The season finale of Dexter was largely predictable, but predicable in a good way. Actions and decisions made were as anticipated as they were set up in previous episodes. We knew it would end with Jordan Chase getting killed. We also knew that Lumen would leave and, while it was always a consideration, I think most fans predicted she would not get killed. Killing Lumen after Rita’s death last year would have been too depressing. There have also been hints in post-season interviews that Lumen might return.
It was also predicable that Deb would wind up at the camp, although she sure did figure out the location quickly. It would have been more plausible if Dexter had left around a paper trail regarding Jordan Chase’s ownership of the camp. The only real question here was whether Deb would arrive to save them from Jordan or, as it turned out, to find Jordan’s dead body. Once the scene was set up with Dexter and Lumen behind the plastic I had no doubt about the ending. It was obvious that this would be the way that Deb could set them free without seeing their faces. The writers had been preparing Deb all season to make the decision for her to sympathize with the unknown (to her) vigilantes. While I wasn’t very fond of the Carlos Fuentes arc earlier in the season, it did lead to Deb believing that there were people who deserved to die and change her view of killing.
Dexter’s decision to save Quinn was also not surprising. He might have let Quinn take the blame for Liddy’s death but even if Dexter saw some benefit in this he would be taking a risk that he would be a suspect once it came out that Quinn had hired Liddy to spy on Dexter. The most important factor might have been Dexter saving Quinn for the sake of his sister. At the moment Quinn is grateful to Dexter, but there is no guarantee he won’t go back to suspecting Dexter sometime in the future, especially should he break up with Deb.
There are still a number of loose ends in the conclusion. Why is Deb given credit for breaking the case when, as far as everyone knows, Jordan Chase is still alive. (I assume she didn’t tell anyone that she saw his dead body when she made the call or there would have been lots of questions when his body wasn’t there). Nobody appears to be questioning why one bullet was shot from her gun. Quinn isn’t necessarily off the hook for Liddy’s death considering all the other evidence implicating him. These include all the phone calls and the faked signature for the surveillance equipment. The hunt for Kyle Butler was also never resolved, and could still create problems for Dexter in the future.
The season ended leaving the writers a free hand as to where to go next season. They could deal with some of these loose ends from the past or move on. The problems between Dexter and Rita’s children were also resolved, with Astor and Cody planning to spend the summer with him. This leaves the writers free to set the next season with the kids living with Dexter or still living with their grandparents.
While Deb did not find out Dexter’s secret this year, they are likely setting this up for a future season. Deb did find out at the end of the first novel, which was very similar to the first season in most respects. This would be a plausible way to shake up the series and maintain continued interest. This is also suggested in an interview with executive producer Sarah Colleton:
A huge moment for Deb: She chooses not to pull back the curtain to discover the identity of Victim 13 and her partner, allowing Lumen and Dexter to go free. Why did you decide to go that way with the story?
Deb has had a really interesting growth over the past five years. If you remember her from year 1, her energy was all over the place and she was coltish and insecure—this delightful unfocused character who slowly over the years has learned to focus all of that energy and she has become a formidable detective. But part of becoming a detective and pursuing the dark side is an awareness that anyone who takes a walk on the wild side never comes back all the way. What may have started out as a rigid sense of what’s right and wrong—what’s good and evil—starts to turn into a bit of gray. And when Deb finally brings down Carlos Fuentes earlier in the season, she’s surprised that she feels nothing—and is intrigued by that sensation. And one of the most subtle conversations between Dexter and his sister takes place over a beer in Dexter’s apartment when she’s going on about how she didn’t feel anything, and Dexter gives her this look and goes, “Dad once told me there are people who deserve to die.” And she looks at him and goes, ‘Do you think there are people that deserve to die?” It’s this moment where Dexter has floated out this little trial balloon. So you see Deb starting to make that turn. And based on her experience with Rudy and in episode 10 when she sees all of those [Barrel Girl] tapes—it’s traumatizing yet strengthening for her—she comes up with the vigilante theory. When she finally gets to the camp and realizes that she has stumbled upon “13” and her helpmate, it’s not until the very end of her speech where she makes that change. And Jennifer Carpenter did a brilliant piece of acting because the character doesn’t know until that very moment that she’s going to do something. It’s a huge, defining moment for Deb. That’s a new Deb who says, “The place is going to be crawling with police in an hour,” and sails up the stairs and goes to Quinn and says, “I don’t care what happened—I love you.” It’s wonderful—and it also opens the door because eventually, some season is going to have to deal with Deb finding out about Dexter.
This would result in a tremendous change in the relationship between Deb and Dexter. In real life there has also been a big change as it was announced last week that Jennifer Carpenter and Michael C. Hall are getting divorced. Apparently it doesn’t work to marry your TV sister. Perhaps Michael C. Hall should warn his former co-star from Six Feet Under as Peter Krause is now dating his TV sister from Parenthood, Lauren Graham.
Moving Fringe to Fridays, where Fox genre shows often go to die, has raised a number comparisons to Firefly–especially as the first episode back in January is named Firefly. The above video takes the opening to Firefly and replaces it with the characters from Fringe.
Even Fox has responded to the concerned raised by moving the show to Fridays in the above promo.
As far back as 1989 we had the fan fiction The Doctor and the Enterprise placing The Doctor in the Star Trek universe. In more recent years video mash ups have become more popular. Above we have a combination of the Doctor Who and Star Wars universes. This gives us eleven Doctors, Amy Pond, Rory, and River Song, including Amy Pond fighting Darth Vader with a lightsaber.
There have been numerous interviews and promotional videos released in preparation for Doctor Who: A Christmas Carol on December 25. This includes an interview with Karen Gillan in ShortList which geeks might find encouraging. Den of Geek has a spoiler-free review based on an early screening of the Christmas special. Life of Wylie has highlights from a Q&A session with Steven Moffat and the stars.
If you prefer an alternative to Doctor Who for your holiday entertainment, The Wall Street Journal has a review of A Klingon Christmas Carol.
Across the country this week, productions of Charles Dickens’ “A Christmas Carol” are warming hearts. In this city, one version poses this question: What if Charles Dickens were a Trekkie?
The answer runs an hour and 20 minutes and includes three fight scenes, 17 actors with latex ridges glued to their foreheads and a performance delivered entirely in Klingon—a language made up for a Star Trek movie.
“It’s like an opera,” says Christopher O. Kidder, the director and co-writer. “You know what’s happening because you already know the story.”
For those not fluent in Klingon, English translations are projected above the stage.
The arc of “A Klingon Christmas Carol” follows the familiar Dickens script: An old miser is visited on a hallowed night by three ghosts who shepherd him through a voyage of self-discovery. The narrative has been rejiggered to match the Klingon world view.
For starters, since there is neither a messiah nor a celebration of his birth on the Klingon planet of Kronos, the action is pegged to the Klingon Feast of the Long Night. Carols and trees are replaced with drinking, fighting and mating rituals. And because Klingons are more concerned with bravery than kindness, the main character’s quest is for courage.
Carrie-Anne Moss, who stared in the fantastic movie The Matrix, and the dreadful movies The Matrix II and The Matrix III, has been signed to star in a Lifetime pilot as a celebrity psychologist.
Thursdays from 8:00 to 8:30 is the best hour of genre comedy television. Big Bang Theory has had lots of major guest stars. Now Community is getting LeVar Burton, who will play himself.