SciFi Weekend: The TARDIS on Google Maps; Arrow Introducing More DC Characters; Iron Man 3; Under The Dome; True Blood; Homeland; Orange Is The New Black; Orphan Black; Thor; Elementary; The Newsroom; Interstellar; Star Trek Predicting The Future Since 1966

TARDIS in on Google Maps

If you check out street view on Google Maps at Earlham Green, Greater London Nr5 8DQ, United Kingdom you will see a blue police call box on the left side of the street. Place the mouse near it and then click on the double lines which will appear. This will allow you to enter the TARDIS. You will find that it is smaller on the outside than on the inside. Once inside you will be able to move around the control room. Unfortunately you cannot go further inside the TARDIS but I assume Google Maps will be working on extending their coverage of interior spaces.

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Arrow show runner Mark Guggenheim discussed introducing The Flash on Arrow:

“I feel like I’m just following Bilson and DeMeo. Whatever they do, I seem to follow in their footsteps,” Guggenheim laughed. The writer told CBR that from comics to TV, the goal of the “Arrow” production team is to expand out the DC Universe while keeping the tone and feel of their show its own unique story platform.

“Honestly, I’m just excited to help be a part of expanding the DC Universe,” he said. “I think one of the big thing that appeals to me about comics in general is the idea of the shared universe. It’s a lot of fun to be able to do that in television, and growing up one of the things I enjoyed was the ‘Six Million Dollar Man’ and ‘The Bionic Woman’ and the way those two shows would interact with each other. We’re at least a season away from ‘Arrow’ interacting with ‘The Flash,” but the potential for that is really exciting for me.”

Kreisberg, who serves as Guggenheim’s show running partner on “Arrow,” will develop Barry Allen’s character in writing each of those three episodes this season on “Arrow,” and Guggenheim said that is all part of a masterplan that stretches back before their recent run of announcements. “Andrew is taking the lead on ‘The Flash.’ This has been in the works for a while and had been in the works since before Comic-Con. But we made the decision, as these things are announced in a rollout, to take a strategy where we’d announce Black Canary, Bronze Tiger and Brother Blood at Comic-Con. We felt like, ‘That’s a lot for Comic-Con. Let’s save something back for when T.C.A. comes around.’ I want to disabuse anyone of the notion that we decided to do Flash after Comic-Con. We’re just capable of keeping secrets every now and again.”

And overall, the writer wanted to stress that an additional superhero – and one with some more super powers – won’t change the core of what “Arrow” is. In fact, Guggenheim leaned on a comparison with DC’s main competitor to explain how each series will develop over time. “I think a lot of people are justified in asking ‘What does this mean for Arrow in terms of its tone?’ And my answer is that the trick that we have – and this is a challenge we’ve discusses a lot and have an awareness of how to face it head on – is the fact that ‘Arrow’ is like ‘Iron Man’ where ‘The Flash’ will be ‘The Hulk.’ And just as ‘The Hulk’ coming out did not change the tone of the Iron Man movies, ‘The Flash’ will not change the tone of ‘Arrow.’ We’re very cognizant of what ‘Arrow’ is all about, and I think the Marvel movies demonstrate that each piece of a universe can have its own feel. ‘Thor’ is consistent with the tone of Thor while ‘Captain America’ is consistent with the tone of Captain America’s character. ‘Arrow’s’ tone will remain consistent much in the same way, and we are looking forward to expanding our canvass a bit. And judging from the announcement, I think the fans are looking forward to it as well.”

While Barry Allen will be on Arrow for a few episodes, he will not have his superpowers, at least not at the start.  Despite not having true superpowers, Arrow does feel like a superhero show, including having the common problem of the hero being just too powerful. I just watched the first season of the show over the past week and found it to be entertaining as long as you ignore the multiple implausible aspects. On Arrow, a person with bow and arrows can easily defeat multiple people with guns. This includes not only Oliver Queen, but two other characters who use the same weapon. Oliver Queen does have fighting skills beyond this weapon. He also has an amazing ability to disappear. Typically when he is surrounded inside a closed area and anyone else would be captured, he gets away with no difficulty or even on-screen explanation. Arrow is not up to the quality of the most impressive new genre shows of the season on regular cable and broadcast television ( such as The Americans, Orphan Black, and Hannibal) but still worth watching.

There were aspects of the writing style of Arrow which makes me confident they will do a good job of gradually introducing characters. Rather than quickly giving an origin and then moving on to the main story, Arrow had flashbacks over the entire season to the island where Oliver Queen was stranded for five years and learned his skills. Rather than immediately introduce the sidekick and those who knew his secret identity, characters were gradually brought into Oliver Queen’s inner circle.

There are also a couple of reasons for Doctor Who fans to watch. John Barrowman is a recurring character all season and Alex Kingston was on a few episodes. I was hoping for the two to interact but that did not occur. Incidentally, most Barrowman fans probably know that Torchwood is an anagram with the same letters as Doctor Who. By coincidence, the name of the television show he appeared in last season is also in Barrowman’s name.

More on crossover characters from other DC comics here.

The Mandarin appears in this deleted scene from Iron Man 3.

I’m glad to see Under the Dome turn more to the mystery of the dome, not that I’m all that confident of a satisfactory resolution. Apparently when they say “the monarch will be crowned” they are speaking of an actual monarch within the small dome. I have read that one of the major differences between recent episodes and the book has been that Big Jim and Junior work together in the book. Last week’s episode may signal a reconciliation between the two.

Last week’s episode of True Blood contained the battle which we might have expected for the season finale. There are still questions. Will Sookie keep her promise to become Warlow’s vampire bride? (I bet she does not). Is the war between humans and vampires now over, or just beginning? Will those vampires who indirectly fed on ferry blood continue to be able to be out in daylight? Is Bill now returning to his normal self? Considering how poor recent seasons of the show had become, it is a good sign that, despite some ongoing problems, the show is now able to maintain interest in such questions.

Homeland writers revealed information on their plans during season two. I’ve been questioning since the end of season one how long they could plausibly continue to have Brody around. The writers may have been thinking the same thing:

Though the show’s creators already copped to plotting an untimely end for Lewis’ character way back in season one, that is until more merciful voices at Showtime prevailed, Gordon admitted that, going into season two, the writers intended to send Brody to the chopping block yet again, and were once more persuaded otherwise by the network.  “We had sketched out this plan in the early parts of season two which called for Brody’s demise, which may have been premature, and they asked us to reconsider,” which Gordon credits as “the happy accident of having very good partners.”

If it seemed like a sudden reversal for Carrie to have decided not to leave the country with Brody, it was also a reversal of the writers’ plans:

According to Steihm, who has since left Homeland to run FX drama The Bridge, the writers all wanted Carrie (Claire Danes) to go with Brody across the border in the season two finale instead of returning to the CIA.  In fact, in the first draft, she did. After much debate, they ultimately decided it was more in character for Carrie to stay and carry out her mission with the Agency after helping Brody escape safely to an underground network.

Besides being a great show, Orange Is The New Black has supported science over religious fundamentalism, such as in the scene above with partial transcript below:

Piper: I can’t pretend to believe in something I don’t, and I don’t [believe in this]… I believe in science. I believe in evolution. I believe in Nate Silver, and Neil deGrasse Tyson, and Christopher Hitchens, although I do admit he could be kind of an asshole. I cannot get behind some Supreme Being who weighs in on the Tony awards while a million people get whacked by machetes. I don’t believe a billion Indians are going to hell. I don’t think that we get cancer to learn life lessons. And I don’t believe people die young because God needs another angel. I think it’s just bullshit. And on some level, I think we all know that.

There are a number of reports, along with a denial, that Laura Prepon will be leaving Orange is The New Black to work on a new show. If true, this would leave a major hole in the show. The reports claiming this do say that Prepon will still be present at the start of the season to tie up Alex’s storyline and she will be written out in a way which would allow her to return.

Orphan Is The New Black

Two  of the top television shows premiering in 2013, Orphan Black and Orange Is The New Black, have been combined in this mash-up giving us Orphan Is The New Black.

Natalie Portman expects there to be a Thor 3.

Fake Sherlock will be going to England in their opening episode. Maybe they will meet the “real” Holmes and Watson of Sherlock. (Ok, probably not). More news on the second season of Elementary here.

We expect The Newsroom to mix in major news stories with each episode. Last week they included plot elements reminiscent of other real events from The Today Show botching the editing on George Zimmerman’s 911 tape to the real life release of nude photos from Oliva Munn’s phone. The manner in which World Net Daily reported a rumor without any fact checking also is based on reality, along with being an excellent commentary on the unreliability of WND and the entire right wing noise machine.

Filming has begun on Christopher Nolan’s latest science fiction project, Interstellar.

William Shatner joins those arguing that Star Trek belongs on television in this interview:

Karl Urban, from the new Star Trek films said that “Star Trek, as envisioned, was about space exploration. And it would be really wonderful to harness the spirit of that and apply it to the next film”. Is that something that you would like to see? A greater focus on discovery in these films.

Shatner: I’m not goona second guess JJ Abrams, he’s a great director and he’s so talented. But I’ll tell you that I am going to the Lowell Observatory in a couple of weeks to deliver a speech that I wrote about Star Trek and its capacity to stir the imaginations of young people.

The idea is, that so many people’s lives have been touched by the imagination of Star Trek and children’s imaginations are so vital to the rest of their lives that… this is an aspect of Star Trek that I’m focused on.

Now let me ask you, trying to bring in new viewers, new younger viewers to expose that world to young kids and teenagers alike and really spur that imagination — is a TV show a more viable vehicle for that? Is it sad that we don’t have something like that right now, a Star Trek TV show that could really seize on the exploration part of the thing that the original series and Next Generation, that those things did?

Shatner: You know, I think you’re right. Because, JJ Abrams has found the key to getting a large audience into the movie theater, and that’s the ride. So you get a lot of the CGI effects, which is the epic movie making aspect of today, whereas in Cecile B. Demille’s time, you had to use real people. Now you don’t need to use real people and you can have infinity for God’s sake.

That’s in order to get you into the theater, because the majesty of the movie is shown by the large screen. But when you get into the small screen, you need stories… entertaining, interesting, vital stories that have a philosophy and also have an excitement about them, so that the viewer stays with it, but recieves the philosophy as a byproduct. Those were the best of Star Trek, those kinds of stories. And that kind of thing, there is always room for that. That kind of imaginative approach that stirs young people into wanting to be connected with science.

Star Trek Science

Via Techeblog

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