With the writers strike going into six weeks the number of new shows is dwindling. AP presents an update as to which shows still have new episodes and which are on indefinite hiatus. Fortunately there are also some shows planned to start in the winter which already have some episodes completed, including Jericho and Lost. Jericho will resume on February 12 with a run of seven new episodes on Tuesday nights at 10 p.m. What seemed like such a short season has now become almost a norm for this year. One new show, The Sarah Conner Chronicles, even has thirteen episodes ready to air starting with a two night premier on January 13-14.
SciFi Wire received some answers from the producers of Lost, but they won’t come as much of a surprise, or really clear up any mysteries. They reveal that “the show is about redemption. All the characters on this island are confronting the failures of their past and revisiting issues that go to the core of their emotional makeup.” Other comments regarding the meaning of the show include the producers saying, “We are interested in exploring how good and evil can be embodied in the same characters and the struggles we all have to overcome the dark parts of our souls.” The person in the coffin at the end of season three is someone we’ve seen before, but there are no further clues. Walt will return but it doesn’t sound like it will be soon. The Jack/Kate/Sawyer triangle will continue. There will continue to be flashbacks and looks into the future. Jacob will be more important to the show in the future, with the producers realizing that the unveiling of Jacob in the third season did not provide any answers.
Heroes concluded with an episode which was intended to be the end of one arc for the season but which served as a good season finale. They put an end to the threat of the virus which in one alternate future wiped out most of humanity, and Hiro gave the immortal Adam the punishment he deserved in being buried alive–forever (or until they decide to bring him back in a future season). Sylar is now rejuvenated and ready to use his powers for evil, after taking a break to play Spock. At least the strike means Zachary Quinto has some time to film Star Trek without limiting his time for Heroes. The idea of going public may be at an end. HRG is back at The Company, but are they really wise to leave him on the loose? It looks like the end for both Nikki and Nathan, but who knows for sure.
Star Trek XI stars filming Leonard Nimoy’s scenes next week. The X-Files movie begins production next month and is signing stars including Amanda Peet (above), formerly of Studio 60.
The controversy created by the Harry Potter books and movies might be greatly exceeded with the opening of The Golden Compass. The books, especially the second and third, really do have an anti-religious bias and those who objected to Harry Potter will find much more to become upset about. That doesn’t mean they necessarily have to hide from the books or movie. After all, my family watched The Lion, The Witch, and The Wardrobe and we weren’t tempted to give up our liberal, secular ways (or devil worship if you ask Bill O’Reilly). For those fearful of ideas they don’t agree with, I hear that the movie version of The Golden Compass does play down the views of religion presented in the novels. The Guardian reviewed the movie last spring after it premiered at Cannes:
The Golden Compass, the Hollywood adaptation of Philip Pullman’s His Dark Materials trilogy, launched in Cannes yesterday with a sneak preview of the film, which will hit UK cinemas at Christmas.
Chris Weitz, its screenwriter and director, used the event to address speculation about whether the books’ firmly anti-religious message would be retained.
Referring to the Magisterium – the all-powerful religious body that wields total political power in the world of Lyra, the heroine – he said: “In the books the Magisterium is a version of the Catholic church gone wildly astray from its roots. If that’s what you want in the film, you’ll be disappointed. We have expanded the range of meanings that the Magisterium represents.”
He added that there would be no specific marketing to neutralise any potential religious backlash in the US. “We’re going to let the film talk for itself,” he said.
Speaking from his home in Oxford, Pullman told the Guardian: “The Magisterium as I conceived it always did stand for a range of things, including organised religion and secular authority.
“The outline of the story is faithful to what I wrote, given my knowledge of what they’ve done – and given they have compressed a story that takes 11 hours to read out into two hours or so.”
Weitz said: “Philip Pullman is against any kind of organised dogma, whether it is church hierarchy or, say, a Soviet hierarchy. We often deal quite obliquely with it in the film … but we have done service to Pullman’s books. Those people who read them for their philosophical content will not be disappointed.”