SciFi Weekend: A Bionic Companion for The Doctor; Mutiny and Cylons; Veronica Mars Movie; and Death of a Robot

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Michelle Ryan, who briefly stared in the remake of The Bionic Woman, will play The Doctor’s companion in the next Doctor Who special which will air around Easter.

Ryan will play the mysterious Lady Christina de Souza in the special episode, entitled Planet of the Dead.

“I’m a huge fan of Doctor Who and very excited to be joining David Tennant and the Doctor Who team,” she said.

There has also been speculation that Ryan will be brought back to be a regular on the series as Catherine Tate was after first playing Donna Noble in a Christmas special fifteen months earlier.

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This week’s episode  A Disquiet Follows My Soul shows one way they are going to drag out the final episodes of Battlestar Galactica before settling the issues which arose last week. Tom Zarek is starting a mutiny and Gaeta is backing him. Another development was to reveal that Tyrol was not the father of Cally’s baby. Most likely this was done after deciding to make Tyrol one of the final five Cylons as this meant that Cally’s baby appeared to be another half human/half cylon child.

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Tom Zarek is placed by Richard Hatch who also played Captain Apollo in the original series. While Hatch plays a sometimes nutty character on the new show, his costar on the original has some strange ideas in real life. Dirk Benedict, who played Starbuck in the original Battlestar Galactica series, is a right winger who writes in Big Hollywood how the remake isn’t as good as the original due to its liberal viewpoint. (Hat tip to Cliqueclack.) Like many conservatives he prefers that everything be black or white and doesn’t approve of the greater complexity of the current series. Here is his take:

A show in which the aliens (Cylons) are justified in their desire to destroy human civilization, one would assume. Indeed, let us not say who the good guys are and who the bad are. That is being “judgmental,” taking sides, and that kind of (simplistic) thinking went out with Margaret Thatcher and Ronald Reagan and Kathryn Hepburn and John Wayne and, well, the original “Battlestar Galactica.”

Big Hollywood is a group blog recently established to try to win the culture war for conservatives.

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IO9 has found some information from Life On A Baseship, the “bible” of the Cylons written for the show before season three. We will learn even more about the creation of the Cylons in Caprica. Sci Fi Wire has interviewed Ron Moore about the upcoming series:

For you, is Caprica an opportunity to stay in the Battlestar Galactica universe while at the same time pushing a creative restart button?

Moore: Yeah, well, … I don’t know if it’s reset, but it’s certainly a way of capturing the energy of the first season, of “Well, what is the show? Let’s figure out how we tell stories here. Who are these characters? What’s it about? How are we going to tease the audience? Where are we going to take the show?” So there’s this sense of exploration, there’s this sense of uncharted territory. And that’s exciting, and that’s scary. It’s scary to have to get one of these things off the ground and hope that it’s all going to work out and that people will like it, especially when you know that everyone is going to compare it to Battlestar. But that’s kind of the reason why we’re in the business, is to take on those challenges.

Knowing that you had Caprica on the horizon, did you hold back at all on wrapping up the Cylon mythology in Battlestar Galactica in order to give fans an incentive to tune in to the new show? Or does Battlestar Galactica settle it for everyone?

Moore: Galactica is going to pretty much settle it. Caprica will be about how the people on the colonies developed the Cylons. And that has its own story to tell about how that came about. But in terms of the larger mysteries and mythologies and hows and the whys and how everything lays out on Galactica, we set out to answer as many of the questions that we could by the end of the show, and that’s what we did. We didn’t hold anything in reserve and say, “Oh, well, we’ll deal with this over in Caprica.”

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iF  Magazine is making it sound like a Veronica Mars movie really might be made. Rob Thomas has some additional free time since his current series, Cupid, is being cut from thirteen episodes to eight.

“That means I have time to write the VERONICA MARS movie,” he says. “But my writing the movie is half the battle. Someone else has to pay for it. Joel Silver does have a certain pile of money. He called on me saying ‘Can we do this now?’ Kristen wants to do it. Joel wants to do it and I want to do it. For me, that’s the next project.”

Although he wouldn’t reveal exactly what the story would be, he did tell iF, “it’s 70 percent broken in my head.”

“I’ve been struggling with this one plot point and I’m hopeful to figure that out,” he adds. “I watched the final episode of the series a few weeks ago and there were a lot of gaps and the plotting for the original came to me. I mean for the movie, I’m feeling like I’m on the right track now. But I don’t want to give that away yet.

In terms of cast, Thomas says he’s talked with Jason Dohring, Enrico Colantoni and Kristen Bell.

“Obviously,” he says with a smile.

And while there were always talks of the character of Veronica Mars ending up at the F.B.I., he says that’s not where the movie will be heading.

“The one thing that I will say is where it will pick up,” says Thomas. “I know we did that F.B.I. ‘what if’ thing, but we would not go to that place. I think it would open just days before the Hearst College Graduation. So Veronica would be sort of at the end of her college career.

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Drew Berrymore is hoping for another Charlie’s Angels movie.

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Bob May, best known for playing the robot on Lost in Space, died last Sunday of congestive heart failure at age 69.

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