Doctor Who TV has summarized many of the reports to date on the 50th anniversary of Doctor Who:
The format of the anniversary is still to be confirmed. Steven Moffat originally said: “Why talk in the singular?” Matt Smith also hinted at multiple episodes, but more recent rumours seem to suggest a feature-length outing.
In another interview Moffat said: “I’ve got various plans, but all I can say emphatically is it will be huge. It won’t be just one thing…. We’ll be doing lots of stuff. The plans are quite extensive, and changing all the time. Oh my God, we will hit that year very, very hard indeed.”
Moffat on multi-Doctor stories:
“It’s slightly difficult to do them all now. I’m not against it but I think as a gimmick it outlives its usefulness quite fast. “Doing Time Crash with 8 minutes of Peter [Davidson] and David [Tennant] was about right. If you have a really good story that motors on the fact that this is one man experiencing the same adventure at several different points of his life, that would be worth doing. But you can’t do a special or an episode as a reunion party. That’s not a story, that’s a party. Nothing wrong with parties but they’re not great fun to watch. But with a really good story, then yes.”
And in a later interview: “Possibly…. It’s so far in the future, it’s only a set of notions.”
Neil Gaiman wants The Eleven Doctors:
“The real dream story is the one you cannot do because technology is not there and people have died — It would be The Eleven Doctors,” he explained. They made The Three Doctors. They made The Five Doctors. It’s the 50th Anniversary, you’d make The Eleven Doctors and you’d have William Hartnell in it. The trouble is do you have actors playing these people? Do you have someone doing a Tom Baker? How do you do that? I trust in Moffat enough to think that whatever he’s going to give us, it will be worth it.”
A live episode?
Matt Smith: “It won’t just be a televised event, I think it will be a live event. The way it’s transmitted on TV will hopefully be an inventive thing–something different.”
More in the full post.
The BBC has announced a set of short stories will be written about the eleven Doctors.
The 11 tales, known as “eshorts”, will each be written by a well-known children’s author.
Each story will feature one of the various regenerations of the Doctor, starting with William Hartnell, who played the character from 1963-1966.
A paperback of the stories will be published by Puffin in November.
The first children’s author will be revealed on the BBC Worldwide Doctor Who Facebook page on Monday 7 January, followed by the first story on Wednesday 23 January.
A promotional video of each author will also be available each month on the BBC Worldwide YouTube channel starting on Friday 11 January.
There has been speculation that J.K. Rowling is one of these authors.
Billie Piper discussed the 50th anniversary on the Graham Norton Show (video available here). She denies rumors that she will be appearing: “No. I’ve not been asked. I think Matt Smith said something in passing or in jest like, ‘That would be nice,’ and it became something, but no.”
In an interview last night, David Tennant said he knew nothing about the 50th anniversary plans.
It seems like Merlin and Downton Abbey just ended, and now they are starting up again in the United States.
TV Addict has an interview with the cast. This selection helps set up the final season:
Is there anything you can share about what’s upcoming in the 5th season? Maybe just a few teasers?
BRADLEY: Mordred’s back – I’m not sure what I can tell you without telling you what happens in the show!
We know there’s the 3-year gap. You can surely talk about what happened during that time period for our heroes?
BRADLEY: Yes, three years have gone by. That’s what I can tell you.
KATIE: I can tell you what happens with Morgana. For two years of that period, Morgana has been held captive because of her magic and it is a very important storyline for her in season five is that everything she has feared her whole life about being persecuted for having magic has all come true. She has been persecuted. She has been tortured. She’s been kept locked up. I think that the fact that her fears have actually happened means that she feels vindicated in removing Arthur from power and in taking over because she’s protecting people like herself.
Benedict Cumberbatch seems to be in everything these days. Besides Sherlock, The Hobbit, and Star Trek Into Darkness, Cumberbatch will be staring in Parade’s End, a five part mini-series on HBO in February:
From the reliable comforts of Edwardian England to the chaos and destruction of the First World War, the early 20th century was a defining era in history, a time of unprecedented change, when old certainties were being torn down. The long golden afternoons of the pre-war years would be shattered by the most destructive war the world had ever known, and countless lives would be changed forever.
Set against this backdrop of impending catastrophe is the story of English aristocrat Christopher Tietjens, trapped in a marriage to an unfaithful wife, and caught between his commitment to the values of Toryism and his unspoken love for a fearless young suffragette.
Spanning the glittering, shallow world of London high society, the trench-scarred battlefields of France, and the breathtaking English countryside, the sweeping five-part HBO Miniseries presentation PARADE’S END debuts TUESDAY, FEB. 26 (9:00-11:05 p.m. ET/PT), WEDNESDAY, FEB. 27 (9:00-11:05 p.m.) and THURSDAY, FEB. 28 (9:00-10:00 p.m.), exclusively on HBO. Adapted from Ford Madox Ford’s groundbreaking novels by Sir Tom Stoppard (Oscar®-winner for “Shakespeare in Love”), the drama was directed by Susanna White (HBO’s Emmy®-winning “Generation Kill”).
Benedict Cumberbatch (“Sherlock,” “War Horse”), Rebecca Hall (“Vicky Cristina Barcelona,” “The Town”) and Adelaide Clemens (“The Great Gatsby”) star in PARADE’S END, a Mammoth Screen production for the BBC in association with HBO Miniseries and Trademark Films and BBC Worldwide and Lookout Point; co-produced with BNP Paribas Fortis Film Fund and Anchorage Entertainment; filmed with the support of the Belgian federal government’s Tax Shelter Scheme. The executive producers areMichele Buck and Damien Timmer for Mammoth Screen, Ben Donald for BBC Worldwide, Simon Vaughan for Lookout Point TV, Judith Louis for ARTE France and Tom Stoppard. David Parfitt and Selwyn Roberts produce.
A spoiler-free review can be found here.
Person of Interest returned with Reese in custody, but with a four-way complication for the FBI. Here is a portion of a press conference with executive producers Jonah Nolan and Greg Plageman, posted prior to Friday’s episode:
Do you ever come up with a storyline and then think, “No, we can’t go that far”?
JONAH: Every day. Our writers come up with incredibly bold and great and sometimes subversive and odd pitches. There’s a heightened aspect to the show. I talked a lot about THE X-FILES, in developing the pilot, and Greg and I have referred back to it frequently, because it had a great balance between the case-of-the-week and a serialized, larger mythology that they were telling. But, what they also had was this great dove-tailing connectiveness between the case of the week and that mythology, in the way they interacted with each other. So, we always want the show to reach out as far as it can, as far as jumping from one unexpected world to the next, but with a common thread that emerges from that and giving the sense of a larger, corrupt, weirder universe around them. I was a huge fan of James Ellroy’s books, “American Tabloid” being one of them. There’s a sense that you get from Ellroy’s universe that there are weird machinations at play underneath everything, with his dark gaze on the CIA, on the events of the 1960′s, and on the connection with heroin out of Vietnam. The darker lens that our show takes, looking towards government surveillance and all those sorts of things, is not all that different from THE X-FILES. THE X-FILES universe was a very dark one, in the direction of alien conspiracies. Ours is really about surveillance technologies and the pending odd moment when a number of different entities know more about your life than you do, and I think we’re kind of there. We keep being interested in the larger universe of that, and what impact that has upon our relationship to our government.
GREG: A perfect case in point is that one of our writers saw an article about the massive new surveillance program uncovered by the Wall Street Journal, in terms of predictive pattern matching. It’s a constant steady drumbeat of these types of stories.
Are you going to be returning to the issues with the machine’s growing artificial intelligence?
JONAH: One of the problems we have with the show is that our incredible writers have come up with so many compelling storylines and villains, at least to me. From the beginning, one of the ideas with the show was compelling villains. I love writing villains, and we’ve embraced that. It was one of the first questions J.J. [Abrams] had about the show because he wanted to have that tapestry of villains. They’re so fun, in the way that they drive the plot forward. We have an absolute wealth of them, at this point, with some amazing actors, like Enrico Colantoni, Robert John Burke, Clarke Peters and Amy Acker. I want to keep exploring, and I know our writers want to keep exploring, all of those different storylines, to the degree that we can and to the degree that the audience is willing to go along for the ride. We tend to tell our stories in chapters. Not explicitly because we don’t draw attention to it, but the story keeps a steady simmer going, on some elements. At this point, the A.I. of it all is poised to erupt back into view. But, when you have fantastic actors playing great characters, you want to go back and service those storylines again. None of our villains are ever too far from surfacing, but we like to keep the audience guessing, as to how all these storylines connect together.
For the first time, the characters were following their own divergent interests, even if it was to their own detriment. Is that something that will continue to happen, in the second half of the season?
JONAH: It’s all falling apart.
GREG: I think it’s fantastic that we have two characters who are largely cognizant of the machine and its capabilities, but more so Finch than Reese, obviously. Carter and Fusco are a little bit on a need-to-know basis, and the collision that they have encountered, up to this point, has been more on a municipal level, with HR, Quinn and Simmons. And then, there is the larger nemesis of Root (Amy Acker), who is interested in freeing the machine. When we last saw her, she got away, but we will hear from her again. The great part of all these characters is that they come and they coalesce in interesting ways, on our show, and bump up against each other, all in the fine city of New York. It gives each of our characters their own dilemmas, but they often bump up against each other and need each other’s help.
Jaimie Alexander discussed Thor: The Dark World.
“It’s going to be a bit of a darker feel, and obviously a lot more action. We get to explore the different Realms a lot more and you see a lot more Asgard, and you get to know the people of Asgard. We sort of explore the Thor-Sif relationship a little bit. It’s more like getting a feel of who these people are, and the way they are with each other. It was fun for me and fun for Chris. Again, he and I are almost like brother/sister types too, so I was like ‘maybe that translates into ooh they love each other on camera.’ [laughs] We had a good time making that movie.”
Many genre shows have started in the U.K. and later received followings in the United States. It sounds like Utopia might be a new show worth watching for.
An engineer is petitioning the White House to study the possibility of building a real-life starship Enterprise like the fictional vessel in television’s “Star Trek.”
The proposal was submitted through the White House’s official “We the People” channel, which promises an administration response to any petition that gathers at least 25,000 signatures. Just last month, a petition to build a Death Star like the spherical spaceship in the movie “Star Wars” garnered that critical mass, and is currently awaiting its official response.
The Enterprise proposal comes from an engineer who goes by the name BTE Dan, who detailed plans for constructing a life-size, flyable starship Enterprise on his website last year.
“We have within our technological reach the ability to build the 1st generation of the USS Enterprise,” BTE Dan wrote in the petition, viewable here.
As of this writing, the petition had 3,335 signatures, with more than 21,000 to go.
The project, BTE Dan maintains, wouldn’t be a vanity exercise, but rather a practical step forward for space exploration. [The Top 10 Star Trek Technologies]
“It ends up that this ship’s inspiring form is quite functional,” he wrote. “This will be Earth’s first gigawatt-class interplanetary spaceship with artificial gravity. The ship can serve as a spaceship, space station, and space port all in one. In total, one thousand crew members & visitors can be on board at once.”
Make it so.