The debate will be starting soon (at 9 PM for those of use in the eastern time zone). Clinton and Trump go into the debate with the polls near tied, and with enough voters still undecided for the race to be altered by the debate.
Both campaigns have tried to game the event. Team Clinton has probably done a better job in this regard, as even conservatives agree, even if they are unhappy about it. They have managed to have the news dominated by talk of Trump’s dishonesty, calling on the moderator to fact-check him. Of course it might be hard for Clinton to get away with such a line of attack when neither candidate is trusted, and for good reason.
It is easy to speculate on many ways in which either candidate could come out the winner. Clinton is clearly the more knowledgeable of the two–which has not kept her from being wrong on virtually every major decision of the career, often having to come back later and describe her past decisions as a mistake. Trump might be exposed for just making things up as he goes along and having little grasp of the details of policy. However, this article on the Bush/Gore debate in 2000 from The New York Times shows that the more ignorant candidate can still win.
While I will not predict who will win, I think it is safe to predict the response of the loser. Clinton will blame a loss on sexism, while Trump will claim the debate was rigged against him.
For those who want a different opinion during the debate, Green Party candidate Jill Stein will be giving her answers to the questions via Twitter. Libertarian Party candidate Gary Johnson says he will also be using twitter and making himself available to the media. Of course the problem with the debate system is not only that it is limited to two candidates, but that the two party system limits the types of issues which are even considered, and gives the false impression that major parties provide far more of a choice than they actually do.
Update Post Debate: Donald Trump was not intellectually capable of challenging Hillary Clinton’s long history of bad decisions and poor judgement throughout her career. Clinton was better prepared, and it didn’t take much to out-debate a buffoon like Trump. It is a shame that Jill Stein and Gary Johnson weren’t allowed to participate and provide a more meaningful challenge to Clinton.
The Emmy Awards last week had a couple of pleasant surprises with Tatiana Maslany winning for Lead Actress in a Drama Series (Orphan Black) and Rami Malek winning for Outstanding Lead Actor in a Drama Series (Mr. Robot). Malek accepted his award acting like his television character in saying, “Please tell me you’re seeing this too.” Other wins for genre shows include the expected wins for Game of Thrones, along with Sherlock: The Abominable Bride winning for best TV Movie.
Mr. Robot concluded its second season last week, but unfortunately the season was not up to the level of the first. Perhaps it has problems comparable to the second movie in a trilogy, leaving cliffhangers without the dramatic events which concluded the second season. Sam Esmail discussed the finale with The Hollywood Reporter:
The climax of the finale comes before the final scene: Tyrell shooting Elliot. It effectively ends the argument about whether Tyrell is still real or imagined by Elliot. How important was it to you to definitively answer that question by the end of season two?
That was, to me, the season’s arc. After Elliot’s head-trip, that he goes inside himself and inside this illusion that he uses to cope with the fact that he’s been in prison and inside all of this battle and all of the battles he’s had with Mr. Robot, it’s like the game is over. Elliot has to snap back to reality and literally, it happens with a gunshot, with a bang, by Tyrell.
It brings the season full circle, too, with Mr. Robot repeatedly shooting Elliot in the head in season one, and of course the gun in the popcorn at Coney Island. Chekov rules dictate that this gun had to go off at some point.
Exactly. And it was imperative that this was the defining real — and I kind of want to underline that (laughs) — moment for Elliot, because he’s actually been shot twice in the show now. He was shot in episode four of the first season in that fever dream hallucination, and was obviously continually shot in the beginning of this season. This one, we wanted to make it feel very different.
Mr. Robot tells Elliot that he’s willing to go “all the way.” Apparently, that means allowing himself to be shot. Throughout the series, Mr. Robot has always read as an entity very much interested in self-preservation. What does it say about Mr. Robot and his commitment to the cause that he’s willing to make a sacrifice play?
It redefines the stakes. Mr. Robot was all about self-preservation. Up until this point, that kind of included Elliot, because obviously self-preservation includes Elliot’s body, if you look at it that way. Now? All bets are off. In fact, everything to him is about the plan, and he’s willing to die for this cause. That’s how extreme his passion is for this whole project, for this whole revolution. It kind of realigns the stakes for us. Now Elliot cannot even trust his life with Mr. Robot, which happens to also be Mr. Robot’s life. It also raises the stakes in terms of the extremes Mr. Robot is willing to go through in order to pull off this plan. It’s two different levels that have been kick-started and raised a lot higher for next season…
Esmail discussed the structure of each season,the return of Tyrell, and the cliffhangers in Season 2 with Entertainment Weekly:
So let’s dive in, by the end of the episode, we’re seeing what Stage Two is — or at least what a part of Stage Two is. When was the concept of what Stage Two would be brought up in the writers room? Was that discussed hand-in-hand with how season 1 ended?
That was actually brought up in the writers room — if you can believe it or not — during the first season. That was something that was worked out in my head when I was just thinking about the feature. It was intentionally in that feature stage. We obviously talked about it in the writers room, but if the endgame of the first season was hacking Evil Corp, the endgame of the second season would be to take down their paper records. Once you take down their digital property, you would know that they would then try to rebuild the database and go to analog. That would be the executional plan for the season 2 arc. The way we kind of went about it in the second season was very, very roundabout. One thing that I knew heading into the second season — knowing that was our endgame — was that I did not want this to feel like this was the first season redux: Here’s the new plan, here’s the new arc of the season, here’s the new plot, so let’s watch our guy struggle and figure out how to bring down the building where they’re housing all of these paper records. Going through the conversations, we talked a lot about how to really keep it with Elliot’s storyline and his emotional journey, his struggles with Mr. Robot. We thought that was the most authentic and organic next step to Elliot’s journey anyway. After the big realization, he’s not just going to ignore that and continue on with the plot. That’s how it all folded up with the structure that we came up with for the second season…
Tyrell came back into the picture last week, long after we expected him. What was the conversation like when deciding at which point he reenters?
The decision to keep him out of the season had a lot to do with Elliot. Like I said, going into the second season, we wanted to have Elliot reconcile this relationship with Mr. Robot. He made this damning realization about himself at the end of the first season. Any notion of dismissing that in an episode or two — “Oh, I’m seeing this hallucination, and sometimes he takes over. Okay, now let’s move on and get to the plot” — felt completely disingenuous. It honestly always felt to us that the only way Elliot could proceed is to get into this battle with Mr. Robot, to reconcile how he’s going to live with this, how he’s going to negotiate with this, how he’s going to work through this. That all was predicated on Tyrell’s absence, because once he comes back in, it blows up the whole thing. Whether Mr. Robot lied to Elliot or what he withheld from him, all of the sudden, the show becomes about that and the plot machinations of that and not about what Elliot’s emotionally going through in terms of this serious disorder that he’s discovered about himself. Tyrell’s absence was a byproduct of what we felt Elliot’s journey needed to be for the entire season. Once we Tyrell came in, it went back to those plot machinations, folding Elliot back into the overarching journey of the revolution.
Season 2, arguably, has a bigger cliffhanger than season 1. What do you think are the big questions fans are going to be asking heading into season 3?
I think the one big one will be “What happened to Angela? Has she really been flipped? Or is she now playing some other motivation?” And I think that’s great. I know that people sometimes get frustrated that we leave Angela’s motivations in the dark, but I think that’s what adds to the intrigue of her. That’s why I’m so continually fascinated by her character: You can’t quite nail her down to which side she’s playing. It feels like she’s always playing both sides. I think that’s going to be a big question.
What else? Obviously, Leon and the coda and what will become of our affable heroes, Mobley and Trenton. Darlene and what will become of her relationship with Dom and how that will transpire, especially as that relates to Elliot. I think those will be the questions, but the fans and all of the viewers have always surprised me with the questions they ask. Sometimes they’re questions I didn’t even think we were asking.
Here are a couple of excerpts from an interview which Vulture held with Sam Esmail:
MZS: Why did you make the decision to delay the revelation of the real nature of Mr. Robot until late in the first season, and why did you wait to confirm that Elliot was in fact behind bars in the second season? Why didn’t you just let us in on that from the beginning?
SE: We talked about that. We said, okay, let’s just tell the audience, right? And then he’ll be in prison and then he’ll imagine it away and go into his reprogramming mind, similar to what we did in the pilot. And then someone was like — that someone was probably me [laughter] — what if we didn’t tell the audience? Okay, all right, what does that mean? What do we get out of that? Is there some added value to that, and if not, we shouldn’t do it.
I started looking at it as, well, if we start hinting something is going to be off here, we’re not going to hide it that well. It’s gotta be real. It’s gotta be like, no, there is something a little off, we’re hinting at it, we’re really in his coping mechanism, what Elliot would do, but the audience is going to sense it and is going to maybe predict it, maybe not. I mean, I didn’t really know, but I didn’t really care either way.
In our show, reality becomes our subtext. So if you have a scene with two characters, one of them loves the other, it’s more interesting for that person to hate that person on the surface but subtextually you feel, oh, well that person actually loves them. And you sense that maybe or maybe you don’t, and then you’re surprised when that comes out. Either way, there is another layer of engagement. It’s a lot more interesting. If everybody is saying on-the-nose dialogue to each other, if everything is on the surface, that becomes less intriguing, that doesn’t let me engage on it on a level that I think could be deeper and richer.
We have this opportunity with our character, who is obviously narrating to us and considers us a friend, felt betrayed by us the first season. What if he feels like, well, I’m gonna lie back, I’m gonna withhold from you and I’m not gonna tell you everything. I mean, I’ve not seen this done before, but now we’re developing this weird relationship with the audience. Whether you saw the prison coming or not, that’s not the point. The point is that now you’re having this subtextual relationship with him that you didn’t have in the first season. And then to add that now, under the unreliable narrator device, not only do we see it through his eyes, but he could also be lying to you. That’s another storytelling device that we could throw in…
GE: You’ve talked about how the Arab Spring has inspired the show a bit in terms of the theme of revolution. And, along those lines, this season we see the revolution not working out. But it’s also a very American story in how it focuses on what it feels like to be an outsider. Your star, Rami Malek, is Egyptian-American, as are you, and one of the members of fsociety, Trenton, is an Iranian-American. Are you partly trying to play on the feeling of being an immigrant in America, in terms of building the mood and tone of the show?
SE: Yeah. The thing about it is, when I made those choices, some of them in the screenplay, some of them in casting, which then inspired certain character choices, it was never to talk about it. Elliot is obviously of mixed race, his mother and father are different ethnicities, but we do not talk about it. Trenton, we dip our toe into it, but we do not talk about it, we let it just inform it.
And the reason why, and I did that very deliberately, because when I wrote Elliot I didn’t know, right? I didn’t know who it was gonna be and it didn’t really matter to me. And then when I cast Rami, who is obviously brilliant and perfect for the part, how do I reconcile his ethnicity — is he Egyptian, not Egyptian? I mean is there something here, should I be diving into that? And then I felt like there’s some reverse racism going on here. Wait a minute, I can’t cast Rami unless I address the fact that he is Egyptian in some way? I didn’t want that to now all of a sudden dictate anything about the character that would’ve happened had I cast someone white. But I couldn’t just ignore it either, right? Because it needed to inform who he was.
And then that’s when it grew out, what you were saying, this outcast status or this outcast look about him, that then felt intrinsic to how Rami plays Elliot and how potentially I wrote Elliot. And it all becomes a more subconscious choice. Even when I wrote the Trenton character, and I wrote her in as Iranian-American, I didn’t do that because I wanted to explore Iranian-Americans, I did that because I was thinking about what kind of people would join this group from all walks of life. I’m also kind of reflecting on my own reality, my own circle of friends … that this type of person felt that way, that it felt right to be in this group.
And so it all came from this really genuine place of what organically makes sense, what informs this character that I’m trying to write, or trying to come across in the best way without it being about like, okay, here is this really diverse cast. And honestly, I think that’s really important because one of the things I get worried about with this diversity thing that’s going on right now, I don’t want people to look at it as homework. I don’t want people to write something and say, well, now we’ve gotta make them black and we gotta make them Native American.
Another season of Mr. Robot is in the books. Now that it’s over, what, to you, were the ultimate goals and purpose of this season, as far as evolving the stories of Elliot, fsociety, E Corp, the Dark Army, and everyone else involved in this complicated web?
Ultimately, I believe we succeeded in creating a cohesive second chapter that organically fleshes out the world that fsociety essentially destroyed at the end of the first season. Elliot’s discovery of the Mr. Robot personality opened the door for us to experience his inner conflict and his longing to regain control of himself. Even though he enacted the 5/9 hack, him reconciling his relationship with Mr. Robot was at the top of his priority list. The quest for control and grip on reality is a large component of Elliot’s journey this season. The consequences and repercussions of the hack heavily influenced the other storylines. Price, Whiterose, Darlene, and Angela are all navigating this new world and are forced to confront questionable decisions they made previously.
In the finale, Stage Two is finally revealed, and it has fiery ramifications for Evil Corp. As best as you can, can you summarize what the plan involves, for those who haven’t yet wrapped their heads around it?
Rebuilding their records of loans and debt is the goal here. E Corp is transferring all of their paper financial records — titles, deeds, statements, transactions, credit records — to one of their processing facilities. Their plan is to digitize all of the paper content in an effort to recreate their databases. Knowing this, Elliot/Mr. Robot, Tyrell and the Dark Army have collaborated on a plan that would set off a large explosion in the datacenter of that processing facility. If they’re successful, anything stored in that building (paper documents included) would be destroyed. Stage Two is the logical next step of the original E Corp plan. Remember when Mr. Robot said that you have to take a conglomerate down limb by limb before they can unravel? The paper documents represent another one of E Corp’s limbs.
The Flash returns on October 4. The extended trailer above shows more about the Flash Point story.
Legends of Tomorrow will be much different next season–which is a good thing. Here is the synopsis of the first episode, which guest stars Stephen Amell and airs on October 13:
After the defeat of the immortal villain Vandal Savage and the exposure of the corrupt Time Masters, a new threat emerges. Dr. Nate Heywood (Nick Zano), an unconventional and charming historian, is thrust into the action. After making a shocking discovery, Nate seeks out Oliver Queen (guest star Stephen Amell) for help in finding the scattered Legends. Once reunited, the Legends continue their new mission to protect the timeline from temporal aberrations – unusual changes to history that spawn potentially catastrophic consequences. Their first stop is 1942 to protect Albert Einstein from being kidnapped before the Nazis destroy New York City with a nuclear bomb. Meanwhile, Ray (Brandon Routh) notices that Sara (Caity Lotz) has a mission of her own, which leads them both to face her nemesis, Damien Darhk (guest star Neal McDonough). Victor Garber, Arthur Darvill, Dominic Purcell and Franz Drameh also star. Dermot Downs directed the episode written by Marc Guggenheim & Phil Klemmer and Greg Berlanti & Chris Fedak.
One aspect of the upcoming season which is of interest, the Justice Society of America, is not seen in the trailer.
SciFi Now looks at ARQ, a time travel movie which premiered at the Toronto Film Festival and is now available on Netflix.
The BBC is doing the obvious to get attention for the first episode of Class. Peter Capaldi will have a cameo. This will air on the BBC in October, and be paired with Doctor Who next spring in the United States.
In other Doctor Who related news, The Mary Sue looked at the controversy over what Karen Gillan’s Jumanji costume (picture above).
Maybe it is because I’m used to timey wimey plot lines, but I predicted the twist in This is Us well before it was revealed in the pilot. Now we will have to see where the show goes after this setup. I’m looking forward to checking out all the actual time travel shows premiering this season. There were three episodes of The Good Place, staring Kristen Bell and Ten Danson, last week. The comedy, which does have a genre aspect, was off to an entertaining start.
The debate hasn’t even been held yet, and already Clinton is complaining of sexism. I have never seen a politician who does so much to avoid taking responsibility for their actions. As I’ve recently noted, the Clinton camp is willing to raise charges of sexism over anything, no matter how absurd. Not that I want Trump to win either, but one of the many reasons I don’t want Hillary Clinton to be president is so that we don’t have to put up with the inevitable charges of sexism for opposing Hillary’s likely wars and infringements on civil liberties.
Bringing up Gennifer Flowers and Bill’s extramarital affairs leads to reminders of Bill’s impeachment based upon perjury. Newsweek reveals that Donald Trump could face perjury charges of his own. Trump made a statement during one of the debates which contradicted what he said while testifying in 2007. Either he lied during the debate, which would be nothing new, or Trump committed perjury in 2007.
While I think that Bill’s impeachment was a ridiculous example of overreach, it did set a precedent that perjury is grounds for impeachment.
It is disappointing that in such a brief time the Democratic Party has become the party the neoconservative policies of Bush/Cheney with the nomination of Hillary Clinton. Opposition to the Iraq war has led many people to vote Democratic in recent years. In a previous generation, even though the Vietnam war did begin under Democrats, the continuation of the war under Richard Nixon also led many to vote Democratic. While many Democratic voters appear to have no problem with a nominee wh0 has spent her career undermining liberal values and promoting war, there are some who are protesting.
Adam Walinsky, who worked in the Department of Justice during the Kennedy administration and later served as legislative assistant and speechwriter Robert Kennedy, wrote that he plans to vote for Donald Trump:
I was a Democrat all my life. I came to Washington to serve President John Kennedy and Attorney General Robert Kennedy. When the president was murdered and his brother struck off on his own, I joined his Senate campaign and staff as his legislative assistant and speechwriter, until his presidential campaign ended with his own assassination. I ran on a (losing) Democratic ticket in the New York state elections of 1970. When I was working to enact my own program of police reform in the 1980s and 1990s, then-Governor Bill Clinton was chairman of my National Committee for the Police Corps.
This year, I will vote to elect Donald Trump as president of the United States.
…John and Robert Kennedy devoted their greatest commitments and energies to the prevention of war and the preservation of peace. To them that was not an abstract formula but the necessary foundation of human life. But today’s Democrats have become the Party of War: a home for arms merchants, mercenaries, academic war planners, lobbyists for every foreign intervention, promoters of color revolutions, failed generals, exploiters of the natural resources of corrupt governments. We have American military bases in 80 countries, and there are now American military personnel on the ground in about 130 countries, a remarkable achievement since there are only 192 recognized countries. Generals and admirals announce our national policies. Theater commanders are our principal ambassadors. Our first answer to trouble or opposition of any kind seems always to be a military movement or action.
Nor has the Democratic Party candidate for president this year, Hillary Clinton, sought peace. Instead she has pushed America into successive invasions, successive efforts at “regime change.” She has sought to prevent Americans from seeking friendship or cooperation with President Vladimir Putin of Russia by characterizing him as “another Hitler.” She proclaims herself ready to invade Syria immediately after taking the oath of office. Her shadow War Cabinet brims with the architects of war and disaster for the past decades, the neocons who led us to our present pass, in Iraq, in Afghanistan, Syria, Libya, Yemen, in Ukraine, unrepentant of all past errors, ready to resume it all with fresh trillions and fresh blood. And the Democrats she leads seem intent on worsening relations with Russia, for example by sending American warships into the Black Sea, or by introducing nuclear weapons ever closer to Russia itself.
In fact, in all the years of the so-called War on Terror, only one potential American president has had the intelligence, the vision, the sheer sanity to see that America cannot fight the entire world at once; who sees that America’s natural and necessary allies in this fight must include the advanced and civilized nations that are most exposed and experienced in their own terror wars, and have the requisite military power and willingness to use it. Only one American candidate has pointed out how senseless it is to seek confrontation with Russia and China, at the same time that we are trying to suppress the very jihadist movements that they also are attacking.
That candidate is Donald Trump. Throughout this campaign, he has said that as president, he would quickly sit down with President Putin and seek relaxation of tensions between our nations, and possible collaboration in the fight against terrorists. On this ground alone, he marks himself as greatly superior to all his competitors, earlier in the primaries and now in the general election.
It must also be said: Mr. Trump is an imperfect candidate, and he would surely be an imperfect president. He is crude, often vulgar. He has areas of great ignorance. He insults people and inflicts unnecessary harm. He would be twice the candidate he is if he used half the words. He is often intemperate; though it is not Trump but his opponent who is so intemperate as to compare Putin’s moves in Ukraine to what Hitler did—an insult that throughout all the Cold War and to this day, no American president has ever offered to any Soviet or Russian leader, not even the enormous butcher Josef Stalin, with whom in fact we joined to win the Second World War. And it is not Mr. Trump but Michael Morell, a former CIA director now high in the councils of the Democratic candidate, who has publicly suggested, without rebuke from anyone, that we should begin “killing Russians,” a doubly illegal act of war.
Moreover Trump marks himself as a man of singular political courage, willing to defy the hysteria of the Washington war hawks, the establishment and the mainstream media who daily describe him as virtually anti-American for daring to voice ideas and opinions at variance with their one-note devotion to war…
Scores of Democratic elected officials once spoke and worked tirelessly to end our disastrous war in Vietnam. Today there is only the voice of the marvelous Democratic member of Congress Tulsi Gabbard, a reservist who has twice deployed to Iraq and knows of what she speaks. And it is a Democratic president who sends an endless parade of drones to nations all over the world, flaunting for all to see America’s unique military technology, coupled with our seeming complete carelessness in how that technological prowess destroys people and nations…
So my hope for America is this. First, we must begin immediately to end our involvement in endless, unnecessary and therefore murderous wars. We need our best young people to help us here at home. We need to stop the reckless military spending on more destructive armaments. We need to breathe free again.
We must and will defend civilized order against its deadly enemies. ISIS and its brethren must be eliminated: no quarter, no hesitation. But we will need to engage all civilized peoples in our mutual defense. We must abandon foolish skirmishes and petty jealousies. We must end our reflexive efforts to dominate other developed nations, especially Russia and China.
Walinsky is right in opposing Hillary Clinton for her neoconservative policies and repeated mistakes in the middle east, and her views on increasing conflict with Russia. Unfortunately Trump has been incoherent on foreign policy, at times taking positions both to the left and right of Clinton. While his stated desire to avoid conflict with Russia is one of his few (perhaps only) admirable traits, this often appears to be out of a foolish admiration for Putin in response to compliments from him rather than a coherent anti-war world view. While we cannot afford to go to war against every despot around the world as many nonconservatives such as Clinton appear to desire, we also need leaders who do recognize the evil in their policies.
The tragedy of this election is that neither major party candidate is fit to be president.
I had been arguing for many months before the Democratic nomination that it was very risky for the Democrats to nominate Hillary Clinton. In addition to her many other faults, I argued that the email and Foundation scandals would greatly impair the ability of the Democrats to win the presidency, and would also likely also greatly decrease their chances of winning control of the Senate. Clinton apologists both denied the significance of the scandals, and denied that it would have any bearing on the election. For a while it appeared that it didn’t matter. While Clinton would probably be well behind any other Republican, she had been able to lead Trump (and as of now I think she will still pull it off). However, while Clinton doesn’t understand why she isn’t far ahead, her lead is now precariously small. A single gaffe, an unexpectedly decent performance by Trump in the debates, another revelation from Wikileaks, or any number of other items could now shift the election to Trump. Plus the Democrats’ chances of taking control of the Senate have dropped tremendously.
There are multiple reasons for this, but an op-ed by Thomas Patterson in the The Los Angeles Times provides further evidence that I was right with my warnings in largely blaming the email scandal should Clinton lose:
If Hillary Clinton loses the presidential election in November, we will know the reason. The email controversy did her candidacy in. But it needed a helping hand — and the news media readily supplied that.
My analysis of media coverage in the four weeks surrounding both parties’ national conventions found that her use of a private email server while secretary of State and other alleged scandal references accounted for 11% of Clinton’s news coverage in the top five television networks and six major newspapers, including the Los Angeles Times. Excluding neutral reports, 91% of the email-related news reports were negative in tone. Then, there were the references to her character and personal life, which accounted for 4% of the coverage; that was 92% negative.
The author underestimates the importance of the email and other scandals, and gives Clinton far too much credit for her record considering that she has been wrong on virtually every major decision of her career,only to admit she made a mistake years later. Between the email and Foundation scandals, Hillary Clinton has been found to have violated policy with regards to using a home server rather than a government email system, failed to turn over email for archiving which was sent over personal email, destroyed over half the email falsely claiming it was personal, and failed to disclose all donors to the Clinton Foundation as she agreed to prior to her confirmation.
The State Department Inspector General report showed that Clinton not only violated the rules in effect, but that she failed to cooperate with the investigation and tried to cover up her actions. FBI Director James Comey further showed how she acted irresponsibly, and how many of the statements she has made in public and Congressional testimony over the past year have been false. Clinton unethically made rulings on multiple occasions regarding parties which contributed to the Foundation and/or made unprecedented payments for speeches to Bill Clinton. I’ve previously discussed the Clinton Foundation scandals in greater detail, including here and here. I’ve recently noted how both fact checkers and ethicists viewed the scandals and Clinton’s violations of the ethics agreements which she entered into before becoming Secretary of State, while Common Cause called for an independent audit of the Clinton Foundation well before her nomination.
There was good reason for the media to cover this story. Clinton predictably made it worse for herself as she tried to coverup information, resulting in facts slowly coming out from news cycle to news cycle. She further made matters worse by lying about the matter, and then repeating the same lies when confronted by the fact checkers. This is what caused the story to remain dominant in the news. Plus, regardless of whether it is a good thing, we knew before Clinton was nominated that the media prefers to cover scandals as opposed to complicated matters of policy. As Patterson also wrote:
In today’s hypercompetitive media environment, journalists find it difficult to resist controversies. Political scientist W. Lance Bennett explored this phenomenon around Trump’s 2011 allegation that President Obama was not a native-born American. Trump’s “birther” statements were seized upon by cable outlets and stayed in the headlines and on newscasts for days. Veteran CNN correspondent Candy Crowley even interviewed Trump, who was then not a political figure at all. She justified it by saying on air: “There comes a point where you can’t ignore something, not because it’s entertaining …. The question was, ‘Is he driving the conversation?’ And he was.” In truth, the news media were driving the conversation, as they have with Clinton’s emails.
Nominating Hillary Clinton with all her baggage would be like the Republicans nominating Richard Nixon after knowing about his role in Watergate. It was a remarkably foolish thing to do, and the Democrats now risk paying the price. In contrast, Bernie Sanders polled far better than Clinton did against Donald Trump and other potential Republican candidates. He very likely would also have won the Democratic nomination if not for a system heavily tilted towards helping Clinton and stopping insurgent candidates. Plus if Sanders were the nominee, there would be no scandals to dominate the campaign, and we would definitely be talking about issues.
Donald Trump is once again involved in a Foundation scandal of his own. There are already serious questions regarding his contribution to Florida Attorney General Pam Bondi before her office decided not to investigate Trump University in 2013. The Washington Post has looked further into his “charitable” Foundation. Among other issues, he used money from his Foundation to settle personal legal debts:
Donald Trump spent more than a quarter-million dollars from his charitable foundation to settle lawsuits that involved the billionaire’s for-profit businesses, according to interviews and a review of legal documents.
Those cases, which together used $258,000 from Trump’s charity, were among four newly documented expenditures in which Trump may have violated laws against “self-dealing” — which prohibit nonprofit leaders from using charity money to benefit themselves or their businesses…
If the Internal Revenue Service were to find that Trump violated self-dealing rules, the agency could require him to pay penalty taxes or to reimburse the foundation for all the money it spent on his behalf. Trump is also facing scrutiny from the New York attorney general’s office, which is examining whether the foundation broke state charity laws.
More broadly, these cases also provide new evidence that Trump ran his charity in a way that may have violated U.S. tax law and gone against the moral conventions of philanthropy.
“I represent 700 nonprofits a year, and I’ve never encountered anything so brazen,” said Jeffrey Tenenbaum, who advises charities at the Venable law firm in Washington. After The Washington Post described the details of these Trump Foundation gifts, Tenenbaum described them as “really shocking.”
“If he’s using other people’s money — run through his foundation — to satisfy his personal obligations, then that’s about as blatant an example of self-dealing [as] I’ve seen in awhile,” Tenenbaum said.
The Post sent the Trump campaign a detailed list of questions about the four cases but received no response.
I can’t help but wonder how much more might be discovered if Trump were to release his tax returns, which before Trump had become the norm for politicians running for president.
I initially planned to end this post here, writing only about Trump. However, in looking at reactions elsewhere, I found many pro-Clinton blogs make similar arguments claiming that the only real Foundation scandal involves Trump, while totally ignoring, and denying, the more serious issues raised by the Clinton Foundation. While there is little question that Trump has acted unethically, and very likely illegally, the Clinton scandals are far more significant in terms of electoral politics as they involve the abuse of a government position.
Both Trump and Clinton have acted unethically. Neither is ethically fit for any government office. They are the same type of people, regardless of which letter is after their name. Is is a shame that partisan politics leads so many to look at the faults of one candidate while totally ignoring comparable faults from the candidate of their party. In order to clean up government, it is necessary to hold candidates of both major political parties to higher standards.
The lack of concern for Hillary Clinton’s neocon record on foreign policy, and her far right record on First Amendment issues, by so many Democrats is really disappointing. It is as if they didn’t they learn anything from the horrors of the Bush years. Hillary Clinton appeared clueless when she campaigned for the millennial vote. As I discussed last week, and as David Weigel reported today, Clinton is losing a substantial amount of support to third party candidates.
When George Bush was president, Democrats showed concern for matters such as avoiding unnecessary wars, civil liberties, and government transparency. Now that they have nominated a candidate who is far to the right on these matters, they no longer show any concern. For example, Paul Krugman made a pitch today for millennial voters who are voting for Gary Johnson, but ignored these issues. It makes absolutely no sense to seek the support of those considering Gary Johnson without addressing the main issues which are causing Clinton to lose support to Johnson, along with Jill Stein.
Just as bad is the manner in which Kevin Drum dismissed concerns over military interventionism and civil liberties: ” Unless you’re basically a single-issue voter on civil liberties and military force, it’s hard to see why any lefty of any stripe would even think of supporting Johnson.”
Drum is right in his post in arguing that it would make more sense for Bernie Sanders supporters to support Jill Stein than Gary Johnson, but he certainly diminishes the importance of several issues with the phrase, “single-issue voter on civil liberties and military force.”
These are two of the most important matters considering both the expansion of the warfare/surveillance state since 9/11, and considering which areas fall most directly under the control of the president. Plus these encompass multiple issues.
Civil liberties mattered to Democrats eight years ago. During the 2008 campaign Hillary Clinton was the only Democrat who refused to sign a pledge to restore Constitutional liberties. All the Republican candidates, with the exception of Ron Paul, also refused to sign. As I’ve discussed previously, Clinton’s poor record regarding civil liberties and separation of church and state includes her support for the Workplace Religious Freedom Act , a bill introduced by Rick Santorum and opposed by the American Civil Liberties Union for promoting discrimination and reducing access to health care, leading a campaign to censor video games and introducing a bill making flag burning a felony. Her views mocking freedom of speech when supposedly fighting terrorism sound alarmingly similar to those expressed by Donald Trump. Issues such as the drug war and opposition to the policy of mass incarceration she supported is yet a different issue which leads many to support Johnson and Stein over Clinton.
While Drum has consistently ignored the facts regarding the email scandals, the State Department Inspector General report verified accusations that Clinton violated the rules put into effect to promote transparency, showed that she tried to cover up her actions, and that she failed to cooperate with the investigation. This is just one aspect of the scandals involving Clinton which give millennial voters, and others, reason to distrust Clinton and vote for a third party candidate.
The numerous issues involved here contradict Drum’s mischaracterization of Clinton’s opponents as a single-issue voter. By the same logic, many of the issues which he backs Clinton for could also be lumped together as a single issue. It is no surprise that Gary Johnson is taking votes away from Clinton when he is more liberal than her on military interventionism, civil liberties, the drug war, social issues, and government transparency. There are also several problems with Johnson’s views, making Jill Stein an even better choice for those on the left.
Chloe Bennet sets the stage for Daisy in the upcoming season of Agents of SHIELD, which returns this week:
In light of the Sokovia Accords, S.H.I.E.L.D. has gone legit.
When Marvel’s Agents of S.H.I.E.L.D. returns, there’s a new director (Jason O’Mara), who tasks Agent Coulson (Clark Gregg) & Co. with tracking down enhanced individuals — and that spells trouble for Daisy (Chloe Bennet), who has gone rogue after Lincoln’s death.
“Everyone she’s gotten close to has died,” Bennet tells EW. “Her way of protecting the people that she cares about — which is Coulson and the rest of the team — is to distance herself. She’s doing anything she can to help people and try to makeup for what she feels is her fault.”
But her self-imposed exile doesn’t necessarily make her a hero. “We know from the past that your power comes with a price,” EP Jed Whedon says. “It damaged her when she first used it and you have to learn to control it. Part of her nothing-to-lose attitude has allowed her to unleash her power on a level that’s much more aggressive, but also much more dangerous.”
“She’s in a place where she’s pushing herself beyond her limitations,” EP Maurissa Tancharoen adds. “Whether or not that’s being self-destructive or just trying to be her own version of her best self, we’ll explore that question.”
Spoiler TV also reports that season 4 will include a loose cross over with the upcoming Doctor Strange movie:
“Our ties are at times very direct and at times are more thematic,” EP Jed Whedon tells EW. “The tie this year will feel more of a reflection of the movie, less an interweaving plot. As that movie hits the world, it comes at the right time in our show, and you will see some of those same ideas being explored.”
“The same questions that our team is exploring leading up to the premiere of Doctor Strange, perhaps some of those concepts will be reflected in the movie and then carried through,” EP Maurissa Tancharoen says. Adds Whedon: “Hopefully some of the questions that we’re asking will be answered by it and then pose some new themes and ideas for us to explore.”
Originally January was going to be significant for both the inauguration of the next president and for the start of Star Trek: Discovery. CBS has delayed the premiere from January until May, 2017. StarTrek.com reports:
Star Trek: Discovery will now launch in May, 2017, it was announced this afternoon by CBS All Access. The new premiere date is driven by the creative team’s belief that this will give the show the appropriate time for delivery of the highest-quality, premium edition of the first new Star Trek television series in more than a decade.
“Bringing Star Trek back to television carries a responsibility and mission: to connect fans and newcomers alike to the series that has fed our imaginations since childhood,” executive producers Alex Kurtzman and Bryan Fuller said in a joint statement. “We aim to dream big and deliver, and that means making sure the demands of physical and post-production for a show that takes place entirely in space, and the need to meet an air date, don’t result in compromised quality. Before heading into production, we evaluated these realities with our partners at CBS and they agreed: Star Trek deserves the very best, and these extra few months will help us achieve a vision we can all be proud of.”
Personally I’d prefer that we get Discovery in January, and postpone the inauguration of Donald Trump or Hillary Clinton (indefinitely).
Luke Cage is the next installment of the Marvel Cinematic Universe on Netflix, teaser above. Showrunner showrunner Cheo Hodari Coker discussed the series in an interview with SciFiNow (via MCUExchange):
In an interview with science fiction website SciFiNow, Coker calls Luke Cage a show that is about “a man who moves to a new section of town, which has deteriorated over time.” He goes on to say, “Instead of a saloon, we have a club named Harlem’s Paradise. And inside this ‘saloon’ there is another strong man who is controlling vice and – to some extent – has an amount of control in law enforcement [this would be Mahershala Ali’s crime lord Cornell ‘Cottonmouth’ Stokes], so he gets away with everything.”
When asked about how Luke Cage compares to the other MCU Netflix properties, Coker had this to say:
“Luke Cage has a different feel to Jessica Jones and Daredevil,” explains the self-confessed comic-book fan. “Let’s talk about the elephant in the room right now; it’s a black show. However, at the same time, it’s a different genre to the other shows to some extent, because Daredevil is a crime drama with superhero elements, and Jessica Jones is a psychological thriller, even though it has some classic ‘Sam Spade’ noir moments.”
The promos for HBO’s adaptation of Westworld continue to make me far more interested in the series than I was when it was first announced. SciFi Now has a spoiler-free review of the first four episodes.
Sci-Fi Storm reports on three pilots at the Syfy channel. Here’s the one I find most interesting:
The Machine, based on the 2013 UK cult film, explores humanity through artificial intelligence when a sentient AI is created, but the military wants to use it for war. Caradog James, who directed the film, is an executive producer with Red & Black Films and John Giwa-Amu, the film’s producer.
You may be aware that John Barrowman has been saying, publicly, that I’ve been blocking a new series of Torchwood. To be very clear – I haven’t blocked it; I wouldn’t block it; I wouldn’t even be ABLE to block it. I didn’t even know a revival had been mooted till I read about it on the Internet. As John perfectly well knows, it’s not my show and I could no more prevent it happening that he could cancel Sherlock. I am bewildered, and a little cross, even to be included in this conversation. For the record, I really liked the show (especially the third series) and would be very happy to see more – monsters and mayhem, why not? But the fact is, it has nothing to do with me. Please pass this on to the anxious and the angry – I’ve had enough hate mail now.
The New York Times has an article on how Donald Trump has benefited from subsidies and tax breaks, often obtained through political connections. The article begins:
The way Donald J. Trump tells it, his first solo project as a real estate developer, the conversion of a faded railroad hotel on 42nd Street into the sleek, 30-story Grand Hyatt, was a triumph from the very beginning.
The hotel, Mr. Trump bragged in “Trump: The Art of the Deal,” his 1987 best seller, “was a hit from the first day. Gross operating profits now exceed $30 million a year.”
But that book, and numerous interviews over the years, make little mention of a crucial factor in getting the hotel built: an extraordinary 40-year tax break that has cost New York City $360 million to date in forgiven, or uncollected, taxes, with four years still to run, on a property that cost only $120 million to build in 1980.
The project set the pattern for Mr. Trump’s New York career: He used his father’s, and, later, his own, extensive political connections, and relied on a huge amount of assistance from the government and taxpayers in the form of tax breaks, grants and incentives to benefit the 15 buildings at the core of his Manhattan real estate empire.
Since then, Mr. Trump has reaped at least $885 million in tax breaks, grants and other subsidies for luxury apartments, hotels and office buildings in New York, according to city tax, housing and finance records. The subsidies helped him lower his own costs and sell apartments at higher prices because of their reduced taxes.
Mr. Trump, the Republican nominee for president, has made clear over the course of his campaign how proud he is that “as a businessman I want to pay as little tax as possible.”
While it is impossible to assess how much Mr. Trump pays in personal or corporate income taxes, because he has refused to release his tax returns, an examination of his record as a New York developer shows how aggressively he has fought to lower the taxes on his projects.
Mr. Trump successfully sued the administration of Mayor Edward I. Koch after being denied a tax break for Trump Tower, his signature building on Fifth Avenue. Two decades later, in a lawsuit that spanned the administrations of Mayors Rudolph W. Giuliani and Michael R. Bloomberg, he won a similar tax break for Trump World Tower, a building on First Avenue with some of the city’s highest-priced condominiums in 2001.
The tax breaks for those two projects alone totaled $157 million.
The tax break at the 44-story Trump International Hotel and Tower at Columbus Circle came to $15.9 million.
No possible subsidy was left untapped. After the terrorist attacks on the World Trade Center, Mr. Trump lined up a $150,000 grant for one of his buildings near ground zero, taking advantage of a program to help small businesses in the area recover, even though he had acknowledged on the day of the attacks that his building was undamaged.
“Donald Trump is probably worse than any other developer in his relentless pursuit of every single dime of taxpayer subsidies he can get his paws on,” said Alicia Glen, Mayor Bill de Blasio’s deputy mayor for housing and economic development, who first battled Mr. Trump when she worked in Mr. Giuliani’s administration.
In seeking those subsidies, Mr. Trump is not that different from many other developers. But the level of subsidies he has received along with his doggedness in claiming them seem at odds with his rhetoric as an outsider candidate who boasts of his single-handed success and who has denounced what he calls the pay-to-play culture of politics and a “rigged” system of government.
There is much more detail in the full article.
Donald Trump, who does not have much use for criticism, or for the free press, is threatening to sue. From The Guardian:
In a tweet on Saturday night, the Republican nominee for president wrote: “My lawyers want to sue the failing @nytimes so badly for irresponsible intent. I said no (for now), but they are watching. Really disgusting.”
The tweet marks Trump’s latest attack on the press although litigation is unlikely to succeed. Under the precedent set by the Supreme Court in the landmark case of New York Times v. Sullivan in 1964, any public figure suing for libel must prove a defamatory statement was made with actual malice, “with knowledge that it was false or with reckless disregard of whether it was false or not”.
Besides thinking they are disgusting, I think it is safe to say that Donald Trump also thinks they are losers.