It was a great weekend for television, with an excellent episode of Doctor Who, the season finale of Torchwood: Miracle Day, and a Michigan vs. Notre Dame football game which not only once again wound up being settled by four points scored in the last thirty seconds, but also had three touchdowns in the last seventy-two seconds. In the final second Notre Dame also lost the ball and I believe that if the Michigan player pushing it into the end zone had actual possession it would have been counted as a fourth touchdown in the last seventy-two seconds.
The Girl Who Waited was the economy episode of Doctor Who, having less of the Doctor and minimal use of other cast. While not as great as another Doctor-lite episode, Blink, it was an excellent episode with an interesting timey-whimey idea. A planet with a plague, which killed beings with two hearts, including Time Lords, in one day, set up a Two Stream facility. Those infected with the plague lived in one time stream where they could live out their entire life in one day, while family could watch them from the other time stream over twenty-four hours. After their arrival to the planet, Amy ran back to the Tardis to get her phone. The Doctor, who so far thought they were just at a recreational facility, had the first of two great lines during the episode: “I bring you to a paradise planet two billion light years from Earth and you want to update… Twitter?”
When Amy caught up, she pushed the wrong button and wound up in the wrong time stream. She had to beware of being killed with kindness as medications from this planet would be fatal to her. There were certainly a number of holes in this setup, and a bit of timey-whimey technobabble to try to explain it, but that didn’t prevent enjoyment of the show. After all, as the Doctor explained, “Come on Rory, it’s hardly rocket science, it’s just quantam physics.”
This setup provided for an interesting look at the character dynamics, and gave Karen Gillan the opportunity to play an older version of herself.
It was not surprising to see Amy Pond become bitter about her raggedy man after being left behind for thirty-six years. It was logical for her to prevent the Doctor and Rory from saving the younger version of herself, making her disappear, but in the end there were stronger arguments to the contrary. There was never any doubt that Rory would choose the younger version of Amy over the older, but Rory did realize the cost as he told the Doctor, “You’re trying to turn me into you.” We also saw again that the Doctor lies. I bet that will be important when we see how the Doctor avoids his impending death.
The episode appeared to be totally stand-alone (with it continuing to be strange that Amy and Rory so easily gave up on the idea of rescuing Melody as an infant). I wonder if a show which dealt so strongly with the relationship between Amy, Rory, and the Doctor might wind up having ramifications to be seen later this season.
The Blood Line, the finale of Torchwood: Miracle Day, was a pretty good episode, but still it didn’t have enough payback for a ten-episode story. Considering that there is no real explanation, they did a fair job of explaining how the Miracle came about, using Jack’s immortal blood. I wasn’t clear on why this would make Jack (and cancer cells) mortal, or why they brought Oswald Danes along. The episode did leave a couple of plot threads open, including the tree families moving on to their next plan, with Jilly Kitzinger helping with public relations. A transfusion of Jack’s blood allowed Rex to recuperate as quickly as Jack. I hope that this is a temporary effect of the transfusion, possibly aided by occurring at the same time as the Blessing was reset. Otherwise it wouldn’t be realistic to have Torchwood continue with some many people close to Jack getting killed.
It was a good idea to take a high concept and attempt to make a single-season arc. Children of Earth worked as a third-season story over five days, but ten episodes was too long this year. The writers tried to get around this problem by having a number of subplots. This did not work as the show was set up around solving a single problem, and the subplots often felt like needless distractions.
Sooner or later I also hope to see Torchwood reestablished as a real organization with additional characters. Torchwood might work better modeled somewhat after how Dexter or Fringe have been handled. I would like to see a fifth season in which Torchwood is reestablished. Episodes could deal with building a new team and solving some individual mysteries, while also having a “big-bad” to contend with all season. That way it is not necessary to come up with a monster of the week every week, but individual stories could be mixed with the season-long arc.
We know that Doctor Who will have another thirteen-episode season, but it won’t start until next fall. The future of Torchwood is unknown, despite a tag at the end of the final episode in Australia saying Jack will be back in four months. There is, however, hope of seeing another Tom Baker episode of Doctor Who. Shada, the 1980 Tom Baker episode of Doctor Who written by Douglas Adams, has finally been completed, with a couple of twists:
Given that it has been three decades since the cameras last rolled on the story, the actors involved would never have been able to convincingly play the same age, so Shada has been completed via animation, using only their voices.
The other twist is that this hasn’t been paid for by the BBC, nor even their commercial arm 2|entertain (responsible for the Doctor Who DVD releases). The animation has been privately funded by record producer and fan Ian Levine, and as things stand, the wider public might never get to see it.
Which isn’t Levine’s intention, of course; now that Shada has been finished, he’s hopeful an agreement can be reached with 2|entertain and the story released into the public domain.
Wait a minute. The Doctor and Romana are Time Lords and would hot have aged. The real problem is that they have regenerated into different forms.