in his statement is that healthy people pay money in and sicker people benefit. That’s how insurance has always worked. This would be the case if there was no government involvement. A lot of people pay for insurance, not knowing if they will get sick in the future, and those who actually do get sick receive the benefits. The same is true for insurance against your house burning down. A lot of people whose house never burns down pay insurance, and a small number of people whose house actually burns down receive the benefits. Just like health insurance, it is a transfer from some people to other people.
Health insurance also would have worked this way under the health care plan proposed by the Heritage Foundation in the 1990’s in response to the Clinton plan. That plan had a lot in common with the Affordable Care Act, but conservatives didn’t object then. Health insurance worked this way before the Affordable Care Act–except then some people would pay in their premiums when healthy and get dumped from their insurance plan if they got sick and cost they cost the insurance company too much. That’s something far more serious to object to, and something fixed by the Affordable Care Act. It is a shame that conservatives are getting so excited about their objections to Obamacare and not about the real abuses which existed before this much needed reform.
“The comments in the video were made at an academic conference,” Gruber said on “Ronan Farrow Daily.” “I was speaking off the cuff. I basically spoke inappropriately. I regret having made those comments.”
The Hill also reports:
On Tuesday, Gruber said he only meant that much of ObamaCare’s financing was done through the tax code, calling that more “politically palatable” than other means.
“That was the only point I was making,” he said.
Gruber’s words would be far more meaningful if they came from Obama or someone high in his administration rather than from an academic consultant to both parties, or if he showed any actual deceit on the part of the Obama administration. Even if Gruber does think that Americans are too stupid to realize that a fine for not having insurance could be considered a tax, and that insurance is a transfer of money from some people to others, this has no bearing on the Obama administration and in no way diminishes the tremendous benefits we have received under the Affordable Care Act such as coverage at a lower cost for millions, including those who previously could not obtain coverage due to preexisting medical conditions or cost.
Besides, if you want to look at deceit, the real dishonesty came from Republicans who lied about death panels, the number of people obtaining coverage, the number not paying their premiums, the effects of the ACA on jobs and the economy, the cost of coverage, and falsely claimed that Obamacare is a government take over of health care. Even when the lies are debunked, Republican politicians continue to repeat them. They are the ones who must think that Americans are stupid. When George Bush pushed through his Medicare drug plan, he not only lied about the cost, but threatened to fire the chief Medicare actuary if he testified before Congress about the true cost. Now that is lack of transparency.
“Transparency is a key goal of the ACA: consumers now have more access to information about their health insurance than ever before,” White House spokesperson Jessica Santillo said in a statement to TPM. “The Affordable Care Act was publicly debated over the course of 14 months, with dozens of Congressional hearings, and countless town halls, speeches, and debates.
“The tax credits in the law that help millions of middle class Americans afford coverage were no secret, and in fact were central to the legislation,” she continued. “Not only do we disagree with those comments, they’re simply not true.”
An administration official also noted to TPM that — while Gruber is often described as an “architect” of Obamacare because he was a key consultant to the administration and was heavily involved in developing the Massachusetts health reform law that served as a starting point for the ACA — “he did not work in the White House or play the same role in developing the Affordable Care Act.”