Hollow Man wrapped up the present day story on Dollhouse. As I anticipated, it was somewhat disappointing. It is very common for genre shows with complicated mythologies to be unable to provide a satisfactory conclusion for all the twists on a weekly show. Note their are major spoilers here.
The revelation last week that Boyd was Clyde’s evil partner in the development of Rossum provided a good shocker to end the episode, but it is very difficult to make sense of this. Even if you buy the story that Caroline/Echo is necessary to develop an immunity to having minds wiped, Boyd went about this in a strange way. Rather than have Echo in his own lab, or have Adelle actively working under his direction, he allowed someone as important as Echo repeatedly risk her life as an active. Perhaps this is why Boyd initially acted as his handler, but there this also complicated matters even more by having him out in the field as well.
The episode provided a fake happy ending. Rossum’s main frame was blown up and it looked like the good guys had won. If viewers were to stop watching after this episode there would be different conclusions for those who only watched it on television as opposed to those who have also viewed Epitaph One, which was only released on DVD. Those only viewing on television would so far see the happy ending. In two weeks they would see the apocalyptic future which has been hinted at in the series finale, Epitaph Two.
It is not difficult to understand that the destruction of Rossum in Hollow Man was not a solution. We already know that their mainframe is actually human minds connected around the world and destroying only one site probably would not destroy all of Rossum’s information on mind wiping technology. It is also possible that once the technology was possible others would develop it.
If anyone is hoping that the Dollhouse story will continue elsewhere, such as in comics, Joss Wheden says that this is the end.
In the 1980’s an unauthorized cross over book was published, The Doctor and the Enterprise. TrekMovie.com reviewed some books and interviews with Russell T. Davies and found an actual televised cross over was actually under consideration. A cross over with Star Trek: Enterprise was seriously being considered in 2004 until Enterprise was canceled. There was also consideration of having The Doctor on board the Enterprise for the 2009 Easter special, “puncturing all that Starfleet pomposity with this sheer Doctor-ness”
Caprica debuts on January 22. Executive producer Jane Espenson discussed the show with Airlock Alpha:
“Caprica” itself takes place more than 50 years before the events depicted in “Caprica,” and Friday’s premiere will essentially be the same episode that was released on DVD last year and online late last year, but there will be some differences with added scenes and some other adjustments here and there as “Caprica” goes into series mode.
“Obviously, in the pilot, they were reeling from this immediate attack,” Espenson said of a terrorist attack that affects the main character families of the Graystones and the Adamas. “But our show is going to pick up about a month after. And people will be back in your normal mode, where they can joke and laugh and try to cheer each other up.”
One thing that may never be explained explicitly but what Espenson and her crew had to think about, is how the Twelve Colonies can be on separate planets. Espenson said she worked with “Battlestar” science consultant Kevin Grazier to develop it, and basically the colonies will be a part of a cluster of stars.
“It’s all worked out,” Espenson said. “They are an easy shuttle flight distance from each other, without all crowding into the same orbit.”
Two of the colonies will actually orbit Ragnar, which was featured in the “Battlestar Galactica” pilot, she said. At least one other colony won’t actually be on a planet, but on on a “band” of material situated in a life zone between two uninhabitable planets.
Before the final season of Battlestar Galactica, a picture of the cast based upon the Last Supper was released (posted here). A Last Supper picture has also been released in US Weekly for the final season of Lost, with Locke in the center.
Jack is back, and Katee Sackhoff is also joining the cast. I know some of my liberal friends look down on 24 for its portrayal of torture. Personally I enjoy 24 as escapist fantasy and look down on pro-torture conservatives who are unable to tell the difference between television and reality