SciFi Weekend: Star Trek; The Growing Berlantiverse; SHIELD; Doctor Who; Catwoman; Genre Shows Win Creative Arts Emmys; The Nix

George Takei discussed Star Trek with Stephen Colbert. Video above. Nerdist reports:

Yesterday was the 50th anniversary of the debut of the original Star Trek (well, in America at least: sorry to Canada that we didn’t do this two days earlier), so fittingly the tributes and odes were pouring in from fans around the globe. However, it was George Takei who best summed up what the franchise is really all about, and in doing so explained why it is so beloved and has endured for so long.

The O.G. Sulu was a guest of super nerd and Trekkie Stephen Colbert on The Late Show last night, and Takei shared his memories of the “very special” first time he went to work on the series, where franchise creator Gene Roddenberry described to him and the rest of the cast at their first table read what story the space adventure show was really telling.

“Gene explained to us what Star Trek was all about,” said Takei, “He said that the Starship Enterprise was a metaphor for Starship Earth, and the strength of this starship lay in its diversity coming together.” Roddenbery then explained that the possibilities of “infinity diversity in infinite combinations” (IDIC) would force the crew, representing the many people of the planet, to combine their abilities to solve problems as one.

More detail on the interview at The Mary Sue.


Majel Barrett has had both on-screen roles and has been on multiple versions of Star Trek as the voice of the ship’s computer. Her voice was recorded phonetically before she died and there is talk of using her voice on Star Trek: Discovery, along with using it Siri-like virtual assistants. I want my Amazon Echo to use her voice!

Bryan Fuller continues to slowly provide hints about other aspects of Star Trek: Discovery. He tweeted than an episode from The Original Series, Balance of Terror, is a “touchstone” for Discovery’s story arc. The episode introduced the Romulans, and speculates on what this might mean.

USA Today has an article on Rod Roddenberry.


Greg Berlanti is working on yet another superhero show, now Black Lightning for Fox.

IndieWire has interviewed Gregg Berlanti about his multiple superhero shows. He has news on several of them, including the cross-over episodes:

As “Supergirl” leaps to The CW, how has the network move – and the relocation to Vancouver – been going?

I just saw the director’s cut of the first episode, and I’m in as much love with the show as ever. It’s been challenging to figure out all the moving parts, moving the show across cities and across networks. But the reality is, I think the show is as strong as ever and it feels really seamless. People will not be able to tell that it’s not L.A. It feels like National City still. There are some new enhancements to the set that we were going to do anyway. Obviously some new characters are coming to the show that we would have brought in anyway to the second season. And so I’m really pleased. CBS in their own wisdom recognized it, there’s no part of the show that’s fighting itself anymore. It has a youthfulness and appeal because of the age of the leading lady, and it gets to embrace that a touch more.

What more can you tell us how often we’ll see Calista Flockhart’s character, Cat Grant?

She’s recurring. We’re trying to get her for at least six episodes this year, and she’s in the first two episodes. We’re just trying to see when she can come back now.

And will we see her interact with Superman?

I don’t want to give it away, but she has a special kind of dynamic with Clark Kent.

How far along is the “Supergirl”/”The Flash” musical crossover?

We just finished writing the fall crossovers. And now we’re trying to figure out how to produce them. That’s probably the most challenging thing we do all year. And now we’re doing it across three shows! But next week we’ll have to start talking about clearing music. I have a few ideas for tone and style in my head but we’re just starting to talk about what that can be. I do want to try and get an original piece of music written. As we make a deal on that we’ll probably make some announcements on the original songs.

Perhaps written by, I don’t know, Lin-Manuel Miranda?

[laughs] I would say, pretty close. I can’t say yet because we don’t have a deal yet, but I did speak to someone we’re really excited about. There are some writers I’m incredibly excited to work with.

Back to the big CW series crossover, how difficult is that to pull off across so many series?

You really are trying to run a single production across three different productions. But they’re run as three separate entities. We have to figure out when we’re borrowing one actor from where. We’re telling one cohesive story; “Supergirl” will participate, but the storyline doesn’t actively begin there. There are some characters who show up in her episode, but the story begins with “The Flash” episode and goes to “Arrow” and “Legends of Tomorrow.” We’re just getting into designing the bad guy for it, and we start now but it doesn’t air until the end of November. We will put a lot of time between now and then figuring out visual effects sequences. Just today I was holding the three scripts back-to-back – that’s 180 pages of material. It’s a three-hour story, almost a miniseries.

And when you place all three scripts together, it unlocks some sort of fortune.

[laughs] It’s very daunting when you hold them all together like that. Each one of these pages is 10 hours of shooting and a visual effects extravaganza. But hopefully it feels like a great kind of crossover comic book sell.

The Spoiler Room at Entertainment Weekly has news on several genre shows, including this about Felicity on Arrow:

Emily Bett Rickards has been training a lot lately. Does it mean Felicity will be involved in more action scenes in Arrow season 5? — Itakha
At first, Felicity will be dealing with the fallout of Havenrock’s destruction. “In the first five episodes, we face head-on the decision that Felicity made,” EP Marc Guggenheim says. “We are most definitely not ignoring it.” Following that, though, Guggenheim cryptically teases what could be Felicity jumping in on the action. “We’re positioning her to do something in the second half of the year that is really, really key, and that isn’t about her relationship with Oliver or even necessarily her father or her mother. It’s really new territory for her, and we’ve very excited about it. Some big things are going to happen with Felicity.”

I was pleasantly surprised to see Emily Bett Richards while watching Brooklyn last weekend. (Sorry, it was not a major role, and the movie, while excellent, is totally non-genre).

Agents of SHIELD has a promo for Ghost Rider. More at Screen Rant.

Hulu has picked up a sci-fi comedy entitled Future Man from Seth Rogen.

Vince Gilligan is producing a limited series for HBO on Jim Jones for HBO entitled Raven. My bet is that he will do a good job of showing Jones’ life, but after Breaking Bad I would prefer to see him invent more flawed characters of his own.

Netflix has renewed Narcos for season 3 and 4.


It appears that the next season of Doctor Who will start in April based upon reports in Radio Times and a comment from Peter Capaldi. Before that, there will also be the Christmas episode. Plus in November there will be an animated version of a lost story:

It’s one of the Doctor’s most celebrated adventures and yet no complete film recordings of The Power of the Daleks are known to have survived. The master negatives were destroyed in an archive purge in 1974.

BBC Worldwide has announced that a brand new black and white animation based on audio recordings of the programme using the original cast, surviving photographs and film clips will be released 50 years to the minute after its only UK broadcast on BBC One.

The six half hour episodes feature the regeneration, or as it was then called ‘renewal’, of First Doctor William Hartnell into Second Doctor Patrick Troughton, as the Time Lord and his companions Polly (Anneke Wills) and Ben (Michael Craze) do battle with the Daleks on the planet Vulcan.

Anne Hathaway told Variety she would live to play Catwoman again. That might be difficult as the Christopher Nolan Batman stories, where she appeared, have concluded, but that doesn’t entirely rule out her reprising the role in a future movie.

A few genre shows have already won awards last night at the Creative Arts Emmys. Winners included Jessica Jones (Outstanding Original Main Title Theme Music), Mr. Robot (Outstanding Music Composition For A Series), and Man In The High Castle (Outstanding Main Title Design and Outstanding Cinematography For A Single-Camera Series). Hopefully some of these series will  also win some of the more major Emmy awards.

J.J. Abrams is working on a television adaptation of The Nix, staring Meryl Streep.

Headline of the day coming over my news aggregators which sounds more like cheap fiction than news: Sick African dictator ‘eats his enemies’ testicles and brains to boost his sexual prowess’

Hillary Clinton’s Health Has Now Become A Legitimate Campaign Issue

I have previously not paid not attention to the various rumors about Clinton’s health as we really had no good information on Clinton’s medical history (or Donald Trump’s). I was even kicked out of a pro-Bernie group once for contradicting a right wing claim about Clinton’s health which did not hold up. Her episode today has changed matters with the above video clearly showing her collapsing while getting into a van with assistance. There were no reporters allowed near her initially, so we do not know the details of what precipitated her decision to leave the 9/11 memorial early.


There are less clear pictures from the past which have raised questions as to Clinton’s health but were much less definitive:


Chris Cillizza has had a view similar to mine in previously ignoring these claims, but now writing Hillary Clinton’s health just became a real issue in the presidential campaign.

Whether Clinton likes it or not, her “overheating” episode comes at a very bad time for her campaign. Thanks to the likes of Rudy Giuliani and a small but vocal element of the Republican base, talk of her health had been bubbling over the past week — triggered by a coughing episode she experienced during a Labor Day rally.

That talk was largely confined to Republicans convinced that Clinton has long been hiding some sort of serious illness. I wrote dismissively of that conspiracy theory in this space last week, noting that Clinton had been given an entirely clean bill of health by her doctors after an episode in which she fainted, suffered a concussion and then was found to have a blood clot in late 2012 and early 2013.

Coughing, I wrote, is simply not evidence enough of any sort of major illness that Clinton is assumed to be hiding. Neither, of course, is feeling “overheated.” But those two things happening within six days of each other to a candidate who is 68 years old makes talk of Clinton’s health no longer just the stuff of conspiracy theorists.

Whereas Clinton and her campaign could laugh off questions about her health before today, the “overheating” episode makes it almost impossible for them to do so. Not only has it come at a time when there was growing chatter — with very little evidence — that her health was a problem but it also happened at a 9/11 memorial event — an incredibly high-profile moment with lots and lots of cameras and reporters around.

Her campaign may well try to dismiss this story as nothing more than an isolated incident, meaning nothing. (Democrats were already pushing the story of George W. Bush fainting in 2002 after choking on a pretzel, via Twitter.)

But the issue is that Clinton kept reporters totally in the dark for 90 minutes after her abrupt departure from the 9/11 memorial service for a health-related matter. No reporter was allowed to follow her. (Clinton has resisted a protective pool for coverage because Donald Trump refuses to participate in one.) This is, yet again, the Clinton campaign asking everyone to just trust it. She got overheated! But she’s fine now!

Well, that is no longer operative. Context matters. A coughing episode is almost always just a coughing episode. But when coupled with Clinton’s “overheating” on Sunday morning — with temperatures something short of sweltering — Clinton and her team simply need to say something about what happened (and why the press was in the dark for so long.)

Both Clinton and Trump have limited press access, and neither has released very much information on their medical histories. The letter released by Trump’s doctor is especially bizarre. At the moment, however, video such as that taken today makes the health question far more urgent for Clinton. Both candidates should be more honest with the American public, provide greater press access, and provide meaningful medical information.

Update: It has subsequently been reported that Hillary Clinton was diagnosed with pneumonia on Friday. From CNN

Hillary Clinton has pneumonia, her doctor said Sunday, hours after the Democratic nominee stumbled and exited a 9/11 commemoration ceremony early.
Clinton was diagnosed on Friday with pneumonia, and “was put on antibiotics, and advised to rest and modify her schedule,” Dr. Lisa Bardack said in a statement.
“While at this morning’s event, she became overheated and dehydrated. I have just examined her and she is now re-hydrated and recovering nicely,” said Bardack, chairman of internal medicine at the Mount Kisco Medical Group.

It is possible that there is nothing more to this than an episode of pneumonia which will resolve with antibiotics and and rehydration. The problem is that this shows Clinton was not being honest when she claimed to be fine earlier today. This is so typical with Clinton to see information gradually come out to contradict earlier statements from her. This history of dishonesty will also keep people wondering if this is all there is to the story, or if she is covering up more.

As Politico also stated, this shakes up the race. This cannot be resolved satisfactorily without a full release of her medical records.