24 And Torture

24 torture

Matt Bai has discussed the “24 Effect” on how terrorism is viewed:

In a sense, “24” became a kind of virtual universe in which all of us could role-play — even if we happened to know more about the roles than the actors did. I recall a conversation with Bill Clinton in 2007 during which he brought up the show and spent the better part of a half hour dissecting the strengths and flaws in its portrayal of real-time decisions.

There was something comforting, too, about the portrayal of intelligence agencies in “24.” Even with the insipid station chiefs who cycled in and out of the show, CTU itself remained amazingly high-functioning and high-tech. State-of-the-art computers gleamed in brilliant new offices of steel and glass. Satellites saw everything, everywhere, and beamed it all flawlessly to Jack’s phone during the commercial break.

That false portrayal of our counterterrorism agencies was demolished by the 9/11 commission report in 2004, with its accounts of missed clues and outdated technology. And what we now also know, thanks to the new Senate report, is that it wasn’t the bureaucrats back in Washington who were balking at torture while the real Jack Bauers jettisoned the rules, but often the other way around entirely.

In truth, a lot of the operatives were apparently sickened by immoral tactics they knew weren’t working, but their bosses insisted on believing that the world was like TV, and the bad guys would break just as they did for Jack, if only our agents would do what they had to do. If the Senate’s investigators can be believed, those bosses were wrong — both morally and tactically.

Another view  from Jonathan Freedland at The Guardian:

This week the writer Matt Bai made the intriguing argument that the success of 24 might have shaped America’s whatever-it-takes approach to terrorism, at the very least allowing policymakers to believe that a US public that was cheering on Jack Bauer would have little objection to US agents engaging in similar behaviour in real life. It’s a thought I had – and worried about – at the time. But it misses something crucial.

It’s true that 24 struck a chord in that post-9/11 period. It channelled our collective id, ourdeepest, darkest urges. Caught up in the story, we wanted Bauer to, say, sever the head of the villain with a hacksaw. But that is not necessarily what we wanted from our governments. The state cannot be the sum of our collective impulses and instincts, no matter how base. It has to be better than that. It has to listen to cooler demands: the rule of law, basic rights and common human decency. Reality may outstrip fiction, but it has to behave better too. The alternative is the horror laid bare this week — and whose legacy we live with still.

I had also made a recent comparison to 24, and another source of fantasy as opposed to the reality of torture: