The BBC has released the above picture of Matt Smith and Jenna-Louise Coleman on the set of Doctor Who.
Above is a fan-made trailer for the 50th Anniversary of Doctor Who which has a lot of memorable scenes.
DreamWorks is interested in Glimmer, a movie with time travel elements.
Andrew Scott won a Bafta for his role as Moriarty on Sherlock. Following is a portion of an interview with him:
You just won the best supporting actor Bafta for playing Moriarty in Shrlxok. Did you find the Baftas fun or terrifying?
Terrifying. I’m shy. I remember at my 21st birthday party, I had to make a speech and was so nervous I sounded like I was giving a eulogy at a funeral. So I did genuinely hope that I didn’t have to get up. But of course there’s a little part of you that wants to win.
We’re you surprised at the colossal success of Sherlock?
I kind of knew- I think we all knew- it was going to be really special. I feel very proud that it’s a Sherlock of our age. I really appreciated being allowed to play Moriarty a little left of centre.
How much freedom did you have?
I experimented daily and there were incredibly supportive of that. That’s what you Rally want as an actor: someone saying, ‘Go for it!’ not ‘What are you doing?’
What makes you angry?
Bland television. I don’t like drama that’s just a version of something we’ve already seen. If you’ve been given money and an opportunity to be in front of an audience, why not say something new and original?
TrekMovie.com: You talked about the characters, their relationships and conflict. The last film was all about this family coming together, especially with Kirk and Spock starting out hating each other and growing to, if not like each other, respect each other. This new film is four years later in real time, but not sure in movie time. Are we jumping in to a new spot on their character arcs? Or are we picking up where we left off?
Damon Lindelof: That is a very clever way of asking how much time has elapsed between the movies and that is not something we are commenting on at this point. What we can say is that the big difference with the fundamental crew dynamics as they existed in the first movie and as they roll into this one is the promise at the end of the first movie with James T. Kirk in his yellow shirt is now sitting in the captain’s chair. We have not seen Kirk as the captain of the Enterprise yet. We will see him be the captain in this movie and that changes the dynamic.
TrekMovie.com: Two years ago, before you even started scripting, [producer] Bryan Burk told me you guys were going for something larger in scope. Is it right to say this is a bigger movie?
Damon Lindelof: Sometimes I feel that bigger is not necessarily better. You are just saying “Oh my god this movie is just epic in scale and epic in scope and epic, epic, epic.” But at the end of the day I feel that Trek is at its best when it is intimate and human and relatable. And when I say human, that can include aliens too. But all the things that we view as emotional touchstones: love, loss, and courage and all those themes that are the core of Trek. You sometimes when you want to make a movie too big for its own good, it loses some of those essential values. So we didn’t want that to happen. That being said, JJ’s decision to shoot a lot of the movie in IMAX, definitely makes the film seem a lot bigger and definitely the sequences he directed in IMAX I feel have tremendous scale and energy, without sacrificing any of things that I talked about on an emotional level…
TrekMovie.com: When we talked about Prometheus (see my Movies.com interview with Damon) you mentioned that moving forward you want to challenge yourself with doing original stories and away from more sequels, prequels and comic book adaptations. Does that preclude your working on a third Star Trek movie?
Damon Lindelof: It would be very hard to not be involved in Trek moving forward. We certainly don’t feel that a third movie is a foregone conclusion. Hopefully the second movie turns out well and we are really happy about everything so far. So three movies, again not to do everything that Christopher Nolan does, but if you do it right it’s a good model. But that idea, whether you want to call it a trilogy or not, although I reserve the right to when we are talking four years from now to say “this is the third movie in our trilogy,” but it does feel that three movies is the right responsibility for us to have the baton for before we then pass it off to the people who are take Trek to wherever they want to take it. So if this movie turns out well, would I be writing on the third movie? Who knows? But, we did talk a lot in the writing of this movie and during production about what the next movie might be and started getting excited about some of the ideas, so it would be hard to say no to that. This is a once in a lifetime experience…
Here is a interesting infographic on The Science of Star Trek
Two clips from The Amazing Spider-Man above.
Now there is even talk of a Spider-Man and Avengers crossover.
It hasn’t been a good year for genre shows on network television, with only six of twelve returning according to the count here. Once Upon A Time was the most successful. Several of the shows which are not returning were flawed but did show promise such as Awake, Terra Nova, and Alcatraz.
Genre has done better on cable than on network television. True Blood returns tonight and reportedly this season will be more satirical. The target will be Vampire fundamentalists who take their bible too seriously, but presumably this is also pointed at their human counterparts.
Men in Black catch up with the Doctor