SciFi Weekend: Twice Upon A Time; Black Mirror Does Star Trek (And More) With USS Callister; Jonathan Frakes on Star Trek Discovery and The Orville; Top New Genre Shows Of 2017

Twice Upon A Time was the final episode of Doctor Who for both Peter Capaldi and Steven Moffat. The episode has far more references to previous episodes than I’d attempt to list and makes it clear that it is part of a tradition starting long before either Capaldi or Moffat were involved. It goes back to the first Doctor, starting with black and white footage and the caption “709 episodes ago,” ultimately leading to the words “to be continued.”

We knew it would be continued although both the first and the twelfth Doctor threatened  not to regenerate. Of course we knew that the first had to regenerate as we have seen subsequent Doctors. It was also no surprise that Twelve ultimately decided that, “One more lifetime won’t kill anyone…except me.” Of course each Doctor will give into yet one more lifetime.

The episode differed from a typical episode in that we learned that the Testimony was not really doing anything menacing. (“I don’t know what to do when it isn’t an evil plan.”) Rather than having the universe in danger this was a smaller scale story, only giving enough plot so that we didn’t have the two Doctors, along with the Captain and Bill’s memories, do nothing but talk to each other. This also enabled Moffat to return to his earliest stories. The planet Villengard was from his first Doctor Who story, The Doctor Dances, and Rusty the good Dalek returned from Into The Dalek. The idea of memories living on after death has been seen repeatedly in Moffat’s stories in some form or another.

The year of #MeToo turned out to be the perfect year for Doctor Who to explore sexism, contrasting the first Doctor’s 1960’s attitudes with the present. When the twelfth Doctor said, “You can’t say things like that,” he was not only lecturing someone from the 1960’s, but was also pointing out what he has learned over time. It was an even bigger shock for the first Doctor when he and the Captain mentioned that they have had “some experience of the fairer sex” and Bill responded that she has too. Ultimately the glass ceiling in the TARDIS was broken (along with the entire TARDIS blowing up).

Besides the appearances by David Bradley as William Hartnell’s first Doctor (after having played Hartnell in the An Adventure in Space And Time), and the return of some form of Bill, there were brief cameos by Clara Oswald and Nardole, with the Doctor regaining his memory of Clara. The two characters out of World War I were by Mark Gatiss and Toby Whitehouse, both writers with Doctor Who experience. The Captain also turned out to have yet another role in Doctor Who history as he was ultimately identified as Hamish Lethbridge-Stewart–the grandfather of General Sir Alistair Gordon Lethbridge-Stewart,  the Brigadier. (His exact relationship was not mentioned in the episode but SciFi Wire reports that Gatiss referred to his character as the Brigadier’s grandfather in a press Q&A).

Being a time travel story, there was the obvious slip (“Spoilers”) of the Doctor referring to the “War To End All Wars” as “World War I.”  “What do you mean ‘one’?” Plus being a Christmas episode led to the perfect resolution of the Captain’s story with the Doctor returning him a few hours later so that instead of being shot he participated in the Christmas Armistice of 1914

Of course we all knew where this was going as Peter Capaldi gave his final speech on the TARDIS, with advice for his next self:

Oh there it is. Silly old universe. The more I save it, the more it needs saving. It’s a treadmill. Yes, Yes I know they’ll get it all wrong without me. Well I suppose one more lifetime won’t kill anyone. Well, except me. You wait a moment, Doctor. Let’s get it right. I’ve got a few things to say to you. Basic stuff first. Never be cruel, never be cowardly, and never ever ever eat pears. Remember, hate is always foolish and love is always wise. Always try to be nice, but never fail to be kind. Oh, and you mustn’t tell anyone your name — no-one would understand it anyway. Except children, children can hear it, sometimes if their hearts are in the right place, and the stars are, too, children can hear your name — but nobody else, nobody else, ever. Love hard, run fast, be kind. Doctor, I let you go.

Screen Rant provided an explanation as to where the various portions of this speech came from.  Den of Geek also explained:

The twelfth Doctor’s final speech, which was worked on by both Steven Moffat and Peter Capaldi, contains several elements from dialogue past. “Never be cruel, never be cowardly” is a doff of the cap both to The Day Of The Doctor and to 70s script editor Terrance Dicks, who would often cite the Doctor’s lack of these two traits as one of his greatest virtues. “Never eat pears” is a reference to Paul Cornell’s novel Human Nature, in which the seventh Doctor expressed a dislike for pears before taking on human form. A similar line was cut from the 2007 tenth Doctor adaptation with the same name. In Hell Bent the Doctor told Clara never to eat pears, as “they’re too squishy and they always make your chin wet”.

“Be kind” is what the Doctor begged of the Master and Missy back in The Doctor Falls, but it was also said by the tenth Doctor to the Vashta Nerada in Forest Of The Dead. “Don’t tell anyone your name” likely refers to the kerfuffle caused by the Doctor’s name in Matt Smith’s final year, when it was revealed that saying his name on Trenzalore would have reignited the Time War. However, the Doctor did seemingly tell River Song his real name on the occasion of their ‘nuptials’ in 2011’s The Wedding Of River Song – but then, as we’ve been told, ‘the Doctor lies’… The part about the stars and one’s heart being in the right place appears to be the invention of Peter Capaldi, who expressed a similar sentiment at a special screening earlier this year.

Then there was the regeneration energy, the Doctor’s ring fell off, and we had a new Doctor. Just as we first saw Peter Capaldi’s forehead and eyes, this is what we first saw of Jody Whittaker. Apparently us Americans will have to learn to understand Jody Whittaker’s Yorkshire accent. All we heard from her so far was, “Oh brilliant.” Then there was the ultimate cliff hanger as the TARDIS exploded and the thirteenth Doctor was falling towards the earth. Presumably this will enable her to have her own look for the TARDIS, or perhaps she will be without it for a while.

More on Twice Upon A Time, and the question of the Doctor’s real name, here.

Just as Doctor Who incorporated the Doctor from the 1960’s, Black Mirror began its fourth season with an homage to the other classic science fiction show of the 1960’s, Star Trek, with USS Callister. It first appeared as an over-the-top parody of a Star Trek episode, culminating with Captain Kirk kissing all the girls. It turned out to be something completely different. Major spoilers ahead.

While Star Trek type science fiction played a key role in the story, the story was more about artificial reality and about abuse of power. Jesse Plemons played the co-head of a tech firm who did not get much respect on the job, and took it out on sentient digital clones of others in the office. Most had accepted their roles and inability to fight back until a new employee played by Cristin Milioti was brought aboard. The final straw was finding that she had been robbed of her sexuality, and her vagina. She led a successful rebellion, which included blackmailing her real self into helping with revealing pictures hidden online. It all worked out well in the end with the digital clones becoming free of Jesse Plemons and free to explore the digital universe, now with a modern JJ Abrams Star Trek look (including lens flare). Perhaps if Plemons wasn’t so concerned with exercising power and abusing others he could have had far greater adventures in his digital world.

Den of Geek interviewed Charlie Brooker and Anabel Jones about the episode:

This is a brilliant ‘have your cake and eat it’ episode, in that you start with the spoof of the ship navigating the asteroid belt, then by the end I’m watching like this [mimes learning forward, tense] thinking ‘are they going to get through the asteroid belt?!’ How did the layers of that story evolve?

Charlie Brooker: We were on the set of Playtest from the previous season and we were saying ‘we haven’t done a space episode. What’s a Black Mirror space episode?’ and quite quickly we went ‘well, it couldn’t really be in space, it would have to be in a simulation’, then quite quickly again it was like ‘what if there are people who are copied in and they’re trapped in there and it’s like a prison?’

Like White Christmas?

CB: Yeah! And then the captain is the baddie, so it’s like Playtime Fontayne from Viz, who’s a grown man who makes everyone play games like a child. It’s like a nightmare, he’s a tyrant, he’s mad! So then we started calling it Toy Story or Adult Toy Story, we kept calling it…

Annabel Jones: …which then sounded wrong! [laughs]

CB: Relatively quickly those thoughts came together. Then the notion of it being a sort of vintage show that he was obsessed by kind of came in slightly later because we thought, what’s even more unexpected? A), because the world he has created is a throwback and a simplistic interpretation of shows like that. It’s his interpretation of that show, rather than what that show would have actually been, it’s his simplistic fable version of it and it’s quite reductive and out of date. We’re not saying that shows of that nature are reductive and out of date, because they were actually very progressive at the time. His warped version of it.

Partly it also came about because we wanted to have an opening where you go ‘what the fuck is this?’…

He starts as the underdog and I thought I was going to like him, he seemed like my kind of socially awkward guy. Then you see him behaving like a cruel tyrant, ignoring the irony of the speech he gives about the utopian ideals of Space Fleet. He’s like ‘actually, it’s about ethics in space exploration!’ Was that intended as a comment on online fandom and that sort of character?

CB: Not really. It’s interesting because that is a thing that a couple of people have said. That worries me slightly because I don’t want it to be seen that we’re attacking fans of classic sci-fi, that speech is more meant to be a bit of a joke really. He delivers this speech, which presumably he has lifted from an episode of Space Fleet, about the noble ideals of this progressive UN-in-space, and then he turns around and goes “…and you arseholes are fucking it all up!” It’s meant to illustrate the gulf between his fantasy heroics—he wants to be the hero in this make-believe world—and the stupidity and tyranny of what he’s actually doing…

Speaking of influences, there are echoes of that Twilight Zone great episode with Anthony Fremont, the little kid who controls his town and turns people into Jack-in-a-box. Was that an inspiration or just somewhere in the back of your head?

CB: I think at some point I thought ‘hang on, it’s not a million miles away’ because he’s a tyrant, that kid is a dictator that everybody has to be extremely mindful of, that lives in a fantasy world so probably unconsciously there was an element of that. Certainly you could draw a parallel there.

Are you a Star Trek fan? What’s your relationship with that franchise?

CB: I was probably more of a Doctor Who fan as a kid, or Twilight Zone or Tales Of The Unexpected but Star Trek was kind of an anthology show as well in a way. I never really watched the 90s Star Trek series. Will Bridges, who co-wrote the episode, is a big, big, big Star Trek fan, so he was delighted at the chance to do all that. He knew a lot of the lingo.

The episode has a lot of fun with early Star Trek…

CB: Tropes, yes. A lot of that came from Will, he was like ‘Oh, I know! This and that can happen’, so he was having a lot of fun in that respect. I watched The Original Series when I was a kid and would find it terrifying a lot of the time. I think we wanted it to feel, generally, with classic sci-fi, we wanted it to feel more like an homage than an attack.

An affectionate ribbing?

CB: Yeah. There’s a bit of piss-taking going on but really it’s aimed at Daly.

So incurring the wrath of Star Trek fans isn’t something you’re worried about?

CB: Well it’s worrying, because you don’t want to upset people unnecessarily. We’re not saying that is a rubbish show, or it’s a throwback, because again, it was wildly ahead of its time. He says at one point that it was visionary, and that’s true!

Of course this season we have had two different interpretations of Star Trek with new the new shows, Star Trek: Discovery and The Orville. Jonathan Frakes, who has past experience on Star Trek: The Next Generation, has directed episodes of both and discussed this with IndieWire:

Mimicking a variety of styles is something that the veteran director is quite used to doing. In just the last year, Jonathan Frakes directed five episodes of television, including both “The Orville” and “Star Trek: Discovery,” perhaps serving as the ultimate bridge between the two fall TV homages to the “Star Trek” franchise. And according to Frakes, there’s room for both.

“Stylistically, your responsibility as an episodic television director [is] when you do a show like ‘The Orville,’ you want that show to look like ‘Next Generation,’” he said. “And when you go to Canada to do ‘Star Trek: Discovery,’ they want that show to have the feeling, and look, and vibe of the J.J. [Abrams]-era ‘Star Trek.’ Much more cinematic, a lot of crane work, and a lot of movement, a lot of dutch angles. On ‘Next Generation,’ the traditional framing, and the things we became accustomed to as fans of the show, we see in [‘The Orville’] because that’s the look.”

When it came to “The Orville,” Frakes said that “I was afraid that it was going to be like ‘Family Guy,’ and it’s not really, but it’s also not really as serious as ‘Next Generation.’ I think Seth [MacFarlane], and Brannon [Braga], and whoever else is involved in all this, they found a tone that clicks with this audience, either the millennial audience or the old school audience. Everyone is very pleasantly surprised at how well the show has been received. I’m happy to see the homage, and I’m happy to see success for whoever wants to steal good ideas.”

Added Frakes, “It was a very conscious, and I think quite successful, homage. ‘Orville’s’ coming back for a second season, so is ‘Discovery.’ There’s room, obviously, in the fans’ hearts for both types of ‘Star Trek.’”

Star Trek: Discovery and The Orville are just two of the great science fiction shows to premiere in the past year. See SciFi Weekend’s ranking of the Top Ten New Genre Shows Of 2017. (I’m linking to it again today as those who follow links to SciFi Weekend through Facebook groups did not get the link last week as I was back in Facebook Jail last Sunday, with Facebook increasingly interfering with posting links to groups).

The Power Of Facebook Necessitates A Reconsideration Of First Amendment Rights In The Digital Age

The First Amendment, written in a previous century to protect the freedom of expression of Americans, is under a new challenge in the digital age which the Founding Fathers could not have imagined. Increasingly communication is done online rather than in newspapers or shouting from the town square. The internet can increase opportunities for free expression when anyone can write from their own web page, but increasingly communication is being channeled through limited sources. Facebook has become indispensable for communicating, now with over two billion active users worldwide.

Unfortunately First Amendment rights to not apply on Facebook, and Facebook is showing an irresponsible disregard for freedom of expression among its users. This is seen both in intentional censorship and when people are prevented from communicating due to poorly conceived policies and faulty algorithms.

I previously discussed Facebook censorship in this post in October. Examples included a political candidate who was prohibited from posting on his own campaign page.

Censorship is not limited to politics. A healthcare blog, The Doctor Weighs In, has discussed absurd Facebook policies which restricted them.  Facebook called  picture of a child receiving a vaccination “shocking, sensational, or overly violent.” A post on burning fat was rejected because some might find it degrading.

The Intercept describes today how Facebook is deleting accounts at the direction of the United States and Israeli governments. The New York Times provided additional examples of similar Facebook censorship two days ago.  Journalists have often been caught up in Facebook censorship, such as in this example of a Pulitzer-winning reporter described by The Guardian. Forbes noted:

Indeed, journalists themselves have frequently served as a check on Facebook’s power of censorship. Time and again, Facebook has deleted a post or suspended a user who tries in vain to get their post or account restored for days or weeks to no avail, only to have the post/account instantly restored the moment a major news outlet contacts the company for comment. If journalism itself was subject to the same power of censorship and Facebook could simply delete, prohibit or deemphasize posts about its censorship activities, it could very rapidly eliminate one of the few avenues of redress for its actions.

Unfortunately most of us do not have the ability to force Facebook to review its actions as major news outlets do. Individuals on Facebook can have posts blocked, and be placed in “Facebook Jail” and be unable to post for variable lengths of time. While sometimes there might be actual violations of their “Community Standards,” quite often that is not the case. Posts might be picked up as “spam” by their faulty algorithms, or due to politically-motivated complaints from people who disagree with them.

Last week this blog post was blocked by Facebook. While some might disagree, I bet nobody can find anything actually offensive in it. I appealed, saying it is not spam but only received a response saying, “We’ll try to take another look to check if it goes against our Community Standards and send you a message here in your Support Inbox if we have an update.” A week has passed with no further response. It doesn’t necessarily help if they do review a post. Earlier in December I was placed in “Facebook Jail” for a post which they initially said was spam. After I responded that it was not spam I got this response:

Thanks again for letting us know about this post. We took another look and found it doesn’t go against our Community Standards, so we’ve restored your post. We’re sorry for the trouble and appreciate you taking the time to get in touch with us so that we could correct this.

They technically restored the post, but despite agreeing that the post was not spam they left me in Facebook Jail which mean that I still could not post in groups for a few more days, and the post they restored could not actually be seen.

Facebook is increasingly being used for political organization, but its censorship could interfere with protests. Today those who question aspects of “Russiagate” are often censored. Would Facebook have also censored those of us in 2003 who were questioning the government’s claims about WMD in Iraq? Would Facebook have suppressed discussion of the Pentagon Papers and other protests about the Vietnam war? They previously censored the iconic picture of a 9-year-old girl fleeing napalm bombs in 1972. Conservatives also complain that their views are being censored by Facebook. Facebook should not be deciding what views can be expressed from either the left or the right.

While preparing this post I found the above examples of censorship by Facebook and other social media sites, along with many more. I also found this Online Censorship organization which is seeking examples of censorship. Hopefully online organizations can be pressured into being more accountable towards their users and to show greater respect for freedom of expression.

Donald Trump On Beating Clinton In The Electoral College, Collusion, Presidential Power, And The Media

Donald Trump had a number of interesting, while frequently erroneous, things to say in his interview with The New York Times. While the media reports have concentrated on him denying collusion (repeatedly), he also did argue that he beat Hillary Clinton because of competing better in the electoral college as opposed to colluding with Russia:

I didn’t deal with Russia. I won because I was a better candidate by a lot. I won because I campaigned properly and she didn’t. She campaigned for the popular vote. I campaigned for the Electoral College. And you know, it is a totally different thing, Mike. You know the Electoral College, it’s like a track star. If you’re going to run the 100-yard dash, you work out differently than if you’re going to run the 1,000 meters or the mile.

Trump also said, “It would have been a whole different thing. The genius is that the popular vote is a much different form of campaigning. Hillary never understood that.” He might be overstating the case in saying “Hillary never understood that,” but he did a better job of understanding the electoral college than Clinton did, and concentrating resources on a strategy to win the election. Trump realized how unpopular Clinton was in the “rust belt” before she did. Even when Clinton realized at the last minute that she was vulnerable, she did a terrible job of campaigning in states like Michigan, as I discussed after the election.

Trump also showed that he understood the differences in strategy in saying, “Otherwise, I would have gone to New York, California, Texas and Florida.” Many Democrats, who take undeserved satisfaction in winning the popular vote, do not understand how things could have been entirely different if the election was based upon the popular vote and Trump did campaign differently. As Aaron Blake explained:

An electoral-college election involves making explicit appeals to and advertising in around 10 or 12 out of the 50 states. It means Trump didn’t campaign or advertise in California or Massachusetts or Washington state and that Clinton didn’t campaign in Oklahoma or even Texas (despite polling within single digits there). They knew it would be wasted effort to try to turn a 30-point loss in those states into a 22-point loss, or a 14-point loss into an eight-point loss.

For example, if Trump shaved 10 points off his 30-point loss in California, turned his 22-point loss in New York into a 15-point loss, and added just six points to his nine-point win in Texas, he’d have won the popular vote. And that’s just three really populous states out of the many in which neither side really tried.

Trump’s argument that collusion was not necessary to win does make sense in light of all the mistakes Clinton made, and there is no evidence of actual collusion occurring which altered the election results, despite the attempts of Hillary Clinton and many of her supporters to  blame her loss on Russia. Of course Trump’s denials mean less when we know that both his son and son-in-law had attended a meeting with Russians after being teased with information, even if it turned out that they did not receive any. (We do not know whether he knew about this meeting with close family members but it is hard to believe he did not, and this is one of many question which  I hope the current investigations find an answer about).

Trump’s denials also sounded weaker when he claimed, citing Alan Dershowitz, “There is no collusion, and even if there was, it’s not a crime.” While he is right that there is currently no evidence of collusion, this almost sounds like he is saying that if this part of his defense should be proven wrong, it is still not a crime. There could be major ramifications politically if evidence should arise of collusion.

Unfortunately the media coverage of this case is overly concentrated on the question of collusion. As I’ve pointed out many times, such as here, Robert Mueller’s investigation does appear to be more concentrated on evidence of financial crimes and obstruction of justice as opposed to collusion.

Trump again showed his lack of understanding of the limits of the presidency with his claim that, “I have absolute right to do what I want to do with the Justice Department.”

He talked about bipartisan solutions for infrastructure and a new health care bill, both of which might be desirable but are not likely to occur in today’s political climate. He stated, “I wouldn’t do a DACA plan without a wall.” If he holds to this, it will make a bipartisan deal on immigration more difficult to achieve.

Trump was also asked about additional topics, and then concluded with an amusing, even if flawed, argument as to why he will be reelected:

… I’m going to win another four years is because newspapers, television, all forms of media will tank if I’m not there because without me, their ratings are going down the tubes. Without me, The New York Times will indeed be not the failing New York Times, but the failed New York Times. So they basically have to let me win. And eventually, probably six months before the election, they’ll be loving me because they’re saying, “Please, please, don’t lose Donald Trump.”

Yes, Trump is good for the news media, and also late night comedians, but that is hardly enough to get their actual support for his reelection.

Psychiatrists Debate Speaking Out On Donald Trump’s Mental Health

The Goldwater Rule has received considerable attention this year with the election of Donald Trump. The rule was put into place to dissuade psychiatrists from talking about the mental health of politicians without actually doing an exam after some had speculated about Barry Goldwater’s mental health.  As I noted in July, the American Psychoanalytic Association has released an emailed statement freeing its members to give opinions on the mental state of Donald Trump. The controversy has continued with the publication of a book entitled The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President.

The New England Journal of Medicine has an article by a psychiatrist, Claire Pouncey, resonding to criticism of the book and making an argument for psychiatrists to be able to comment on the mental health of Donald Trump. Here is a portion:

…in October, psychiatrist Bandy Lee published a collection of essays written largely by mental health professionals who believe that their training and expertise compel them to warn the public of the dangers they see in Trump’s psychology. The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President rejects the position of the American Psychiatric Association (APA) that psychiatrists should never offer diagnostic opinions about persons they have not personally examined.Past APA president Jeffrey Lieberman has written in Psychiatric News that the book is “not a serious, scholarly, civic-minded work, but simply tawdry, indulgent, fatuous tabloid psychiatry.” I believe it shouldn’t be dismissed so quickly…

The relevance of the Goldwater rule has spiked in the past 2 years in the setting of Trump’s candidacy and now presidency. There are good reasons to respect the intention of Section 7.3. Most psychiatrists want to teach the public about the myriad presentations of mental illness and character pathology and not to oversimplify, stigmatize, promote stereotypes, or disparage the persons whose mental health we work to improve. We believe that people with mental illness can flourish and contribute to our communities, and on the flip side, we do not assume that everyone who behaves erratically or earns public disapprobation is mentally ill. Most psychiatrists do not think we have superpowers that let us know the inner thoughts and psychological workings of strangers. Section 7.3 reminds us to remain humble about the claims we can reasonably make and to present ourselves responsibly for the sake of our patients and our profession.

Increasingly, however, some psychiatrists are expressing professional concern about Trump’s public remarks and behaviors and what they mean for public safety. Lee and her coauthors clearly take themselves to be fulfilling the moral obligation of Section 7 by using their specific expertise as mental health professionals.

The Goldwater rule, like the other APA annotations, is meant to clarify a principle of medical ethics, not contradict it. Yet in March 2017, shortly after Trump’s presidential inauguration, the APA broadened the rule to apply to “any opinion on the affect, behavior, speech, or other presentation of an individual that draws on the skills, training, expertise, and/or knowledge inherent in the practice of psychiatry”5 — an expansion that would silence psychiatrists who want to honor the moral obligation of Section 7 by educating the public about the dangers they see in Trump’s psychology. The problem is that psychiatric diagnostic terminology has been colloquialized, so the public and the press use it to describe Trump, but when a psychiatrist does so, use of the same words is considered to be a formal diagnosis (at least in the eyes of the APA). As a result, psychiatrists are the only members of the citizenry who may not express concern about the mental health of the president using psychiatric diagnostic terminology.

The Dangerous Case of Donald Trump challenges the APA position that a psychiatrist cannot know enough about a person she has not interviewed to formulate a diagnostic impression. Contrary to the APA, a physician who has not formally evaluated a patient is not making a diagnosis in the medical sense, but rather using diagnostic speculation and terminology informally, with the benefit of education. That characterization applies to the orthopedist or physical medicine specialist speculating on the knee injury of the football player limping off the field and the dermatologist wincing at a stranger’s melanoma in the grocery line as well as to the psychiatrist interpreting Trump’s public statements. Physicians don’t stop knowing what we know when we leave the clinic. Psychiatric terminology has become part of the common parlance, and the authors in Dangerous Case describe and define that terminology much better than, say, Ralph Northam. The question is whether psychiatrists are the ones we should hear it from.

I expect that the APA will denounce and dismiss this book and its authors, but I encourage others not to do so. Dangerous Case is unapologetically provocative and political, and the authors clearly take themselves to be contributing to the improvement of the community and the betterment of public health, as the AMA (and APA) principles of medical ethics direct. Dangerous Case will have supporters and detractors for good reasons — some political, some social, some psychiatric — that have much more to do with views of Trump’s mental health than with the Goldwater rule. I believe that the APA, in the interest of promoting public health and safety, should encourage rather than silence the debate the book generates. And it should take caution not to enforce an annotation that undermines the overriding public health and safety mandate that applies to all physicians. Standards of professional ethics and professionalism change with time and circumstance, and psychiatry’s reaction to one misstep in 1964 should not entail another in 2017.

Clinton Supporters Attack Vanity Fair After Clinton Mocked

Clinton supporters are going ballistic on Facebook and Twitter, threatening to cancel their subscriptions to Vanity Fair in response to their video, Six New Year’s Resolutions for Hillary Clinton. The suggestions for Clinton in the above video were:

It’s time to start working on your sequel to your book, “What Happened”: “What the Hell Happened.”

Get someone on your tech staff to disable autofill on your iPhone so that typing in “F” doesn’t become “Form Exploratory Committee for 2020.”

You know how on Anderson Cooper you were telling him about alternate-nostril breathing? You seemed really adept. You should try teaching a class.

Take more photos in the woods. How else you are going to meet unsuspecting hikers?

Take up a new hobby in the New Year: Volunteer work, knitting, improv comedy – literally anything that will keep you from running again.

Put away your James Comey voodoo doll. We all know you think James Comey cost you the election, and maybe he might have, but so did a handful of other things. It’s a year later and time to move on.

TYT Nation responded with this video which points out why Hillary should go away:

Maya Kosoff, a tech writer for VF Hive, responded “i don’t appreciate being taken out of context to make me seem super sexist. this wasn’t a hillary hit piece either, fwiw! we made silly new years resolutions for a bunch of politicians.”

They did make make similar videos mocking other politicians including White House chief economic adviser Gary Cohn, White House press secretary Sarah Huckabee Sanders and Donald Trump, but it is the Clinton supporters who were protesting. While late night comedians, and others, have helped us get through the misery of Donald Trump’s first year, just imagine the protests if Clinton was in the White House. Anyone making a joke about her, along with anyone protesting her wars, would be under constant attack as being sexist (or a pawn of Putin).

Peter Daou, who is promoting the #CancelVanityFair hashtag, had a rather weak comeback with, “Vanity Fair had the audacity to tell Hillary she should take up knitting. Today we learn she’s the most admired woman in the world for the 16th consecutive time, according to Gallup.” While she came in first, Clinton was listed as most admired by 9 percent of those responding–down from 12 percent last year. That is hardly a show of support in a poll which is primarily based upon name recognition. It is more significant that Gallup recently found that Clinton’s favorable rating has fallen to a new low of 36 percent, falling below that of Donald Trump.

Russia Tries To Play Hillary Clinton’s Game, Complaining Of Foreign Interference In Their Election

Russia is taking a lesson from Hillary Clinton in whining and irrational complaints, now complaining of foreign intervention.

Hillary Clinton won the Democratic nomination in a system which was essentially as rigged as picking nominees in the proverbial smoke-filled room–or almost as rigged as a typical Russian election. When she thought that she was going to win, Hillary Clinton said that Donald Trump “threatens democracy” by not accepting the election results. When she subsequently lost as a consequence of her own faults, Clinton decided within twenty-four hours of losing to place the blame on others, and later became even more aggressive in questioning the legitimacy of the election.

Clinton participated in a sham nomination battle in which the rules were rigged to deliver her the nomination and refused to accept the legitimacy of the general election after losing. Putin didn’t even bother with super delegates or debate restrictions–and he is not going to risk making losing a possibility. He simply prohibited opposition leader Alexey Navalny from running against him when he runs for reelection. Navalny was barred from running due to an embezzlement charge which the European Court of Human Rights determined in October to be”arbitrary and manifestly unreasonable.”

As I noted back in a 2007 post, this is not the first time in which the Russian government has acted to prevent opposition forces from competing in elections.

The State Department protested:

…a State Department representative expressed concern over the Russian government’s “ongoing crackdown against independent voices, from journalists to civil society activists and opposition politicians.”

“These actions indicate the Russian government has failed to protect space in Russia for the exercise of human rights and fundamental freedoms,” the statement said. “More broadly, we urge the government of Russia to hold genuine elections that are transparent, fair, and free and that guarantee the free expression of the will of the people, consistent with its international human rights obligations.”

Russian Foreign Ministry spokeswoman Maria Zakharova responded on Facebook by accusing the US of “direct interference in our electoral process and internal affairs.”

In our era of constant world-wide interaction on social media we will always see “interference” in foreign elections if any comments by one government is considered to be interference. What matters is that there is no reason that the United States State Department cannot comment on the undemocratic nature of the Russian election. This “interference” is no more likely to alter the results of the Russian election than Russian activity on social media affected the results of the US election.

Besides, Democrats in the United States have been helping Putin quite a bit. Russian opponents of Putin have complained that the false portrayal of Putin as such an powerful puppet master that he can alter foreign elections enhances his reputation and political strength.

Facebook Posts Tool To Tell If You Followed Any Russian Pages

Facebook recently posted a tool which will check whether you followed any of the alleged Russian Facebook pages or Instagram accounts. I thought it was certainly a possibility as during the election I did follow several anti-Clinton pages. It looks like the were all legitimate after using their tool. Several Facebook friends have also checked and so far I have not found anyone who reports that any of the pages they followed was Russian.

Russian material very likely was lost among the huge amount of noise present on Facebook.  Russian material was a minuscule percentage of overall material on Facebook. The Congressional testimony revealed that  material from these Russian pages accounted for “less than 0.004 percent of all content — or about 1 in 23,000 news feed items” on Facebook. That is hardly enough to have impacted the election result.

It is also probably because the Russians ads appear to have been targeted towards a more conservative audience. Most people are not likely to change their minds as to who to vote for based upon something they see on Facebook, and people joining a political group already have their minds made up. Sure they can get some clicks by posting anti-Clinton material directed towards Republican voters, but those voters 1) already have seen the same from multiple other sources, and 2) were not going to vote for Clinton even before seeing material from Russia.

While the Russian material is portrayed as being pro-Trump and anti-Clinton, much of it had nothing to do with the election, and that which was about the election was not necessarily pro-Trump. The biggest success attributed to Russia on Facebook has been to get 5000 to 10,000 people to turn out for a rally–a rally protesting against Donald Trump after the election.

Donald Trump Gloats About Christmas Gift For His Rich Friends; Bernie Sanders Responds

Donald Trump just could not help but boast about how much the Republican tax cut will help members his rich friends at Mar-a-Lago. CBS News reports:

President Trump kicked off his holiday weekend at Mar-a-Lago Friday night at a dinner where he told friends, “You all just got a lot richer,” referencing the sweeping tax overhaul he signed into law hours earlier. Mr. Trump directed those comments to friends dining nearby at the exclusive club — including to two friends at a table near the president’s who described the remark to CBS News — as he began his final days of his first year in office in what has become known as the “Winter White House.”

The president has spent many weekends of his presidency so far at the “Winter White House,” where initiation fees cost $200,000, annual dues cost $14,000, and some of the most affluent members of society have the opportunity to interact with the president in a setting while many Americans cannot. This weekend, the president arrived after signing the most consequential legislation, and arguably, the greatest achievement, of his presidency thus far.

The New York Post adds:

Sen. Bernie Sanders took to Twitter to say the president is finally coming clean on who wins in the GOP tax plan.

“At least Trump is finally telling the truth about his tax bill,” the independent from Vermont posted on the social media messaging site.

The nonpartisan Tax Policy Center said 80 percent of Americans will pay less taxes in 2018 and fewer than 5 percent will see their taxes rise by less than $10.

By 2027, 53 percent of Americans will see their taxes increase, it said.

But according to a report in the New York Times, Trump stands to reap an $11 million windfall because of the tax overhaul.

Basing their calculations on Trump’s 2005 tax return – the most recent available because the president has dismissed calls to make them available – he will qualify for a significantly reduced tax rate that benefit “pass-through” businesses, including real estate companies, that pass income to their owners.

SciFi Weekend: Top Ten New Genre Shows Of 2017; Doctor Who News On The Eve Of “Twice Upon A Time”

Doing top of the year lists in television has become increasingly difficult in this age of peak television when there are around 500 scripted shows and it is impossible to watch everything new which is on. I’ve even heard some of the professional television critics admit to this problem and that their lists should realistically be called the Top X Shows Which I Have Watched. As each season adds to the number of shows which deserve to be ranked which I have not seen, I have annually limited my lists to the top new shows of the year. (The Top Twenty New Shows Of  2016 is posted here). In past years I have included all types of television, with a bias towards genre in the rankings. I found that this year I have seen most (but certainly not all) of the new genre shows which I believe are worth seeing, but when all types of shows are considered the percentage drops significantly. Therefore I decided to make the main list the Top Ten New Genre Shows Of 2017 and will mention some additional shows afterwards.

Top Ten New Genre Shows Of 2017

10. The Gifted (Fox)

One of three new X-Men or mutant related shows (with the X-Men and Inhumans possibly to be united if the Disney purchase of Fox goes through). This is definitely the more conventional of the two included on this list, and the mid-season finale opens hope that the show will be expanded from what we have seen so far. It is worth seeing with the combination of Root (Amy Acker) and Vampire Bill (Stephen Moyer), both obviously in new roles.

9. The Defenders (Netflix)

The team-up of Daredevil, Jessica Jones, Luke Cage, and Iron Fist was more worth watching to see the interactions of these four than for the battle against The Hand. I previously reviewed the series here.

8. The Tick (Amazon Prime)

This was a far better than NBC’s attempt at superhero comedy with Powerless. More on the show here.

7. The Punisher (Netflix)

Technically there are no superhero or science fiction elements in the show but I will include it as it overlaps with the Marvel universe, with Karen Page playing a significant role, and with the Punisher having been introduced in Daredevil. Like the other Marvel shows which are set up as one long story, it might have been better if cut to eight to ten episodes as opposed to thirteen, but they did do a good job of intermixing two related stories in the present along with flashbacks to set up the backstory. I did prefer the government conspiracy story line over The Hand as in the other two new Marvel series on Netflix this year.

6. Runaways (Hulu)

Yet another show based upon a Marvel comic, Runaways in tone is somewhere between the network-friendly Agents of SHIELD and the more adult shows on Netflix. So far it has done a good job of setting up a conflict between a group of teens and their villainous parents.

5. American Gods (Starz)

Bryan Fuller and Michael Green have done an excellent job of adapting the first portion of Neil Gaiman’s novel, but it is now questionable as to whether this will survive with their departure from the show. There is a look at the season finale here.

4. The Orville (Fox)

The show initially appeared questionable when billed as a parody, but over the course of the season Seth MacFarlane learned how to tell serious science fiction stories while mixing in humor. I had brief reviews of each episode, often looking at how well humor was incorporated into the episode, in each week’s post. My review of the season finale was here, with a follow-up look at the first season here. The show is strongly based upon Star Trek: The Next Generation, and many who prefer more conventional Star Trek, as well as episodic television, might prefer this over the other new Star Trek show.

3. Star Trek: Discovery (CBS All Access)

While many fans feel more comfortable with The Orville, Star Trek: Discovery is the more ambitious of the two. Discovery does a far better job than Enterprise did in making a Star Trek show with a more modern television feel, including a serialized format. This is also different from previous Star Trek series in taking place during a time of war, and having a Captain who is far more morally ambiguous. There are also questions regarding continuity which I discussed here. I had weekly reviews of each episode while the show was on, with the review of the fall finale here.

2. Legion (Fx)

Noah Hawley provided a quite original take on the X-Men universe, providing something new and unique to prevent superhero fatigue. My post on the season finale was here.

1. The Handmaid’s Tale (Hulu)

This excellent dramatization of Margaret Atwood’s novel about a dystopian future could have been a great series any year, but its treatment of women seemed so much more relevant at the start of the Trump administration–at time when its horrors seemed a bit more plausible. More on the series here.

Among the shows which I saw but did not make the cut was Iron Fist, the weakest of the Netflix Marvel series. While flawed, it is watchable and does lead directly into The Defenders. If you still have a lot of Marvel shows to watch, put this off. If you plan to watch them all, it might make sense to still watch it before The Defenders.

Two genre series which debuted in 2017 were remakes of past series. The X-Files (Fox) was generally disappointing, but with all the excellent episodes in the past I will still give the next season a try. I previously discussed the show here and here. There was also the return of Twin Peaks (Showtime), which competed with Legion as strangest series of the year. I previously looked at the series here.

There are also some genre shows which I have not seen but which might be worth checking out, such as the time travel comedy Future Man and the anthology series Dimension 404, both on Hulu. The genre show which I haven’t seen which is receiving the most favorable publicity is the German series Dark, available in the United States on Netflex.

There were also a few genre flops in 2017. I gave up on Powerless (NBC) midway through the season. I didn’t watch The Inhumans (ABC) after numerous poor reviews. If interested, Io9 summarizes what happened on The Inhumans for those who stopped watching. Time After Time (ABC) was cancelled before I had a chance to give it a try.

Moving beyond genre, there were also many excellent shows in 2017. There were two excellent dramas dominated by women, Big Little Lies (HBO) and Godless (Netflix), which I am currently in the midst of watching. The three top comedies from 2017 which I have watched also are led by women: The Marvelous Mrs. Maisel (Amazon Prime) from Amy-Sherman Palladino, GLOW (Netflix), staring Allison Brie, and SMILF (Showtime).

While not genre, the CW also premiered another comic based series in 2017, Riverdale, which presents a new take on the Archie comics.

Tomorrow we have a major television event with Peter Capaldi having his last appearance before regenerating into Jodie Whittaker on Doctor Who. Doctor Who News has an interview with Steven Moffat about the show:

What does Twice Upon A Time have in store for us?

There are some new eerie creatures of glass haunting the Doctor and his friends throughout this story – but what their purpose and what their plan is, and what their time traveling machinations are, is going to be a big surprise to the Doctor.

Were there any sets or locations that you particularly enjoyed working on?

There’s a real range of spaces that we visit across the special. We have the inside of a giant stone spaceship full of creepy glass creatures. We’re in the first Doctor’s TARDIS – recreated and brought back from the 1960s to stand proud in the Welsh studios. We’re on a First World War battlefield. And at long last we go to a location that I mentioned in my very first episode of Doctor Who back in 2005, as we visit the ruins of Villengard.

How would you describe the tone of this episode?

This episode is somewhere between a coda and drumroll. It’s a coda to the time of the Twelfth Doctor played by Peter Capaldi, and a drumroll to usher in the Thirteenth Doctor, played by Jodie Whittaker. Approaching it, one issue I had was that The Doctor Falls (this year’s series finale) was the end of Peter Capaldi’s Doctor. That episode saw the Twelfth Doctor stating what he stands for and standing on the hill on which he was prepared to die.

That was the end of his story. But – as often happens in stories and real life – it didn’t end there. He kept going, he started to regenerate, so at Christmas what we’re going to see is a man weary and tired and, having made his point and having made his stand and given his life for something that matters, he has to learn just how to carry on after that. But of course this being Doctor Who and Christmas it’s much warmer and hopeful than that, so in perfect timing walking towards him out of the snow he meets earliest incarnation. The William Hartnell version of the Doctor – played now by David Bradley in an astonishing performance – and the two of them are about to regenerate. Tonally it’s about saying “to hell with dying, let’s get on with living”. And what’s more Christmassy that that? It’s the turn of the year, a time for new beginnings, it’s the time when we start climbing back towards the light.

How does the First Doctor look at the Twelfth Doctor?

Well the Doctor never gets on with himself. Arguably he doesn’t get on with himself when it’s just him alone – we had the whole plot of Heaven Sent (in series nine) about that – so he doesn’t get on with himself even when it’s just him. But here I think we have perhaps one of the most interesting instances of the Doctors meeting, because the First Doctor as we know from the show is quite different from the Doctor we know now.

Ultimately he’s the same person – he has the same set of impulses and ideals – but he hasn’t yet become at home with what he’s becoming. If you look at the original William Hartnell series, the Doctor’s starting to fight the good fight, but he’ll arrive in a spot of trouble and generally speaking he’ll only help others out because he needs to get back to the TARDIS. So often there’d be a plot contrivance to stop William Hartnell’s Doctor getting back to his TARDIS and flying out of danger. Slowly that started changing as the Doctor developed as a character. He’d start saying “No I can’t leave yet – not because I can’t get to the TARDIS, but because these people are still in trouble and this evil is still in control. I have to help these people.”

Without noticing it, or it ever being his plan or his intent, he’s starting to engage with the universe and he’d be horrified to think that he’s starting to become its protector. Now, at the end of that lifetime when the First Doctor is facing his end, he doesn’t yet realise that’s what he already is. He’s already the man who rides to the rescue, the saviour of the oppressed, but he doesn’t own up to that. Now he meets the Twelfth doctor, and the Twelfth doctor has been doing this for so long. He’s used to the idea that he’s already Earth’s protector – an idea that completely bewilders his younger – except kind of older self. The thing to focus on this time, alongside the flourishes that distinguish the two doctors – it that they are at very different moments in their lives. The First Doctor is not quite yet the hero we are used to.

How did you feel to be writing your final episode of Doctor Who?

The truth about writing anything is that it’s always difficult. You can change the reason why it’s difficult, but the fact is it’s just always difficult! Throughout writing this I wanted to feel more about the fact it’s the last one I’ll ever write, and I wanted to feel more about it’s the last one Peter will ever play, but the truth is that the technicality and the difficulty and the demands on your creativity – all that overwhelms you to the point where you’re just trying to write a great Doctor Who story! That’s enough to contend with – you can’t have the real life drama of two old Scotsmen making their way to the door.

Once we got into shooting it, however, and especially when we approached filming Peter’s last moments as the Doctor which were done at the end of the shoot, we did talk more about how exactly he should meet his end. We were both very pleased with that final section of the script already, but as we went through piece by piece we thought there were ways to improve it so I’d be banging out new pages each night for us to discuss on set each day. That was so enjoyable and exciting to do – to really feel that we were getting his send off right – that in a way it took whatever emotions we were both having about leaving and put them on screen where they belong. By the time we got to that part of filming I think Peter and I were probably the least emotional on set because we’d put it all in the show!

David Bradley has some advice for Jodie Whittaker:

“Keep it light. Keep it funny,” he offered, adding poignantly: “Have a sense and wonder about the universe and everything in it.”

David Bradley previously told Digital Spy that he had high hopes for his former Broadchurchco-star Jodie’s tenure as the denizen of the TARDIS.

“I was delighted [by the casting],” Bradley told us. “I was wondering if [showrunner] Chris [Chibnall] would pick someone from the Broadchurch cast.

“As we saw in Broadchurch, she’s got this emotional reserve that… there’s no limits. She’s capable of great emotion and passion.”

The TARDIS Yule Log video has some glimpses of Twice About A Time.

Yahoo TV talked with Pearl Mackie about her year on Doctor Who. Here is a portion:

What were the characteristics about Bill that jumped out at you right away?
Well, she’s quite cheeky, which I liked. But she’s also intelligent and doesn’t feel the need to brag about it. It’s very much a part of her, and she’s not ashamed to just say things. She has this confidence that I really engaged with; she doesn’t let her life or experiences get the better of her. She also wants to learn more and is very inquisitive.

We see that in the way she challenges the Doctor from their first meeting. That’s a different dynamic from past companions.
Yeah, and that’s the energy that I felt when I first read the script. There’s an irreverence between her and the Doctor, even though there’s also a lot of respect and they grow to be very close by the end of the series. She’d never be like, “I bow to your superior knowledge.” It’s more akin to, “Well, actually I don’t agree with that. What about this?” I think he respects her for that; they both enjoyed the verbal sparring they had. It’s enjoyable to watch that dynamic.

How quickly did you establish that rhythm with Peter Capaldi?
I met him for the first time in my second audition — my callback essentially. Before that, I’d been reading the script on my laptop with the Facetime camera on, responding to a recording I’d made of myself doing a version of Peter Capaldi reading his lines! The real Peter is a much better actor than that — much more dynamic. [Laughing] When I went into the room, I was absolutely terrified because Peter is not only an incredible actor, but he’s also been playing this character for a long time. We read the first scene of Episode 1, this mammoth six-page scene, and I spent most of it standing there just hoping that what I was doing was right or at least interesting.

Then we did the scene where Bill goes into the TARDIS for the first time, and Peter said, “Do you want to stand up?” I went, “What? OK, sure.” In auditions, you’re supposed to sit still and keep your face as still as possible, but if you’re me, your face tends to move of its own accord. Steven enjoyed that and used it a little bit in the first episode when Bill is standing at the window in the Doctor’s office and says, “I see my face all the time. I never liked it; it’s all over the place — it’s always doing expressions when I’m trying to be enigmatic.” But, yeah, I mainly remember standing there aghast at being in a room acting with Peter Capaldi. Luckily, Bill was supposed to be pretty aghast when she walked in the TARDIS, otherwise we may not be having this conversation today! I think we were both responding to each other quite honestly and seemed to work in a very harmonious fashion.

BBC America posted this thank-you video for Peter Capaldi.

CinemaBlend said Capaldi had this to say about the Doctor’s real name: “I also know his real name. It’s not pronounceable to humans. It’s a frequency that can only be heard of people with good heart.” They went on to add:

To date, that’s one of the best answers someone connected with Doctor Who has given to the question. It’s far better than Matt Smith’s answer from long ago that it was “Drasicanawhocius” or some long name similar that is easily abbreviated by saying “Doctor Who.” It’s also more interesting than the some diehard fans’ explanations that the Doctor’s name is actually a rather hard-to-pronounce set of Latin letters to varying powers. Given that, Peter Capaldi’s response to Radio 2’s Access All Areas (via Digital Spy) should win as it gels with the awesomeness of the Doctor and doesn’t risk the spraining of the tongue muscle trying to pronounce.

While he has some very interesting ideas regarding the Doctor’s name, Peter Capaldi also holds an opinion that may sound like hot take to many Doctor Who fans. In fact, it may trigger some of those fans fans who have battled to keep those outside the fan community from referring to him in a certain way. Capaldi may indeed ruffle some feathers with this statement:
We can get into a fight about whether he’s called The Doctor, or Doctor Who. The reason I call him Doctor Who is because when you’re in the street, people don’t shout out, ‘There’s The Doctor!’ They go, ‘Hey, Doctor Who!’ That’s his street name. His street name is Doctor Who.

The Nation Debunks Russiagate Conspiracy “Fantasyland” And Irresponsible Media Coverage

As was the case in the run up to the Iraq war when a small number of us were disputing the claims used to justify war, there also continues to be articles disputing the Russiagate conspiracy theory that Donald Trump and Russia successfully colluded to alter the 2016 election result. This is most often spread by establishment Democrats who cannot face the fact that Hillary Clinton was such a terrible choice for the nomination that she could not beat someone as awful as Donald Trump. While Robert Mueller’s investigation is uncovering evidence of financial crimes, and obstruction of justice, no evidence has been presented to support the claims of Russia altering the election results which has not been quickly retracted or debunked. Yesterday I quoted from an article by Jackson Lears, Professor of History at Rutgers University. Another article on this subject by Aaron Maté in The Nation is less extensive but has the benefit of being more likely to be read by Democrats who are being duped this conspiracy theory.

There have been so many debunked claims regarding Russiagate that no single article can deal with them all. Maté concentrated on the numerous reports which have been circulated by the mainstream media, only to be quickly shown to be false–a subject I previously discussed here. He also touched on the false claims of Russian hackers hacking the voting systems of 21 states and the claim that there was a consensus from all the intelligence agencies that Russia was responsible for hacking the Democratic National Committee. This later claim continues to be repeated by many Clinton apologists despite having been retracted by The New York Times last June. It is also worth noting that, while no evidence has been presented so far showing that Russia hacked the DNC, if future evidence should happen to show this, it would be a negative regarding Russia but would still not support Clinton’s argument that Russia is responsible for her loss. The hacked email which was released by Wikileaks provided factual information regarding unethical behavior by Clinton and the DNC, and Clinton would still be responsible for any votes lost because of this.

There are at least five reasons why the Russiagate conspiracy theory is so dangerous. It allows the Democratic establishment to deny responsibility for their mistakes, making reform less likely. It promotes McCarthyism and promotion of restrictions on freedom of expression in the United States. It unnecessarily increases conflict with a nuclear power (playing into the hands of Clinton’s neocon allies who desire to attempt regime change in Russia). It strengthens Putin by showing him to be a far greater master strategist than he is, to the frustration of anti-Putin forces in Russia. Maté began his article with a fifth reason. Concentrating on such false charges distracts from forming a true resistance to the many terrible things Donald Trump has been doing.

After this introduction, Maté more directly addressed the unsupported claims regarding the 2016 election:

The basis for the “virtually uncontested truths” of the year’s “biggest story” remains the Office of the Director of National Intelligence’s January 2017 report, which accused Russia of hacking Democratic e-mails and using social media to influence the 2016 election. Yet the report openly acknowledges that its conclusions are “not intended to imply that we have proof that shows something to be a fact.” Nearly one year later, we have yet to see a shred of proof.

What we have in its stead is a stream of Russiagate stories that make bombastic entrances only to quietly slink away. The pattern persists thanks to a media and political culture that embraces credulity and shuns accountability.

Virtually every major outlet reported claims in September that Russian-government-backed hackers targeted the voting systems of 21 states. But last month Christopher Krebs, a senior cyber-security official at the Department of Homeland Security, quietly informed Congress that no such hacking had occurred. “The majority of the activity was simple scanning,” Krebs told a House panel. “Scanning is a regular activity across the Web. I would not characterize that as an attack.… If that context was not provided, I apologize.” He added: “When we talk about that scanning, it was not also necessarily an election system that was scanned.”

Krebs’s contrition did not ring out among the media that had fervently reported the scanning as a hacking attack, and continue to do so as part of Russiagate’s “virtually uncontested truths.” The falsity of the “21 states” claim went largely unreported, outside C-SPAN and the marginal Russian website that took notice.

Meanwhile, accountability has been resisted even when the mistakes are seismically embarrassing. The most recent case was CNN’s erroneous report that the Trump campaign was offered access to Wikileaks’ trove of stolen Democratic Party e-mails before their public release. In a story line worthy of Better Call Saul, it turned out that CNN got the date wrong—someone had in fact e-mailed the Trump campaign a link to the Wikileaks e-mails, only after they were already all over the Internet. As Glenn Greenwald noted, the mistake was egregious not just for the story’s ultimate uselessness, but also for the fact CNN and other outlets all reported they had confirmed it with multiple sources. Yet none of the networks have explained how their “multiple sources” all “confirmed” the same incorrect date.

Maté discussed CNN’s error in greater detail. He next discussed the claims that Russia affected the Brexit vote. As was the case with Russia’s actions on Facebook and Twitter in the United States, he showed that the claims regarding Brexit were highly exaggerated, and then discussed Russia Today and the investigation of Jill Stein:

Just weeks ago, The New York Times warned that reports of Russian-linked social-media activity around the Brexit vote “could raise questions about the legitimacy of the referendum” itself. “I have a very simple message for Russia,” declared British Prime Minister Theresa May on November 13. “We know what you are doing. And you will not succeed.”

We now have a full accounting of what Russia was doing: According to Twitter, the Kremlin-backed network Russia Today spent just over $1,000 to promote its Brexit coverage to UK-based viewers. Facebook reported a grand total of 97 cents spent on three ads, “all centered on immigration and aimed at American users,” reaching no more than 200 of them over four days. Whatever Russia was doing, May’s confidence that they would not succeed was doubtless well-founded.

The unquestioning faith in evidence-free or overblown claims coincides with the targeting of those who dare challenge them. The forced registration of RT America as a “foreign agent” was followed by the revoking of the outlet’s congressional press pass, with the usual silence from press-freedom groups and media outlets, even progressive ones. Without explanation, The Huffington Post removed an article by veteran reporter Joe Lauria that methodically challenged Russiagate’s precepts. On Tuesday, Green Party candidate Jill Stein confirmed that she is complying with a Senate Intelligence Committee investigation looking into, in the words of panel chair Senator Richard Burr, “collusion with the Russians.”

Despite multiple interviews explaining the nature of a 2015 trip to Moscow, Stein remains the target of a smear campaign, cheered on by liberal groups, painting her as a Kremlin stooge. “Here’s hoping this lying sack of piety-spewing shit goes to jail with the rest of the bastards Mueller is investigating,” commented liberal sex-advice columnist Dan Savage. Zac Petkanas, a Democratic Party senior adviser and Clinton campaign staffer, was so enthused by the Senate probe that he repeated the phrase “Jill Stein is a Russian agent” to his Twitter followers eight times.

Stein calls the investigation part of a “resurgence of McCarthyism, to suppress opposition voices, to suppress independent politics.” But for its proponents to recognize that would mean acknowledging that it derives from the same kind of behavior that is recognized in Trump. “Any genuine interest in objective reality left the building a while ago, replaced by a self-sustaining fantasyland,” the New York Times editors write of Trump’s right-wing defenders. The tragedy of Russiagate is that its enthusiasts have constructed a “self-sustaining fantasyland” of their own. A fantasyland is no place from which to confront Trump’s reality.