Following the series finale of Awake I found many sites were interpreting the final scene as meaning that it was all a dream, and the accident did not occur. I posted my disagreement with this interpretation. Subsequently interviews with Kyle Killen (such as here) verified my interpretation and answered additional question. The finale went into a different form of dream after Britten was in jail in one of his realities. In this dream, Britten actually met with his self from the other reality, was followed by both of his psychiatrists, and had an unusual meeting with his wife. It might be argued the Britten in jail was the real Britten, having dreams of solving the crime and being the hero in the other reality, and developing a new dream to cope with the reality of being in jail.
Regardless of whether this was the real Britten or a dream within a dream, the episode ended with Britten speaking with Dr. Evans. She attempted to convince Britten that the world with Hannah was just a dream, but Michael then questioned what the “rules” were. Britten never had been interested in finding which reality was true–his desire was to have both his wife and son back alive. His mind coped with the death of one by creating a second reality in which the other survived. His mind now realized that he could create an even better fantasy in which both his son and wife were alive. The immediate feeling upon watching this episode was that this was a happy ending with Britten getting what he wanted. It is also an ending in which Britten is even more out of touch with reality.
Killen described it this way:
Some fans saw the final scene — Britten (Jason Isaacs) seeing both Rex and Hannah in the house — and mistook it as a copout ending revealing the detective had dreamt the entire 13 episodes. “The idea that we’re saying nothing happened, this is St. Elsewhere, was something we actively fought against. You can still hate the finale, you just can’t say that that’s what it did. It’s just wrong and can actually be disproven watching the last four minutes,” Killen says. The show was always conceived as the way that one particular man dealt with grief that he was completely unprepared to handle. “That’s how the season ended — while he’s able to see his wife and child together, if you take a step back, what it really represents is a further fracturing of his psyche,” he says. “You understand that you don’t see your partner in a penguin suit in any version of reality — that grew directly out of the red world in which Hannah is alive [seemingly] revealing itself to be a dream. He just can’t accept that, and then [in the conversation with Dr. Evans] backs into the idea of, Wait, what if I fell asleep in my cell and then everything that happened after that was a dream? What if for the first time I had dream-like dreams in between being awake and being asleep? Once he does that, it’s almost as if his brain seizes that moment and creates precisely the thing that psychologically he’s dying for — and that is a moment with everyone together.”
One big question all season has been whether one reality was true and the other a dream, if there was some sort of quantum universe explanation in which both were equally valid, or whether there would be a conclusion like on Life on Mars in which nothing was real. Watching week by week I found that the evidence was contradictory as to which reality was real and suspected they were equally valid or both unreal. In interviews leading up to the finale Killan had said that one was real and the other was a fantasy which Britten developed due to the horror of losing either his wife or son. The reason that there was such contradictory evidence now appears to be that Killan and the writers did not have a conclusion in mind which settled this:
The show’s producers all had their own pet theories, but nothing was written in stone. “Most people felt like the red world was more likely to be real, just from a logical basis that the death of a child is something that’s out-of-order with nature and much more difficult to deal with than the death of a spouse. It felt like the death of a child is one that you might create a world to undo. So it felt a little bit like the balance was tipped in the red world’s favor, but we constantly adjusted that. One of the things we talked about was if ultimately the green world with his son was real and the red world was his imagination, was it that he couldn’t let his wife go until he’d psychologically worked out something that was unresolved with Hannah? There were arguments for why he simply could not let go of one or the other. We didn’t feel it was necessary to decide which one was his imagination now. We didn’t have a big sitdown and say, ‘This is what Rosebud means.’ We just didn’t approach it that way.”
Watching the finale I had also wondered whether this was written after Killan knew the show was cancelled and was intended to be the ending, or if this was written previously with plans to move on from this point in a second season. Killan revealed that he planned to pick up the second season from this point if the show was renewed:
The finale was written and filmed before the show’s cancellation. “I don’t know how the show could have gone on if the fundamental thing that made it work was taken away,” Killen says. He believes you can make the argument that the world in which wife Hannah survived — the red world — was the real one with just as much vigor. “Look at the state that Britten is in [there]. He’s lost. The woman who destroyed his family has gotten away with it. He’s in prison and he seems to have no hope of getting out of there. He’s essentially indicted himself with his own behavior. So if ever there were a place where you could reach a low that would cause you to create through a psychic break a world in which you do solve all the problems, and you do get the bad guy, and everything does turn out okay… I would think that would be an argument for the red world actually being real and requiring the green world as a dream to make going on seem possible. We, at least internally, made sure we could argue it both ways because going forward, we didn’t intend to have that mystery sewn up in this episode.”
Killan went on to describe how the second season would have picked up the story:
“The discussion was always that that’s where he finds himself when he woke back up in red world. It would be as if all of the dream-like elements had in fact been a dream, and he’d closed his eyes just before the guard knocked on the door and told him he had a visitor [Harper], and we’d treat it as that was the moment he went to sleep. He would know that he’d caught Harper in the other world and that he seemed unable to do anything in red. Ultimately, he would have relied on Vega to help him extricate himself from that situation.”
At that point the narratives would have proceeded in both realities (or technically one reality and one dream state) we saw in the first season, with the addition of the third state seen at the end of the finale:
“You still would have had red and you still would have had green,” Killen says.”We left ourselves open to the possibility that [producers/writers plotting out season 2] would have had a really interesting pitch for what to do with that third space, and whether there was an ongoing narrative we wanted to tell there or whether we wanted to use it as simply a surreal dream space that we could access when we wanted to and how we wanted to that let us bring other weirder elements into the show that we’d always wanted to try.” He suspects it would have been the latter. “Twin Peaks being a show that was very close to my heart and a seminal thing in my childhood, the third space was sort of our Black Lodge. It was a place where almost anything could have happened. What happened initially was he found himself in his house with his wife and his child, but there were a lot of other places we would have taken that dream space. I don’t know that it would have always been that linear or happy. I think it would have been a place where he had a lot less control than he thought.”
If the show continued, Britten would have also had a relationship with Rex’s tennis coach, Tara, as was hinted at in the first season:
“It always felt too soon and difficult to explain. If it’s about a man overcoming the loss of his wife, he’s only overcoming the loss for 12 hours a day. So most of us deal with that by not needing to get into another relationship. What ultimately was needed to really jump-start the alternate relationship was some sort of fracturing in the Hannah-Britten story. That’s exactly what you see us building to at the end of the season,” Killen says. “Once he’s imprisoned and he’s considered essentially a mad man and there’s not really a clear way out, we would have used that and Dr. Evans to really try to convince him that that was his imagination and there was a psychological reason that he was holding himself there. That would have opened the door enough for us to begin something with Tara. And then by the time the red world resolved itself and he was extricated from prison, without really meaning to, he would have gotten himself in two different relationships. By the time things were repaired with Hannah, he would have already begun a relationship with Tara because he had been leading himself to believe that Hannah wasn’t real and it was something that he needed to get over. By the time that flipped on him, he would have been a man divided. That was something we were really eager to explore in the second season.”
Benedict Cumberbatch and Matt Smith presented Steven Moffat with a well-deserved special BAFTA Award. Video of the presentation, including clips from Moffat’s work, is above.
Matt Smith carried the Olympic Torch this week. Pictures and an interview with Smith were posted here, and above is another news clip.
If you every wondered how all eleven Doctors would look if they were dinosaurs, an entire set of pictures can be seen at I09.
Christopher Eccleston continues to insist he will not appear in a 50th reunion episode. He has previously explained this by saying, “I never bathe in the same river twice.” This never sounded like a satisfactory reason, and he has subsequently elaborated without much detail saying, “I know what went on and the people who were involved know what went on. That’s good enough for me. My conscience is completely clear.” Obviously there were problems which have not been made public.
Karen Gillan on her final script for Doctor Who:
I literally couldn’t read it without crying … It was the most highly-charged read-through I’ve ever experienced. But I couldn’t have asked for a better exit. I don’t think it’ll be what people expect.’
Gillan leaving means that Jenna-Louise Coleman has started filming. Her initial filming was behind closed doors so we do not yet know how her character will look.
Merlin is filming season 5.
Sign seen in Colorado above. If Daleks were there, it would certainly be good to warn people. Last year the same area had a sign warning “Zombies Ahead.” That would be another important warning. Besides the obvious hazards, there are serious tax implications to a Zombie Apocalypse, as is discussed in this paper, and summarized here.
House concluded last week with House and Wilson being compared to Holmes and Watson. The series ended in a manner similar to how Moffat’s version of Sherlock ended its second season, with both House and Sherlock faking their own deaths. In addition, Moffat’s other show also ended with the Doctor faking his death. Steven Moffat and Mark Gatiss discussed the finale of Sherlock with The Guardian but gave no clues as to how Sherlock survived. Moffat simply says, “He did it cleverly. Very cleverly. And we know, we’re not telling – next!!” I suspect that there will be aspects which were not clear on screen so I have not worked on a full explanation as to how Sherlock survived, but here are my comments after The Reichenbach Fall originally aired on the BBC.
It seems strangely appropriate that the big war scene which this season of The Game of Thrones has been leading up to will be airing this Memorial Day weekend.