This week’s episode of Doctor Who, Dinosaurs on a Spaceship, was a lighter episode which delivered exactly what was promised: dinosaurs on a spaceship. It was not a major episode, but the idea of having dinosaurs on a spaceship sure does appeal to the inner Leonard Hofstadter of every genre fan. There was another bonus: the Doctor got a gang. He actually did the same for A Good Man Goes To War, but at least the Doctor seemed to think he was having fun doing something new.
The show was not intended to be a major episode in the (not entirely consistent) continuity of Doctor Who, but it did raise some questions in my mind. What does it mean for a time traveler to have died–or in this case appeared to have died? When Commissioner Gordon wants to summon Batman, there are no timey-whimey matters to be concerned about. Both Commissioner Gordon and Batman are on the same time line and the dates of the attempt to contact Batman and Batman’s calendar totally coincide. When the people of 2367 AD sent a request for help to the Doctor, why did it happen to reach the Doctor at some point following his adventures in Asylum of Daleks as opposed to another time in his life–especially as the Doctor was now thought to be dead? On the other hand, while they apparently knew the Doctor lived, a computer in this episode was unable to find information on the value of the Doctor because of the belief that he was dead.
There’s also the question of the Doctor’s changing attitude towards the villains he encounters. The Doctor witched the signals of the Silurian ship and Solomon’s ship, causing the missiles to target and certainly kill Solomon. There have been clear differences between different regenerations of the Doctor in his attitude towards killing, considering previous episodes in which the Doctor tried to save Davros and the Master.
I also have my doubts about the possibility of a beach on a spaceship, but who are we to question advanced technology?
Perhaps it is nitpicking such as this which is directed towards Steven Moffat on his Twitter account (as opposed to generally supportive blogs) which led Moffat to close his Twitter page.
Some of the blog criticism this week went beyond nitpicking of this nature. S.E. Smith objected to how women are handled by Moffat over at Think Progress. I think she is confusing the subservient roles inherent to supportive characters with Moffat’s view of women. I don’t see Amy Pond playing second fiddle to the Doctor as making her weak. We don’t see most of her family because of the nature of her back story. Instead her life beyond the Doctor primarily consists of her relationship with Rory. If you want to see how Moffat is capable of writing strong women, check out Coupling, one of the best sit-coms ever written. (Definitely watch the U.K. version as opposed to the attempt of a US network to handle Moffat’s creation.) The character Steve Taylor was largely based upon Moffat himself. Steve’s girlfriend, Susan Walker, was neither weak nor subservient to Steve. Anyone now want to accuse Moffat of writing weak male characters?
We all know about the big event to take place this year–so big that the ancient Mayan calendar chose this for the end date. Moffat provided SFX with some hits as to what it will mean for the Doctor to change companions this season:
“We are going to do the story properly of the Doctor having lost a friend and making a new one. We’re not taking that lightly. It’s not in one door out the other. It’s the story of how all that affects him, why he engages with somebody else and what’s going on with that – that’s all important.
“What does Jenna bring to it? It’s surprising just how much the show changes with a new co-star. The Doctor is quite different with her, and the way you watch them is quite different. You watched the Eleventh Doctor and Amy arrive together. It’s like they grew up in the same sandpit, playing. They felt not quite like equals – the Doctor never feels like an equal to his companion – but you knew them equally well and they were equally important to each other. They formed around each other. And one of the interesting things about writing the Doctor is that he’s so responsive to the people around him. It’s almost like left on his own his personality would slowly disintegrate. He becomes what people want him to be, a little bit. So he’s Amy’s Raggedy Doctor.
“With a different companion he becomes a slightly different man. He dresses differently. The mere fact that he’s so much taller than her suddenly reveals that Matt Smith is very tall, not, as people assume, about average height, because he was about the same height as Karen. He’s the senior man, not in the sense that he’s more important but he’s the one you know already, and he’s training up a new one, as it were. In these five episodes the Doctor is practically the adopted son of Amy and Rory. He’s gone from being the wonderful man from space – Space Gandalf, as he wants to be – to being that troublesome kid that they try and keep under control. They even talked about getting babysitters for him in one unfortunately cut scene. They love him, but they know he’s a big kid, they know they have to look out for him, check he eats and all that. Whereas with the new companion he’s back to being the mysterious spacefarer…”
We have also learned this week that Coleman is 5’2″ and stands on a phone book when filming close up scenes next to Matt Smith. Recent interviews have also suggested that Jenna-Louise Coleman will play the same Oswin Oswald seen in Asylum of the Daleks, and we will learn in the future how she wound up in that situation. If so, I suspect that the Doctor might come up with a way to get her out of that, as opposed to having already shown us the death of the character. Something close to that was already done with River Song.
The title for J.J. Abram’s Star Trek sequel might have leaked out, based upon domain names registered by Paramount. The suspected title is Star Trek Into Darkness. Meanwhile I09 looked back to the original series this week, presenting a list of 10 Things You Probably Didn’t Know About Star Trek: The Original Series.
Fox has ordered a science fiction pilot about LAPD officers with android partners. I am far more interested in a show of this description after finding it is coming from J.J. Abrams and J.H. Wyman.
ABC, which now has Joss Whedon ruling the Marvel universe, has ordered a pilot for a show based upon SHIELD. This does make the most sense as an answer for the desire of ABC to have a television show based in the universe of The Avengers. One cast member from the Avengers universe even spoke to the Democratic Convention. Scarlett Johansson urged young people to get out to vote: