Arrow is in the middle of a two-part story which introduces Barry Allen, who will later become The Flash. The steady introduction of new characters, who then leave before they have overstayed their welcome, has been a strong point of the series. There is also a potential reversal in Oliver’s relationship with Felicity. I just hope they don’t turn this into another Laurel storyline. There are some pictures and minor spoilers from next week’s episode posted here.
While the show is far from perfect, and sometimes lapses into CW-style soap opera, it has been an admirable attempt to portray a super hero story in live action. The show has received considerable notice this season, including a recent article in The New York Times which refers back to another excellent review which I mentioned in a previous post:
There is a consensus, among fans, critics and network executives that with “Arrow,” Mr. Berlanti seems to have found the right formula for making a comic book hero work as a television protagonist. (A headline in The Hollywood Reporter asked, “Is Arrow the Best Live-Action Superhero Show Ever?”) The episodes are peppered with references from the comic books — adversaries with names like Deathstroke and Count Vertigo — but not so many as to confuse viewers who might not know the source material.
“Greg does not tend to do projects he does not really believe in,” said the CW president, Mark Pedowitz. “‘Arrow,’ in a way, was contrary. It’s not ‘Smallville.’ It’s a much darker, grittier version of a comic book character. That was not normal CW programming.”
When he pitched “Arrow” two years ago, Mr. Berlanti, who got involved with DC in 2007, when he wrote the original draft of the “Green Lantern” feature film, said he envisioned the series less as a superhero tale than a “Bourne Identity” type thriller: a continuing story of a privileged playboy who finds himself shipwrecked, held captive and tortured on a remote island, where he must acquire new skills — and a new sense of himself — to survive. That playboy, Oliver Queen (played by Stephen Amell) returns to Starling City five years later a different, better but still in some ways tortured man. And he’s become really good with a bow and arrow.
“The story of that transformation” — told through flashbacks to the island — “will continue through the whole series,” Mr. Berlanti said. “The beginning of the show (Oliver being rescued and returning to civilization) will be the end of the show as well. That was always the pitch.”
The article also compares the show to Agents of SHIELD, with The Guardian being clearer in the difference between the two with an article under the headline: Superhero TV: Agents of SHIELD could learn a lot from Arrow.
Agents of SHIELD will be introducing two new characters:
Episode 14 will introduce two recurring characters: an African-American agent who specializes in combat/weapons, and a high-level S.H.I.E.L.D. agent/munitions expert who has past ties to both Coulson and Ward.
Any hope that this means they will be eliminating two (or more) of the current weak characters?
While the Daredevil movie had terrible reviews, Blastr provides considerable hope that the Daredevil television show will be far better:
The pattern of Whedon-adjacent creators taking on Marvel properties continues. Not that we’re complaining.
Daredevil is slated to be the first Marvel character that Netflix will be releasing into the wild world of instant streaming sometime in 2015. If you were wondering who the boss is going to be, wonder no more — it’s Drew Goddard.
Just in case the name doesn’t immediately fire off all your geeky synapses, let’s run through his credits — Buffy the Vampire Slayer, Angel, Alias, Lost, Cabin in the Woods, World War Z, and the list goes on. Goddard is the one-man link between the two most powerful men in sci-fi — Joss Whedon and J.J. Abrams. And now he’ll be writing and directing the Daredevil pilot in addition to executive-producing it.
As choices go, that’s about as good as both Netflix and we can hope for. What his vision is? That remains to be seen.
Based on his body of work, though, we’d say Daredevil is in good hands.
Not only is there planned reboot of the Terminator movies. The Hollywood Reporter has a story on a planned television series based upon the upcoming movie:
The producers behind the upcoming fifth installment have tapped Thor and X-Men: First Class writers Zack Stentz and Ashley Miller to write and executive produce a new Terminator television series that will be a companion piece to the rebooted trilogy.
The TV series will follow a critical moment from the first Terminator film (1984), and where the film’s story goes one way, the upcoming series will take the same moment in a completely different direction. As the rebooted film trilogy and the new TV series progress, the two narratives will intersect with each other in surprising and dramatic ways.
I wish they would have produced a conclusion for the cliffhanger which ended The Sarah Connor Chronicles before going on to a new series. Still, the idea of following different time lines in the continuation of the series does sound intriguing if done well.
The Drudge Retort has an interesting discussion on the potential risk of artificial intelligence:
Documentarian James Barrat, author of Our Final Invention: Artificial Intelligence and the End of the Human Era, is worried about robots too. Only he’s not worried about them taking our jobs. He’s worried about them exterminating the human race. In Barrat’s telling, we are on the brink of creating machines that will be as intelligent as humans. Specific timelines vary, but the broad-brush estimates place the emergence of human-level AI at between 2020 and 2050. “intelligence explosion” — an onrushing feedback loop where an intelligence makes itself smarter thereby getting even better at making itself smarter. This is, to be sure, a theoretical concept, but it is one that many AI researchers see as plausible, if not inevitable. Through a relentless process of debugging and rewriting its code, our self-learning, self-programming AGI experiences a “hard take off” and rockets past what mere flesh and blood brains are capable of.
The first new picture from season 2 of Orphan Black teases us with some girl on girl action, with Tatiana Maslany in both positions. Entertainment Weekly spoke with show’s creators John Fawcett and Graeme Manson about the second season and the pictured conflict between Sarah Manning and Rachel Duncan, the clone seen at the end of season one who was working with the Neolutionists:
EW: What else, if anything, can you tell us about this image here and what it means for season 2?
MANSON: Probably that if Rachel launched the first volley in this war, this is one of Sarah’s steps in this war.
FAWCETT: Our launching framework for season 2 is really the war between Sarah and Rachel.
EW: You guys just scratched the surface with what we saw with Rachel last season. She’s clearly not a clone we’re not rooting for at this point, nor are we really sympathetic toward her, as we became somewhat sympathetic to Helena over the course of season 1. Where are you planning to go with her in season 2?
FAWCETT: For us, using Helena as an example, it was very interesting to draw a character that began really as one thing — for example, a serial killer — and then through the course of a few episodes become able to add layers and add flesh to the point where you could understand her and be sympathetic to her. So, to me, that was about creating a really dynamic deep interesting character that wasn’t just a cartoon. And I think we feel the same about Rachel. I think you could probably tell from the end of season 1 that Rachel’s got a little bit of heavy to her. And I think what’s interesting to us is that we’re having fun creating a new character this season who isn’t just a heavy. There’s other aspects to her. And that’s been a really fun developing a new girl.
MANSON: No one is just who they seem on Orphan Black. That’s the most important thing. Maybe things get set up as kind of a cliché or as one thing, but we’re always trying to bend it and find the layers to keep it fresh and original.
FAWCETT: Even as a villain, Rachel is going to hold a lot of surprises for us. She’s been a really fun nemesis for Sarah.
EW: Season 1 on any show is all about introducing the story and the characters, and it’s essentially setting the table. And if you do it right, a lot people want to come sit down at that table. But now, in season 2 what do you do to keep them sitting there?
MANSON: Right off the bat we’ve really hit the ground running. We left a lot up in the air, so it’s been a lot of fun figuring out how and when and where those balls land and how they land in unexpected ways. As for Rachel, we did leave last season knowing that Rachel was a child of Neolution, therefore much connected to the origins of the experiment. So I think Rachel is going to help to open a window for us and we ’re going to begin to understand a lot more about the conspiracy.
FAWCETT: Plus, I also think one of the big things we’re going to have to deal with in season 2, which is finding its own twists and turns, is Cosima’s illness. And that is a very pressing bit of drama that is not just straight ahead. It’s got a lot of mystery to it. It’s got a lot of twists and turns to it and it is thematically a big part of season 2 also.
MANSON: It’s a genetic mystery. It’s a genetic biological mystery and it feeds into some of our body horror and it feeds into our science mystery.
Season two of Orphan Black returns on BBC America and on Space on April 19, 2014.
Showcase has announced that filming has begun and they will air the third season of Contiuum starting in March, 2014. More from their press release:
In season three of Continuum, Kiera Cameron (Rachel Nichols; Criminal Minds, Alias) faces the immediate consequences of Alec Sadler’s (Erik Knudsen; Jericho, Scream 4) betrayal at the end of season two – when he disappeared in a flash of light with the time travel device Kiera hoped might send her home. Alec’s impulsive decision sets in motion a chain of events, which pushes Kiera into a shocking alliance with a former enemy.
Kiera must also contend with a newly strategic Liber8 organization, and a growing darkness in her police partner, Carlos Fonnegra (Victor Webster; Castle, MelrosePlace). Ultimately, all roads lead through young Alec Sadler, and with his genius never having been more tested, his choices force Kiera – and everyone – to examine all they hold dear.
“Season three of Continuum will raise the stakes and expand the universe of our show in ways that will surprise and engage our fans,” said creator/executive producer Simon Barry. “Kiera’s journey brings her experiences that test her beliefs and challenge her resolve. The future is not what it used to be.”
“We could not be happier about the phenomenal success of the show over the first two seasons, with a very loyal and enthusiastic fan base that continues to expand worldwide,” said Reunion Pictures’ Tom Rowe. “The third season, under the creative direction of Simon Barry, along with fellow Executive Producer/Director Patrick Williams, the first-rate writing team and our exceptional cast, again promises to exceed all expectations.”
New to the cast this season is Rachael Crawford (Alphas,The Firm) who joins as a guest star in a multiple episode arc. Returning cast include Stephen Lobo (Smallville, Little Mosque On The Prairie), Lexa Doig (V, Stargate SG-I), Omari Newton (Blue Mountain State, Sophie), Luvia Petersen (The L Word) and Terry Chen (Bates Motel, Combat Hospital).
SyFy has the rights to air the show in the United States. An air date has not been announced. I hope that they start when Showcase does in Canada. However, SyFy has several shows starting in mid-January and I wouldn’t be surprised if they wait until their thirteen-week runs end before starting another series. Such delays cause a real problem with blogging about shows after downloading upon airing when most US fans have not viewed the show yet.
Disney has bought the rights to Indiana Jones, with a fifth movie now planned. Disney has already been using Indiana Jones themed exhibits in their theme parks and we can assume there will be far more synergistic use of the characters with other Disney marketing.
Jenna Coleman seen above as Lydia Wickham in Death Comes to Pemberley “BBC One’s Pride and Prejudice follow-up – based on the novel by PD James – is a murder mystery set six years after the events of Jane Austen’s classic.” It will air in the UK later this month with US air date not set yet.
Moffat and Gatiss plan to release a mini-episode of Sherlock on December 25, taking place two years after Sherlock’s “death” in The Reichenbach Fall. The series returns in the UK on New Year’s Day and later in January in the US.
The BBC has announced the air time for the Doctor Who Christmas Special–The Time of the Doctor. It will be on at 7:30 pm. BBC America won’t be airing it until 9 pm in the US, meaning that with the difference in time zones it will be available for download several hours before it airs in the US.
Rebecca Mader, Charlotte on Lost, will join other former actors from Lost as the new villain on Once Upon A Time. Unfortunately they dragged on the Peter Pan plot line for too long. Meanwhile, there sure were a lot of daddy issues this week on Once Upon A Time in Wonderland (which I currently find to be the better of the two).
The Veronica Mars movie will be released on March 14, 2014, about a year after the Kickstart campaign made it a reality. The above video shows the ten-year reunion at Neptune High.
NBC has renewed The Blacklist for a second season.
Netflix has announced that they will be releasing season two of House of Cards on February 14.
ComicBookMovie.com looks at various designs for the three-breasted hooker from Total Recall.
Wonder Woman, played by Gal Gadot, will be appearing in the upcoming Man of Steel sequel, scheduled for release in 2015.
I have questioned whether there was any point in having a show about Gotham City before Batman but Fox apparently is interested in airing Gotham, a show about “the origin stories of Commissioner James Gordon and the villains that made Gotham famous.” Now there are reports that Bruce Wayne will appear–but as a ten-year-old.
Is Superman a Fascist? Andrew Sullivan posted all sides of the debate.
And, finally, another tease for the upcoming Christmas Special, The Time of the Doctor